Art critic and theorist Leo Tolstoy provides a definition of art as the transmission of feeling from one person to another “by means of movements, lines, colors, sounds, or forms expressed in words.” While it is easy to imaging a desire to convey feeling, it is more difficult to construct a compelling argument for a medium for transfer so abstract as movement, lines, colors or sounds. Clear and logical human speech might rightly be favored, except that art’s creation can be traced to the dawn of man, as it is a product of man’s mind.
The human mind can be thought of as the composition of two modes of processing. The “Linear Mode” (L-mode) is responsible for verbal, analytic, rational, and logical functions. In contrast, the “Rich Mode” (R-mode) is responsible for the synthetic, spatial, intuitive, anagogic, and holistic. Even more, these two modes of thought are constantly competing for attention, as only one mode can be “active” at a time (even though both are