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A mock response from the audio db.
Raw
albums.js
const albums = [
{
idAlbum: "2109680",
idArtist: "111247",
idLabel: "43827",
strAlbum: "The Beatles",
strAlbumStripped: "The Beatles",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1968",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Album",
intSales: "30000000",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/suspyw1341916966.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: "https://www.theaudiodb.com/images/media/album/cdart/the-beatles-4fd296d492455.png",
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescriptionEN:
'The Beatles is the ninth official album by the English rock group The Beatles, a double album released in 1968. It is also commonly known as "The White Album" as it has no graphics or text other than the band\'s name embossed (and, on the early LP and CD releases, a serial number) on its plain white sleeve.\n\nThe album was written and recorded during a period of turmoil for the group, after visiting the Maharishi Mahesh Yogi in India and having a particularly productive songwriting session in early 1968. Returning to the studio, the group recorded from May to October 1968, only to have conflict and dissent drive the group members apart. Ringo Starr quit the band for a brief time, leaving Paul McCartney to play drums on two tracks. Many of the songs were "solo" recordings, or at least by less than the full group, as each individual member began to explore his own talent.\n\nUpon release in November 1968, the album received largely positive reviews and reached number 1 on the charts in the United Kingdom and the United States. The album is notable for the eclectic nature of its songs, which has divided critics in evaluating its legacy. The album has sold over 30 million copies worldwide, and was listed at number 10 on Rolling Stone\'s "500 Greatest Albums of All Time" list. Previously in 1987, as part of their 20th anniversary, Rolling Stone ranked it #9 on "The 100 Best Albums of the Last Twenty Years."',
strDescriptionDE: null,
strDescriptionFR:
"The Beatles, souvent surnommé l'album blanc ou le double blanc, à cause de sa pochette extérieure entièrement blanche, est un double album des Beatles sorti le 22 novembre 1968 sous leur propre label, Apple Records, et contenant 30 chansons originales réparties sur quatre faces.\n\nL'album est un nouveau tournant musical dans la carrière des Beatles. Exploré en long et en large depuis Revolver jusqu'à Magical Mystery Tour, le psychédélisme laisse place à un retour vers le rock 'n' roll, des arrangements plus simples et des textes moins philosophiques. Les guitares acoustiques sont ainsi souvent préférées aux sonorités complexes de Sgt. Pepper, puisque c'est sur cet instrument qu'ont été écrites la plupart des chansons, durant le séjour du groupe au nord de l'Inde, à Rishikesh dans l'ashram du Maharishi Mahesh Yogi.\n\nPaul McCartney s'affiche en brillant touche-à-tout, abordant une large palette de genres musicaux, George Harrison affirme ses talents d'auteur-compositeur, Ringo Starr compose sa première chanson, tandis que John Lennon va de plus en plus loin dans l'introspection, fait parfois dans la dérision, se montre aussi iconoclaste ou mordant, et surtout, chante son amour pour sa nouvelle âme sœur, Yoko Ono. La présence de cette dernière dans les studios d'enregistrement est d'ailleurs un facteur de tensions.\n\nMalgré de nombreuses difficultés, dues à une mésentente croissante au sein du groupe durant sa réalisation, la formule de cet album double fonctionne, puisque le succès du disque est colossal. Ce sera la troisième meilleure vente d'album du groupe, après Sgt. Pepper et Abbey Road, et le plus vendu sur le territoire américain, avec plus de 20 millions d'exemplaires écoulés. Il reste ainsi en tête des hit-parades pendant huit semaines au Royaume-Uni et neuf aux USA.",
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES:
"The Beatles es el noveno álbum de estudio de la banda británica de rock The Beatles, lanzado en noviembre de 1968 como un álbum doble. Comúnmente es conocido como The White Album (El Álbum Blanco), por su funda totalmente blanca ideada por el artista británico Richard Hamilton, pionero del pop art. Fue la primera publicación de la banda desde la muerte de su mánager Brian Epstein, y el primero publicado por su propio sello discográfico, Apple Records. Originalmente se iba a llamar A Doll's House, pero una banda inglesa de rock progresivo llamada Family ya había publicado un álbum titulado Music in a Doll's House a principios de 1968.\n\nLas canciones de The Beatles fueron en su mayoría escritas y grabadas durante un periodo de turbulencias en el grupo. Después de visitar al Maharishi Mahesh Yogi en la India y durante un periodo productivo de composiciones a principios de 1968, el grupo regresó al estudio para grabar durante el mes de mayo hasta octubre de 1968.\n\nTras su lanzamiento en noviembre de 1968, el álbum ha recibido distintas críticas mixtas y alcanzó el nº 1 en el Reino Unido y Estados Unidos. En 2003, la revista musical Rolling Stone lo colocó en el puesto número 10 de su lista de los 500 mejores álbumes de todos los tiempos. Es uno de los seis álbumes certificados con disco de diamante de The Beatles, lo que los convierte en los máximos ganadores de este reconocimiento en la historia de la música. Los otros álbumes con disco de diamante son The Beatles/1962-1966, The Beatles/1967-1970, Abbey Road, Sgt. Pepper's Lonely Hearts Club Band y 1.",
strDescriptionPT:
'The Beatles é o décimo álbum dos Beatles, lançado como disco duplo em 22 de novembro de 1968. Este álbum está na lista dos 200 álbuns definitivos no Rock and Roll Hall of Fame.\n\nÉ popularmente conhecido como The White Album (O Álbum Branco), por não haver nome, e ser apenas um fundo branco com o nome da banda em relevo. A capa foi criada pelo artista pop Richard Hamilton e o título original era para ser A Doll’s House, mas uma banda britânica chamada Family, já tinha lançado um álbum com nome similar. Foi o primeiro disco lançado após a morte do manager Brian Epstein.\n\nEm 1997, O Álbum Branco foi nomeado o décimo melhor disco de todos os tempos pela "Music of the Millennium" da Classic FM. Em 1998 a Q Magazine colocou como 17° lugar e em 2000 em 7° lugar. A Rolling Stone colocou como o décimo entre 500 álbuns e o canal VH1 como 11° lugar. De acordo com a Associação da Indústria de Discos da América, o disco é 19 vezes disco de platina e o décimo disco mais vendido nos Estados Unidos.\n\nEm 2010, um colecionador argentino possuía o álbum com assinaturas originais dos quatro beatles. A peça foi vendida na ocasião por 33 mil dólares.',
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: "9.3",
intScoreVotes: "3",
strReview: "",
strMood: "Happy",
strTheme: null,
strSpeed: "",
strLocation: null,
strMusicBrainzID: "055be730-dcad-31bf-b550-45ba9c202aa3",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: "mw0000418113",
strBBCReviewID: "4b8c",
strRateYourMusicID: "the_beatles__white_album__f13",
strDiscogsID: "46402",
strWikidataID: "Q3295515",
strWikipediaID: "The_Beatles_(album)",
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: "Beatles_[The_White_Album],_The",
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2109681",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Help!",
strAlbumStripped: "Help",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1965",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Album",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/xpuwpv1341915109.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: "https://www.theaudiodb.com/images/media/album/cdart/help-4ff33249471b5.png",
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescriptionEN:
'Help! is the title of the fifth British and tenth North American album by The Beatles, and the soundtrack from their film of the same name. Produced by George Martin for EMI\'s Parlophone Records, it contains fourteen songs in its original British form, of which seven appeared in the film. These songs took up the first side of the vinyl album and included the singles "Help!" and "Ticket to Ride". The second side contained seven other releases including the most-covered song ever written, "Yesterday".\n\nThe American release was a true soundtrack album, mixing the first seven songs with orchestral material from the film. Of the other seven songs that were on the British release, two were released on the US version of the next Beatles album, Rubber Soul, two were back-to-back on the next US single and then appeared on Yesterday and Today, and three had already been on Beatles VI.\nIn 2012, Help! was voted 331st on Rolling Stone magazine\'s list of the "500 Greatest Albums of All Time".',
strDescriptionDE: null,
strDescriptionFR:
"Help! est le cinquième album des Beatles, paru le 6 août 1965 au Royaume-Uni, et une semaine plus tard aux États-Unis. Il est préparé dans le cadre d'un deuxième film les mettant en vedette, également nommé Help!. Les Fab Four l'enregistrent au cours de plusieurs sessions réparties entre les concerts et les tournages, entre février et juin 1965. Ils se tournent de plus en plus vers le travail en studio, y répétant directement les nouveaux titres en les enregistrant, multipliant les overdubs, approchant de nouveaux sons et de nouveaux instruments sur le chemin qui mène, plus tard dans l'année, à Rubber Soul, étape majeure de leur carrière discographique.\n\nAvec cet album, les Beatles entrent de plain-pied dans la musique pop. La face A de Help! comprend les chansons composées pour le film, notamment la chanson éponyme et Ticket to Ride, parues en single. L'autre face contient pour sa part sept chansons absentes du long-métrage, dont les deux dernières reprises officiellement mises en boîte par le groupe, et Yesterday, enregistrée par Paul McCartney, seul avec sa guitare et un quatuor à cordes, produisant un des plus grands succès de l'histoire de la musique.\n\nL'album connaît un important succès critique et commercial, trônant neuf semaines en tête des hit-parades britanniques, après y être entré directement à la première place le jour de sa publication, avant de se maintenir 41 semaines dans les classements. La version publiée aux États-Unis, désapprouvée par les Beatles, est nettement différente ; elle ne comprend en effet que les chansons de la face A, intercalées entre des morceaux instrumentaux issus du film. Les autres chansons de l'album britannique se retrouvent sur les albums américains Beatles VI, Rubber Soul et Yesterday and Today. Les titres de Help! sont donc répartis sur quatre disques, qui sont autant de no 1 sur le marché américain.",
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES:
"Help! es el quinto álbum británico de los Beatles, y el noveno americano, al tiempo que banda sonora de su película de mismo título. Producido por George Martin para el sello discográfico subsidiario de EMI, Parlophone, el disco presentaba catorce canciones en su forma británica original, de las cuales siete aparecieron en la película Help!. Estas siete canciones ocuparon el primer lado del álbum de vinilo. El segundo lado contuvo otras siete canciones que incluía el tema más versionado jamás escrito, «Yesterday».\n\nLa edición americana se había convertido en una verdadera banda sonora de película, al mezclar las primeras siete canciones con material orquestal de la película. De las otras siete canciones, dos se publicarían en la versión estadounidense del siguiente álbum de los Beatles, Rubber Soul; dos se editarían en un mismo disco sencillo americano, apareciendo después en el álbum Yesterday and Today; y tres aparecerían en Beatles VI.\n\nEn 2003, la revista Rolling Stone clasificó Help! en el puesto 332 de su lista de los 500 mejores álbumes de todos los tiempos.",
strDescriptionPT:
'Help! é o quinto álbum do grupo The Beatles, que teve também um lançamento simultâneo de um filme com mesmo nome.\n\nLançado em agosto de 1965, no auge da beatlemania e das turnês do grupo, o álbum reflete algumas mudanças na música dos fab-four. Temos Lennon compondo ao estilo de Bob Dylan em "You\'ve Got To Hide Your Love Away", a candidez de Harrison em "I Need You". Além do sucesso de "Ticket To Ride" e da música "Help" o álbum ainda têm uma preciosidade: a música "Yesterday", nada menos que a canção mais regravada na história da música.',
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: "8.5",
intScoreVotes: "2",
strReview: "",
strMood: "Happy",
strTheme: null,
strSpeed: "",
strLocation: null,
strMusicBrainzID: "0d44e1cb-c6e0-3453-8b68-4d2082f05421",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: "mw0000189173",
strBBCReviewID: "v34z",
strRateYourMusicID: "help__f1",
strDiscogsID: "45895",
strWikidataID: "Q201816",
strWikipediaID: "Help!_(album)",
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2109688",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Something New",
strAlbumStripped: "Something New",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1964",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Album",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/sxpxqp1347721757.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: "",
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescriptionEN:
'Something New is The Beatles\' third Capitol LP release, but fifth American album following the United Artists release of A Hard Day\'s Night. This album includes eight songs from the original British release of A Hard Day\'s Night, as well as the remaining tracks "Slow Down" and "Matchbox" from the Long Tall Sally EP and the German language version of "I Want to Hold Your Hand". It was released in mono and stereo, and all mono mixes of the five songs duplicated from the United Artists soundtrack album are the same. This was the first Capitol Beatles album with all of the tracks in "true" stereo. The mono release contains alternative versions of "Any Time At All" (a different mix during the instrumental bridge), "I\'ll Cry Instead" (the "missing" third verse), "When I Get Home" (the line "Till I walk out that door again" during the song\'s bridge has a different vocal passage from the UK mono mix), and "And I Love Her" (McCartney\'s non-double-tracked vocal).\n\nThe album spent nine weeks at #2 on the Billboard 200, behind the United Artists A Hard Day\'s Night album.\n\nThis album was also released on the Parlophone label for sale only on American Armed Forces bases in Europe. These copies have great collector value. The album was also issued in Germany on the Odeon label. The German stereo version contains a reprocessed stereo version of "Komm, Gib Mir Deine Hand" and an extended version of "And I Love Her", repeating the closing riff six times instead of four. This mix was later released on the US version of Rarities.\n\nIn 2004 this album was released for the first time on CD as part of The Capitol Albums, Volume 1 box set (catalogue number CDP 7243 8 66876 2 3).',
strDescriptionDE: null,
strDescriptionFR:
"Something New est un album du groupe britannique The Beatles, le 5e publié aux États-Unis. Ce disque ne contient que six pièces inédites car I'll Cry Instead, Tell Me Why, And I Love Her, I'm Happy Just to Dance with You et If I Fell avaient déjà été publiées un mois plus tôt, par le label United Artists, sur la trame sonore du film A Hard Day's Night.",
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES:
'Something New es un álbum de estudio de la banda británica The Beatles publicado en Estados Unidos el 20 de julio de 1964. Fue el tercer disco editado por Capitol Records, pero el quinto álbum estadounidense publicado después de la banda sonora de la película A Hard Day\'s Night. Este disco incluía ocho canciones originales del álbum británico A Hard Day\'s Night así como los temas "Slow Down" y "Matchbox", del EP Long Tall Sally, y la versión alemana de "I Want to Hold Your Hand", titulada "Komm, Gib Mir Deine Hand". El lanzamiento en mono contenía las versiones alternativas de "Any Time at All", "I\'ll Cry Instead" (el tercer verso "perdido"), "When I Get Home" y "And I Love Her" (el solo vocal por McCartney grabado a una sola pista).\n\nEl álbum estuvo nueve semanas en el nº 2 de Billboard, por detrás de la banda sonora de United Artists A Hard Day\'s Night.\n\nEste álbum fue lanzado también bajo la etiqueta de Parlophone para ser vendido exclusivamente a las Fuerzas Armadas Americanas estacionadas en Europa. Con el tiempo, estos álbumes llegaron a tener gran valor entre los coleccionistas de discos. Something New fue editado, asimismo, bajo etiqueta de Odeon en Alemania. La versión alemana contenía la versión inédita de "And I Love Her", que después se publicaría en la versión estadounidense del disco recopilatorio Rarities.\n\nEn 2004, este álbum fue lanzado por primera vez en CD en The Capitol Albums Vol. 1, que contenía asimismo los discos Meet the Beatles!, The Beatles\' Second Album y Beatles \'65.',
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: "8",
intScoreVotes: "1",
strReview: "",
strMood: "Happy",
strTheme: null,
strSpeed: "",
strLocation: null,
strMusicBrainzID: "451e7aa4-a782-3979-9aa0-98c03a246fe9",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: "46151",
strWikidataID: "Q1929530",
strWikipediaID: "Something_New_(album)",
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2109691",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Revolver",
strAlbumStripped: "Revolver",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1966",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Album",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/ttsuyw1341915238.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: "https://www.theaudiodb.com/images/media/album/cdart/revolver-4fd2794d4f980.png",
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescriptionEN:
"Revolver is the seventh studio album by the English rock band The Beatles, released on 5 August 1966 on the Parlophone label and produced by George Martin. Many of the tracks on Revolver are marked by an electric guitar-rock sound, in contrast with their previous LP, the folk rock inspired Rubber Soul (1965). In Britain, the fourteen tracks from Revolver were released to radio stations throughout July 1966, \"building anticipation for what would clearly be a radical new phase in the group's recording career\".\n\nIt reached number one on both the British chart and American chart and stayed at the top spot for seven weeks and six weeks, respectively. The album was remastered 9 September 2009 for the first time since its 1987 digital compact disc release. Placed at number 1 in the All-Time Top 1000 Albums and number 3 in the Rolling Stone magazine's list of the 500 greatest albums of all time, the album is often regarded as one of the greatest achievements in music history and one of The Beatles' greatest studio achievements.",
strDescriptionDE: null,
strDescriptionFR:
"Revolver est le septième album des Beatles, paru le 5 août 1966 au Royaume-Uni et trois jours plus tard aux États-Unis, avec une liste de chansons légèrement différente. Enregistré sur une période de trois mois, cet album est souvent considéré comme un album majeur de leur carrière et l'un des plus influents de tous les temps par les critiques, figurant entre autres à la troisième place dans la liste des 500 plus grands albums de tous les temps du magazine Rolling Stone.\n\nDans la continuité de Rubber Soul, Revolver marque un tournant capital dans le style musical des Beatles. Délaissant leur image de « bons garçons », les Beatles marquent avec cet album le début de l'ère psychédélique. Leur créativité artistique explose alors et sera confirmée avec l'album suivant, Sgt. Pepper's Lonely Hearts Club Band, en 1967.",
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES:
'Revolver es el séptimo álbum de The Beatles, habiéndose lanzado a la venta el 5 de agosto de 1966. El álbum presentó varios nuevos desarrollos estilísticos que llegarían a ser más pronunciados en discos posteriores. Logró llegar al número uno en la lista de éxitos de Gran Bretaña.\n\nRevolver fue el disco que marcó la carrera del grupo como psicodélica. Con grandes contrastes como "Taxman" (rock ácido), "Tomorrow Never Knows" (rock psicodélico) y "Eleanor Rigby" (con un cuarteto de cuerdas). Revolver es citado frecuentemente como uno de los mejores álbumes de la historia de la música pop. En 1997 fue seleccionado en el tercer puesto de los mejores álbumes de todos los tiempos en una votación de Music of the Millennium dirigida en el Reino Unido por prestigiosos medios, como son HMV, Channel, The Guardian y Classic FM. En febrero de 1998 los lectores de la Q magazine colocaron al álbum en el segundo lugar,4 mientras que en el año 2001, la cadena de televisión VH1 lo situó en el primer puesto de entre los mejores 100 álbumes de todos los tiempos. Revolver fue también votado como mejor álbum en el Virgin All Time Top 1,000 Albums. Una crítica de PopMatters describió el álbum como "[la obra] de la banda más grande de la historia de la música popular, cuyos miembros alcanzaron su punto más alto a nivel musical en el tiempo exacto", mientras que la revista Ink Blot afirmaba que el álbum "se mantiene en la cumbre de la música popular occidental".\n\nEn 2003, Rolling Stone lo colocó en el puesto 3 de su lista de los 500 mejores álbumes de todos los tiempos.',
strDescriptionPT:
'Revolver é o sétimo álbum do grupo de rock inglês The Beatles lançado em 5 de agosto de 1966, inicialmente no Reino Unido e em 8 de agosto nos EUA. Atingiu o primeiro lugar nas paradas de sucesso americana e inglesa. Este álbum está na lista dos 200 álbuns definitivos no Rock and Roll Hall of Fame.\n\nConsiderado ainda mais inovador do que seu antecessor (Rubber Soul, de 1965), Revolver marca a adesão oficial dos Beatles ao Psicodelismo. Passeia desde a música oriental "Love You To", aos apelos vibrantes de "Got to Get You into My Life", da solidão lúgubre de "Eleanor Rigby", ao experimentalismo psicodélico de "Tomorrow Never Knows" e o ufanismo de "Yellow Submarine". Nesta, particularmente, a chave da nova "abertura": "Vamos vivendo uma bela vida/Achamos para tudo uma saída/Céu azul, mar verde e belo/Em nosso submarino amarelo". Com os Beatles, o mundo embarcaria no submarino amarelo da fantasia, pronto para viver toda a loucura dos últimos anos da década.',
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: "9.5",
intScoreVotes: "4",
strReview: "",
strMood: "Happy",
strTheme: null,
strSpeed: "",
strLocation: null,
strMusicBrainzID: "72d15666-99a7-321e-b1f3-a3f8c09dff9f",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: "revolver-mw000018917",
strBBCReviewID: "xz25",
strRateYourMusicID: "revolver",
strDiscogsID: "45284",
strWikidataID: "Q185121",
strWikipediaID: "Revolver_(Beatles_album)",
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2109694",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Abbey Road",
strAlbumStripped: "Abbey Road",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1969",
strStyle: "Rock/Pop",
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strDescriptionEN:
"Abbey Road is the 11th studio album released by the English rock band The Beatles. It is their last recorded album, although Let It Be was the last album released before the band's dissolution in 1970. Work on Abbey Road began in April 1969, and the album was released on 26 September 1969 in the United Kingdom, and 1 October 1969 in the United States.\n\nAbbey Road is widely regarded as one of The Beatles' most tightly constructed albums, although the band was barely operating as a functioning unit at the time. In 2012, Abbey Road was voted 14th on Rolling Stone magazine's list of the \"500 Greatest Albums of All Time\". In 2009, readers of the magazine also named Abbey Road the greatest Beatles album",
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strDescriptionFR:
"Abbey Road est le onzième album original publié par les Beatles, paru le 26 septembre 1969 au Royaume-Uni, et le 1er octobre aux États-Unis. Bien que sa sortie précède celle de Let It Be, paru en mai 1970, il est le dernier album enregistré par les Fab Four. Le 20 août 1969, les quatre Beatles sont réunis pour la toute dernière fois en studio et, vers la fin de septembre, au moment où le disque paraît, John Lennon met fin au groupe en lui annonçant son départ définitif. La séparation des Beatles n'est toutefois officialisée qu'en avril 1970.\n\nAprès l'échec des sessions du projet Get Back en janvier 1969, Paul McCartney, au nom de tout le groupe, contacte le producteur George Martin pour lui proposer d'enregistrer un album « comme avant ». Après quelques enregistrements effectués entre février et mai 1969, les quatre Beatles se réunissent une dernière fois aux studios EMI de Londres (qui seront renommés plus tard les studios Abbey Road), en juillet et août 1969, pour mettre en boîte une collection de chansons dont la plupart avaient été composées, répétées et/ou enregistrées sous forme de démos à l'époque de l'album blanc et du projet Get Back, toutes retravaillées pour l'occasion.\n\nAbbey Road se distingue avec un medley d'un quart d'heure, présentant huit chansons plus ou moins complètes qui s'enchaînent les unes après les autres, sur sa seconde face. L'album confirme également le talent d'auteur-compositeur du guitariste George Harrison, qui propose deux de ses plus fameuses compositions avec les Beatles, et popularise l'utilisation du synthétiseur (en l'occurrence un Moog) dans le rock. La pochette du disque reste une des plus célèbres de l'histoire de la musique, représentant les Beatles traversant un passage piéton au croisement de Grove End Road et Abbey Road, face aux studios où ils ont enregistré presque toutes leurs chansons depuis 1962.\n\nCité comme un album particulièrement bien produit et remarquablement construit, un des plus influents aussi, à commencer par sa pochette, Abbey Road est un immense succès commercial, avec 30 millions d'exemplaires vendus dans le monde, soit la deuxième meilleure vente du groupe après Sgt. Pepper's Lonely Hearts Club Band. Quarante ans après sa sortie, la popularité d'Abbey Road ne se dément pas, puisque c'est cet album qui devance toutes les œuvres du groupe au sommet des hit-parades à travers la planète à l'occasion de la réédition de tout le catalogue remasterisé en septembre 2009.",
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'Abbey Road es el undécimo álbum de estudio publicado por la banda británica de rock The Beatles, considerada por muchos su obra cumbre, pues fue el último disco de estudio de la banda, editado en el año 1969. Las grabaciones de Abbey Road comenzaron en abril de 1969, haciendo de este el último álbum grabado por la banda, ya que Let It Be, lanzado en 1970, había sido grabado con anterioridad. Fue lanzado el 26 de septiembre de 1969 en el Reino Unido, y el 1 de octubre del mismo año en los Estados Unidos.\n\nEl álbum fue producido y orquestado por George Martin, con Geoff Emerick como ingeniero de grabación y Tony Banks como operador de cinta. Participó también, como asistente de grabación, Alan Parsons.\n\nEl álbum se caracterizó por la presencia de un medley en el lado B, una larga pieza de 16 minutos, que constaba de ocho canciones enlazadas una tras otra sucesivamente. El álbum destacó también por contener dos de las canciones más conocidas del guitarrista George Harrison, "Something" y "Here Comes the Sun", popularizando ésta última el uso del sintetizador (Moog) en el rock. La portada del álbum se convirtió en una de las más famosas de la historia de la música, en la cual se representaba a The Beatles cruzando un paso peatonal en el cruce de Grove End Road con la calle Abbey Road, frente a los estudios donde se grabaron casi todas sus canciones desde 1962.\n\nEstá considerado uno de los álbumes mejor elaborados por The Beatles, aunque la banda apenas funcionaba ya como un grupo unido en esa época. En 2003, ocupó el puesto n.° 14 en la lista realizada por la revista Rolling Stone de Los 500 mejores álbumes de todos los tiempos. Es uno de los seis álbumes certificados con disco de diamante de The Beatles, lo que los convierte en los máximos ganadores de este reconocimiento en la historia de la música. Los otros álbumes con disco de diamante son The Beatles/1962-1966, The Beatles/1967-1970, The Beatles, Sgt. Pepper\'s Lonely Hearts Club Band y 1.',
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'Abbey Road foi o 12° álbum lançado pela banda britânica The Beatles. Foi lançado em 26 de setembro de 1969, e leva o mesmo nome da rua de Londres onde situa-se o estúdio Abbey Road. Foi produzido e orquestrado por George Martin para a Apple Records. Este álbum está na lista dos 200 álbuns definitivos no Rock and Roll Hall of Fame.\n\nApesar de ter sido o penúltimo álbum lançado pela banda, foi o último a ser gravado. As músicas do último disco lançado pelos Beatles, Let It Be, foram gravadas alguns meses antes das sessões que deram origem a Abbey Road. O álbum é considerado um dos melhores do grupo e parecia que os momentos de turbulências tinham passado e tudo havia voltado ao normal entre eles, mas na verdade o maior problema da banda começou a esquentar: Guerra de poderes. Após a morte de Brian Epstein, Paul McCartney sugeriu que Lee Eastman, advogado de sucesso e pai de Linda Eastman, tomasse conta dos negócios mas os outros Beatles desconfiando e visando uma proteção maior ao legado de todos sugeriram que Allen Klein, (que era promotor dos Stones e já vinha tentando "roubar" os Beatles de Epstein há muito tempo), era a melhor opção pelo seu jeito convicto de "homem das ruas". McCartney não concordou por achar absurdo pagar 15% de todos os lucros para Klein. Após a separação da banda, Eastman foi advogado da carreira solo de Paul e Allen Klein foi a justiça por ter roubado uma média de 5 milhões dos Beatles. O restante dos Beatles mantiveram contrato com Klein até 1977.\n\nGeorge Martin produziu e orquestrou o disco junto com Geoff Emerick como engenheiro de som, Alan Parsons como assistente de som e Tony Banks como operador de fitas. Martin considera Abbey Road o melhor disco que os Beatles fizeram. E não é por menos: ele é o mais bem acabado de todos, um dos mais cuidadosamente produzidos (comparável somente a Sgt. Pepper\'s Lonely Hearts Club Band). Sua estrutura foi bastante pensada e discutida, e as visões discordantes dos integrantes da banda só contribuíram para a riqueza da criação final.\n\nTambém foi em Abbey Road que George Harrison se firmou como um compositor de primeira linha. Após anos vivendo sob a sombra de John Lennon e McCartney, ele finalmente emplacou dois grandes sucessos com este álbum: "Here Comes the Sun" e "Something". Ambas foram regravadas incessantemente ao longo dos anos, sendo que Something chegou a ser apontada pela revista Time como "a melhor música do disco" e como a segunda música mais interpretada no mundo, atrás somente de "Yesterday", também dos Beatles.\n\nEste disco foi marcado pelo uso de novos recursos tecnológicos que estavam surgindo na época. Um deles foi o sintetizador Moog, que começava a ser utilizado em maior escala dentro do rock. Ele possibilitava que virtualmente qualquer som fosse gerado eletronicamente. O Moog pode ser notado claramente em músicas como "Here Comes the Sun", "Maxwell\'s Silver Hammer" e "Because". Por seu trabalho em Abbey Road, os engenheiros de som Geoff Emerick e Phillip McDonald ganharam o Grammy.',
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"At the fag end of the 60s, the Beatles produced Abbey Road, their last smoke and mirrors triumph, a musical truce that papered over cracks between the group which were, by now, unfathomably deep. It was to be a marvellous set-piece finale for the group that had defined the decade.\nAlthough large sections of the material had been left over from as far back as their Indian sojourn in the spring of 1968, the overall sound and feel was that of a coherent and logical work, which played to every one of the foursome's considerable strengths.\nJohn Lennon would frequently dismiss the album after its release, but Abbey Road contains three of his very finest works: Come Together, I Want You (She's So Heavy), and Because. George Harrison established himself as an individual talent of some note with the beautiful Something and the ever-lovely Here Comes the Sun, and even Ringo Starr continued to set fair his light entertainer course with Octopus's Garden.\nHowever – the deplorable Maxwell's Silver Hammer aside – Abbey Road is primarily a triumph for Paul McCartney, preserving The Beatles' legacy on their less-than-fond farewell. Apart from being fairly low-key on the album's first side, his piecing together of their 'long medley' from leftovers and doodles on the reverse is possibly his greatest sustained achievement, culminating in every member of the group soloing on The End. Although this side is responsible for myriad crimes later committed in its name (think the worst of 10cc, ELO, Alan Parsons Project), it is a mature and intelligent coda to the single most important act British music produced.\nThe Beatles’ work was done. They'd come to symbolise the 60s, taken youth culture to the world, and ultimately collapsed under the responsibility, the weight they had to carry. Abbey Road is the soundtrack to it all.",
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'Sgt. Pepper\'s Lonely Hearts Club Band is the eighth studio album by the English rock band The Beatles. Released on 1 June 1967 on the Parlophone label, and produced by George Martin, the album is widely regarded as one of the greatest of all time. Including songs such as "Lucy in the Sky with Diamonds" and "A Day in the Life", the LP was recorded over a 129-day period beginning in December 1966. During the Sgt. Pepper sessions, the band improved upon their production quality, and explored experimental recording techniques. Martin\'s innovative, and lavish production included the use of an orchestra. The songs on the album range from music hall, rock and roll, pop rock, and traditional Indian music. The album\'s cover idea was sketched by McCartney, and then designed and executed by English pop artists Peter Blake and Jann Haworth. It depicts the band posing in front of a collage of some of their favourite celebrities, and has been widely acclaimed and imitated.\n\nSgt. Pepper was a worldwide critical and commercial success, spending a total of 27 weeks at the top of the UK Album Chart and 15 weeks at number one on the US Billboard 200. A defining album in the emerging psychedelic rock style, the album was critically acclaimed upon release and won four Grammy Awards in 1968. It frequently ranks at or near the top of published lists of the greatest albums of all time. In 1994, it was ranked number one in the book All Time Top 1000 Albums. In 2003, and again in 2012, the album was placed at number one on Rolling Stone magazine\'s list of "The 500 Greatest Albums of All Time". Sgt. Pepper is one of the world\'s best selling albums; 32 million copies have been shipped',
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"Sgt. Pepper's Lonely Hearts Club Band est le huitième album des Beatles. Cet album est souvent cité comme leur plus grande œuvre et l'un des albums les plus influents de tous les temps par les critiques, figurant entre autres à la première place dans la liste des 500 plus grands albums de tous les temps du magazine Rolling Stone. Enregistré par les Beatles sur une période de 129 jours, l'album est sorti le 1er juin 1967 en Grande-Bretagne et le jour suivant aux États-Unis.\n\nPar son retentissement, par la façon dont il a révolutionné l'industrie du disque, par sa durée de vie dans les hit-parades, par la force avec laquelle il a capté l'air de son temps — il fut la « bande sonore » du Summer of Love —, Sgt. Pepper reste encore à ce jour une pierre angulaire de l'histoire de la musique et de la culture populaire de la seconde moitié du XXe siècle.",
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strDescriptionES:
"Sgt. Pepper's Lonely Hearts Club Band es el octavo álbum de estudio de la banda británica The Beatles. Es a menudo citado por la crítica como una de sus mejores obras y uno de los discos más influyentes de todos los tiempos, apareciendo en el primer lugar de la lista de los 500 mejores álbumes de todos los tiempos en la revista Rolling Stone. También fue seleccionado como el mejor álbum de rock de todos los tiempos por el sitio de Internet Digital Dream Door en su lista «100 Greatest Rock Albums». Se grabó en un periodo de 129 días, y fue lanzado el 26 de mayo de 1967 en el Reino Unido (cinco días antes de la fecha prevista, el 1 de junio de 1967) y el 2 de junio en Estados Unidos.\n\nInmediatamente después de salir a la venta, se convirtió en una sensación popular. Innovador en muchos sentidos, desde la estructura hasta las técnicas de grabación, influyó en casi todos los trabajos de los géneros pop y rock que se hicieron después. Es uno de los seis álbumes certificados con disco de diamante de The Beatles, lo que los convierte en los máximos ganadores de este reconocimiento en la historia de la música. Los otros álbumes con disco de diamante son The Beatles/1962-1966, The Beatles, Abbey Road, The Beatles/1967-1970 y 1. En 1968 ganó el Premio Grammy a Mejor Álbum del año.",
strDescriptionPT:
"Sgt. Pepper's Lonely Hearts Club Band é o oitavo álbum lançado pela banda britânica de rock The Beatles. É frequentemente citado como o melhor e mais influente álbum da história do rock e da música. Gravado em 129 dias em aproximadamente 700 horas, foi lançado em 1 de junho de 1967 na Inglaterra, e no dia seguinte nos Estados Unidos. Considerado como álbum inovador desde sua técnica de gravação até a elaboração da capa. Pelo pouco apelo comercial, não foi tocado nas rádios, mas vendeu 11 milhões de cópias só nos Estados Unidos. Em 2003, a revista especializada em música Rolling Stone colocou Sgt. Pepper's no primeiro lugar de uma lista dos 200 álbuns definitivos no Rock and Roll Hall of Fame.\n\nDois dos maiores sucessos da banda, Strawberry Fields Forever e Penny Lane, estariam em Sgt.Pepper´s, mas foram lançados como um compacto. O disco recebeu quatro Grammys, entre eles \"Álbum do Ano\".",
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strAlbum: "Please Please Me",
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'Please Please Me is the debut album by English rock band The Beatles. Parlophone rush-released the album on 22 March 1963 in the United Kingdom to capitalise on the success of singles "Please Please Me" (No.1 on most lists but only No. 2 on Record Retailer) and "Love Me Do" (No.17).\n\nOf the album\'s fourteen songs, eight were written by Lennon-McCartney (originally credited "McCartney-Lennon"), early evidence of what Rolling Stone later called "[their invention of] the idea of the self-contained rock band, writing their own hits and playing their own instruments". In 2012, Please Please Me was voted 39th on Rolling Stone magazine\'s list of the "500 Greatest Albums of All Time".\n\nIn order for the album to contain fourteen songs (the norm for British 12" vinyl pop albums at that time was to have seven songs on each side, while American albums usually had only five or six songs per side) ten more tracks were needed to add to the four sides of their first two singles recorded and released previously. Therefore, at 10:00 am on Monday, 11 February 1963, The Beatles and George Martin started recording what was essentially their live act in 1963, and finished 585 minutes later (9 hours and 45 minutes). In three sessions that day (each lasting approximately three hours) they produced an authentic representation of the band\'s Cavern Club-era sound, as there were very few overdubs and edits. Optimistically, only two sessions were originally booked by Martin-the evening session was added later. Martin initially contemplated recording the album live at the Cavern in front of the group\'s home audience and visited the Liverpool club on 9 December 1962 to consider the technicalities. But when time constraints intervened, he decided to book them at EMI Studios in Abbey Road instead and record them virtually live. Martin said, "It was a straightforward performance of their stage repertoire - a broadcast, more or less."',
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"Please Please Me est le premier album des Beatles, paru le 22 mars 1963 au Royaume-Uni. Sa publication accompagne les débuts de la Beatlemania, après la sortie des deux premiers singles du groupe, Love Me Do en octobre 1962, suivi quatre mois plus tard de leur premier succès au sommet des hit-parades, la chanson Please Please Me. Outre les quatre titres figurant sur ces singles, l'album contient dix chansons enregistrées le 11 février 1963 aux studios EMI d'Abbey Road, lors d'une session d'enregistrement « marathon » de 585 minutes, dans des conditions relevant du direct.\n\nL'album est composé de huit chansons écrites par John Lennon et Paul McCartney, et de six reprises de standards appréciés des membres du groupe et faisant partie de leur répertoire scénique. Si la plupart des chansons sont chantées par Lennon et McCartney, seuls ou en duo, George Harrison participe aux chœurs et prête sa voix sur deux morceaux, tandis que Ringo Starr en interprète une. Les quatorze titres sont typiques du répertoire que le groupe joue depuis plusieurs années dans les clubs de Liverpool et de Hambourg. La pochette est illustrée d'une photographie des quatre musiciens prise dans la cage d'escaliers du siège de la compagnie EMI à Londres, parodiée par le groupe lui-même six ans plus tard.\n\nÀ partir de la sortie de Please Please Me, les Beatles ne cessent de monter en popularité, en Grande-Bretagne d'abord, aux États-Unis ensuite, puis dans le monde entier. L'album s'installe pour plus de sept mois à la première place des hit-parades britanniques. S'il n'est pas l'album du groupe le plus apprécié par la critique, ni celui qui s'est le mieux vendu, il conserve un statut particulier dans leur discographie pour son authenticité, sa fraîcheur et son rôle de précurseur.",
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'Please Please Me fue el primer álbum grabado por los Beatles, editado el 22 de marzo de 1963 en el Reino Unido. Su publicación acompaña el inicio de la Beatlemanía, después del éxito de los sencillos «Please Please Me» (nº 1 en varias listas musicales inglesas, pero solo nº 2 en el Record Retailer ) y «Love Me Do» (nº 17 en el Record Retailer). Además de los cuatro títulos en los singles, el álbum contiene diez canciones grabadas el día 11 febrero de 1963 en los estudios EMI de Abbey Road, durante una sesión de grabación de "maratón" de 585 minutos. El disco contiene ocho canciones que fueron compuestas por John Lennon y Paul McCartney, temprana evidencia de lo que Rolling Stone denominó posteriormente como «[la invención por parte de ellos] de la idea de un grupo de música rock hecho a sí mismo, escribiendo sus propios éxitos y tocando sus propios instrumentos musicales». Aunque la mayor parte de las canciones fueran cantadas por Lennon o McCartney, solos o en dúo, George Harrison participa en el coro y presta su voz para dos canciones, mientras que Ringo Starr es intérprete de una. Los catorce temas son típicos del repertorio que la banda tocaba durante años en clubes de Liverpool y Hamburgo. La cubierta está ilustrada con una fotografía de los cuatro en las escaleras de la sede de la compañía EMI en Londres, parodiada por el grupo seis años después. Desde el lanzamiento de Please Please Me, los Beatles aumentaron su popularidad en todo el mundo, principalmente en el Reino Unido, donde el álbum llegó al puesto número 1 el día 11 de mayo de 1963, permaneciendo en ese puesto durante 30 semanas hasta el 7 de diciembre de 1963, fecha en la que fue sustituido en la primera posición por el segundo LP del grupo, With the Beatles.',
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'Please Please Me é o primeiro álbum gravado em estúdio e lançado pelos Beatles, em 22 de março de 1963. O álbum contém 14 canções, oito escritas por Lennon/McCartney. Em 2003, a revista Rolling Stone listou o álbum no número 39 na lista de 500 melhores álbuns de todos os tempos. A Rolling Stone também colocou as canções "I Saw Her Standing There" (em #130) e "Please Please Me" (#184) na lista de 500 melhores canções de todos os tempos.\n\nNos Estados Unidos, a maioria das canções de Please Please Me foram lançadas no álbum da Vee-Jay Records chamado Introducing... The Beatles em 1964, e depois no álbum da Capitol Records chamado The Early Beatles em 1965. O álbum Please Please Me não foi lançado neste país até a padronização mundial do catálogo dos Beatles.',
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strDescriptionEN:
"With The Beatles is the second studio album by the English rock group The Beatles. It was released on 22 November 1963 on Parlophone, and was recorded four months after the band's debut Please Please Me. The album features eight original compositions (seven by Lennon-McCartney and \"Don't Bother Me\", George Harrison's first recorded solo composition and his first released on a Beatles album) and six covers (mostly of Motown and R&B hits). Most of the songs from the album were released in the United States by Capitol Records as the Meet The Beatles! LP on 20 January 1964, and the remaining that were not, featured on their next US album, The Beatles' Second Album.\n\nThe album was also released in November 1963 by Capitol Records in Canada, with a slight change to the title: Beatlemania! With The Beatles. This release has the distinction of being the first LP of Beatles material released in North America, pre-dating the Capitol US Meet The Beatles! and the Vee Jay Records Introducing... The Beatles LPs by two months.\n\nThe LP had advance orders of a half million and sold another half million by September 1965, making it the second album to sell a million copies in the United Kingdom, after the soundtrack to the 1958 film South Pacific. With The Beatles stayed at the top of the charts for 21 weeks, displacing Please Please Me, so that The Beatles occupied the top spot for 51 consecutive weeks. It even reached number 11 in the \"singles charts\" (because at the time UK charts counted all records sold, regardless of format). EMI Australia did not receive the cover art, and used a caricature of the band in a similar style to the black-and-white photograph on other releases. The Beatles were unaware of this until fans showed them the cover during their only Australian tour, and informed the EMI publicity staff that they were not pleased with the substitution.\n\nOn 26 February 1987, With The Beatles was officially released on compact disc (in mono only, catalogue number CDP 7 46436 2). Having been available only as an import in the US in the past, the album was also issued domestically in the US on LP and cassette on 21 July 1987. Along with the rest of the Beatles' canon, it was re-released on CD in newly re-mastered stereo and mono versions on 9 September 2009.\n\nIn 2003, the album was ranked number 420 on Rolling Stone magazine's list of the 500 greatest albums of all time.",
strDescriptionDE: null,
strDescriptionFR:
"With The Beatles est le deuxième album des Beatles, paru le 22 novembre 1963 en Grande-Bretagne. Il est enregistré dans la foulée de la sortie du single She Loves You, qui bat des records de vente alors que la Beatlemania bat son plein. Au milieu des tournées en Europe, le groupe enregistre en sept journées de travail, étalées sur trois mois, quatorze chansons composées en grande partie par le duo Lennon/McCartney.\n\nEnregistré quatre mois après leur premier album, Please Please Me, l'album contient huit chansons originales (incluant la toute première composition de George Harrison) et six reprises, la plupart de succès de rhythm and blues de la Motown. Plus que pour leur album précédent, les Beatles ont recours à de nouveaux instruments et techniques de studio, notamment pour doubler leur voix. L'album, qui est généralement moins connu que son prédécesseur, est cependant jugé plus mûr.\n\nCe deuxième opus connaît un énorme battage médiatique, battant les records de pré-commande, et détrône Please Please Me pour siéger 21 semaines en tête des classements britanniques. Outre ses records de vente, il s'agit du premier disque des Beatles à faire l'objet de critiques dans un journal sérieux, le Times. La majorité des chansons de l'album sont réutilisées sur l'album américain Meet The Beatles!, sorti le 20 janvier 1964.",
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strDescriptionES:
"With the Beatles fue el segundo álbum de estudio británico de los Beatles, grabado cuatro meses después de publicarse Please Please Me, y editado el 22 de noviembre de 1963 en mono (PMC 1206) y en estéreo (PCS 3045) en el sello discográfico Parlophone. Presentaba ocho composiciones originales —incluyendo la primera de George Harrison— y seis versiones, la mayoría de la Motown y el R&B.\n\nEl LP tuvo un pre-pedido de medio millón de copias y vendió otro medio millón para septiembre de 1965, y se convirtió en el segundo álbum que vendía un millón de copias en el Reino Unido, pues el primero en conseguirlo fue la banda sonora original de la película South Pacific (1958). Se mantuvo en la cima de la lista durante veintiún semanas, y desplazó a Please Please Me, de manera que los Beatles ocuparon el primer puesto durante cincuenta y un semanas consecutivas entre los dos álbumes. Incluso llegó a alcanzar el número once en la lista de sencillos —en aquella época, las listas del Reino Unido contaba todas las grabaciones vendidas, independientemente del formato que tuvieran—.\n\nEn el año 2012, la revista Rolling Stone clasificó a With the Beatles en el puesto 419 en su lista de los 500 mejores álbumes de todos los tiempos.",
strDescriptionPT:
'With the Beatles é o segundo álbum do grupo de rock inglês The Beatles, lançado em 22 de novembro de 1963, no mesmo dia em que o presidente dos Estados Unidos John F. Kennedy era assassinado em Dallas, Texas.\n\nGravado quatro meses após ser lançado o primeiro álbum, repetia a fórmula de Please Please Me. Selecionaram-se 7 composições próprias de Lennon/McCartney e incluiu-se novamente 6 covers das prediletas do repertório dos Beatles. George Harrison comparece com uma composição própria "Don\'t Bother Me" neste trabalho cujo carro-chefe firmou-se até hoje com a música "All My Loving".',
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"Rubber Soul is the sixth studio album by the English rock group The Beatles, released in December 1965. Produced by George Martin, Rubber Soul was recorded in just over four weeks to make the Christmas market. Unlike the five albums that preceded it, Rubber Soul was recorded during a specific period, the sessions not dashed off in between either tour dates or during filming projects. After this, every Beatles album would be made without the need to pay attention to other commitments, except for the production of short promotional films or principal photography and editing to Magical Mystery Tour. The album was described as a major artistic achievement, attaining widespread critical and commercial success, with reviewers taking note of The Beatles' developing musical vision.\n\nRubber Soul was successful commercially and critically, and is often cited as one of the greatest albums in music history. In 2012, Rubber Soul was voted 5th on Rolling Stone magazine's list of the \"500 Greatest Albums of All Time\".",
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strDescriptionFR:
"Rubber Soul est le sixième album des Beatles, paru le 3 décembre 1965 en Grande-Bretagne. Il est enregistré peu de temps après la sortie de Help!, en seulement cinq semaines d'octobre et novembre 1965, afin d’être disponible pour les fêtes de Noël. Les Beatles réussissent malgré les contraintes à fournir quatorze chansons originales.\n\nCe deuxième opus de l'année 1965 est un album-charnière dans la carrière des Beatles. Toutes les chansons sont des compositions originales, comme sur A Hard Day's Night, écrites par les membres du groupe ; il en est ainsi pour tous les albums suivants. Les Fab Four sortent de leur période « bons garçons souriants et gais », et écrivent des textes beaucoup plus mûrs qu'auparavant. Le groupe s'inspire par ailleurs de Bob Dylan pour les paroles. John Lennon et Paul McCartney y traitent, entre autres, des relations amoureuses complexes. L'instrumentation s'élargit, notamment avec l'introduction du sitar, et surtout la trame habituelle de leurs chansons (A-B-pont musical-reprise de B) fait place à des alternances plus élaborées.\n\nÀ sa sortie, Rubber Soul est acclamé par la critique et connaît, comme ses prédécesseurs, un énorme succès commercial. Au Royaume-Uni, il entre directement à la première place des hit-parades et y reste huit semaines. Il paraît aux États-Unis le 6 décembre 1965, sous une forme élaguée et dénaturée, et reste 59 semaines dans le hit-parade américain. Il occupe la première place pendant six semaines en janvier et février 1966. On dénombre 1 200 000 copies vendues en neuf jours, et quatre millions jusqu'à aujourd'hui, seulement en Amérique.\n\nSubtile coquetterie : sûr maintenant de sa notoriété universelle, le groupe ne juge pas même utile de faire figurer son nom au recto de la pochette !",
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"Rubber Soul es el sexto álbum de estudio de la banda británica The Beatles, lanzado el 3 de diciembre de 1965. Producido por George Martin, fue grabado en sólo cuatro semanas para así poder aprovechar el mercado navideño. A diferencia de sus cinco álbumes anteriores, Rubber Soul fue el primero en ser grabado por sus autores durante un periodo específico concreto, sin ser interrumpido por giras musicales o proyectos fílmicos entre las sesiones de grabación del álbum. El álbum fue descrito como un logro artístico importante de la banda, teniendo un amplio éxito comercial y de crítica, y haciendo que los encargados de la reseña tomasen nota de la visión musical que The Beatles iban desarrollando.\n\nLa edición original británica reflejaba la influencia del «soul» que mostraba el título de la portada del álbum. El listado de canciones cambiaba en la edición estadounidense, que incluía dos canciones acústicas provenientes del disco anterior británico Help!, dando a la versión americana una impronta de folk rock que los críticos atribuían a The Byrds y Bob Dylan.\n\nRubber Soul es a menudo citado como uno de los mejores álbumes en la historia de la música popular. En 2001, la cadena de música por cable VH1 lo colocó en el número 6 de entre los mejores cien de la historia. En noviembre de 2003, la revista Rolling Stone lo colocó en el puesto 5 de su lista de los 500 mejores álbumes de todos los tiempos. A excepción del álbum británico A Hard Day's Night (todas las canciones atribuidas a Lennon—McCartney), éste es el primer álbum de The Beatles (tanto en el Reino Unido como en los Estados Unidos) en que solo contenía temas compuestos por la banda.",
strDescriptionPT:
'Rubber Soul é o sexto álbum lançado pelo grupo de rock The Beatles. Foi gravado aproximadamente em quatro meses e lançado em 1965 sendo produzido por George Martin. É citado por muitos críticos de música como o álbum em que os Beatles começaram a tornar seu som mais eclético e sofisticado. Este álbum está na lista dos 200 álbuns definitivos no Rock and Roll Hall of Fame.\n\nNaquela altura, depois de amenizada a força primitiva do Rock, com a explosão do folk-rock e da surf music, cada grupo passou a utilizar-se de todas as potencialidades que os estúdios de gravação podiam oferecer. Os próprios Beatles superaram sua fase adolescente, passando pelas brincadeiras colocadas em filmes por Richard Lester, até o profundo universo poético que começaram a desenvolver com o álbum Rubber Soul. Realizaram então verdadeiras "rupturas", como a letra surrealista e o uso do sitar em "Norwegian Wood", o lirismo de "In My Life" e "Michelle", a solidão pungente de "Nowhere Man", enfim, Rubber Soul foi considerado o mais inovador álbum de rock lançado até então.',
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strAlbumStripped: "Yellow Submarine",
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strArtistStripped: "The Beatles",
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strDescriptionEN:
"Yellow Submarine is the tenth studio album by The Beatles in the United Kingdom, released on Apple Records. It was issued as the soundtrack to the film of the same name, which premiered in the United Kingdom seven months prior to the album's release.",
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strDescriptionFR:
"Yellow Submarine est le dixième album des Beatles, paru le 13 janvier 1969 aux États-Unis et le 17 janvier en Grande-Bretagne. Il s'agit de la bande originale du film d'animation du même nom sorti en salles sept mois auparavant. Des treize chansons de cet album, seulement six sont des Beatles, parmi lesquelles quatre sont inédites. Les titres Yellow Submarine et All You Need Is Love ont en effet déjà été commercialisées auparavant. Les sept titres sur la face B de la bande originale sont des pièces instrumentales réalisées pour le film, composées et enregistrées par George Martin, et auxquelles aucun des Beatles ne participe.\n\nLes quatre nouvelles chansons sont enregistrées entre février 1967 et février 1968 aux studios EMI d'Abbey Road et aux studios De Lane Lea, tandis que les orchestrations sont enregistrées les 22 et 23 octobre 1968. Concernant les chansons des Beatles, deux sont l'œuvre de George Harrison. La plus grande partie des chansons ont également recours à de nombreux overdubs, qu'il s'agisse d'ajout d'effets sonores ou d'instruments comme des cuivres. Aucun des titres n'est véritablement composé pour cet album, ou pour le dessin animé qui met en scène le groupe. Les genres musicaux vont du simple rock au psychédélisme poussé.\n\nL'album est souvent considéré comme le moins bon du groupe, et ne s'impose en tête des hit-parades ni en Grande-Bretagne ni aux États-Unis : il doit dans les deux cas se heurter à la concurrence de l'« album blanc » que le groupe a publié deux mois auparavant. Les Beatles eux-mêmes ne prêtent que peu d'attention à cet album, qui déçoit les fans par son manque de contenu original et ses parties orchestrales qui semblent hors de propos sur un album des Fab Four. Une version de la bande originale avec uniquement des chansons du groupe, Yellow Submarine Songtrack, est publiée tardivement en 1999 pour pallier ce fait.",
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"Yellow Submarine es un álbum del grupo de música rock británico The Beatles lanzado a principios de 1969. En contraste con la riqueza de la película de animación Yellow Submarine, este disco se consideró como su esfuerzo más gris, ya que, más que un álbum de estudio, solo era la banda sonora de la película.\n\nCon la reedición de la película en 1999, fue editada una nueva versión del álbum, titulado Yellow Submarine Songtrack, en el cual están incluidos todos los temas contenidos en la película y que sustituían las partes orquestales de George Martin.",
strDescriptionPT:
'Yellow Submarine é o álbum trilha-sonora lançado pelos The Beatles, que corresponde ao filme de mesmo título.\n\nEm contraste com a recepção do filme pela crítica, este é considerado o disco mais fraco dos Beatles e o único disco a não alcançar o 1° lugar nas paradas nos EUA e no Reino Unido (a melhor posição foi o 2° lugar, curiosamente com o "Álbum Branco", lançado 2 meses antes, em 1° lugar). É um álbum que destoa do resto da discografia da banda, já que somente as seis músicas do lado A são do grupo e apenas quatro delas são inéditas e ainda assim foram gravadas entre 1967 e 1968.',
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strDescriptionEN:
"A Hard Day's Night is the third studio album by The Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film A Hard Day's Night. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.\n\nWhile showcasing the development of the band's songwriting talents, the album sticks to the basic rock and roll instrumentation and song format. The album contains some of their most famous songs, including the title track, with its distinct, instantly recognisable opening chord, and the previously released \"Can't Buy Me Love\"; both were transatlantic number-one singles for the band.\n\nThe title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: \"I was going home in the car and Dick Lester [director of the movie] suggested the title, 'Hard Day's Night' from something Ringo had said. I had used it in 'In His Own Write', but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny... just said it. So Dick Lester said, 'We are going to use that title.'\"\n\nIn 2000, Q placed A Hard Day's Night at number five in its list of the 100 Greatest British Albums Ever. In 2012, A Hard Day's Night was voted 307th on Rolling Stone magazine's list of the \"500 Greatest Albums of All Time\".",
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strDescriptionFR:
"A Hard Day's Night est le troisième album des Beatles, paru le 10 juillet 1964 en Grande-Bretagne, sur le label Parlophone, en tant que bande originale de leur premier film, qui porte le même nom (Quatre garçons dans le vent en version francophone). Seules les chansons de la face A du disque figurent dans le long-métrage, bien que certaines de la face B aient été également composées à cet usage. L'album sort le 26 juin aux États-Unis, édité par United Artists, avec une légère différence dans la liste des chansons.\n\nIl est enregistré dans la première partie de l'année 1964, alors que les Beatles passent du statut de vedettes dans leur propre pays, où la Beatlemania a pris naissance quelques mois plus tôt, à celui de superstars mondiales. Puisqu'un film mettant en scène cet incroyable phénomène, qui emporte toute la génération des baby boomers, est en préparation, Paul McCartney et surtout John Lennon doivent pour la première fois « composer sur commande ». Ils écrivent toutes les chansons de cet album, qui est donc le premier des Beatles à ne comporter aucune reprise, et qui reste le seul intégralement signé Lennon/McCartney.\n\nLe titre de l'album, de la chanson qui l'ouvre et du film provient d'un accident de langage de Ringo Starr (« Ce fut une dure journée… de nuit », ou « Ce fut la nuit d'une dure journée »), que John Lennon avait déjà utilisé dans son livre In His Own Write. Ce troisième 33 tours du groupe en l'espace de dix-huit mois se distingue notamment par le son de la guitare électrique à douze cordes employée ici pour la première fois par George Harrison.\n\nDe janvier à juin 1964, au milieu d'un inimaginable tourbillon qui les voit notamment conquérir l'Amérique, les Fab Four réalisent donc un album qui passe 21 semaines en tête du hit-parade britannique, et 14 semaines à la première place des classements aux États-Unis (où les chansons de l'album original sont réparties sur deux publications, A Hard Day's Night et Something New, distribuées respectivement par United Artists et Capitol). Deux singles et deux EPs sont également publiés et connaissent un destin identique des deux côtés de l'Atlantique, tandis que le film, qui est à l'affiche dans le même temps, connaît un succès international.",
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"A Hard Day's Night fue el tercer álbum de estudio británico grabado por los Beatles, publicado el 10 de julio de 1964 por la compañía discográfica Parlophone, con el número de catálogo PMC 1230 (mono) y PCS 3058 (estéreo).\n\nAlcanzó la posición uno y desbancó al anterior LP del grupo, With the Beatles, y permaneciendo en ese puesto durante veintiún semanas de las treinta y ocho que se mantuvo en lista",
strDescriptionPT:
'A Hard Day\'s Night é o terceiro álbum da banda britânica The Beatles. Lançado em 1964, na Inglaterra, acompanhando o lançamento do filme homônimo.\n\nA versão britânica do álbum não representa exatamente a trilha sonora do filme, como a versão americana que contém as músicas instrumentais do filme, além das músicas interpretadas pelos Beatles. A versão americana do álbum, no entanto, não contém todas as canções da versão britânica. A versão britânica também foi lançada com a capa mostrando o nome da banda e do álbum, enquanto a capa da versão americana realça o título com a manchete: "ORIGINAL MOTION PICTURE SOUND TRACK" ("trilha sonora original do filme").\n\nO álbum foi o primeiro a trazer só composições de Lennon/McCartney. Trouxe também músicas de sucesso como "A Hard Day\'s Night", "I Should Have Known Better", "If I Fell", "Can\'t Buy Me Love" e a primeira balada popular escrita por Paul McCartney, "And I Love Her".\n\nO filme, em preto e branco foi dirigido por Richard Lester. Mostrava a história de uma banda de rock que era perseguida por fãs histéricos. Após perseguições de fãs, entrevistas, e muito humor, a banda realiza um show na televisão. O filme mostra um pouco da realidade dos Beatles na época. No Brasil, o álbum e o filme foram lançados pelo nome de "Os reis do iê, iê, iê".',
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strAlbum: "Magical Mystery Tour",
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intYearReleased: "1967",
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strGenre: "Rock & Roll",
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strDescriptionEN:
"Magical Mystery Tour is an LP and a double EP by the English rock group The Beatles, produced by George Martin, both including the six-song soundtrack to the 1967 film of the same name. The material was released in the United Kingdom on 8 December 1967 as a six-track double EP on the Parlophone label; in the United States the record, released on 27 November 1967, was an eleven-track LP created by Capitol Records, adding the band's 1967 single releases. The EP was also released in Germany, France, Spain, Yugoslavia, Australia and Japan.\n\nThe US LP was later adopted as the official version of the record when The Beatles' catalogue was updated for the 1980s digital Compact Disc releases. It did not see an official 11 track LP release in the United Kingdom until 1976. The album was remastered 9 September 2009 for the first time since its CD release. The soundtrack was a critical and commercial success, a #1 album in the US and Grammy-nominated, despite the relative critical and commercial failure of the Magical Mystery Tour film.",
strDescriptionDE: null,
strDescriptionFR:
"Magical Mystery Tour est un album des Beatles, sorti le 27 novembre 1967 aux États-Unis parallèlement au film du même nom tandis que la version anglaise, mise en vente le 8 décembre 1967, est un double maxi de la bande originale contenant les six titres liés au film. La bande originale est composée de six morceaux composés et enregistrés durant l'été et l'automne 1967, dans la foulée du succès de Sgt. Pepper et de la mort de Brian Epstein.\n\nDeux titres s'y démarquent particulièrement, The Fool on the Hill et I Am the Walrus, tandis que la face B de l'édition américaine est prétexte à la réunion de tous les singles publiés par le groupe durant l'année, notamment All You Need Is Love, Strawberry Fields Forever et Penny Lane. Ces chansons marquent les derniers feux de la période psychédélique du groupe, les Beatles s'écartant de ce genre dès l'année suivante.\n\nQu'il s'agisse de l'EP britannique ou de l'album américain, le disque connaît un grand succès, atteignant le sommet des charts de sa catégorie aux États-Unis, et la deuxième place des classements de singles en Angleterre (chose rare pour un double EP). La formule américaine se révèle cependant plus convaincante, et est généralisée à partir du milieu des années 1970.",
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strDescriptionES:
"Magical Mystery Tour es un álbum de la banda de rock británica The Beatles. Fue lanzado en Estados Unidos el 27 de noviembre de 1967. Las canciones de este álbum fueron grabadas por los Beatles durante un período de 11 meses de extremada creatividad, que incluía el álbum Sgt. Pepper's Lonely Hearts Club Band.\n\nTambién es el nombre de una película para televisión que salió al aire originalmente en el Reino Unido. Después de la acogida negativa, tanto de la crítica como del público, que tuvo el estreno, se cancelaron los planes de emisión de dicha película por parte de la cadena de televisión norteamericana ABC, y la película Magical Mystery Tour no apareció en los Estados Unidos hasta su estreno en 1976 en los cines de medianoche y los circuitos universitarios.",
strDescriptionPT:
'Magical Mystery Tour é a trilha sonora do filme homônimo estreado pelos Beatles em dezembro de 1967 no canal de TV britânico BBC. Lançado no dia 27 de novembro de 1967 no formato LP (Long Play) nos EUA, e no dia 8 de dezembro de 1967 no formato EP (Extended Play) duplo na Inglaterra. O resto do mundo seguiu o formato inglês.\n\nApós o choque da morte de Brian Epstein, os quatro Beatles se reuniram no dia 1 de setembro de 1967 para traçar os rumos da banda. Decidiram seguir com o projeto "Magical Mystery Tour" e no dia 5 de setembro iniciam a gravação de I Am the Walrus. Este projeto geraria sete canções e um filme.\n\nCom apenas seis músicas, a EMI decidiu lançá-lo no formato EP duplo, junto a um mini-livro de 28 páginas e com as letras das canções. A Capitol Records, gravadora responsável pelos lançamentos dos Beatles nos EUA, não achou conveniente este formato para o mercado americano e resolveu lançá-lo no formato LP. Para isso, concentrou todas as músicas do lançamento em EP no lado 1, e utilizou as cinco músicas lançadas durante o ano de 1967 com compacto simples no lado 2. O formato do lançamento inglês foi seguido pelo resto do mundo, inclusive no Brasil. O formato americano permaneceu inédito no mundo até novembro de 1976, quando atendendo a pedidos dos fãs foi editado na Inglaterra, e em seguida ao redor do mundo. Atualmente, este é o formato que prevalece.',
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"On the whole, Magical Mystery Tour is quietly one of the most rewarding listens in the Beatles' career. True, it doesn't represent some sort of forward momentum or clear new idea-- largely in part because it wasn't conceived as an album. The accompanying pieces on the EP are anomalies in the Beatles oeuvre but they aren't statements per se, or indications that the group is in any sort of transition. But if there was ever a moment in the Beatles' lifetime that listeners would have been happy to have the group just settle in and release songs as soon as possible, it was just before and after the then-interminable 10-month gap between the Revolver and Sgt. Pepper's. Without that context, the results could seem slight-- a sort-of canonized version of Past Masters perhaps-- but whether it's an album, a collection of separate pieces, or whatnot matters little when the music itself is so incredible.",
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idAlbum: "2118149",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Let It Be",
strAlbumStripped: "Let It Be",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1970",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
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strDescriptionEN:
'Let It Be is the 12th and final studio album released by the English rock band The Beatles. It was released on 8 May 1970 by the band\'s Apple Records label shortly after the group announced their break-up.\n\nMost of Let It Be was recorded in January 1969, before the recording and release of the album Abbey Road. For this reason, some critics and fans, such as Mark Lewisohn, argue that Abbey Road should be considered the group\'s final album and Let It Be the penultimate. Let It Be was originally intended to be released before Abbey Road during mid-1969 as Get Back, but The Beatles were unhappy with this version, which was mixed and compiled by Glyn Johns, and it was temporarily shelved. A new version of the album was created by Phil Spector in 1970 and finally released as Let It Be, serving as the album for the 1970 motion picture of the same name. While three songs from the sessions were released as singles before the album\'s release, "Get Back"/"Don\'t Let Me Down" and "Let It Be", the songs were remixed by Spector for the album and "Don\'t Let Me Down" was not included.\n\nDespite a mixed review from Rolling Stone magazine at the time of its release, the album was ranked number 86 in the magazine\'s list of the 500 greatest albums of all time in 2003. This was, however, adjusted to #392 in the 2012 version.\n\nLet It Be... Naked was released in 2003, an alternative version of the album stripping much of Phil Spector\'s production work and using some different versions of songs.',
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"Let It Be est le douzième et dernier album original publié par les Beatles, paru le 8 mai 1970 en Grande-Bretagne, et dix jours plus tard aux États-Unis. Au moment de sa sortie, le groupe est déjà officiellement séparé, depuis une annonce faite par Paul McCartney le 10 avril. Les chansons présentes sur ce disque ont été enregistrées plus d'un an avant leur parution, l'essentiel étant mis en boîte en janvier 1969, avant la réalisation de l'album Abbey Road, publié en septembre 1969. Pour cette raison, Let It Be n'est pas considéré comme l'ultime album des Beatles, puisqu'il n'est pas le dernier enregistré.\n\nL'album, supposé paraître à l'été 1969 sous le titre Get Back, est conçu au départ comme un retour aux sources : quatre musiciens jouant du rock dans des conditions live. De plus, le tout doit déboucher sur un film. Mais les difficultés, qu'elles soient d'ordre relationnel ou logistique, s'accumulent durant sa réalisation. Insatisfaits du résultat, les Beatles abandonnent le projet. Hormis trois chansons issues de ces sessions (Get Back, Don't Let Me Down et Let It Be) publiées en single, les kilomètres de bandes enregistrées en un mois sont dans un premier temps rangées au placard avant que Allen Klein, le nouveau manager du groupe, ne décide de les confier au producteur américain Phil Spector, sans consulter Paul McCartney. En mars 1970, Spector post-produit toutes les chansons à sa manière, rejette Don't Let Me Down de la liste, et le disque paraît finalement en mai sous le nom de Let It Be, en même temps que le film du même nom.\n\nLet It Be est le seul album du groupe, avec A Hard Day's Night, sur lequel Ringo Starr ne chante pas. C'est, par ailleurs, l'unique œuvre des Beatles où George Martin, quoique présent au début du projet, n'est pas crédité en tant que producteur. Quant au travail de Phil Spector, il est sujet à controverse et entraîne, 33 ans plus tard et sous l'impulsion de Paul McCartney, la publication d'une version « déspectorisée » : Let It Be… Naked.\n\nCe dernier album officiel des Beatles est initialement commercialisé sous la forme d'un coffret incluant le disque vinyle et un livre. L'album seul n'est disponible qu'en novembre. Il bat tous les records de pré-commandes avant parution aux États-Unis.",
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strDescriptionES:
"Let It Be es el último álbum de estudio lanzado por The Beatles como grupo, a pesar de que fue grabado antes que Abbey Road. Editado en el Reino Unido, el disco salió al mercado el 8 de mayo de 1970.\n\nSe trata de un álbum controvertido desde su concepción: una vez que dejaron de tocar en vivo en 1966 por la imposibilidad de plasmar su música en el escenario, los Beatles se propusieron grabar un álbum para tocar un último concierto en vivo, tal vez en un barco o en un lugar público. Por tanto, las sesiones de grabación del disco (que por aquel entonces se llamaba Get Back, aludiendo al regresar a las raíces rockeras del grupo) comenzaron a ser filmadas, en 1969, por el cineasta Michael Lindsay-Hogg. Los ensayos fueron tensos, con constantes discusiones entre los miembros del grupo, que desde sus discos anteriores denotaban una convivencia cada vez peor y más hostil entre ellos.\n\nEn 2003, Rolling Stone lo coloco en el puesto 86 de su lista de los 500 mejores álbumes de todos los tiempos.",
strDescriptionPT:
"Let It Be é o décimo terceiro e último álbum lançado pelo grupo inglês de rock The Beatles. Gravado entre janeiro de 1969 e março/abril de 1970, o álbum foi somente lançado em 8 de maio de 1970, após o disco Abbey Road (último disco gravado) e juntamente com o documentário com o mesmo nome. Inicialmente estava previsto chamar-se Get Back.\n\nAs músicas 'Let It Be' e 'Get Back' foram lançadas como \"singles\" no Reino Unido, mas em versões diferentes das encontradas no álbum. 'The Long And Winding Road' foi lançada como single nos EUA.",
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idAlbum: "2118150",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Past Masters, Volume One",
strAlbumStripped: "Past Masters Volume One",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1988",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Compilation",
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strDescriptionEN:
"Past Masters is a two-volume compilation album set by The Beatles which was released in 1988 as part of the issue of the band’s entire back catalogue on CD. Compiled by the noted Beatles authority Mark Lewisohn, this collection of many of the band's biggest hits as well as rarities includes every song released commercially by the band that was not available on The Beatles’ twelve original UK albums or the Magical Mystery Tour LP.\n\nThe majority of the Past Masters set consists of A and B-sides from the band's singles, including single versions of songs that appeared in a different form on the band's albums. Also included are the full contents of the UK-only Long Tall Sally EP, two German language tracks, a song recorded for the American market and a track released on a charity compilation album.\n\nThe \"Past Masters\" name had previously been used by EMI for a series of three unrelated reissue singles.",
strDescriptionDE: null,
strDescriptionFR:
"Past Masters est une compilation en deux volumes du groupe britannique The Beatles, commercialisée en 1988. Une réédition remastérisée et regroupée en un CD double paraît en septembre 2009. Le 13 novembre 2012, une version 33 tours de cet album double est publiée1.\n\nLes Past Masters réunissent les chansons principalement publiées sur des singles (format 45 tours). Cette publication complète la discographie des Beatles dans la mesure où la grande majorité de ces titres n'étaient pas présents sur les treize albums officiels sortis durant leurs sept années d'enregistrements. On y retrouve aussi quelques chansons parues sur leurs 33 tours mais éditées en single dans des versions différentes.\n\nPlusieurs pièces de cette compilation se sont classées N°1 dans les hit-parades des deux côtés de l'Atlantique.\n\nDisque 1\nOriginalement publié en CD en 1988 sous le titre Past Masters, Volume 1, le disque 1 contient des chansons publiées par les Beatles entre 1962 et 1965 qui ne figuraient pas sur leurs albums officiels. Une exception étant Love Me Do qui apparaît ici sous sa version originale du single enregistré le 4 septembre 1962 avec Ringo Starr à la batterie. Sur la version de l'album, c'est Andy White qui, à l'invitation de George Martin, s'occupe de la rythmique.\n\nLe disque contient :\n- Treize titres issus de leurs singles (faces A ou B) ;\n- Les quatre titres issus du maxi Long Tall Sally ;\n- La chanson Bad Boy publiée sur l’album américain Beatles VI\n\nDisque 2\nMis à part la chanson Across the Universe, le disque 2 (originalement intitulé Past Masters, Volume 2) contient les titres sortis en 45 tours entre décembre 1965 et mars 1970. Ces morceaux ne figuraient pas sur leurs albums officiels, à l'exception des chansons Get Back, Let It Be, Across the Universe et Revolution. Ces deux premières pièces sont les versions produites par George Martin, différentes de celles présentes dans l'album Let It Be. La pièce Across the Universe apparaissait sur un 33 tours caritatif comprenant des enregistrements de différents artistes britanniques pour le Fonds mondial pour la nature. Plus tard, une autre version remixée par Phil Spector se retrouvera aussi sur Let It Be. Quant au titre Revolution, il s'agit ici de sa version « rock », enregistrée après le Revolution 1 « blues » qui figure sur l'« album blanc ».\n\nAucun 45 tours de l'année 1967 (soit, chronologiquement, Penny Lane/Strawberry Fields Forever, All You Need Is Love/Baby You're a Rich Man et Hello Goodbye/I Am the Walrus) n'est présent sur le Past Masters. Ceci est dû à la disparité entre les versions anglaise et américaine de l'album Magical Mystery Tour. La version publiée en Grande-Bretagne est un double maxi contenant les six titres qui apparaissent dans le téléfilm. En Amérique du Nord, par contre, sur la face B du 33 tours publié par Capitol Records, on ajoute 5 chansons tirées des singles mentionnés plus haut. Rapidement, les ventes en Angleterre de la version importée d’outre mer dépassent celle du double maxi. Finalement, le 4 décembre 1976, EMI publie à son tour la version augmentée. Lors des rééditions en CD de 1987 et de 2009, c’est cette version de l’album qui figurera dans la collection officielle.\n\n\nLors de la réédition du catalogue complet des Beatles en 2009, une version mono de Past Masters a été publiée sous le nom Mono Masters. On y retrouve sensiblement les mêmes chansons, à part Old Brown Shoe, The Ballad of John and Yoko et Let It Be qui ont été mixées qu'en stéréo. Par contre, on y a rajouté les 4 titres inédits du disque Yellow Submarine (Only a Northern Song, All Together Now, Hey Bulldog et It's All Too Much) qui furent mixées en mono à l'époque pour une éventuelle sortie en maxi mais qui n'a jamais vu le jour.",
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strDescriptionES:
'Past Masters es un álbum recopilatorio de dos tomos de The Beatles publicado en 1988 después de la publicación en 1987 de los álbumes de estudio del Reino Unido en CD. Past Masters recoge las pistas que no fueron lanzadas en álbumes de estudio, de modo que todo el catálogo de la banda podría estar disponible en CD. Past Masters contiene todas las canciones no incluidas en los 12 álbumes originales de Reino Unido o el LP Magical Mystery Tour que fueron lanzados comercialmente por EMI desde 1962 hasta 1970. La mayor parte del álbum consiste en los lados A y B de los sencillos de la banda (incluidas las versiones individuales de canciones que aparecen diferente en los álbumes), además de todo el contenido único del Reino Unido y el EP Long Tall Sally, dos grabaciones en lengua alemana, una canción grabada para el mercado estadounidense y una pista utilizada en una compilación de caridad completan la colección.\n\nPast Masters se publicó inicialmente en dos CD separados, el 7 de marzo de 1988, con dos LP de vinilo combinados, el 24 de octubre de 1988 en los Estados Unidos y el 10 de noviembre de 1988 en el Reino Unido. Los CD originales fueron incluidos en The Beatles Box Set en 1988. Un juego de dos CD de ambos volúmenes, con dos nuevas mezclas estéreo fue lanzado el 9 de septiembre de 2009 como parte del proyecto de la versión remasterizada de The Beatles. Esta versión se incluyó en The Beatles Stereo Box Set. En The Beatles in Mono, un álbum titulado Mono Masters tomó el lugar de Past Masters, que contiene una lista de pistas similares en las mezclas en mono originales. Las listas de canciones del segundo disco son diferentes, lo que refleja el hecho de que las canciones más tarde se mezclaron o se lanzaron únicamente en estéreo.\n\nEste fue el último álbum de The Beatles lanzado como un disco de gramófono antes de que la industria discográfica lo dejara de fabricar en grandes cantidades a favor del formato disco compacto.\n\nAmbos volúmenes de Past Masters fueron lanzados en un juego de dos CD, como parte del catálogo remasterizado de The Beatles el 9 de septiembre de 2009, con dos canciones anteriormente publicadas únicamente en mono se compilaron en estéreo: "From Me to You" y "Thank You Girl". También se incluyó en The Beatles Stereo Box Set.\n',
strDescriptionPT: "Past Masters, Volume One é um álbum de compilação dos The Beatles lançado em 1988.",
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strAlbum: "Past Masters, Volume Two",
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intYearReleased: "1988",
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"Past Masters is a two-volume compilation album set by The Beatles which was released in 1988 as part of the issue of the band’s entire back catalogue on CD. Compiled by the noted Beatles authority Mark Lewisohn, this collection of many of the band's biggest hits as well as rarities includes every song released commercially by the band that was not available on The Beatles’ twelve original UK albums or the Magical Mystery Tour LP.\n\nThe majority of the Past Masters set consists of A and B-sides from the band's singles, including single versions of songs that appeared in a different form on the band's albums. Also included are the full contents of the UK-only Long Tall Sally EP, two German language tracks, a song recorded for the American market and a track released on a charity compilation album.\n\nThe \"Past Masters\" name had previously been used by EMI for a series of three unrelated reissue singles.",
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"Past Masters est une compilation en deux volumes du groupe britannique The Beatles, commercialisée en 1988. Une réédition remastérisée et regroupée en un CD double paraît en septembre 2009. Le 13 novembre 2012, une version 33 tours de cet album double est publiée1.\n\nLes Past Masters réunissent les chansons principalement publiées sur des singles (format 45 tours). Cette publication complète la discographie des Beatles dans la mesure où la grande majorité de ces titres n'étaient pas présents sur les treize albums officiels sortis durant leurs sept années d'enregistrements. On y retrouve aussi quelques chansons parues sur leurs 33 tours mais éditées en single dans des versions différentes.\n\nPlusieurs pièces de cette compilation se sont classées N°1 dans les hit-parades des deux côtés de l'Atlantique.\n\nDisque 1\nOriginalement publié en CD en 1988 sous le titre Past Masters, Volume 1, le disque 1 contient des chansons publiées par les Beatles entre 1962 et 1965 qui ne figuraient pas sur leurs albums officiels. Une exception étant Love Me Do qui apparaît ici sous sa version originale du single enregistré le 4 septembre 1962 avec Ringo Starr à la batterie. Sur la version de l'album, c'est Andy White qui, à l'invitation de George Martin, s'occupe de la rythmique.\n\nLe disque contient :\n- Treize titres issus de leurs singles (faces A ou B) ;\n- Les quatre titres issus du maxi Long Tall Sally ;\n- La chanson Bad Boy publiée sur l’album américain Beatles VI\n\nDisque 2\nMis à part la chanson Across the Universe, le disque 2 (originalement intitulé Past Masters, Volume 2) contient les titres sortis en 45 tours entre décembre 1965 et mars 1970. Ces morceaux ne figuraient pas sur leurs albums officiels, à l'exception des chansons Get Back, Let It Be, Across the Universe et Revolution. Ces deux premières pièces sont les versions produites par George Martin, différentes de celles présentes dans l'album Let It Be. La pièce Across the Universe apparaissait sur un 33 tours caritatif comprenant des enregistrements de différents artistes britanniques pour le Fonds mondial pour la nature. Plus tard, une autre version remixée par Phil Spector se retrouvera aussi sur Let It Be. Quant au titre Revolution, il s'agit ici de sa version « rock », enregistrée après le Revolution 1 « blues » qui figure sur l'« album blanc ».\n\nAucun 45 tours de l'année 1967 (soit, chronologiquement, Penny Lane/Strawberry Fields Forever, All You Need Is Love/Baby You're a Rich Man et Hello Goodbye/I Am the Walrus) n'est présent sur le Past Masters. Ceci est dû à la disparité entre les versions anglaise et américaine de l'album Magical Mystery Tour. La version publiée en Grande-Bretagne est un double maxi contenant les six titres qui apparaissent dans le téléfilm. En Amérique du Nord, par contre, sur la face B du 33 tours publié par Capitol Records, on ajoute 5 chansons tirées des singles mentionnés plus haut. Rapidement, les ventes en Angleterre de la version importée d’outre mer dépassent celle du double maxi. Finalement, le 4 décembre 1976, EMI publie à son tour la version augmentée. Lors des rééditions en CD de 1987 et de 2009, c’est cette version de l’album qui figurera dans la collection officielle.\n\n\nLors de la réédition du catalogue complet des Beatles en 2009, une version mono de Past Masters a été publiée sous le nom Mono Masters. On y retrouve sensiblement les mêmes chansons, à part Old Brown Shoe, The Ballad of John and Yoko et Let It Be qui ont été mixées qu'en stéréo. Par contre, on y a rajouté les 4 titres inédits du disque Yellow Submarine (Only a Northern Song, All Together Now, Hey Bulldog et It's All Too Much) qui furent mixées en mono à l'époque pour une éventuelle sortie en maxi mais qui n'a jamais vu le jour.",
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'Past Masters es un álbum recopilatorio de dos tomos de The Beatles publicado en 1988 después de la publicación en 1987 de los álbumes de estudio del Reino Unido en CD. Past Masters recoge las pistas que no fueron lanzadas en álbumes de estudio, de modo que todo el catálogo de la banda podría estar disponible en CD. Past Masters contiene todas las canciones no incluidas en los 12 álbumes originales de Reino Unido o el LP Magical Mystery Tour que fueron lanzados comercialmente por EMI desde 1962 hasta 1970. La mayor parte del álbum consiste en los lados A y B de los sencillos de la banda (incluidas las versiones individuales de canciones que aparecen diferente en los álbumes), además de todo el contenido único del Reino Unido y el EP Long Tall Sally, dos grabaciones en lengua alemana, una canción grabada para el mercado estadounidense y una pista utilizada en una compilación de caridad completan la colección.\n\nPast Masters se publicó inicialmente en dos CD separados, el 7 de marzo de 1988, con dos LP de vinilo combinados, el 24 de octubre de 1988 en los Estados Unidos y el 10 de noviembre de 1988 en el Reino Unido. Los CD originales fueron incluidos en The Beatles Box Set en 1988. Un juego de dos CD de ambos volúmenes, con dos nuevas mezclas estéreo fue lanzado el 9 de septiembre de 2009 como parte del proyecto de la versión remasterizada de The Beatles. Esta versión se incluyó en The Beatles Stereo Box Set. En The Beatles in Mono, un álbum titulado Mono Masters tomó el lugar de Past Masters, que contiene una lista de pistas similares en las mezclas en mono originales. Las listas de canciones del segundo disco son diferentes, lo que refleja el hecho de que las canciones más tarde se mezclaron o se lanzaron únicamente en estéreo.\n\nEste fue el último álbum de The Beatles lanzado como un disco de gramófono antes de que la industria discográfica lo dejara de fabricar en grandes cantidades a favor del formato disco compacto.\n\nAmbos volúmenes de Past Masters fueron lanzados en un juego de dos CD, como parte del catálogo remasterizado de The Beatles el 9 de septiembre de 2009, con dos canciones anteriormente publicadas únicamente en mono se compilaron en estéreo: "From Me to You" y "Thank You Girl". También se incluyó en The Beatles Stereo Box Set.\n',
strDescriptionPT:
'Past Masters, Volume Two é um álbum de compilação dos The Beatles lançado em 1988. Contém faixas de vários singles da banda e uma versão diferente de "Across the Universe", lançada em um single beneficente.',
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strArtistStripped: "The Beatles",
intYearReleased: "2000",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
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intSales: "31000000",
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'1 is a compilation album by the Beatles, released on 13 November 2000. The album features virtually every number-one single released in the United Kingdom and United States from 1962 to 1970 by the Beatles. Issued on the 30th anniversary of the band\'s break-up, it was their first compilation available on one compact disc. 1 was a commercial success, and topped the charts worldwide. The world\'s best-selling album of the 21st century, 1 has sold over 31 million copies.\nIn addition, 1 is the seventh best-selling album since early 1991, the best-selling album in the US from 2000 to 2009, and the best selling album of the decade worldwide. It is also the fastest selling album in history. 1 was re-released in digitally remastered format in September 2011. Compiled by producer George Martin and the (then) three surviving members of the band, 1 includes the 27 Beatles songs that went to number one in the United Kingdom on the Record Retailer magazine charts and/or the United States on the Billboard magazine charts. It is worth noting, however, that the song "For You Blue" was listed in Billboard chart compilations at No. 1, as a double A-sided single with "The Long and Winding Road", but Capitol Records treated "For You Blue" as strictly a B-side and did not promote it as an A-side. Meanwhile, "Day Tripper" was included on 1, since it charted at No. 1 in the UK as a double A side with "We Can Work It Out", while in the US, only "We Can Work It Out" was No. 1. The only singles released in both the UK and US that did not reach No. 1 in either country, and were therefore ineligible for inclusion on the album, were "Please Please Me" and "Strawberry Fields Forever"—both reached No. 2 in the UK charts. The former was largely known as "The Beatles\' first UK number one single"; however, it reached the top spot in the musical magazines New Musical Express and Melody Maker but not on the chart published by Record Retailer (now Music Week). On the other hand, "Strawberry Fields Forever" was part of a double A-side single along with "Penny Lane". Being a double A-side, UK sales policies counted the sales as a half of the real amount sold, a fact that kept the single at No. 2 in the charts, behind Engelbert Humperdinck\'s debut single "Release Me".\nThis album is essentially a combination of both the US and UK versions of the earlier album 20 Greatest Hits, with "Something" added to the mix (that song was left off 20 Greatest Hits because of time constraints). On 1, "Hey Jude" was released in its original full-length version (slightly over seven minutes); on the American version of 20 Greatest Hits it had been released as a shortened version.',
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"1 est une compilation des Beatles, parue le 13 novembre 2000 au Royaume-Uni et le jour suivant aux États-Unis. Il s'agit en fait d'un best of : cet album regroupe tous les titres des Beatles qui ont figuré en tête des ventes. En date du 17 juin 2006, cette compilation commercialisée à la fin de l’année 2000 se classe à la 8e place du Top pop Catalogue Album du Billboard. Il s’agit de sa 292e semaine de classement dans les charts.",
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"1 (también conocido como The Beatles 1 o The Beatles One) es una recopilación de 27 de los singles de The Beatles que alcanzaron la primera posición de las listas oficiales pop de Inglaterra y/o Estados Unidos. Con la asistencia del legendario productor George Martin, fue publicado el 13 de noviembre de 2000.Fue el álbum más vendido de la década 2000-2009. Es uno de los seis álbumes certificados con disco de diamante de The Beatles, lo que los convierte en los máximos ganadores de este reconocimiento en la historia de la música. Los otros álbumes con disco de diamante son The Beatles/1962-1966, The Beatles, Abbey Road, Sgt. Pepper's Lonely Hearts Club Band y The Beatles/1967-1970.",
strDescriptionPT:
'1 (também conhecido como The Beatles 1 ou The Beatles One) é uma coletânea de The Beatles, lançada em 13 de Novembro de 2000, dos 27 singles que alcançaram a primeira posição das listas oficiais do Reino Unido e/ou Estados Unidos.\n\nComercialmente, o álbum excedeu todas as expectativas. Estreou no topo da maioria das listas de vendas do mundo (incluindo os Estados Unidos e Inglaterra). Graças a 1, os Beatles já colheram uma série de novos recordes: o álbum mais vendido da década, o artista que mais vendeu em 2001 e o álbum mais rapidamente vendido da história, com mais 10 milhões de cópias no primeiro mês. Estas são verdadeiras conquistas considerando-se que o grupo se separou três décadas atrás.\n\nOs críticos musicais e os seguidores da banda britânica reagiram positivamente. Alguns lamentaram a falta do clássico single Strawberry Fields Forever, considerado um dos picos criativos do grupo. O mesmo com o segundo single dos Beatles, Please Please Me, que é popularmente reconhecida como "seu primeiro número um", mas, na verdade, só chegou ao topo em três listas britânicas de sucesso, mas nunca na lista de Record Retailer, que é considerada "oficial". De qualquer maneira, ele continua a ser visto como uma excelente retrospectiva da carreira do grupo, incluindo todos os números um de cada grupo (exceto a pouco reconhecida For You Blue, composta por George Harrison, e que foi o último número 1 da banda em 1970 nos Estados Unidos, ao lado do duplo lado A com The Long and Winding Road, canção que está em 1).',
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strAlbum: "Yellow Submarine Songtrack",
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strDescriptionEN:
"Yellow Submarine Songtrack is a compilation/soundtrack album by the Beatles for the 1999 re-release of the 1968 film Yellow Submarine. The film was re-released on 13 September 1999 in the United Kingdom and the following day in the United States.\nIn sharp contrast with other Beatles remasters available (2009 box sets), the songs were fully remixed from the original multitrack tapes, something not done for the original Compact Disc release of the Beatles catalogue in the late 1980s except for Help! and Rubber Soul, not even in 2009.\nThis album contains only the Beatles songs used in the film, including tracks absent from the original Yellow Submarine album. The extra tracks replaced the George Martin film score from the original release, while the complete score was included as a DVD audio track in the CD/DVD package featuring the album and film.\nThe album debuted in the UK charts at No. 8 selling 19,000 copies in its first week. It also peaked at No. 15 on the Billboard 200, with 68,000 copies sold in its opening week. In France the album debuted at No. 13.\nThe album was reissued on CD on 4 June 2012 (5 June in North America) along with the film restored for DVD and Blu-ray release. While the original 1999 release was in a jewel-case, the 2012 version was released in a digipak, with the booklet and catalogue numbers the same as the earlier version, with a 1999 copyright date on the disc, and a 2012 date on the digipak.",
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"Yellow Submarine Songtrack est un album du groupe britannique The Beatles, publié en 1999 comme bande-originale pour la ressortie du film Yellow Submarine, originellement sorti en 1968. Il ne faut pas le confondre avec l'album Yellow Submarine de 1969, dont il reprend les six titres des Beatles mais auquel on ampute les thèmes instrumentaux de George Martin qui constituaient sa face B. On y ajoute en revanche tous les morceaux du film qui figuraient sur d'autres albums.\n\nL'originalité de la compilation réside dans le fait que tous les morceaux sont présentés dans de nouveaux mixages audio réalisés par George Martin, légèrement différents de ceux que l'on peut trouver sur les albums originaux.",
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"Yellow Submarine Songtrack es un álbum recopilatorio de The Beatles publicado en 1999, y que contiene canciones que aparecen en la película animada de 1968 Yellow Submarine. Contiene sencillos (algunos con sus caras B). Todas las canciones fueron publicadas en el CD Yellow Submarine.\n\nEste álbum es descripto como el más débil de todas las recopilaciones de The Beatles hasta el momento, vendiendo muy poco en los principales países, porque los discos de Los Beatles suelen escalar hasta el primer lugar en ventas, pero en este lo máximo que lo logro fue un 8º puesto en su país natal Inglaterra.\n\nEl CD debutó en el Reino Unido en el #8 vendiendo 19.000 copias en la primera semana y en los Estados Unidos #15 vendiendo 68.900 en su primera semana en Francia en el puesto#13 y en Argentina #9 vendiendo 4.680 copias la primera semana.\n\nLo interesante de estos temas es que son un Remix de los multitrack originales. Esta edición pone las voces en el centro y los instrumentos rodeándolas, dando una sensación nueva, en esta ocasión se ha hecho una adecuada mezcla en estéreo, el sonido de estos temas es increíble, ya que en el momento de hacer las mezclas originales no se había desarrollado adecuadamente esta técnica, pues el estándar de audio era monoaural. Una de las canciones más interesantes es Hey Bulldog, ya que la voz de Lennon se escucha con eco.",
strDescriptionPT:
"Yellow Submarine Songtrack é uma coletânea do grupo de rock inglês The Beatles feita em 1999, ela contém músicas gravadas entre 1965 e 1968, o produtor do álbum é George Martin, o álbum tem ao todo 45 minutos e 38 segundos, e as gravadoras dessa coletânea foram a Apple Inc., EMI e a Capitol.",
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idAlbum: "2146428",
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strAlbum: "Beatles for Sale",
strAlbumStripped: "Beatles for Sale",
strArtist: "The Beatles",
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intYearReleased: "1964",
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strDescriptionEN:
'Beatles for Sale is the fourth studio album by the English rock band the Beatles, released on 4 December 1964 and produced by George Martin for Parlophone. The album marked a minor turning point in the evolution of the Lennon–McCartney partnership, John Lennon particularly now showing interest in composing songs of a more autobiographical nature. "I\'m a Loser" shows Lennon for the first time coming under the influence of Bob Dylan, whom he met in New York while on tour, on 28 August 1964.\nBeatles for Sale did not produce a single for the UK – the non-album tracks "I Feel Fine" and "She\'s a Woman" performed that role. Nevertheless, that coupling was followed up in the United States by "Eight Days a Week", which became their seventh number one in March 1965.\nThe album hit the UK number one spot and retained that position for 11 of the 46 weeks that it spent in the Top 20. Beatles for Sale did not surface as a regular album in the US until 1987. In its place was Beatles \'65 which featured eight songs from Beatles for Sale, plus the A and B-side of "I Feel Fine" and "I\'ll Be Back" from the UK\'s A Hard Day\'s Night album. Beatles \'65 enjoyed a nine-week run at the top of the US charts beginning in January 1965.',
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"Beatles for Sale est le quatrième album des Beatles, paru le 4 décembre 1964 au Royaume-Uni. Il est conçu alors que la Beatlemania bat son plein, dans la foulée de la sortie de l'album A Hard Day's Night. Selon la volonté du manager Brian Epstein et du producteur George Martin, le groupe doit, à cette époque, respecter un rythme de deux albums par an, celui-ci devant paraître à temps pour les fêtes de fin d'année. Il est donc rapidement enregistré aux studios EMI, en sept journées de travail éparpillées entre août et octobre 1964.\n\nLes Beatles ont alors acquis une popularité planétaire, ils sont harassés par les tournées internationales, les concerts quasi quotidiens et la folie qui les entoure, ce qui se reflète notamment dans la pochette et les thèmes sombres de leurs chansons.\n\nAlors que toutes les chansons de A Hard Day's Night étaient signées Lennon/McCartney, Beatles for Sale est marqué par le retour des reprises de rock 'n' roll. Pressés par le temps, littéralement poussés vers les studios, les Fab Four enregistrent ici ce qui constitue leur répertoire de scène du moment, incluant six reprises et huit chansons originales, nouvellement composées ou plus anciennes. L'album innove cependant dans plusieurs sens, avec des chansons plus personnelles de la part de John Lennon, et le recours plus fréquent à des techniques de studio pour peaufiner les enregistrements.\n\nEn Grande-Bretagne, Beatles for Sale passe sept semaines en première place des hit-parades, délogeant A Hard Day's Night du sommet, et reste quarante-six semaines en tout dans les classements. Il ne paraît pas sous cette forme aux États-Unis : onze jours après la version britannique, il est édité par Capitol Records avec une pochette, une liste de chansons et un nom différents, Beatles '65. De plus, certains titres n'apparaissent que sur l'album suivant, Beatles VI. Ce qui n'empêchera pas les deux albums, sortis à un mois d'intervalle, de rester à la première place du Billboard, pendant plusieurs semaines de suite.",
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strDescriptionES:
"Beatles for Sale fue el cuarto álbum de estudio británico grabado por The Beatles, publicado el 4 de diciembre de 1964 por la compañía discográfica Parlophone, con el número de catálogo PMC 1240 (mono) y PCS 3062 (estéreo).\n\nCon un pedido de más de 700 000 discos antes de su publicación, se clasificó enseguida en el número uno de la lista británica, y desbancó de la misma a su álbum predecesor, A Hard Day's Night. Estuvo en ese puesto durante siete semanas, aunque el 27 de febrero de 1965, después de haber bajado tres semanas antes de ese primer puesto, habría de volver a él durante una semana más. El 1 de mayo de 1965 aun volvería a subir otra vez a la cima de la lista, después de faltar ocho semanas en ese primer puesto, esta vez para permanecer en esa posición durante tres semanas más, y sumo así un total de once semanas en el primer puesto de la lista británica, de las cuarenta y seis que pasó en ella. Este álbum marcó un momento decisivo en la evolución de Lennon y McCartney como letristas, particularmente en Lennon, que estaba cada vez más interesado en componer canciones de naturaleza autobiográfica.",
strDescriptionPT:
'Beatles for Sale é o quarto álbum do The Beatles, lançado em dezembro de 1964.\n\nQuando do lançamento de "Beatles For Sale", a beatlemania estava a todo vapor e o sucesso do filme/álbum "A Hard Day\'s Night" havia trazido o reconhecimento de público e crítica. Neste disco os Beatles repetiram a fórmula "Covers" (dentre os quais a releitura definitiva de "Rock And Roll Music" de Chuck Berry) e composições próprias, onde destacam-se "Eight Days A Week" e "No Reply".',
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"Past Masters is a two-volume compilation album set by The Beatles which was released in 1988 as part of the issue of the band’s entire back catalogue on CD. Compiled by the noted Beatles authority Mark Lewisohn, this collection of many of the band's biggest hits as well as rarities includes every song released commercially by the band that was not available on The Beatles’ twelve original UK albums or the Magical Mystery Tour LP.\nThe majority of the Past Masters set consists of A and B-sides from the band's singles, including single versions of songs that appeared in a different form on the band's albums. Also included are the full contents of the UK-only Long Tall Sally EP, two German language tracks, a song recorded for the American market and a track released on a charity compilation album.",
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"Past Masters est une compilation en deux volumes du groupe britannique The Beatles, commercialisée en 1988. Une réédition remastérisée et regroupée en un CD double paraît en septembre 2009. Le 13 novembre 2012, une version 33 tours de cet album double est publiée1.\n\nLes Past Masters réunissent les chansons principalement publiées sur des singles (format 45 tours). Cette publication complète la discographie des Beatles dans la mesure où la grande majorité de ces titres n'étaient pas présents sur les treize albums officiels sortis durant leurs sept années d'enregistrements. On y retrouve aussi quelques chansons parues sur leurs 33 tours mais éditées en single dans des versions différentes.\n\nPlusieurs pièces de cette compilation se sont classées N°1 dans les hit-parades des deux côtés de l'Atlantique.\n\nDisque 1\nOriginalement publié en CD en 1988 sous le titre Past Masters, Volume 1, le disque 1 contient des chansons publiées par les Beatles entre 1962 et 1965 qui ne figuraient pas sur leurs albums officiels. Une exception étant Love Me Do qui apparaît ici sous sa version originale du single enregistré le 4 septembre 1962 avec Ringo Starr à la batterie. Sur la version de l'album, c'est Andy White qui, à l'invitation de George Martin, s'occupe de la rythmique.\n\nLe disque contient :\n- Treize titres issus de leurs singles (faces A ou B) ;\n- Les quatre titres issus du maxi Long Tall Sally ;\n- La chanson Bad Boy publiée sur l’album américain Beatles VI\n\nDisque 2\nMis à part la chanson Across the Universe, le disque 2 (originalement intitulé Past Masters, Volume 2) contient les titres sortis en 45 tours entre décembre 1965 et mars 1970. Ces morceaux ne figuraient pas sur leurs albums officiels, à l'exception des chansons Get Back, Let It Be, Across the Universe et Revolution. Ces deux premières pièces sont les versions produites par George Martin, différentes de celles présentes dans l'album Let It Be. La pièce Across the Universe apparaissait sur un 33 tours caritatif comprenant des enregistrements de différents artistes britanniques pour le Fonds mondial pour la nature. Plus tard, une autre version remixée par Phil Spector se retrouvera aussi sur Let It Be. Quant au titre Revolution, il s'agit ici de sa version « rock », enregistrée après le Revolution 1 « blues » qui figure sur l'« album blanc ».\n\nAucun 45 tours de l'année 1967 (soit, chronologiquement, Penny Lane/Strawberry Fields Forever, All You Need Is Love/Baby You're a Rich Man et Hello Goodbye/I Am the Walrus) n'est présent sur le Past Masters. Ceci est dû à la disparité entre les versions anglaise et américaine de l'album Magical Mystery Tour. La version publiée en Grande-Bretagne est un double maxi contenant les six titres qui apparaissent dans le téléfilm. En Amérique du Nord, par contre, sur la face B du 33 tours publié par Capitol Records, on ajoute 5 chansons tirées des singles mentionnés plus haut. Rapidement, les ventes en Angleterre de la version importée d’outre mer dépassent celle du double maxi. Finalement, le 4 décembre 1976, EMI publie à son tour la version augmentée. Lors des rééditions en CD de 1987 et de 2009, c’est cette version de l’album qui figurera dans la collection officielle.\n\n\nLors de la réédition du catalogue complet des Beatles en 2009, une version mono de Past Masters a été publiée sous le nom Mono Masters. On y retrouve sensiblement les mêmes chansons, à part Old Brown Shoe, The Ballad of John and Yoko et Let It Be qui ont été mixées qu'en stéréo. Par contre, on y a rajouté les 4 titres inédits du disque Yellow Submarine (Only a Northern Song, All Together Now, Hey Bulldog et It's All Too Much) qui furent mixées en mono à l'époque pour une éventuelle sortie en maxi mais qui n'a jamais vu le jour.",
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'Past Masters es un álbum recopilatorio de dos tomos de The Beatles publicado en 1988 después de la publicación en 1987 de los álbumes de estudio del Reino Unido en CD. Past Masters recoge las pistas que no fueron lanzadas en álbumes de estudio, de modo que todo el catálogo de la banda podría estar disponible en CD. Past Masters contiene todas las canciones no incluidas en los 12 álbumes originales de Reino Unido o el LP Magical Mystery Tour que fueron lanzados comercialmente por EMI desde 1962 hasta 1970. La mayor parte del álbum consiste en los lados A y B de los sencillos de la banda (incluidas las versiones individuales de canciones que aparecen diferente en los álbumes), además de todo el contenido único del Reino Unido y el EP Long Tall Sally, dos grabaciones en lengua alemana, una canción grabada para el mercado estadounidense y una pista utilizada en una compilación de caridad completan la colección.\n\nPast Masters se publicó inicialmente en dos CD separados, el 7 de marzo de 1988, con dos LP de vinilo combinados, el 24 de octubre de 1988 en los Estados Unidos y el 10 de noviembre de 1988 en el Reino Unido. Los CD originales fueron incluidos en The Beatles Box Set en 1988. Un juego de dos CD de ambos volúmenes, con dos nuevas mezclas estéreo fue lanzado el 9 de septiembre de 2009 como parte del proyecto de la versión remasterizada de The Beatles. Esta versión se incluyó en The Beatles Stereo Box Set. En The Beatles in Mono, un álbum titulado Mono Masters tomó el lugar de Past Masters, que contiene una lista de pistas similares en las mezclas en mono originales. Las listas de canciones del segundo disco son diferentes, lo que refleja el hecho de que las canciones más tarde se mezclaron o se lanzaron únicamente en estéreo.\n\nEste fue el último álbum de The Beatles lanzado como un disco de gramófono antes de que la industria discográfica lo dejara de fabricar en grandes cantidades a favor del formato disco compacto.\n\nAmbos volúmenes de Past Masters fueron lanzados en un juego de dos CD, como parte del catálogo remasterizado de The Beatles el 9 de septiembre de 2009, con dos canciones anteriormente publicadas únicamente en mono se compilaron en estéreo: "From Me to You" y "Thank You Girl". También se incluyó en The Beatles Stereo Box Set.\n',
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strDescriptionEN:
'Anthology 1 is a compilation album by The Beatles, released by Apple Records in November 1995. It was released as the first part of the Anthology trilogy of albums with Anthology 2 and Anthology 3, all of which tie-in with the televised special The Beatles Anthology. It contains "Free as a Bird", billed as the first new Beatles song in 25 years. The album topped the Billboard 200 album chart and was certified 8x Platinum by the RIAA. The Anthology albums were made available on the iTunes Store on 14 June 2011.',
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"Anthology 1 est le premier des trois volumes de la série de compilations Anthology des Beatles, paru le 21 novembre 1995 des deux côtés de l’Atlantique. Il se compose principalement d’enregistrements rares et inédits du groupe.\n\nLes titres qui se retrouvent sur cette compilation datent de 1958 à 1964, depuis l’époque des Quarrymen jusqu’à la préparation de l’album Beatles for Sale fin 1964. Elle retrace en passant la fameuse audition ratée chez Decca, et de nombreux extraits parlés des membres du groupe et de leurs proches. Ce premier volume Anthology contient une « nouvelle » chanson : Free as a Bird. Cette chanson a été retrouvée sur des enregistrements effectués par John Lennon en 1977, non exploités, et que les Beatles survivants ont terminé lors de leur réunion en 1994. Elle devint ainsi la première nouveauté des Beatles à paraître, 25 ans après la séparation du groupe. Une autre chanson est retravaillée pour l’album suivant : Real Love.\n\nLa compilation rencontre un important succès commercial, dont trois millions de copies sont vendues en seulement six semaines sur le marché américain, fait remarquable pour un groupe à l’époque dissout depuis 25 ans.\n\nAnthology 1 présente un intérêt historique pour les fans, du fait qu’il contient, entre autres, les performances des ex-Beatles Pete Best — à la batterie — et Stuart Sutcliffe — à la basse. On peut entendre Sutcliffe sur trois pistes : Hallelujah, I Love Her So, You'll Be Mine, et Cayenne, et Best — qui fut débarqué du groupe mi-août 1962 peu après la première audition chez EMI — sur les pistes 10 à 12, 15 à 19, 21 et 22 du premier disque. C'est donc lui que l'on entend sur la version de Love Me Do présente dans cette compilation.",
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"Anthology 1 es un álbum recopilatorio del grupo de rock británico The Beatles, publicado en 1995. Supone el primer volumen de tres álbumes con rarezas y tomas alternativas de canciones grabadas entre 1958 y 1964, incluyendo grabaciones caseras registradas durante la existencia de The Quarrymen y la audición de Decca Records. Asimismo, el álbum incluye «Free as a Bird», el primer tema nuevo del grupo en veinticinco años.",
strDescriptionPT:
"The Beatles Anthology 1 é um álbum em CD duplo lançado em novembro de 1995 com entrevistas, gravações alternativas, algumas raras, outras como ensaios, outras não aproveitadas, executadas pelos integrantes dos Beatles, juntos ou individualmente. Cobre os primórdios da formação do grupo, incluindo gravações com antigos músicos que participaram de sua trajetória; Stuart Sutcliffe e Pete Best, por exemplo. Dentre os três lançamentos da série “Anthology”, é o único que contém entrevistas. Dura 145’33”. Inclui a canção Free as a Bird, gravada e produzida em 1994, a partir de uma fita demo de John Lennon de 1977.",
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strAlbum: "Anthology 2",
strAlbumStripped: "Anthology 2",
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intYearReleased: "1996",
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strDescriptionEN:
'Anthology 2 is a compilation album by The Beatles, released by Apple Records in March 1996. It is the second of the three-volume Anthology collection, all of which tie-in with the televised special The Beatles Anthology. The opening track is "Real Love", the second of the two recordings that reunited the Beatles by means of magnetic tape. Like its predecessor, the album topped the Billboard 200 album chart, and has been certified 4× Platinum by the RIAA. The Anthology albums were made available on the iTunes Store on 14 June 2011.',
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"Anthology 2 est une compilation des Beatles sortie en mars 1996 dans le cadre de la collection The Beatles Anthology.\n\nCet album contient des enregistrements rares, parfois effectués en concerts, et des prises alternatives provenant de diverses sessions aux studios Abbey Road, depuis celles de l'album Help! au printemps 1965, jusqu'au titres enregistrés début 1968 avant le départ du groupe pour l'Inde. Il contient aussi la seconde « nouvelle chanson » des Beatles, Real Love, composée par John Lennon et réarrangée par le groupe.\n\nÀ l'instar du précédent volume de la collection, Anthology 2 obtint un succès considérable au moment de sa sortie. Il a même atteint la première place des charts anglais durant une semaine.",
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"Anthology 2 es un álbum recopilatorio del grupo de rock británico The Beatles, publicado en 1996 como parte de la serie The Beatles Anthology.\n\nEl álbum incluye rarezas, temas en directo y tomas alternativas registradas durante las sesiones de grabación de Help! hasta poco antes del viaje del grupo a la India en febrero de 1968.\n\nEl álbum incluye «Real Love», segundo nuevo trabajo del grupo sobre una demo grabada por John Lennon y dada a Paul McCartney por la viuda de aquél, Yoko Ono, para que el resto de la banda la terminase de grabar. A diferencia de «Free as a Bird», inédita hasta 1995 con la excepción de entre determinados círculos de coleccionistas, «Real Love» había aparecido previamente en el documental Imagine: John Lennon y en su correspondiente banda sonora.",
strDescriptionPT:
'The Beatles Anthology 2 é um CD duplo lançado em março de 1996 com gravações alternativas, algumas raras, outras como ensaios, outras não aproveitadas, executadas pelos integrantes dos Beatles, juntos ou individualmente. Cobre o período que vai de 1965 até 1968. Coincide com o início das sessões das gravações para o álbum Help! e se estende até as músicas gravadas nas felizes sessões de fevereiro de 1968, antes de viagem para a Índia. Inclui também a canção "Real Love" gravada e produzida em 1995 a partir de uma fita demo de John Lennon, tal qual fizeram com "Free as a Bird, lançada no CD anterior, Anthology 1". Dura 127\'54" .',
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strDescriptionEN:
'Anthology 3 is a compilation album by The Beatles released in October 1996 by Apple Records as part of The Beatles Anthology series. The album includes rarities and alternative tracks from the final two years of the band\'s career, ranging from the initial sessions for The Beatles (also known as The White Album) to the last sessions for Let It Be and Abbey Road in later 1969 and early 1970.\nFollowing "Free as a Bird" in Anthology 1 and "Real Love" in Anthology 2, a third John Lennon solo demo entitled "Now and Then" was to be reworked by the three surviving members of The Beatles for Anthology 3. However, it was decided against due to complications and sound quality issues involving Lennon\'s recording. In its place is "A Beginning", an orchestral instrumental track initially intended for The White Album. "A Beginning" was composed by producer George Martin and intended to be the intro track to the Ringo Starr penned "Don\'t Pass Me By".\nSimilar to the previous Anthology albums, the cover image painted by Klaus Voorman features a collage of The Beatles-related imagery designed to appear as a wall of peeling posters and album covers. An updated picture of Voorman can be seen in George Harrison\'s hair in a segment of the Revolver album cover.\nThe album was certified 3x Platinum by the RIAA, and was the group\'s third double album in a row to reach #1 on the US charts, equalling a record set by Donna Summer back in the 1970s.\nThe Anthology albums were made available on the iTunes Store on 14 June 2011.',
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"Anthology 3 est une compilation sortie en novembre 1996 dans le cadre de la collection The Beatles Anthology. Il contient des enregistrements rares et des versions alternatives des chansons des Beatles, depuis les sessions initiales de l’Album Blanc, jusqu'aux dernières de Abbey Road.",
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'Anthology 3 es un álbum recopilatorio del grupo de rock británico The Beatles, publicado en 1996 como parte de la serie The Beatles Anthology. El álbum incluye rarezas, interpretaciones en directo y tomas alternativas desarrolladas en las sesiones de grabación que van desde el Álbum Blanco hasta las últimas reuniones del grupo para los álbumes Let It Be y Abbey Road.\n\nUna tercer demo de John Lennon, titulado "Now and Then", fue ampliado en el estudio por Paul McCartney, George Harrison y Ringo Starr en un intento por incluirla en Anthology 3, si bien sería finalmente descartada debido a un ruido de fondo que no podía ser eliminado con las técnicas de estudio. En su reemplazo, fue añadida A Beginning compuesta por George Martin.',
strDescriptionPT:
"Anthology 3 é um álbum duplo lançado em outubro de 1996 pelos The Beatles com gravações alternativas, algumas raras, outras como ensaios, outras não aproveitadas, executadas pelos integrantes dos Beatles, juntos ou individualmente. Cobre o período que vai de 1968 até 1969. Coincide com o início das sessões das gravações para o álbum The Beatles (conhecido como O Álbum Branco), e abrange também o período das gravações das músicas dos álbuns Let It Be e Abbey Road. Dura 145’33”.",
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idLabel: "43827",
strAlbum: "Love",
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intYearReleased: "2006",
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strDescriptionEN:
'Love is a soundtrack remix album of music recorded by The Beatles, released in November 2006. It features music compiled and remixed as a mashup for the Cirque du Soleil show of the same name. The album was produced by George Martin and his son Giles Martin, who said, "What people will be hearing on the album is a new experience, a way of re-living the whole Beatles musical lifespan in a very condensed period."',
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"Love est un album sorti en novembre 2006 contenant de la musique compilée et remixée des Beatles. George Martin et son fils, Giles Martin, l'ont produit en collaboration avec le Cirque du Soleil à partir de la trame sonore réalisé pour le spectacle Love, joué sur la scène du « Mirage » à Las Vegas.\n\nPour créer cet album, George et Giles Martin ont seulement utilisé les enregistrements originaux — à l'exception d'une nouvelle orchestration composée par George pour la chanson While My Guitar Gently Weeps — mais l'ont présenté d'une manière entièrement différente. « Ce que les gens vont entendre sur l'album est une nouvelle expérience, un moyen de revivre la vie musicale des Beatles entière dans un espace de temps très condensé » a dit Giles. Les producteurs utilisent ici, mais pas sur tous les titres, la technique dite du mashup, c'est-à-dire le fait de mêler plusieurs titres, plusieurs pistes de provenances diverses, au sein de la même chanson...",
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'Love es un álbum, ganador del premio Grammy, que contiene un remix de los temas más conocidos de The Beatles y es la banda sonora del show del Cirque du Soleil con el mismo nombre. Fue publicado el 20 de noviembre de 2006 y producido por Sir George Martin, y su hijo Giles.\n\nA George Harrison le gustaba el circo canadiense "Cirque du Soleil"; en vida mantuvo una buena relación personal y profesional con el fundador del espectáculo, Guy Laliberte. Antes de morir llegó a un acuerdo con el resto de Los Beatles, Paul McCartney y Ringo Starr, además de Yōko Ono, para montar un show para el circo en que el centro no fuera la vida de Los Beatles sino los abigarrados personajes que los músicos crearon a lo largo de su discografía.\n\nPara este proyecto la empresa Apple, junto a Cirque du Soleil, encargaron a Sir George Martín retomar el papel de productor. Posteriormente se incorporó la empresa Mirage, de Las Vegas, a fín de realizar la primera presentación de Love, durante 2006. El deseo original era hacerlo en Londres o Nueva York, pero no fue posible.\n\nEl proyecto Love tomó 2 años, en que George Martin trabajó junto a su hijo Giles como ingenieros de sonido, y en el se utilizó únicamente material original de Los Beatles. Este proyecto sería la primera grabación de Los Beatles realizada originalmente con la tecnología DTS 5.1. Sería también la primera incursión de los Beatles en el teatro, medio que siempre interesó a los músicos, pero en el que nunca pudieron trabajar.\n\nPara el mezclado y edición se utilizaron similares técnicas que empleó el quinteto (Lennon, Harrison, Starr, McCartney y Martin) en su creaciones, actualizadas con los medios actuales. Ejemplo de esto es el tema "Gnik Nus" que es el tema "Sun King" del álbum Abbey Road tocado al revés.\n\nCada tema ha sido mezclado incorporando partes de otros temas; en algunos se han doblado pasajes a fin de crear algún ambiente o atmósfera, en otros se han ralentizado o acelerado las voces, también se encuentran trozos que se alargan en el tiempo, en especial las transiciones entre un tema y otro, parte necesaria en presentaciones en vivo en que se pasa de una temática a otra y es necesario cambiar los escenarios.\n\nLa versión en 5 canales DTS permite apreciar matices que se pierden en las mezclas de 2 canales o stereo.',
strDescriptionPT:
"Love é um álbum dos Beatles lançado em Novembro de 2006. Produzido por George Martin e seu filho Giles Martin, é uma coletânea de músicas remixadas, criadas especialmente para o show LOVE do Cirque du Soleil.\n\nAmantes de corridas de carros, George Harrison e Guy Laliberté, fundador e dono do Cirque du Soleil, tornaram-se grande amigos. George, então, planejava criar um espetáculo em parceria com o grupo de artes circenses. Com a sua morte em 29 de novembro de 2001, o projeto foi suspenso temporariamente. Mais tarde, após amplas negociações entre as partes envolvidas, Guy Laliberté entregou a missão de criar um espetáculo baseado nas músicas dos Beatles a um de seus diretores e coreógrafos, Dominic Champagne. O show teria por nome “Love”. Restava criar a trilha sonora, com as músicas do quarteto. A escolha para a missão recaiu em George Martin, que havia trabalhado como produtor dos Beatles na maior parte de suas criações. Para montar essa mistura sonora, George Martin chamou o seu filho Giles Martin para auxilia-lo na tarefa. Com a aprovação de Paul McCartney, Ringo Starr, Yoko Ono (herdeira de John Lennon) e Olívia Harrison (herdeira de George Harrison), os dois levaram dois anos misturando e mesclando as músicas, em cima das fitas master existentes.",
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"Introducing... The Beatles is the first Beatles album released in the United States. Originally scheduled for a July 1963 release, the LP came out on 10 January 1964, on Vee-Jay Records, ten days before Capitol's Meet the Beatles!. It was the subject of much legal wrangling, but ultimately, Vee-Jay were permitted to sell the album until late 1964, by which time it had sold more than 1.3 million copies.",
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"Introducing... The Beatles est un album du groupe britannique The Beatles, le premier publié aux États-Unis. Initialement prévu pour paraître en juillet 1963, il n'est publié que le 10 janvier 1964, par Vee-Jay Records, quelques jours avant le Meet The Beatles! de Capitol. Introducing... The Beatles a été l'objet de nombreux contentieux entre les deux labels, mais Vee-Jay a finalement été autorisé à le vendre jusque mi-octobre 1964, en écoulant ainsi plus d'un million d'exemplaires.\n\nIntroducing... The Beatles est la première version américaine de Please Please Me, le premier album britannique des Beatles.",
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"Introducing... The Beatles es el primer álbum norteamericano de The Beatles. Originalmente previsto para ser lanzado en julio de 1963, el LP salió finalmente el 10 de enero de 1964, publicado por Vee-Jay Records días antes de que lo hiciera Capitol Records con su álbum Meet The Beatles!. Fue objeto de una discusión legal, aunque después, se le permitió a Vee-Jay vender el álbum hasta finales de 1964. Para entonces, el disco vendió más de 1.3 millones de copias.",
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"Meet the Beatles! is the first Beatles' album to be issued in the United States by Capitol Records. Released on 20 January 1964, in both mono and stereo formats, it topped the popular album chart on 15 February 1964 and remained at number one for an impressive eleven weeks. It was then supplanted by The Beatles' Second Album, the first time that an act had replaced itself at the peak album position. The cover featured Robert Freeman's portrait used for the UK With the Beatles release, with a blue tint added to the original stark black-and-white photograph.",
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"Meet The Beatles! est le deuxième album américain des Beatles, sorti en 1964 et le premier sur l'étiquette Capitol, propriété de EMI. Il reprend une partie du contenu du deuxième album britannique du groupe, With the Beatles, et y ajoute trois titres tirés de singles. Les titres de With the Beatles absents de cet album apparaissent aux États-Unis sur l'album suivant du groupe, The Beatles' Second Album.",
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"Meet the Beatles! es un álbum del grupo inglés The Beatles publicado en Estados Unidos el 20 de enero de 1964. Fue el primer álbum del grupo editado en aquel país por el sello Capitol Records, antes de que The Beatles viajaran por primera vez a Norteamérica.\n\nLa portada del disco ofrecía la misma foto en blanco y negro de Robert Freeman que la que mostraba el segundo álbum oficial del grupo editado en el Reino Unido, titulado With the Beatles. Su contraportada presentaba una descripción general de los Beatles y la locura que representaba entre sus fans la mera presencia de ellos en los diferentes sitios donde actuaban.\n\nEn 2003, el álbum fue clasificado en el número 59 por la revista Rolling Stone en su lista de los 500 mejores álbumes de todos los tiempos.",
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"The Beatles' Second Album is the Beatles' second Capitol Records album, and their third album released in the United States including Introducing... The Beatles released three months earlier on Vee-Jay Records.\n\nThe Beatles' Second Album went to number one on the album charts in the US, knocking off Meet the Beatles!, the first time an artist replaced itself at number one on the US album charts.\n\nIn 2004 this album was re-released for the first time on Compact Disc (catalogue number CDP 7243 8 66877 2 2), (CDP 7243 8 66878 2 1) as part of The Capitol Albums, Volume 1 box set and was issued in a miniature cardboard replica of the original album sleeve. This album was also released in the US on 8-track cartridge in 1967, and reel to reel tape and cassette in 1969.",
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"The Beatles' Second Album est un album du groupe britannique The Beatles, le troisième publié aux États-Unis.",
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"The Beatles' Second Album es el segundo álbum de estudio estadounidense de la banda inglesa The Beatles editado por el sello discografico Capitol Records. También era su tercero en los Estados Unidos, contando con Introducing... The Beatles, lanzado por el sello Vee-Jay Records como su primer álbum estadounidense en enero de 1964.",
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idAlbum: "2176159",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Beatles '65",
strAlbumStripped: "Beatles 65",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
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"Beatles '65 is the Beatles' fifth Capitol release, but seventh American album. It was released in mono and stereo versions. The album was also issued in Germany on the Odeon label.\n\nOn 16 November 2004, this album was released on Compact Disc for the first time as part of The Capitol Albums, Volume 1 box set.\n\nIn the US the album was a blockbuster hit, and jumped from number 98 straight to number one, making the biggest jump to the top position in the history of the Billboard Album Charts up to that time. It remained at number one for nine straight weeks, starting on 9 January 1965. In what may be testament to the overwhelming market appeal of the Beatles, several albums were released and promoted in America during 1965 sporting a similar title. These included Sinatra '65 by Frank Sinatra and Ellington '65 by Duke Ellington on Reprise Records, Trio '65 by jazz pianist Bill Evans on Verve Records, and Brasil '65 by Sérgio Mendes on the Beatles' own Capitol label.",
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"Beatles '65 est un album des Beatles, le 6e publié aux États-Unis par Capitol Records. Onze jours après la sortie de Beatles For Sale sur le label Parlophone au Royaume-Uni, il en reprend neuf titres (sur 14), complétés par I Feel Fine (publié en single de l'autre côté de l'Atlantique), et I'll Be Back, paru précédemment sur l'édition britannique de l'album A Hard Day's Night.",
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"Beatles '65 es un álbum de estudio de la banda británica The Beatles. Fue editado en especial para el mercado estadounidense en 1964. Era el quinto álbum lanzado por Capitol Records, pero sexto contando con el primero lanzado por Vee-Jay Records.\n\nEl álbum se convirtió en un gran éxito en los Estados Unidos, saltando directamente del n.º 98 al n.º 1, haciendo el mayor salto a la posición de privilegio en la historia de las listas Billboard hasta ese momento. En lo que puede ser testimonio del abrumador atractivo que supusieron los Beatles para el mercado estadounidense, varios álbumes fueron publicados y promovidos en aquel país durante 1965 luciendo un título similar. Entre ellos estaban Sinatra '65, de Frank Sinatra, y Ellington '65, de Duke Ellington, por el sello Reprise Records; Trio '65, del pianista de jazz Bill Evans, por el sello Verve Records; y Brasil '65, de Sérgio Mendes, editado en la propia etiqueta americana de los Beatles, Capitol Records.\n\nEn 2004, este álbum fue lanzado por primera vez en CD en The Capitol Albums Vol. 1, que contenía asimismo los discos Meet the Beatles!, The Beatles' Second Album y Something New.",
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idArtist: "111247",
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strAlbum: "Beatles VI",
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"Beatles VI is the Beatles' seventh Capitol Records release in the United States (including The Beatles' Story). It was the ninth album released into that market in less than one and a half years (Vee-Jay Records and United Artists Records also released one album each during that period). The LP was released in both mono and stereo versions.\n\n\"Beatles VI\" reached number one in Billboard for six weeks, beginning on 10 July 1965.\n\nThis LP was also released in New Zealand in stereo in time for Christmas 1966. The pressing plates were obtained from EMI (UK) and are identical to their export only release. The title on the record label reads Beatles IV, and the catalogue number is PCSM 6042.\n\nThis album is available on CD as part of The Capitol Albums, Volume 2 box set in both stereo and mono mixes.",
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"Beatles VI est un album du groupe britannique The Beatles, le 9e publié aux États-Unis par Capitol Records. Il comprend 6 titres issus de l'édition britannique de Beatles For Sale, 3 en provenance de l'album Help!, Yes It Is (la face B du single Ticket to Ride) et enfin la reprise Bad Boy, une chanson enregistrée par les Beatles en mai 1965 uniquement pour le marché américain et donc seulement présente à l'origine sur ce disque.",
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"Beatles VI es el sexto álbum de The Beatles publicado en Estados Unidos por Capitol Records (séptimo, contando The Beatles' Story). Este fue también el noveno álbum publicado en el mercado estadounidense en un espacio de tiempo de un año y medio (Vee-Jay Records y United Artists Records también habían publicado un álbum de la banda cada uno).\n\nEste álbum estuvo disponible también en el box set de The Capitol Albums Vol. 2, tanto en su edición original monofónica como estereofónica.",
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strAlbum: "Yesterday… and Today",
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'Yesterday and Today (rendered as "Yesterday" ...and Today on the record label and in most published discographies) is the ninth Capitol album release by the Beatles and the eleventh overall American release. It was issued only in the United States, Canada and Japan (in the 1970s). The album is remembered primarily for the controversy surrounding its original cover image, the "butcher cover" featuring the band dressed in white smocks and covered with decapitated baby dolls and pieces of meat. The album\'s title is based on the song "Yesterday." Early album cover proofs show the word "Yesterday" in quotes.',
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"Yesterday and Today est le dixième album américain des Beatles, publié le 20 juin 1966 par Capitol Records. Dans l'enchaînement des publications américaines du groupe répondant au format standard dans ce pays et qui n'acceptent donc pas les 14 titres en moyenne publiés sur les éditions originales britanniques, Capitol récupère ainsi des morceaux publiés en 1965 et 1966 sur les albums Help!, Rubber Soul et Revolver. Le titre que porte le disque souligne ses particularités. Yesterday, le hit de Paul McCartney, qui permet au label de le publier sur un de ses albums, et Today pour les trois chansons issues de Revolver qui ne sort que deux semaines plus tard en Grande-Bretagne. Y figure aussi le single Day Tripper/We Can Work It Out commercialisé au Royaume-Uni le 3 décembre 1965, en même temps que Rubber Soul.\n\nLe sentiment qu'éprouvent les Beatles vis à vis du traitement américain de leurs œuvres se traduit bien dans la pose qu'ils prennent en blouses de bouchers, entourés de viande et de poupées décapitées, pour l'éphémère pochette de cet album, rapidement retirée du commerce et remplacée par une autre illustration. C'est le dernier album sur lequel Capitol chamboule totalement les contenus des versions originales britanniques.\n\nYesterday and Today est donc le dernier disque créé par Capitol exclusivement pour le marché nord-américain. L'album Hey Jude, paru en 1970, qui regroupe en majorité des singles, sera publié par Apple Records. Par contre la maison d'édition créera en 1967 le 33 tours Magical Mystery Tour en rajoutant au double maxi britannique les singles parus la même année.",
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'Yesterday and Today es el noveno álbum de The Beatles lanzado por Capitol Records para el mercado de los Estados Unidos en junio de 1966. Este álbum es recordado especialmente por la controversia que generó la famosa portada del "carnicero", donde aparecía la banda vestidos con delantales blancos, y rodeados de muñecas descabezadas y de pedazos de carne, la cual fue censurada por la discográfica americana. El título del álbum hacía mención a la canción "Yesterday". Cinco días después de haberse editado, el álbum apareció con una nueva portada en la cual los Beatles posaban simplemente al lado de un baúl.',
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idAlbum: "2176162",
idArtist: "111247",
idLabel: "43827",
strAlbum: "1962–1966",
strAlbumStripped: "1962–1966",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1973",
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strDescriptionEN:
'1962–1966 (widely known as "The Red Album") is a compilation of songs by the English rock band The Beatles, spanning the years indicated in the title. It was released with its counterpart 1967–1970 ("The Blue Album") in 1973. 1962–1966 reached number 3 in the United Kingdom and managed to reach number 1 in the United States Cashbox albums chart. However, in the US, the official chart was administered by Billboard, where 1962–1966 peaked at number 3, while 1967–1970 reached the top spot. This album was re-released in September 1993 on compact disc, charting at number 3 in the UK.\n\nThe album was compiled by Beatles manager Allen Klein. Even though the group had had success with cover versions of songs, most notably with "Twist and Shout", which made number 2 on the Billboard charts, only songs composed by the Beatles themselves were included.\n\nAs with 1967–1970, this compilation was produced by Apple/EMI at least partially in response to a bootleg collection titled Alpha Omega, which had been sold on television the previous year. Print advertising for the two records made a point of declaring them "the only authorized collection of the Beatles.',
strDescriptionDE: null,
strDescriptionFR:
"1962-1966 — aussi connu sous le surnom The Red Album (l'album rouge) — est une compilation rassemblant 26 des plus grands succès des Beatles publiés entre 1962 et 1966. Originalement sorti en 1973, il est publié pour la première fois sur CD le 20 septembre 1993 tandis qu'une version remastérisée est publiée en 2010. L'album est un grand succès commercial.",
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strDescriptionES:
"The Beatles/1962-1966, conocido como Red Album (Álbum Rojo), es una compilación de las canciones del grupo de rock británico The Beatles desde 1962 hasta 1966, que fue lanzado junto con el álbum The Beatles/1967-1970 (también llamado Álbum Azul).\n\nLa versión en CD fue lanzada en dos discos, hubiéndose podido editar en uno sólo por su duración. EMI explicó que esto era así para poder hacer juego con la salida de su hermano The Beatles/1967-1970.\n\nEs uno de los seis álbumes certificados con disco de diamante de The Beatles, lo que los convierte en los máximos ganadores de este reconocimiento en la historia de la música. Los otros álbumes con disco de diamante son The Beatles/1967-1970, The Beatles, Abbey Road, Sgt. Pepper's Lonely Hearts Club Band y 1.",
strDescriptionPT:
"The Beatles 1962-1966 (também conhecido como o Álbum vermelho) é uma coletânea do grupo de rock inglês The Beatles, lançada em 1973. Reúne 26 músicas gravadas no estúdio da apple. A coletânea contém músicas gravadas entre 1962 e 1966.",
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idAlbum: "2176163",
idArtist: "111247",
idLabel: "43827",
strAlbum: "1967–1970",
strAlbumStripped: "1967–1970",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
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strDescriptionEN:
'1967–1970 (widely known as "The Blue Album") is a compilation of songs by the English rock band The Beatles, spanning the years indicated in the title. It was released with 1962–1966 ("The Red Album"), in 1973. 1967–1970 made number 1 on the American Billboard chart and number 2 on the British Album Chart. This album was re-released in September 1993 on compact disc, charting at number 4 in the United Kingdom.\n\nThe album was compiled by Beatles manager Allen Klein. Songs performed by the Beatles as solo artists were also considered for inclusion, but like the cover songs on 1962–1966, limited space resulted in this idea having to be abandoned.\n\nAs with 1962–1966, this compilation was produced by Apple/EMI at least partially in response to a bootleg collection titled Alpha Omega, which had been sold on television the previous year. Print advertising for the two records made a point of declaring them "the only authorized collection of the Beatles.',
strDescriptionDE: null,
strDescriptionFR:
"The Beatles 1967-1970 — aussi connu sous le surnom The Blue Album (« l'album bleu ») — est une compilation rassemblant 28 des plus grands succès du groupe rock britannique The Beatles publiés entre 1967 et 1970. Originalement sorti en 1973, il est publié pour la première fois sur CD le 20 septembre 1993 tandis qu'une version remastérisée a été publiée en 2010. L'album est un grand succès commercial.",
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strDescriptionES:
"The Beatles/1967-1970, también conocido como The Blue Album —El álbum azul—, es un álbum recopilatorio de la banda de rock británica The Beatles, que abarca las canciones más populares desde 1967 a 1970. La compañía discográfica Apple Records publicó el álbum el 19 de abril de 1973 en el Reino Unido. El material ocupó el puesto número uno en los Estados Unidos, mientras que en el Reino Unido, el dos. Es uno de los seis álbumes certificados con disco de diamante de The Beatles, lo que los convierte en los máximos ganadores de este reconocimiento en la historia de la música. Los otros álbumes con disco de diamante son The Beatles/1962-1966, The Beatles, Abbey Road, Sgt. Pepper's Lonely Hearts Club Band y 1. The Beatles, ya separados, participaron en la selección de canciones, fotos y en el color del álbum.",
strDescriptionPT:
"The Beatles 1967–1970 (também conhecido como o Álbum Azul) é uma coletânea do grupo de rock inglês The Beatles, lançada em 1973. A coletânea contém músicas gravadas entre 1967 e 1970.",
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idAlbum: "2176164",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Live at the BBC",
strAlbumStripped: "Live at the BBC",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1994",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Live",
intSales: "0",
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"Live at the BBC is a 1994 compilation album featuring performances by The Beatles that were originally broadcast on various BBC Light Programme radio shows from 1963 through 1965. The mono album, available in multiple formats but most commonly as a two-CD set, consists of 56 songs and 13 tracks of dialogue; 30 of the songs had never been issued previously by The Beatles. It was the first official release by The Beatles of previously unissued performances since The Beatles at the Hollywood Bowl in 1977, and the first containing previously unreleased songs since Let It Be in 1970.\n\nAlthough the songs were recorded ahead of broadcast, allowing for retakes and occasional overdubbing, they are essentially \"live in studio\" performances. Most of the songs are cover versions of material from the late 1950s and early 1960s, reflecting the stage set they developed before Beatlemania. Before the album's release, comprehensive collections of The Beatles' BBC performances had become available on bootlegs.",
strDescriptionDE: null,
strDescriptionFR:
"Publiée en CD en 1994, Live at the BBC est une compilation de chansons enregistrées live par les Beatles entre 1963 et 1965 dans les studios de la BBC. Pour beaucoup, il s'agit de reprises de standards du rock 'n' roll et autres tubes du début des années 1960. Elles furent à l'origine diffusées dans les émissions de radio Saturday Club, Side by Side, Pop Go The Beatles, Easy Beat, From Us To You, Top Gear et Ticket to Ride.\n\nEntre le 7 mars 1962 et le 7 juin 1965, les Beatles feront en tout 52 apparitions dans les locaux de la prestigieuse radio Londonienne, la British Broadcasting Corporation (BBC), pour y interpréter pas moins de 88 chansons différentes, enregistrées par la BBC.\n\nC'est le 7 mars 1962 que John Lennon, Paul McCartney, George Harrison et Pete Best pénètrent pour la première fois dans les studios de la BBC, dans le cadre de l'émission Teenager’s Turn (Here We Go) ou ils interpréteront quatre titres, trois reprises qu'ils affectionnent : Dream Baby, Memphis Tennessee et Please Mr. Postman - et une de leur propres compositions : Hello Little Girl.\n\nCes rendez-vous radiophoniques auront pour effet d’accroître toujours plus la popularité du groupe, qui au cours de l’année 1963 devra même répondre aux courriers des fans à l’antenne, dans une ambiance totalement décontractée.\n\nCes enregistrements ont été abondamment piratés, donnant naissance entre autres au coffret The Complete BBC Sessions riche d'une dizaine de CD comportant 247 prises.\n\nLa BBC prétendit plus tard n'avoir gardé que deux émissions des Beatles dans ses archives et effacé le reste !\n\nMais les fans des Beatles avaient déjà enregistré toutes les apparitions du groupe dès la première émission du 7 mars 1962. Le travail de la maison de disques EMI et d'Apple fut donc de récupérer ces différents enregistrements qui avaient permis l'édition de 13 albums pirates (The Beatles At The Beeb), puis de sélectionner les meilleures qualités sonores possibles des différentes prises et de nettoyer ces enregistrements des bruits divers, de les filtrer, puis de les retravailler en numérique.\n\nEn 1994, Les 180 000 exemplaires du premier tirage d'EMI furent vendus instantanément, permettant à cet album d'entrer directement à la première place des charts britanniques. Aux États-Unis, Capitol avait prévu une mise en place de 750 000 exemplaires et deux millions d'exemplaires étaient déjà en précommande en moins d'un mois. Avant la fin de l'année 1995, les ventes mondiales de ce double album avait déjà franchi le cap des huit millions d'exemplaires.",
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"Live at the BBC es un álbum de The Beatles publicado en 1994. Esta es una recopilación de varias presentaciones realizadas por la banda en la BBC entre los años 1963 y 1965.\n\nMuchas de estas presentaciones han salido a la luz gracias al programa de la BBC Radio 1 The Beeb's Lost Beatles Tapes de 1988. Contiene varias canciones inéditas y versiones que la banda interpretaba en sus primeros días.",
strDescriptionPT:
"Live at the BBC é um álbum do grupo de rock inglês The Beatles. Lançado em 1994, o álbum possui diversas gravações feitas para programas de rádio da BBC entre 1963 e 1965.\n\nEntre 1962 e 1965, os Beatles realizaram diversas apresentações na BBC de Londres. Diversas apresentações estão registradas no álbum Live at BBC lançado em 1994. Foi o primeiro álbum dos Beatles com músicas inéditas desde Let it Be de 1970.\n\nEntre Março de 1962 e Junho de 1965, os Beatles se apresentaram cinqüenta e duas vezes em programas de rádio, cantando 88 diferentes músicas, e 36 que nunca foram colocadas em um álbum.\n\nO disco mostra o conjunto de rock mais popular da história em seus primeiros anos e além de conter velhos clássicos da banda como I Saw her Standing There , Things We Said Today, A Hard Day's Night, I Feel Fine, possui diversos covers de artistas que os Beatles admiravam como Elvis Presley, Chuck Berry, Little Richard, Carl Perkins entre outros. Entre as músicas de outros artistas tocadas pelos Beatles estão Johnny B. Goode de Chuck Berry, A Shot of Rithyim and Blues de Arthur Alexander, Long Tall Sally de Little Richard, entre outros.\n\nAlém disso, o álbum contém alguns diálogos entre a banda e diversos apresentadores como Brian Matthew e mostra vários momentos de descontração. O disco obteve um grande sucesso de vendas e de crítica.",
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idAlbum: "2176165",
idArtist: "111247",
idLabel: "43827",
strAlbum: "The Beatles at the Hollywood Bowl",
strAlbumStripped: "The Beatles at the Hollywood Bowl",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1977",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Live",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/svwuqw1376084491.jpg",
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strDescriptionEN:
"The Beatles at the Hollywood Bowl is a live album released in May 1977 featuring songs by The Beatles compiled from two live performances at the Hollywood Bowl during August 1964 and August 1965. The album was released by Capitol Records in the United States and Canada and on Parlophone in the United Kingdom.\n\nIn New Zealand it was to be pressed and released locally with the catalogue number PCS 6130 (the 6000 series was designated for EMI (NZ) only releases), but this did not occur. Instead New Zealand pressed this record and used the Australian catalogue number PCSO 7577. The album has never been officially released on CD.",
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"The Beatles at the Hollywood Bowl est le premier album live officiel des Beatles, publié le 4 mai 1977 aux États-Unis, et deux jours plus tard au Royaume-Uni. Paru sept ans après la séparation du groupe, il avait été enregistré lors des tournées américaines de 1964 et de 1965 des Fab Four (en fait, des concerts au Hollywood Bowl de Los Angeles donnés à une année d'écart), dans l'optique d'un disque pour le marché américain.\n\nLes bandes, saturées par les hurlements du public, ont dans un premier temps été délaissées pour leur piètre qualité. En 1977, Capitol Records demande au producteur George Martin de nettoyer les pistes pour produire un disque de bonne qualité. Le résultat est publié dans le monde entier, et si les anciens membres du groupe, non sollicités, se montrent déçus par le disque, il se classe néanmoins en tête des hit-parades britanniques et connaît un bon succès.\n\nMalgré une qualité altérée par les cris du public, le disque est considéré comme un précieux témoignage des prestations des Beatles en concert, aucun album live n'ayant été publié par le groupe durant son existence. Réédité dans une édition bon marché en 1984, il n'a par la suite jamais été publié officiellement sur CD.",
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"The Beatles at the Hollywood Bowl es un disco doble que contiene una selección grabada en directo de las canciones interpretadas por The Beatles en los conciertos ofrecidos en el Hollywood Bowl el 23 de agosto de 1964 y el 29 de agosto de 1965. El álbum se publicó por Capitol para Estados Unidos y para Inglaterra por Parlophone, como disco de larga duración en vinilo.\n\nLa grabación de los dos conciertos la realizó EMI, ya que George Martin quería lanzar un álbum en directo de The Beatles, pero los gritos de las fans eran tan fuertes que las cintas eran inaudibles; el álbum se editó finalmente en 1976, cuando la tecnología permitió una producción adecuada.",
strDescriptionPT:
"The Beatles at Hollywood Bowl é um álbum póstumo de música lançado pelo grupo de rock inglês The Beatles em 1977. O álbum traz músicas gravadas ao vivo no Hollywood Bowl em Los Angeles durante a tournê de 1964 e 1965. Lançado em vinil, o álbum não foi relançado em cd.",
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idAlbum: "2176171",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Hey Jude",
strAlbumStripped: "Hey Jude",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1970",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Compilation",
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strDescriptionEN:
'Hey Jude (original title: The Beatles Again) is a 1970 collection of non-album singles and B-sides by the Beatles. It included "I Should Have Known Better" and "Can\'t Buy Me Love", two singles released by Capitol Records whose only previous American album appearance had been on the A Hard Day\'s Night soundtrack album which had been released by United Artists Records. It is currently out of print.\n\nContrary to popular belief, the Hey Jude album was not compiled by Capitol; the project was conceived by Allen Klein and Apple Records. Klein had negotiated a more lucrative contract for the Beatles in 1969 and was anxious to sweeten the pot with an additional album. He directed Allan Steckler of Abkco/Apple to work on an album. Steckler chose songs that had not appeared on a Capitol album in the United States and which spanned the group\'s career. He also focused more on recent singles than on earlier material. The absence of the songs from a US Capitol album was partially a consequence of the Beatles\' unwillingness to include single releases on their contemporaneous albums, partially a consequence of their arrangement with United Artists in 1964 and partially due to the habit (of EMI affiliates worldwide) of recompiling the Beatles\' British releases for local markets. Steckler chose not to include "A Hard Day\'s Night", which had been released as a single by Capitol and was available on the United Artists soundtrack album, "I\'m Down", which was the B-Side of "Help!", and "The Inner Light", which was the B-Side of "Lady Madonna". He also overlooked "From Me to You", "Misery", and "There\'s a Place", which were first issued in the US by Vee Jay Records but had not yet been issued on a Capitol album. "Sie Liebt Dich", a German-language version of "She Loves You", and the single version of "Get Back" were also ignored.\n\nSteckler and Apple had become disappointed with the Capitol Records release schedules and determined to promote the new album themselves. Steckler also took the tapes to Sam Feldman at Bell Sound Studios (in New York), rather than delivering them to Capitol. He would do this for several releases thereafter.\n\nOriginally, the album was to be named The Beatles Again. Shortly before the record was released, however, the title was changed to Hey Jude in order to promote the inclusion of the top-selling song that led off side two. The name-change occurred after the labels were printed, and an untold number of copies of the album were sold with Apple labels on the vinyl containing the title The Beatles Again. This was also true for cassette copies of the album, which retained the original title. Neither the front nor the back of the album jacket displayed the record\'s title (or the name of the band), but most copies were sold in a jacket whose spine read Hey Jude. In an attempt to clear up any confusion caused by the preprinted labels, initial copies of the album displayed a sticker on the cover bearing the title Hey Jude. The edition of the album with The Beatles Again label bore catalogue number SO-385 on the label but not on the jacket. This is because of a similarly timed decision to reduce the price from $6.98 (SO- prefix) to $5.98 (SW- prefix). The record jacket was prepared late enough so that it lists the catalogue number as SW-385. The SW-385 catalogue number appears on the label of later pressings that bear the title Hey Jude on the label.\n\nKlein authorised release of the album as a sales buffer during post-production of the delayed Let It Be. In 2007 Neil Aspinall claimed that the back cover was supposed to be the front cover and vice versa but that Klein had reversed them in error. This is not entirely true. At least three prototype cover designs are known to exist, with the earliest of those showing the photos "reversed." Apparently, the art department made the determination that the photo that now appears on the front cover was better suited for that purpose. Bruce Spizer\'s book, The Beatles on Apple Records, contains many previously unknown details about the release. The front and back cover pictures were taken at the last-ever Beatles photo session, on 22 August 1969, at John Lennon\'s new house, Tittenhurst Park.',
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"Hey Jude (titre original : The Beatles Again) est une compilation de singles et de faces B des Beatles, publiée en 1970.\n\nLe disque Sgt. Pepper's Lonely Hearts Club Band, est le premier album publié en Amérique par Capitol Records qui sera identique à la version britannique. Précédemment, le label américain modifiait la séquence des chansons, rajoutaient les pièces parues en singles et, surtout, limitaient le nombre de chansons à onze ou douze au lieu de quatorze comme en Angleterre. Résultat, en 1970, la discographie américaine comptait 17 albums au lieu des 12 de la discographie maintenant officielle. À partir du moment où les disques étaient identiques de part et d'autre de l'Atlantique, plusieurs chansons publiées en 45 tours demeuraient « orphelines ».\n\nLes singles de l'année 1967 ont été rajoutés aux six chansons de la trame sonore du téléfilm Magical Mystery Tour, commercialisée en Angleterre en format double maxi. Cette version 33 tours deviendra, à partir de 1976, le seul disque américain à devenir un album officiel de la discographie des Beatles.\n\nQuelques mois avant la sortie de Let It Be, Allen Klein, le nouveau manager des Beatles, créa la compilation The Beatles Again qui incorporait plusieurs autres chansons encore introuvables en format long jeu. Tout juste avant sa sortie, le titre fut changé pour capitaliser sur le succès de la chanson Hey Jude1. Ce 33 tours se retrouvera, entre autres, dans les magasins des États-Unis, du Canada, d'Australie, d'Espagne, d'Allemagne, de France, de Grèce, du Japon, du Mexique et de plusieurs pays d'Amerique du Sud. Très populaire en importation, il sera finalement publié en Angleterre, le 11 mai 1979.\n\nLe disque Hey Jude n'a jamais été édité sur CD. Les deux premières pièces, qui avaient déjà été publiées, en 1964, sur la trame sonore américaine du film A Hard Day's Night, parue sur l'étiquette United Artists2, se retrouvent désormais sur le disque du même nom. Toutes les autres chansons sont maintenant disponibles dans la compilation Past Masters, parue en 1988 et rééditée en 2009, qui regroupe toutes les chansons qui n'étaient pas présentes sur les 33-tours britanniques. Les photos de la pochette de l'album, prises au domaine de Lennon à Tittenhurst Parkn 1, issues de la dernière session photo du groupe3, ont été intégrées à la pochette intérieure du CD remasterisé en 2009 du disque Abbey Road.",
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"Hey Jude (originalmente titulado: The Beatles Again) es un álbum recopilatorio de la banda británica The Beatles, publicado el 26 de febrero de 1970 por la compañía discográfica Apple Records. Contiene sencillos inéditos en álbumes y varios lados B, así como «I Should Have Known Better» y «Can't Buy Me Love», dos sencillos publicados por Capitol Records cuyas únicas apariciones anteriores en un álbum de Estados Unidos fue en A Hard Day's Night, banda sonora lanzada por United Artists de la película homónima.\n\nLa nueva era digital del CD vio el relanzamiento de los trabajos discográficos de The Beatles por todo el mundo, aunque para esta ocasión se omitió el recopilatorio Hey Jude. A pesar del relativo éxito en las ventas de este álbum, perdió toda su vigencia o posible interés con la salida al mercado de A Hard Days Night y sobre todo, del recopilatorio Past Masters - Volume Two (1988), los cuales contienen en su totalidad las canciones de Hey Jude. Por ese motivo, fue descontinuado y nunca se editó oficialmente en CD desde su original LP y casete.\n\nEs probable que este recopilatorio sea más recordado por su célebre portada y contraportada, las cuales corresponden a la última sesión fotográfica de la banda (y definitiva con los cuatro miembros). Aunque no trascendió mucha información al respecto, se conoce que este hecho tuvo lugar el 22 de agosto de 1969 en la nueva residencia de John Lennon para ese entonces, en Tittenhurst Park, Surrey, Inglaterra. El músico vivió en esa mansión hasta 1972, cuando se mudó junto a Yoko Ono a los Estados Unidos.\n\nPoco menos de dos años después de las sesiones fotográficas con The Beatles, Lennon filmaría en ese mismo sitio su documental Imagine entre junio y julio de 1971, con las grabaciones de su álbum en solitario del mismo nombre en Ascot Sound Studios.",
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intYearReleased: "1979",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Compilation",
intSales: "0",
strAlbumThumb: null,
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: "",
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescriptionEN:
'The Beatles Collection is a boxed set of vinyl albums released in the United States in November 1978 and the following month in the United Kingdom containing the official catalogue of The Beatles in stereo, and a new compilation called Rarities. The American issue by Capitol Records contained the British pressings of the same 12 original Beatles albums, with an American pressing of Rarities. The American pressing of Rarities differed from its British counterpart in that it included the previously released English-language versions of "She Loves You" and "I Want to Hold Your Hand," rather than the German-language version found on the British pressing. The American edition of the boxed set was a limited edition of only 3,000 numbered copies. The limited availability of the American release resulted in the British release becoming popular as an import into the US.',
strDescriptionDE: null,
strDescriptionFR: null,
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES: null,
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: null,
intScoreVotes: null,
strReview: "",
strMood: "Happy",
strTheme: "",
strSpeed: "Medium",
strLocation: null,
strMusicBrainzID: "3fe20166-34f6-429f-968b-c2ff9fcfcc00",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: null,
strWikidataID: null,
strWikipediaID: null,
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2235893",
idArtist: "111247",
idLabel: "43827",
strAlbum: "The Beatles",
strAlbumStripped: "The Beatles",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "2009",
strStyle: "Rock/Pop",
strGenre: "Rock & Roll",
strLabel: "EMI",
strReleaseFormat: "Compilation",
intSales: "0",
strAlbumThumb: null,
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: "",
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescriptionEN:
"The Beatles (The Original Studio Recordings) – also known as The Beatles: Stereo Box – is a boxed set compilation comprising all remastered recordings by British rock group the Beatles. The set was issued on 9 September 2009, along with the remastered mono recordings and companion The Beatles in Mono were also released, along with The Beatles: Rock Band video game. The remastering project for both mono and stereo versions was led by EMI senior studio engineers Allan Rouse and Guy Massey",
strDescriptionDE: null,
strDescriptionFR: null,
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES: null,
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: null,
intScoreVotes: null,
strReview: "",
strMood: "Happy",
strTheme: "",
strSpeed: "Medium",
strLocation: null,
strMusicBrainzID: "3002658c-fcf9-4f9b-9a41-c96ea3b9e2fc",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: null,
strWikidataID: null,
strWikipediaID: null,
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2261631",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Love Songs",
strAlbumStripped: "Love Songs",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1977",
strStyle: "Rock/Pop",
strGenre: "Rock",
strLabel: "EMI",
strReleaseFormat: "Compilation",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/xrspqp1533663867.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: "https://www.theaudiodb.com/images/media/album/cdart/srpssp1533663880.png",
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescription: null,
strDescriptionDE: null,
strDescriptionFR: null,
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES: null,
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: null,
intScoreVotes: null,
strReview: "",
strMood: "Happy",
strTheme: "",
strSpeed: "Medium",
strLocation: null,
strMusicBrainzID: "6846a427-d30d-358e-a11d-c33b9f51bbcf",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: null,
strWikidataID: null,
strWikipediaID: null,
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2299800",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Back in the U.S.S.R.",
strAlbumStripped: "Back in the USSR",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1976",
strStyle: null,
strGenre: null,
strLabel: "EMI",
strReleaseFormat: "Single",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/vqqvvp1522008500.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: "",
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescription: null,
strDescriptionDE: null,
strDescriptionFR: null,
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES: null,
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: null,
intScoreVotes: null,
strReview: null,
strMood: null,
strTheme: null,
strSpeed: null,
strLocation: null,
strMusicBrainzID: "8f30cdee-fd3f-3211-aae9-147e97510bce",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: null,
strWikidataID: null,
strWikipediaID: null,
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2328124",
idArtist: "111247",
idLabel: "43827",
strAlbum: "The Beatles’ Greatest",
strAlbumStripped: "The Beatles’ Greatest",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1965",
strStyle: null,
strGenre: null,
strLabel: "EMI",
strReleaseFormat: "Compilation",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/rxxrwx1568667310.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: null,
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescription: null,
strDescriptionDE: null,
strDescriptionFR: null,
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES: null,
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: null,
intScoreVotes: null,
strReview: null,
strMood: null,
strTheme: null,
strSpeed: null,
strLocation: null,
strMusicBrainzID: "2af04578-5f1e-4c4c-bc75-72aa9d085bde",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: null,
strWikidataID: null,
strWikipediaID: null,
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strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2330254",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Alf Together Now",
strAlbumStripped: "Alf Together Now",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "2001",
strStyle: null,
strGenre: null,
strLabel: "EMI",
strReleaseFormat: "Album",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/wr4xnc1613120260.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: null,
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescription: null,
strDescriptionDE: null,
strDescriptionFR: null,
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES: null,
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
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intLoved: null,
intScore: null,
intScoreVotes: null,
strReview: null,
strMood: null,
strTheme: null,
strSpeed: null,
strLocation: null,
strMusicBrainzID: "cc638abf-bdde-4681-9a8c-eb6353da177c",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: null,
strWikidataID: null,
strWikipediaID: null,
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2330255",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Twist and Shout",
strAlbumStripped: "Twist and Shout",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1964",
strStyle: null,
strGenre: null,
strLabel: "EMI",
strReleaseFormat: "Album",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/hqtfrl1613120567.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: null,
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescription: null,
strDescriptionDE: null,
strDescriptionFR: null,
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES: null,
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: null,
intScoreVotes: null,
strReview: null,
strMood: null,
strTheme: null,
strSpeed: null,
strLocation: null,
strMusicBrainzID: "31770e0a-e537-376d-a7c0-48e507f3105e",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: null,
strWikidataID: null,
strWikipediaID: null,
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2330261",
idArtist: "111247",
idLabel: "43827",
strAlbum: "The Beatles’ Long Tall Sally",
strAlbumStripped: "The Beatles’ Long Tall Sally",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1964",
strStyle: null,
strGenre: null,
strLabel: "EMI",
strReleaseFormat: "Album",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/0fh1tr1613120676.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: null,
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescription: null,
strDescriptionDE: null,
strDescriptionFR: null,
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES: null,
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: null,
intScoreVotes: null,
strReview: null,
strMood: null,
strTheme: null,
strSpeed: null,
strLocation: null,
strMusicBrainzID: "d0c93a59-fc4d-3d76-ac38-9c1d11071802",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: null,
strWikidataID: null,
strWikipediaID: null,
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
{
idAlbum: "2330262",
idArtist: "111247",
idLabel: "43827",
strAlbum: "Decca Sessions 1.1.62",
strAlbumStripped: "Decca Sessions 1162",
strArtist: "The Beatles",
strArtistStripped: "The Beatles",
intYearReleased: "1987",
strStyle: null,
strGenre: null,
strLabel: "EMI",
strReleaseFormat: "Album",
intSales: "0",
strAlbumThumb: "https://www.theaudiodb.com/images/media/album/thumb/tp1emo1613120453.jpg",
strAlbumThumbHQ: null,
strAlbumThumbBack: null,
strAlbumCDart: null,
strAlbumSpine: null,
strAlbum3DCase: null,
strAlbum3DFlat: null,
strAlbum3DFace: null,
strAlbum3DThumb: null,
strDescription: null,
strDescriptionDE: null,
strDescriptionFR: null,
strDescriptionCN: null,
strDescriptionIT: null,
strDescriptionJP: null,
strDescriptionRU: null,
strDescriptionES: null,
strDescriptionPT: null,
strDescriptionSE: null,
strDescriptionNL: null,
strDescriptionHU: null,
strDescriptionNO: null,
strDescriptionIL: null,
strDescriptionPL: null,
intLoved: null,
intScore: null,
intScoreVotes: null,
strReview: null,
strMood: null,
strTheme: null,
strSpeed: null,
strLocation: null,
strMusicBrainzID: "dab0ccaf-ed6b-4da7-b052-46cce264ff5f",
strMusicBrainzArtistID: "b10bbbfc-cf9e-42e0-be17-e2c3e1d2600d",
strAllMusicID: null,
strBBCReviewID: null,
strRateYourMusicID: null,
strDiscogsID: null,
strWikidataID: null,
strWikipediaID: null,
strGeniusID: null,
strLyricWikiID: null,
strMusicMozID: null,
strItunesID: null,
strAmazonID: null,
strLocked: "unlocked",
},
];
export default albums;
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