| bps 2 | |
| d1 $ sound "numbers:1 numbers:2 numbers:3 numbers:4" # pan "0 0.5 1" # vowel "a ~ e i o u ~ ~ ~" # gain "0.6" | |
| d2 $ whenmod 8 6 (striate 32 . loopAt 6) $ sound "bd:9*2" | |
| d3 $ slow 1 $ sound "~ hh:8 ~ hh:8" # crush "8" | |
| d4 $ sound "~ cp:6/3" # crush "6" # delay "2.5" |+| delayfeedback "0.5" |+| delaytime "0.5" | |
| d5 $ slow 2 $ every 4 (|=| up "12 -9 24 -7") $ every 6 (rev) $ sound "[bottle*3, can:3*6, metal(6,7)]*2" # up "-12 9 24 17" # gain tri1 |+| delay "1" |+| delayfeedback "1.5" |
| bps 2 | |
| d1 $ whenmod 8 6 (rev) $ sound "[bd:5*2 can:5*2/3 cp?, tabla:1/2]" | |
| d2 $ whenmod 3 6 (rev) $ every 3 (|=| vowel "o") $ every 5 (|=| vowel "a") $ sound "bass:1? ~ ~ bass:4" # up "-3 -4 -8" |
| bps 3 | |
| d1 $ every 3 (density 0.5) $ every 2 (|=| vowel "i") $ every 5 (|+| vowel "o e") $ (sound "[bass:2 ~/5 can] ~/3 ~ bass:5/6" # speed "2 0.5 4 1") | |
| d2 $ sound "[cp*5/2 bass cp*2]%4" # speed "-12 12 6 3 9" | |
| d3 $ every 4 (density 0.5) $ sound "[bd:2 bd:5(3,6), [cp:2(1,6)]/2], [bd:5(2,4)]/3]" | |
| d4 $ every 5 (rev . density 3) $ every 3 ((1%4) <~) $ (sound "[[bd/3 arpy], arpy:4*3/4, [bass/2 ~ arpy:3*3]]" # speed "32 64 4 8") |
Off the top of my head – I didn't listen to a lot of new music this year, so I was tempted to include "best new to me in 2016". Maybe that will be next.
omg Suzi. This is such a fully realized and heartfelt work. Think if DJ Rashad and Bogdan Raczynski had a baby.
| Traktor Scratch’s timecode vinyl and timecode CDs contain an audio signal | |
| constructed from two sinus waves with a frequency of 2 KHz. Serato Scratch and | |
| many other competitors have frequencies of 1khz. This signal is analogue and | |
| can be brought into to the computer through any audio interface. Once in the | |
| computer, the timecode decoder extracts three different types of information | |
| from the incoming signal: | |
| Playback speed of the timecode vinyl or timecode CD, respectively, | |
| Playback direction (forward, backwards) and | |
| Current playback position on the timecode vinyl or on the timecode CD. |
| (ns foobar.config) | |
| (defn request? | |
| "True if the supplied value is a 'valid' ring request map. | |
| We assume validity based off of attributes for a minimal ring request from | |
| https://ring-clojure.github.io/ring-mock/ring.mock.request.html#var-request" | |
| [m] | |
| (and (contains? m :server-port) | |
| (integer? (:server-port m)) |
| (defn server-port | |
| "Returns the port of a running Jetty server. (Implementation note: | |
| connectors are the mechanism through which Jetty accepts network | |
| connections for various protocols.)" | |
| [server] | |
| (let [connectors (.getConnectors server)] | |
| (assert (= 1 (count connectors))) | |
| (.getLocalPort (first connectors)))) | |
| (defn url-helper |
| (defmacro with-system | |
| "start a system, execute the body, and stop the system when done." | |
| [[bound sys] & body] | |
| `(let [system# (component/start ~sys) | |
| ~bound system#] | |
| (try | |
| ~@body | |
| (finally | |
| (component/stop system#))))) |
| { | |
| "slug": "testapp1-1470245742996", | |
| "name": "testApp1", | |
| "preferences": { | |
| "categories": [{ | |
| "id": "0", | |
| "name": "Likes", | |
| "matches": ["(.*) liked your photo"], | |
| "example": "Barry liked your photo" | |
| }, { |
| Each of these "areas" of chaos could be represented by topographs similar to | |
| the Mandelbrot Set, such that the "peninsulas" are embedded or hidden within | |
| the map--such that they seem to "disappear." This "writing"--parts of which | |
| vanish, parts of which efface themselves--represents the very process by which | |
| the Net is already compromised, incomplete to its own view, ultimately | |
| un-Controllable. In other words, the M Set, or something like it, might prove | |
| to be useful in "plotting" (in all senses of the word) the emergence of the | |
| counterNet as a chaotic process, a "creative evolution" in Prigogine's term. If | |
| nothing else the M Set serves as a metaphor for a "mapping" of the TAZ's | |
| interface with the Net as a disappearance of information. Every "catastrophe" |