Alhadis · February 23, 2026 16:49
diff --git a/The Secret Agent (2025).srt b/The Secret Agent (2025).srt
 1
 00:00:35,328 --> 00:00:37,330
 Man 1: [speaking indistinctly on radio]

 2
 00:00:52,262 --> 00:00:53,471
 [static]

 3
 00:00:53,555 --> 00:00:55,765
 Man 2: [speaking indistinctly on radio]

 4
 00:00:58,434 --> 00:01:03,481
 <i>Who in our generation
 didn’t dance back in the 1950s</i>

 5
 00:01:03,565 --> 00:01:08,695
 <i>to this gorgeous classic
 “Samba no Arpège”?</i>

 6
 00:01:08,778 --> 00:01:12,240
 <i>Waldir had a band.</i>

 7
 00:01:12,323 --> 00:01:15,368
 <i>They played at all the graduation dances.</i>

 8
 00:01:15,451 --> 00:01:18,121
 Man 3: <i>And that chorus? Who sings it?</i>

 9
 00:01:18,204 --> 00:01:21,457
 - <i>The musicians themselves?</i>
 - Man 2: <i>Yes.</i>

 10
 00:01:21,541 --> 00:01:23,376
 And your friend right here.

 11
 00:01:23,459 --> 00:01:26,087
 - Man 4: Yes, I was there too.
 - Man 3: Beautiful.

 12
 00:01:26,171 --> 00:01:31,134
 Man 2: <i>In fact, Waldir himself
 also did the chorus.</i>

 13
 00:01:31,217 --> 00:01:32,093
 Man 3: Beautiful.

 14
 00:01:32,177 --> 00:01:35,680
 Man 2: <i>“Folks who lack verve don’t have
 the nerve to dance, you see.</i>

 15
 00:01:35,763 --> 00:01:38,975
 <i>Samba at the Arpège club
 is as sweet as can be.”</i>

 16
 00:01:39,058 --> 00:01:43,229
 <i>Let’s hear it.</i> “Samba no Arpège”
 <i>by Luiz Bandeira and Waldir Calmon.</i>

 17
 00:01:43,313 --> 00:01:45,356
 ♪ [<i>“Samba no Arpège”</i> playing] ♪

 18
 00:02:06,085 --> 00:02:08,087
 ♪ [man singing in Portuguese] ♪

 19
 00:02:35,406 --> 00:02:39,661
 Our story is set in the Brazil of 1977,

 20
 00:02:39,744 --> 00:02:43,498
 a period of great mischief.

 21
 00:03:12,569 --> 00:03:14,028
 [revving]

 22
 00:03:14,112 --> 00:03:16,614
 Hey. Want me to fill her up?

 23
 00:03:17,615 --> 00:03:19,742
 Don’t worry about that. That’s okay.

 24
 00:03:19,826 --> 00:03:22,620
 - You wanna fill her up?
 - Well…

 25
 00:03:24,956 --> 00:03:26,791
 Yeah, fill her up, but…

 26
 00:03:28,251 --> 00:03:29,752
 What’s that about?

 27
 00:03:29,836 --> 00:03:32,547
 Happened last Sunday.

 28
 00:03:32,630 --> 00:03:35,466
 Poor devil came with a knife
 to steal oil cans.

 29
 00:03:35,550 --> 00:03:38,845
 Rivanildo, the night guy,
 grabbed the 12-gauge

 30
 00:03:38,928 --> 00:03:41,890
 and shot him in the chest and the face.

 31
 00:03:41,973 --> 00:03:43,600
 He never got up again.

 32
 00:03:43,683 --> 00:03:45,977
 Bastard got what he deserved.

 33
 00:03:46,060 --> 00:03:48,188
 Don’t worry, you’re a customer.

 34
 00:03:48,271 --> 00:03:50,482
 Nothing to do with that. Okay?

 35
 00:03:51,691 --> 00:03:54,235
 Fine then. Back up a bit.

 36
 00:03:55,028 --> 00:03:56,529
 - To be near the pump.
 - Okay.

 37
 00:03:56,613 --> 00:03:58,781
 - He been there since Sunday?
 - Yup.

 38
 00:03:58,865 --> 00:04:00,950
 I’ll tell you the whole story.

 39
 00:04:01,826 --> 00:04:03,328
 Oh, oh, oh.

 40
 00:04:03,411 --> 00:04:04,412
 [handbrake ratchets]

 41
 00:04:04,496 --> 00:04:07,707
 He’s been there since Sunday night,
 carnival weekend.

 42
 00:04:10,960 --> 00:04:12,504
 Rivanildo called the owners.

 43
 00:04:13,630 --> 00:04:15,006
 I did too.

 44
 00:04:17,133 --> 00:04:19,093
 No answer.

 45
 00:04:24,933 --> 00:04:27,727
 Rivanildo ran away
 to not be caught red-handed.

 46
 00:04:28,394 --> 00:04:30,939
 {\an8}Went to a carnival party.

 47
 00:04:31,855 --> 00:04:33,525
 {\an8}And I’m here with this mess.

 48
 00:04:35,568 --> 00:04:36,820
 Open the hood.

 49
 00:04:44,285 --> 00:04:46,579
 If I go away,

 50
 00:04:46,663 --> 00:04:48,164
 I’ll lose my job.

 51
 00:04:49,624 --> 00:04:50,875
 If I stay here,

 52
 00:04:51,793 --> 00:04:53,628
 I’m stuck with rotting meat.

 53
 00:04:55,797 --> 00:04:58,216
 I’m almost getting used to this shit.

 54
 00:04:58,299 --> 00:04:59,384
 How much?

 55
 00:05:00,301 --> 00:05:02,887
 - Stop at 120, please.
 - Right.

 56
 00:05:03,429 --> 00:05:05,056
 You didn’t call the cops?

 57
 00:05:05,139 --> 00:05:07,433
 [scoffs] Oh, the cops.

 58
 00:05:07,517 --> 00:05:11,312
 We did. They said they’d come
 by Ash Wednesday.

 59
 00:05:11,396 --> 00:05:13,314
 because it’s too busy in carnival.

 60
 00:05:14,023 --> 00:05:16,025
 No sign of them so far.

 61
 00:05:16,109 --> 00:05:18,069
 It’s now Tuesday.
 Started stinking yesterday.

 62
 00:05:18,153 --> 00:05:19,195
 [dogs barking]

 63
 00:05:19,279 --> 00:05:21,072
 Oh, look at those dogs.

 64
 00:05:21,156 --> 00:05:22,490
 Hey, dogs!

 65
 00:05:22,574 --> 00:05:23,908
 [yelling]

 66
 00:05:23,992 --> 00:05:25,034
 Beat it!

 67
 00:05:25,118 --> 00:05:27,162
 [dogs barking]

 68
 00:05:27,245 --> 00:05:28,246
 Scram!

 69
 00:05:28,329 --> 00:05:29,789
 Damn mongrels. Beat it!

 70
 00:05:29,873 --> 00:05:32,500
 Out of here. What the heck?

 71
 00:05:40,341 --> 00:05:42,844
 [siren wailing]

 72
 00:05:42,927 --> 00:05:44,179
 Thanks.

 73
 00:05:44,888 --> 00:05:45,972
 Goodbye.

 74
 00:05:46,055 --> 00:05:47,432
 At last.

 75
 00:05:50,768 --> 00:05:52,145
 Thank you.

 76
 00:05:52,228 --> 00:05:54,230
 [siren wailing]

 77
 00:05:57,275 --> 00:05:59,527
 [man speaking indistinctly on radio]

 78
 00:05:59,611 --> 00:06:03,490
 {\an8}FEDERAL MOTORWAY POLICE

 79
 00:06:08,745 --> 00:06:10,788
 [siren wailing]

 80
 00:06:15,001 --> 00:06:17,378
 [siren wails]

 81
 00:06:23,384 --> 00:06:25,512
 - [engine turns off]
 - [radio turns off]

 82
 00:06:34,187 --> 00:06:36,356
 He’s been there since Sunday.

 83
 00:06:36,439 --> 00:06:37,565
 You ain’t too soon.

 84
 00:06:37,649 --> 00:06:38,566
 [flies buzzing]

 85
 00:06:40,151 --> 00:06:42,654
 We didn’t even know about that one.

 86
 00:06:42,737 --> 00:06:44,864
 Attendant: Meanwhile, I’m in this misery.

 87
 00:06:45,698 --> 00:06:47,534
 - Officer: Morning, sir.
 - Man: Morning.

 88
 00:06:49,619 --> 00:06:51,955
 Licence and registration, please.

 89
 00:06:54,123 --> 00:06:57,460
 So you’re not here about the body?

 90
 00:06:57,544 --> 00:06:58,545
 Not at all.

 91
 00:06:58,628 --> 00:07:02,507
 My partner asked to pull up
 to check the yellow Beetle.

 92
 00:07:12,058 --> 00:07:15,145
 Can you show me
 your fire extinguisher, please?

 93
 00:07:18,106 --> 00:07:21,025
 Would you step out of the car, sir?

 94
 00:07:22,861 --> 00:07:23,903
 Why?

 95
 00:07:25,572 --> 00:07:27,448
 I need to get inside your car.

 96
 00:07:30,160 --> 00:07:31,578
 You can trust me.

 97
 00:07:32,620 --> 00:07:34,247
 You really need to do that?

 98
 00:07:34,330 --> 00:07:35,248
 I do.

 99
 00:07:35,832 --> 00:07:37,083
 Please, step out.

 100
 00:07:45,884 --> 00:07:47,468
 Wait here, would you?

 101
 00:08:10,158 --> 00:08:11,701
 Fire extinguisher is good.

 102
 00:08:14,078 --> 00:08:15,079
 Yeah.

 103
 00:08:16,206 --> 00:08:17,874
 So it is.

 104
 00:08:22,629 --> 00:08:23,671
 [horn honks]

 105
 00:08:29,969 --> 00:08:31,804
 No drugs in the car?

 106
 00:08:31,888 --> 00:08:33,723
 You don’t smoke pot?

 107
 00:08:35,183 --> 00:08:36,017
 No.

 108
 00:08:39,187 --> 00:08:40,063
 A gun?

 109
 00:08:40,939 --> 00:08:42,774
 I don’t carry a gun.

 110
 00:08:42,857 --> 00:08:45,068
 ♪ [sentimental music playing in distance] ♪

 111
 00:08:45,151 --> 00:08:46,986
 ♪ [music grows louder] ♪

 112
 00:08:57,205 --> 00:08:59,165
 Woman: Keep going. Don’t stop.

 113
 00:08:59,249 --> 00:09:01,000
 [children screaming]

 114
 00:09:15,640 --> 00:09:17,433
 Nobody wants to stop.

 115
 00:09:24,774 --> 00:09:26,818
 Isn’t this spare a bit bald?

 116
 00:09:27,944 --> 00:09:29,612
 That’s a good spare.

 117
 00:09:32,031 --> 00:09:33,158
 All right then.

 118
 00:09:36,578 --> 00:09:37,871
 {\an8}Listen, sir.

 119
 00:09:42,917 --> 00:09:47,922
 {\an8}Would you make a donation
 to the Force’s carnival fund?

 120
 00:09:49,632 --> 00:09:52,927
 - Captain…
 - Not captain. I’m a sergeant.

 121
 00:09:53,887 --> 00:09:54,971
 Sergeant.

 122
 00:09:55,513 --> 00:09:57,515
 I’ve been driving for three days.

 123
 00:09:58,349 --> 00:10:00,977
 I just spent all I had left on gas.

 124
 00:10:04,355 --> 00:10:06,316
 If you want, though…

 125
 00:10:08,902 --> 00:10:12,197
 You can have some of these. Cigarettes.

 126
 00:10:17,160 --> 00:10:18,369
 Can I keep them?

 127
 00:10:18,453 --> 00:10:20,455
 Sure thing.

 128
 00:10:35,386 --> 00:10:36,304
 {\an8}[engine starts]

 129
 00:10:51,194 --> 00:10:53,571
 {\an8}♪ [soft guitar music playing] ♪

 130
 00:10:55,031 --> 00:10:57,367
 {\an8}[whining and barking]

 131
 00:10:57,450 --> 00:10:59,619
 Scram! Get the hell out of here.

 132
 00:11:00,453 --> 00:11:01,538
 Beat it!

 133
 00:11:02,121 --> 00:11:03,122
 Shoo!

 134
 00:11:03,206 --> 00:11:06,084
 Goddamn mangy curs.

 135
 00:11:06,167 --> 00:11:07,210
 [yells]

 136
 00:11:12,632 --> 00:11:15,593
 THE SECRET AGENT

 137
 00:11:40,702 --> 00:11:42,704
 [radio dial tuning]

 138
 00:11:47,542 --> 00:11:50,295
 Man on radio: <i>From Pernambuco to the world.</i>

 139
 00:11:50,378 --> 00:11:54,090
 {\an8}<i>Listeners of </i>Jornal do Commercio<i>,
 good afternoon.</i>

 140
 00:11:54,174 --> 00:11:56,176
 ♪ [march music playing] ♪

 141
 00:12:13,026 --> 00:12:16,112
 {\an8}DRIVEN BY ME
 GUIDED BY GOD

 142
 00:12:16,196 --> 00:12:18,198
 Man on radio: <i>It’s Shrove Tuesday</i>

 143
 00:12:18,281 --> 00:12:22,243
 <i>So you’ve been made a cuckold, huh?</i>

 144
 00:12:22,327 --> 00:12:23,620
 <i>And it hurts?</i>

 145
 00:12:23,703 --> 00:12:27,040
 <i>Might as well sit back and enjoy Chicago.</i>

 146
 00:12:27,123 --> 00:12:30,919
 <i>“If You Leave Me Now”</i>.

 147
 00:12:31,002 --> 00:12:32,462
 <i>♪ If you leave me now ♪</i>

 148
 00:12:32,545 --> 00:12:37,383
 <i>♪ You’ll take away
 The biggest part of me ♪</i>

 149
 00:12:37,467 --> 00:12:38,968
 MACUMBA IS THE POOR MAN’S TWIST

 150
 00:12:39,052 --> 00:12:44,015
 <i>♪ Ooh-ooh, no
 Baby, please don’t go ♪</i>

 151
 00:12:47,101 --> 00:12:50,021
 <i>♪ And if you leave me now ♪</i>

 152
 00:12:50,104 --> 00:12:53,358
 <i>♪ You’ll take away
 The very heart of me ♪</i>

 153
 00:12:53,441 --> 00:12:55,401
 ♪ [playing upbeat music] ♪

 154
 00:12:58,780 --> 00:13:00,073
 [growling]

 155
 00:13:12,919 --> 00:13:14,879
 ♪ [<i>“If You Leave Me Now”</i>
 continues playing on radio] ♪

 156
 00:13:27,892 --> 00:13:34,190
 {\an8}<i>♪ A love like ours
 Is love that’s hard to find ♪</i>

 157
 00:13:36,568 --> 00:13:41,197
 {\an8}<i>♪ How could we let it slip away? ♪</i>

 158
 00:13:45,034 --> 00:13:46,244
 ♪ [song fades out] ♪

 159
 00:13:46,327 --> 00:13:47,954
 PART 1
 THE BOY’S NIGHTMARE

 160
 00:13:48,037 --> 00:13:50,081
 ♪ [melancholic piano music playing] ♪

 161
 00:13:55,420 --> 00:13:58,214
 {\an8}OCEANOGRAPHY DEPARTMENT

 162
 00:14:13,396 --> 00:14:15,106
 [muffled greeting]

 163
 00:14:15,190 --> 00:14:16,608
 Your blessing, Dad?

 164
 00:14:17,150 --> 00:14:18,234
 Chief Euclides.

 165
 00:14:18,318 --> 00:14:21,404
 I need to have a word with my boys.
 Do you mind?

 166
 00:14:21,488 --> 00:14:22,947
 Go on, get lost.

 167
 00:14:27,660 --> 00:14:28,912
 [sighs]

 168
 00:14:31,623 --> 00:14:33,291
 Before I go in…

 169
 00:14:35,793 --> 00:14:37,837
 Give me the lowdown.

 170
 00:14:37,921 --> 00:14:38,963
 Listen, Dad.

 171
 00:14:39,631 --> 00:14:42,717
 I think it’s that punk from last week.

 172
 00:14:43,510 --> 00:14:44,719
 You what?

 173
 00:14:44,802 --> 00:14:46,971
 What the fuck? You out of your mind?

 174
 00:14:47,055 --> 00:14:49,224
 You think I’d pull Dad off
 a carnival party

 175
 00:14:49,974 --> 00:14:51,476
 if it wasn’t serious?

 176
 00:14:52,936 --> 00:14:54,395
 Who’s in charge here?

 177
 00:14:55,104 --> 00:14:56,856
 Aristeu, of the Cordeiro precinct.

 178
 00:14:56,940 --> 00:14:59,526
 Can’t stand that faggot.

 179
 00:14:59,609 --> 00:15:01,110
 Fernando ain’t around?

 180
 00:15:01,194 --> 00:15:02,862
 He is enjoying carnival.

 181
 00:15:03,947 --> 00:15:05,406
 - Any journalists?
 - No.

 182
 00:15:06,032 --> 00:15:07,951
 Only a scientist and some students.

 183
 00:15:10,954 --> 00:15:13,456
 Is it the right one or the left one?

 184
 00:15:13,540 --> 00:15:15,625
 I couldn’t see. I was too far.

 185
 00:15:16,125 --> 00:15:17,585
 It stinks.

 186
 00:15:39,816 --> 00:15:42,068
 Chief Euclides, you needn’t have come.

 187
 00:15:42,152 --> 00:15:44,154
 I’m really almost done here.

 188
 00:15:45,738 --> 00:15:47,740
 [flies buzzing]

 189
 00:15:50,160 --> 00:15:52,162
 [squelching]

 190
 00:15:53,121 --> 00:15:56,624
 I’m Euclides Cavalcanti, chief of police.

 191
 00:15:56,708 --> 00:15:57,750
 At your service.

 192
 00:15:59,878 --> 00:16:03,006
 The specimen was found on Sunday.
 We have to act fast.

 193
 00:16:03,965 --> 00:16:07,051
 - You don’t have a fridge here?
 - It’s broken.

 194
 00:16:07,802 --> 00:16:11,264
 As we were working on it,
 we found the piece—

 195
 00:16:11,347 --> 00:16:13,141
 I mean, the leg.

 196
 00:16:13,224 --> 00:16:17,103
 I started to remove it,
 but I thought it better not to.

 197
 00:16:17,187 --> 00:16:19,147
 We called the police.

 198
 00:16:21,441 --> 00:16:22,859
 Euclides: Damn.

 199
 00:16:23,610 --> 00:16:25,028
 [stammers]

 200
 00:16:25,528 --> 00:16:28,114
 Where was the shark found,

 201
 00:16:28,698 --> 00:16:29,949
 or killed?

 202
 00:16:30,033 --> 00:16:31,993
 One hundred and fifty meters
 from the beach.

 203
 00:16:32,076 --> 00:16:33,328
 Up in Candeias.

 204
 00:16:36,122 --> 00:16:39,667
 Euclides: And the leg, is it of a male?

 205
 00:16:39,751 --> 00:16:41,419
 I’d rather not say anything.

 206
 00:16:41,503 --> 00:16:43,505
 That’s for a medical examiner to say.

 207
 00:16:46,883 --> 00:16:49,969
 - A pocket knife? Don’t.
 - I’m used to this.

 208
 00:16:50,053 --> 00:16:51,888
 You’d damage the specimen.

 209
 00:16:51,971 --> 00:16:54,140
 I’ll remove the piece myself.

 210
 00:16:54,224 --> 00:16:56,392
 Wait over there, please.

 211
 00:16:57,519 --> 00:16:58,645
 No pocket knives.

 212
 00:16:59,395 --> 00:17:00,980
 My gloves.

 213
 00:17:05,360 --> 00:17:07,695
 Euclides: Professor, just a question.

 214
 00:17:07,779 --> 00:17:09,113
 Any pictures taken?

 215
 00:17:11,950 --> 00:17:13,326
 No pictures.

 216
 00:17:14,077 --> 00:17:15,954
 [squelching]

 217
 00:17:18,832 --> 00:17:22,085
 Professor, is the shark male or female?

 218
 00:17:29,925 --> 00:17:31,678
 Male.

 219
 00:17:39,602 --> 00:17:41,563
 ♪ [lively music playing nearby] ♪

 220
 00:17:48,069 --> 00:17:49,487
 - [splashing]
 - Fuck!

 221
 00:17:51,531 --> 00:17:52,490
 Fuck!

 222
 00:17:53,032 --> 00:17:55,034
 Mission accomplished.

 223
 00:17:56,744 --> 00:17:59,372
 Oh, my, you got soaked through.

 224
 00:18:00,665 --> 00:18:02,125
 Over here.

 225
 00:18:03,626 --> 00:18:06,379
 - Dona Sebastiana?
 - Yes, at your service.

 226
 00:18:06,462 --> 00:18:08,131
 - Marcelo?
 - That’s right.

 227
 00:18:08,214 --> 00:18:09,424
 - How are you?
 - Very well.

 228
 00:18:09,507 --> 00:18:11,551
 - I need a ride.
 - Sure. Hop in.

 229
 00:18:16,181 --> 00:18:18,808
 This is Clóvis.
 Get on the running board, kid.

 230
 00:18:18,892 --> 00:18:20,602
 - How are you, man?
 - Good.

 231
 00:18:20,685 --> 00:18:22,854
 - Are you okay there?
 - Yes.

 232
 00:18:22,937 --> 00:18:24,355
 Off we go.

 233
 00:18:24,439 --> 00:18:26,441
 Didn’t the pigs nab you
 when they saw that beard?

 234
 00:18:26,524 --> 00:18:27,859
 Marcelo: [laughs]

 235
 00:18:29,068 --> 00:18:30,695
 They robbed me today.

 236
 00:18:30,778 --> 00:18:32,655
 - How?
 - They stole my cigarettes.

 237
 00:18:32,739 --> 00:18:34,199
 - Give them nothing.
 - [laughing]

 238
 00:18:34,282 --> 00:18:36,242
 You can have some of my cigarettes.

 239
 00:18:36,326 --> 00:18:38,286
 I’d never let them steal mine.

 240
 00:18:38,369 --> 00:18:40,121
 How long you been a smoker?

 241
 00:18:40,205 --> 00:18:41,581
 For 60 years.

 242
 00:18:41,664 --> 00:18:43,249
 You’re joking. How old are you?

 243
 00:18:43,333 --> 00:18:45,668
 Seventy-seven.
 It’s on my birth certificate.

 244
 00:18:45,752 --> 00:18:47,295
 I was born in 1900.

 245
 00:18:47,378 --> 00:18:49,339
 ♪ [playing lively music] ♪

 246
 00:19:17,158 --> 00:19:18,952
 Sebastiana: Give him a hand.

 247
 00:19:19,035 --> 00:19:21,120
 - Clóvis: Can you open the trunk?
 - It’s open.

 248
 00:19:24,749 --> 00:19:25,583
 Whoa.

 249
 00:19:26,876 --> 00:19:28,503
 Welcome.

 250
 00:19:29,546 --> 00:19:31,297
 - Is this the man?
 - It is.

 251
 00:19:31,381 --> 00:19:33,675
 Ah. Welcome.

 252
 00:19:33,758 --> 00:19:35,218
 OFIR MADHOUSE

 253
 00:19:36,928 --> 00:19:39,180
 Got you some beer.

 254
 00:19:40,390 --> 00:19:42,183
 A welcome drink.

 255
 00:19:44,894 --> 00:19:46,896
 Mary Mother of God.

 256
 00:19:47,689 --> 00:19:48,898
 Haroldo.

 257
 00:19:50,150 --> 00:19:51,109
 Marcelo.

 258
 00:19:51,609 --> 00:19:54,070
 Oh, man. [exhales]

 259
 00:19:54,154 --> 00:19:57,740
 This party been going since 7.
 No one’s slept for two nights.

 260
 00:19:57,824 --> 00:19:59,993
 Come on, Dona Sebastiana.

 261
 00:20:00,076 --> 00:20:02,162
 Let’s go home. You better rest.

 262
 00:20:02,245 --> 00:20:03,580
 Haroldo: [mutters then laughs]

 263
 00:20:04,289 --> 00:20:06,332
 - Marcelo: See you later.
 - Welcome.

 264
 00:20:06,416 --> 00:20:07,625
 [laughing]

 265
 00:20:07,709 --> 00:20:09,294
 Sebastiana: Look who’s here.

 266
 00:20:10,211 --> 00:20:11,671
 Tereza Victória.

 267
 00:20:12,213 --> 00:20:14,299
 This is Marcelo, just arrived.

 268
 00:20:14,382 --> 00:20:15,300
 Hello.

 269
 00:20:15,383 --> 00:20:17,260
 - Hi, nice to meet you.
 - You too.

 270
 00:20:17,343 --> 00:20:20,972
 This is António, her husband.
 They’re from Angola.

 271
 00:20:22,223 --> 00:20:24,642
 How’s things over there?

 272
 00:20:24,726 --> 00:20:27,312
 Gosh, you’d better have some time.

 273
 00:20:28,062 --> 00:20:30,356
 We can have a chat and I’ll tell you.

 274
 00:20:30,940 --> 00:20:32,108
 Okay?

 275
 00:20:32,192 --> 00:20:35,695
 Dona Sebastiana,
 they are pretty lively today, huh?

 276
 00:20:35,778 --> 00:20:38,948
 Don’t worry, I’ll ask them
 to turn the music down.

 277
 00:20:39,032 --> 00:20:41,534
 I have a splitting headache.

 278
 00:20:41,618 --> 00:20:42,827
 - I’ll handle it.
 - Okay.

 279
 00:20:42,911 --> 00:20:45,663
 - Welcome.
 - Thanks. Hope you feel better.

 280
 00:20:46,289 --> 00:20:48,208
 - See you later.
 - Nice meeting you.

 281
 00:20:49,125 --> 00:20:51,377
 This is the Ofir.

 282
 00:20:51,461 --> 00:20:54,214
 I’ve lived here for 20 years.

 283
 00:20:54,297 --> 00:20:57,383
 And this is my niece, Geisa’s apartment.

 284
 00:20:57,467 --> 00:21:01,429
 - I got it all ready for you.
 - You really mean business.

 285
 00:21:01,513 --> 00:21:04,682
 - All nice and tidy.
 - It’s a great apartment.

 286
 00:21:04,766 --> 00:21:06,851
 Fully furnished.

 287
 00:21:06,935 --> 00:21:09,896
 I asked Clóvis to come and clean it up.

 288
 00:21:09,979 --> 00:21:13,817
 - Can I put these in the bedroom?
 - Yes, Clóvis.

 289
 00:21:13,900 --> 00:21:18,279
 He cleaned the whole place up
 and removed all the dust.

 290
 00:21:18,363 --> 00:21:22,242
 But I wanted more,
 so I brought some scents yesterday,

 291
 00:21:22,325 --> 00:21:25,453
 fresh rue leaves and coarse salt.

 292
 00:21:25,537 --> 00:21:27,664
 And I performed a cleansing ritual.

 293
 00:21:27,747 --> 00:21:29,916
 You’re wonderful.

 294
 00:21:29,999 --> 00:21:32,836
 - Consider this your home.
 - Thank you so much.

 295
 00:21:34,170 --> 00:21:36,047
 What about you? Are you in school?

 296
 00:21:36,923 --> 00:21:38,341
 - No, I’m not.
 - How come?

 297
 00:21:38,424 --> 00:21:41,386
 He arrived here last month,
 from Rio Formoso.

 298
 00:21:42,178 --> 00:21:45,598
 Running away from his father and uncle.

 299
 00:21:45,682 --> 00:21:48,351
 - Hmm.
 - They wanted him to be a man

 300
 00:21:48,434 --> 00:21:50,395
 the way they wanted.

 301
 00:21:50,478 --> 00:21:52,313
 Clóvis is a man.

 302
 00:21:52,397 --> 00:21:53,773
 - Aren’t you?
 - Yes, I am a man.

 303
 00:21:53,857 --> 00:21:56,818
 Only not the way they want.

 304
 00:21:56,901 --> 00:21:58,778
 So he’s helping me out here.

 305
 00:21:58,862 --> 00:22:01,281
 Does everything I ask, waters the plants,

 306
 00:22:01,364 --> 00:22:03,449
 picks mangoes, does everything.

 307
 00:22:03,533 --> 00:22:05,201
 Then after the soap opera,

 308
 00:22:05,285 --> 00:22:06,995
 he goes to bed.

 309
 00:22:07,078 --> 00:22:09,247
 We’ll see about his school later.

 310
 00:22:09,372 --> 00:22:10,915
 You need to go to school.

 311
 00:22:10,999 --> 00:22:12,709
 [meows]

 312
 00:22:12,792 --> 00:22:14,669
 So there’s a cat in the house.

 313
 00:22:19,757 --> 00:22:21,926
 [meows]

 314
 00:22:25,263 --> 00:22:27,599
 Dona Sebastiana, what is this?

 315
 00:22:29,309 --> 00:22:31,060
 Are you allergic to cats?

 316
 00:22:31,144 --> 00:22:33,730
 No, I do like cats, but…

 317
 00:22:33,813 --> 00:22:37,150
 They were born out in the country.

 318
 00:22:37,233 --> 00:22:40,528
 They were gonna be put down.
 Geisa brought them here.

 319
 00:22:40,612 --> 00:22:43,740
 This is Liza and Elis.

 320
 00:22:43,823 --> 00:22:44,657
 [chuckles]

 321
 00:22:44,741 --> 00:22:46,576
 - Liza and Elis?
 - Yes.

 322
 00:22:47,911 --> 00:22:50,997
 Marcelo: Liza and Elis.

 323
 00:22:51,831 --> 00:22:53,958
 Do they come with the apartment?

 324
 00:22:54,042 --> 00:22:55,293
 Sort of.

 325
 00:22:55,376 --> 00:22:59,672
 When Geisa went away,
 she left me the cats.

 326
 00:22:59,756 --> 00:23:05,053
 They were up there with me,
 but kept coming to scratch at the door.

 327
 00:23:05,803 --> 00:23:10,517
 So I thought, “Goodness, they miss Geisa
 so much they’ll ruin the door”.

 328
 00:23:10,600 --> 00:23:13,728
 So I asked Clóvis to make that hole.
 It’s ugly as hell.

 329
 00:23:13,812 --> 00:23:16,105
 I told you it would be ugly.

 330
 00:23:16,189 --> 00:23:17,065
 Yes, you did.

 331
 00:23:17,148 --> 00:23:19,025
 It’s all my fault, honey.

 332
 00:23:19,108 --> 00:23:21,319
 But it’s ugly, can’t be denied.

 333
 00:23:21,402 --> 00:23:22,654
 Ruined the door.

 334
 00:23:23,363 --> 00:23:26,115
 Now cats and dogs come and go.

 335
 00:23:28,451 --> 00:23:32,205
 Girls, this is Marcelo,
 who I told you about.

 336
 00:23:32,288 --> 00:23:34,207
 Marcelo, that’s Joana there.

 337
 00:23:34,290 --> 00:23:36,459
 And the chubby one is Maria.

 338
 00:23:36,543 --> 00:23:38,169
 Hi there.

 339
 00:23:38,253 --> 00:23:39,295
 Excuse me.

 340
 00:23:39,838 --> 00:23:41,840
 They work in the building.

 341
 00:23:42,590 --> 00:23:44,175
 Hello, Dona Sebastiana.

 342
 00:23:44,259 --> 00:23:48,429
 My new neighbour Cláudia
 and her daughter Débora.

 343
 00:23:48,513 --> 00:23:50,515
 - Hello.
 - Hi, nice to meet you.

 344
 00:23:50,598 --> 00:23:51,599
 Nice to meet you.

 345
 00:23:51,683 --> 00:23:53,518
 What’s with the girl’s head?

 346
 00:23:53,601 --> 00:23:54,686
 Lice.

 347
 00:23:55,186 --> 00:23:56,729
 She’s infested.

 348
 00:23:56,813 --> 00:23:59,023
 Cláudia is a teacher and a dentist.

 349
 00:24:00,733 --> 00:24:02,318
 Separated.

 350
 00:24:02,402 --> 00:24:04,362
 She’s lovely.

 351
 00:24:04,445 --> 00:24:07,615
 - She came here to meet you.
 - Stop it.

 352
 00:24:07,699 --> 00:24:08,575
 Cláudia: Of course not.

 353
 00:24:08,658 --> 00:24:10,410
 - [chuckles]
 - Sebastiana: It’s gonna work out.

 354
 00:24:10,493 --> 00:24:11,744
 I was just passing by.

 355
 00:24:11,828 --> 00:24:13,705
 I like to spill the beans.

 356
 00:24:13,788 --> 00:24:16,833
 - Some piece of work you are.
 - Whatever happens…

 357
 00:24:16,916 --> 00:24:18,459
 - [laughs]
 - Cláudia: No, Dona Sebastiana.

 358
 00:24:18,543 --> 00:24:20,461
 - Marcelo: Nice to meet you.
 - Likewise.

 359
 00:24:20,545 --> 00:24:22,839
 - Welcome to our building.
 - Thanks.

 360
 00:24:22,922 --> 00:24:25,633
 If you need anything, I live upstairs.

 361
 00:24:25,717 --> 00:24:27,719
 - The floor above?
 - Cláudia: Yeah.

 362
 00:24:27,802 --> 00:24:29,929
 - Is Clóvis up there?
 - Sebastiana: He is.

 363
 00:24:30,013 --> 00:24:32,265
 I’ll ask him to get me cigarettes.

 364
 00:24:32,849 --> 00:24:34,392
 Marcelo: Good meeting you.

 365
 00:24:34,476 --> 00:24:36,769
 Now you know everything.

 366
 00:24:40,064 --> 00:24:42,066
 I have something for you.

 367
 00:24:43,568 --> 00:24:44,694
 Here.

 368
 00:24:45,612 --> 00:24:49,115
 You have to be there very early
 on Friday morning.

 369
 00:24:49,199 --> 00:24:51,910
 - At 5 in the morning.
 - Thank you.

 370
 00:24:53,953 --> 00:24:55,955
 It’s great to be able to help.

 371
 00:25:07,258 --> 00:25:09,219
 ♪ [eerie music playing] ♪

 372
 00:25:58,101 --> 00:26:00,061
 ♪ [<i>“Retiro — Tema de Amor
 Número Três”</i> playing] ♪

 373
 00:26:22,000 --> 00:26:29,007
 <i>♪ I found a house on the seafront ♪</i>

 374
 00:26:29,591 --> 00:26:31,676
 <i>♪ There’s coconut trees ♪</i>

 375
 00:26:31,759 --> 00:26:38,766
 <i>♪ And a hammock for us to put up ♪</i>

 376
 00:26:39,517 --> 00:26:44,814
 <i>♪ And then, love ♪</i>

 377
 00:26:44,898 --> 00:26:49,444
 <i>♪ I’ll feel love in your arms ♪</i>

 378
 00:26:49,527 --> 00:26:52,447
 <i>♪ In beautiful splendour ♪</i>

 379
 00:26:52,530 --> 00:26:54,657
 <i>♪ And then ♪</i>

 380
 00:26:54,741 --> 00:26:58,995
 <i>♪ We’ll follow the road
 No longer only the two of us ♪</i>

 381
 00:27:01,873 --> 00:27:03,917
 ♪ [man continues singing] ♪

 382
 00:27:17,180 --> 00:27:20,892
 JAWS

 383
 00:27:23,144 --> 00:27:24,270
 ♪ [song fades out] ♪

 384
 00:27:25,688 --> 00:27:27,690
 All those sharks.

 385
 00:27:29,150 --> 00:27:33,154
 Yeah, Grandpa.
 I was drawing that movie poster.

 386
 00:27:33,238 --> 00:27:34,322
 Hmm.

 387
 00:27:37,826 --> 00:27:40,537
 When will I be able to see it?

 388
 00:27:42,330 --> 00:27:44,916
 Fernando, it’s rated 14.

 389
 00:27:44,999 --> 00:27:46,000
 Fernando: [whines]

 390
 00:27:46,918 --> 00:27:48,920
 Plus, you’ll have nightmares.

 391
 00:27:49,754 --> 00:27:52,257
 I already have nightmares, Grandpa.

 392
 00:27:56,636 --> 00:27:58,638
 ♪ [tense music playing] ♪

 393
 00:28:30,044 --> 00:28:32,797
 If I had any peace left,
 it’s gone for good.

 394
 00:28:32,881 --> 00:28:35,216
 Dona Lenira, I’m going to see my son.

 395
 00:28:36,593 --> 00:28:38,595
 ♪ [tense music continues] ♪

 396
 00:28:45,143 --> 00:28:47,353
 You really think you should be here?

 397
 00:28:48,354 --> 00:28:50,648
 I will see Fernando, Mr. Alexandre.
 Is he in?

 398
 00:28:58,823 --> 00:29:00,825
 ♪ [tender music playing] ♪

 399
 00:29:04,162 --> 00:29:05,288
 Fernando.

 400
 00:29:11,794 --> 00:29:15,757
 Fernando: There was a leg inside a shark.

 401
 00:29:17,175 --> 00:29:19,511
 Were you afraid? A human leg?

 402
 00:29:19,594 --> 00:29:21,513
 Yeah, a human person’s leg.

 403
 00:29:21,596 --> 00:29:24,974
 - You saw that on TV?
 - On Grandpa’s radio.

 404
 00:29:26,184 --> 00:29:28,478
 You can’t see things on Grandpa’s radio.

 405
 00:29:28,561 --> 00:29:30,313
 You can only hear.

 406
 00:29:30,396 --> 00:29:36,319
 We’ll have to find the guy
 who lost his leg and stick it back on.

 407
 00:29:37,403 --> 00:29:38,863
 [laughs]

 408
 00:29:38,947 --> 00:29:42,784
 With a screw or…

 409
 00:29:42,867 --> 00:29:45,078
 some glue or a bit of string.

 410
 00:29:45,161 --> 00:29:48,122
 - Or sew it back on.
 - Right.

 411
 00:29:48,206 --> 00:29:49,958
 With that thing.

 412
 00:29:53,837 --> 00:29:57,298
 Dad, can Mum be with us here now?

 413
 00:29:57,382 --> 00:29:59,592
 ♪ [lively music playing on radio] ♪

 414
 00:29:59,676 --> 00:30:03,596
 Our memory of your mum
 is here with us now.

 415
 00:30:04,347 --> 00:30:09,853
 When we think about someone,
 it’s like having them with us.

 416
 00:30:14,399 --> 00:30:16,276
 But can she come back?

 417
 00:30:19,112 --> 00:30:20,446
 No, son.

 418
 00:30:21,447 --> 00:30:23,449
 Mum got sick and died.

 419
 00:30:24,159 --> 00:30:26,161
 She’s not coming back.

 420
 00:30:26,244 --> 00:30:29,831
 Remember when you had a cold
 and you had a high fever?

 421
 00:30:31,082 --> 00:30:33,293
 Yes, I remember.

 422
 00:30:33,918 --> 00:30:38,298
 Pneumonia means
 the fever is way, way higher.

 423
 00:30:38,381 --> 00:30:42,177
 Wow, like 50 degrees?

 424
 00:30:42,886 --> 00:30:44,262
 Like 50.

 425
 00:30:45,930 --> 00:30:48,016
 So sad, isn’t it?

 426
 00:30:50,435 --> 00:30:52,604
 It is, but you and I are here.

 427
 00:30:53,813 --> 00:30:57,317
 And Mum is also with us.
 Our memory of her is.

 428
 00:30:57,400 --> 00:31:01,488
 And I’m not living with you now,
 only because I can’t.

 429
 00:31:01,571 --> 00:31:03,948
 But I came here for that reason.

 430
 00:31:04,032 --> 00:31:05,200
 All right?

 431
 00:31:05,283 --> 00:31:08,828
 In order for us to live
 and be together forever.

 432
 00:31:08,912 --> 00:31:10,205
 You and me.

 433
 00:31:13,041 --> 00:31:15,043
 ♪ [pensive music playing] ♪

 434
 00:31:38,858 --> 00:31:43,363
 <i>♪ I love to love you, baby ♪</i>

 435
 00:31:43,446 --> 00:31:48,243
 <i>♪ I love to love you, baby ♪</i>

 436
 00:31:48,326 --> 00:31:53,248
 <i>♪ I love to love you, baby ♪</i>

 437
 00:31:53,331 --> 00:31:58,253
 <i>♪ I love to love you, baby ♪</i>

 438
 00:31:58,336 --> 00:32:01,297
 <i>♪ I love to love you, baby ♪</i>

 439
 00:32:01,381 --> 00:32:03,258
 {\an8}SÃO PAULO STATE

 440
 00:32:03,341 --> 00:32:08,263
 {\an8}<i>♪ I love to love you, baby ♪</i>

 441
 00:32:08,346 --> 00:32:12,976
 - <i>♪ I love to love you, baby ♪</i>
 - [singer moans]

 442
 00:32:13,059 --> 00:32:15,728
 [song continues on car radio]
 <i>♪ When you’re laying so close to me ♪</i>

 443
 00:32:15,812 --> 00:32:17,856
 That’s always playing at The City.

 444
 00:32:18,731 --> 00:32:19,691
 Oh, yeah?

 445
 00:32:20,441 --> 00:32:22,068
 What about the women?

 446
 00:32:22,152 --> 00:32:25,446
 - <i>♪ I love to love you, baby ♪</i>
 - [singer moans]

 447
 00:32:25,530 --> 00:32:26,406
 Good.

 448
 00:32:26,489 --> 00:32:27,323
 Ah.

 449
 00:32:27,407 --> 00:32:28,783
 [chuckles]

 450
 00:32:28,867 --> 00:32:30,869
 SÉRGIO MOTTA DAM

 451
 00:32:33,830 --> 00:32:35,999
 There’s Oliveira.

 452
 00:32:36,791 --> 00:32:38,751
 - Oliveira.
 - Lieutenant.

 453
 00:32:43,006 --> 00:32:45,008
 ♪ [song continues playing on radio] ♪

 454
 00:32:46,718 --> 00:32:49,721
 You know, I don’t usually
 ask questions, but…

 455
 00:32:51,264 --> 00:32:52,557
 I got curious.

 456
 00:32:54,267 --> 00:32:55,810
 What’s with this old woman in the back?

 457
 00:33:00,064 --> 00:33:02,150
 What will I get if I tell you?

 458
 00:33:06,738 --> 00:33:08,490
 Fucking zilch.

 459
 00:33:08,573 --> 00:33:10,533
 <i>♪ I love to love you, baby ♪</i>

 460
 00:33:11,743 --> 00:33:16,122
 <i>♪ I love to love you, baby ♪</i>

 461
 00:33:16,789 --> 00:33:20,335
 <i>♪ I love to love you, baby ♪</i>

 462
 00:33:20,418 --> 00:33:22,253
 - ♪ [music stops] ♪
 - [car engine idles]

 463
 00:33:27,258 --> 00:33:28,718
 [gunshots]

 464
 00:34:11,845 --> 00:34:13,847
 [splashing]

 465
 00:35:10,611 --> 00:35:11,738
 [horn honking]

 466
 00:35:13,823 --> 00:35:14,699
 Fuck.

 467
 00:35:16,868 --> 00:35:18,077
 Fuck off.

 468
 00:35:20,121 --> 00:35:23,124
 [engine starts then revving]

 469
 00:35:26,669 --> 00:35:28,296
 What about that woman?

 470
 00:35:28,379 --> 00:35:29,923
 I’m curious.

 471
 00:35:34,594 --> 00:35:38,223
 Feels like an itch you can’t scratch, huh?

 472
 00:35:52,445 --> 00:35:54,447
 Inheritance and envy.

 473
 00:36:01,246 --> 00:36:03,248
 [typewriter keys clacking]

 474
 00:36:05,834 --> 00:36:07,836
 ♪ [retro rock organ music playing] ♪

 475
 00:36:17,846 --> 00:36:19,848
 [typewriter keys continue clacking]

 476
 00:36:33,862 --> 00:36:35,155
 They just got here.

 477
 00:36:35,822 --> 00:36:37,115
 I’m almost done.

 478
 00:36:38,366 --> 00:36:41,161
 {\an8}GHIROTTI COMPONENTS OF BRAZIL

 479
 00:36:52,088 --> 00:36:53,798
 This is the person.

 480
 00:37:01,931 --> 00:37:04,267
 Apparently, he’s fled to Recife.

 481
 00:37:04,350 --> 00:37:07,770
 I’ll find out more and I’ll let you know.

 482
 00:37:07,854 --> 00:37:11,524
 Is he white, indigenous, brown, or black?

 483
 00:37:11,608 --> 00:37:12,817
 He’s white.

 484
 00:37:13,526 --> 00:37:14,777
 Line of work?

 485
 00:37:16,029 --> 00:37:18,781
 It’s in that paper.

 486
 00:37:21,826 --> 00:37:24,996
 The one on the right with the beard.

 487
 00:37:25,079 --> 00:37:28,875
 Hmm. A guy like him…

 488
 00:37:30,293 --> 00:37:32,754
 As you must know, it’s more expensive.

 489
 00:37:35,965 --> 00:37:39,302
 I’ll charge you 60,000 cruzeiros.

 490
 00:37:39,385 --> 00:37:42,972
 Plus travel, accommodation, and expenses.

 491
 00:37:46,309 --> 00:37:48,603
 I’ll pay 40,000.

 492
 00:37:51,689 --> 00:37:53,441
 I want a first-class service.

 493
 00:37:53,525 --> 00:37:56,277
 And I don’t want any kind of trouble.

 494
 00:37:56,361 --> 00:37:59,781
 Don’t contact me again.
 Pretend I don’t exist.

 495
 00:38:01,199 --> 00:38:02,492
 You’re on your own.

 496
 00:38:05,161 --> 00:38:07,497
 With all due respect, Mr. Girotti,

 497
 00:38:07,580 --> 00:38:08,832
 Ghirotti.

 498
 00:38:09,582 --> 00:38:11,626
 Mr. Ghirotti.

 499
 00:38:12,293 --> 00:38:15,672
 We’ve fought
 a few battles together before.

 500
 00:38:15,755 --> 00:38:19,300
 There’s no point pretending to negotiate

 501
 00:38:19,926 --> 00:38:22,387
 when you know my price is fair.

 502
 00:38:22,470 --> 00:38:24,472
 Sixty thousand cruzeiros.

 503
 00:38:24,556 --> 00:38:25,640
 Thirty thousand now.

 504
 00:38:25,723 --> 00:38:27,684
 Thirty thousand later.

 505
 00:38:28,685 --> 00:38:30,895
 - You two always together?
 - Always.

 506
 00:38:30,979 --> 00:38:35,567
 That’s right.
 We’ll sign the contract together.

 507
 00:38:35,650 --> 00:38:38,778
 Now, if you don’t agree,

 508
 00:38:38,862 --> 00:38:40,864
 I understand and respect it.

 509
 00:38:45,326 --> 00:38:47,912
 This holiday just flew by.

 510
 00:38:50,206 --> 00:38:52,458
 He’s a despicable man.

 511
 00:38:54,836 --> 00:38:56,212
 I want…

 512
 00:39:03,553 --> 00:39:04,762
 a hole.

 513
 00:39:07,265 --> 00:39:08,516
 A hole?

 514
 00:39:09,559 --> 00:39:10,935
 In his mouth.

 515
 00:39:12,437 --> 00:39:14,522
 Make him a dummy, you understand?

 516
 00:39:16,524 --> 00:39:18,067
 ♪ You can rest assured. ♪

 517
 00:39:19,402 --> 00:39:20,528
 Ghirotti: All right.

 518
 00:39:21,404 --> 00:39:22,697
 Sixty thousand it is.

 519
 00:39:30,121 --> 00:39:30,997
 Cláudia: Hmm?

 520
 00:39:32,248 --> 00:39:33,458
 Hmm.

 521
 00:39:35,210 --> 00:39:38,463
 So no cavities, huh?

 522
 00:39:39,255 --> 00:39:40,381
 [speaking indistinctly]

 523
 00:39:40,465 --> 00:39:41,966
 I have tartar.

 524
 00:39:42,050 --> 00:39:44,969
 There. Found one.

 525
 00:39:45,637 --> 00:39:47,180
 And it’s huge.

 526
 00:39:47,263 --> 00:39:48,181
 [groans]

 527
 00:39:48,264 --> 00:39:49,641
 Easy.

 528
 00:39:49,724 --> 00:39:51,100
 Sebastiana: Marcelo!

 529
 00:39:54,813 --> 00:39:56,564
 Yes, Dona Sebastiana?

 530
 00:39:56,648 --> 00:40:00,235
 Sebastiana: The groceries are here.
 Come meet Valdemar.

 531
 00:40:02,237 --> 00:40:04,405
 - Your time is up.
 - Oh, no, it’s not.

 532
 00:40:06,533 --> 00:40:07,659
 [chuckles]

 533
 00:40:11,246 --> 00:40:13,248
 [chuckling]

 534
 00:40:20,713 --> 00:40:22,006
 [chuckles]

 535
 00:40:24,843 --> 00:40:26,135
 I don’t feel like kissing.

 536
 00:40:26,219 --> 00:40:27,178
 Shh.

 537
 00:40:27,679 --> 00:40:30,807
 - What do you mean?
 - We did too much kissing already.

 538
 00:40:31,432 --> 00:40:32,267
 Hmm.

 539
 00:40:39,607 --> 00:40:40,775
 Okay then.

 540
 00:40:50,493 --> 00:40:52,245
 You know Geisa’s story?

 541
 00:40:52,996 --> 00:40:54,998
 Dona Sebastiana’s niece?

 542
 00:40:57,083 --> 00:41:00,503
 The owner of that bed, of this home.

 543
 00:41:02,463 --> 00:41:03,715
 [sighs]

 544
 00:41:04,799 --> 00:41:08,469
 I was told she went away
 and left her things here.

 545
 00:41:11,139 --> 00:41:12,348
 That’s not true.

 546
 00:41:14,642 --> 00:41:16,644
 Her fiancé killed her.

 547
 00:41:18,563 --> 00:41:21,941
 Got angry because she got a scholarship
 to study in Germany.

 548
 00:41:23,443 --> 00:41:25,445
 What are you telling me?

 549
 00:41:28,448 --> 00:41:31,284
 - What a tragedy.
 - Yes.

 550
 00:41:45,924 --> 00:41:47,300
 How do you know that?

 551
 00:41:49,469 --> 00:41:51,471
 Dona Sebastiana told me.

 552
 00:41:53,515 --> 00:41:56,935
 I realised she was telling people
 a different story.

 553
 00:42:08,071 --> 00:42:09,405
 Valdemar: Dona Sebastiana.

 554
 00:42:09,489 --> 00:42:10,990
 - Hello.
 - How are you?

 555
 00:42:11,533 --> 00:42:13,952
 I’m well. I’ve felt worse.

 556
 00:42:14,035 --> 00:42:16,704
 But for a 77-year-old, I’m doing great.

 557
 00:42:22,627 --> 00:42:23,628
 Joana.

 558
 00:42:26,464 --> 00:42:28,466
 Hey, good morning.

 559
 00:42:28,550 --> 00:42:29,592
 Morning.

 560
 00:42:30,093 --> 00:42:32,804
 - You’re ready, darling?
 - You called, ma’am?

 561
 00:42:32,887 --> 00:42:34,889
 Can you collect my groceries?

 562
 00:42:34,973 --> 00:42:36,641
 Where were you?

 563
 00:42:36,724 --> 00:42:39,769
 Out helping someone who had a toothache.

 564
 00:42:45,150 --> 00:42:46,818
 He giving you any trouble?

 565
 00:42:46,901 --> 00:42:49,696
 I am giving him trouble.
 He’s in good hands.

 566
 00:42:49,779 --> 00:42:51,364
 I’m in love with this woman.

 567
 00:42:51,447 --> 00:42:52,991
 - Our guardian.
 - She is.

 568
 00:42:53,074 --> 00:42:54,909
 - He is well taken care of.
 - [laughs]

 569
 00:42:54,993 --> 00:42:58,163
 So tell me, you bring that every week?

 570
 00:42:58,246 --> 00:42:59,914
 Every Thursday.

 571
 00:43:00,623 --> 00:43:02,959
 My parents own a farm.

 572
 00:43:03,042 --> 00:43:05,503
 We gather whatever surplus we have.

 573
 00:43:05,587 --> 00:43:07,547
 And I bring over fruit, vegetables…

 574
 00:43:07,630 --> 00:43:10,216
 - So we don’t have to go out there?
 - Right.

 575
 00:43:10,300 --> 00:43:11,634
 Maria!

 576
 00:43:12,510 --> 00:43:14,596
 - Haroldo: Dona Sebastiana.
 - Sebastiana: Hello.

 577
 00:43:15,555 --> 00:43:17,098
 - Morning, Valdemar.
 - Valdemar: Morning.

 578
 00:43:17,182 --> 00:43:18,850
 Hi, Marcelo.

 579
 00:43:18,933 --> 00:43:21,394
 You’re checking out our refugee groceries?

 580
 00:43:22,979 --> 00:43:24,272
 Any mangabas today?

 581
 00:43:24,939 --> 00:43:27,275
 No, we’re out of mangabas.

 582
 00:43:28,318 --> 00:43:29,569
 Uh…

 583
 00:43:29,652 --> 00:43:32,197
 Let’s try to avoid that word, shall we?

 584
 00:43:32,280 --> 00:43:34,365
 We don’t use it here.

 585
 00:43:35,241 --> 00:43:36,409
 “Mangaba”?

 586
 00:43:36,493 --> 00:43:37,994
 “Refugee”.

 587
 00:43:38,661 --> 00:43:40,038
 What are we then?

 588
 00:43:41,664 --> 00:43:42,999
 [scoffs]

 589
 00:43:44,834 --> 00:43:45,752
 Huh?

 590
 00:43:46,628 --> 00:43:48,588
 ♪ [sombre music playing] ♪

 591
 00:44:08,024 --> 00:44:09,400
 Woman: Flávia.

 592
 00:44:11,152 --> 00:44:12,070
 Hang on.

 593
 00:44:12,153 --> 00:44:13,029
 [clicking]

 594
 00:44:13,112 --> 00:44:16,074
 - Say again?
 - Which date are you listening to?

 595
 00:44:16,866 --> 00:44:19,786
 February 25, 1977.

 596
 00:44:19,869 --> 00:44:21,788
 What about you?

 597
 00:44:21,871 --> 00:44:24,165
 The ‘78 tape.

 598
 00:44:24,916 --> 00:44:26,376
 Of Sebastiana.

 599
 00:44:26,459 --> 00:44:27,585
 Right.

 600
 00:44:29,504 --> 00:44:30,797
 [clicking]

 601
 00:44:33,508 --> 00:44:35,343
 Sebastiana: <i>The arrangement was</i>

 602
 00:44:35,426 --> 00:44:39,013
 <i>for him to go to the office
 at 5 in the morning</i>

 603
 00:44:39,097 --> 00:44:43,434
 <i>and ask for Anísio,
 who was our contact there.</i>

 604
 00:44:43,518 --> 00:44:44,811
 <i>And so he went.</i>

 605
 00:44:46,646 --> 00:44:50,108
 PART 2
 IDENTIFICATION INSTITUTES

 606
 00:44:50,191 --> 00:44:51,234
 Wake up.

 607
 00:44:53,278 --> 00:44:54,988
 Keep an eye out.

 608
 00:44:55,071 --> 00:44:57,907
 “Human leg found in shark’s…”

 609
 00:44:57,991 --> 00:45:02,245
 [chuckles] Nothing here I don’t already
 know, and there’ll never be.

 610
 00:45:02,328 --> 00:45:06,249
 Get a load of that.

 611
 00:45:06,332 --> 00:45:10,378
 “Agronomy student still missing”.

 612
 00:45:10,461 --> 00:45:12,922
 Dear Lord, how unlucky can you get?

 613
 00:45:13,006 --> 00:45:13,882
 Sérgio: Mmm-hmm.

 614
 00:45:13,965 --> 00:45:16,509
 We couldn’t have known he was a good boy.

 615
 00:45:16,593 --> 00:45:18,761
 How were we supposed to know?

 616
 00:45:28,021 --> 00:45:30,607
 ROBERTO SANTELMO
 INSTITUTE FOR IDENTIFICATION

 617
 00:45:35,653 --> 00:45:37,655
 [muttering]

 618
 00:45:38,698 --> 00:45:40,074
 Look at that.

 619
 00:45:40,617 --> 00:45:45,205
 Why do you worry so much
 about what the papers say?

 620
 00:45:45,288 --> 00:45:49,000
 Because there could be some little
 communist fuckers

 621
 00:45:49,083 --> 00:45:52,128
 trying to trip us up, son.

 622
 00:45:54,088 --> 00:45:56,758
 Sérgio: As long as there’s no body,
 we’ll be fine.

 623
 00:45:56,841 --> 00:45:58,801
 Just the leg will get them nowhere.

 624
 00:45:58,885 --> 00:45:59,928
 Euclides: Now…

 625
 00:46:00,720 --> 00:46:02,180
 What about the leg?

 626
 00:46:03,139 --> 00:46:04,849
 It’s at the city morgue.

 627
 00:46:05,809 --> 00:46:07,769
 ♪ [march music playing on radio] ♪

 628
 00:46:14,400 --> 00:46:15,985
 [man speaking indistinctly on radio]

 629
 00:46:29,415 --> 00:46:30,291
 ♪ [music stops] ♪

 630
 00:46:44,848 --> 00:46:45,849
 Marcelo?

 631
 00:46:45,932 --> 00:46:47,517
 Yes. Anísio?

 632
 00:46:48,143 --> 00:46:50,145
 A punctual man you are.

 633
 00:46:50,228 --> 00:46:51,771
 I was told to come early.

 634
 00:46:52,480 --> 00:46:55,358
 We were all told the same. Let’s go in.

 635
 00:46:58,987 --> 00:47:00,196
 - Das Dores?
 - Yes?

 636
 00:47:00,280 --> 00:47:02,323
 - Bring coffee and water, please.
 - Okay.

 637
 00:47:02,407 --> 00:47:04,325
 - Easy on the sugar.
 - Sure.

 638
 00:47:04,409 --> 00:47:07,579
 - You don’t have a São Paulo accent.
 - I’m from Pernambuco.

 639
 00:47:07,662 --> 00:47:09,038
 Oh, I see.

 640
 00:47:11,374 --> 00:47:14,586
 Your Pernambuco accent
 sounds a bit off, though.

 641
 00:47:16,129 --> 00:47:18,506
 Geraldo, at this desk, please.

 642
 00:47:20,049 --> 00:47:21,426
 Good morning, Dona Dagmar.

 643
 00:47:22,552 --> 00:47:24,762
 It’s like a normal working day, all right?

 644
 00:47:24,846 --> 00:47:26,181
 Sit at that desk.

 645
 00:47:27,015 --> 00:47:29,184
 - Where will I sit?
 - At the back.

 646
 00:47:30,143 --> 00:47:32,395
 The last desk over there.

 647
 00:47:32,479 --> 00:47:36,566
 We’re here today
 to support Police Chief Euclides,

 648
 00:47:36,649 --> 00:47:38,359
 who you saw down there.

 649
 00:47:39,152 --> 00:47:40,487
 Uh…

 650
 00:47:40,570 --> 00:47:43,114
 The office opens at 7 to the public.

 651
 00:47:43,698 --> 00:47:46,159
 That’s when you’ll get down to work.

 652
 00:47:46,242 --> 00:47:49,954
 We got here at 5, but it only opens at 7?

 653
 00:47:50,038 --> 00:47:53,249
 That’s right.
 You’ll have time to settle in.

 654
 00:47:53,333 --> 00:47:56,711
 And most importantly, we meet quorum.

 655
 00:47:57,921 --> 00:47:59,255
 Meet quorum for what?

 656
 00:48:00,465 --> 00:48:01,341
 [pops tongue]

 657
 00:48:27,450 --> 00:48:28,618
 Woman 1: Mr. Formiga.

 658
 00:48:29,619 --> 00:48:31,621
 No, it’s Elisângela.

 659
 00:48:32,497 --> 00:48:35,458
 I’m expecting a parcel of clothes
 this morning.

 660
 00:48:35,542 --> 00:48:36,918
 Can you keep it by for me?

 661
 00:48:38,753 --> 00:48:39,754
 And tell the boy.

 662
 00:48:39,838 --> 00:48:41,047
 Thanks.

 663
 00:48:42,549 --> 00:48:44,759
 Are you having a coxinha?

 664
 00:48:44,843 --> 00:48:45,802
 Sure.

 665
 00:48:48,805 --> 00:48:50,723
 Mmm. Looks good.

 666
 00:48:51,516 --> 00:48:53,726
 Woman 2: I got three down on your tab.

 667
 00:48:55,395 --> 00:48:57,981
 - A coxinha, newbie?
 - No, thanks.

 668
 00:48:58,064 --> 00:48:59,983
 Just 1 cruzeiro 50.

 669
 00:49:00,066 --> 00:49:01,734
 Thanks, I had breakfast.

 670
 00:49:01,818 --> 00:49:02,986
 Are you sure?

 671
 00:49:04,779 --> 00:49:06,447
 Anísio: You can use this room.

 672
 00:49:06,531 --> 00:49:08,867
 - I reserved it for you.
 - Thanks.

 673
 00:49:23,214 --> 00:49:24,299
 Hey, everyone.

 674
 00:49:40,565 --> 00:49:42,567
 [indistinct chatter outside]

 675
 00:49:49,324 --> 00:49:51,326
 [chatter continues]

 676
 00:49:52,285 --> 00:49:54,037
 You were invited to come.

 677
 00:49:54,120 --> 00:49:55,830
 You stay here, okay?

 678
 00:50:04,714 --> 00:50:06,466
 Who’s the woman?

 679
 00:50:10,428 --> 00:50:13,223
 A girl who was about three

 680
 00:50:13,306 --> 00:50:15,558
 was run over and died outside her house.

 681
 00:50:16,518 --> 00:50:19,229
 The girl was her housemaid’s daughter.

 682
 00:50:20,230 --> 00:50:23,024
 That’s why Police Chief Euclides
 over there

 683
 00:50:23,107 --> 00:50:27,904
 asked Anísio to round us all up
 before opening hours.

 684
 00:50:27,987 --> 00:50:31,699
 - Marcelo: Ah.
 - We came early for the lady’s deposition.

 685
 00:50:32,534 --> 00:50:34,953
 Is this a police station?

 686
 00:50:35,036 --> 00:50:36,204
 No.

 687
 00:50:37,497 --> 00:50:42,627
 It’s a police station today
 to make life easier for the posh lady.

 688
 00:50:43,461 --> 00:50:45,672
 Such a heartless woman.

 689
 00:50:45,755 --> 00:50:48,967
 She asked her housemaid to go buy bread.

 690
 00:50:49,050 --> 00:50:53,346
 And left the girl alone crying,
 the poor thing.

 691
 00:50:53,429 --> 00:50:54,764
 The gate was open.

 692
 00:50:54,848 --> 00:50:57,517
 The girl went out,
 maybe to look for her mother.

 693
 00:50:58,518 --> 00:51:00,520
 Got run over by a bus.

 694
 00:51:02,480 --> 00:51:05,316
 Apparently, the girl’s mother
 was never told

 695
 00:51:05,400 --> 00:51:07,861
 they changed the place and time
 of her deposition.

 696
 00:51:08,653 --> 00:51:10,196
 Anísio: [clapping] Excuse me.

 697
 00:51:10,280 --> 00:51:13,116
 Please go back to your desks. Come on.

 698
 00:51:13,199 --> 00:51:15,910
 Let’s cooperate with
 Police Chief Euclides.

 699
 00:51:17,579 --> 00:51:19,164
 Anísio: [clapping]

 700
 00:51:19,247 --> 00:51:20,540
 Excuse me.

 701
 00:51:21,457 --> 00:51:22,667
 Good morning.

 702
 00:51:23,543 --> 00:51:26,546
 Uhm… thank you very much for being here.

 703
 00:51:27,505 --> 00:51:29,174
 The deposition is in my office.

 704
 00:51:30,341 --> 00:51:34,554
 You can do your job
 as if it were a normal working day.

 705
 00:51:34,637 --> 00:51:38,641
 After your deposition,
 the photojournalists will take a picture.

 706
 00:51:39,267 --> 00:51:42,729
 Let’s please cooperate
 with Police Chief Euclides.

 707
 00:51:45,231 --> 00:51:47,233
 [typewriter keys clacking]

 708
 00:51:51,446 --> 00:51:53,406
 [speaking indistinctly]

 709
 00:51:55,992 --> 00:51:57,994
 [typewriter keys continue clacking]

 710
 00:52:03,500 --> 00:52:04,584
 Psst.

 711
 00:52:09,923 --> 00:52:12,217
 I have a commission position.

 712
 00:52:24,854 --> 00:52:26,815
 [speaking indistinctly]

 713
 00:53:00,014 --> 00:53:03,059
 Elisângela: <i>Dear Newbie, are you married,</i>

 714
 00:53:03,143 --> 00:53:07,105
 <i>and/or do you enjoy the company of women?</i>

 715
 00:53:07,188 --> 00:53:08,273
 [chuckles]

 716
 00:53:15,238 --> 00:53:16,447
 Yes.

 717
 00:53:17,490 --> 00:53:19,659
 But… [chuckles]

 718
 00:53:22,203 --> 00:53:23,204
 I enj…

 719
 00:53:26,749 --> 00:53:27,959
 I enjoy it.

 720
 00:53:28,668 --> 00:53:30,295
 But it’s…

 721
 00:53:31,754 --> 00:53:33,214
 complicated.

 722
 00:53:56,529 --> 00:53:59,866
 CARNIVAL DEATH TOLL: 91.

 723
 00:54:02,494 --> 00:54:04,871
 HUMAN LEG FOUND IN SHARK’S STOMACH

 724
 00:54:15,965 --> 00:54:18,218
 It’s gonna be over 100.

 725
 00:54:18,301 --> 00:54:19,761
 You can bet on it.

 726
 00:54:20,637 --> 00:54:21,763
 Over 100 dead?

 727
 00:54:21,846 --> 00:54:23,431
 For sure. [chuckles]

 728
 00:54:25,975 --> 00:54:29,145
 - Are you a cop?
 - No, I’m not.

 729
 00:54:29,938 --> 00:54:33,066
 You sure look like one.

 730
 00:54:33,817 --> 00:54:35,944
 No, I’m not a cop.

 731
 00:54:40,281 --> 00:54:42,325
 Euclides Oliveira Cavalcanti.

 732
 00:54:42,408 --> 00:54:45,286
 - At your service.
 - Marcelo.

 733
 00:54:46,704 --> 00:54:47,997
 Marcelo what?

 734
 00:54:48,915 --> 00:54:49,749
 Alves.

 735
 00:54:49,833 --> 00:54:51,251
 Marcelo Alves.

 736
 00:54:52,043 --> 00:54:53,211
 A cop’s name.

 737
 00:54:53,294 --> 00:54:55,421
 No, I’m not a cop.

 738
 00:54:55,505 --> 00:54:57,507
 [woman sobbing]

 739
 00:55:01,344 --> 00:55:03,763
 [speaking indistinctly]

 740
 00:55:10,520 --> 00:55:13,439
 A photojournalist is coming in now.

 741
 00:55:14,149 --> 00:55:16,359
 That woman is in great pain.

 742
 00:55:18,528 --> 00:55:20,488
 Kids are a handful.

 743
 00:55:22,532 --> 00:55:25,201
 Anyway, I’m the chief of police.

 744
 00:55:25,285 --> 00:55:27,620
 My office is next door.

 745
 00:55:27,704 --> 00:55:31,124
 - Anything you need, just call.
 - Thank you very much.

 746
 00:55:32,917 --> 00:55:34,961
 This one walking over…

 747
 00:55:36,004 --> 00:55:37,130
 is Anísio.

 748
 00:55:38,923 --> 00:55:41,926
 - You’ve met him? [chuckles]
 - Euclides.

 749
 00:55:42,010 --> 00:55:43,469
 He’s starting with us today.

 750
 00:55:44,304 --> 00:55:45,889
 Comes highly recommended.

 751
 00:55:45,972 --> 00:55:48,850
 - Hmm.
 - I’ll show you the archive room.

 752
 00:55:48,933 --> 00:55:51,186
 - Yes.
 - Where we keep our archives.

 753
 00:55:51,269 --> 00:55:54,397
 If there’s anything you need,
 glad to help.

 754
 00:55:54,481 --> 00:55:55,940
 Marcelo: Nice meeting you.

 755
 00:55:57,775 --> 00:56:01,946
 That Police Chief Euclides
 is quite a character.

 756
 00:56:02,030 --> 00:56:06,701
 Oh, him. An imperfect human being.

 757
 00:56:07,911 --> 00:56:09,913
 Better keep him near.

 758
 00:56:11,498 --> 00:56:17,253
 On the other hand,
 his white son, Sérgio…

 759
 00:56:17,962 --> 00:56:19,964
 God help us.

 760
 00:56:21,925 --> 00:56:23,927
 [panting]

 761
 00:56:26,137 --> 00:56:26,971
 [clicking]

 762
 00:56:27,055 --> 00:56:27,889
 [man gasps]

 763
 00:56:32,101 --> 00:56:33,394
 On my way, boss.

 764
 00:56:36,523 --> 00:56:38,274
 Again, Desidério?

 765
 00:56:42,654 --> 00:56:44,531
 - Good morning.
 - Marcelo: Good morning.

 766
 00:56:44,614 --> 00:56:45,698
 It’s these hours, boss.

 767
 00:56:45,782 --> 00:56:47,784
 They mess up my routine.

 768
 00:56:48,993 --> 00:56:51,329
 Go on to the front door.

 769
 00:56:54,666 --> 00:56:56,084
 Goodness me.

 770
 00:56:57,669 --> 00:56:58,795
 Anísio: [groans]

 771
 00:57:00,296 --> 00:57:03,675
 - Talk about a whore lover.
 - Chrissakes.

 772
 00:57:05,134 --> 00:57:08,471
 Well, this is your workplace.

 773
 00:57:08,555 --> 00:57:09,848
 Fine.

 774
 00:57:10,515 --> 00:57:12,642
 Jesus Christ.

 775
 00:57:14,185 --> 00:57:17,105
 - Don’t mind the welcome.
 - No worries.

 776
 00:57:17,188 --> 00:57:19,816
 Your work involves
 a lot of back and forth.

 777
 00:57:19,899 --> 00:57:22,152
 ID card renewals happen here.

 778
 00:57:22,986 --> 00:57:24,154
 Uh…

 779
 00:57:27,866 --> 00:57:33,329
 I worked in this place from ‘66 to ‘73.

 780
 00:57:34,414 --> 00:57:35,915
 Too many dead people.

 781
 00:57:36,791 --> 00:57:38,459
 Give me a name.

 782
 00:57:39,544 --> 00:57:41,713
 Maria Aparecida dos Santos.

 783
 00:57:41,796 --> 00:57:43,381
 Maria Aparecida.

 784
 00:57:43,464 --> 00:57:44,883
 You got me there.

 785
 00:57:45,758 --> 00:57:46,926
 Your mother?

 786
 00:57:47,927 --> 00:57:49,596
 Father’s name is easier.

 787
 00:57:52,557 --> 00:57:54,434
 Uh, okay, then, try…

 788
 00:57:55,101 --> 00:57:58,563
 Lourinaldo Fernando de Melo Solimões.

 789
 00:57:58,646 --> 00:58:01,649
 “Solimões”. Now, that’s a name.

 790
 00:58:02,650 --> 00:58:04,611
 The rest is just filler.

 791
 00:58:06,654 --> 00:58:08,364
 Lourinaldo.

 792
 00:58:09,240 --> 00:58:10,783
 Lourinaldo Fernando.

 793
 00:58:10,867 --> 00:58:12,410
 Anísio: Lourinaldo Fernando.

 794
 00:58:21,753 --> 00:58:23,546
 Anísio: Lourinaldo Fernando.

 795
 00:58:25,006 --> 00:58:26,466
 [telephone ringing]

 796
 00:58:26,549 --> 00:58:28,635
 Marcelo: That’s him, all right.

 797
 00:58:30,136 --> 00:58:32,680
 - Still a student.
 - A father’s name is easier.

 798
 00:58:33,640 --> 00:58:34,516
 Hello?

 799
 00:58:36,392 --> 00:58:37,602
 Be right there.

 800
 00:58:43,399 --> 00:58:46,820
 Marcelo, I’m also here to help you.

 801
 00:58:47,403 --> 00:58:49,155
 I’m working with Elza.

 802
 00:58:50,365 --> 00:58:51,866
 I’ll say no more.

 803
 00:58:51,950 --> 00:58:53,952
 [woman shouting angrily]

 804
 00:58:55,245 --> 00:58:56,704
 Hear that?

 805
 00:58:56,788 --> 00:58:59,207
 - It’s the girl’s mother.
 - The dead girl’s?

 806
 00:58:59,290 --> 00:59:01,584
 Sérgio: Our orders are no one gets in.

 807
 00:59:01,668 --> 00:59:03,253
 I know she’s in there.

 808
 00:59:03,336 --> 00:59:05,004
 Sérgio: You can’t come in, ma’am.

 809
 00:59:05,088 --> 00:59:06,172
 Dona Cleide!

 810
 00:59:06,256 --> 00:59:10,969
 Don’t touch me!
 Dona Cleide, I know you’re in there!

 811
 00:59:11,052 --> 00:59:13,096
 I know you’re there!

 812
 00:59:13,179 --> 00:59:15,473
 [overlapping indistinct shouting]

 813
 00:59:15,557 --> 00:59:18,434
 I want in. I want to speak to her.

 814
 00:59:19,352 --> 00:59:21,980
 I want her to say it to my face!

 815
 00:59:22,063 --> 00:59:24,065
 Let me go!

 816
 00:59:24,149 --> 00:59:26,109
 [overlapping indistinct shouting]

 817
 00:59:26,985 --> 00:59:29,779
 Dona Cleide, I know you’re in there!

 818
 00:59:29,863 --> 00:59:33,366
 I wanna hear you say why you did that.

 819
 00:59:33,449 --> 00:59:36,327
 Why did you leave my daughter alone?

 820
 00:59:36,411 --> 00:59:40,081
 You are denying my client
 access to a public building!

 821
 00:59:41,499 --> 00:59:43,168
 [woman shouting]

 822
 00:59:43,751 --> 00:59:44,961
 [woman screaming]

 823
 00:59:48,464 --> 00:59:49,924
 [screaming]

 824
 00:59:53,428 --> 00:59:54,596
 Go away!

 825
 01:00:02,145 --> 01:00:03,605
 Look who’s at the phone booth.

 826
 01:00:04,105 --> 01:00:05,565
 What’s up, my man?

 827
 01:00:08,985 --> 01:00:10,695
 Let’s go across the street.

 828
 01:00:10,778 --> 01:00:13,698
 I have something to show you.
 You’ll love it.

 829
 01:00:15,116 --> 01:00:17,243
 - Right now?
 - Yep.

 830
 01:00:17,327 --> 01:00:19,579
 I’m gonna introduce you to a swell guy.

 831
 01:00:19,662 --> 01:00:23,500
 I’m taking my boys to see him.
 You can come along.

 832
 01:00:23,583 --> 01:00:26,961
 - Chief Euclides, right?
 - At your service, let’s go.

 833
 01:00:27,629 --> 01:00:29,881
 - Across the street?
 - Won’t take long.

 834
 01:00:29,964 --> 01:00:32,884
 I need to make a call.
 Does it have to be now?

 835
 01:00:32,967 --> 01:00:34,552
 He’s there now.

 836
 01:00:34,636 --> 01:00:36,971
 Dad likes you, man. You’re in luck.

 837
 01:00:37,055 --> 01:00:38,556
 Come on.

 838
 01:00:38,640 --> 01:00:40,225
 Across the street?

 839
 01:00:40,308 --> 01:00:41,726
 Across the street.

 840
 01:00:44,646 --> 01:00:47,440
 [in German] Once upon a time,
 there was a king

 841
 01:00:47,524 --> 01:00:50,068
 who had a big flea,

 842
 01:00:50,819 --> 01:00:53,780
 whom he loved very much

 843
 01:00:53,863 --> 01:00:57,283
 like his own son.

 844
 01:00:58,284 --> 01:00:59,994
 [in Portuguese] Thirty-eight.

 845
 01:01:00,078 --> 01:01:02,789
 [in German] He sent for his tailor.

 846
 01:01:03,706 --> 01:01:06,334
 The tailor came…

 847
 01:01:06,960 --> 01:01:07,836
 Here!

 848
 01:01:08,586 --> 01:01:09,546
 Hans!

 849
 01:01:09,629 --> 01:01:11,548
 - [speaking German]
 - Euclides: My friend!

 850
 01:01:12,715 --> 01:01:14,968
 [in German] I know that voice.

 851
 01:01:15,051 --> 01:01:16,928
 [footsteps approaching]

 852
 01:01:24,811 --> 01:01:27,480
 Hello, old chap. Where’s Hans?

 853
 01:01:27,564 --> 01:01:29,899
 Brought a friend to meet him.

 854
 01:01:29,983 --> 01:01:32,402
 [in German] Tell him I’m not in.

 855
 01:01:32,485 --> 01:01:34,237
 Man: How are you, Chief Euclides?

 856
 01:01:34,320 --> 01:01:36,698
 Couldn’t we do this some other time?

 857
 01:01:36,781 --> 01:01:38,366
 [man speaking indistinctly]

 858
 01:01:38,449 --> 01:01:40,451
 - Can I come in? Hans!
 - Sir.

 859
 01:01:41,202 --> 01:01:42,912
 Chief Euclides is here.

 860
 01:01:42,996 --> 01:01:44,289
 Euclides: Hans!

 861
 01:01:45,123 --> 01:01:47,041
 Hans. [chuckles]

 862
 01:01:47,125 --> 01:01:48,585
 [in Portuguese] Good morning!

 863
 01:01:48,668 --> 01:01:50,753
 Euclides: My German friend.

 864
 01:01:50,837 --> 01:01:52,714
 I want you to meet a friend of mine.

 865
 01:01:54,340 --> 01:01:57,260
 Euclides: [chuckles] Marcelo, this is Hans.

 866
 01:01:57,343 --> 01:02:02,056
 A real German soldier from World War II.

 867
 01:02:02,140 --> 01:02:04,934
 This man has some stories to tell.

 868
 01:02:05,018 --> 01:02:06,561
 Hans: Not today.

 869
 01:02:07,187 --> 01:02:08,605
 Tired.

 870
 01:02:09,355 --> 01:02:10,398
 Euclides: Uh…

 871
 01:02:11,691 --> 01:02:13,109
 Hans.

 872
 01:02:13,193 --> 01:02:18,698
 Show your scars to my kids and my friend.

 873
 01:02:18,781 --> 01:02:20,200
 Man: Chief Euclides.

 874
 01:02:20,283 --> 01:02:24,078
 We are grateful for your work
 in the neighbourhood.

 875
 01:02:24,162 --> 01:02:27,457
 But please come another time.
 Hans is under the weather.

 876
 01:02:27,540 --> 01:02:29,626
 Chief, please.

 877
 01:02:29,709 --> 01:02:33,004
 Let me have a word with Hans.

 878
 01:02:33,087 --> 01:02:34,589
 I just want to see his scars.

 879
 01:02:35,215 --> 01:02:37,967
 Not today, tired.

 880
 01:02:38,676 --> 01:02:40,011
 Tired!

 881
 01:02:40,094 --> 01:02:44,516
 [in German]
 Hans, you don’t have to do this.

 882
 01:02:44,599 --> 01:02:47,644
 Holy smokes. The Negro speaks German.

 883
 01:02:47,727 --> 01:02:50,480
 Dad, I don’t think he’s in the mood.

 884
 01:02:50,563 --> 01:02:52,774
 Hans, listen.

 885
 01:02:52,857 --> 01:02:57,403
 Show us the bullet holes in your legs.

 886
 01:02:58,238 --> 01:03:00,406
 Come on, do it.

 887
 01:03:03,493 --> 01:03:06,538
 I think he doesn’t want to talk.

 888
 01:03:08,456 --> 01:03:11,209
 Euclides: Show us your scars.

 889
 01:03:25,473 --> 01:03:27,684
 - Sérgio: Are there sharks in Germany?
 - Euclides: [laughs]

 890
 01:03:27,767 --> 01:03:28,768
 Arlindo: Bullet wounds?

 891
 01:03:28,852 --> 01:03:30,103
 [imitates rapid gunfire]

 892
 01:03:30,186 --> 01:03:32,564
 - Euclides: Awesome.
 - Arlindo: Holy shit.

 893
 01:03:32,647 --> 01:03:34,816
 - It’s a mess.
 - Euclides: Didn’t I tell you?

 894
 01:03:36,442 --> 01:03:39,863
 [stammers] Germany?

 895
 01:03:43,575 --> 01:03:44,576
 Belgium.

 896
 01:03:46,244 --> 01:03:49,747
 [in German] Have you seen enough
 or do you want more?

 897
 01:03:51,624 --> 01:03:53,084
 Hans…

 898
 01:03:54,627 --> 01:03:56,880
 I’m doing this for us.

 899
 01:03:56,963 --> 01:04:01,676
 This idiot ensures
 your and our protection.

 900
 01:04:02,343 --> 01:04:06,931
 [in German] He’ll never understand
 that you’re a Jew.

 901
 01:04:07,891 --> 01:04:09,058
 Forever.

 902
 01:04:11,436 --> 01:04:12,437
 Out!

 903
 01:04:12,520 --> 01:04:14,063
 Get out of my office!

 904
 01:04:14,147 --> 01:04:15,773
 And take your friends.

 905
 01:04:15,857 --> 01:04:16,816
 Out!

 906
 01:04:16,900 --> 01:04:22,780
 You can only talk that way
 because you are a World War II soldier.

 907
 01:04:22,864 --> 01:04:24,657
 Hans: [in Portuguese] Get out now.

 908
 01:04:24,741 --> 01:04:25,992
 Euclides: What the fuck!

 909
 01:04:30,788 --> 01:04:32,790
 {\an8}[telephone ringing]

 910
 01:04:32,874 --> 01:04:34,375
 {\an8}BRASÍLIA – FEDERAL DISTRICT

 911
 01:04:34,459 --> 01:04:36,628
 {\an8}Costa and Carpinteiro Associates, hello?

 912
 01:04:36,711 --> 01:04:39,130
 Marcelo: <i>I’d like to speak to João Pedro.</i>

 913
 01:04:40,381 --> 01:04:42,091
 I’ll put you through.

 914
 01:04:45,303 --> 01:04:47,055
 Excuse me, it’s our friend.

 915
 01:04:47,138 --> 01:04:48,973
 I’ll put him through.

 916
 01:04:51,351 --> 01:04:52,727
 [telephone rings]

 917
 01:04:52,811 --> 01:04:53,728
 Hello?

 918
 01:04:53,812 --> 01:04:55,855
 Hi, João. What’s going on there?

 919
 01:04:55,939 --> 01:04:59,526
 Listen carefully. I hope you’re fine.

 920
 01:04:59,609 --> 01:05:01,528
 Don’t say where you are.

 921
 01:05:01,611 --> 01:05:04,113
 - Why?
 - This call isn’t safe.

 922
 01:05:04,197 --> 01:05:06,282
 Our phones are tapped.

 923
 01:05:06,366 --> 01:05:09,702
 Listen, we can only talk on a safe line.

 924
 01:05:09,786 --> 01:05:11,246
 - Hang up now.
 - João…

 925
 01:05:11,329 --> 01:05:14,290
 I’ll hang up.
 Send me a number and I’ll call you.

 926
 01:05:14,374 --> 01:05:15,208
 João.

 927
 01:05:16,709 --> 01:05:18,795
 Send the number how?

 928
 01:05:18,878 --> 01:05:19,754
 Fuck!

 929
 01:05:19,838 --> 01:05:21,172
 ♪ [chaotic, surreal music playing] ♪

 930
 01:05:38,690 --> 01:05:39,691
 Telegram.

 931
 01:05:45,738 --> 01:05:47,282
 PHONE NO 216180 STOP

 932
 01:05:47,365 --> 01:05:49,075
 EXTENSION 22 STOP

 933
 01:05:49,159 --> 01:05:50,994
 EXPECT CONTACT 5:30 PM STOP

 934
 01:06:19,022 --> 01:06:20,607
 - Man 1: Hello.
 - Man 2: hello.

 935
 01:06:21,316 --> 01:06:22,442
 Telegram.

 936
 01:06:27,947 --> 01:06:29,073
 [door opens]

 937
 01:06:31,493 --> 01:06:32,494
 Telegram.

 938
 01:06:34,579 --> 01:06:36,122
 Why did you open it?

 939
 01:06:36,206 --> 01:06:38,416
 I didn’t read it, though.

 940
 01:06:39,501 --> 01:06:42,462
 If you didn’t read it, why open it?

 941
 01:06:43,421 --> 01:06:45,673
 Uhm, not sure what to say.

 942
 01:06:51,095 --> 01:06:52,055
 [door closes]

 943
 01:06:53,139 --> 01:06:55,099
 ♪ [tense music playing] ♪

 944
 01:07:26,548 --> 01:07:28,550
 [indistinct chatter]

 945
 01:07:39,185 --> 01:07:42,730
 “The great dragon was cast out.

 946
 01:07:43,356 --> 01:07:45,650
 It is the great serpent…”

 947
 01:07:45,733 --> 01:07:47,193
 Uh, Pedro?

 948
 01:07:47,277 --> 01:07:50,405
 - It’s me.
 - I’d like to speak to Mr. Alexandre.

 949
 01:07:50,488 --> 01:07:51,906
 He’s expecting you.

 950
 01:07:53,533 --> 01:07:55,952
 [woman grunting violently]

 951
 01:08:02,917 --> 01:08:05,003
 [indistinct chatter]

 952
 01:08:15,430 --> 01:08:16,973
 {\an8}NO ENTRY

 953
 01:08:20,185 --> 01:08:21,811
 Some stairs, huh?

 954
 01:08:23,480 --> 01:08:25,148
 There’s a woman…

 955
 01:08:26,149 --> 01:08:28,151
 possessed by a spirit in the foyer.

 956
 01:08:28,234 --> 01:08:29,777
 It’s this movie.

 957
 01:08:33,697 --> 01:08:35,407
 - Any calls for me?
 - No.

 958
 01:08:36,117 --> 01:08:38,369
 But someone sent you a message.

 959
 01:08:41,748 --> 01:08:45,710
 HAVE A GOOD DAY, DAD
 FERNANDO

 960
 01:08:47,420 --> 01:08:48,545
 Thanks.

 961
 01:08:48,630 --> 01:08:49,714
 Let’s go in.

 962
 01:08:54,010 --> 01:08:56,513
 AUTHORISED STAFF ONLY

 963
 01:08:56,595 --> 01:08:58,598
 [mechanical whirring]

 964
 01:09:00,724 --> 01:09:02,184
 You’re doing a <i>Jaws</i> rerun?

 965
 01:09:02,268 --> 01:09:04,771
 Pedro programmed it for Saturday morning.

 966
 01:09:04,853 --> 01:09:08,191
 It’s that leg business
 in the shark’s stomach.

 967
 01:09:08,273 --> 01:09:09,400
 People love it.

 968
 01:09:09,483 --> 01:09:15,697
 By the way, Fernando is dying to see <i>Jaws</i>.

 969
 01:09:16,616 --> 01:09:19,117
 I thought I’d bring him on Saturday.

 970
 01:09:19,202 --> 01:09:20,620
 Are you joking?

 971
 01:09:22,205 --> 01:09:23,790
 I’d let him see it.

 972
 01:09:23,873 --> 01:09:25,959
 It’s too intense for him.

 973
 01:09:26,626 --> 01:09:30,045
 The kid has nightmares
 just from seeing the poster.

 974
 01:09:30,880 --> 01:09:32,882
 [squeaking]

 975
 01:09:43,726 --> 01:09:45,728
 [audience screaming]

 976
 01:09:58,700 --> 01:10:00,492
 Woman: [on screen] <i>No. No. No.</i>

 977
 01:10:00,577 --> 01:10:02,327
 <i>No. No.</i>

 978
 01:10:02,411 --> 01:10:07,458
 <i>No! No!</i>

 979
 01:10:09,836 --> 01:10:11,421
 There’s a…

 980
 01:10:11,504 --> 01:10:13,756
 Happens every single day.

 981
 01:10:13,840 --> 01:10:15,300
 Every single day.

 982
 01:10:27,228 --> 01:10:29,230
 [traffic humming]

 983
 01:10:34,235 --> 01:10:36,654
 Fátima used to love that window.

 984
 01:10:37,822 --> 01:10:40,241
 She liked to sit right there
 where you are.

 985
 01:10:43,703 --> 01:10:45,747
 I want to ask you a question.

 986
 01:10:45,830 --> 01:10:47,832
 Looking in the eye.

 987
 01:10:59,302 --> 01:11:01,346
 When you two were married,

 988
 01:11:03,097 --> 01:11:05,141
 you fucked around a lot, didn’t you?

 989
 01:11:05,892 --> 01:11:08,978
 What are you on about after all this time?

 990
 01:11:10,939 --> 01:11:12,774
 Did you or didn’t you?

 991
 01:11:15,527 --> 01:11:17,028
 Mr. Alexandre.

 992
 01:11:18,863 --> 01:11:21,324
 Fátima and I loved each other very much.

 993
 01:11:23,284 --> 01:11:26,287
 You know that better than anyone,
 don’t you?

 994
 01:11:26,371 --> 01:11:27,205
 I do.

 995
 01:11:27,288 --> 01:11:29,582
 Fernando’s the greatest proof of that.

 996
 01:11:30,250 --> 01:11:33,962
 Now, did you or did you not fuck around?

 997
 01:11:34,963 --> 01:11:36,130
 [snapping]

 998
 01:11:36,214 --> 01:11:38,383
 [telephone ringing]

 999
 01:11:42,720 --> 01:11:45,932
 Hello? Hold on. It’s for you.

 1000
 01:11:46,850 --> 01:11:47,976
 Hello?

 1001
 01:11:48,935 --> 01:11:50,645
 Hi, João. It worked.

 1002
 01:11:50,728 --> 01:11:54,107
 Good to speak to you
 and to know you’re fine.

 1003
 01:11:54,190 --> 01:11:58,444
 I must be quick, I don’t have many tokens.

 1004
 01:11:58,528 --> 01:12:02,157
 <i>He managed to get your name
 on the federal police’s list.</i>

 1005
 01:12:02,699 --> 01:12:05,577
 <i>That means you can’t leave the country.</i>

 1006
 01:12:05,660 --> 01:12:08,538
 - <i>That’s very bizarre.</i>
 - I can’t travel?

 1007
 01:12:08,621 --> 01:12:10,999
 I’m trying to wrap my head around it.

 1008
 01:12:11,082 --> 01:12:16,004
 He’s pulling his strings.
 It’s foul play at the highest level.

 1009
 01:12:16,087 --> 01:12:21,426
 I’m telling you, he managed to get
 a serious prosecutor off the case,

 1010
 01:12:21,509 --> 01:12:23,052
 pro-regime, but serious,

 1011
 01:12:23,136 --> 01:12:24,846
 and had him replaced by a crook.

 1012
 01:12:24,929 --> 01:12:26,139
 <i>A friend of his.</i>

 1013
 01:12:26,222 --> 01:12:27,724
 What the fuck?

 1014
 01:12:27,807 --> 01:12:32,395
 I have to say,
 it’s not looking good at all.

 1015
 01:12:32,479 --> 01:12:35,523
 So please, don’t stick your neck out.

 1016
 01:12:35,607 --> 01:12:37,442
 <i>Stay in the shadows.</i>

 1017
 01:12:37,525 --> 01:12:39,277
 <i>It’s my last token.</i>

 1018
 01:12:39,986 --> 01:12:41,237
 Listen carefully.

 1019
 01:12:42,197 --> 01:12:46,618
 Elza is the most important character
 in the story now.

 1020
 01:12:46,701 --> 01:12:48,620
 Elza.

 1021
 01:12:56,461 --> 01:12:58,505
 [inaudible dialogue]

 1022
 01:12:58,588 --> 01:13:00,590
 ♪ [sombre music playing] ♪

 1023
 01:13:37,418 --> 01:13:38,837
 Great place.

 1024
 01:13:38,920 --> 01:13:41,130
 The Rio technician stays here.

 1025
 01:13:41,214 --> 01:13:42,966
 Saves hotel expenses.

 1026
 01:13:44,008 --> 01:13:45,677
 [knocking on door]

 1027
 01:13:52,392 --> 01:13:56,020
 - Mr. Alexandre?
 - Alexandre de Jesus do Nascimento.

 1028
 01:13:56,104 --> 01:13:58,481
 - I’m Elza.
 - Pleased to meet you.

 1029
 01:13:58,565 --> 01:14:00,817
 - I’m Valdemar.
 - Hello.

 1030
 01:14:01,317 --> 01:14:02,986
 What should I call you?

 1031
 01:14:03,069 --> 01:14:05,655
 Here, you can call me by my name, Armando.

 1032
 01:14:07,448 --> 01:14:09,993
 Valdemar: Such an honour to talk to you here.

 1033
 01:14:10,076 --> 01:14:12,453
 You never mentioned a fake name.

 1034
 01:14:12,537 --> 01:14:14,414
 That’s not really in order, is it?

 1035
 01:14:17,250 --> 01:14:19,127
 No, it isn’t.

 1036
 01:14:20,336 --> 01:14:23,923
 And thanks for the free tickets.
 We just saw the movie.

 1037
 01:14:24,007 --> 01:14:25,508
 Ah. Did you like it?

 1038
 01:14:26,176 --> 01:14:29,554
 I’m not a religious person,
 but it was scary.

 1039
 01:14:30,138 --> 01:14:32,265
 Valdemar almost shat himself.

 1040
 01:14:32,348 --> 01:14:34,142
 I don’t like horror movies.

 1041
 01:14:40,857 --> 01:14:42,442
 Can I record our conversation?

 1042
 01:14:42,525 --> 01:14:44,486
 Record whatever you like.

 1043
 01:14:49,824 --> 01:14:51,117
 Elza: Recording.

 1044
 01:14:51,201 --> 01:14:53,244
 This is like

 1045
 01:14:55,079 --> 01:14:59,792
 those American
 witness protection programs.

 1046
 01:14:59,876 --> 01:15:01,044
 [chuckles]

 1047
 01:15:01,836 --> 01:15:06,549
 Ah, over there, things are done
 with a lot of dough,

 1048
 01:15:06,633 --> 01:15:08,885
 and by their government.

 1049
 01:15:08,968 --> 01:15:13,181
 Over here, it’s all a bit improvised,
 Brazilian style.

 1050
 01:15:13,264 --> 01:15:15,558
 And to protect you from Brazil.

 1051
 01:15:16,976 --> 01:15:19,103
 How many people are you helping?

 1052
 01:15:19,646 --> 01:15:22,565
 With you, four people here in Recife.

 1053
 01:15:22,649 --> 01:15:26,444
 Plus two in Fortaleza and one in Salvador.

 1054
 01:15:27,362 --> 01:15:30,240
 In Recife, we’re all in that building?

 1055
 01:15:32,992 --> 01:15:35,870
 Look, each case is different.

 1056
 01:15:35,954 --> 01:15:39,249
 - So we all help each other.
 - Armando: Right.

 1057
 01:15:41,042 --> 01:15:43,336
 And who’s paying for all this?

 1058
 01:15:45,588 --> 01:15:51,219
 It’s paid for by the daughter
 of a very wealthy São Paulo family

 1059
 01:15:52,679 --> 01:15:54,973
 that’s long been robbing
 the country blind.

 1060
 01:15:58,226 --> 01:16:00,061
 How was it at work today?

 1061
 01:16:01,396 --> 01:16:05,567
 So you placed me at a police station.
 Seriously?

 1062
 01:16:05,650 --> 01:16:07,569
 No, it’s not a police station.

 1063
 01:16:07,652 --> 01:16:10,864
 You asked for
 the Institute for Identification.

 1064
 01:16:10,947 --> 01:16:13,783
 I did. I’ll try to find

 1065
 01:16:13,867 --> 01:16:16,035
 the only document that proves

 1066
 01:16:17,036 --> 01:16:19,706
 my late mother did exist.

 1067
 01:16:21,416 --> 01:16:24,002
 But today,
 that place was a police station.

 1068
 01:16:24,085 --> 01:16:25,503
 Police chief and all.

 1069
 01:16:25,587 --> 01:16:27,255
 Did you two talk?

 1070
 01:16:28,548 --> 01:16:33,303
 [scoffs] He’s a real prick. A bastard.

 1071
 01:16:34,220 --> 01:16:35,889
 The worst thing is

 1072
 01:16:37,223 --> 01:16:39,309
 he seemed to like me.

 1073
 01:16:39,392 --> 01:16:42,729
 Just so you know, we have an ally there.

 1074
 01:16:42,812 --> 01:16:44,314
 Anísio.

 1075
 01:16:46,733 --> 01:16:48,776
 Is it okay for him to know who I am?

 1076
 01:16:49,402 --> 01:16:50,862
 Anísio’s helping.

 1077
 01:16:50,945 --> 01:16:54,115
 But he doesn’t know you
 or what’s being done to you.

 1078
 01:16:55,408 --> 01:16:57,452
 Tell me about the passports.

 1079
 01:16:57,535 --> 01:16:59,204
 Mine and my son’s?

 1080
 01:16:59,954 --> 01:17:03,166
 Don’t know if you’re aware,
 but I’m on a list

 1081
 01:17:04,542 --> 01:17:08,171
 of the federal police
 banning me from travelling.

 1082
 01:17:08,922 --> 01:17:15,303
 Given the situation,
 we agree that you need a fake passport.

 1083
 01:17:16,054 --> 01:17:18,097
 We can handle that.

 1084
 01:17:18,181 --> 01:17:22,060
 I can get you those papers,
 but it’ll take a few days.

 1085
 01:17:22,143 --> 01:17:24,521
 What’s going on? I don’t get it.

 1086
 01:17:24,604 --> 01:17:27,273
 Why do I need a fake passport?

 1087
 01:17:28,316 --> 01:17:30,068
 I’ve done nothing wrong.

 1088
 01:17:31,736 --> 01:17:33,488
 And what’s in it for you?

 1089
 01:17:33,571 --> 01:17:35,031
 Who are you?

 1090
 01:17:35,114 --> 01:17:36,991
 I’m a paediatrician.

 1091
 01:17:37,075 --> 01:17:38,827
 I’m only trying to help.

 1092
 01:17:38,910 --> 01:17:41,037
 Armando, it’s not about that now.

 1093
 01:17:41,871 --> 01:17:44,123
 Think about your son. My grandson.

 1094
 01:17:45,166 --> 01:17:46,876
 Think about my daughter, Fátima.

 1095
 01:17:47,627 --> 01:17:51,005
 Mr. Alexandre,
 all I do is think about my son.

 1096
 01:17:52,131 --> 01:17:54,884
 I’m very sorry about your daughter,
 Mr. Alexandre.

 1097
 01:17:55,552 --> 01:17:57,554
 And your wife, Armando.

 1098
 01:18:00,265 --> 01:18:03,393
 How could this country
 lose someone like Fátima?

 1099
 01:18:05,728 --> 01:18:08,148
 Brazil will pay dearly for that.

 1100
 01:18:08,231 --> 01:18:10,358
 I disagree.

 1101
 01:18:10,441 --> 01:18:12,277
 With all due respect.

 1102
 01:18:13,153 --> 01:18:14,988
 It will pay nothing.

 1103
 01:18:15,071 --> 01:18:17,073
 It won’t pay shit.

 1104
 01:18:18,783 --> 01:18:20,827
 Armando, I admire you,

 1105
 01:18:20,910 --> 01:18:22,829
 but you should leave.

 1106
 01:18:23,788 --> 01:18:26,374
 If I was you,
 I’d get the hell out of here.

 1107
 01:18:26,457 --> 01:18:28,835
 I’d take their help and leave today.

 1108
 01:18:28,918 --> 01:18:30,628
 That’s why I’ve arranged this.

 1109
 01:18:31,629 --> 01:18:32,881
 Mr. Alexandre.

 1110
 01:18:32,964 --> 01:18:34,966
 We need to protect what we still have.

 1111
 01:18:35,550 --> 01:18:37,135
 You and my grandson.

 1112
 01:18:47,061 --> 01:18:50,356
 I’ll be in the projection booth.
 Lock the door.

 1113
 01:18:51,441 --> 01:18:52,817
 [door closes]

 1114
 01:18:56,988 --> 01:19:01,534
 Valdemar: We’d like to know more about
 Henrique Castro Ghirotti,

 1115
 01:19:01,618 --> 01:19:03,369
 and how he got involved in this.

 1116
 01:19:05,830 --> 01:19:07,415
 I’ll let it all out.

 1117
 01:19:07,499 --> 01:19:10,877
 I get this off my chest.

 1118
 01:19:11,628 --> 01:19:13,046
 It’s a conversation.

 1119
 01:19:14,005 --> 01:19:15,048
 Recorded.

 1120
 01:19:16,466 --> 01:19:17,967
 Tell me about this…

 1121
 01:19:19,552 --> 01:19:21,679
 <i>Henrique Ghirotti.</i>

 1122
 01:19:45,912 --> 01:19:46,955
 I…

 1123
 01:19:48,164 --> 01:19:50,458
 am not a violent person.

 1124
 01:19:55,380 --> 01:19:56,840
 But this man…

 1125
 01:20:01,719 --> 01:20:04,138
 I’d kill him with a hammer.

 1126
 01:20:12,522 --> 01:20:15,108
 I’d bash his head in with a hammer.

 1127
 01:20:16,359 --> 01:20:19,988
 Do you carry a gun?

 1128
 01:20:24,367 --> 01:20:26,578
 No, but I know how to use a hammer.

 1129
 01:20:28,830 --> 01:20:30,540
 I need to go to the bathroom.

 1130
 01:20:35,170 --> 01:20:37,088
 Elza: <i>I need to go to the bathroom.</i>

 1131
 01:20:39,382 --> 01:20:41,634
 She paused recording to go pee.

 1132
 01:20:47,348 --> 01:20:51,728
 Valdemar: <i>We’d like to know more
 about Henrique Castro Ghirotti,</i>

 1133
 01:20:51,811 --> 01:20:53,813
 <i>and how he got involved in this.</i>

 1134
 01:20:53,897 --> 01:20:55,064
 Flávia?

 1135
 01:20:55,607 --> 01:20:56,900
 Flávia?

 1136
 01:20:56,983 --> 01:20:57,901
 Armando: <i>…off my chest.</i>

 1137
 01:20:57,984 --> 01:20:59,861
 - Flávia.
 - Elza: [on recording] <i>It’s a conversation.</i>

 1138
 01:20:59,944 --> 01:21:01,529
 Which date are you listening to?

 1139
 01:21:01,613 --> 01:21:02,489
 [clicking]

 1140
 01:21:02,572 --> 01:21:05,825
 - Sorry?
 - Which date are you listening to?

 1141
 01:21:05,909 --> 01:21:11,247
 Uh, it’s Elza with “Marcelo” in quotes,
 February 25, 1977.

 1142
 01:21:11,331 --> 01:21:13,333
 I haven’t finished it yet, though.

 1143
 01:21:13,416 --> 01:21:16,127
 Marcelo is Armando, you know that, right?

 1144
 01:21:16,211 --> 01:21:17,378
 Ah.

 1145
 01:21:17,462 --> 01:21:21,382
 That’s what I just heard here,
 but I got confused.

 1146
 01:21:21,466 --> 01:21:24,135
 So Marcelo is actually Armando.

 1147
 01:21:24,219 --> 01:21:27,055
 - It’s a fake name.
 - It is.

 1148
 01:21:27,138 --> 01:21:29,098
 You’re clever, Flávia.

 1149
 01:21:29,182 --> 01:21:30,850
 Which one are you listening to?

 1150
 01:21:30,934 --> 01:21:35,021
 The tape of Anísio. Of ‘76.

 1151
 01:21:35,104 --> 01:21:36,105
 Right.

 1152
 01:21:42,111 --> 01:21:43,988
 Elza: <i>I need to go to the bathroom.</i>

 1153
 01:21:50,119 --> 01:21:52,539
 Elza: How did you meet Ghirotti?

 1154
 01:21:54,165 --> 01:21:57,460
 Armando: <i>He came on a visit to the university.</i>

 1155
 01:21:58,253 --> 01:22:01,297
 As head of department,

 1156
 01:22:01,381 --> 01:22:05,802
 <i>I’d sometimes meet guests
 at the airport, here in Recife.</i>

 1157
 01:22:05,885 --> 01:22:09,138
 <i>He was on the board of Eletrobras,</i>

 1158
 01:22:09,222 --> 01:22:11,683
 <i>under the Ministry of Mines and Energy.</i>

 1159
 01:22:11,766 --> 01:22:13,184
 So you are Armando.

 1160
 01:22:14,477 --> 01:22:18,356
 I read your CV.
 I pictured you differently.

 1161
 01:22:18,439 --> 01:22:21,442
 - I’ll take it as a compliment.
 - Yes. Hot, isn’t it?

 1162
 01:22:21,526 --> 01:22:23,653
 Elza: <i>What was your first impression?</i>

 1163
 01:22:23,736 --> 01:22:25,947
 Of Ghirotti? A piece of shit.

 1164
 01:22:27,574 --> 01:22:29,284
 And his son, another piece of shit.

 1165
 01:22:30,869 --> 01:22:33,413
 Ghirotti: <i>How long have you been
 head of department?</i>

 1166
 01:22:34,205 --> 01:22:39,043
 Back from postdoc research
 about two years ago.

 1167
 01:22:39,919 --> 01:22:43,298
 Now I’m making up for my research leave.

 1168
 01:22:44,215 --> 01:22:45,800
 And I was elected.

 1169
 01:22:46,467 --> 01:22:48,928
 Do you ever consider working in industry?

 1170
 01:22:49,012 --> 01:22:52,974
 An industry makeover
 would do you a lot of good.

 1171
 01:22:54,184 --> 01:22:56,311
 I enjoy doing research.

 1172
 01:22:56,394 --> 01:22:58,730
 Did he say “an industry makeover”?

 1173
 01:22:58,813 --> 01:23:01,316
 Yes, I needed an industry makeover.

 1174
 01:23:01,399 --> 01:23:02,525
 Valdemar: When was that?

 1175
 01:23:03,902 --> 01:23:08,281
 That was in August 1974.

 1176
 01:23:08,948 --> 01:23:13,661
 We introduced him to everyone
 in the department.

 1177
 01:23:14,245 --> 01:23:15,914
 <i>Luanda Azevedo was there,</i>

 1178
 01:23:15,997 --> 01:23:18,082
 <i>Marcelo Vasconcelos, Sebastião Pires.</i>

 1179
 01:23:18,166 --> 01:23:21,669
 <i>We showed him around the whole place.</i>

 1180
 01:23:21,753 --> 01:23:24,214
 <i>We showed him our labs, all our projects.</i>

 1181
 01:23:24,297 --> 01:23:26,841
 <i>The electric autonomy project,</i>

 1182
 01:23:26,925 --> 01:23:28,551
 <i>the electric car project,</i>

 1183
 01:23:28,635 --> 01:23:31,554
 <i>the leather tanning machine,</i>

 1184
 01:23:31,638 --> 01:23:33,848
 which was a highlight of our department.

 1185
 01:23:40,230 --> 01:23:41,231
 [chuckles]

 1186
 01:23:42,649 --> 01:23:45,235
 Let me introduce you to my colleagues.

 1187
 01:23:45,318 --> 01:23:46,361
 [in English] Hello, guys.

 1188
 01:23:46,444 --> 01:23:49,197
 - Hi.
 - Okay, so, this is Dr. Susan Schaffer…

 1189
 01:23:49,280 --> 01:23:51,366
 - Nice to meet you.
 - …from Leeds University.

 1190
 01:23:51,449 --> 01:23:52,784
 Sanjay Jasleen…

 1191
 01:23:52,867 --> 01:23:55,036
 - How do you do?
 - …from École de technologie de Quebec.

 1192
 01:23:55,119 --> 01:23:56,496
 You’re British?

 1193
 01:23:56,579 --> 01:23:59,582
 Oh, me, no. I’m American, actually,
 from New York.

 1194
 01:23:59,666 --> 01:24:02,001
 - Uh, but Sanjay…
 - I’m British.

 1195
 01:24:02,085 --> 01:24:03,628
 You’re British?

 1196
 01:24:03,711 --> 01:24:05,088
 - Sanjay: Yes.
 - Oh, really?

 1197
 01:24:05,797 --> 01:24:08,591
 Yes. We studied together in Leeds.

 1198
 01:24:08,675 --> 01:24:10,468
 Uh, I live in Quebec now.

 1199
 01:24:10,552 --> 01:24:12,095
 Of course.

 1200
 01:24:12,178 --> 01:24:14,806
 Here we are. He’s a good guy.

 1201
 01:24:21,437 --> 01:24:26,609
 That was it. The following day,
 there was a meeting.

 1202
 01:24:26,693 --> 01:24:32,490
 <i>At that meeting,
 he basically shut us down.</i>

 1203
 01:24:37,787 --> 01:24:41,457
 Ghirotti: To save time,
 I’ll go straight to the point.

 1204
 01:24:41,541 --> 01:24:43,626
 As far as Eletrobras is concerned,

 1205
 01:24:43,710 --> 01:24:45,420
 far away from Pernambuco,

 1206
 01:24:46,087 --> 01:24:50,717
 the work you’re doing here
 should be part of a whole, in my view.

 1207
 01:24:51,718 --> 01:24:54,345
 Hmm? You’re too much on your own,

 1208
 01:24:54,429 --> 01:24:56,764
 disconnected from us down South.

 1209
 01:24:58,349 --> 01:25:03,980
 I’d like to concentrate in Rio
 the object of some of your research

 1210
 01:25:04,063 --> 01:25:05,523
 and decision-making.

 1211
 01:25:06,065 --> 01:25:07,734
 Precisely to avoid that old discussion

 1212
 01:25:07,817 --> 01:25:11,362
 on how things work differently
 in the North and the South.

 1213
 01:25:12,280 --> 01:25:15,241
 I know you people
 have this different accent,

 1214
 01:25:15,825 --> 01:25:18,286
 a different way of doing things.

 1215
 01:25:18,912 --> 01:25:22,081
 Even your head of department
 is the hairy type.

 1216
 01:25:22,999 --> 01:25:23,875
 Right, Armando?

 1217
 01:25:26,169 --> 01:25:28,338
 Long live differences, right?

 1218
 01:25:29,047 --> 01:25:31,716
 What I’m trying to say is,

 1219
 01:25:32,383 --> 01:25:34,677
 I’m surprised at what I’ve seen here.

 1220
 01:25:34,761 --> 01:25:35,803
 Armando: Excuse me.

 1221
 01:25:35,887 --> 01:25:38,473
 Just for the sake of clarity.

 1222
 01:25:39,390 --> 01:25:43,478
 All our projects are published
 in the Official Gazette.

 1223
 01:25:43,561 --> 01:25:45,188
 I don’t see why you’re surprised.

 1224
 01:25:45,271 --> 01:25:48,441
 - Ghirotti: Let me finish.
 - Unless you haven’t read it.

 1225
 01:25:48,525 --> 01:25:51,069
 I meant it in a positive way.

 1226
 01:25:51,152 --> 01:25:53,655
 - Armando: Just to get that clear.
 - It’s a compliment.

 1227
 01:25:53,738 --> 01:25:55,073
 Oh, all right.

 1228
 01:25:55,698 --> 01:25:58,827
 Ghirotti: By the way,
 the leather-tanning technology,

 1229
 01:25:59,410 --> 01:26:02,831
 which measures the leather surface area,

 1230
 01:26:02,914 --> 01:26:06,459
 is important for local culture, huh?

 1231
 01:26:06,543 --> 01:26:08,545
 Bulls, goats, cows.

 1232
 01:26:09,128 --> 01:26:11,172
 It’s relevant for the economy
 of the Nordeste.

 1233
 01:26:12,006 --> 01:26:12,924
 I like it.

 1234
 01:26:15,176 --> 01:26:18,721
 This is a regional centre.
 It’s not a national centre,

 1235
 01:26:18,805 --> 01:26:20,640
 much less an international one.

 1236
 01:26:21,975 --> 01:26:25,895
 Take the electric car,
 a project you showed me.

 1237
 01:26:25,979 --> 01:26:28,398
 By the way, Armando is also working on it.

 1238
 01:26:29,232 --> 01:26:34,279
 Uh, there’s more advanced research
 being conducted in Canada.

 1239
 01:26:34,946 --> 01:26:39,367
 In fact, we’ve acquired 12 prototypes
 from the Canadian consortium.

 1240
 01:26:39,450 --> 01:26:41,911
 - Through Eletrobras.
 - Armando: I’d like to add…

 1241
 01:26:41,995 --> 01:26:45,874
 You and your company
 are part of that consortium.

 1242
 01:26:45,957 --> 01:26:47,292
 Ghirotti: Eletrobras.

 1243
 01:26:47,375 --> 01:26:52,213
 Eletrobras has indeed acquired
 12 prototypes from the consortium.

 1244
 01:26:52,297 --> 01:26:53,715
 - Eletrobras?
 - Ghirotti: Eletrobras.

 1245
 01:26:53,798 --> 01:26:56,467
 - Not your own company?
 - Ghirotti: Eletrobras. May I carry on?

 1246
 01:26:57,969 --> 01:26:59,929
 [chuckles] So…

 1247
 01:27:00,013 --> 01:27:02,182
 I wonder

 1248
 01:27:02,807 --> 01:27:07,437
 if taxpayer money
 should be spent here in the Nordeste

 1249
 01:27:07,520 --> 01:27:09,272
 on projects like this…

 1250
 01:27:09,981 --> 01:27:10,982
 He can’t be serious.

 1251
 01:27:11,065 --> 01:27:14,402
 …when you have so many problems
 of your own to solve.

 1252
 01:27:16,446 --> 01:27:21,910
 And on top of that,
 competing with bigger dicks abroad.

 1253
 01:27:21,993 --> 01:27:23,161
 Luanda: Dr. Ghirotti.

 1254
 01:27:23,244 --> 01:27:26,706
 I’m Luanda Azevedo.
 I’m a research professor

 1255
 01:27:26,789 --> 01:27:29,667
 with a degree from the Federal University
 of Rio Grande do Sul.

 1256
 01:27:29,751 --> 01:27:32,170
 - You’re from the South?
 - Yes, I am.

 1257
 01:27:32,253 --> 01:27:37,967
 All our projects are funded by public
 research money.

 1258
 01:27:38,051 --> 01:27:40,678
 And we have partnership projects,

 1259
 01:27:40,762 --> 01:27:43,806
 funded by foreign independent trust money.

 1260
 01:27:43,890 --> 01:27:46,976
 It’s time to rethink
 your funding criteria,

 1261
 01:27:47,060 --> 01:27:49,312
 especially your independence.

 1262
 01:27:50,230 --> 01:27:52,941
 Armando: <i>Luanda was our first casualty.</i>

 1263
 01:27:53,024 --> 01:27:56,986
 <i>She went to work at the São Paulo metro,</i>

 1264
 01:27:57,070 --> 01:28:00,740
 <i>where that prick
 was on the technical committee.</i>

 1265
 01:28:02,575 --> 01:28:04,661
 That happened to all the team?

 1266
 01:28:04,744 --> 01:28:09,374
 [chuckles] Yes.
 It was a real “industry makeover”.

 1267
 01:28:10,124 --> 01:28:16,381
 <i>He dried up public university funding
 for his own personal benefit.</i>

 1268
 01:28:16,464 --> 01:28:18,174
 It’s just…

 1269
 01:28:21,636 --> 01:28:25,849
 And then I was showered with accusations.

 1270
 01:28:26,599 --> 01:28:28,226
 Valdemar: I’m not sure you know,

 1271
 01:28:28,309 --> 01:28:30,812
 but two planted articles were published.

 1272
 01:28:31,521 --> 01:28:34,899
 Uhm, coordinated hit pieces against you

 1273
 01:28:35,483 --> 01:28:37,735
 in Rio and São Paulo newspapers.

 1274
 01:28:37,819 --> 01:28:42,699
 Thank God, we haven’t seen anything
 in any of the Recife papers.

 1275
 01:28:43,575 --> 01:28:45,118
 Elza: This will all pass.

 1276
 01:28:46,536 --> 01:28:48,037
 [knocking on door]

 1277
 01:28:48,538 --> 01:28:50,373
 I hope it will.

 1278
 01:28:59,591 --> 01:29:00,508
 [door closes]

 1279
 01:29:14,939 --> 01:29:18,776
 Mr. Alexandre, please sit over here
 so I can look at you.

 1280
 01:29:24,949 --> 01:29:27,202
 I told you the story in the wrong order.

 1281
 01:29:28,745 --> 01:29:31,206
 The evening before that meeting,

 1282
 01:29:32,540 --> 01:29:34,667
 we went out for dinner.

 1283
 01:29:35,543 --> 01:29:38,505
 <i>Myself, Fátima,</i>

 1284
 01:29:38,588 --> 01:29:41,841
 Ghirotti and that son of his.

 1285
 01:29:44,344 --> 01:29:47,180
 She started as your secretary, didn’t she?

 1286
 01:29:53,186 --> 01:29:54,646
 Restroom.

 1287
 01:30:00,735 --> 01:30:02,570
 What a beautiful woman you have.

 1288
 01:30:05,865 --> 01:30:07,700
 Waiter: Would you like some water?

 1289
 01:30:07,784 --> 01:30:09,118
 Yes, please.

 1290
 01:30:13,873 --> 01:30:16,709
 I invited you to dinner with my wife.

 1291
 01:30:17,418 --> 01:30:20,630
 And she’s just told you
 she’s a teacher, hasn’t she?

 1292
 01:30:21,798 --> 01:30:24,008
 But I know why you’re doing that.

 1293
 01:30:24,801 --> 01:30:28,346
 It’s the lithium battery research,
 isn’t it?

 1294
 01:30:30,348 --> 01:30:32,350
 I patented the research.

 1295
 01:30:33,726 --> 01:30:35,061
 It’s my project.

 1296
 01:30:35,645 --> 01:30:39,274
 It’s a small breakthrough,
 but it’s my patent.

 1297
 01:30:39,357 --> 01:30:41,693
 [chuckles] Whisky, please.

 1298
 01:30:42,777 --> 01:30:43,862
 Ghirotti: [sighs]

 1299
 01:30:43,945 --> 01:30:46,906
 My nose never fails, eh, son?

 1300
 01:30:47,782 --> 01:30:49,075
 You know me.

 1301
 01:30:50,118 --> 01:30:53,913
 This fellow is using the university
 to patent research.

 1302
 01:30:53,997 --> 01:30:55,707
 - Armando: I demand respect.
 - Yeah.

 1303
 01:30:55,790 --> 01:30:58,793
 He uses the public system
 to access the market.

 1304
 01:30:58,877 --> 01:31:02,380
 We need to shut down all these shitholes.

 1305
 01:31:02,463 --> 01:31:04,465
 - Easy money, huh?
 - I demand respect.

 1306
 01:31:04,549 --> 01:31:06,551
 Public money is easy money.

 1307
 01:31:07,552 --> 01:31:10,388
 I am head of the research centre
 you’re visiting.

 1308
 01:31:10,471 --> 01:31:13,600
 I’m a public servant at the university
 that’s hosting you.

 1309
 01:31:13,683 --> 01:31:16,644
 - I can’t believe this.
 - I knew I had to come here.

 1310
 01:31:17,353 --> 01:31:18,813
 I knew it.

 1311
 01:31:22,192 --> 01:31:25,069
 Armando, I’m in engineering.

 1312
 01:31:25,153 --> 01:31:27,906
 I run a family company,

 1313
 01:31:28,781 --> 01:31:31,910
 built on sweat and hard work.

 1314
 01:31:33,828 --> 01:31:35,955
 My father is Italian, from Genoa.

 1315
 01:31:36,039 --> 01:31:38,208
 I have Italian blood.

 1316
 01:31:38,291 --> 01:31:39,292
 Ah.

 1317
 01:31:39,375 --> 01:31:42,420
 You have no idea
 who you’re messing with, boy.

 1318
 01:31:42,504 --> 01:31:44,172
 You’re a communist.

 1319
 01:31:44,255 --> 01:31:46,257
 - I’m not a communist.
 - You are.

 1320
 01:31:46,341 --> 01:31:47,258
 Are you a capitalist?

 1321
 01:31:47,342 --> 01:31:48,426
 [laughs]

 1322
 01:31:48,510 --> 01:31:51,054
 - More a communist than a capitalist.
 - Look here.

 1323
 01:31:59,270 --> 01:32:01,731
 You know the map.

 1324
 01:32:01,815 --> 01:32:02,649
 Hmm.

 1325
 01:32:08,154 --> 01:32:09,280
 Brazil.

 1326
 01:32:10,698 --> 01:32:11,783
 North.

 1327
 01:32:13,409 --> 01:32:15,078
 To each his place.

 1328
 01:32:17,705 --> 01:32:19,040
 Cool, man.

 1329
 01:32:20,458 --> 01:32:21,334
 Fátima.

 1330
 01:32:26,756 --> 01:32:30,552
 I work for the university
 that’s hosting you.

 1331
 01:32:30,635 --> 01:32:32,679
 I’m not a boy as you just called me.

 1332
 01:32:32,762 --> 01:32:35,390
 I demand respect. The dinner’s paid for.

 1333
 01:32:35,473 --> 01:32:39,185
 Meeting’s at 8:30 tomorrow. Pickup at 8.

 1334
 01:32:39,269 --> 01:32:41,271
 Come if you want. If not, tough.

 1335
 01:32:41,354 --> 01:32:43,231
 That idiot needn’t come.

 1336
 01:32:43,314 --> 01:32:46,401
 Fátima: Let me just say something quick.

 1337
 01:32:47,610 --> 01:32:52,240
 I got up because I felt this urge
 to piss and to throw up.

 1338
 01:32:52,323 --> 01:32:54,701
 It was gone the second I got up.

 1339
 01:32:54,784 --> 01:32:56,161
 - Control your woman.
 - [loud thud then clattering]

 1340
 01:32:57,912 --> 01:33:00,290
 You’ve been disrespectful to us.

 1341
 01:33:00,373 --> 01:33:02,667
 - Truly disrespectful.
 - Armando: Hey.

 1342
 01:33:02,750 --> 01:33:04,043
 - Let’s go.
 - Wait.

 1343
 01:33:04,127 --> 01:33:06,045
 - No, no.
 - Control your woman.

 1344
 01:33:06,129 --> 01:33:08,965
 No, no, no. Now you will listen.

 1345
 01:33:09,048 --> 01:33:11,843
 I kept quiet the whole evening
 out of respect for Armando.

 1346
 01:33:14,470 --> 01:33:18,016
 Disrespectful, especially for a father
 in the presence of his son.

 1347
 01:33:20,518 --> 01:33:24,314
 I think of my own father now,
 who’s a humble man.

 1348
 01:33:25,106 --> 01:33:27,358
 He started working at the age of nine.

 1349
 01:33:28,485 --> 01:33:30,236
 That is a man.

 1350
 01:33:31,571 --> 01:33:34,282
 That is a man. You hear me?

 1351
 01:33:34,365 --> 01:33:36,576
 Like my husband. This is a man.

 1352
 01:33:36,659 --> 01:33:37,535
 Come on, let’s go.

 1353
 01:33:37,619 --> 01:33:40,872
 But you are drunk, and you are drunk.

 1354
 01:33:40,955 --> 01:33:43,166
 You should be ashamed.
 What kind of people are you?

 1355
 01:33:44,459 --> 01:33:47,253
 And the secretary says up yours.
 Go fuck yourself.

 1356
 01:33:47,337 --> 01:33:48,880
 - Easy there.
 - Go fuck yourself.

 1357
 01:33:48,963 --> 01:33:50,840
 Fuck you too.

 1358
 01:33:50,924 --> 01:33:52,008
 Armando: Stay seated.

 1359
 01:33:52,759 --> 01:33:55,345
 - Armando.
 - Armando, don’t.

 1360
 01:33:56,721 --> 01:33:58,723
 - To each his place.
 - Calm down.

 1361
 01:33:59,516 --> 01:34:01,226
 [customers clamouring]

 1362
 01:34:02,769 --> 01:34:03,812
 [exhales]

 1363
 01:34:04,938 --> 01:34:07,941
 I hadn’t punched anyone since school.

 1364
 01:34:08,650 --> 01:34:12,278
 [sighs] School, back in the ‘50s.

 1365
 01:34:13,655 --> 01:34:15,448
 Elza: And the meeting still took place.

 1366
 01:34:17,492 --> 01:34:18,910
 Armando: As I told you.

 1367
 01:34:21,538 --> 01:34:23,915
 Did Fátima really say that about me?

 1368
 01:34:27,252 --> 01:34:29,295
 She did, Mr. Alexandre.

 1369
 01:34:31,631 --> 01:34:32,674
 All right.

 1370
 01:34:33,716 --> 01:34:35,051
 Okay, then.

 1371
 01:34:36,553 --> 01:34:37,595
 Well…

 1372
 01:34:40,431 --> 01:34:42,183
 Ghirotti is a criminal.

 1373
 01:34:45,270 --> 01:34:47,605
 He belongs in jail.

 1374
 01:34:47,689 --> 01:34:52,735
 And when I say that,
 I don’t mean a penal farm.

 1375
 01:34:54,487 --> 01:34:56,739
 He should be in Carandiru.

 1376
 01:34:59,117 --> 01:35:00,743
 What he does is treason.

 1377
 01:35:01,536 --> 01:35:02,954
 He’s a crook

 1378
 01:35:03,830 --> 01:35:05,248
 and a murderer.

 1379
 01:35:05,331 --> 01:35:07,333
 [people screaming nearby]

 1380
 01:35:12,005 --> 01:35:14,174
 [screaming continues]

 1381
 01:35:16,009 --> 01:35:18,928
 In your group of, let’s say, “refugees”,

 1382
 01:35:20,096 --> 01:35:23,433
 yours is the case
 I want the most to solve.

 1383
 01:35:23,516 --> 01:35:28,188
 I understand. These two foreign
 universities want to take me.

 1384
 01:35:28,271 --> 01:35:30,356
 They must be pressuring you.

 1385
 01:35:30,940 --> 01:35:32,609
 Elza: It’s not that.

 1386
 01:35:33,526 --> 01:35:36,446
 Those foreign schools do want you.
 That’s great.

 1387
 01:35:36,529 --> 01:35:38,323
 But it’s not about that.

 1388
 01:35:42,494 --> 01:35:46,331
 <i>We have been informed
 that two men have been hired</i>

 1389
 01:35:46,414 --> 01:35:49,334
 <i>to come to Recife to find you.</i>

 1390
 01:35:50,168 --> 01:35:51,377
 That’s not good.

 1391
 01:35:52,086 --> 01:35:55,006
 They work as a pair.
 They’re from the state of Rio.

 1392
 01:35:59,969 --> 01:36:02,555
 <i>The older one is Augusto Borba.</i>

 1393
 01:36:03,348 --> 01:36:06,601
 <i>Ex-military.
 Got kicked out of the army in 1970.</i>

 1394
 01:36:06,684 --> 01:36:08,353
 <i>He was based in Minas Gerais.</i>

 1395
 01:36:09,270 --> 01:36:11,898
 <i>Not even these shitty armed forces
 wanted him.</i>

 1396
 01:36:11,981 --> 01:36:13,358
 <i>He’s a degenerate.</i>

 1397
 01:36:16,110 --> 01:36:19,489
 <i>The younger one, Bobbi, is his stepson.</i>

 1398
 01:36:20,156 --> 01:36:23,243
 <i>Some say the stepfather
 killed Bobbi’s mother.</i>

 1399
 01:36:23,326 --> 01:36:25,370
 <i>And now they work together.</i>

 1400
 01:36:27,956 --> 01:36:30,542
 [chuckling]

 1401
 01:36:33,127 --> 01:36:35,880
 You’re telling me
 hitmen are out to get me?

 1402
 01:36:37,924 --> 01:36:38,967
 Elza: Yes.

 1403
 01:36:42,011 --> 01:36:44,264
 Is Ghirotti behind this?

 1404
 01:36:49,936 --> 01:36:51,396
 And the passports?

 1405
 01:36:52,856 --> 01:36:55,316
 Uh, a week, ten days at most.

 1406
 01:36:55,400 --> 01:36:57,193
 In your hands in four days.

 1407
 01:36:58,069 --> 01:36:59,946
 Four days?

 1408
 01:37:00,989 --> 01:37:03,074
 Such a lack of respect.

 1409
 01:37:04,325 --> 01:37:06,786
 For Fátima, for you,

 1410
 01:37:06,870 --> 01:37:09,122
 and for your son who’s at my place.

 1411
 01:37:10,915 --> 01:37:12,542
 She was so healthy.

 1412
 01:37:21,593 --> 01:37:22,886
 Four days?

 1413
 01:37:32,687 --> 01:37:34,647
 ♪ [psychedelic folk music playing] ♪

 1414
 01:38:07,222 --> 01:38:09,098
 [in French] <i>Shut up, for God’s sake!</i>

 1415
 01:38:27,492 --> 01:38:29,494
 [crowd vocalising in rhythm]

 1416
 01:38:32,330 --> 01:38:34,666
 ♪ [upbeat music playing] ♪

 1417
 01:38:34,749 --> 01:38:36,709
 [crowd cheering]

 1418
 01:39:49,449 --> 01:39:51,409
 ♪ [psychedelic folk music playing] ♪

 1419
 01:40:04,506 --> 01:40:06,549
 PERNAMBUCO INSTITUTE OF FORENSIC MEDICINE

 1420
 01:40:29,364 --> 01:40:31,533
 [exclaims excitedly]

 1421
 01:40:33,785 --> 01:40:34,619
 ♪ [music stops] ♪

 1422
 01:40:53,304 --> 01:40:56,516
 I need to talk to you
 about something outside.

 1423
 01:40:57,058 --> 01:40:59,102
 Huh? What is it?

 1424
 01:40:59,185 --> 01:41:01,187
 It’s very important.

 1425
 01:41:01,855 --> 01:41:03,982
 - Why?
 - We better go outside.

 1426
 01:42:05,835 --> 01:42:07,795
 ♪ [psychedelic folk music playing] ♪

 1427
 01:42:16,471 --> 01:42:18,723
 [engine starts]

 1428
 01:42:20,767 --> 01:42:22,602
 Hold it outside.

 1429
 01:42:23,520 --> 01:42:24,813
 {\an8}Come on, Lúcio.

 1430
 01:42:24,896 --> 01:42:26,940
 {\an8}[speaking indistinctly]

 1431
 01:42:27,023 --> 01:42:28,942
 {\an8}Move it.

 1432
 01:42:29,025 --> 01:42:31,861
 Arlindo has a leg up in the air.

 1433
 01:42:37,784 --> 01:42:39,869
 Man: Holy fuck!

 1434
 01:42:39,953 --> 01:42:42,330
 This is gonna be huge.

 1435
 01:42:42,413 --> 01:42:43,414
 Listen up.

 1436
 01:42:43,498 --> 01:42:46,334
 “Hairy Leg strikes again”.

 1437
 01:42:47,585 --> 01:42:50,463
 The cartoon turned out great. Huh?

 1438
 01:42:50,547 --> 01:42:52,590
 [crowd chanting]

 1439
 01:42:57,971 --> 01:42:59,848
 [crowd chanting] <i>The Hairy Leg!</i>

 1440
 01:42:59,931 --> 01:43:01,391
 <i>The Hairy Leg!</i>

 1441
 01:43:01,474 --> 01:43:03,434
 <i>The Hairy Leg!</i>

 1442
 01:43:04,686 --> 01:43:06,646
 [clamouring]

 1443
 01:43:11,151 --> 01:43:13,111
 ♪ [upbeat music playing] ♪

 1444
 01:43:14,404 --> 01:43:16,030
 Euclides: The piranhas
 are coming out tonight.

 1445
 01:43:16,114 --> 01:43:17,198
 [chuckles]

 1446
 01:43:19,409 --> 01:43:21,995
 You are throwing this shit over, Sérgio.

 1447
 01:43:22,078 --> 01:43:23,454
 - What?
 - You are throwing it.

 1448
 01:43:23,538 --> 01:43:25,415
 Sérgio: [laughs]

 1449
 01:43:25,498 --> 01:43:27,500
 Euclides: Here. Pull up here.

 1450
 01:43:27,584 --> 01:43:29,335
 Stop. Stop.

 1451
 01:43:29,419 --> 01:43:31,379
 ♪ [unsettling music playing] ♪

 1452
 01:43:46,603 --> 01:43:47,812
 I’ll make that call.

 1453
 01:43:54,486 --> 01:43:56,488
 [telephone ringing]

 1454
 01:43:59,032 --> 01:44:00,658
 São Luiz Cinema, good evening.

 1455
 01:44:00,742 --> 01:44:03,328
 I’d like to speak to Mr. Alexandre.

 1456
 01:44:03,411 --> 01:44:07,290
 I think he already left.
 I’ll connect you to the booth.

 1457
 01:44:07,373 --> 01:44:08,458
 <i>Thanks.</i>

 1458
 01:44:10,502 --> 01:44:11,836
 [whirring]

 1459
 01:44:11,920 --> 01:44:13,880
 [telephone ringing]

 1460
 01:44:19,302 --> 01:44:20,178
 Hello?

 1461
 01:44:20,261 --> 01:44:21,596
 External call.

 1462
 01:44:24,182 --> 01:44:27,310
 - <i>Hello?</i>
 - Could I speak to Mr. Alexandre, please?

 1463
 01:44:27,393 --> 01:44:31,105
 He left early today.
 Who’s calling, please?

 1464
 01:44:31,189 --> 01:44:36,027
 Just confirming, his name
 is Alexandre Jesus do Nascimento, right?

 1465
 01:44:36,903 --> 01:44:40,365
 I can’t help you with that, man.
 Leave your name.

 1466
 01:44:40,448 --> 01:44:41,282
 I’ll tell him--

 1467
 01:44:42,325 --> 01:44:43,827
 What the…

 1468
 01:44:51,042 --> 01:44:54,462
 Seems his father-in-law
 works at the São Luiz Cinema,

 1469
 01:44:54,546 --> 01:44:55,797
 not the other one.

 1470
 01:45:00,593 --> 01:45:03,638
 - Euclides: Now that’s the man!
 - [siren blaring]

 1471
 01:45:05,098 --> 01:45:06,307
 They’re here.

 1472
 01:45:06,391 --> 01:45:08,768
 God damn.

 1473
 01:45:09,310 --> 01:45:12,772
 Look at this fucking tourist. [laughs]

 1474
 01:45:12,856 --> 01:45:15,567
 My colonel is punctual.

 1475
 01:45:15,650 --> 01:45:17,193
 Check out that hat.

 1476
 01:45:17,277 --> 01:45:19,696
 In your goddamn honour.

 1477
 01:45:19,779 --> 01:45:20,905
 [all laugh]

 1478
 01:45:20,989 --> 01:45:23,074
 - What’s with the police truck?
 - Get in.

 1479
 01:45:23,158 --> 01:45:26,578
 - Come on.
 - That’s what it’s about.

 1480
 01:45:26,661 --> 01:45:28,121
 Everyone in.

 1481
 01:45:32,083 --> 01:45:33,835
 [engine revving]

 1482
 01:45:34,627 --> 01:45:36,212
 [tyres screech]

 1483
 01:45:36,296 --> 01:45:38,298
 [all laughing and exclaiming]

 1484
 01:45:38,381 --> 01:45:40,383
 [siren blaring]

 1485
 01:45:44,053 --> 01:45:45,805
 That’s my colonel.

 1486
 01:45:45,889 --> 01:45:47,640
 - [indistinct radio chatter]
 - [muttering]

 1487
 01:45:47,724 --> 01:45:49,058
 - [radio chatter stops]
 - [laughs]

 1488
 01:45:49,142 --> 01:45:52,479
 “My colonel”. Look who’s talking.

 1489
 01:45:53,188 --> 01:45:54,939
 My lieutenant.

 1490
 01:45:55,023 --> 01:45:57,025
 Lieutenant, my arse.

 1491
 01:45:57,108 --> 01:46:00,320
 First lieutenant.
 And proud of the uniform I once wore.

 1492
 01:46:00,403 --> 01:46:02,822
 Let me introduce my stepson, Bobbi.

 1493
 01:46:02,906 --> 01:46:06,701
 Or Abdias.
 On his birth certificate, it’s Abdias.

 1494
 01:46:07,702 --> 01:46:09,162
 He’s a big boy.

 1495
 01:46:09,913 --> 01:46:11,831
 Everything good, Abdias?

 1496
 01:46:12,499 --> 01:46:13,875
 Is he a good shot?

 1497
 01:46:13,958 --> 01:46:17,003
 You have no idea. Ha.

 1498
 01:46:17,086 --> 01:46:18,505
 This is Sérgio.

 1499
 01:46:18,588 --> 01:46:20,173
 His mother’s son.

 1500
 01:46:20,256 --> 01:46:24,302
 The other one is Arlindo. He’s like a son.

 1501
 01:46:24,385 --> 01:46:26,346
 I prefer “Bobbi”, Mr. Euclides.

 1502
 01:46:26,429 --> 01:46:30,725
 It’s Chief Euclides.
 I don’t sell sweets on the streets, okay?

 1503
 01:46:31,684 --> 01:46:37,065
 I haven’t worked my arse off all my
 life to be called some “mister” now.

 1504
 01:46:37,148 --> 01:46:40,276
 What’s with “Bobbi” anyway?
 That a man’s name?

 1505
 01:46:40,944 --> 01:46:41,778
 Arlindo: [chuckles]

 1506
 01:46:41,861 --> 01:46:44,697
 They were out of men’s names that day?

 1507
 01:46:46,950 --> 01:46:48,117
 Chief Euclides.

 1508
 01:46:48,201 --> 01:46:51,704
 - Ah, better.
 - He’s tough, kiddo.

 1509
 01:46:51,788 --> 01:46:55,291
 He don’t like being called “mister”.
 Gets worked up.

 1510
 01:46:55,375 --> 01:46:58,127
 You got that, right? So chill now.

 1511
 01:46:58,711 --> 01:47:00,505
 You guys here on a mission?

 1512
 01:47:02,632 --> 01:47:04,676
 Come on, let’s not go there.

 1513
 01:47:04,759 --> 01:47:08,471
 Never mix friendship and work, okay?

 1514
 01:47:08,555 --> 01:47:11,850
 [chuckles] Carnival was quite a blast.

 1515
 01:47:11,933 --> 01:47:13,768
 Almost 100 gone.

 1516
 01:47:13,852 --> 01:47:17,355
 [chuckles] I read in the paper
 about the extravaganza.

 1517
 01:47:17,438 --> 01:47:19,816
 There was even a leg swallowed by a shark.

 1518
 01:47:19,899 --> 01:47:21,734
 - [laughs]
 - Euclides: [chuckles]

 1519
 01:47:21,818 --> 01:47:23,319
 A tale for tourists.

 1520
 01:47:23,403 --> 01:47:24,988
 Augusto: [laughs]

 1521
 01:47:25,071 --> 01:47:26,573
 Speaking of which,

 1522
 01:47:27,407 --> 01:47:28,908
 are we going for a “ride”?

 1523
 01:47:34,789 --> 01:47:36,833
 A “ride”?

 1524
 01:47:37,917 --> 01:47:39,919
 We’re going for a “ride”.

 1525
 01:47:40,003 --> 01:47:41,796
 Hell, yeah.
 We sure are going for a “ride”.

 1526
 01:47:41,880 --> 01:47:42,714
 Euclides: [laughing]

 1527
 01:47:43,423 --> 01:47:44,632
 Where are we going?

 1528
 01:47:45,341 --> 01:47:46,801
 Cool it, kid.

 1529
 01:47:46,885 --> 01:47:51,222
 Today we’re just tourists.
 We ain’t going for no “ride”.

 1530
 01:47:51,306 --> 01:47:52,473
 [clicks tongue]

 1531
 01:47:52,557 --> 01:47:53,475
 Eh.

 1532
 01:47:56,436 --> 01:47:57,937
 What’s the plan?

 1533
 01:47:59,022 --> 01:48:00,398
 It’s been taken care of.

 1534
 01:48:01,399 --> 01:48:02,650
 Euclides: [grunts]

 1535
 01:48:02,734 --> 01:48:04,736
 It’s all taken care of.

 1536
 01:48:05,320 --> 01:48:11,618
 One is a “157”.
 The other one is a “157” and “213”.

 1537
 01:48:12,785 --> 01:48:14,078
 They’re in the back.

 1538
 01:48:14,162 --> 01:48:15,580
 Euclides: [laughs]

 1539
 01:48:16,372 --> 01:48:18,291
 In there already?

 1540
 01:48:18,833 --> 01:48:21,377
 “157” and “213”.

 1541
 01:48:22,253 --> 01:48:24,088
 Holy fuck.

 1542
 01:48:24,881 --> 01:48:26,257
 “213” means…

 1543
 01:48:27,008 --> 01:48:29,260
 Commonly known as rape.

 1544
 01:48:29,802 --> 01:48:32,180
 “157” is “aggravated robbery
 with homicide”.

 1545
 01:48:37,477 --> 01:48:39,479
 [thudding]

 1546
 01:48:44,025 --> 01:48:44,859
 [man shouting]

 1547
 01:48:44,943 --> 01:48:46,653
 Only good boys.

 1548
 01:48:46,736 --> 01:48:49,489
 - [thudding and shouting continue]
 - Sérgio and Euclides: [laugh]

 1549
 01:48:51,157 --> 01:48:53,076
 ♪ [ominous music playing] ♪

 1550
 01:48:55,912 --> 01:48:57,914
 [chittering]

 1551
 01:49:09,217 --> 01:49:11,219
 ♪ [ominous music continues] ♪

 1552
 01:49:39,372 --> 01:49:41,374
 [rustling]

 1553
 01:50:13,823 --> 01:50:15,742
 ♪ [ominous music continues] ♪

 1554
 01:50:15,825 --> 01:50:17,827
 [squelching]

 1555
 01:50:42,101 --> 01:50:46,606
 Tereza: [reading] <i>“A local man
 named Pedro Jorge do Nascimento,</i>

 1556
 01:50:46,689 --> 01:50:49,442
 <i>27, a student,</i>

 1557
 01:50:49,526 --> 01:50:51,528
 <i>living in the Mustardinha district,</i>

 1558
 01:50:52,529 --> 01:50:56,282
 <i>was out on an evening walk
 in 13 de Maio Park</i>

 1559
 01:50:56,366 --> 01:51:00,620
 with a friend by the name
 of Alexandrino Borges, 32,

 1560
 01:51:00,703 --> 01:51:04,374
 a dental prosthetist living
 at Bomba do Hemetério,

 1561
 01:51:04,958 --> 01:51:07,502
 when they were caught by surprise

 1562
 01:51:07,585 --> 01:51:10,505
 by a shadow that came
 hopping out of nowhere

 1563
 01:51:10,588 --> 01:51:12,715
 and started kicking them.

 1564
 01:51:17,512 --> 01:51:19,848
 But this is so odd.

 1565
 01:51:19,931 --> 01:51:22,851
 Odd, but we all know what that is,
 don’t we?

 1566
 01:51:27,063 --> 01:51:29,065
 It’s treated as news in the paper.

 1567
 01:51:29,149 --> 01:51:30,275
 - António: [chuckles]
 - Cláudia: Tereza.

 1568
 01:51:30,358 --> 01:51:33,695
 Read the bit about the attack, it’s great.
 Read it.

 1569
 01:51:33,778 --> 01:51:35,530
 - But you’ve read it.
 - I have.

 1570
 01:51:35,613 --> 01:51:38,533
 But it sounds so much better
 in your Angolan accent.

 1571
 01:51:39,826 --> 01:51:40,869
 Thank you.

 1572
 01:51:41,953 --> 01:51:43,663
 ♪ [ominous music playing] ♪

 1573
 01:51:45,665 --> 01:51:47,542
 [people screaming]

 1574
 01:51:49,460 --> 01:51:51,546
 [squelching footsteps]

 1575
 01:51:51,629 --> 01:51:52,964
 [screaming]

 1576
 01:51:57,969 --> 01:51:59,554
 [glass shatters]

 1577
 01:52:01,181 --> 01:52:02,640
 [screaming]

 1578
 01:52:02,724 --> 01:52:04,851
 [thudding]

 1579
 01:52:06,436 --> 01:52:08,605
 [all laughing]

 1580
 01:52:09,981 --> 01:52:12,025
 Oh, my word.

 1581
 01:52:12,108 --> 01:52:14,694
 Hello, everyone.

 1582
 01:52:15,236 --> 01:52:17,739
 - Welcome.
 - Oh, my darling.

 1583
 01:52:18,615 --> 01:52:19,949
 - All is well?
 - Yes.

 1584
 01:52:20,033 --> 01:52:22,619
 Marcelo, glad you came to say goodbye.

 1585
 01:52:22,702 --> 01:52:24,871
 Dona Sebastiana told me.

 1586
 01:52:24,954 --> 01:52:27,290
 - I wanted to be with you.
 - Viva.

 1587
 01:52:27,373 --> 01:52:29,125
 [indistinct chatter]

 1588
 01:52:29,209 --> 01:52:31,711
 I’m Geraldo, a friend of Sebastiana’s.

 1589
 01:52:31,794 --> 01:52:35,590
 “The Hairy Leg” is all the rage
 in Casa Amarela.

 1590
 01:52:35,673 --> 01:52:37,967
 A bit anarchic, don’t you think?

 1591
 01:52:38,051 --> 01:52:39,594
 [chattering]

 1592
 01:52:39,677 --> 01:52:42,096
 - Can I make a call?
 - If it’s not long distance.

 1593
 01:52:42,180 --> 01:52:44,766
 Help me with the dishes, Clóvis.

 1594
 01:52:49,145 --> 01:52:51,064
 I don’t like Recife.

 1595
 01:52:55,109 --> 01:52:57,111
 I haven’t been treated well here.

 1596
 01:52:57,195 --> 01:52:59,823
 I’m sorry I’m calling this late.

 1597
 01:52:59,906 --> 01:53:03,576
 I’d like to leave a message
 for Mr. Alexandre.

 1598
 01:53:03,660 --> 01:53:06,538
 I really want to speak to my son.

 1599
 01:53:06,621 --> 01:53:09,249
 It’s a peculiar city, but…

 1600
 01:53:10,291 --> 01:53:11,543
 Okay.

 1601
 01:53:11,626 --> 01:53:17,340
 “The Hairy Leg” that hops away
 would be huge in Luanda.

 1602
 01:53:17,423 --> 01:53:19,551
 - Tereza: [laughs]
 - Armando: Thank you, Zuleika.

 1603
 01:53:19,634 --> 01:53:20,802
 Thank you.

 1604
 01:53:23,346 --> 01:53:24,305
 Uh…

 1605
 01:53:24,389 --> 01:53:26,558
 - Is that cachaça?
 - It is.

 1606
 01:53:27,767 --> 01:53:29,185
 Mmm.

 1607
 01:53:31,437 --> 01:53:33,273
 Long live Mr. Marcelo.

 1608
 01:53:33,356 --> 01:53:35,191
 Armando: [muttering]

 1609
 01:53:35,275 --> 01:53:38,069
 Marcelo is your assumed name, right?

 1610
 01:53:39,654 --> 01:53:41,239
 Marcelo.

 1611
 01:53:43,741 --> 01:53:45,160
 My name is Armando.

 1612
 01:53:45,952 --> 01:53:48,371
 But call me Marcelo if you wish.

 1613
 01:53:57,714 --> 01:54:01,801
 I’d rather not reveal my… my real name.

 1614
 01:54:02,844 --> 01:54:08,391
 Tereza Victória was the name
 of a dear aunt of mine.

 1615
 01:54:09,434 --> 01:54:13,605
 In reality, I’ve always wanted to be
 Tereza Victória.

 1616
 01:54:13,688 --> 01:54:16,524
 - Sebastiana: A lovely name.
 - I like compound names.

 1617
 01:54:16,608 --> 01:54:20,069
 The names are for your own security.

 1618
 01:54:22,071 --> 01:54:24,616
 It’s not easy to be called
 by another name.

 1619
 01:54:25,408 --> 01:54:28,912
 It’s just a precaution.
 My own name is Sebastiana.

 1620
 01:54:28,995 --> 01:54:30,205
 I didn’t change it.

 1621
 01:54:30,288 --> 01:54:31,998
 My name’s Clóvis.

 1622
 01:54:32,081 --> 01:54:33,708
 [chuckles]

 1623
 01:54:33,791 --> 01:54:36,044
 Just Clóvis, really.

 1624
 01:54:39,547 --> 01:54:42,091
 I wish I was as brave as you people.

 1625
 01:54:44,719 --> 01:54:47,180
 I really do.

 1626
 01:54:48,681 --> 01:54:50,767
 But it’s not easy
 to live under a death threat.

 1627
 01:54:56,356 --> 01:54:58,066
 I am under a death threat.

 1628
 01:55:09,160 --> 01:55:11,162
 I am under a death threat too.

 1629
 01:55:12,121 --> 01:55:14,958
 Let’s cheer things up.
 I’ll play some music.

 1630
 01:55:15,750 --> 01:55:18,878
 Dona Sebastiana,
 I never meant to dampen the mood.

 1631
 01:55:18,962 --> 01:55:20,713
 - Give me a hand.
 - I said that because…

 1632
 01:55:22,590 --> 01:55:26,469
 I’m alive. I’m strong. I have my son.

 1633
 01:55:26,553 --> 01:55:28,555
 ♪ [sentimental music playing] ♪

 1634
 01:55:29,180 --> 01:55:30,598
 I want to live.

 1635
 01:55:31,349 --> 01:55:32,851
 It’s just that…

 1636
 01:55:33,768 --> 01:55:36,187
 I found out today

 1637
 01:55:37,021 --> 01:55:39,107
 that I am under a death threat.

 1638
 01:55:40,108 --> 01:55:42,360
 It was quite a surprise.

 1639
 01:55:43,736 --> 01:55:47,073
 For someone who fell out
 with both camps in Angola,

 1640
 01:55:50,285 --> 01:55:52,245
 finding refuge here

 1641
 01:55:53,037 --> 01:55:54,414
 was so good.

 1642
 01:55:55,623 --> 01:55:58,251
 Now António and I are going away.

 1643
 01:55:59,627 --> 01:56:03,339
 On a plane with no Portuguese flag.
 We insisted on that.

 1644
 01:56:03,423 --> 01:56:05,508
 Tereza, you are talking too much.

 1645
 01:56:07,177 --> 01:56:10,054
 Dona Sebastiana, you’re the best.

 1646
 01:56:10,638 --> 01:56:12,348
 Thank you very much.

 1647
 01:56:12,432 --> 01:56:14,517
 You’re very welcome.

 1648
 01:56:15,143 --> 01:56:16,644
 Where are you two going, Tereza?

 1649
 01:56:16,728 --> 01:56:18,062
 No need to talk about that.

 1650
 01:56:19,481 --> 01:56:20,857
 But thank you.

 1651
 01:56:24,527 --> 01:56:25,904
 [purring]

 1652
 01:56:27,780 --> 01:56:29,741
 ♪ [sentimental music continues] ♪

 1653
 01:56:30,950 --> 01:56:34,245
 My niece Geisa loved this song.

 1654
 01:56:34,329 --> 01:56:36,623
 Better said, she loves it.

 1655
 01:56:36,706 --> 01:56:37,957
 [telephone ringing]

 1656
 01:56:39,000 --> 01:56:40,376
 Armando: I think it’s for me.

 1657
 01:56:46,132 --> 01:56:48,176
 Hello, Mr. Alexandre.

 1658
 01:56:50,261 --> 01:56:51,638
 That’s fine.

 1659
 01:56:53,848 --> 01:56:55,683
 Talk to you later. Good night.

 1660
 01:56:58,228 --> 01:57:01,981
 I don’t want to see you sad.
 Come see my little museum.

 1661
 01:57:02,065 --> 01:57:03,858
 Look at this.

 1662
 01:57:03,942 --> 01:57:07,946
 That’s my niece, Geisa,
 when she was little.

 1663
 01:57:08,029 --> 01:57:09,823
 In this one, she’s all grown up.

 1664
 01:57:10,573 --> 01:57:11,658
 Armando: Is that you there?

 1665
 01:57:11,741 --> 01:57:15,453
 That’s me and my lover
 at the time, Andrea.

 1666
 01:57:15,537 --> 01:57:17,914
 That was in Italy, in Sassuolo.

 1667
 01:57:17,997 --> 01:57:19,624
 Really? You lived in Italy?

 1668
 01:57:19,707 --> 01:57:23,670
 For seven years. From ‘36 to ‘42.

 1669
 01:57:23,753 --> 01:57:26,840
 - Cláudia: You never told me that.
 - You never asked.

 1670
 01:57:26,923 --> 01:57:29,926
 - [stifled laughter]
 - I only came back when the war ended.

 1671
 01:57:30,009 --> 01:57:32,720
 I went to Italy to study music.

 1672
 01:57:33,471 --> 01:57:37,058
 Then I stayed. Things kept getting worse.

 1673
 01:57:37,142 --> 01:57:38,768
 I was unable to come back.

 1674
 01:57:38,852 --> 01:57:43,022
 Over there, I was a communist.
 Then an anarchist.

 1675
 01:57:43,106 --> 01:57:44,816
 Or the other way round. I forget.

 1676
 01:57:44,899 --> 01:57:46,860
 António and Cláudia: [chuckle]

 1677
 01:57:46,943 --> 01:57:52,198
 I saw something there with my own eyes
 that I’m not telling you.

 1678
 01:57:53,408 --> 01:57:56,703
 I’ll take it to my grave.

 1679
 01:57:57,954 --> 01:58:02,083
 I also did three things there,
 which I’m not telling you.

 1680
 01:58:02,167 --> 01:58:04,836
 But I did, and I had to.

 1681
 01:58:05,461 --> 01:58:06,754
 To conclude,

 1682
 01:58:07,881 --> 01:58:09,883
 a toast to all of you.

 1683
 01:58:09,966 --> 01:58:11,134
 A toast.

 1684
 01:58:12,177 --> 01:58:14,596
 - To my friend Geraldo.
 - Thank you.

 1685
 01:58:14,679 --> 01:58:18,099
 Life has bad things, but also good things.

 1686
 01:58:18,183 --> 01:58:20,310
 To Haroldo, who’s not Haroldo.

 1687
 01:58:20,393 --> 01:58:23,062
 A toast to Marcelo who’s Armando.

 1688
 01:58:23,688 --> 01:58:27,317
 To this woman
 who is Tereza Victória to me.

 1689
 01:58:27,400 --> 01:58:30,361
 She’s off to Sweden with António.

 1690
 01:58:31,237 --> 01:58:32,864
 - Armando: [chuckles]
 - A toast to Cláudia,

 1691
 01:58:32,947 --> 01:58:34,741
 who is Cláudia.

 1692
 01:58:35,325 --> 01:58:36,743
 And to Débora,

 1693
 01:58:37,452 --> 01:58:40,663
 who I’m sure will live in a better Brazil.

 1694
 01:58:40,747 --> 01:58:43,875
 She will grow up in a better Brazil
 with less mischief.

 1695
 01:58:43,958 --> 01:58:45,960
 Cheers, everyone.

 1696
 01:58:46,044 --> 01:58:47,587
 Armando and Cláudia: Cheers.

 1697
 01:58:50,298 --> 01:58:52,300
 Tereza: Thank you, Dona Sebastiana.

 1698
 01:58:55,345 --> 01:58:57,347
 [rustling]

 1699
 01:59:01,226 --> 01:59:04,145
 [rustling]

 1700
 01:59:06,397 --> 01:59:08,107
 [rustling]

 1701
 01:59:09,317 --> 01:59:10,860
 [rustling grows louder]

 1702
 01:59:14,030 --> 01:59:17,158
 [breathing heavily]

 1703
 01:59:19,369 --> 01:59:20,370
 [yells]

 1704
 01:59:20,453 --> 01:59:21,663
 [gasps]

 1705
 01:59:21,746 --> 01:59:23,414
 [rustling]

 1706
 01:59:25,708 --> 01:59:27,001
 [screaming]

 1707
 01:59:27,085 --> 01:59:29,087
 Hey. Hey. Calm down.

 1708
 01:59:29,170 --> 01:59:31,756
 Look at me. I’m here.

 1709
 01:59:31,840 --> 01:59:33,842
 [breathing heavily]

 1710
 01:59:33,925 --> 01:59:35,969
 [moaning]

 1711
 01:59:39,347 --> 01:59:41,391
 - Shh.
 - [exhales]

 1712
 01:59:41,474 --> 01:59:43,768
 PART 3
 BLOOD TRANSFUSION

 1713
 01:59:43,852 --> 01:59:45,395
 [moaning]

 1714
 01:59:45,478 --> 01:59:46,938
 Fuck.

 1715
 01:59:47,021 --> 01:59:48,982
 [breathing heavily]

 1716
 01:59:49,941 --> 01:59:51,943
 ♪ [melancholic music playing] ♪

 1717
 02:00:08,251 --> 02:00:09,210
 Man: Vilmar.

 1718
 02:00:27,479 --> 02:00:28,563
 Mr. Bobbi.

 1719
 02:00:28,646 --> 02:00:30,023
 Mr. Augusto.

 1720
 02:00:40,116 --> 02:00:42,535
 - Is this the man?
 - This is the man.

 1721
 02:00:45,830 --> 02:00:48,625
 Irineu says you’re the man.

 1722
 02:00:49,918 --> 02:00:51,461
 I don’t know about that.

 1723
 02:00:52,212 --> 02:00:53,463
 Is he up to the job?

 1724
 02:00:53,546 --> 02:00:55,632
 Yes, he is.

 1725
 02:00:55,715 --> 02:00:57,675
 It’s a job right here in Recife.

 1726
 02:00:58,635 --> 02:01:01,888
 Requires great responsibility
 and trustworthiness.

 1727
 02:01:02,889 --> 02:01:04,390
 Poor or rich?

 1728
 02:01:04,474 --> 02:01:06,434
 Fuck knows.

 1729
 02:01:07,227 --> 02:01:10,897
 Looks fancy, but he ain’t rich.

 1730
 02:01:10,980 --> 02:01:12,941
 Fancy looking is rich.

 1731
 02:01:13,650 --> 02:01:14,818
 More expensive.

 1732
 02:01:16,069 --> 02:01:18,071
 - He got a gun?
 - No.

 1733
 02:01:18,696 --> 02:01:20,114
 He’s a pussy.

 1734
 02:01:21,533 --> 02:01:22,909
 I’ll do it for 4,000.

 1735
 02:01:22,992 --> 02:01:24,202
 Fuck.

 1736
 02:01:29,165 --> 02:01:31,209
 What do you use for the job?

 1737
 02:01:31,876 --> 02:01:35,547
 A mid-long .38. A sure shot.

 1738
 02:01:36,756 --> 02:01:38,716
 I’ll give you 2,000.

 1739
 02:01:40,510 --> 02:01:42,846
 It’s 4,000. I’ll do it for 4,000.

 1740
 02:01:44,430 --> 02:01:46,850
 You work in this shithole

 1741
 02:01:46,933 --> 02:01:51,146
 carrying sugar like some animal
 to earn peanuts.

 1742
 02:01:52,730 --> 02:01:54,482
 It’s an easy one.

 1743
 02:01:54,566 --> 02:01:58,319
 We have information that will help you.

 1744
 02:02:00,071 --> 02:02:02,240
 “Like some animal…”

 1745
 02:02:02,323 --> 02:02:03,533
 I don’t like how you talk.

 1746
 02:02:07,162 --> 02:02:09,205
 This is our man.

 1747
 02:02:12,000 --> 02:02:13,960
 4,000.

 1748
 02:02:18,715 --> 02:02:20,175
 4,000 it is.

 1749
 02:02:21,384 --> 02:02:23,052
 But you’re coming now.

 1750
 02:02:23,136 --> 02:02:24,429
 Two thousand up front.

 1751
 02:02:24,512 --> 02:02:25,847
 Right now.

 1752
 02:02:33,146 --> 02:02:35,106
 [whirring]

 1753
 02:02:37,734 --> 02:02:40,069
 Severino, I need to go out.

 1754
 02:02:40,153 --> 02:02:41,946
 - Back in half an hour.
 - Fine.

 1755
 02:02:42,030 --> 02:02:43,615
 - You’re in charge.
 - Sure.

 1756
 02:03:27,784 --> 02:03:30,537
 If Santa Cruz win today, beers on me.

 1757
 02:03:30,620 --> 02:03:32,121
 [men laugh]

 1758
 02:03:32,205 --> 02:03:33,623
 I’ll be right back.

 1759
 02:03:33,706 --> 02:03:34,874
 Okay, Alexandre.

 1760
 02:03:59,816 --> 02:04:01,192
 - Excuse me.
 - Hello.

 1761
 02:04:01,276 --> 02:04:03,570
 - Is Mr. Alexandre here?
 - He just left.

 1762
 02:04:03,653 --> 02:04:04,571
 Really?

 1763
 02:04:06,865 --> 02:04:07,699
 Pity.

 1764
 02:04:32,265 --> 02:04:34,225
 ♪ [tense music playing] ♪

 1765
 02:05:15,099 --> 02:05:17,101
 [muttering]

 1766
 02:05:38,039 --> 02:05:40,917
 HAIRY LEG STEALS LEG FROM MORGUE

 1767
 02:06:08,153 --> 02:06:09,696
 Maria Augusta?

 1768
 02:06:10,488 --> 02:06:12,365
 - Maria Aparecida?
 - Maria Aparecida.

 1769
 02:06:13,116 --> 02:06:15,118
 Quite a few of them.

 1770
 02:06:16,870 --> 02:06:18,288
 Is it your mother?

 1771
 02:06:21,583 --> 02:06:22,417
 [mutters]

 1772
 02:06:23,501 --> 02:06:26,671
 You’re really committed to this, huh?

 1773
 02:06:28,214 --> 02:06:31,926
 My mother died,
 and I’d like to have a document of her.

 1774
 02:06:32,760 --> 02:06:34,387
 Even if only one.

 1775
 02:06:36,848 --> 02:06:40,268
 And I know her ID card was issued here.

 1776
 02:06:41,019 --> 02:06:44,022
 I’m dead set on finding the file.

 1777
 02:06:45,857 --> 02:06:47,734
 I hope you’ll find it.

 1778
 02:06:53,573 --> 02:06:55,533
 [indistinct chatter]

 1779
 02:07:05,251 --> 02:07:07,253
 ♪ [tense music playing] ♪

 1780
 02:07:21,226 --> 02:07:22,477
 Morning.

 1781
 02:07:45,166 --> 02:07:46,584
 - Morning, boss.
 - Morning.

 1782
 02:07:47,168 --> 02:07:49,254
 Is this where they make ID cards?

 1783
 02:07:49,337 --> 02:07:50,505
 Yes, sir.

 1784
 02:08:08,982 --> 02:08:11,568
 Elisângela: Brenda Oliveira da Mata.

 1785
 02:08:11,651 --> 02:08:13,528
 Alexandre: I just need to speak to someone.

 1786
 02:08:13,611 --> 02:08:15,613
 - Maria Eugênia.
 - Armando.

 1787
 02:08:19,701 --> 02:08:23,538
 - His name is Marcelo.
 - Elisângela, you can let him in.

 1788
 02:08:25,832 --> 02:08:27,792
 [indistinct chatter]

 1789
 02:08:39,304 --> 02:08:41,514
 - Hi.
 - I called you Armando.

 1790
 02:08:41,598 --> 02:08:42,891
 - How’s Fernando?
 - He’s fine.

 1791
 02:08:42,974 --> 02:08:44,767
 He asked me to give you this.

 1792
 02:08:45,727 --> 02:08:49,689
 I had to swear I’d come in the morning.

 1793
 02:08:58,948 --> 02:09:00,325
 Turn it over.

 1794
 02:09:04,329 --> 02:09:05,622
 “Dad.

 1795
 02:09:06,664 --> 02:09:09,626
 Grandpa and Grandma are very nice…”

 1796
 02:09:09,709 --> 02:09:12,462
 Elisângela: [calls out customer’s name]

 1797
 02:09:12,545 --> 02:09:14,672
 “…but I want to live with you”.

 1798
 02:09:17,091 --> 02:09:18,927
 Elisângela: Mariana da Rocha Pinheiro.

 1799
 02:09:19,511 --> 02:09:25,892
 “I think I am starting
 to manage to forget Mum.

 1800
 02:09:26,935 --> 02:09:28,394
 Come back quickly.

 1801
 02:09:29,437 --> 02:09:31,022
 Fernando.”

 1802
 02:09:31,105 --> 02:09:33,358
 Elisângela: [calls out customer’s name]

 1803
 02:09:36,903 --> 02:09:40,281
 Elisângela: [calls out customer’s name]

 1804
 02:09:44,869 --> 02:09:47,330
 Elisângela: [calls out customer’s name]

 1805
 02:09:48,081 --> 02:09:50,416
 You’re taking my grandson away?

 1806
 02:09:51,835 --> 02:09:53,878
 I’m taking my son.

 1807
 02:09:54,546 --> 02:09:56,673
 Elisângela: [calls out customer’s name]

 1808
 02:09:56,756 --> 02:09:59,759
 And you should take him.
 You should take him.

 1809
 02:10:00,927 --> 02:10:02,220
 I need to go.

 1810
 02:10:02,971 --> 02:10:04,806
 You found your mother’s document?

 1811
 02:10:04,889 --> 02:10:05,974
 No.

 1812
 02:10:08,434 --> 02:10:11,146
 Elisângela: [calls out customer’s name]

 1813
 02:10:15,608 --> 02:10:18,236
 Cláudia Andrade Lima Melo.

 1814
 02:10:22,157 --> 02:10:24,159
 - Excuse me.
 - Elisângela: [calls out customer’s name]

 1815
 02:10:25,910 --> 02:10:28,913
 Mariana da Rocha Pinheiro.

 1816
 02:10:31,332 --> 02:10:32,333
 Mariana?

 1817
 02:10:33,960 --> 02:10:36,337
 Cauã Barros Campos.

 1818
 02:10:39,382 --> 02:10:41,926
 Elisângela: [calls out customer’s name]

 1819
 02:10:44,095 --> 02:10:45,054
 Thanks.

 1820
 02:10:46,389 --> 02:10:49,809
 Next, Cauã Barros Campos.

 1821
 02:10:51,311 --> 02:10:54,147
 Elisângela: [calls out customer’s name]

 1822
 02:10:54,814 --> 02:10:57,066
 Mariana da Rocha Pinheiro.

 1823
 02:10:57,650 --> 02:11:00,945
 Mariana da Rocha Pinheiro.

 1824
 02:11:02,614 --> 02:11:07,285
 Elisângela: [calls out customer’s name]

 1825
 02:11:09,913 --> 02:11:13,374
 Cláudia Andrade Lima Melo.

 1826
 02:11:13,458 --> 02:11:17,128
 Cláudia Andrade Lima Melo.

 1827
 02:11:18,505 --> 02:11:22,175
 Demóstenes Guerra Ferreira.

 1828
 02:11:23,676 --> 02:11:26,679
 Elisângela: [calls out customer’s name]

 1829
 02:11:26,763 --> 02:11:28,640
 - Excuse me.
 - Elisângela: Yes?

 1830
 02:11:28,723 --> 02:11:30,058
 Is that Armando?

 1831
 02:11:38,525 --> 02:11:39,400
 No.

 1832
 02:11:39,984 --> 02:11:42,529
 - His name is Marcelo.
 - Armando.

 1833
 02:11:54,374 --> 02:11:55,667
 Armando.

 1834
 02:11:56,543 --> 02:11:57,752
 [indistinct chatter]

 1835
 02:11:58,878 --> 02:12:00,797
 His name is not Armando.

 1836
 02:12:21,901 --> 02:12:23,903
 [telephone ringing]

 1837
 02:12:32,495 --> 02:12:34,497
 [telephone continues ringing]

 1838
 02:12:50,013 --> 02:12:53,224
 Euclides: Take a couple guys, make him scared.

 1839
 02:12:53,308 --> 02:12:55,602
 - We only have two patrol cars.
 - [knocking on door]

 1840
 02:12:55,685 --> 02:12:57,312
 Excuse me.

 1841
 02:12:57,395 --> 02:12:59,189
 Chief Euclides, excuse me.

 1842
 02:12:59,272 --> 02:13:00,356
 Yes, Marcelo.

 1843
 02:13:01,024 --> 02:13:02,984
 I need to talk to you guys.

 1844
 02:13:03,485 --> 02:13:04,402
 Go ahead.

 1845
 02:13:04,486 --> 02:13:07,238
 You know I don’t carry a gun.

 1846
 02:13:07,322 --> 02:13:08,364
 Uh-huh.

 1847
 02:13:08,448 --> 02:13:10,825
 We are too out in the open down there.

 1848
 02:13:10,909 --> 02:13:12,202
 Euclides: Uh.

 1849
 02:13:12,285 --> 02:13:16,623
 This man turned up,
 was offensive to the girls.

 1850
 02:13:16,706 --> 02:13:17,957
 What the heck?

 1851
 02:13:18,041 --> 02:13:20,084
 He threatened me.

 1852
 02:13:21,377 --> 02:13:24,130
 He is causing trouble,
 so I came to see you.

 1853
 02:13:25,840 --> 02:13:28,760
 You need to have a gun, my friend.

 1854
 02:13:28,843 --> 02:13:30,970
 Commands respect.

 1855
 02:13:33,223 --> 02:13:35,183
 Hold your arm out.

 1856
 02:13:36,184 --> 02:13:37,185
 Hold my…

 1857
 02:13:37,268 --> 02:13:39,229
 Your hand. He wants to see your hand.

 1858
 02:13:39,312 --> 02:13:40,271
 Hold it out.

 1859
 02:13:44,150 --> 02:13:44,984
 Right.

 1860
 02:13:45,902 --> 02:13:47,362
 You’re nervous.

 1861
 02:13:49,614 --> 02:13:51,366
 You messed with his wife?

 1862
 02:13:52,075 --> 02:13:53,451
 No, I don’t know him.

 1863
 02:13:53,535 --> 02:13:55,119
 He’s down there now.

 1864
 02:13:56,120 --> 02:13:57,413
 Chief Euclides.

 1865
 02:13:59,833 --> 02:14:03,002
 I wouldn’t have come here
 asking for your help

 1866
 02:14:03,670 --> 02:14:06,422
 if I didn’t think
 it’s a dangerous situation.

 1867
 02:14:08,132 --> 02:14:09,509
 - Arlindo.
 - Yes?

 1868
 02:14:09,592 --> 02:14:10,969
 Go check it out.

 1869
 02:14:11,594 --> 02:14:13,513
 Right on, I’m itching to do it.

 1870
 02:14:13,596 --> 02:14:15,098
 - Let’s go.
 - Thanks, chief.

 1871
 02:14:17,350 --> 02:14:19,811
 Marcão, come with me. Something’s up.

 1872
 02:14:19,894 --> 02:14:22,230
 - Does it have to be now?
 - It will be quick.

 1873
 02:14:28,736 --> 02:14:30,363
 SWINDLERS AND CON ARTISTS

 1874
 02:14:34,617 --> 02:14:36,953
 Man: Lieutenant. Hey, lieutenant.

 1875
 02:14:37,912 --> 02:14:39,122
 Phone for you.

 1876
 02:14:52,218 --> 02:14:53,428
 Hello?

 1877
 02:14:53,511 --> 02:14:55,680
 <i>Mr. Augusto, it’s Vilmar.</i>

 1878
 02:14:56,222 --> 02:14:57,932
 <i>I’ve found the man.</i>

 1879
 02:14:58,016 --> 02:14:58,975
 Where?

 1880
 02:15:00,768 --> 02:15:04,272
 At the office that makes ID cards.

 1881
 02:15:04,355 --> 02:15:06,649
 Are you sure it’s him?

 1882
 02:15:06,733 --> 02:15:08,109
 <i>Positive.</i>

 1883
 02:15:08,818 --> 02:15:10,528
 I had a good look at him.

 1884
 02:15:16,743 --> 02:15:19,037
 Elisângela: [calls out customer’s name]

 1885
 02:15:21,498 --> 02:15:24,250
 Elisângela: [calls out customer’s name]

 1886
 02:15:25,168 --> 02:15:26,544
 Do I take him out?

 1887
 02:15:29,172 --> 02:15:31,174
 Is Bobbi there with you?

 1888
 02:15:32,008 --> 02:15:34,302
 <i>No, he stayed at the cinema.</i>

 1889
 02:15:35,678 --> 02:15:36,554
 Better.

 1890
 02:15:38,473 --> 02:15:40,850
 - Take him out.
 - I will.

 1891
 02:15:40,934 --> 02:15:42,101
 Go for the nose.

 1892
 02:15:42,185 --> 02:15:43,478
 He’s in the phone booth.

 1893
 02:15:47,649 --> 02:15:49,943
 Arlindo: That guy in the red cap?

 1894
 02:15:50,026 --> 02:15:51,194
 Let’s go, Marcão.

 1895
 02:15:58,827 --> 02:16:01,412
 I have the rest of your money.

 1896
 02:16:03,331 --> 02:16:04,791
 Arlindo: Hey, man.

 1897
 02:16:04,874 --> 02:16:06,501
 You’re pestering our friend?

 1898
 02:16:08,294 --> 02:16:10,004
 Show us some ID.

 1899
 02:16:12,966 --> 02:16:14,759
 Man, I know this guy.

 1900
 02:16:16,177 --> 02:16:17,804
 I forgot my ID today.

 1901
 02:16:18,721 --> 02:16:19,764
 - [gunshot]
 - No!

 1902
 02:16:19,848 --> 02:16:21,141
 [gunshots]

 1903
 02:16:21,224 --> 02:16:22,308
 [people screaming]

 1904
 02:16:22,892 --> 02:16:24,435
 - Shots.
 - [gunshots continue]

 1905
 02:16:31,067 --> 02:16:32,235
 [people screaming]

 1906
 02:16:35,864 --> 02:16:37,115
 [gunshot]

 1907
 02:16:46,999 --> 02:16:47,834
 [groans]

 1908
 02:16:47,917 --> 02:16:49,961
 [clamouring]

 1909
 02:16:52,046 --> 02:16:54,048
 ♪ [dramatic traditional music playing] ♪

 1910
 02:17:13,109 --> 02:17:15,320
 A shooting. It’s hell in there.

 1911
 02:17:18,323 --> 02:17:19,949
 Bastard.

 1912
 02:17:29,374 --> 02:17:31,543
 Man: <i>Don’t do tomorrow</i>

 1913
 02:17:31,628 --> 02:17:35,964
 <i>What you can do the day after tomorrow</i>

 1914
 02:17:36,049 --> 02:17:38,718
 <i>Hail procrastination!</i>

 1915
 02:17:38,801 --> 02:17:42,639
 <i>Long live collective idleness!</i>

 1916
 02:17:42,722 --> 02:17:44,723
 [indistinct chatter]

 1917
 02:17:48,936 --> 02:17:50,187
 A man with a red cap?

 1918
 02:17:50,939 --> 02:17:51,898
 That way?

 1919
 02:17:53,274 --> 02:17:55,275
 ♪ [dramatic traditional music continues] ♪

 1920
 02:18:01,865 --> 02:18:03,827
 [inaudible dialogue]

 1921
 02:18:08,580 --> 02:18:12,085
 <i>Paid love is cheaper than love for free!</i>

 1922
 02:18:18,507 --> 02:18:23,178
 <i>There’s welfare and there’s foresight!</i>

 1923
 02:18:23,263 --> 02:18:27,600
 <i>Desire keeps on growing!</i>

 1924
 02:18:32,522 --> 02:18:35,232
 <i>Glory means nothing, nor does the skyline!</i>

 1925
 02:18:35,316 --> 02:18:36,693
 [kissing sound]

 1926
 02:18:36,775 --> 02:18:39,737
 <i>What I see is an alley!</i>

 1927
 02:18:39,820 --> 02:18:42,990
 <i>Books, books, books
 Books for flotation!</i>

 1928
 02:18:43,074 --> 02:18:45,034
 [indistinct shouting]

 1929
 02:18:51,874 --> 02:18:53,459
 Man: Give us a hand.

 1930
 02:18:56,254 --> 02:18:58,256
 {\an8}[siren blaring]

 1931
 02:19:00,425 --> 02:19:02,634
 ♪ [dramatic traditional music continues] ♪

 1932
 02:19:02,719 --> 02:19:03,845
 Where is Arlindo?

 1933
 02:19:05,346 --> 02:19:07,848
 - Did you see what happened?
 - Yes.

 1934
 02:19:19,486 --> 02:19:21,488
 [man reciting indistinctly nearby]

 1935
 02:19:47,347 --> 02:19:49,766
 [reciting]

 1936
 02:19:59,275 --> 02:20:02,987
 <i>…needs to be free and takes no charity!</i>

 1937
 02:20:03,071 --> 02:20:06,908
 <i>Take care of what’s yours
 Before it goes away!</i>

 1938
 02:20:06,991 --> 02:20:08,993
 ♪ [dramatic traditional music continues] ♪

 1939
 02:20:10,286 --> 02:20:11,871
 [muttering]

 1940
 02:20:12,539 --> 02:20:14,582
 Those files can’t leave this room.

 1941
 02:20:16,084 --> 02:20:19,087
 All lines are busy
 because of what happened.

 1942
 02:20:24,509 --> 02:20:27,720
 Tell me, your name is not Marcelo, is it?

 1943
 02:20:37,564 --> 02:20:39,566
 ♪ [dramatic traditional music continues] ♪

 1944
 02:21:02,547 --> 02:21:04,549
 [man’s voice blaring
 over vehicle PA system]

 1945
 02:21:25,820 --> 02:21:27,822
 [man speaking indistinctly on radio]

 1946
 02:21:42,128 --> 02:21:43,046
 [gunshot]

 1947
 02:21:43,129 --> 02:21:44,088
 [thud]

 1948
 02:21:47,592 --> 02:21:49,636
 “Like some animal…”

 1949
 02:21:52,680 --> 02:21:54,682
 ♪ [dramatic traditional music continues] ♪

 1950
 02:22:00,104 --> 02:22:00,939
 Elza.

 1951
 02:22:03,483 --> 02:22:05,485
 I need the passports now.

 1952
 02:22:07,028 --> 02:22:07,987
 Elza…

 1953
 02:22:08,780 --> 02:22:10,740
 My time in Recife is over.

 1954
 02:22:29,008 --> 02:22:31,886
 Stand back! Clear off!

 1955
 02:22:54,576 --> 02:22:56,578
 CARNIVAL DEATH TOLL<i></i>: 91

 1956
 02:22:58,788 --> 02:22:59,664
 ♪ [music ends] ♪

 1957
 02:22:59,747 --> 02:23:03,543
 SOUTHERN TOURIST SHOT AT BARBER’S

 1958
 02:23:08,923 --> 02:23:12,177
 {\an8}MOTIVE MAY HAVE BEEN REVENGE

 1959
 02:23:20,310 --> 02:23:21,144
 Dani.

 1960
 02:23:25,023 --> 02:23:25,857
 Dani.

 1961
 02:23:27,358 --> 02:23:29,402
 Yes? Yes?

 1962
 02:23:29,486 --> 02:23:30,570
 Go ahead.

 1963
 02:23:30,653 --> 02:23:34,866
 Did you try to find out
 what happened to these people?

 1964
 02:23:35,950 --> 02:23:38,286
 You know I’m kind of anxious.

 1965
 02:23:38,369 --> 02:23:43,082
 I tried Googling them,
 but there’s nothing there.

 1966
 02:23:43,166 --> 02:23:44,709
 They are all pre-Google.

 1967
 02:23:44,792 --> 02:23:46,753
 We need to scan the newspapers.

 1968
 02:23:48,004 --> 02:23:50,131
 Yeah, but that’s more work.

 1969
 02:23:50,215 --> 02:23:54,135
 I’m listening to Anísio,
 who tried to help Armando, you know?

 1970
 02:23:54,219 --> 02:23:56,471
 You went back to the Armando case?

 1971
 02:23:56,554 --> 02:23:59,182
 You were a bit shaken by it, weren’t you?

 1972
 02:23:59,974 --> 02:24:02,268
 Yeah, I needed a break from it.

 1973
 02:24:03,102 --> 02:24:03,978
 Hmm.

 1974
 02:24:06,231 --> 02:24:07,357
 Well…

 1975
 02:24:08,191 --> 02:24:11,653
 I don’t know why,
 but this guy’s story got to me.

 1976
 02:24:13,446 --> 02:24:16,407
 Probably because
 my family’s from Pernambuco.

 1977
 02:24:16,491 --> 02:24:19,410
 My grandfather,
 who was practically my father.

 1978
 02:24:22,705 --> 02:24:27,085
 I liked hearing Armando’s voice
 on my headphones.

 1979
 02:24:30,129 --> 02:24:32,215
 He had a good voice.

 1980
 02:24:45,353 --> 02:24:47,355
 MURDERED RESEARCHER
 WAS ACCUSED OF CORRUPTION

 1981
 02:24:47,438 --> 02:24:49,691
 - [baby fussing]
 - Shh.

 1982
 02:24:49,774 --> 02:24:51,401
 Man: Shall I take him?

 1983
 02:24:55,155 --> 02:24:57,157
 [baby fussing]

 1984
 02:25:03,037 --> 02:25:04,122
 [man speaking indistinctly]

 1985
 02:25:05,748 --> 02:25:07,208
 [baby babbling]

 1986
 02:25:07,292 --> 02:25:10,503
 {\an8}ARMANDO SOLIMÕES, 43, SHOT DEAD

 1987
 02:25:10,587 --> 02:25:13,047
 {\an8}CRIME BEING TREATED AS A HIT JOB

 1988
 02:25:17,302 --> 02:25:18,845
 ♪ [melancholic music playing] ♪

 1989
 02:25:18,928 --> 02:25:21,306
 [man speaking indistinctly]

 1990
 02:25:22,056 --> 02:25:23,224
 Say Dad.

 1991
 02:25:35,820 --> 02:25:37,780
 Thank you. Bye.

 1992
 02:25:50,585 --> 02:25:52,212
 {\an8}- Good evening.
 - Good evening.

 1993
 02:25:52,295 --> 02:25:55,215
 {\an8}I’d like to see
 Dr. Fernando de Melo Solimões.

 1994
 02:25:55,298 --> 02:25:56,883
 {\an8}He’s expecting me.

 1995
 02:25:56,966 --> 02:25:58,510
 {\an8}Dr. Fernando.

 1996
 02:25:58,593 --> 02:26:00,512
 - Flávia, right?
 - Exactly.

 1997
 02:26:00,595 --> 02:26:01,971
 You’re donating?

 1998
 02:26:04,349 --> 02:26:05,475
 I am.

 1999
 02:26:05,558 --> 02:26:07,060
 How much do you weigh?

 2000
 02:26:07,143 --> 02:26:09,813
 Fifty-two kilos.

 2001
 02:26:24,869 --> 02:26:25,954
 Flávia?

 2002
 02:26:27,789 --> 02:26:29,332
 Dr. Fernando.

 2003
 02:26:30,041 --> 02:26:32,210
 Very nice to meet you.

 2004
 02:26:32,293 --> 02:26:33,670
 How are you?

 2005
 02:26:33,753 --> 02:26:36,631
 I was joking when I said
 I’d only see you if you gave blood.

 2006
 02:26:36,714 --> 02:26:39,509
 [chuckles] It’s a good thing, though.

 2007
 02:26:39,592 --> 02:26:42,345
 First time I’ve given blood.

 2008
 02:26:42,428 --> 02:26:44,889
 You’re in good hands. Right, Rosa?

 2009
 02:26:44,973 --> 02:26:46,266
 Rosa: Everything is fine.

 2010
 02:26:46,349 --> 02:26:48,476
 Can I see my blood?

 2011
 02:26:53,565 --> 02:26:54,899
 You from Minas Gerais?

 2012
 02:26:56,151 --> 02:26:59,362
 Yes, but I’ve lived in São Paulo
 for a few years.

 2013
 02:26:59,445 --> 02:27:03,032
 I wasn’t really into the idea at first,

 2014
 02:27:03,116 --> 02:27:05,660
 but I’m happy I’ve done this.

 2015
 02:27:07,203 --> 02:27:09,289
 - Can I get this?
 - Yes, please.

 2016
 02:27:09,372 --> 02:27:11,708
 - Thanks, Rosa.
 - Thank you, Rosa.

 2017
 02:27:11,791 --> 02:27:15,545
 It’s snacks now.
 I’ll get her a chocolate milk.

 2018
 02:27:18,548 --> 02:27:21,342
 I know your father spent some time

 2019
 02:27:21,426 --> 02:27:26,181
 searching for an identity record
 of his mother here in Recife, didn’t he?

 2020
 02:27:26,264 --> 02:27:27,849
 It’s on the tapes.

 2021
 02:27:27,932 --> 02:27:31,519
 You see, I don’t know…
 I didn’t know that.

 2022
 02:27:32,103 --> 02:27:36,399
 About my grandmother on my father’s side,
 all I know is her name.

 2023
 02:27:36,483 --> 02:27:38,735
 “Maria Aparecida dos Santos,

 2024
 02:27:38,818 --> 02:27:40,361
 known as Índia.

 2025
 02:27:40,445 --> 02:27:41,738
 That’s all I know.

 2026
 02:27:42,906 --> 02:27:47,494
 Do you have any papers
 of your grandmother?

 2027
 02:27:47,577 --> 02:27:49,370
 Nothing. I never saw her.

 2028
 02:27:49,454 --> 02:27:52,540
 No pictures, nothing.
 No records whatsoever.

 2029
 02:27:53,333 --> 02:27:54,626
 Fernando: [clears throat]

 2030
 02:27:54,709 --> 02:27:56,794
 My grandfather on my father’s side

 2031
 02:27:56,878 --> 02:28:01,591
 impregnated the daughter
 of the family’s housemaid in Bonito,

 2032
 02:28:01,674 --> 02:28:03,009
 here in Pernambuco.

 2033
 02:28:04,177 --> 02:28:09,015
 My grandfather was 17
 and my grandmother was 14, a child.

 2034
 02:28:09,098 --> 02:28:10,558
 She was like…

 2035
 02:28:11,476 --> 02:28:13,102
 Uh… [sighs]

 2036
 02:28:13,186 --> 02:28:16,231
 She did all the housework.

 2037
 02:28:16,314 --> 02:28:18,942
 She was a kind of servant.

 2038
 02:28:19,025 --> 02:28:20,193
 Like…

 2039
 02:28:20,819 --> 02:28:22,612
 a slave… or an enslaved person.

 2040
 02:28:22,695 --> 02:28:23,571
 I don’t know.

 2041
 02:28:24,739 --> 02:28:26,533
 She really was enslaved.

 2042
 02:28:28,618 --> 02:28:33,081
 And my grandmother was known as…

 2043
 02:28:33,164 --> 02:28:36,376
 Everyone called her Índia. Just Índia.

 2044
 02:28:37,252 --> 02:28:39,462
 And my father, her son…

 2045
 02:28:40,338 --> 02:28:43,591
 Everyone said he was a beautiful boy.

 2046
 02:28:44,676 --> 02:28:46,427
 So she was Índia.

 2047
 02:28:47,178 --> 02:28:49,889
 And my father was beautiful.

 2048
 02:28:51,307 --> 02:28:52,475
 You see?

 2049
 02:28:54,227 --> 02:28:56,062
 It’s not easy.

 2050
 02:28:56,146 --> 02:29:00,650
 I find it so hard to speak about this.

 2051
 02:29:00,733 --> 02:29:03,027
 I’m doing it because you insisted.

 2052
 02:29:03,111 --> 02:29:04,654
 [chuckles nervously]

 2053
 02:29:04,737 --> 02:29:08,408
 You are really something else.
 You sent e-mails. You called.

 2054
 02:29:08,491 --> 02:29:11,661
 But it’s hard for me to speak about this.

 2055
 02:29:13,037 --> 02:29:16,541
 But what about your father, Armando?

 2056
 02:29:16,624 --> 02:29:20,420
 My father, Armando,
 was born of that relationship

 2057
 02:29:20,503 --> 02:29:25,008
 between a 17-year-old boy
 and a 14-year-old girl.

 2058
 02:29:25,675 --> 02:29:30,722
 And the wealthy side of the family…
 “wealthy”, so to speak.

 2059
 02:29:30,805 --> 02:29:32,807
 That is, my grandfather’s family.

 2060
 02:29:33,892 --> 02:29:35,935
 They took my father to raise him.

 2061
 02:29:36,019 --> 02:29:39,272
 And his mother couldn’t do anything.
 She was a child.

 2062
 02:29:42,734 --> 02:29:46,404
 Listen, here’s the thing.

 2063
 02:29:46,488 --> 02:29:49,699
 I work for a private university

 2064
 02:29:50,241 --> 02:29:53,745
 that paid me to transcribe the tapes

 2065
 02:29:53,828 --> 02:29:55,997
 they got from that archive.

 2066
 02:29:56,539 --> 02:30:00,960
 And now they want the tapes back.

 2067
 02:30:01,044 --> 02:30:05,340
 They feel there’s sensitive information
 on them.

 2068
 02:30:05,423 --> 02:30:08,510
 So they asked for all the tapes back.

 2069
 02:30:09,511 --> 02:30:11,638
 But that doesn’t really matter

 2070
 02:30:11,721 --> 02:30:15,141
 because I made copies
 of all the recordings.

 2071
 02:30:17,101 --> 02:30:19,020
 I said you’re something else, didn’t I?

 2072
 02:30:19,103 --> 02:30:20,146
 [chuckles]

 2073
 02:30:20,230 --> 02:30:24,275
 But also the reason I came is

 2074
 02:30:24,359 --> 02:30:27,403
 I appreciated hearing
 your father’s testimony.

 2075
 02:30:28,363 --> 02:30:30,740
 Hearing people talk about him.

 2076
 02:30:30,824 --> 02:30:32,367
 Flávia… [stammers]

 2077
 02:30:32,450 --> 02:30:33,284
 [clears throat]

 2078
 02:30:33,368 --> 02:30:36,788
 How did those recordings reach you?

 2079
 02:30:38,081 --> 02:30:40,458
 Through the daughter of Sara Guebert,

 2080
 02:30:40,542 --> 02:30:45,797
 who your father knew as “Elza”
 when he was under persecution.

 2081
 02:30:54,681 --> 02:30:57,433
 Flávia, I won’t go into that.

 2082
 02:30:58,434 --> 02:30:59,394
 Okay?

 2083
 02:31:02,105 --> 02:31:03,648
 That’s all right.

 2084
 02:31:04,691 --> 02:31:06,276
 In fact…

 2085
 02:31:08,778 --> 02:31:13,074
 I’ve brought this
 with all the recordings I copied.

 2086
 02:31:13,658 --> 02:31:16,995
 Everything I got is in here.

 2087
 02:31:17,871 --> 02:31:19,831
 Your father’s voice is here.

 2088
 02:31:20,373 --> 02:31:22,375
 And people talking about him.

 2089
 02:31:23,751 --> 02:31:24,836
 It’s yours.

 2090
 02:31:24,919 --> 02:31:28,423
 You can keep it
 and do whatever you like with it.

 2091
 02:31:40,727 --> 02:31:43,104
 You know, my grandfather, Alexandre…

 2092
 02:31:43,188 --> 02:31:44,022
 [clears throat]

 2093
 02:31:44,772 --> 02:31:46,191
 …who brought me up,

 2094
 02:31:47,984 --> 02:31:49,986
 and who I consider to be my father…

 2095
 02:31:52,614 --> 02:31:56,701
 He told me that…
 He was always telling this story.

 2096
 02:31:56,784 --> 02:31:58,828
 When my father…

 2097
 02:31:59,913 --> 02:32:03,041
 The day my father died,
 I was showered and ready.

 2098
 02:32:03,124 --> 02:32:07,003
 I’d put on my favourite clothes
 and I stood there,

 2099
 02:32:07,086 --> 02:32:10,048
 outside the house, waiting for him.

 2100
 02:32:10,131 --> 02:32:13,384
 The plan was he’d come to pick me up.

 2101
 02:32:14,427 --> 02:32:18,723
 I honestly don’t remember that.

 2102
 02:32:19,724 --> 02:32:22,894
 Like, someone tells you something
 and you create a memory.

 2103
 02:32:22,977 --> 02:32:26,105
 But I don’t know if I remember that day.

 2104
 02:32:28,650 --> 02:32:33,071
 I’m talking to you about him,
 but I don’t…

 2105
 02:32:33,154 --> 02:32:35,365
 The truth is, I don’t remember him.

 2106
 02:32:38,409 --> 02:32:40,286
 The truth is

 2107
 02:32:40,370 --> 02:32:44,082
 you remember my father more than I do.

 2108
 02:32:52,090 --> 02:32:53,132
 [mouthing]

 2109
 02:33:01,057 --> 02:33:03,268
 I don’t think I helped you much.

 2110
 02:33:03,351 --> 02:33:04,894
 It’s all right.

 2111
 02:33:04,978 --> 02:33:06,521
 It was great to meet you.

 2112
 02:33:07,105 --> 02:33:10,400
 This trip to Recife
 is also an opportunity for me

 2113
 02:33:10,483 --> 02:33:14,988
 to meet some relatives
 I only know through the phone.

 2114
 02:33:15,071 --> 02:33:16,781
 You have family here?

 2115
 02:33:16,865 --> 02:33:18,616
 My grandfather is from here.

 2116
 02:33:18,700 --> 02:33:24,247
 He worked for a family not far
 from here, on Chora Menino Square.

 2117
 02:33:25,915 --> 02:33:30,044
 I love that, “Chora Menino”. [crybaby]
 Great name for a square.

 2118
 02:33:30,753 --> 02:33:35,008
 I’ve heard about this place
 since I was little.

 2119
 02:33:35,091 --> 02:33:37,468
 Quite a coincidence me ending up here.

 2120
 02:33:39,304 --> 02:33:40,513
 You want a coincidence?

 2121
 02:33:40,597 --> 02:33:42,015
 Mmm.

 2122
 02:33:42,098 --> 02:33:43,475
 When I was little,

 2123
 02:33:44,434 --> 02:33:46,853
 I really wanted to see that movie, <i>Jaws</i>.

 2124
 02:33:46,936 --> 02:33:48,313
 - I know it.
 - You do?

 2125
 02:33:49,189 --> 02:33:51,357
 My grandfather would not let me.

 2126
 02:33:51,441 --> 02:33:56,237
 The poster alone scared me,
 the shark with that huge mouth.

 2127
 02:33:56,321 --> 02:34:00,283
 He was a projectionist
 at the São Luiz Cinema.

 2128
 02:34:00,909 --> 02:34:03,119
 One day, he took me to see it.

 2129
 02:34:03,203 --> 02:34:04,579
 Out of the blue.

 2130
 02:34:05,288 --> 02:34:06,915
 I got ready and went.

 2131
 02:34:06,998 --> 02:34:11,836
 From the day I saw the movie,
 the shark nightmares were gone.

 2132
 02:34:12,754 --> 02:34:14,214
 Here’s the coincidence.

 2133
 02:34:14,714 --> 02:34:16,382
 Guess where I saw the movie?

 2134
 02:34:16,466 --> 02:34:19,093
 I don’t know any local cinemas.

 2135
 02:34:19,177 --> 02:34:20,261
 Right here.

 2136
 02:34:21,679 --> 02:34:23,181
 This used to be a cinema?

 2137
 02:34:23,264 --> 02:34:26,768
 The Boa Vista Cinema where I saw <i>Jaws</i>.

 2138
 02:34:27,602 --> 02:34:29,771
 - It’s changed a lot.
 - It has.

 2139
 02:34:29,854 --> 02:34:31,064
 It’s a different place.

 2140
 02:34:31,898 --> 02:34:33,483
 And now I work here.

 2141
 02:34:35,068 --> 02:34:36,027
 [cell phone pings]

 2142
 02:34:37,237 --> 02:34:38,071
 Ah.

 2143
 02:34:38,154 --> 02:34:39,531
 - Your car?
 - It’s here.

 2144
 02:34:40,990 --> 02:34:42,575
 Thank you, Fernando.

 2145
 02:34:42,659 --> 02:34:43,827
 Thank <i>you</i>.

 2146
 02:34:49,332 --> 02:34:50,375
 [car door closes]

 2147
 02:34:50,458 --> 02:34:53,461
 ♪ [emotional music playing] ♪

 2148
 02:35:07,600 --> 02:35:09,602
 ♪ [woman singing in Portuguese] ♪

 2149
 02:35:29,539 --> 02:35:31,541
 - ♪ [music continues] ♪
 - ♪ [woman continues singing] ♪

 2150
 02:37:29,742 --> 02:37:32,745
 THE SECRET AGENT

 2151
 02:37:32,829 --> 02:37:34,831
 {\an8}♪ [traditional processional march playing] ♪

 2152
 02:40:30,465 --> 02:40:32,467
 - ♪ [music ends] ♪
 - [audience screaming]

 2153
 02:40:37,347 --> 02:40:39,390
 [whirring]

 2154
 02:40:39,474 --> 02:40:41,476
 [indistinct chatter]

 2155
 02:40:47,482 --> 02:40:48,733
 [audience laughing]

 2156
 02:40:48,817 --> 02:40:50,819
 Subtitles: Evaldo Tavares de Medeiros

 2157
 02:40:52,987 --> 02:40:54,989
 [audience screaming]

 2158
 02:40:55,990 --> 02:40:56,866
 [screaming stops]

 2159
 02:40:56,950 --> 02:40:58,952
 [indistinct chatter]

 2160
 02:41:05,333 --> 02:41:06,167
 [chatter ends]

diff --git a/VHS85 (2023).srt b/VHS85 (2023).srt
 1
 00:00:46,413 --> 00:00:49,724
 [static crackling]

 2
 00:00:50,586 --> 00:00:53,275
 Holy cow!

 3
 00:00:53,379 --> 00:00:55,896
 [engine revving]

 4
 00:00:56,000 --> 00:01:00,206
 <i>It’s time now for the 1985…</i>

 5
 00:01:00,310 --> 00:01:02,310
 <i>Cochlear implant is especially bright.</i>

 6
 00:01:02,413 --> 00:01:04,034
 <i>We see that the 3-amp house device…</i>

 7
 00:01:04,137 --> 00:01:05,655
 <i>Like it. Let’s put a little garlic…</i>

 8
 00:01:05,758 --> 00:01:07,413
 - [laughter]
 - [siren wails]

 9
 00:01:07,517 --> 00:01:09,275
 <i>If you want to talk faster…</i>

 10
 00:01:09,379 --> 00:01:12,137
 <i>…bottle or a miniature in the computer.</i>

 11
 00:01:12,241 --> 00:01:17,655
 ♪ [ad jingle plays] ♪

 12
 00:01:17,758 --> 00:01:20,241
 TV: <i>Lift your buttocks up and squeeze.</i>

 13
 00:01:20,344 --> 00:01:22,068
 TV: <i>Squeeze, squeeze, squeeze.</i>

 14
 00:01:22,172 --> 00:01:27,206
 Narrator: <i>At first glance, Rory
 was as American as a Happy Meal.</i>

 15
 00:01:27,310 --> 00:01:30,965
 Narrator: <i>We know now that
 perception would change,</i>

 16
 00:01:31,068 --> 00:01:34,137
 Narrator: <i>not only for the scientists
 who took on his case,</i>

 17
 00:01:34,241 --> 00:01:36,379
 Narrator: <i>but also for
 the world at large.</i>

 18
 00:01:43,896 --> 00:01:45,551
 Wow. Look at that.

 19
 00:01:52,310 --> 00:01:53,931
 Who is that handsome dude?

 20
 00:01:58,310 --> 00:02:00,000
 David.

 21
 00:02:04,068 --> 00:02:06,965
 [indistinct chatter]

 22
 00:02:07,068 --> 00:02:08,517
 [laughter]

 23
 00:02:08,620 --> 00:02:10,758
 Wow.

 24
 00:02:10,862 --> 00:02:13,758
 [indistinct chatter]

 25
 00:02:23,241 --> 00:02:25,344
 - Is that on?
 - Yeah.

 26
 00:02:25,448 --> 00:02:26,620
 Check it out.

 27
 00:02:28,620 --> 00:02:29,965
 Such a hottie.

 28
 00:02:30,068 --> 00:02:32,310
 Gross. That’s my sister.

 29
 00:02:32,413 --> 00:02:34,448
 Give me the gun.

 30
 00:02:37,206 --> 00:02:39,206
 - Monica, right?
 - Uh-huh.

 31
 00:02:42,000 --> 00:02:43,413
 [laughter]

 32
 00:02:43,517 --> 00:02:45,206
 What the fuck?

 33
 00:02:45,310 --> 00:02:47,586
 Are you kidding me?!

 34
 00:02:47,689 --> 00:02:49,310
 [indistinct chatter]

 35
 00:02:49,413 --> 00:02:51,448
 Direct shot.

 36
 00:02:53,172 --> 00:02:55,068
 How’s he gonna get
 that thing off?

 37
 00:02:55,172 --> 00:02:57,310
 There you go.

 38
 00:02:57,413 --> 00:02:58,862
 - There you go.
 - There you go.

 39
 00:02:58,965 --> 00:03:01,034
 [laughter]

 40
 00:03:01,137 --> 00:03:03,172
 And here we are.

 41
 00:03:08,241 --> 00:03:10,241
 - Hey, sis.
 - Are you gonna help, or what?

 42
 00:03:10,344 --> 00:03:12,310
 - Isn’t that everything anyway?
 - Building the tent!

 43
 00:03:12,413 --> 00:03:13,862
 Yeah, we’re building it right—

 44
 00:03:13,965 --> 00:03:15,862
 [horn blares]

 45
 00:03:15,965 --> 00:03:20,172
 - Kevin. [laugh]
 - Kiss my arse, Kevin.

 46
 00:03:20,275 --> 00:03:26,896
 Here we have a nice,
 ice-cold beer.

 47
 00:03:27,000 --> 00:03:29,724
 Take a look at the lake.

 48
 00:03:29,827 --> 00:03:31,655
 [thuds, groans]

 49
 00:03:31,758 --> 00:03:33,379
 Oww.

 50
 00:03:35,482 --> 00:03:37,206
 [sigh]

 51
 00:03:41,620 --> 00:03:44,137
 “No swimming”? [scoff]

 52
 00:03:51,172 --> 00:03:52,793
 Huh.

 53
 00:03:59,206 --> 00:04:00,896
 Yeah.

 54
 00:04:08,724 --> 00:04:11,551
 “Lake”…

 55
 00:04:17,000 --> 00:04:18,620
 E…

 56
 00:04:20,241 --> 00:04:21,965
 Eve?

 57
 00:04:22,068 --> 00:04:24,068
 Evic?

 58
 00:04:24,172 --> 00:04:27,413
 Ah. [chuckle]

 59
 00:04:28,862 --> 00:04:31,344
 Man, this place is gorgeous.

 60
 00:04:33,517 --> 00:04:35,137
 [sigh]

 61
 00:04:41,275 --> 00:04:44,448
 And there’s – that’s Robin.

 62
 00:04:50,827 --> 00:04:52,655
 Oh…

 63
 00:04:53,275 --> 00:04:55,448
 This place looks weird.

 64
 00:04:56,517 --> 00:04:57,758
 Muddy.

 65
 00:04:57,862 --> 00:04:59,068
 Oof.

 66
 00:05:03,206 --> 00:05:04,793
 Oh.

 67
 00:05:07,275 --> 00:05:08,862
 What?

 68
 00:05:11,137 --> 00:05:12,517
 Whoa.

 69
 00:05:12,620 --> 00:05:13,862
 What are you looking at?

 70
 00:05:13,965 --> 00:05:17,137
 Uh, uh…

 71
 00:05:17,241 --> 00:05:18,827
 Nothing.

 72
 00:05:20,241 --> 00:05:21,862
 You were filming me.

 73
 00:05:24,344 --> 00:05:26,620
 I’m filming everything.

 74
 00:05:29,517 --> 00:05:32,448
 Do you want to try?

 75
 00:05:34,206 --> 00:05:35,689
 Sure.

 76
 00:05:36,551 --> 00:05:38,482
 Yeah.

 77
 00:05:38,586 --> 00:05:40,689
 Here. Oh. Oh.

 78
 00:05:40,793 --> 00:05:41,931
 Honestly, you know,

 79
 00:05:42,034 --> 00:05:43,827
 I thought it was
 going to be heavier.

 80
 00:05:43,931 --> 00:05:45,241
 [chuckles]

 81
 00:05:45,344 --> 00:05:46,965
 Oh.

 82
 00:05:51,206 --> 00:05:54,206
 I, uh, found a dead squirrel.

 83
 00:05:54,310 --> 00:05:56,517
 Gross.

 84
 00:05:56,620 --> 00:05:58,896
 I want to see it.

 85
 00:05:59,000 --> 00:06:00,551
 Okay. [chuckle] Yeah?

 86
 00:06:00,655 --> 00:06:02,448
 Yeah.

 87
 00:06:02,551 --> 00:06:06,241
 It’s right over… uh…

 88
 00:06:10,137 --> 00:06:12,482
 [chuckle]

 89
 00:06:13,689 --> 00:06:15,000
 Hey, sis. You going?

 90
 00:06:15,103 --> 00:06:17,965
 No, I don’t want
 to get swimmer’s itch.

 91
 00:06:18,068 --> 00:06:19,448
 That’s not a genitals thing,
 is it?

 92
 00:06:19,551 --> 00:06:22,206
 No. God.

 93
 00:06:22,310 --> 00:06:26,034
 Uh, we’ll be here.

 94
 00:06:26,137 --> 00:06:27,551
 [laughing]

 95
 00:06:27,655 --> 00:06:29,931
 Hey!
 What are you talking about?

 96
 00:06:32,275 --> 00:06:33,620
 Let’s go!

 97
 00:06:34,862 --> 00:06:36,965
 - Yo, Kev’.
 - What?

 98
 00:06:37,068 --> 00:06:39,896
 You going to
 let me drive this beast?

 99
 00:06:40,000 --> 00:06:41,413
 Over my dead body.

 100
 00:06:41,517 --> 00:06:44,758
 - Huh?
 - Over my dead body.

 101
 00:06:44,862 --> 00:06:46,586
 What?

 102
 00:06:46,689 --> 00:06:48,931
 Over his dead body!

 103
 00:06:49,034 --> 00:06:50,827
 [laughing]

 104
 00:06:52,793 --> 00:06:55,034
 How is it, Kel’?

 105
 00:06:55,137 --> 00:06:57,551
 Ah!

 106
 00:06:57,655 --> 00:07:02,689
 Okay. Here we go.
 Kelly’s up first.

 107
 00:07:02,793 --> 00:07:05,103
 $20 says she biffs it.

 108
 00:07:05,206 --> 00:07:07,034
 [laughter]

 109
 00:07:07,137 --> 00:07:08,413
 You’re on. You’re on.
 I’ll take your bet.

 110
 00:07:08,517 --> 00:07:09,724
 Kel’, you ready?

 111
 00:07:09,827 --> 00:07:11,413
 Hit it!

 112
 00:07:12,517 --> 00:07:14,586
 Come on,
 come on, come on.

 113
 00:07:14,689 --> 00:07:16,137
 [motor revving]

 114
 00:07:16,241 --> 00:07:21,655
 Yes, yes. Yes!
 Yes, Kelly! Whoo!

 115
 00:07:27,586 --> 00:07:31,000
 Hey, Jared,
 throw us a beer!

 116
 00:07:31,103 --> 00:07:32,827
 Come on.

 117
 00:07:32,931 --> 00:07:34,103
 [laughter]

 118
 00:07:34,206 --> 00:07:35,931
 Okay, Nolan Ryan.

 119
 00:07:36,034 --> 00:07:38,103
 Hey, Jared.
 Do you want to go next?

 120
 00:07:38,206 --> 00:07:40,482
 - Oh, come on.
 - Come on, bud.

 121
 00:07:40,586 --> 00:07:42,103
 Hey, Robin.

 122
 00:07:42,206 --> 00:07:44,172
 You want to try?

 123
 00:07:46,793 --> 00:07:48,793
 Alright.
 This one’s coming in hot.

 124
 00:07:54,034 --> 00:07:56,344
 [all shouting]

 125
 00:07:56,896 --> 00:07:58,586
 [laughing]

 126
 00:07:58,689 --> 00:08:00,103
 Yeah, get it!

 127
 00:08:07,965 --> 00:08:10,931
 Oh, no!

 128
 00:08:11,344 --> 00:08:12,896
 [laughing]

 129
 00:08:16,137 --> 00:08:18,034
 - Oh, my gosh.
 - Shit!

 130
 00:08:18,137 --> 00:08:20,000
 Oh, my gosh. Oh, my gosh.
 I’m so sorry.

 131
 00:08:20,103 --> 00:08:23,000
 No, no, no, it’s okay.
 It’s okay. Are you okay?

 132
 00:08:23,103 --> 00:08:25,689
 Uh… yeah.

 133
 00:08:25,793 --> 00:08:28,517
 [laughing]

 134
 00:08:30,862 --> 00:08:33,103
 I think I’m going to go.

 135
 00:08:33,206 --> 00:08:35,034
 You are?

 136
 00:08:35,137 --> 00:08:36,758
 Give me that gun.

 137
 00:08:39,551 --> 00:08:41,931
 Ah!

 138
 00:08:42,551 --> 00:08:43,689
 Alright!

 139
 00:08:43,793 --> 00:08:45,068
 I can’t get it!

 140
 00:08:45,172 --> 00:08:47,758
 You got to put
 your finger in the hole.

 141
 00:08:51,620 --> 00:08:53,413
 I mean, if I can’t
 get the skis on,

 142
 00:08:53,517 --> 00:08:54,655
 there’s no way I can waterski.

 143
 00:08:54,758 --> 00:08:55,896
 I don’t think
 I’m going to do this.

 144
 00:08:56,000 --> 00:08:56,931
 Jesus.

 145
 00:08:57,034 --> 00:08:58,586
 Hey, Drew,
 can you take this?

 146
 00:08:58,689 --> 00:09:00,379
 Yeah.

 147
 00:09:00,482 --> 00:09:04,103
 Alright. Alright.
 You got it? Good. Okay.

 148
 00:09:15,482 --> 00:09:17,103
 Thank you.

 149
 00:09:19,275 --> 00:09:22,172
 Look at those two. So cute.

 150
 00:09:24,655 --> 00:09:26,931
 - Come on.
 - It’s cute.

 151
 00:09:27,034 --> 00:09:29,068
 I’m going to
 pull the rope taut.

 152
 00:09:29,172 --> 00:09:30,896
 Then you’ll go
 when you’re ready.

 153
 00:09:31,000 --> 00:09:32,793
 Yeah, I’m ready now.
 Let’s go. Let’s do it.

 154
 00:09:32,896 --> 00:09:35,344
 - You got this!
 - Ready?

 155
 00:09:36,379 --> 00:09:37,586
 Go!

 156
 00:09:37,689 --> 00:09:39,448
 [motor revving]

 157
 00:09:43,758 --> 00:09:44,827
 [groans]

 158
 00:09:44,931 --> 00:09:46,034
 Got to lean back.

 159
 00:09:46,137 --> 00:09:47,379
 Otherwise you’re
 going to dig in.

 160
 00:09:47,482 --> 00:09:50,103
 I know. I know, Kevin.
 Just. Just—

 161
 00:09:50,206 --> 00:09:51,758
 Go!

 162
 00:09:51,862 --> 00:09:53,827
 [engine revving]

 163
 00:10:00,482 --> 00:10:01,965
 Almost.

 164
 00:10:02,068 --> 00:10:04,137
 You were up. You were up!

 165
 00:10:04,241 --> 00:10:06,827
 I know. I don’t think I can
 do it. It hurts my arm.

 166
 00:10:06,931 --> 00:10:08,655
 One more try.
 You got to try one more.

 167
 00:10:08,758 --> 00:10:10,448
 Robin, you got
 to pull back.

 168
 00:10:10,551 --> 00:10:12,724
 I am! Kevin, fuckin’ A!

 169
 00:10:12,827 --> 00:10:14,931
 Hey, guys.
 Someone’s at the landing.

 170
 00:10:15,034 --> 00:10:17,310
 - Is that DNR?
 - I don’t think so.

 171
 00:10:17,413 --> 00:10:19,517
 You see Jared and Anna?

 172
 00:10:19,620 --> 00:10:21,724
 That’s weird.

 173
 00:10:21,827 --> 00:10:23,689
 Alright, Robin, one more time
 and we’re going to go back in.

 174
 00:10:23,793 --> 00:10:25,413
 Alright?

 175
 00:10:27,448 --> 00:10:28,517
 [engine revving]

 176
 00:10:28,620 --> 00:10:30,103
 Come on. Come on!

 177
 00:10:30,206 --> 00:10:32,896
 [cheering]

 178
 00:10:34,620 --> 00:10:36,344
 Go, go!

 179
 00:10:36,448 --> 00:10:38,758
 She did it. She did it!

 180
 00:10:38,862 --> 00:10:40,655
 Whoo! Yeah!

 181
 00:10:41,689 --> 00:10:42,896
 What happened?

 182
 00:10:44,724 --> 00:10:47,413
 Is she okay?

 183
 00:10:48,551 --> 00:10:51,241
 Pull up closer.
 Hurry, hurry.

 184
 00:10:51,344 --> 00:10:53,655
 I got her. I got her.
 One second.

 185
 00:10:53,758 --> 00:10:56,103
 - Get her out.
 - Robin. Robin? Robin?

 186
 00:10:56,206 --> 00:10:58,551
 - Grab her!
 - Oh, shit. Oh, shit!

 187
 00:10:58,655 --> 00:11:00,413
 [indistinct shouting]

 188
 00:11:00,517 --> 00:11:01,655
 [thuds]

 189
 00:11:01,758 --> 00:11:04,172
 What the fuck is…

 190
 00:11:04,275 --> 00:11:06,000
 Dude, you’re bleeding.

 191
 00:11:07,862 --> 00:11:09,344
 [gunshot]

 192
 00:11:09,448 --> 00:11:10,482
 [gasps]

 193
 00:11:10,586 --> 00:11:11,827
 Shit, shit, shit!

 194
 00:11:11,931 --> 00:11:13,448
 Get down, get down!

 195
 00:11:13,551 --> 00:11:15,103
 [screaming]

 196
 00:11:15,206 --> 00:11:16,620
 [thudding]

 197
 00:11:16,724 --> 00:11:19,620
 [gunshots]

 198
 00:11:19,724 --> 00:11:21,448
 Oh, God! [thudding]

 199
 00:11:21,551 --> 00:11:24,620
 Holy shit.

 200
 00:11:24,724 --> 00:11:26,241
 [indistinct shouting]

 201
 00:11:26,344 --> 00:11:30,034
 [screaming, sobbing]

 202
 00:11:32,724 --> 00:11:34,931
 Bro, are you hit?

 203
 00:11:35,034 --> 00:11:36,620
 Yeah. My hand.

 204
 00:11:36,724 --> 00:11:39,448
 My fucking finger’s gone.

 205
 00:11:39,551 --> 00:11:41,344
 Sorry, sorry, sorry.

 206
 00:11:41,448 --> 00:11:44,379
 Kev’? Kelly?

 207
 00:11:44,482 --> 00:11:45,724
 Kelly?

 208
 00:11:45,827 --> 00:11:47,172
 Oh, my God.

 209
 00:11:47,275 --> 00:11:48,827
 Oh, my God. Oh, my God.

 210
 00:11:48,931 --> 00:11:50,896
 Rob, Rob, Rob,
 Rob, Rob, Rob, Rob, Rob.

 211
 00:11:51,000 --> 00:11:52,517
 You got to start the boat.
 You got to start the boat.

 212
 00:11:52,620 --> 00:11:54,034
 Got to start the boat.
 You gotta start the boat.

 213
 00:11:54,137 --> 00:11:55,241
 - Start the boat.
 - No, I can’t.

 214
 00:11:55,344 --> 00:11:58,344
 You have to, man, you have to.
 I’m fucked. Okay?

 215
 00:11:58,448 --> 00:11:59,793
 Shit.

 216
 00:11:59,896 --> 00:12:02,310
 Okay. Okay. Okay.

 217
 00:12:02,413 --> 00:12:04,655
 You got this.
 You got this. Come on.

 218
 00:12:08,137 --> 00:12:09,586
 [groans]

 219
 00:12:09,689 --> 00:12:11,413
 You got it, Rob. You got it.

 220
 00:12:13,379 --> 00:12:15,931
 Just turn that key.
 Turn that key. Okay.

 221
 00:12:16,034 --> 00:12:18,344
 Okay. Come on.

 222
 00:12:18,448 --> 00:12:23,103
 You got it, Rob. You got it,
 man. Come on. Come on.

 223
 00:12:26,103 --> 00:12:27,517
 Rob, come on.

 224
 00:12:27,620 --> 00:12:29,206
 [engine sputters]

 225
 00:12:29,310 --> 00:12:32,000
 - Come on, come on.
 - Shit.

 226
 00:12:32,103 --> 00:12:34,137
 There you go, there you go.
 Fuck!

 227
 00:12:34,241 --> 00:12:36,275
 - [clanging]
 - No, no, no, no, no, no.

 228
 00:12:38,862 --> 00:12:40,586
 What are you doing?
 What are you doing?

 229
 00:12:40,689 --> 00:12:43,310
 I’m seeing how close
 we are to shore.

 230
 00:12:44,068 --> 00:12:46,517
 Stay down, stay down.
 Down, down.

 231
 00:12:48,620 --> 00:12:50,827
 Here we go. Here we go.

 232
 00:12:51,310 --> 00:12:52,551
 [gunshot]

 233
 00:12:52,655 --> 00:12:54,827
 Oh, shit!

 234
 00:12:54,931 --> 00:12:56,896
 Okay.

 235
 00:12:58,689 --> 00:13:01,275
 The shore is closer on my side.

 236
 00:13:02,517 --> 00:13:05,482
 Shooting is coming
 from your side.

 237
 00:13:05,586 --> 00:13:07,586
 How far is the shore?

 238
 00:13:08,620 --> 00:13:10,344
 It’s a swim.

 239
 00:13:13,827 --> 00:13:15,310
 Listen to me.

 240
 00:13:16,172 --> 00:13:19,034
 We can use the boat as cover.

 241
 00:13:19,137 --> 00:13:22,827
 I’ll tie the rope to the cleat
 and swim the boat to shore.

 242
 00:13:22,931 --> 00:13:24,379
 We’re going to be okay.

 243
 00:13:25,517 --> 00:13:27,689
 We’re going to be okay.

 244
 00:13:28,758 --> 00:13:30,413
 We just have to stay low.
 Stay low.

 245
 00:13:30,517 --> 00:13:33,103
 - We drift ashore.
 - Stay low. Okay?

 246
 00:13:33,206 --> 00:13:34,413
 Drift to shore. Yeah.

 247
 00:13:34,517 --> 00:13:36,241
 - [thuds]
 - Oh. Oh, my God!

 248
 00:13:36,344 --> 00:13:37,827
 Oh, my God.
 He shooting through the boat.

 249
 00:13:37,931 --> 00:13:38,655
 He’s shooting through—

 250
 00:13:38,758 --> 00:13:40,965
 [thuds]

 251
 00:13:41,137 --> 00:13:42,724
 Rob?

 252
 00:13:43,689 --> 00:13:45,620
 Rob!

 253
 00:13:45,724 --> 00:13:47,000
 - Rob!
 - [gunshot]

 254
 00:13:47,103 --> 00:13:48,448
 [gasps]

 255
 00:13:48,551 --> 00:13:50,758
 [gunshot]

 256
 00:14:06,034 --> 00:14:07,103
 [static crackles]

 257
 00:14:07,206 --> 00:14:08,827
 It’s 10:00 p.m.

 258
 00:14:08,931 --> 00:14:11,000
 Do you know where
 your children are?

 259
 00:14:13,689 --> 00:14:15,482
 From the beginning…

 260
 00:14:15,586 --> 00:14:17,137
 innocence and…

 261
 00:14:17,241 --> 00:14:19,448
 [groans]

 262
 00:14:19,551 --> 00:14:22,000
 Oh, fuck.

 263
 00:14:25,310 --> 00:14:26,586
 Drew?

 264
 00:14:28,724 --> 00:14:29,724
 Drew?

 265
 00:14:31,344 --> 00:14:32,620
 Drew?

 266
 00:14:32,724 --> 00:14:34,068
 Oh, God.

 267
 00:14:34,172 --> 00:14:36,172
 Hey, can somebody
 help me up here?

 268
 00:14:36,275 --> 00:14:38,517
 Robin?
 Robin, stay down.

 269
 00:14:38,620 --> 00:14:40,137
 Pull me up.

 270
 00:14:40,241 --> 00:14:41,965
 Hold on, hold on.
 I’m coming to help.

 271
 00:14:42,068 --> 00:14:43,896
 I’m coming to help!
 Just stay down.

 272
 00:14:44,000 --> 00:14:45,586
 I can’t.

 273
 00:14:45,689 --> 00:14:47,931
 Robin, stay down.
 I’m going to help.

 274
 00:14:48,034 --> 00:14:49,103
 I’m going to—

 275
 00:14:49,206 --> 00:14:51,379
 Oh, oh, Jesus. Jesus.

 276
 00:14:51,482 --> 00:14:53,379
 - Shit. Kelly.
 - [screams]

 277
 00:14:53,482 --> 00:14:55,793
 Kelly, it’s okay!

 278
 00:14:55,896 --> 00:14:59,103
 I’m gonna help.
 I’m gonna help.

 279
 00:15:03,482 --> 00:15:05,137
 Oh, God.

 280
 00:15:08,000 --> 00:15:09,482
 You gonna help out, man?

 281
 00:15:09,586 --> 00:15:12,172
 Uh, uh…

 282
 00:15:12,275 --> 00:15:14,000
 Dude, your head.

 283
 00:15:14,103 --> 00:15:16,758
 Yeah. Yeah, I know.

 284
 00:15:16,862 --> 00:15:18,586
 Is he dead?

 285
 00:15:20,482 --> 00:15:22,275
 No clue.

 286
 00:15:27,620 --> 00:15:29,379
 The truck’s gone.

 287
 00:15:31,000 --> 00:15:32,206
 Hey, Drew, you need help?

 288
 00:15:32,310 --> 00:15:34,482
 - I’m fine. I’m fine.
 - What’s wrong?

 289
 00:15:34,586 --> 00:15:37,620
 You know, I just tried to open
 up my lifejacket and it—

 290
 00:15:37,724 --> 00:15:39,379
 Oh, shit.

 291
 00:15:39,482 --> 00:15:41,034
 Does that hurt?

 292
 00:15:41,137 --> 00:15:44,517
 Uh, no. It feels fucking weird.

 293
 00:15:44,620 --> 00:15:46,689
 Here. Here, let me help.

 294
 00:15:53,344 --> 00:15:55,137
 [metal clinks]
 What? What is that?

 295
 00:16:03,172 --> 00:16:04,758
 Shit.

 296
 00:16:09,206 --> 00:16:11,068
 Hey, check this out.

 297
 00:16:21,068 --> 00:16:23,310
 Is that – Is that blood?

 298
 00:16:23,413 --> 00:16:24,931
 Yeah, but whose?

 299
 00:16:28,103 --> 00:16:29,620
 Anna?

 300
 00:16:31,551 --> 00:16:33,275
 - Rob. Rob. Stay back.
 - Anna!

 301
 00:16:33,379 --> 00:16:36,551
 Rob. Fall back, man.
 Rob. Rob, stay back!

 302
 00:16:36,655 --> 00:16:38,206
 [grunting]

 303
 00:16:38,310 --> 00:16:39,965
 [screams]

 304
 00:16:43,551 --> 00:16:45,206
 No!

 305
 00:16:46,275 --> 00:16:48,965
 - Rob.
 - Don’t you fucking touch me!

 306
 00:16:49,068 --> 00:16:50,586
 Oh, God.

 307
 00:16:50,689 --> 00:16:52,965
 [screaming]

 308
 00:16:54,689 --> 00:16:57,655
 But why? Why is she dead
 and we’re not?

 309
 00:16:57,758 --> 00:17:01,310
 I mean, look at us.
 We should be dead.

 310
 00:17:01,413 --> 00:17:04,241
 - But we’re not.
 - How?

 311
 00:17:04,344 --> 00:17:06,000
 Oh, no, no, no.
 Honey, don’t look at yourself.

 312
 00:17:06,103 --> 00:17:08,241
 It’s okay. It’s okay.
 Just sit here and breathe.

 313
 00:17:08,344 --> 00:17:10,517
 Are we like zombies
 or something?

 314
 00:17:10,620 --> 00:17:13,034
 - No, this is different.
 - Different how?

 315
 00:17:13,137 --> 00:17:16,206
 I don’t know. It’s different.
 I’m talking. You’re talking.

 316
 00:17:16,310 --> 00:17:19,517
 We’re all talking.
 Rob, you’re shot in the head.

 317
 00:17:19,620 --> 00:17:21,413
 Your brain’s hanging out
 the back of your skull.

 318
 00:17:21,517 --> 00:17:26,413
 If you’re a zombie,
 you’d be dead. And I…

 319
 00:17:26,517 --> 00:17:28,793
 I’ve never felt more alive.

 320
 00:17:28,896 --> 00:17:30,896
 You guys feel that?

 321
 00:17:32,206 --> 00:17:36,137
 Oh, I feel it, alright.

 322
 00:17:36,241 --> 00:17:39,448
 Hey, has anybody got that
 squirt gun? I could use a shot.

 323
 00:17:40,482 --> 00:17:43,034
 This is some
 <i>Pet Sematary</i> shit.

 324
 00:17:43,137 --> 00:17:44,931
 What the fuck
 is <i>Pet Sematary</i>?

 325
 00:17:45,034 --> 00:17:48,413
 Stephen King’s new—
 Oh, forget it.

 326
 00:17:48,517 --> 00:17:52,034
 Guys.
 They didn’t go into the water.

 327
 00:17:53,931 --> 00:17:55,482
 What?

 328
 00:17:55,586 --> 00:17:57,482
 Jared, Anna, Kevin,
 they didn’t go into the water.

 329
 00:17:57,586 --> 00:17:59,862
 We did. Maybe that has something
 to do with this.

 330
 00:17:59,965 --> 00:18:01,689
 Maybe that’s why
 we’re still here.

 331
 00:18:01,793 --> 00:18:03,758
 I mean, you saw the sign.
 It said “No swimming”.

 332
 00:18:03,862 --> 00:18:06,655
 Dude, dude, just shut up.

 333
 00:18:06,758 --> 00:18:09,689
 Rob, I know this sounds crazy.
 What I’m saying—

 334
 00:18:09,793 --> 00:18:13,310
 My sister’s fucking dead,

 335
 00:18:13,413 --> 00:18:15,103
 and you’re talking
 about magic water.

 336
 00:18:15,206 --> 00:18:16,413
 Hey, my brother’s dead, too.

 337
 00:18:16,517 --> 00:18:18,172
 You’re not the only
 victim here, Rob.

 338
 00:18:18,275 --> 00:18:20,586
 We’re all victims, Robin.

 339
 00:18:22,655 --> 00:18:26,655
 I’m sorry. I’m sorry.
 I didn’t mean. It’s just…

 340
 00:18:28,862 --> 00:18:31,896
 What do we do now?
 What are we supposed to do?

 341
 00:18:32,000 --> 00:18:36,655
 I mean, what, just pretend
 nothing happened?

 342
 00:18:36,758 --> 00:18:38,482
 Go back to the way
 things were before?

 343
 00:18:38,586 --> 00:18:42,965
 I mean, we can’t just do that.
 This – This isn’t normal.

 344
 00:18:43,068 --> 00:18:43,931
 Rob!

 345
 00:18:44,034 --> 00:18:45,758
 What?

 346
 00:18:46,482 --> 00:18:49,034
 Did you get the licence plate on that truck?

 347
 00:18:49,137 --> 00:18:50,655
 Huh?

 348
 00:18:50,758 --> 00:18:52,413
 On camera?

 349
 00:18:52,517 --> 00:18:54,137
 Did you get the licence plate?

 350
 00:18:56,620 --> 00:18:58,793
 We can find this guy.

 351
 00:18:58,896 --> 00:19:00,793
 Okay.

 352
 00:19:00,896 --> 00:19:02,482
 Find him, then what?

 353
 00:19:05,793 --> 00:19:08,551
 Wait.
 You want to kill him?

 354
 00:19:08,655 --> 00:19:10,241
 - I’m not killing anybody.
 - Kill?

 355
 00:19:10,344 --> 00:19:11,620
 No, no, no, no, no, no, no.

 356
 00:19:11,724 --> 00:19:14,482
 We don’t kill him. We just…

 357
 00:19:14,586 --> 00:19:18,137
 We do exactly what he did to us.

 358
 00:19:18,241 --> 00:19:23,517
 ♪

 359
 00:19:23,620 --> 00:19:25,241
 Give me that camera.

 360
 00:19:27,586 --> 00:19:29,172
 [static]

 361
 00:19:29,275 --> 00:19:33,413
 [indistinct talking]

 362
 00:19:33,517 --> 00:19:35,655
 …was discovered
 by a local boy.

 363
 00:19:35,758 --> 00:19:39,655
 Alone and afraid
 on top of this butte.

 364
 00:19:39,758 --> 00:19:41,034
 The team at Stamer University

 365
 00:19:41,137 --> 00:19:42,793
 gave him the warmest
 possible welcome

 366
 00:19:42,896 --> 00:19:45,655
 while still maintaining
 a rigorous schedule,

 367
 00:19:45,758 --> 00:19:50,448
 teaching classes by day and
 conducting the study at night,

 368
 00:19:50,551 --> 00:19:54,000
 monitoring his response
 to their battery of tests.

 369
 00:19:54,103 --> 00:19:56,758
 Rory immediately
 took to his new home,

 370
 00:19:56,862 --> 00:20:00,068
 but he would not leave
 his place on the couch.

 371
 00:20:00,172 --> 00:20:04,241
 One of the many things the team
 was hoping to investigate.

 372
 00:20:04,344 --> 00:20:07,482
 Dr. Spratling was now
 driving the operation,

 373
 00:20:07,586 --> 00:20:10,862
 making sure to record
 every change Rory underwent.

 374
 00:20:10,965 --> 00:20:13,586
 There are many, many questions.

 375
 00:20:13,689 --> 00:20:15,241
 What is he doing?

 376
 00:20:15,344 --> 00:20:18,413
 Why is he here?
 How long has he been here?

 377
 00:20:18,517 --> 00:20:20,482
 These are all
 fundamental questions.

 378
 00:20:20,586 --> 00:20:24,965
 So the first step
 is communication.

 379
 00:20:25,068 --> 00:20:26,758
 Now, what we are doing
 is showing him

 380
 00:20:26,862 --> 00:20:31,103
 as much of our culture as we can
 from a safe distance—

 381
 00:20:31,206 --> 00:20:35,275
 television – to see
 if we can initiate a dialogue

 382
 00:20:35,379 --> 00:20:37,793
 we have a hope
 of understanding.

 383
 00:20:37,896 --> 00:20:39,241
 We don’t have
 any results just yet,

 384
 00:20:39,344 --> 00:20:43,827
 but we believe he is sentient.

 385
 00:20:45,310 --> 00:20:49,965
 And, uhm, we want to
 have a conversation.

 386
 00:20:51,000 --> 00:20:52,172
 To maintain secrecy,

 387
 00:20:52,275 --> 00:20:54,206
 university officials
 agreed the project

 388
 00:20:54,310 --> 00:20:57,034
 would only involve
 approved personnel,

 389
 00:20:57,137 --> 00:21:00,758
 and even then, only
 on a need-to-know basis.

 390
 00:21:19,793 --> 00:21:21,724
 {\an8}[speaking in Spanish]

 391
 00:21:42,965 --> 00:21:44,000
 [laughs]

 392
 00:22:02,172 --> 00:22:03,551
 [sniff]

 393
 00:22:09,551 --> 00:22:10,896
 [laughing]

 394
 00:22:21,103 --> 00:22:22,137
 [laughs]

 395
 00:22:25,655 --> 00:22:26,758
 ♪ [music playing] ♪

 396
 00:22:54,551 --> 00:22:55,448
 [beep]

 397
 00:24:11,793 --> 00:24:13,793
 [rumbling]

 398
 00:24:35,068 --> 00:24:35,965
 [rumbling]

 399
 00:24:36,551 --> 00:24:38,517
 [screeching]

 400
 00:24:40,034 --> 00:24:41,620
 [rumbling]

 401
 00:24:57,655 --> 00:24:59,172
 [coughs]

 402
 00:25:10,310 --> 00:25:11,586
 [groans]

 403
 00:25:12,965 --> 00:25:14,758
 [grunts]

 404
 00:25:22,172 --> 00:25:24,206
 [groans]

 405
 00:25:54,172 --> 00:25:55,827
 [thudding]

 406
 00:26:31,896 --> 00:26:33,448
 [grunting]

 407
 00:26:38,620 --> 00:26:39,655
 [grunting]

 408
 00:26:41,965 --> 00:26:42,827
 [grunting]

 409
 00:26:47,896 --> 00:26:49,379
 [grunting]

 410
 00:27:25,068 --> 00:27:27,586
 [rumbling]

 411
 00:27:30,413 --> 00:27:31,931
 [grunting]

 412
 00:28:14,655 --> 00:28:16,172
 [rumbling]

 413
 00:29:24,034 --> 00:29:26,758
 [clanging, thudding]

 414
 00:29:28,655 --> 00:29:30,758
 [panting]

 415
 00:29:35,413 --> 00:29:36,862
 [helicopter chuffing]

 416
 00:29:46,103 --> 00:29:47,551
 [rumbling]

 417
 00:29:55,620 --> 00:29:57,275
 [screaming]

 418
 00:31:08,000 --> 00:31:09,793
 [screams]

 419
 00:31:12,068 --> 00:31:13,758
 [rumbling]

 420
 00:31:47,068 --> 00:31:49,413
 [sobbing]

 421
 00:32:03,586 --> 00:32:05,620
 [coughing]

 422
 00:32:06,965 --> 00:32:08,862
 [sobbing]

 423
 00:32:40,448 --> 00:32:42,172
 [panting]

 424
 00:32:57,344 --> 00:32:59,034
 [coughing, gagging]

 425
 00:34:03,896 --> 00:34:06,517
 [laughter]

 426
 00:34:13,482 --> 00:34:14,896
 [rumbling]

 427
 00:34:15,000 --> 00:34:16,034
 [grunting]

 428
 00:34:24,206 --> 00:34:26,034
 [groans]

 429
 00:34:35,413 --> 00:34:36,724
 [groans]

 430
 00:34:42,827 --> 00:34:44,517
 [screeching]

 431
 00:34:54,034 --> 00:34:55,448
 [screeching]

 432
 00:35:44,482 --> 00:35:46,206
 [groaning]

 433
 00:35:54,724 --> 00:35:56,344
 [coughing]

 434
 00:36:09,931 --> 00:36:11,931
 [gasping]

 435
 00:36:21,931 --> 00:36:23,758
 [screaming]

 436
 00:36:46,482 --> 00:36:48,517
 [rumbling]

 437
 00:37:36,482 --> 00:37:38,344
 [screaming]

 438
 00:37:58,000 --> 00:37:58,862
 [screams]

 439
 00:38:09,965 --> 00:38:11,551
 [gagging]

 440
 00:38:16,758 --> 00:38:18,586
 [screaming]

 441
 00:38:26,137 --> 00:38:28,172
 [snarling]

 442
 00:38:28,275 --> 00:38:30,310
 [screaming]

 443
 00:38:47,931 --> 00:38:49,275
 [roars]

 444
 00:38:53,379 --> 00:38:54,724
 [roaring]

 445
 00:38:56,724 --> 00:38:58,586
 [gasping]

 446
 00:39:10,275 --> 00:39:12,655
 [whirring]

 447
 00:39:18,758 --> 00:39:20,862
 [gasping]

 448
 00:39:35,896 --> 00:39:38,172
 [gasping]

 449
 00:39:46,724 --> 00:39:48,586
 [gasping]

 450
 00:39:51,655 --> 00:39:53,206
 [screeching in distance]

 451
 00:39:56,689 --> 00:39:58,103
 [crowbar plunges]

 452
 00:39:59,896 --> 00:40:00,793
 [groans]

 453
 00:40:01,965 --> 00:40:03,379
 [squelches]

 454
 00:40:05,172 --> 00:40:07,379
 [squelches, groans]

 455
 00:40:12,241 --> 00:40:13,793
 [gasps]

 456
 00:40:15,068 --> 00:40:16,344
 [clangs]

 457
 00:40:16,448 --> 00:40:17,517
 [distant screeching]

 458
 00:40:36,517 --> 00:40:38,586
 [groans]

 459
 00:41:33,517 --> 00:41:35,241
 [rumbling]

 460
 00:41:46,827 --> 00:41:48,000
 [rumbling]

 461
 00:41:50,586 --> 00:41:52,344
 [static]

 462
 00:41:52,862 --> 00:41:56,137
 [siren wailing]

 463
 00:42:29,793 --> 00:42:31,448
 …the team was
 growing restless

 464
 00:42:31,551 --> 00:42:33,344
 from the lack of progress.

 465
 00:42:33,448 --> 00:42:37,034
 Little did they know that
 everything was about to change.

 466
 00:42:37,137 --> 00:42:39,655
 - Just breathe.
 - I can’t.

 467
 00:42:39,758 --> 00:42:42,137
 Yes, you can.
 You’re going to be okay.

 468
 00:42:42,241 --> 00:42:43,931
 No, I won’t.

 469
 00:42:45,517 --> 00:42:46,689
 But you will.

 470
 00:42:46,793 --> 00:42:49,034
 Don’t say that.

 471
 00:42:49,137 --> 00:42:51,000
 Don’t say that.

 472
 00:42:51,103 --> 00:42:53,862
 Then, a break.

 473
 00:42:53,965 --> 00:42:55,344
 [indistinct talking]

 474
 00:42:55,448 --> 00:42:57,517
 Sometime between
 10 p.m. and 6 a.m.

 475
 00:42:57,620 --> 00:42:59,379
 - We missed it?
 - Uh-huh.

 476
 00:42:59,482 --> 00:43:02,068
 What he discovered
 would change his entire approach

 477
 00:43:02,172 --> 00:43:04,241
 to working with Rory.

 478
 00:43:04,344 --> 00:43:06,275
 I sat down
 with Dr. Sarah Grayson,

 479
 00:43:06,379 --> 00:43:10,758
 a protege of Spratling’s
 who left the study early.

 480
 00:43:10,862 --> 00:43:15,172
 He was a brilliant man
 in many ways,

 481
 00:43:15,275 --> 00:43:18,689
 but he never knew when to not…

 482
 00:43:18,793 --> 00:43:20,379
 pick up the snake.

 483
 00:43:22,413 --> 00:43:25,379
 He found something
 that could mimic anything

 484
 00:43:25,482 --> 00:43:27,551
 it laid its eyes on.

 485
 00:43:27,655 --> 00:43:29,862
 And that, in and of itself,
 should have

 486
 00:43:29,965 --> 00:43:34,413
 resulted in a very strict
 protocol.

 487
 00:43:34,517 --> 00:43:36,172
 Mark, 7:44 a.m.

 488
 00:43:36,275 --> 00:43:37,896
 Rory’s first transformation
 in captivity.

 489
 00:43:38,000 --> 00:43:41,379
 Can you get Gary and
 a [speaks indistinctly] please?

 490
 00:43:50,827 --> 00:43:52,034
 Can you see that?

 491
 00:43:52,137 --> 00:43:53,620
 It’s the same posture,
 but you can see

 492
 00:43:53,724 --> 00:43:55,344
 the locust poking out
 from behind the facade.

 493
 00:43:55,448 --> 00:43:56,793
 - You see it?
 - Uh-huh.

 494
 00:43:59,689 --> 00:44:01,586
 Wow.

 495
 00:44:01,689 --> 00:44:05,068
 Scientific principles
 require us to disregard

 496
 00:44:05,172 --> 00:44:07,103
 the emotional need
 to project humanity

 497
 00:44:07,206 --> 00:44:09,034
 onto things that are not human.

 498
 00:44:10,137 --> 00:44:13,551
 We care about us,
 but existence itself doesn’t.

 499
 00:44:14,586 --> 00:44:18,827
 And we treat other
 intelligent life horribly.

 500
 00:44:18,931 --> 00:44:20,344
 Horribly.

 501
 00:44:22,068 --> 00:44:25,172
 Why shouldn’t we expect the same
 if it gets the upper hand?

 502
 00:44:26,068 --> 00:44:28,586
 Alright. On three:
 “Happy one month, Rory”.

 503
 00:44:28,689 --> 00:44:29,689
 Ready?

 504
 00:44:29,793 --> 00:44:31,620
 Three, two, one.

 505
 00:44:31,724 --> 00:44:33,793
 Happy one month, Rory!

 506
 00:44:33,896 --> 00:44:36,034
 [squeaking]

 507
 00:44:36,137 --> 00:44:39,344
 When we come back,
 Spratling and team celebrate

 508
 00:44:39,448 --> 00:44:41,827
 new discoveries while Rory
 continues to learn

 509
 00:44:41,931 --> 00:44:43,793
 at an alarming rate.

 510
 00:44:45,482 --> 00:44:47,310
 When friends
 don’t stop friends

 511
 00:44:47,413 --> 00:44:48,724
 from drinking and driving…

 512
 00:44:48,827 --> 00:44:50,034
 [crashing]

 513
 00:44:50,137 --> 00:44:51,758
 …friends die.

 514
 00:45:42,000 --> 00:45:43,655
 Okay.

 515
 00:45:44,379 --> 00:45:45,379
 [sigh]

 516
 00:45:45,482 --> 00:45:47,103
 Here we go.

 517
 00:46:26,586 --> 00:46:29,620
 Who here believes in God?

 518
 00:46:35,172 --> 00:46:37,896
 No, I’m really asking.

 519
 00:46:38,000 --> 00:46:40,310
 Who in this room

 520
 00:46:40,413 --> 00:46:42,034
 believes in God?

 521
 00:46:45,310 --> 00:46:48,310
 And what God do you believe in?

 522
 00:46:49,068 --> 00:46:51,310
 Jesus.

 523
 00:46:51,413 --> 00:46:53,379
 Yahweh?

 524
 00:46:54,482 --> 00:46:56,137
 Allah.

 525
 00:46:57,655 --> 00:46:59,103
 Satan.

 526
 00:47:00,517 --> 00:47:02,137
 Yourself.

 527
 00:47:05,551 --> 00:47:07,482
 Your God is dead.

 528
 00:47:11,448 --> 00:47:13,241
 And you’re not even surprised.

 529
 00:47:13,344 --> 00:47:14,931
 Of course not.

 530
 00:47:15,034 --> 00:47:17,000
 You saw this coming.

 531
 00:47:19,448 --> 00:47:23,206
 With an increasing eye
 towards computers

 532
 00:47:23,310 --> 00:47:25,724
 and an obsession with robotics,

 533
 00:47:25,827 --> 00:47:30,137
 we have killed God ourselves,
 and in his place created

 534
 00:47:30,241 --> 00:47:32,068
 a new god.

 535
 00:47:32,172 --> 00:47:35,172
 A God of technology.

 536
 00:47:44,931 --> 00:47:47,448
 Well, this is
 our virtual reality glove.

 537
 00:47:47,551 --> 00:47:49,827
 It’s called the Techno Glove.

 538
 00:47:49,931 --> 00:47:54,689
 And the idea is that you slip
 this baby on and the glove

 539
 00:47:54,793 --> 00:47:57,034
 allows you to,
 in our dimension,

 540
 00:47:57,137 --> 00:48:01,310
 let you touch and feel things
 in the digital dimension.

 541
 00:48:01,413 --> 00:48:03,758
 So let’s say there’s a cup,
 right?

 542
 00:48:03,862 --> 00:48:06,000
 But it only exists
 on the digital plane.

 543
 00:48:06,103 --> 00:48:08,103
 Well, with this glove,

 544
 00:48:08,206 --> 00:48:11,931
 I can actually pick up
 that cup in the digital world.

 545
 00:48:12,034 --> 00:48:14,551
 The Techno Glove allows you
 to physically exist

 546
 00:48:14,655 --> 00:48:17,758
 in two dimensions
 at the same time.

 547
 00:48:17,862 --> 00:48:20,344
 It’s pretty cool, right?

 548
 00:48:20,448 --> 00:48:23,896
 I call this little guy
 here my eye-phones.

 549
 00:48:24,000 --> 00:48:25,965
 This is the visor, and this
 is called my eye-phones.

 550
 00:48:26,068 --> 00:48:28,310
 And what this allows you to
 do, if I take the helmet

 551
 00:48:28,413 --> 00:48:31,413
 and I put the eye-phones,
 my eye-phones down,

 552
 00:48:31,517 --> 00:48:35,620
 I can actually see into
 that digital dimension,

 553
 00:48:35,724 --> 00:48:37,344
 that digital space.

 554
 00:48:37,448 --> 00:48:42,620
 So when I go to pick up the cup
 with my Techno Glove,

 555
 00:48:42,724 --> 00:48:44,413
 it’s really there.

 556
 00:48:45,965 --> 00:48:49,793
 And the idea is that by
 wearing this robotic clothing

 557
 00:48:49,896 --> 00:48:51,586
 over our sense organs,

 558
 00:48:51,689 --> 00:48:55,206
 we can transport
 our sensory system

 559
 00:48:55,310 --> 00:48:57,724
 to a technological reality

 560
 00:48:57,827 --> 00:49:00,827
 that only exists
 in the computerised plane.

 561
 00:49:03,000 --> 00:49:04,862
 This right here,
 this is our prototype 2

 562
 00:49:04,965 --> 00:49:07,344
 model of my eye-phones.

 563
 00:49:07,448 --> 00:49:11,586
 And you see that we integrated
 it into a helmet-based system.

 564
 00:49:11,689 --> 00:49:15,758
 So when you put the helmet on
 and flip my eye-phones down,

 565
 00:49:15,862 --> 00:49:20,068
 once again, you can see
 into that digital space.

 566
 00:49:20,551 --> 00:49:25,448
 So I’m able to exist on two
 planes of existence right now.

 567
 00:49:25,551 --> 00:49:27,827
 And I can – oh,
 I can get my coffee cup here,

 568
 00:49:27,931 --> 00:49:30,620
 and I can drink
 my digital coffee.

 569
 00:49:32,689 --> 00:49:35,482
 It’s lukewarm,
 just the way I like it.

 570
 00:49:35,586 --> 00:49:39,241
 And that’s the basic premise
 of what I designed here.

 571
 00:49:39,344 --> 00:49:41,275
 This will be the future.

 572
 00:49:41,379 --> 00:49:42,965
 Wearing robotic clothing

 573
 00:49:43,068 --> 00:49:47,137
 and transporting yourself
 into the new digital reality.

 574
 00:49:58,896 --> 00:50:01,448
 You did this.

 575
 00:50:03,551 --> 00:50:07,896
 You killed the gods
 we worshipped for millennia

 576
 00:50:08,000 --> 00:50:12,758
 and replaced them with
 Techno Gloves and eye-phones.

 577
 00:50:16,620 --> 00:50:19,172
 You worship at a new altar.

 578
 00:50:39,137 --> 00:50:45,310
 When we block out our vision
 of the real world,

 579
 00:50:45,413 --> 00:50:49,172
 replacing it with a black mirror
 of our digital creation…

 580
 00:50:51,448 --> 00:50:55,517
 …would we really want to see
 what is reflected back on to us?

 581
 00:51:18,172 --> 00:51:19,827
 [whirring]

 582
 00:51:25,758 --> 00:51:29,000
 Using our own microphones
 and speakers,

 583
 00:51:29,103 --> 00:51:31,724
 can we use the techno God’s
 own language

 584
 00:51:31,827 --> 00:51:33,827
 to communicate with him?

 585
 00:51:37,206 --> 00:51:41,896
 So now that we are here
 in this digital realm…

 586
 00:51:44,000 --> 00:51:49,689
 …I ask you, if your god
 of technology exists,

 587
 00:51:49,793 --> 00:51:51,827
 where does he live?

 588
 00:51:53,275 --> 00:51:56,000
 Does he require

 589
 00:51:56,103 --> 00:51:57,103
 summoning…

 590
 00:51:57,206 --> 00:51:58,413
 [echoing] summoning,
 summoning.

 591
 00:51:58,517 --> 00:51:59,965
 That would be apropos.

 592
 00:52:00,068 --> 00:52:03,862
 A new man-made God
 would be young.

 593
 00:52:03,965 --> 00:52:05,724
 Perhaps he’s like a child

 594
 00:52:05,827 --> 00:52:08,827
 waiting to be woken
 from his nap by his mother.

 595
 00:52:09,965 --> 00:52:14,517
 So we’ll perform an incantation.

 596
 00:52:15,172 --> 00:52:19,482
 A little rise-and-shine for our baby boy,

 597
 00:52:19,586 --> 00:52:23,724
 a child born of hate.

 598
 00:52:26,275 --> 00:52:27,862
 [chimes]

 599
 00:52:35,724 --> 00:52:43,068
 ♪

 600
 00:52:43,172 --> 00:52:50,551
 ♪

 601
 00:52:50,655 --> 00:52:58,000
 ♪

 602
 00:52:58,103 --> 00:53:01,000
 [whooshing]

 603
 00:53:01,103 --> 00:53:10,103
 ♪

 604
 00:53:10,206 --> 00:53:12,482
 [exhales]

 605
 00:53:12,586 --> 00:53:15,275
 [groans]

 606
 00:53:15,379 --> 00:53:23,620
 ♪

 607
 00:53:23,724 --> 00:53:32,000
 ♪

 608
 00:53:32,103 --> 00:53:35,137
 [wheezing]

 609
 00:53:36,827 --> 00:53:39,551
 [squeals]

 610
 00:53:40,448 --> 00:53:43,758
 [vocalising]

 611
 00:53:43,862 --> 00:53:49,689
 ♪

 612
 00:53:49,793 --> 00:53:54,137
 [vocalising]

 613
 00:53:54,827 --> 00:53:58,724
 [whispering indistinctly]

 614
 00:53:58,827 --> 00:54:03,551
 ♪

 615
 00:54:03,655 --> 00:54:05,931
 If your god of
 technology exists,

 616
 00:54:06,034 --> 00:54:09,206
 why doesn’t he answer
 when I call?

 617
 00:54:09,310 --> 00:54:11,862
 [whispering indistinctly]

 618
 00:54:11,965 --> 00:54:15,310
 We created him.
 We gave him a home…

 619
 00:54:15,413 --> 00:54:17,413
 [echoing] A home, a home…

 620
 00:54:20,482 --> 00:54:23,931
 [whispering indistinctly]

 621
 00:54:25,241 --> 00:54:27,000
 If your God of
 technology exists,

 622
 00:54:27,103 --> 00:54:29,206
 why doesn’t he answer
 when we call?

 623
 00:54:29,310 --> 00:54:32,655
 Answer my call.

 624
 00:54:32,758 --> 00:54:35,551
 [whispering indistinctly]

 625
 00:54:39,448 --> 00:54:41,310
 Wake up.

 626
 00:54:41,413 --> 00:54:44,689
 It’s okay. It’s a good idea.

 627
 00:54:44,793 --> 00:54:46,896
 [whispering indistinctly]

 628
 00:54:50,103 --> 00:54:52,413
 If you exist…

 629
 00:54:52,517 --> 00:54:55,379
 wake up!

 630
 00:54:55,482 --> 00:54:58,344
 [whispering indistinctly]

 631
 00:54:58,448 --> 00:55:01,793
 The God of technology
 is a myth for the new era!

 632
 00:55:01,896 --> 00:55:04,206
 A myth! A myth! A myth!

 633
 00:55:04,310 --> 00:55:07,482
 A myth! A myth!

 634
 00:55:07,586 --> 00:55:08,655
 [whispering indistinctly]

 635
 00:55:13,172 --> 00:55:16,413
 [speaking indistinctly]

 636
 00:55:16,517 --> 00:55:25,689
 ♪

 637
 00:55:25,793 --> 00:55:28,758
 [whispering indistinctly]

 638
 00:55:30,241 --> 00:55:32,379
 Show yourself.

 639
 00:55:32,482 --> 00:55:35,241
 Wake up!

 640
 00:55:37,172 --> 00:55:38,793
 [breathing heavily]

 641
 00:55:38,896 --> 00:55:40,344
 Show yourself.

 642
 00:55:40,448 --> 00:55:42,241
 Show yourself!

 643
 00:55:42,689 --> 00:55:46,068
 Wake up. Wake up!

 644
 00:55:46,172 --> 00:55:48,206
 Wake up!

 645
 00:55:49,724 --> 00:55:51,758
 …up!

 646
 00:55:51,862 --> 00:56:00,551
 ♪

 647
 00:56:00,655 --> 00:56:04,448
 ♪

 648
 00:56:04,551 --> 00:56:07,000
 [audience murmuring]

 649
 00:56:07,103 --> 00:56:12,620
 ♪

 650
 00:56:12,724 --> 00:56:18,206
 ♪

 651
 00:56:18,310 --> 00:56:20,310
 This is not right.

 652
 00:56:21,241 --> 00:56:23,448
 - [growling]
 - [gasps]

 653
 00:56:24,689 --> 00:56:26,068
 [gasps]

 654
 00:56:30,827 --> 00:56:32,344
 [snarling]

 655
 00:56:34,896 --> 00:56:36,620
 [groans]

 656
 00:56:41,000 --> 00:56:42,275
 Come off!

 657
 00:56:42,379 --> 00:56:44,517
 [grunts]

 658
 00:56:53,655 --> 00:56:55,172
 - [growling]
 - [gasps]

 659
 00:56:56,379 --> 00:56:57,724
 Ah!

 660
 00:57:02,586 --> 00:57:04,344
 [screams]

 661
 00:57:04,448 --> 00:57:09,655
 ♪

 662
 00:57:09,758 --> 00:57:11,689
 Ah!

 663
 00:57:12,896 --> 00:57:14,965
 [murmuring]

 664
 00:57:16,034 --> 00:57:17,344
 [groans]

 665
 00:57:17,448 --> 00:57:19,068
 No.

 666
 00:57:20,965 --> 00:57:23,586
 [breathing heavily]

 667
 00:57:30,206 --> 00:57:32,137
 [gasps]

 668
 00:57:35,206 --> 00:57:36,655
 Aah!

 669
 00:57:36,758 --> 00:57:38,137
 [snarling]

 670
 00:57:38,241 --> 00:57:40,034
 [screams]

 671
 00:57:41,275 --> 00:57:43,517
 [cries]

 672
 00:57:45,103 --> 00:57:47,379
 [screams]

 673
 00:57:52,896 --> 00:57:54,551
 [gasping]

 674
 00:57:54,655 --> 00:57:56,724
 [screams]

 675
 00:58:44,724 --> 00:58:47,241
 [scattered applause]

 676
 00:58:52,068 --> 00:58:53,620
 [applause]

 677
 00:58:53,724 --> 00:58:55,344
 [cheering]

 678
 00:59:01,931 --> 00:59:03,862
 [static]

 679
 00:59:13,517 --> 00:59:16,517
 [laughter]

 680
 00:59:16,620 --> 00:59:18,137
 Hi, Uncle George.

 681
 00:59:18,241 --> 00:59:19,931
 Hey, Ruthie.

 682
 00:59:21,551 --> 00:59:23,827
 There’s the lady of the hour.

 683
 00:59:23,931 --> 00:59:26,620
 Oh, hi, Uncle Jeff.

 684
 00:59:26,724 --> 00:59:28,000
 Let me take my glasses off

 685
 00:59:28,103 --> 00:59:30,310
 so I look presentable
 for the camera.

 686
 00:59:30,413 --> 00:59:31,793
 Oh, la la la la la!

 687
 00:59:31,896 --> 00:59:33,931
 Ah! That still
 freaks me out.

 688
 00:59:34,034 --> 00:59:35,793
 Frozen salad.

 689
 00:59:36,758 --> 00:59:38,620
 Congrats.

 690
 00:59:38,724 --> 00:59:40,931
 Auntie Carol, Aunt Susan.

 691
 00:59:41,034 --> 00:59:43,689
 - Congratulations.
 - Oh, stop. You look good.

 692
 00:59:44,379 --> 00:59:46,413
 - Oh, hi, girls!
 - Congrats, honey.

 693
 00:59:46,517 --> 00:59:48,896
 - Mum.
 - Girls.

 694
 00:59:49,000 --> 00:59:50,689
 She must be pregnant.

 695
 00:59:50,793 --> 00:59:52,275
 [laughter]

 696
 00:59:54,724 --> 00:59:56,724
 Hi, cousin Annabel.

 697
 01:00:00,827 --> 01:00:03,137
 This is like 5 or 6…

 698
 01:00:04,379 --> 01:00:07,827
 Grandpa Art
 and Christopher, of course.

 699
 01:00:13,379 --> 01:00:15,103
 [laughter]

 700
 01:00:15,206 --> 01:00:17,517
 Uh, this is my cousin James

 701
 01:00:17,620 --> 01:00:20,482
 being a complete loser,
 as usual.

 702
 01:00:20,586 --> 01:00:21,896
 Is that Beta?

 703
 01:00:22,000 --> 01:00:23,586
 Yep.

 704
 01:00:23,689 --> 01:00:25,137
 Nice.

 705
 01:00:27,137 --> 01:00:29,034
 What deck you got?

 706
 01:00:29,137 --> 01:00:32,137
 Uhm, the Zenith
 Video Director.

 707
 01:00:32,241 --> 01:00:35,068
 Ruth?
 Come here for a minute, please.

 708
 01:00:35,172 --> 01:00:36,344
 Listen, honey, don’t film me.

 709
 01:00:36,448 --> 01:00:38,827
 Can you go out into the garage
 and the fridge

 710
 01:00:38,931 --> 01:00:41,172
 and get me
 some potato salad, please?

 711
 01:00:41,275 --> 01:00:44,758
 Hey. Hey, George.
 No smoking inside, please.

 712
 01:00:46,517 --> 01:00:48,068
 Can I try that thing?

 713
 01:00:48,172 --> 01:00:49,448
 Sure.

 714
 01:01:14,793 --> 01:01:16,137
 Hey!

 715
 01:01:16,241 --> 01:01:17,310
 Watch the paint, boys.

 716
 01:01:17,413 --> 01:01:18,827
 - There she is!
 - Hey, Ruth!

 717
 01:01:18,931 --> 01:01:20,862
 Look at you all dressed up.

 718
 01:01:20,965 --> 01:01:22,517
 You know, you’re going to make
 some guy real happy

 719
 01:01:22,620 --> 01:01:23,896
 one of these days.

 720
 01:01:24,000 --> 01:01:25,275
 Looks like I already have,
 Schmidty.

 721
 01:01:25,379 --> 01:01:27,827
 That’s fucking gross.

 722
 01:01:28,689 --> 01:01:29,655
 [screams]

 723
 01:01:29,758 --> 01:01:32,413
 Oh, my God! Adam!

 724
 01:01:32,517 --> 01:01:34,241
 I shot you.

 725
 01:01:34,344 --> 01:01:35,827
 You sure did.

 726
 01:01:35,931 --> 01:01:37,862
 Hey, that’s a pretty
 cool squirt gun.

 727
 01:01:37,965 --> 01:01:39,034
 Where did you get that?

 728
 01:01:39,137 --> 01:01:41,724
 The lady in the RV.

 729
 01:01:42,137 --> 01:01:43,862
 - Who?
 - I got it from the lady

 730
 01:01:43,965 --> 01:01:45,586
 in the RV.

 731
 01:01:49,482 --> 01:01:51,310
 Yeah, that one.

 732
 01:01:51,551 --> 01:01:53,241
 [indistinct chatter]

 733
 01:01:53,344 --> 01:01:55,448
 Welcome.

 734
 01:01:55,551 --> 01:01:57,068
 Hi, Adam.

 735
 01:01:58,482 --> 01:02:00,827
 [overlapping chatter]

 736
 01:02:00,931 --> 01:02:02,620
 Bye, girls.

 737
 01:02:03,965 --> 01:02:05,206
 Thank you for coming.

 738
 01:02:05,310 --> 01:02:07,379
 I drove around.
 I didn’t see a motor home.

 739
 01:02:07,482 --> 01:02:10,000
 Thanks, Jeff.

 740
 01:02:10,482 --> 01:02:11,827
 - Bye.
 - Wonderful party.

 741
 01:02:11,931 --> 01:02:13,206
 Thanks for coming.

 742
 01:02:14,517 --> 01:02:15,758
 That’s awesome.

 743
 01:02:15,862 --> 01:02:18,620
 [clinking]

 744
 01:02:23,241 --> 01:02:25,310
 Hello, everyone.

 745
 01:02:25,413 --> 01:02:26,965
 And thank you all so much

 746
 01:02:27,068 --> 01:02:29,689
 for coming out to
 celebrate with us today.

 747
 01:02:31,206 --> 01:02:35,620
 Amanda and Hank, I owe you
 for helping out with the food

 748
 01:02:35,724 --> 01:02:38,206
 and Jeanie with the decorations.

 749
 01:02:38,310 --> 01:02:40,827
 I can only do so much,
 even though I want to do it all.

 750
 01:02:40,931 --> 01:02:42,965
 [laughter]

 751
 01:02:43,586 --> 01:02:47,862
 We are here because we’re family.

 752
 01:02:47,965 --> 01:02:52,310
 And with family comes
 history and tradition.

 753
 01:02:52,413 --> 01:02:55,551
 A tradition that
 dates back to,

 754
 01:02:55,655 --> 01:02:58,344
 well, even before
 you, Grandpa Art.

 755
 01:02:58,448 --> 01:02:59,827
 [laughter]

 756
 01:02:59,931 --> 01:03:02,137
 A long time.

 757
 01:03:02,241 --> 01:03:06,413
 And today we continue
 that tradition

 758
 01:03:06,517 --> 01:03:09,310
 with my daughter.

 759
 01:03:09,413 --> 01:03:12,103
 Ruth…

 760
 01:03:12,206 --> 01:03:14,344
 I am so proud of you.

 761
 01:03:15,965 --> 01:03:20,172
 And I am thrilled that even
 after all of these years,

 762
 01:03:20,275 --> 01:03:22,172
 we are blessed
 with practising this tradition

 763
 01:03:22,275 --> 01:03:23,896
 out in plain sight.

 764
 01:03:25,862 --> 01:03:27,103
 I…

 765
 01:03:27,206 --> 01:03:30,793
 I only wish that your father
 were here to see this.

 766
 01:03:30,896 --> 01:03:32,793
 Come on.

 767
 01:03:32,896 --> 01:03:34,689
 [applause]

 768
 01:03:37,172 --> 01:03:38,724
 Thanks, mum.

 769
 01:03:39,310 --> 01:03:42,206
 [clears throat]

 770
 01:03:42,310 --> 01:03:51,241
 So, some families celebrate
 confirmations, baptisms,

 771
 01:03:51,344 --> 01:03:57,103
 bar mitzvahs, quinceañeras,
 but the Wrigleys,

 772
 01:03:57,206 --> 01:03:59,206
 we do something a little
 different, don’t we?

 773
 01:03:59,310 --> 01:04:01,000
 [light laughter]

 774
 01:04:01,103 --> 01:04:02,206
 To the seven.

 775
 01:04:02,310 --> 01:04:04,068
 To the seven!

 776
 01:04:05,620 --> 01:04:09,724
 May we continue this practise
 for years to come.

 777
 01:04:09,827 --> 01:04:11,482
 Grandpa Art, you
 were the surgeon

 778
 01:04:11,586 --> 01:04:13,482
 with a sickle back in the day!

 779
 01:04:13,586 --> 01:04:14,586
 [laughter]

 780
 01:04:14,689 --> 01:04:15,862
 Auntie Susan,
 your arsenic brownies,

 781
 01:04:15,965 --> 01:04:18,172
 I mean, a classic.

 782
 01:04:19,068 --> 01:04:23,931
 Everyone here has claimed
 their seven in unique ways.

 783
 01:04:24,310 --> 01:04:26,965
 And may those
 seven lives bring

 784
 01:04:27,068 --> 01:04:33,586
 honour, strength,
 and pride to our family.

 785
 01:04:34,620 --> 01:04:37,206
 [applause]

 786
 01:04:40,586 --> 01:04:43,379
 Now, now, I know it’s
 a little unorthodox,

 787
 01:04:43,482 --> 01:04:45,827
 but tonight, instead
 of showing photos

 788
 01:04:45,931 --> 01:04:50,655
 or busting out the slide
 projector, I have a video.

 789
 01:04:50,758 --> 01:04:53,517
 [murmuring]

 790
 01:04:53,620 --> 01:04:55,310
 They all have the
 videotapes now.

 791
 01:04:55,413 --> 01:04:58,206
 Sorry. Excuse me.

 792
 01:04:58,310 --> 01:05:00,103
 Get out of my way.

 793
 01:05:00,206 --> 01:05:01,379
 - Move!
 - Give it a second.

 794
 01:05:01,482 --> 01:05:04,344
 Well, move.
 I want to see.

 795
 01:05:04,448 --> 01:05:06,344
 It’s coming.

 796
 01:05:06,448 --> 01:05:08,103
 This is happening
 every single time.

 797
 01:05:08,206 --> 01:05:09,103
 Wait, what’s this, though?

 798
 01:05:09,206 --> 01:05:11,206
 Oh, okay. Okay.

 799
 01:05:11,310 --> 01:05:14,517
 So, I saw these people
 at a gas station,

 800
 01:05:14,620 --> 01:05:18,068
 and I followed them to this
 lake in the middle of nowhere.

 801
 01:05:18,172 --> 01:05:19,241
 It was perfect.

 802
 01:05:19,344 --> 01:05:21,103
 [laughter]

 803
 01:05:37,517 --> 01:05:39,275
 There she is.

 804
 01:05:39,379 --> 01:05:41,379
 [indistinct chatter]

 805
 01:05:44,620 --> 01:05:47,448
 - [gunshot]
 - Oh.

 806
 01:05:47,551 --> 01:05:49,344
 Is that your dad’s .30-06?

 807
 01:05:49,448 --> 01:05:51,689
 - Yep.
 - Wow.

 808
 01:05:57,275 --> 01:05:59,034
 [indistinct chatter]

 809
 01:06:04,724 --> 01:06:07,310
 Get out!

 810
 01:06:10,275 --> 01:06:11,689
 No. Please. Please don’t.

 811
 01:06:11,793 --> 01:06:12,862
 [gunshot]

 812
 01:06:12,965 --> 01:06:14,793
 [cheering]

 813
 01:06:16,172 --> 01:06:18,655
 - Whoo!
 - Oh!

 814
 01:06:18,758 --> 01:06:22,206
 [indistinct chatter]

 815
 01:06:22,965 --> 01:06:25,034
 I wouldn’t know
 it was your first.

 816
 01:06:25,137 --> 01:06:31,344
 ♪

 817
 01:06:31,448 --> 01:06:37,724
 ♪

 818
 01:06:37,827 --> 01:06:39,103
 Okay.

 819
 01:06:39,206 --> 01:06:41,103
 [laughter]

 820
 01:06:41,206 --> 01:06:46,965
 ♪

 821
 01:06:47,068 --> 01:06:49,034
 Two down.

 822
 01:06:49,137 --> 01:06:51,413
 Five to go. This is
 where it gets good.

 823
 01:06:51,517 --> 01:06:54,931
 Oh, wait. Oh, wait. Oh, okay.

 824
 01:06:55,034 --> 01:06:57,448
 Everyone’s out there.

 825
 01:06:57,551 --> 01:07:00,137
 - There she is.
 - She’s so cute.

 826
 01:07:08,551 --> 01:07:09,586
 [pounding on door]

 827
 01:07:09,689 --> 01:07:10,896
 Oh, shit.

 828
 01:07:11,000 --> 01:07:12,620
 This is the police!

 829
 01:07:12,724 --> 01:07:14,758
 We have the house surrounded.

 830
 01:07:14,862 --> 01:07:16,758
 The fuck?

 831
 01:07:20,379 --> 01:07:23,068
 - Do not run.
 - Oh, holy hell.

 832
 01:07:23,172 --> 01:07:25,310
 They’re everywhere.

 833
 01:07:25,413 --> 01:07:28,448
 - They’re everywhere.
 - It’s happening. It’s happening.

 834
 01:07:28,551 --> 01:07:31,551
 This is it. You
 know what to do.

 835
 01:07:31,655 --> 01:07:33,206
 Excuse me.

 836
 01:07:33,310 --> 01:07:35,965
 - Oh, my God. Oh, my God.
 - More guns in the couch.

 837
 01:07:36,068 --> 01:07:37,310
 You’re okay. You’re okay.

 838
 01:07:37,413 --> 01:07:39,310
 - This is happening.
 - Oh, fuck, fuck, fuck.

 839
 01:07:39,413 --> 01:07:40,793
 - Mum.
 - Honey.

 840
 01:07:40,896 --> 01:07:42,965
 It was only a matter of time.

 841
 01:07:43,068 --> 01:07:44,655
 Everyone, get ready.

 842
 01:07:44,758 --> 01:07:47,862
 - Come on. Come on.
 - Coming in hot.

 843
 01:07:47,965 --> 01:07:49,172
 - Alright.
 - In the kitchen.

 844
 01:07:49,275 --> 01:07:50,965
 Listen, listen, listen.

 845
 01:07:51,068 --> 01:07:53,275
 You fight. And take
 your own life.

 846
 01:07:53,379 --> 01:07:56,344
 Alright? Do you understand?
 Don’t let them take you alive,

 847
 01:07:56,448 --> 01:07:58,827
 and do not disgrace
 the family name.

 848
 01:07:58,931 --> 01:08:00,241
 They’re coming around
 the side of the house.

 849
 01:08:00,344 --> 01:08:01,965
 You got five rounds
 in that one ready to go.

 850
 01:08:02,068 --> 01:08:04,241
 You make me so proud.

 851
 01:08:04,344 --> 01:08:05,724
 Oh, Jesus.

 852
 01:08:05,827 --> 01:08:07,241
 Kill as many as you can.

 853
 01:08:07,344 --> 01:08:09,965
 Ruth? Ruth? Ruth!

 854
 01:08:10,068 --> 01:08:11,448
 Who wants a brownie, bitch?!

 855
 01:08:11,551 --> 01:08:14,172
 [gunfire]

 856
 01:08:17,344 --> 01:08:20,000
 Ruth, we gotta get out
 of here. Let’s just go.

 857
 01:08:20,103 --> 01:08:22,586
 No. We’re going to stay.

 858
 01:08:22,689 --> 01:08:25,724
 Take as many with us
 as we can for the family.

 859
 01:08:25,827 --> 01:08:27,241
 Oh, God. I don’t
 want to die, Ruth.

 860
 01:08:27,344 --> 01:08:28,551
 This wasn’t supposed to happen.

 861
 01:08:28,655 --> 01:08:30,413
 Don’t be a pussy.

 862
 01:08:31,586 --> 01:08:33,206
 [explosion]

 863
 01:08:35,448 --> 01:08:37,068
 They’re coming around
 the side of the house.

 864
 01:08:37,172 --> 01:08:38,758
 Don’t let them in.

 865
 01:08:38,862 --> 01:08:41,793
 She’s got a gun.
 She’s got a gun!

 866
 01:08:41,896 --> 01:08:43,586
 [gunfire]

 867
 01:08:44,862 --> 01:08:46,965
 - [panting]
 - Here.

 868
 01:08:47,068 --> 01:08:48,689
 I-I can’t.

 869
 01:08:48,793 --> 01:08:50,275
 I can’t.

 870
 01:08:50,379 --> 01:08:52,551
 Then I’m sorry.

 871
 01:08:56,241 --> 01:08:57,827
 [indistinct shouting]

 872
 01:08:57,931 --> 01:09:00,137
 Room clear!

 873
 01:09:00,241 --> 01:09:01,586
 - This way.
 - Over here.

 874
 01:09:03,517 --> 01:09:04,758
 Put it down!

 875
 01:09:04,862 --> 01:09:06,551
 [gunfire]

 876
 01:09:06,655 --> 01:09:08,586
 Oh, my God. Help!

 877
 01:09:12,275 --> 01:09:13,620
 [distant sobbing]

 878
 01:09:14,551 --> 01:09:16,827
 Got two officers down
 in the kitchen!

 879
 01:09:18,896 --> 01:09:20,379
 She’s gone.

 880
 01:09:20,482 --> 01:09:23,655
 Jesus Christ.
 What is she, 15?

 881
 01:09:25,965 --> 01:09:27,517
 Be advised we have
 two armed suspects

 882
 01:09:27,620 --> 01:09:28,827
 in the backyard.

 883
 01:09:30,275 --> 01:09:32,310
 Room is clear.

 884
 01:09:37,000 --> 01:09:38,931
 Oh, God!

 885
 01:09:39,034 --> 01:09:41,482
 Alright, we need
 the rooms clear.

 886
 01:09:43,137 --> 01:09:45,103
 Holy shit!

 887
 01:09:46,482 --> 01:09:47,310
 [screams]

 888
 01:09:47,413 --> 01:09:50,931
 [gunshots]

 889
 01:10:01,482 --> 01:10:04,517
 Over here, come on!

 890
 01:10:13,068 --> 01:10:14,206
 Drop it! Drop it!

 891
 01:10:14,310 --> 01:10:15,655
 No, no, no!

 892
 01:10:15,758 --> 01:10:17,448
 Calm down, ma’am.
 Calm down! Stop it!

 893
 01:10:17,551 --> 01:10:19,068
 - Get over here.
 - Calm down, ma’am.

 894
 01:10:19,172 --> 01:10:20,137
 Fucking bitch.

 895
 01:10:20,241 --> 01:10:22,034
 Help! Somebody!

 896
 01:10:25,413 --> 01:10:27,448
 You think this
 is going to work?

 897
 01:10:38,241 --> 01:10:39,482
 …no response at all,

 898
 01:10:39,586 --> 01:10:42,758
 while others triggered
 an immediate transformation.

 899
 01:10:42,862 --> 01:10:44,689
 What prompted Rory
 to mimic one form

 900
 01:10:44,793 --> 01:10:47,758
 over another remained
 a mystery,

 901
 01:10:47,862 --> 01:10:52,655
 and what he would choose next
 shocked the entire team.

 902
 01:10:52,758 --> 01:10:58,931
 ♪

 903
 01:10:59,034 --> 01:11:00,724
 Are you ready?

 904
 01:11:00,827 --> 01:11:03,793
 Spratling was all too eager
 to share the footage.

 905
 01:11:08,034 --> 01:11:12,241
 Just look at him go, answering
 us in his own way.

 906
 01:11:12,344 --> 01:11:14,344
 Wow.

 907
 01:11:17,724 --> 01:11:19,551
 Is that Gary?

 908
 01:11:19,655 --> 01:11:22,689
 Special boy.

 909
 01:11:22,793 --> 01:11:23,689
 How do you
 account for this?

 910
 01:11:23,793 --> 01:11:25,448
 I don’t know.

 911
 01:11:25,551 --> 01:11:31,689
 But it’s an acknowledgement
 of us, which is something.

 912
 01:11:31,793 --> 01:11:38,103
 ♪

 913
 01:11:38,206 --> 01:11:40,172
 Want to see it again?

 914
 01:11:41,689 --> 01:11:44,310
 Gary did not want
 to see it again.

 915
 01:11:47,448 --> 01:11:50,137
 He withdrew further
 from the team,

 916
 01:11:50,241 --> 01:11:52,793
 reluctant to voice his concern.

 917
 01:11:56,586 --> 01:12:00,758
 Alarmed by the transformation,
 Dr. Grayson stepped forward,

 918
 01:12:00,862 --> 01:12:02,896
 calling for an
 emergency meeting.

 919
 01:12:03,000 --> 01:12:04,620
 No, I understand
 your concerns,

 920
 01:12:04,724 --> 01:12:06,689
 but as I look through
 the data, it’s exactly

 921
 01:12:06,793 --> 01:12:08,793
 the same process as before.

 922
 01:12:08,896 --> 01:12:10,413
 It sees something,
 it replicates it.

 923
 01:12:10,517 --> 01:12:11,620
 Uh-huh.

 924
 01:12:11,724 --> 01:12:12,965
 - Right?
 - Sure.

 925
 01:12:13,068 --> 01:12:14,344
 So why is this a concern?

 926
 01:12:14,448 --> 01:12:16,448
 Because Gary hasn’t
 been in the chamber.

 927
 01:12:16,551 --> 01:12:18,896
 So if it can mimic Gary,

 928
 01:12:19,000 --> 01:12:21,137
 then it can see through
 a one-way mirror.

 929
 01:12:21,241 --> 01:12:23,655
 I’m sorry. What does that mean?

 930
 01:12:23,758 --> 01:12:25,137
 It means it’s been
 watching us the entire time.

 931
 01:12:25,241 --> 01:12:28,310
 That’s [bleep] communication.
 Okay?

 932
 01:12:28,413 --> 01:12:31,103
 Rory is reaching beyond his
 constraints to make contact.

 933
 01:12:31,206 --> 01:12:34,379
 It’s a [bleep] miracle as
 far as I’m concerned.

 934
 01:12:36,551 --> 01:12:39,862
 Spratling
 remained intent,

 935
 01:12:39,965 --> 01:12:43,344
 captivated by his subject’s
 newfound potential,

 936
 01:12:43,448 --> 01:12:47,379
 even as Rory’s appearance
 grew more and more familiar.

 937
 01:12:50,689 --> 01:12:52,862
 He’s reaching
 out, is he not?

 938
 01:12:52,965 --> 01:12:54,517
 I think so.

 939
 01:12:54,620 --> 01:13:01,517
 ♪

 940
 01:13:01,620 --> 01:13:05,034
 Science can be
 a lonely pursuit.

 941
 01:13:06,413 --> 01:13:10,034
 I think Spratling
 let something in.

 942
 01:13:11,137 --> 01:13:15,517
 And when he did is
 when he lost his rigour.

 943
 01:13:17,689 --> 01:13:21,517
 He didn’t deserve
 what happened to him,

 944
 01:13:21,620 --> 01:13:23,620
 but he brought it on himself.

 945
 01:13:25,137 --> 01:13:28,103
 My primary sympathies are
 with those he took with him.

 946
 01:13:30,241 --> 01:13:31,827
 [clears throat]

 947
 01:13:31,931 --> 01:13:34,206
 I would say their
 names, but I’m…

 948
 01:13:34,310 --> 01:13:36,413
 It’s only going to
 make me upset.

 949
 01:14:22,413 --> 01:14:24,310
 [dialling]

 950
 01:14:24,413 --> 01:14:26,620
 [line ringing]

 951
 01:14:26,724 --> 01:14:27,862
 Dispatcher: <i>911 operator.</i>

 952
 01:14:27,965 --> 01:14:30,620
 Somebody is trying to
 break into my house.

 953
 01:14:30,724 --> 01:14:31,793
 Please help me!

 954
 01:14:31,896 --> 01:14:34,137
 <i>Okay, ma’am. Stay calm.
 What’s your name?</i>

 955
 01:14:34,241 --> 01:14:35,724
 Karen.

 956
 01:14:35,827 --> 01:14:37,137
 Please send somebody.

 957
 01:14:37,241 --> 01:14:38,275
 <i>What is your address?</i>

 958
 01:14:38,379 --> 01:14:41,034
 885 Oakwood Street.

 959
 01:14:41,896 --> 01:14:43,241
 Oh, my God. He’s in the house.

 960
 01:14:43,344 --> 01:14:45,103
 <i>Stay on the line, Karen.</i>

 961
 01:14:45,206 --> 01:14:47,758
 <i>I’m sending someone
 over now, okay?</i>

 962
 01:14:47,862 --> 01:14:49,413
 Okay.

 963
 01:14:49,517 --> 01:14:51,344
 [breathing heavily]

 964
 01:14:52,896 --> 01:14:54,344
 <i>Where are you
 in the house?</i>

 965
 01:14:54,448 --> 01:14:55,793
 My bedroom.

 966
 01:14:58,172 --> 01:15:00,241
 I can hear him downstairs.

 967
 01:15:00,344 --> 01:15:02,724
 <i>Is your bedroom
 door open?</i>

 968
 01:15:02,827 --> 01:15:04,482
 Yes.

 969
 01:15:04,586 --> 01:15:06,310
 <i>Close the damn door.</i>

 970
 01:15:07,931 --> 01:15:10,551
 Karen: [breathing heavily]

 971
 01:15:10,655 --> 01:15:12,344
 - <i>Karen?</i>
 - It’s closed.

 972
 01:15:12,448 --> 01:15:14,758
 <i>Okay, I want you
 to hide if you can.</i>

 973
 01:15:14,862 --> 01:15:17,448
 <i>But you have to
 stay on the line.</i>

 974
 01:15:17,551 --> 01:15:19,482
 He’s coming up the stairs.

 975
 01:15:19,586 --> 01:15:22,689
 I think he’s on the
 stairs. Oh, my God.

 976
 01:15:22,793 --> 01:15:24,413
 <i>Karen? Karen? Karen?</i>

 977
 01:15:24,517 --> 01:15:28,172
 <i>I want you to stop talking
 and stay as quiet as you can.</i>

 978
 01:15:31,758 --> 01:15:33,517
 He’s… he’s…

 979
 01:15:33,620 --> 01:15:35,551
 He’s outside my bedroom.

 980
 01:15:35,655 --> 01:15:37,379
 <i>Police are on their way.</i>

 981
 01:15:39,689 --> 01:15:41,034
 He’s in the room.

 982
 01:15:41,137 --> 01:15:42,758
 <i>Stay quiet, Karen.</i>

 983
 01:15:46,275 --> 01:15:48,137
 Oh, my God.

 984
 01:15:59,551 --> 01:16:01,758
 [screams]

 985
 01:16:04,862 --> 01:16:08,068
 [distorted sobbing]

 986
 01:16:08,172 --> 01:16:11,000
 [screaming]

 987
 01:16:14,551 --> 01:16:16,655
 Oh, no!

 988
 01:16:22,655 --> 01:16:24,689
 [whirring]

 989
 01:16:24,793 --> 01:16:27,896
 [screaming]

 990
 01:16:41,137 --> 01:16:43,482
 ♪ [music playing] ♪

 991
 01:16:52,689 --> 01:16:54,275
 Bobby?

 992
 01:16:56,793 --> 01:16:58,206
 This door look familiar to you?

 993
 01:16:58,310 --> 01:17:00,310
 No, why would it
 look familiar to me?

 994
 01:17:00,413 --> 01:17:04,413
 The, uh, horror video
 from last week.

 995
 01:17:04,517 --> 01:17:07,758
 The one some sicko
 sent to the station.

 996
 01:17:08,206 --> 01:17:09,551
 I don’t know.
 I didn’t watch it.

 997
 01:17:09,655 --> 01:17:12,034
 Ah, it was the craziest thing.

 998
 01:17:12,137 --> 01:17:15,793
 Some homemade Michael Myers,

 999
 01:17:15,896 --> 01:17:18,931
 <i>Friday the 13th</i>,
 <i>Texas Chainsaw</i> nonsense.

 1000
 01:17:19,034 --> 01:17:22,068
 Damn, this looks exactly
 like the house in that video.

 1001
 01:17:22,172 --> 01:17:23,620
 A lot of these places
 from the late ‘60s,

 1002
 01:17:23,724 --> 01:17:25,103
 they all look similar.

 1003
 01:17:25,206 --> 01:17:28,034
 No fucking way.

 1004
 01:17:28,137 --> 01:17:30,034
 That is her.

 1005
 01:17:31,172 --> 01:17:35,068
 Eyes cut. Throat slit.

 1006
 01:17:35,172 --> 01:17:36,758
 That’s her.

 1007
 01:17:39,655 --> 01:17:42,482
 I saw this murder.

 1008
 01:17:42,586 --> 01:17:44,068
 Jesus Christ.
 That tape is real.

 1009
 01:17:44,172 --> 01:17:45,586
 Yeah, but you said you
 got the tape last week.

 1010
 01:17:45,689 --> 01:17:47,724
 This happened a few hours
 ago. What do you think,

 1011
 01:17:47,827 --> 01:17:51,103
 they staged the murder
 before committing it?

 1012
 01:17:51,206 --> 01:17:53,517
 - You check lividity yet?
 - Yeah.

 1013
 01:17:53,620 --> 01:17:55,931
 Coroner said somewhere
 between 1:00 and 3:00 a.m.

 1014
 01:17:56,034 --> 01:17:58,482
 Matches the 911 call.

 1015
 01:17:59,793 --> 01:18:01,655
 It’s fucking impossible.

 1016
 01:18:05,206 --> 01:18:06,827
 [sigh]

 1017
 01:18:13,965 --> 01:18:16,137
 Hey, there.

 1018
 01:18:16,241 --> 01:18:17,413
 Yeah. Yeah.

 1019
 01:18:17,517 --> 01:18:19,551
 I need a postal delivery
 source for an envelope

 1020
 01:18:19,655 --> 01:18:22,068
 I have here on my desk.

 1021
 01:18:22,172 --> 01:18:25,137
 Yeah. I need to know
 where it was mailed from.

 1022
 01:18:25,241 --> 01:18:27,862
 Postmark is last Tuesday.

 1023
 01:18:27,965 --> 01:18:29,965
 Mm-hmm.

 1024
 01:18:32,655 --> 01:18:35,827
 The corner of Dunning
 and Royal Road.

 1025
 01:18:35,931 --> 01:18:37,965
 No, no, no, no.
 It’s not private property.

 1026
 01:18:38,068 --> 01:18:43,586
 It’s a public mailbox. Yeah.
 Yeah. On the sidewalk.

 1027
 01:18:43,689 --> 01:18:46,103
 No, no, no. Just hidden
 surveillance camera.

 1028
 01:18:46,206 --> 01:18:48,172
 No sound.

 1029
 01:18:48,275 --> 01:18:51,137
 Okay. Alrighty. Thank you.

 1030
 01:18:52,655 --> 01:18:55,551
 ♪ [rock music playing] ♪

 1031
 01:19:01,566 --> 01:19:06,000
 ♪ [<i>“Hamburger Lady”</i> by
 Throbbing Gristle playing]♪

 1032
 01:19:27,827 --> 01:19:30,068
 ♪ By far the worst is
 the Hamburger Lady ♪

 1033
 01:19:33,413 --> 01:19:35,862
 ♪ We must heal them for
 the qualified technicians ♪

 1034
 01:19:38,673 --> 01:19:39,820
 ♪ Worst ♪

 1035
 01:19:42,738 --> 01:19:46,800
 ♪ Alternating nights
 unrelievedly ♪

 1036
 01:19:48,600 --> 01:19:49,937
 ♪ She’s lying there ♪

 1037
 01:19:54,882 --> 01:19:57,704
 ♪ Hamburger Lady ♪

 1038
 01:20:01,040 --> 01:20:04,000
 ♪ Hamburger Lady ♪

 1039
 01:20:08,806 --> 01:20:10,995
 ♪ She is dying and she’s
 burnt from the waist up ♪

 1040
 01:20:10,995 --> 01:20:12,894
 ♪ She is burned
 from the waist up ♪

 1041
 01:20:12,868 --> 01:20:14,292
 ♪ On her arm ♪

 1042
 01:20:14,292 --> 01:20:17,100
 ♪ Her ear is burnt,
 her nose is burnt ♪

 1043
 01:20:17,100 --> 01:20:19,100
 ♪ Her eyelashes and her
 fingers are burnt ♪

 1044
 01:20:19,100 --> 01:20:20,990
 ♪ She can’t hold anything ♪

 1045
 01:20:20,990 --> 01:20:27,000
 ♪ And even with medical advances,
 there’s no end in sight ♪

 1046
 01:20:27,980 --> 01:20:30,000
 ♪ for the Hamburger Lady ♪

 1047
 01:20:32,871 --> 01:20:37,000
 ♪ When somebody tells you that there is a
 level of pain beyond which the human mind ♪

 1048
 01:20:37,777 --> 01:20:43,472
 ♪ Beyond which is the level of pain
 of the lady on the potty chair ♪

 1049
 01:20:43,472 --> 01:20:45,015
 ♪ Unrelievedly ♪

 1050
 01:20:45,345 --> 01:20:48,351
 ♪ She’s burned from
 the waist down ♪

 1051
 01:20:48,351 --> 01:20:51,397
 ♪ That’s what keeps
 her alive, the tubes ♪

 1052
 01:20:51,397 --> 01:20:54,351
 ♪ And the nice nurses ♪

 1053
 01:20:55,617 --> 01:20:58,768
 ♪ The Hamburger Lady ♪

 1054
 01:21:00,000 --> 01:21:02,580
 ♪ The Hamburger Lady ♪

 1055
 01:21:05,381 --> 01:21:08,282
 ♪ She’s okay… and
 then the medic came ♪

 1056
 01:21:08,282 --> 01:21:12,060
 ♪ And he came out and saw
 one of the burn nurses ♪

 1057
 01:21:12,060 --> 01:21:16,530
 ♪ She was eating a
 can of chilli-mac ♪

 1058
 01:21:16,530 --> 01:21:21,700
 ♪ And he flashed on the carpet,
 flashed on the floor ♪

 1059
 01:21:32,500 --> 01:21:33,394
 [static crackling]

 1060
 01:21:33,394 --> 01:21:35,103
 TV: <i>Cut to shot of
 ingredients and dough.</i>

 1061
 01:21:35,206 --> 01:21:37,275
 TV: <i>Mention Conan’s
 again, use the words</i>

 1062
 01:21:37,379 --> 01:21:39,827
 <i>“Chicago-style
 deep dish pizza”.</i>

 1063
 01:21:39,931 --> 01:21:41,344
 <i>Cut to shot of
 people with cheese</i>

 1064
 01:21:41,448 --> 01:21:42,344
 <i>hanging out of
 their mouths.</i>

 1065
 01:21:42,448 --> 01:21:44,724
 <i>Slow dissolve to logo.</i>

 1066
 01:21:51,517 --> 01:21:53,758
 You sure this is the same house
 as the new videotape?

 1067
 01:21:53,862 --> 01:21:55,655
 Oh, I’m sure, Bobby.

 1068
 01:21:55,758 --> 01:21:58,241
 I’ve seen everything
 that happened.

 1069
 01:21:58,344 --> 01:21:59,931
 See, the fight started here,

 1070
 01:22:00,034 --> 01:22:02,413
 and he used the same electric
 knife from the prior scene

 1071
 01:22:02,517 --> 01:22:04,827
 to slice off the fingers.

 1072
 01:22:04,931 --> 01:22:06,241
 It’s fucking impossible.

 1073
 01:22:06,344 --> 01:22:08,000
 You got any theories about it?

 1074
 01:22:08,103 --> 01:22:10,931
 Well, we got the tape
 three days ago,

 1075
 01:22:11,034 --> 01:22:13,448
 so nothing that doesn’t
 involve the killer

 1076
 01:22:13,551 --> 01:22:15,517
 being a time traveller.

 1077
 01:22:17,413 --> 01:22:19,310
 Swear shit is
 making me religious.

 1078
 01:22:19,413 --> 01:22:21,620
 How so?

 1079
 01:22:21,724 --> 01:22:23,827
 It’s making me think
 the devil is real.

 1080
 01:22:37,379 --> 01:22:38,896
 [whirring]

 1081
 01:22:51,551 --> 01:22:53,413
 Hey, it’s Wayne.

 1082
 01:22:53,517 --> 01:22:55,896
 Yeah, I need to swap
 out some real eyes

 1083
 01:22:56,000 --> 01:22:58,482
 for that hidden camera
 on the mailbox.

 1084
 01:23:03,586 --> 01:23:05,517
 [sigh]

 1085
 01:23:39,965 --> 01:23:41,689
 [police radio chatter]

 1086
 01:23:53,000 --> 01:23:54,758
 [police radio chatter]

 1087
 01:24:01,275 --> 01:24:02,724
 [siren wails]

 1088
 01:24:22,965 --> 01:24:25,137
 [police radio chatter]

 1089
 01:24:30,655 --> 01:24:32,827
 [door opens]

 1090
 01:24:40,827 --> 01:24:42,413
 Okay, Gunther.

 1091
 01:24:43,034 --> 01:24:44,620
 How you doing?

 1092
 01:24:45,655 --> 01:24:47,068
 Good.

 1093
 01:24:47,482 --> 01:24:49,517
 What the fuck, son?

 1094
 01:24:50,413 --> 01:24:53,344
 Did you send those two
 videotapes to the station?

 1095
 01:24:54,620 --> 01:24:58,448
 Gunther… you need to answer
 your father’s question.

 1096
 01:24:59,827 --> 01:25:00,827
 I guess so.

 1097
 01:25:00,931 --> 01:25:02,379
 You guess so?

 1098
 01:25:02,482 --> 01:25:04,344
 You guess so or you know so?

 1099
 01:25:04,448 --> 01:25:05,965
 I know so.

 1100
 01:25:06,068 --> 01:25:07,551
 Mm-hmm.

 1101
 01:25:07,655 --> 01:25:10,620
 And why did you
 send them here?

 1102
 01:25:11,413 --> 01:25:13,517
 You saw what’s on them.

 1103
 01:25:13,620 --> 01:25:17,413
 Those tapes show two murders
 before they happened.

 1104
 01:25:17,517 --> 01:25:20,310
 I know. That’s
 why I sent them.

 1105
 01:25:20,413 --> 01:25:22,000
 What does that mean?

 1106
 01:25:22,103 --> 01:25:25,000
 Where did you get them?

 1107
 01:25:26,000 --> 01:25:27,137
 From home.

 1108
 01:25:29,000 --> 01:25:31,206
 I s… I swear,
 if you don’t tell us

 1109
 01:25:31,310 --> 01:25:33,689
 where you got those
 two goddamn videotapes,

 1110
 01:25:33,793 --> 01:25:35,620
 I will hand you
 your fucking head!

 1111
 01:25:35,724 --> 01:25:36,931
 Bobby.

 1112
 01:25:39,068 --> 01:25:41,068
 Gunther, come on.

 1113
 01:25:41,620 --> 01:25:44,344
 You’re a good kid. Okay?

 1114
 01:25:44,448 --> 01:25:46,344
 So why don’t you just tell us

 1115
 01:25:46,448 --> 01:25:48,413
 where you got these videotapes from?

 1116
 01:25:48,517 --> 01:25:51,896
 Just… tell us what they are.

 1117
 01:25:58,482 --> 01:26:00,413
 Last year, we bought
 a new video recorder.

 1118
 01:26:00,517 --> 01:26:03,068
 I wanted a Beta one
 because it looks better, but—

 1119
 01:26:03,172 --> 01:26:04,931
 Beta does not look better.

 1120
 01:26:05,034 --> 01:26:08,310
 He bought a VHS one anyway,
 since it was cheaper.

 1121
 01:26:08,413 --> 01:26:10,137
 Okay, so your father bought

 1122
 01:26:10,241 --> 01:26:12,931
 a video recorder for the
 house, and you used it?

 1123
 01:26:13,034 --> 01:26:14,586
 Yeah. Like,
 all the time.

 1124
 01:26:14,689 --> 01:26:16,965
 I started by looking up
 late-night movies and shows

 1125
 01:26:17,068 --> 01:26:19,448
 in <i>TV Guide</i>, ‘cause that’s
 when the best stuff comes on.

 1126
 01:26:19,551 --> 01:26:22,965
 So I started recording it—

 1127
 01:26:23,068 --> 01:26:26,034
 mostly horror movies,
 music videos, stuff like that.

 1128
 01:26:26,862 --> 01:26:28,137
 Then a few months ago,

 1129
 01:26:28,241 --> 01:26:32,586
 I started seeing these
 other things on the screen.

 1130
 01:26:32,689 --> 01:26:34,862
 At first, they were just
 different-coloured flashes.

 1131
 01:26:34,965 --> 01:26:37,896
 But after a few weeks,
 I could see images

 1132
 01:26:38,000 --> 01:26:41,862
 and… I recognised them.

 1133
 01:26:43,724 --> 01:26:47,310
 You recognised them from where?

 1134
 01:26:51,413 --> 01:26:53,758
 From my dreams.

 1135
 01:26:53,862 --> 01:26:56,172
 Oh, goddamn it, Gunther.

 1136
 01:26:56,275 --> 01:26:58,275
 Uh, wait, wait. Wait.

 1137
 01:26:58,379 --> 01:27:00,103
 So y-you’re saying

 1138
 01:27:00,206 --> 01:27:04,137
 your video recorder started
 recording your dreams?

 1139
 01:27:04,241 --> 01:27:05,827
 Yes, sir.

 1140
 01:27:07,344 --> 01:27:08,724
 Okay. Okay.

 1141
 01:27:08,827 --> 01:27:10,827
 Uh… [clears throat]

 1142
 01:27:10,931 --> 01:27:14,068
 Continue, please.
 A-And then what happened?

 1143
 01:27:14,655 --> 01:27:16,379
 It came true.

 1144
 01:27:17,000 --> 01:27:18,862
 Wayne: It came true.

 1145
 01:27:20,241 --> 01:27:22,000
 [exhales deeply]

 1146
 01:27:22,103 --> 01:27:23,241
 W-What is this?

 1147
 01:27:23,344 --> 01:27:25,862
 Is this some… some
 kind of prank, Gunther?

 1148
 01:27:26,413 --> 01:27:27,931
 Huh?

 1149
 01:27:28,034 --> 01:27:30,551
 I mean, I-I hear everything
 you’re saying,

 1150
 01:27:30,655 --> 01:27:33,206
 but I-I just…

 1151
 01:27:33,310 --> 01:27:34,724
 - I can’t believe you.
 - Hey, Wayne.

 1152
 01:27:34,827 --> 01:27:36,068
 No, I just… I just
 can’t believe you.

 1153
 01:27:36,172 --> 01:27:38,586
 - Wayne.
 - I-I – Yes.

 1154
 01:27:38,689 --> 01:27:40,793
 Go outside for a second.

 1155
 01:27:48,482 --> 01:27:50,551
 [door closes]

 1156
 01:27:57,379 --> 01:27:59,241
 He’s not lying.

 1157
 01:28:01,137 --> 01:28:02,689
 What?

 1158
 01:28:03,724 --> 01:28:05,344
 He has these dreams.

 1159
 01:28:05,448 --> 01:28:09,482
 Sometimes they’re… prophetic.

 1160
 01:28:10,448 --> 01:28:11,965
 Prophetic?

 1161
 01:28:12,068 --> 01:28:13,482
 Yeah.

 1162
 01:28:13,586 --> 01:28:15,275
 I’ve seen it.

 1163
 01:28:15,379 --> 01:28:17,793
 He’ll have a dream, and
 then later, it’ll come true

 1164
 01:28:17,896 --> 01:28:19,310
 exactly as he had described it.

 1165
 01:28:22,448 --> 01:28:23,379
 [sigh]

 1166
 01:28:23,482 --> 01:28:26,068
 It’s something that
 runs in my family.

 1167
 01:28:26,172 --> 01:28:27,275
 My sister had it.

 1168
 01:28:27,379 --> 01:28:29,896
 It drove her so crazy
 that she killed herself.

 1169
 01:28:30,000 --> 01:28:31,482
 Gunther’s cousin
 Gwen has it too.

 1170
 01:28:31,586 --> 01:28:33,172
 I fucking hate it.

 1171
 01:28:33,275 --> 01:28:34,689
 [exhales deeply]

 1172
 01:28:34,793 --> 01:28:37,862
 You gotta be
 kidding me here.

 1173
 01:28:37,965 --> 01:28:39,310
 I’m not.

 1174
 01:28:43,344 --> 01:28:45,034
 [clears throat]

 1175
 01:28:49,206 --> 01:28:53,931
 So, uh, why didn’t you give
 the tapes to your dad?

 1176
 01:28:55,482 --> 01:28:58,551
 He gets really mad if I
 ever even talk about it.

 1177
 01:28:58,655 --> 01:29:00,689
 How mad?

 1178
 01:29:02,689 --> 01:29:04,517
 [clears throat]
 Okay, Gunther.

 1179
 01:29:04,620 --> 01:29:06,793
 Just… keep going.

 1180
 01:29:08,827 --> 01:29:10,724
 Well, at first, it
 was just, you know,

 1181
 01:29:10,827 --> 01:29:12,724
 whatever kind of things
 on the tapes—

 1182
 01:29:12,827 --> 01:29:17,068
 uhm, the score of a
 Friday-night football game,

 1183
 01:29:17,172 --> 01:29:19,482
 who would get into a fight
 behind Safeway after school

 1184
 01:29:19,586 --> 01:29:24,448
 and who would win.
 Stuff like that.

 1185
 01:29:26,000 --> 01:29:28,517
 And that’s when I had
 the first nightmare.

 1186
 01:29:30,172 --> 01:29:32,241
 The woman who
 was murdered?

 1187
 01:29:36,344 --> 01:29:38,931
 Postal Service retrieved your
 package from the mailbox.

 1188
 01:29:39,034 --> 01:29:40,379
 Thanks, Jill.

 1189
 01:29:47,034 --> 01:29:48,931
 Want to tell me
 what’s on this one?

 1190
 01:29:51,758 --> 01:29:53,896
 You should just watch it.

 1191
 01:29:54,000 --> 01:29:57,517
 ♪ [downtempo music plays] ♪

 1192
 01:29:59,689 --> 01:30:03,172
 [woman’s muffled screaming]

 1193
 01:30:04,896 --> 01:30:06,793
 ♪ [music continues] ♪

 1194
 01:30:06,896 --> 01:30:09,517
 [woman screaming and gasping]

 1195
 01:30:13,275 --> 01:30:16,172
 Please! Please stop!

 1196
 01:30:16,275 --> 01:30:18,206
 [sobs]

 1197
 01:30:18,310 --> 01:30:21,310
 - [saw whirring]
 - [woman screaming]

 1198
 01:30:25,000 --> 01:30:28,034
 [screaming continues]

 1199
 01:30:43,344 --> 01:30:45,379
 [screaming stops]

 1200
 01:30:45,482 --> 01:30:47,793
 ♪ [music continues] ♪

 1201
 01:30:53,344 --> 01:30:55,275
 Wayne: Jesus Christ.

 1202
 01:30:55,379 --> 01:30:57,379
 [tape player whirring]

 1203
 01:31:03,068 --> 01:31:04,586
 There.

 1204
 01:31:05,206 --> 01:31:07,655
 The address on the door.

 1205
 01:31:07,758 --> 01:31:09,965
 Alright. 47‒25.
 But what street?

 1206
 01:31:10,068 --> 01:31:13,965
 There. Reflection
 on the window.

 1207
 01:31:14,068 --> 01:31:17,758
 The Aurora water tower.
 The side with the writing on it.

 1208
 01:31:17,862 --> 01:31:20,310
 I know exactly
 where the street is.

 1209
 01:31:20,413 --> 01:31:22,275
 Go get your camera kit.

 1210
 01:31:36,793 --> 01:31:38,896
 [exhales deeply]

 1211
 01:31:44,517 --> 01:31:46,586
 [camera whirring]

 1212
 01:31:46,689 --> 01:31:49,517
 [indistinct talking on radio]

 1213
 01:31:50,310 --> 01:31:52,655
 [radio beeps, static hisses]

 1214
 01:31:53,379 --> 01:31:56,103
 That is it.

 1215
 01:31:57,103 --> 01:31:58,586
 That’s the house.

 1216
 01:31:58,689 --> 01:32:00,758
 [engine stops]

 1217
 01:32:00,862 --> 01:32:03,103
 So what, we’re just supposed
 to go knock on the door

 1218
 01:32:03,206 --> 01:32:04,379
 and say, “Hey. Sorry.

 1219
 01:32:04,482 --> 01:32:06,862
 You’re about to be
 dismembered soon”?

 1220
 01:32:06,965 --> 01:32:09,413
 Hey, Bobby,
 would you mind, uh,

 1221
 01:32:09,517 --> 01:32:11,103
 puttin’ the camera
 down for a second?

 1222
 01:32:11,206 --> 01:32:14,724
 I just want to ask you something
 before we go in there.

 1223
 01:32:14,827 --> 01:32:16,413
 Yeah. Sure.

 1224
 01:32:22,103 --> 01:32:24,413
 [indistinct talking on radio]

 1225
 01:32:24,517 --> 01:32:26,655
 Bobby, you know this lady?

 1226
 01:32:26,758 --> 01:32:28,344
 - Who lives here? No.
 - Mm-hmm.

 1227
 01:32:28,448 --> 01:32:29,827
 No.

 1228
 01:32:30,517 --> 01:32:32,551
 Why you lyin’ to me?

 1229
 01:32:33,517 --> 01:32:35,103
 I’m not.

 1230
 01:32:36,448 --> 01:32:38,586
 Do you know this lady?

 1231
 01:32:39,206 --> 01:32:42,586
 You also know
 the first victim, too.

 1232
 01:32:42,689 --> 01:32:46,758
 These are a copy of the—
 the lawsuit filed against you.

 1233
 01:32:47,724 --> 01:32:50,793
 Been found in the first
 victim’s house.

 1234
 01:32:50,896 --> 01:32:53,931
 I took them from
 the evidence room.

 1235
 01:32:54,034 --> 01:32:58,344
 Well, these two ladies hired
 an attorney to come after you.

 1236
 01:32:58,448 --> 01:33:00,965
 That second victim
 is the attorney.

 1237
 01:33:01,448 --> 01:33:03,413
 Wait. Listen.
 I-I can explain.

 1238
 01:33:03,517 --> 01:33:06,689
 You also lied to me about
 voluntarily giving up uniform

 1239
 01:33:06,793 --> 01:33:09,586
 to become a
 forensic videographer.

 1240
 01:33:10,034 --> 01:33:11,275
 Why didn’t you tell me

 1241
 01:33:11,379 --> 01:33:13,000
 that you were forced
 to turn in your badge

 1242
 01:33:13,103 --> 01:33:15,689
 after these two ladies
 accused you of stalking

 1243
 01:33:15,793 --> 01:33:18,413
 and sexual assault?

 1244
 01:33:18,517 --> 01:33:22,000
 I mean, did you… did you
 really get their addresses

 1245
 01:33:22,103 --> 01:33:24,103
 during those traffic stops?

 1246
 01:33:27,586 --> 01:33:29,551
 Oh, Bobby.

 1247
 01:33:31,000 --> 01:33:32,517
 We’ve been friends
 for a long time.

 1248
 01:33:32,620 --> 01:33:34,724
 I mean, our kids grew up
 together, for Christ’s sakes.

 1249
 01:33:34,827 --> 01:33:38,827
 I’m – I’m – I’m giving you
 a chance right now—

 1250
 01:33:38,931 --> 01:33:41,068
 right now to tell me
 the truth, Bobby.

 1251
 01:33:41,172 --> 01:33:42,068
 Did you—

 1252
 01:33:42,172 --> 01:33:45,068
 [casing clatters, door opens]

 1253
 01:33:47,172 --> 01:33:49,310
 [door closes]

 1254
 01:33:51,068 --> 01:33:54,103
 [indistinct talking on radio]

 1255
 01:34:06,172 --> 01:34:09,379
 [camera whirs]

 1256
 01:34:16,482 --> 01:34:18,551
 Holy shit.

 1257
 01:34:18,655 --> 01:34:21,241
 - [door opens and closes]
 - [static hissing]

 1258
 01:34:21,344 --> 01:34:22,379
 I’ve got an officer down.

 1259
 01:34:22,482 --> 01:34:23,931
 I repeat, I’ve got
 an officer down.

 1260
 01:34:24,034 --> 01:34:27,034
 4725 Utica Court. I need
 backup and wagons.

 1261
 01:34:27,137 --> 01:34:30,172
 [indistinct talking on radio]

 1262
 01:34:38,206 --> 01:34:41,172
 [inhales deeply]

 1263
 01:35:12,689 --> 01:35:14,827
 Want to tell me
 what’s on this one?

 1264
 01:35:17,448 --> 01:35:19,517
 You should just watch it.

 1265
 01:35:24,206 --> 01:35:25,586
 Alright, Bobby.

 1266
 01:35:25,689 --> 01:35:27,896
 Let’s go to the AV room.

 1267
 01:35:28,000 --> 01:35:30,172
 Gunther, stay right here.

 1268
 01:35:30,275 --> 01:35:32,586
 Don’t move until we
 come back, alright?

 1269
 01:35:32,689 --> 01:35:33,793
 - Bobby.
 - Hmm?

 1270
 01:35:33,896 --> 01:35:35,862
 - Turn off the camera.
 - Yeah.

 1271
 01:35:36,965 --> 01:35:39,482
 ♪ [dramatic music plays] ♪

 1272
 01:36:03,620 --> 01:36:06,206
 ♪ [music stops] ♪

 1273
 01:36:06,310 --> 01:36:09,517
 ♪ [music continues] ♪

 1274
 01:36:11,896 --> 01:36:14,655
 I just dreamed this.

 1275
 01:36:15,758 --> 01:36:17,655
 I just dreamed this.

 1276
 01:36:17,758 --> 01:36:19,206
 [exhales deeply]

 1277
 01:36:19,310 --> 01:36:21,068
 Oh, no.

 1278
 01:36:22,931 --> 01:36:24,000
 No, no, no, no.

 1279
 01:36:24,103 --> 01:36:26,448
 [door opens and closes]

 1280
 01:36:35,241 --> 01:36:37,034
 I know what you did, Dad.

 1281
 01:36:38,068 --> 01:36:39,655
 You killed them.

 1282
 01:36:39,758 --> 01:36:41,896
 You killed all of them.

 1283
 01:36:42,379 --> 01:36:45,551
 You just chopped up that
 woman from my dream.

 1284
 01:36:45,655 --> 01:36:47,068
 ♪ [dramatic music plays] ♪

 1285
 01:36:47,172 --> 01:36:49,620
 [voice echoing] And
 now I’m gonna kill you.

 1286
 01:36:49,724 --> 01:36:54,724
 Because this is all your fault,
 you worthless little shit!

 1287
 01:36:54,827 --> 01:36:56,413
 No.

 1288
 01:36:56,517 --> 01:36:58,448
 No. You’re not gonna kill me.

 1289
 01:36:58,551 --> 01:37:00,931
 - I’m not gonna kill you?
 - No.

 1290
 01:37:01,034 --> 01:37:04,413
 I just dreamed everything
 that happens next.

 1291
 01:37:04,517 --> 01:37:05,758
 ♪ [music continues] ♪

 1292
 01:37:05,862 --> 01:37:08,379
 [voice echoing]
 I know how this ends.

 1293
 01:37:09,896 --> 01:37:13,448
 The dream is playing
 on this camera right now.

 1294
 01:37:16,137 --> 01:37:19,310
 You little fuckin’ freak.

 1295
 01:37:19,413 --> 01:37:20,655
 [gunshot]

 1296
 01:37:20,758 --> 01:37:22,655
 - [indistinct shouting]
 - [gunshot echoes]

 1297
 01:37:22,758 --> 01:37:24,379
 [alarm blaring]

 1298
 01:37:24,482 --> 01:37:26,896
 ♪ [dramatic music plays] ♪

 1299
 01:37:28,379 --> 01:37:31,689
 [indistinct shouting]

 1300
 01:37:40,310 --> 01:37:41,793
 ♪ [music continues] ♪

 1301
 01:37:41,896 --> 01:37:44,724
 - [alarm blaring]
 - [gunshots echoing]

 1302
 01:37:46,172 --> 01:37:48,517
 ♪ [music continues] ♪

 1303
 01:37:55,310 --> 01:37:58,068
 [screaming]

 1304
 01:38:04,172 --> 01:38:06,586
 [alarm blaring]

 1305
 01:38:14,586 --> 01:38:17,103
 [gunshot]

 1306
 01:38:18,655 --> 01:38:21,034
 ♪ [music slows, continues] ♪

 1307
 01:38:25,689 --> 01:38:28,034
 ♪ [music slows, ends] ♪

 1308
 01:38:30,827 --> 01:38:32,896
 [static hissing]

 1309
 01:38:38,793 --> 01:38:41,965
 There’s a problem.
 He is not moving.

 1310
 01:38:42,068 --> 01:38:44,586
 Well, you know it
 mimics things, right?

 1311
 01:38:44,689 --> 01:38:46,448
 So how do you know it’s
 not mimicking something

 1312
 01:38:46,551 --> 01:38:47,724
 we haven’t seen yet?

 1313
 01:38:47,827 --> 01:38:50,000
 Because it doesn’t feel right.

 1314
 01:38:50,103 --> 01:38:51,793
 Because this is very different.

 1315
 01:38:51,896 --> 01:38:53,137
 It’s only different behaviour.

 1316
 01:38:53,241 --> 01:38:54,655
 He’s not mimicking.
 He’s sick.

 1317
 01:38:54,758 --> 01:38:56,862
 You know he’s sick.
 That is the only answer.

 1318
 01:38:56,965 --> 01:38:58,172
 We exposed him to something,

 1319
 01:38:58,275 --> 01:39:00,689
 and now he’s not changing
 and he’s not communicating.

 1320
 01:39:00,793 --> 01:39:03,655
 I don’t know that he’s sick.

 1321
 01:39:03,758 --> 01:39:05,137
 How do you know that he’s sick?

 1322
 01:39:05,241 --> 01:39:07,517
 It’s observable, Sarah.

 1323
 01:39:07,620 --> 01:39:09,344
 Look at him.
 He’s sick!

 1324
 01:39:09,448 --> 01:39:11,344
 I don’t think you
 can know that.

 1325
 01:39:11,448 --> 01:39:12,724
 Voiceover: <i>Doubts were mounting.</i>

 1326
 01:39:12,827 --> 01:39:15,586
 <i>Spratling’s leadership was
 increasingly in question.</i>

 1327
 01:39:15,689 --> 01:39:18,034
 And if this is as intelligent
 as you say it is,

 1328
 01:39:18,137 --> 01:39:20,275
 I think it could be
 manipulating you.

 1329
 01:39:20,379 --> 01:39:23,137
 - We need to intervene.
 - I’m not going back in there.

 1330
 01:39:24,655 --> 01:39:26,241
 Yes, you are.

 1331
 01:39:27,068 --> 01:39:30,379
 <i>Later that evening, Dr. Grayson
 packed her things and left…</i>

 1332
 01:39:30,482 --> 01:39:32,310
 Yeah. Well, listen. I’ve
 said everything I can say.

 1333
 01:39:32,413 --> 01:39:34,000
 <i>…for the last time.</i>

 1334
 01:39:34,103 --> 01:39:35,896
 I think you should leave.

 1335
 01:39:37,310 --> 01:39:39,172
 [monitor beeps, lock buzzes]

 1336
 01:39:39,275 --> 01:39:42,241
 I think you should come.

 1337
 01:39:42,793 --> 01:39:43,862
 [door closes]

 1338
 01:39:43,965 --> 01:39:47,275
 But the one thing
 I can’t figure out…

 1339
 01:39:49,103 --> 01:39:51,344
 …is why no one
 followed me.

 1340
 01:39:51,448 --> 01:39:54,448
 ♪ [downtempo music plays] ♪

 1341
 01:39:56,413 --> 01:39:59,172
 For months now, the details
 of exactly what took place

 1342
 01:39:59,275 --> 01:40:02,068
 at Stamer University have
 been shrouded in mystery.

 1343
 01:40:02,172 --> 01:40:04,103
 And while authorities have
 recently shared with us

 1344
 01:40:04,206 --> 01:40:06,482
 those final minutes
 of Spratling’s tapes,

 1345
 01:40:06,586 --> 01:40:08,586
 the disturbing
 nature of the images

 1346
 01:40:08,689 --> 01:40:10,724
 and concern for the
 well-being of our viewers

 1347
 01:40:10,827 --> 01:40:12,448
 leads us to feel it
 would be irresponsible

 1348
 01:40:12,551 --> 01:40:14,068
 to screen that footage
 for you at this—

 1349
 01:40:14,172 --> 01:40:16,724
 [static hisses, machine whirs]

 1350
 01:40:24,896 --> 01:40:27,206
 Spratling: What the fuck…
 what the fuck are you doing?

 1351
 01:40:27,310 --> 01:40:28,655
 Let’s go, goddamn
 it, get in there.

 1352
 01:40:28,758 --> 01:40:29,931
 - My bad.
 - Quit dicking around.

 1353
 01:40:30,034 --> 01:40:31,931
 Let’s go. He’s
 about to do it.

 1354
 01:40:32,034 --> 01:40:34,344
 - He’s about to go.
 - Great. I’m filming.

 1355
 01:40:34,448 --> 01:40:37,517
 [ventilator hissing]

 1356
 01:40:39,379 --> 01:40:42,517
 That’s it, Gary.
 Slow and steady.

 1357
 01:40:42,620 --> 01:40:44,551
 We’re just helping
 out our guy.

 1358
 01:40:44,655 --> 01:40:45,896
 Gary: <i>10‒4.</i>

 1359
 01:40:46,000 --> 01:40:48,586
 Gary: <i>Kinda wish it was
 someone else right now, but…</i>

 1360
 01:40:48,689 --> 01:40:50,413
 You or him?

 1361
 01:40:50,517 --> 01:40:52,551
 <i>Uh…</i>

 1362
 01:40:53,103 --> 01:40:56,206
 What—what are you doing?
 Get him. Get… get him.

 1363
 01:40:56,310 --> 01:40:57,517
 - Alex—
 - Dr. Spratling?

 1364
 01:40:57,620 --> 01:40:59,034
 - What is going on here?
 - Alex, you should be here.

 1365
 01:40:59,137 --> 01:41:00,931
 This is important. I want to
 get them in the same shot.

 1366
 01:41:01,034 --> 01:41:03,586
 Dr. Spratling, what
 is going on here?

 1367
 01:41:03,689 --> 01:41:05,034
 Gary’s giving him
 the adrenalin.

 1368
 01:41:05,137 --> 01:41:06,586
 We don’t know how he’s
 going to react to this.

 1369
 01:41:06,689 --> 01:41:08,241
 We don’t have a choice.

 1370
 01:41:08,344 --> 01:41:10,620
 [ventilator hissing]

 1371
 01:41:10,724 --> 01:41:12,103
 <i>Mmm!</i>

 1372
 01:41:12,206 --> 01:41:14,137
 [gasps] Oh, my God!

 1373
 01:41:14,241 --> 01:41:17,241
 <i>What’s happening?
 I can see the locust.</i>

 1374
 01:41:17,344 --> 01:41:19,827
 Spratling: It’s okay. Just
 administer the adrenalin.

 1375
 01:41:19,931 --> 01:41:21,551
 <i>The feeler is out.</i>

 1376
 01:41:21,655 --> 01:41:23,275
 [chirping]

 1377
 01:41:23,379 --> 01:41:25,586
 Give him the
 adrenalin, Gary.

 1378
 01:41:26,551 --> 01:41:28,379
 <i>Oh.</i>

 1379
 01:41:31,724 --> 01:41:33,965
 <i>Give it the… oh!
 Oh, it’s got me!</i>

 1380
 01:41:34,068 --> 01:41:35,344
 <i>It’s got me!</i>

 1381
 01:41:35,448 --> 01:41:37,172
 Don’t panic.
 It’s okay.

 1382
 01:41:37,275 --> 01:41:40,103
 - He’s just curious.
 - <i>It’s around my arm!</i>

 1383
 01:41:40,206 --> 01:41:41,758
 Did you do something
 to provoke him?

 1384
 01:41:41,862 --> 01:41:43,862
 - <i>No, no! No, no!</i>
 - Are you in pain?

 1385
 01:41:43,965 --> 01:41:46,620
 <i>No, but I don’t like it.
 What should I do?</i>

 1386
 01:41:46,724 --> 01:41:50,241
 Okay. Just slowly see if
 you can loosen the grip.

 1387
 01:41:50,344 --> 01:41:52,103
 [feeler chirping]

 1388
 01:41:52,206 --> 01:41:54,655
 <i>Jesus Christ. It’s so
 tight around my arm.</i>

 1389
 01:41:54,758 --> 01:41:57,034
 <i>And it’s following me.
 It’s following me!</i>

 1390
 01:41:57,137 --> 01:41:59,275
 - That’s okay.
 - <i>No! Get me out of here!</i>

 1391
 01:41:59,379 --> 01:42:01,068
 - What do we do?
 - Alright. It’s okay, Gary.

 1392
 01:42:01,172 --> 01:42:03,000
 We’re – we’re gonna get
 you out of there, okay?

 1393
 01:42:03,103 --> 01:42:05,586
 - Should I call somebody?
 - No. No. I…

 1394
 01:42:05,689 --> 01:42:07,034
 I have an idea.

 1395
 01:42:07,137 --> 01:42:08,482
 It’s okay, Gary.

 1396
 01:42:08,586 --> 01:42:10,517
 Gary: Help me! [panicking]

 1397
 01:42:10,620 --> 01:42:12,000
 Rory.

 1398
 01:42:12,103 --> 01:42:13,931
 - He doesn’t understand you.
 - Yes, he does. You know that.

 1399
 01:42:14,034 --> 01:42:15,551
 He listens to tone,
 not content!

 1400
 01:42:15,655 --> 01:42:16,689
 Rory.

 1401
 01:42:16,793 --> 01:42:19,379
 Oh, my God.

 1402
 01:42:19,482 --> 01:42:20,206
 Remember?

 1403
 01:42:20,310 --> 01:42:22,206
 [screeching]

 1404
 01:42:22,310 --> 01:42:25,344
 [shouting indistinctly]

 1405
 01:42:25,896 --> 01:42:26,620
 Oh, shit.

 1406
 01:42:26,724 --> 01:42:28,862
 <i>Oh, my God!
 Oh, God!</i>

 1407
 01:42:28,965 --> 01:42:30,965
 That’s it. W-we’re
 going in there.

 1408
 01:42:31,068 --> 01:42:32,310
 Oh, my God.

 1409
 01:42:32,413 --> 01:42:35,724
 Is there anything here
 that can neutralise it?

 1410
 01:42:35,827 --> 01:42:36,965
 Jesus fucking Christ.

 1411
 01:42:37,068 --> 01:42:38,965
 No. No, no, no, no.
 What are you doing?

 1412
 01:42:39,068 --> 01:42:40,620
 - We need campus security.
 - No. They’ll hurt him.

 1413
 01:42:40,724 --> 01:42:42,103
 - We can do this on our own.
 - Tone. Hey.

 1414
 01:42:42,206 --> 01:42:44,137
 - [indistinct shouting]
 - [alarm blaring]

 1415
 01:42:44,241 --> 01:42:45,586
 Keep rolling. Keep
 rolling, come on.

 1416
 01:42:45,689 --> 01:42:47,241
 - Alright!
 - Come on.

 1417
 01:42:47,344 --> 01:42:49,068
 Open the door!

 1418
 01:42:49,172 --> 01:42:50,758
 Open the… He’s screaming!

 1419
 01:42:50,862 --> 01:42:52,827
 It’s okay. We’re just
 gonna separate them.

 1420
 01:42:52,931 --> 01:42:54,344
 He’s okay.

 1421
 01:42:54,448 --> 01:42:55,758
 [screaming]

 1422
 01:42:55,862 --> 01:42:57,551
 It’s o… it’s
 okay. No. No!

 1423
 01:42:57,655 --> 01:42:59,344
 It’s okay!
 It’s okay!

 1424
 01:42:59,448 --> 01:43:02,206
 No! [screaming]

 1425
 01:43:02,310 --> 01:43:05,068
 Go look inside! Go look
 at what’s happening!

 1426
 01:43:05,172 --> 01:43:06,344
 Okay!

 1427
 01:43:06,448 --> 01:43:08,310
 [alarm blaring]

 1428
 01:43:08,413 --> 01:43:10,620
 [hissing, roaring]

 1429
 01:43:10,724 --> 01:43:13,931
 Gary: [pained screaming]

 1430
 01:43:14,034 --> 01:43:15,275
 Relax.

 1431
 01:43:15,379 --> 01:43:17,206
 - Doctor!
 - You’re okay. No.

 1432
 01:43:17,310 --> 01:43:18,689
 It’s okay.
 I got you.

 1433
 01:43:18,793 --> 01:43:20,241
 Help us, damn it!

 1434
 01:43:20,344 --> 01:43:22,241
 [groaning]

 1435
 01:43:22,344 --> 01:43:24,758
 It’s okay. Relax.

 1436
 01:43:24,862 --> 01:43:27,379
 It’s okay. Okay.
 It’s okay.

 1437
 01:43:27,482 --> 01:43:29,793
 [growling]

 1438
 01:43:29,896 --> 01:43:31,931
 [screaming]

 1439
 01:43:32,034 --> 01:43:33,482
 No, no, no.
 Relax. Relax.

 1440
 01:43:33,586 --> 01:43:35,482
 It’s okay!

 1441
 01:43:35,586 --> 01:43:38,724
 It’s okay. It’s okay.
 It’s okay.

 1442
 01:43:38,827 --> 01:43:40,517
 It’s okay!
 It’s okay!

 1443
 01:43:40,620 --> 01:43:43,413
 Just… fuck it,
 let him go.

 1444
 01:43:43,517 --> 01:43:45,068
 No!

 1445
 01:43:45,172 --> 01:43:48,172
 - [woman sobbing, bones cracking]
 - Gary: [screams]

 1446
 01:43:55,896 --> 01:43:58,103
 Wait. Wait.

 1447
 01:43:58,206 --> 01:44:00,862
 Come on. I got you.
 I got you.

 1448
 01:44:00,965 --> 01:44:02,034
 Here. Take this—

 1449
 01:44:02,137 --> 01:44:04,482
 - [tentacle snapping]
 - Rory: [growling]

 1450
 01:44:04,586 --> 01:44:06,655
 [whimpers, screams]

 1451
 01:44:06,758 --> 01:44:09,689
 - [gasps]
 - Run!

 1452
 01:44:09,793 --> 01:44:12,000
 [gasping]

 1453
 01:44:12,103 --> 01:44:14,758
 [alarm blaring]

 1454
 01:44:20,655 --> 01:44:22,034
 - [monitor beeping]
 - Fuck!

 1455
 01:44:22,137 --> 01:44:24,172
 - What do you mean, “fuck”?
 - The blood on my hands.

 1456
 01:44:24,275 --> 01:44:26,896
 It won’t read the print!
 This motherfucking thing!

 1457
 01:44:27,000 --> 01:44:29,344
 - Aah!
 - [monitor beeping]

 1458
 01:44:29,448 --> 01:44:31,655
 - God fucking damn it!
 - Can’t you override it?

 1459
 01:44:31,758 --> 01:44:33,931
 No, I can’t override it.
 The system won’t let me—

 1460
 01:44:34,034 --> 01:44:35,241
 Oh, shit.

 1461
 01:44:35,344 --> 01:44:37,379
 [hissing]

 1462
 01:44:37,482 --> 01:44:39,862
 Come on, come on!
 No, no, no, no, no, no.

 1463
 01:44:39,965 --> 01:44:41,827
 - Open the door!
 - Come on!

 1464
 01:44:41,931 --> 01:44:43,758
 Open the door!
 [monitor beeping]

 1465
 01:44:43,862 --> 01:44:45,758
 [hissing]

 1466
 01:44:45,862 --> 01:44:48,241
 [grunts]

 1467
 01:44:48,344 --> 01:44:50,482
 [tentacle snapping]

 1468
 01:44:50,586 --> 01:44:53,379
 [grunting, gasping]

 1469
 01:44:53,482 --> 01:44:56,000
 [breathing heavily]

 1470
 01:44:58,310 --> 01:45:01,344
 Rory? Rory?

 1471
 01:45:03,965 --> 01:45:06,965
 We… we don’t have
 to go this way.

 1472
 01:45:12,275 --> 01:45:14,413
 [tentacle whipping]

 1473
 01:45:16,758 --> 01:45:19,172
 [gurgling]

 1474
 01:45:19,275 --> 01:45:21,793
 [alarm blaring]

 1475
 01:45:23,344 --> 01:45:25,655
 [hissing, chirping]

 1476
 01:46:14,793 --> 01:46:16,689
 [alarm stops]

 1477
 01:46:16,793 --> 01:46:19,241
 [linoleum squeaking]

 1478
 01:46:29,620 --> 01:46:31,620
 TV: <i>That’s it. Squeeze.</i>

 1479
 01:46:31,724 --> 01:46:33,896
 TV: <i>Squeeze. Squeeze.</i>

 1480
 01:46:34,000 --> 01:46:36,708
 TV: <i>Great. Buttocks up.</i>

 1481
 01:46:36,708 --> 01:46:39,931
 TV: <i>Squeeze. Squeeze.
 Nice and tight.</i>

 1482
 01:46:40,034 --> 01:46:43,241
 TV: <i>Feet flat and
 squeeze. Squeeze.</i>

 1483
 01:46:43,344 --> 01:46:45,655
 TV: <i>Up. Up. Up.</i>

 1484
 01:46:45,758 --> 01:46:47,862
 TV: <i>Good. Good. Good.</i>

 1485
 01:46:47,965 --> 01:46:50,034
 [tape slows, stops]

 1486
 01:46:50,137 --> 01:46:52,689
 [static hissing]

 1487
 01:46:59,241 --> 01:47:02,241
 ♪ [<i>“Doppelganger”</i> by
 Bathed in Blood plays] ♪

 1488
 01:47:14,448 --> 01:47:16,310
 ♪ They’re heading for a lake ♪

 1489
 01:47:16,413 --> 01:47:18,137
 ♪ They’re gonna make a break ♪

 1490
 01:47:18,241 --> 01:47:20,379
 ♪ It was the perfect day ♪

 1491
 01:47:20,482 --> 01:47:22,413
 ♪ Then suddenly the bullets fly ♪

 1492
 01:47:22,517 --> 01:47:24,137
 ♪ And then a newsroom tape ♪

 1493
 01:47:24,241 --> 01:47:25,793
 ♪ From far below the quake ♪

 1494
 01:47:25,896 --> 01:47:28,137
 ♪ An Aztec god awakes ♪

 1495
 01:47:28,241 --> 01:47:30,448
 ♪ Rises and plus they all die ♪

 1496
 01:47:30,551 --> 01:47:32,344
 ♪ From an old wall of tzompantli ♪

 1497
 01:47:32,448 --> 01:47:34,206
 ♪ From the mad Quetzalcoatl ♪

 1498
 01:47:34,310 --> 01:47:36,241
 ♪ Like a genie from a bottle ♪

 1499
 01:47:36,344 --> 01:47:38,689
 ♪ As the camera starts to glitch ♪

 1500
 01:47:38,793 --> 01:47:40,172
 ♪ The footage may get scary ♪

 1501
 01:47:40,275 --> 01:47:42,103
 ♪ ‘Cause we’ve got <i>Pet Sematary</i> ♪

 1502
 01:47:42,206 --> 01:47:44,034
 ♪ But the camera’s necessary ♪

 1503
 01:47:44,137 --> 01:47:48,586
 ♪ Do you want some brownies, bitch? ♪

 1504
 01:47:48,689 --> 01:47:51,482
 ♪ Doppelganger, out of the night ♪

 1505
 01:47:51,586 --> 01:47:54,517
 ♪ You’re gonna double your pleasure ♪

 1506
 01:47:54,620 --> 01:47:56,448
 ♪ Double your fright ♪

 1507
 01:47:56,551 --> 01:47:58,413
 ♪ Doppelganger ♪

 1508
 01:47:58,517 --> 01:47:59,448
 ♪ Try to survive ♪

 1509
 01:47:59,551 --> 01:48:01,862
 ♪ You’re gonna see it go down ♪

 1510
 01:48:01,965 --> 01:48:05,137
 ♪ In 1985 ♪

 1511
 01:48:05,241 --> 01:48:07,793
 ♪ [music continues] ♪

 1512
 01:48:11,310 --> 01:48:13,344
 ♪ Performing on that stage ♪

 1513
 01:48:13,448 --> 01:48:15,172
 ♪ She’s gonna boldly rage ♪

 1514
 01:48:15,275 --> 01:48:19,137
 ♪ Against the coming age
 of a new technology ♪

 1515
 01:48:19,241 --> 01:48:21,206
 ♪ Try to ignore the screams ♪

 1516
 01:48:21,310 --> 01:48:23,206
 ♪ He’s got to face his dreams ♪

 1517
 01:48:23,310 --> 01:48:25,241
 ♪ Because crime-solving dreams ♪

 1518
 01:48:25,344 --> 01:48:27,103
 ♪ Seem to run within
 the family tree ♪

 1519
 01:48:27,206 --> 01:48:29,379
 ♪ A cyber-inquisition ♪

 1520
 01:48:29,482 --> 01:48:31,344
 ♪ Think we need an intermission ♪

 1521
 01:48:31,448 --> 01:48:33,241
 ♪ Or a really good mortician ♪

 1522
 01:48:33,344 --> 01:48:35,379
 ♪ Since our star’s been torn apart ♪

 1523
 01:48:35,482 --> 01:48:39,034
 ♪ And soon you’ll see a vision
 of a bloody-soaked incision ♪

 1524
 01:48:39,137 --> 01:48:41,137
 ♪ Was this all a premonition? ♪

 1525
 01:48:41,241 --> 01:48:43,482
 ♪ Buckle in ♪

 1526
 01:48:43,586 --> 01:48:46,689
 ♪ Doppelganger, out of the night ♪

 1527
 01:48:46,793 --> 01:48:49,586
 ♪ You’re gonna double your pleasure ♪

 1528
 01:48:49,689 --> 01:48:51,206
 ♪ Double your fright ♪

 1529
 01:48:51,310 --> 01:48:53,310
 ♪ Doppelganger ♪

 1530
 01:48:53,413 --> 01:48:54,344
 ♪ Try to survive ♪

 1531
 01:48:54,448 --> 01:48:56,965
 ♪ You’re gonna see it go down ♪

 1532
 01:48:57,068 --> 01:49:00,931
 ♪ In 1985 ♪

 1533
 01:49:01,034 --> 01:49:03,379
 ♪ [music continues] ♪

 1534
 01:49:38,551 --> 01:49:41,724
 ♪ Doppelganger, out of the night ♪

 1535
 01:49:41,827 --> 01:49:44,448
 ♪ You’re gonna double your pleasure ♪

 1536
 01:49:44,551 --> 01:49:46,310
 ♪ Double your fright ♪

 1537
 01:49:46,413 --> 01:49:48,413
 ♪ Doppelganger ♪

 1538
 01:49:48,517 --> 01:49:49,655
 ♪ Try to survive ♪

 1539
 01:49:49,758 --> 01:49:52,137
 ♪ You’re gonna see it go down ♪

 1540
 01:49:52,241 --> 01:49:56,034
 ♪ In 1985 ♪

 1541
 01:49:56,137 --> 01:49:58,655
 ♪ [uptempo instrumental music plays] ♪
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