Parcelled, rolled, compressed and enfolded into the dimensions beyond the dimensions beyond the ones you could see and understand; that was where the Sublime was, and it was a maze-like series of right-angle turns away from this, from normal, three-dimensional reality where she stood on a high platform at sunset, thinking about it.
Cossont had a hard enough time really comprehending hyperspace, the fourth dimension, let alone the next three or four that somehow encompassed the Reality and allowed for nested universes to climb away from the universe-creating singularity at the centre of things and either circle back round some immense cosmic doughnut to be re-compacted and born again, or radiate away into whatever it was that surrounded this mind-boggling ultra-universe.
And the Sublimed lay in dimensions beyond even that; unutterably microscopic, unassailably far away but at the same time everywhere, shot through the fabric of space-time not so much like the individual fibres of this metaphorical weave, or their tiniest filaments or their molecules or their atoms or their sub-atomic particles but – pointedly – like the infinitesimal strings that made up those, that made up everything. In dimensions seven to eleven; that was where the Sublimed lay.
- Hydrogen Sonata, Chapter Two: (S -23)