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Here's the gist: if you have a github repository with a branch called "gh-pages" (instead of the usual "master"), it'll get hosted at http://yourname.github.io/repository. (If you hear the word "branch" and you're like "uh oh", don't worry).
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The Laptop Orchestra was a movement (or perhaps a trend) that in the mid-naughts seemed ripe to take the world of Sonic Art by storm. Since then, the form has largely dwindled. In an unpublished essay, Nicolas Collins describes laptop orchestras as, "lost opportunities--technologies and genres that, like the hologram just haven’t lived up to their promise or hype." But what hype is that? I seek to partially answer that question here. Although they are separated by decades, technology, and media, contemporary Laptop Orchestra works continue a discussion started by Fluxus.
Formally, contemporary laptop orchestra continues the practice of prose scores. Rather than focusing on musical qualities like harmony or rhythm, the event scores of Laptop Orchestra and Fluxus draw attention to the conceptual gesture, then that attention can be directed towards the trappings of performance (What is music? Do we need instruments? What does it mean to play an instrument
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Pre- Term Paper Project Assignment // Andrew Monks
This isn't exactly a
pre-approved performance,
video/DVD with music, or a
score or performance plan
But, if it's acceptable, I'd like to build an informative website about Musique Concrète, focused around Pierre Schaeffer. I'll use Musique Concrète as a lens through which to examine the politics of the mid 20th century, and the music that has developed since then.
On "You're Nogood" and its relationship with Hip Hop
Andrew Monks
October 14, 2015
History of Sonic Art
Terry Riley recorded "You're Nogood" in 1967 or 1968, but it was lost and unreleased until Organ of Corti / The Cortical Foundation put it out on CD in 2000, along with a new extract cut from the Poppy Nogood (and the Phantom Band All Night Flight) performance. The founder of a Philadelphia 'experimental nightclub' attended Riley's All Night Flight concert, described in the liner notes as, "A form of happening where Terry improvised on soprano saxophone and tape-delay feed-back system, otherwise known as the "time-lag accumulator"1 The founder was so excited by Riley's music that he commissioned Riley to make a theme for the nightclub. The result was "You're Nogood". The track incorporates synthesized audio along with tape samples of "You're No Good", by Harvey Averne on Atlantic Records. Writing for AllMusic, Brian