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It’s too far for the grunts but a lone | |
stalker sails easily over my hiding | |
place and clamps its talons around | |
the trunk of a tree ten meters past. | |
Then the tree’s falling, torn free of | |
the earth by a couple of hundred | |
kilograms of metal and jelly using | |
it for a grab-on at thirty meters a second. | |
And the outcropping it | |
jumps to next, crumbling under its |
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Sometimes the Ceph nearly take | |
me out. Sometimes I take fire from | |
an unexpected quarter, SECOND | |
backtracks a bearing, but I can’t | |
see any targets. | |
Crysis: Legion, ERECTION |
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Heavies guard each substation, | |
slow but almost indestructible. | |
Their missiles are easy enough to | |
dodge a few hundred meters out, | |
but the closer you get the less time | |
there is to get out of the way | |
Crysis: Legion, ERECTION |
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Blizzard doesn’t come close. | |
Hurricane misses the mark. Wind | |
tunnel might catch the nuts and | |
bolts, but it can’t convey the gut feeling | |
I don’t know if anything can. | |
The spire breathes you in and for | |
the merest instant it almost seems | |
calm: The walls are a blur but | |
there’s no resistance as long as you | |
just go with the flow. Then you |
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There’s no doubt about the | |
sudden vibration that shakes the | |
walls, though. It shakes me loose | |
and slams me down another endless tunnel. | |
Which actually ends. | |
Maybe the suit keeps the impact | |
from turning me to jelly. Maybe it | |
just keeps the jelly contained in a | |
human-shaped sack. But I’m on the | |
deck now, and the wind screams |
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Alcatraz—Prophet, | |
whatever he calls | |
himself now—there is | |
nothing in his file to | |
suggest any aptitude or | |
special training in the | |
behavioral sciences. | |
Certainly nothing to | |
suggest he was capable | |
of the sort of |
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[Reaction Time/Possible Limit] | |
We were also able to influence the | |
direction of the exchange by | |
periodically exposing PA to | |
subliminal images projected onto | |
the facing wall (duration <20msec | |
to allow for the subject’s increased | |
visual acuity), which were designed | |
to provoke a range of emotional | |
responses. |
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BB 2: Excuse me, but I’ve only | |
just been brought into | |
the loop concerning the | |
esteemed Mr. Alcatraz. | |
Would you be so kind as to give me some | |
examples of these “abilities”? | |
Aiyeola: His linguistic skills have improved | |
significantly over a very | |
short period of time. His | |
memory has become |
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Walters’ head had been twisted around a full hundred | |
and eighty degrees. His chest cavity was a ruin. | |
It looked like something had punched him in the rib | |
cage, very hard. She reached into one of her holdalls | |
and found a pair of surgical gloves and a pen. She | |
inspected Walters’ chest wound and confirmed what | |
she had expected. | |
‘He would have died from the blow to the chest | |
but he was killed when his head was twisted around. | |
Mikey, check the Grendel.’ |
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‘Boss,’ Alan said returning. Amanda was grateful | |
for the interruption. She’d been worried that she was | |
going to say or do something really dumb and possibly | |
quite violent. ‘I’ve got three bullets imbedded in the | |
wall. They were tightly grouped. The other two rounds | |
I can’t account for. I reckon they got shot down the | |
tunnel deeper into the cave complex. I can go look for | |
them.’ Amanda was already shaking her head. | |
‘No way. We go out, we go mob-handed.’ Alan | |
looked relieved. ‘You said two.’ Alan held something |