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1609 | |
THE SONNETS | |
by William Shakespeare | |
1 | |
From fairest creatures we desire increase, | |
That thereby beauty's rose might never die, | |
But as the riper should by time decease, | |
His tender heir might bear his memory: | |
But thou contracted to thine own bright eyes, | |
Feed'st thy light's flame with self-substantial fuel, | |
Making a famine where abundance lies, | |
Thy self thy foe, to thy sweet self too cruel: | |
Thou that art now the world's fresh ornament, | |
And only herald to the gaudy spring, | |
Within thine own bud buriest thy content, | |
And tender churl mak'st waste in niggarding: | |
Pity the world, or else this glutton be, | |
To eat the world's due, by the grave and thee. | |
2 | |
When forty winters shall besiege thy brow, | |
And dig deep trenches in thy beauty's field, | |
Thy youth's proud livery so gazed on now, | |
Will be a tattered weed of small worth held: | |
Then being asked, where all thy beauty lies, | |
Where all the treasure of thy lusty days; | |
To say within thine own deep sunken eyes, | |
Were an all-eating shame, and thriftless praise. | |
How much more praise deserved thy beauty's use, | |
If thou couldst answer 'This fair child of mine | |
Shall sum my count, and make my old excuse' | |
Proving his beauty by succession thine. | |
This were to be new made when thou art old, | |
And see thy blood warm when thou feel'st it cold. | |
3 | |
Look in thy glass and tell the face thou viewest, | |
Now is the time that face should form another, | |
Whose fresh repair if now thou not renewest, | |
Thou dost beguile the world, unbless some mother. | |
For where is she so fair whose uneared womb | |
Disdains the tillage of thy husbandry? | |
Or who is he so fond will be the tomb, | |
Of his self-love to stop posterity? | |
Thou art thy mother's glass and she in thee | |
Calls back the lovely April of her prime, | |
So thou through windows of thine age shalt see, | |
Despite of wrinkles this thy golden time. | |
But if thou live remembered not to be, | |
Die single and thine image dies with thee. | |
4 | |
Unthrifty loveliness why dost thou spend, | |
Upon thy self thy beauty's legacy? | |
Nature's bequest gives nothing but doth lend, | |
And being frank she lends to those are free: | |
Then beauteous niggard why dost thou abuse, | |
The bounteous largess given thee to give? | |
Profitless usurer why dost thou use | |
So great a sum of sums yet canst not live? | |
For having traffic with thy self alone, | |
Thou of thy self thy sweet self dost deceive, | |
Then how when nature calls thee to be gone, | |
What acceptable audit canst thou leave? | |
Thy unused beauty must be tombed with thee, | |
Which used lives th' executor to be. | |
5 | |
Those hours that with gentle work did frame | |
The lovely gaze where every eye doth dwell | |
Will play the tyrants to the very same, | |
And that unfair which fairly doth excel: | |
For never-resting time leads summer on | |
To hideous winter and confounds him there, | |
Sap checked with frost and lusty leaves quite gone, | |
Beauty o'er-snowed and bareness every where: | |
Then were not summer's distillation left | |
A liquid prisoner pent in walls of glass, | |
Beauty's effect with beauty were bereft, | |
Nor it nor no remembrance what it was. | |
But flowers distilled though they with winter meet, | |
Leese but their show, their substance still lives sweet. | |
6 | |
Then let not winter's ragged hand deface, | |
In thee thy summer ere thou be distilled: | |
Make sweet some vial; treasure thou some place, | |
With beauty's treasure ere it be self-killed: | |
That use is not forbidden usury, | |
Which happies those that pay the willing loan; | |
That's for thy self to breed another thee, | |
Or ten times happier be it ten for one, | |
Ten times thy self were happier than thou art, | |
If ten of thine ten times refigured thee: | |
Then what could death do if thou shouldst depart, | |
Leaving thee living in posterity? | |
Be not self-willed for thou art much too fair, | |
To be death's conquest and make worms thine heir. | |
7 | |
Lo in the orient when the gracious light | |
Lifts up his burning head, each under eye | |
Doth homage to his new-appearing sight, | |
Serving with looks his sacred majesty, | |
And having climbed the steep-up heavenly hill, | |
Resembling strong youth in his middle age, | |
Yet mortal looks adore his beauty still, | |
Attending on his golden pilgrimage: | |
But when from highmost pitch with weary car, | |
Like feeble age he reeleth from the day, | |
The eyes (fore duteous) now converted are | |
From his low tract and look another way: | |
So thou, thy self out-going in thy noon: | |
Unlooked on diest unless thou get a son. | |
8 | |
Music to hear, why hear'st thou music sadly? | |
Sweets with sweets war not, joy delights in joy: | |
Why lov'st thou that which thou receiv'st not gladly, | |
Or else receiv'st with pleasure thine annoy? | |
If the true concord of well-tuned sounds, | |
By unions married do offend thine ear, | |
They do but sweetly chide thee, who confounds | |
In singleness the parts that thou shouldst bear: | |
Mark how one string sweet husband to another, | |
Strikes each in each by mutual ordering; | |
Resembling sire, and child, and happy mother, | |
Who all in one, one pleasing note do sing: | |
Whose speechless song being many, seeming one, | |
Sings this to thee, 'Thou single wilt prove none'. | |
9 | |
Is it for fear to wet a widow's eye, | |
That thou consum'st thy self in single life? | |
Ah, if thou issueless shalt hap to die, | |
The world will wail thee like a makeless wife, | |
The world will be thy widow and still weep, | |
That thou no form of thee hast left behind, | |
When every private widow well may keep, | |
By children's eyes, her husband's shape in mind: | |
Look what an unthrift in the world doth spend | |
Shifts but his place, for still the world enjoys it; | |
But beauty's waste hath in the world an end, | |
And kept unused the user so destroys it: | |
No love toward others in that bosom sits | |
That on himself such murd'rous shame commits. | |
10 | |
For shame deny that thou bear'st love to any | |
Who for thy self art so unprovident. | |
Grant if thou wilt, thou art beloved of many, | |
But that thou none lov'st is most evident: | |
For thou art so possessed with murd'rous hate, | |
That 'gainst thy self thou stick'st not to conspire, | |
Seeking that beauteous roof to ruinate | |
Which to repair should be thy chief desire: | |
O change thy thought, that I may change my mind, | |
Shall hate be fairer lodged than gentle love? | |
Be as thy presence is gracious and kind, | |
Or to thy self at least kind-hearted prove, | |
Make thee another self for love of me, | |
That beauty still may live in thine or thee. | |
11 | |
As fast as thou shalt wane so fast thou grow'st, | |
In one of thine, from that which thou departest, | |
And that fresh blood which youngly thou bestow'st, | |
Thou mayst call thine, when thou from youth convertest, | |
Herein lives wisdom, beauty, and increase, | |
Without this folly, age, and cold decay, | |
If all were minded so, the times should cease, | |
And threescore year would make the world away: | |
Let those whom nature hath not made for store, | |
Harsh, featureless, and rude, barrenly perish: | |
Look whom she best endowed, she gave thee more; | |
Which bounteous gift thou shouldst in bounty cherish: | |
She carved thee for her seal, and meant thereby, | |
Thou shouldst print more, not let that copy die. | |
12 | |
When I do count the clock that tells the time, | |
And see the brave day sunk in hideous night, | |
When I behold the violet past prime, | |
And sable curls all silvered o'er with white: | |
When lofty trees I see barren of leaves, | |
Which erst from heat did canopy the herd | |
And summer's green all girded up in sheaves | |
Borne on the bier with white and bristly beard: | |
Then of thy beauty do I question make | |
That thou among the wastes of time must go, | |
Since sweets and beauties do themselves forsake, | |
And die as fast as they see others grow, | |
And nothing 'gainst Time's scythe can make defence | |
Save breed to brave him, when he takes thee hence. | |
13 | |
O that you were your self, but love you are | |
No longer yours, than you your self here live, | |
Against this coming end you should prepare, | |
And your sweet semblance to some other give. | |
So should that beauty which you hold in lease | |
Find no determination, then you were | |
Your self again after your self's decease, | |
When your sweet issue your sweet form should bear. | |
Who lets so fair a house fall to decay, | |
Which husbandry in honour might uphold, | |
Against the stormy gusts of winter's day | |
And barren rage of death's eternal cold? | |
O none but unthrifts, dear my love you know, | |
You had a father, let your son say so. | |
14 | |
Not from the stars do I my judgement pluck, | |
And yet methinks I have astronomy, | |
But not to tell of good, or evil luck, | |
Of plagues, of dearths, or seasons' quality, | |
Nor can I fortune to brief minutes tell; | |
Pointing to each his thunder, rain and wind, | |
Or say with princes if it shall go well | |
By oft predict that I in heaven find. | |
But from thine eyes my knowledge I derive, | |
And constant stars in them I read such art | |
As truth and beauty shall together thrive | |
If from thy self, to store thou wouldst convert: | |
Or else of thee this I prognosticate, | |
Thy end is truth's and beauty's doom and date. | |
15 | |
When I consider every thing that grows | |
Holds in perfection but a little moment. | |
That this huge stage presenteth nought but shows | |
Whereon the stars in secret influence comment. | |
When I perceive that men as plants increase, | |
Cheered and checked even by the self-same sky: | |
Vaunt in their youthful sap, at height decrease, | |
And wear their brave state out of memory. | |
Then the conceit of this inconstant stay, | |
Sets you most rich in youth before my sight, | |
Where wasteful time debateth with decay | |
To change your day of youth to sullied night, | |
And all in war with Time for love of you, | |
As he takes from you, I engraft you new. | |
16 | |
But wherefore do not you a mightier way | |
Make war upon this bloody tyrant Time? | |
And fortify your self in your decay | |
With means more blessed than my barren rhyme? | |
Now stand you on the top of happy hours, | |
And many maiden gardens yet unset, | |
With virtuous wish would bear you living flowers, | |
Much liker than your painted counterfeit: | |
So should the lines of life that life repair | |
Which this (Time's pencil) or my pupil pen | |
Neither in inward worth nor outward fair | |
Can make you live your self in eyes of men. | |
To give away your self, keeps your self still, | |
And you must live drawn by your own sweet skill. | |
17 | |
Who will believe my verse in time to come | |
If it were filled with your most high deserts? | |
Though yet heaven knows it is but as a tomb | |
Which hides your life, and shows not half your parts: | |
If I could write the beauty of your eyes, | |
And in fresh numbers number all your graces, | |
The age to come would say this poet lies, | |
Such heavenly touches ne'er touched earthly faces. | |
So should my papers (yellowed with their age) | |
Be scorned, like old men of less truth than tongue, | |
And your true rights be termed a poet's rage, | |
And stretched metre of an antique song. | |
But were some child of yours alive that time, | |
You should live twice in it, and in my rhyme. | |
18 | |
Shall I compare thee to a summer's day? | |
Thou art more lovely and more temperate: | |
Rough winds do shake the darling buds of May, | |
And summer's lease hath all too short a date: | |
Sometime too hot the eye of heaven shines, | |
And often is his gold complexion dimmed, | |
And every fair from fair sometime declines, | |
By chance, or nature's changing course untrimmed: | |
But thy eternal summer shall not fade, | |
Nor lose possession of that fair thou ow'st, | |
Nor shall death brag thou wand'rest in his shade, | |
When in eternal lines to time thou grow'st, | |
So long as men can breathe or eyes can see, | |
So long lives this, and this gives life to thee. | |
19 | |
Devouring Time blunt thou the lion's paws, | |
And make the earth devour her own sweet brood, | |
Pluck the keen teeth from the fierce tiger's jaws, | |
And burn the long-lived phoenix, in her blood, | |
Make glad and sorry seasons as thou fleet'st, | |
And do whate'er thou wilt swift-footed Time | |
To the wide world and all her fading sweets: | |
But I forbid thee one most heinous crime, | |
O carve not with thy hours my love's fair brow, | |
Nor draw no lines there with thine antique pen, | |
Him in thy course untainted do allow, | |
For beauty's pattern to succeeding men. | |
Yet do thy worst old Time: despite thy wrong, | |
My love shall in my verse ever live young. | |
20 | |
A woman's face with nature's own hand painted, | |
Hast thou the master mistress of my passion, | |
A woman's gentle heart but not acquainted | |
With shifting change as is false women's fashion, | |
An eye more bright than theirs, less false in rolling: | |
Gilding the object whereupon it gazeth, | |
A man in hue all hues in his controlling, | |
Which steals men's eyes and women's souls amazeth. | |
And for a woman wert thou first created, | |
Till nature as she wrought thee fell a-doting, | |
And by addition me of thee defeated, | |
By adding one thing to my purpose nothing. | |
But since she pricked thee out for women's pleasure, | |
Mine be thy love and thy love's use their treasure. | |
21 | |
So is it not with me as with that muse, | |
Stirred by a painted beauty to his verse, | |
Who heaven it self for ornament doth use, | |
And every fair with his fair doth rehearse, | |
Making a couplement of proud compare | |
With sun and moon, with earth and sea's rich gems: | |
With April's first-born flowers and all things rare, | |
That heaven's air in this huge rondure hems. | |
O let me true in love but truly write, | |
And then believe me, my love is as fair, | |
As any mother's child, though not so bright | |
As those gold candles fixed in heaven's air: | |
Let them say more that like of hearsay well, | |
I will not praise that purpose not to sell. | |
22 | |
My glass shall not persuade me I am old, | |
So long as youth and thou are of one date, | |
But when in thee time's furrows I behold, | |
Then look I death my days should expiate. | |
For all that beauty that doth cover thee, | |
Is but the seemly raiment of my heart, | |
Which in thy breast doth live, as thine in me, | |
How can I then be elder than thou art? | |
O therefore love be of thyself so wary, | |
As I not for my self, but for thee will, | |
Bearing thy heart which I will keep so chary | |
As tender nurse her babe from faring ill. | |
Presume not on thy heart when mine is slain, | |
Thou gav'st me thine not to give back again. | |
23 | |
As an unperfect actor on the stage, | |
Who with his fear is put beside his part, | |
Or some fierce thing replete with too much rage, | |
Whose strength's abundance weakens his own heart; | |
So I for fear of trust, forget to say, | |
The perfect ceremony of love's rite, | |
And in mine own love's strength seem to decay, | |
O'ercharged with burthen of mine own love's might: | |
O let my looks be then the eloquence, | |
And dumb presagers of my speaking breast, | |
Who plead for love, and look for recompense, | |
More than that tongue that more hath more expressed. | |
O learn to read what silent love hath writ, | |
To hear with eyes belongs to love's fine wit. | |
24 | |
Mine eye hath played the painter and hath stelled, | |
Thy beauty's form in table of my heart, | |
My body is the frame wherein 'tis held, | |
And perspective it is best painter's art. | |
For through the painter must you see his skill, | |
To find where your true image pictured lies, | |
Which in my bosom's shop is hanging still, | |
That hath his windows glazed with thine eyes: | |
Now see what good turns eyes for eyes have done, | |
Mine eyes have drawn thy shape, and thine for me | |
Are windows to my breast, where-through the sun | |
Delights to peep, to gaze therein on thee; | |
Yet eyes this cunning want to grace their art, | |
They draw but what they see, know not the heart. | |
25 | |
Let those who are in favour with their stars, | |
Of public honour and proud titles boast, | |
Whilst I whom fortune of such triumph bars | |
Unlooked for joy in that I honour most; | |
Great princes' favourites their fair leaves spread, | |
But as the marigold at the sun's eye, | |
And in themselves their pride lies buried, | |
For at a frown they in their glory die. | |
The painful warrior famoused for fight, | |
After a thousand victories once foiled, | |
Is from the book of honour razed quite, | |
And all the rest forgot for which he toiled: | |
Then happy I that love and am beloved | |
Where I may not remove nor be removed. | |
26 | |
Lord of my love, to whom in vassalage | |
Thy merit hath my duty strongly knit; | |
To thee I send this written embassage | |
To witness duty, not to show my wit. | |
Duty so great, which wit so poor as mine | |
May make seem bare, in wanting words to show it; | |
But that I hope some good conceit of thine | |
In thy soul's thought (all naked) will bestow it: | |
Till whatsoever star that guides my moving, | |
Points on me graciously with fair aspect, | |
And puts apparel on my tattered loving, | |
To show me worthy of thy sweet respect, | |
Then may I dare to boast how I do love thee, | |
Till then, not show my head where thou mayst prove me. | |
27 | |
Weary with toil, I haste me to my bed, | |
The dear respose for limbs with travel tired, | |
But then begins a journey in my head | |
To work my mind, when body's work's expired. | |
For then my thoughts (from far where I abide) | |
Intend a zealous pilgrimage to thee, | |
And keep my drooping eyelids open wide, | |
Looking on darkness which the blind do see. | |
Save that my soul's imaginary sight | |
Presents thy shadow to my sightless view, | |
Which like a jewel (hung in ghastly night) | |
Makes black night beauteous, and her old face new. | |
Lo thus by day my limbs, by night my mind, | |
For thee, and for my self, no quiet find. | |
28 | |
How can I then return in happy plight | |
That am debarred the benefit of rest? | |
When day's oppression is not eased by night, | |
But day by night and night by day oppressed. | |
And each (though enemies to either's reign) | |
Do in consent shake hands to torture me, | |
The one by toil, the other to complain | |
How far I toil, still farther off from thee. | |
I tell the day to please him thou art bright, | |
And dost him grace when clouds do blot the heaven: | |
So flatter I the swart-complexioned night, | |
When sparkling stars twire not thou gild'st the even. | |
But day doth daily draw my sorrows longer, | |
And night doth nightly make grief's length seem stronger | |
29 | |
When in disgrace with Fortune and men's eyes, | |
I all alone beweep my outcast state, | |
And trouble deaf heaven with my bootless cries, | |
And look upon my self and curse my fate, | |
Wishing me like to one more rich in hope, | |
Featured like him, like him with friends possessed, | |
Desiring this man's art, and that man's scope, | |
With what I most enjoy contented least, | |
Yet in these thoughts my self almost despising, | |
Haply I think on thee, and then my state, | |
(Like to the lark at break of day arising | |
From sullen earth) sings hymns at heaven's gate, | |
For thy sweet love remembered such wealth brings, | |
That then I scorn to change my state with kings. | |
30 | |
When to the sessions of sweet silent thought, | |
I summon up remembrance of things past, | |
I sigh the lack of many a thing I sought, | |
And with old woes new wail my dear time's waste: | |
Then can I drown an eye (unused to flow) | |
For precious friends hid in death's dateless night, | |
And weep afresh love's long since cancelled woe, | |
And moan th' expense of many a vanished sight. | |
Then can I grieve at grievances foregone, | |
And heavily from woe to woe tell o'er | |
The sad account of fore-bemoaned moan, | |
Which I new pay as if not paid before. | |
But if the while I think on thee (dear friend) | |
All losses are restored, and sorrows end. | |
31 | |
Thy bosom is endeared with all hearts, | |
Which I by lacking have supposed dead, | |
And there reigns love and all love's loving parts, | |
And all those friends which I thought buried. | |
How many a holy and obsequious tear | |
Hath dear religious love stol'n from mine eye, | |
As interest of the dead, which now appear, | |
But things removed that hidden in thee lie. | |
Thou art the grave where buried love doth live, | |
Hung with the trophies of my lovers gone, | |
Who all their parts of me to thee did give, | |
That due of many, now is thine alone. | |
Their images I loved, I view in thee, | |
And thou (all they) hast all the all of me. | |
32 | |
If thou survive my well-contented day, | |
When that churl death my bones with dust shall cover | |
And shalt by fortune once more re-survey | |
These poor rude lines of thy deceased lover: | |
Compare them with the bett'ring of the time, | |
And though they be outstripped by every pen, | |
Reserve them for my love, not for their rhyme, | |
Exceeded by the height of happier men. | |
O then vouchsafe me but this loving thought, | |
'Had my friend's Muse grown with this growing age, | |
A dearer birth than this his love had brought | |
To march in ranks of better equipage: | |
But since he died and poets better prove, | |
Theirs for their style I'll read, his for his love'. | |
33 | |
Full many a glorious morning have I seen, | |
Flatter the mountain tops with sovereign eye, | |
Kissing with golden face the meadows green; | |
Gilding pale streams with heavenly alchemy: | |
Anon permit the basest clouds to ride, | |
With ugly rack on his celestial face, | |
And from the forlorn world his visage hide | |
Stealing unseen to west with this disgrace: | |
Even so my sun one early morn did shine, | |
With all triumphant splendour on my brow, | |
But out alack, he was but one hour mine, | |
The region cloud hath masked him from me now. | |
Yet him for this, my love no whit disdaineth, | |
Suns of the world may stain, when heaven's sun staineth. | |
34 | |
Why didst thou promise such a beauteous day, | |
And make me travel forth without my cloak, | |
To let base clouds o'ertake me in my way, | |
Hiding thy brav'ry in their rotten smoke? | |
'Tis not enough that through the cloud thou break, | |
To dry the rain on my storm-beaten face, | |
For no man well of such a salve can speak, | |
That heals the wound, and cures not the disgrace: | |
Nor can thy shame give physic to my grief, | |
Though thou repent, yet I have still the loss, | |
Th' offender's sorrow lends but weak relief | |
To him that bears the strong offence's cross. | |
Ah but those tears are pearl which thy love sheds, | |
And they are rich, and ransom all ill deeds. | |
35 | |
No more be grieved at that which thou hast done, | |
Roses have thorns, and silver fountains mud, | |
Clouds and eclipses stain both moon and sun, | |
And loathsome canker lives in sweetest bud. | |
All men make faults, and even I in this, | |
Authorizing thy trespass with compare, | |
My self corrupting salving thy amiss, | |
Excusing thy sins more than thy sins are: | |
For to thy sensual fault I bring in sense, | |
Thy adverse party is thy advocate, | |
And 'gainst my self a lawful plea commence: | |
Such civil war is in my love and hate, | |
That I an accessary needs must be, | |
To that sweet thief which sourly robs from me. | |
36 | |
Let me confess that we two must be twain, | |
Although our undivided loves are one: | |
So shall those blots that do with me remain, | |
Without thy help, by me be borne alone. | |
In our two loves there is but one respect, | |
Though in our lives a separable spite, | |
Which though it alter not love's sole effect, | |
Yet doth it steal sweet hours from love's delight. | |
I may not evermore acknowledge thee, | |
Lest my bewailed guilt should do thee shame, | |
Nor thou with public kindness honour me, | |
Unless thou take that honour from thy name: | |
But do not so, I love thee in such sort, | |
As thou being mine, mine is thy good report. | |
37 | |
As a decrepit father takes delight, | |
To see his active child do deeds of youth, | |
So I, made lame by Fortune's dearest spite | |
Take all my comfort of thy worth and truth. | |
For whether beauty, birth, or wealth, or wit, | |
Or any of these all, or all, or more | |
Entitled in thy parts, do crowned sit, | |
I make my love engrafted to this store: | |
So then I am not lame, poor, nor despised, | |
Whilst that this shadow doth such substance give, | |
That I in thy abundance am sufficed, | |
And by a part of all thy glory live: | |
Look what is best, that best I wish in thee, | |
This wish I have, then ten times happy me. | |
38 | |
How can my muse want subject to invent | |
While thou dost breathe that pour'st into my verse, | |
Thine own sweet argument, too excellent, | |
For every vulgar paper to rehearse? | |
O give thy self the thanks if aught in me, | |
Worthy perusal stand against thy sight, | |
For who's so dumb that cannot write to thee, | |
When thou thy self dost give invention light? | |
Be thou the tenth Muse, ten times more in worth | |
Than those old nine which rhymers invocate, | |
And he that calls on thee, let him bring forth | |
Eternal numbers to outlive long date. | |
If my slight muse do please these curious days, | |
The pain be mine, but thine shall be the praise. | |
39 | |
O how thy worth with manners may I sing, | |
When thou art all the better part of me? | |
What can mine own praise to mine own self bring: | |
And what is't but mine own when I praise thee? | |
Even for this, let us divided live, | |
And our dear love lose name of single one, | |
That by this separation I may give: | |
That due to thee which thou deserv'st alone: | |
O absence what a torment wouldst thou prove, | |
Were it not thy sour leisure gave sweet leave, | |
To entertain the time with thoughts of love, | |
Which time and thoughts so sweetly doth deceive. | |
And that thou teachest how to make one twain, | |
By praising him here who doth hence remain. | |
40 | |
Take all my loves, my love, yea take them all, | |
What hast thou then more than thou hadst before? | |
No love, my love, that thou mayst true love call, | |
All mine was thine, before thou hadst this more: | |
Then if for my love, thou my love receivest, | |
I cannot blame thee, for my love thou usest, | |
But yet be blamed, if thou thy self deceivest | |
By wilful taste of what thy self refusest. | |
I do forgive thy robbery gentle thief | |
Although thou steal thee all my poverty: | |
And yet love knows it is a greater grief | |
To bear greater wrong, than hate's known injury. | |
Lascivious grace, in whom all ill well shows, | |
Kill me with spites yet we must not be foes. | |
41 | |
Those pretty wrongs that liberty commits, | |
When I am sometime absent from thy heart, | |
Thy beauty, and thy years full well befits, | |
For still temptation follows where thou art. | |
Gentle thou art, and therefore to be won, | |
Beauteous thou art, therefore to be assailed. | |
And when a woman woos, what woman's son, | |
Will sourly leave her till he have prevailed? | |
Ay me, but yet thou mightst my seat forbear, | |
And chide thy beauty, and thy straying youth, | |
Who lead thee in their riot even there | |
Where thou art forced to break a twofold truth: | |
Hers by thy beauty tempting her to thee, | |
Thine by thy beauty being false to me. | |
42 | |
That thou hast her it is not all my grief, | |
And yet it may be said I loved her dearly, | |
That she hath thee is of my wailing chief, | |
A loss in love that touches me more nearly. | |
Loving offenders thus I will excuse ye, | |
Thou dost love her, because thou know'st I love her, | |
And for my sake even so doth she abuse me, | |
Suff'ring my friend for my sake to approve her. | |
If I lose thee, my loss is my love's gain, | |
And losing her, my friend hath found that loss, | |
Both find each other, and I lose both twain, | |
And both for my sake lay on me this cross, | |
But here's the joy, my friend and I are one, | |
Sweet flattery, then she loves but me alone. | |
43 | |
When most I wink then do mine eyes best see, | |
For all the day they view things unrespected, | |
But when I sleep, in dreams they look on thee, | |
And darkly bright, are bright in dark directed. | |
Then thou whose shadow shadows doth make bright | |
How would thy shadow's form, form happy show, | |
To the clear day with thy much clearer light, | |
When to unseeing eyes thy shade shines so! | |
How would (I say) mine eyes be blessed made, | |
By looking on thee in the living day, | |
When in dead night thy fair imperfect shade, | |
Through heavy sleep on sightless eyes doth stay! | |
All days are nights to see till I see thee, | |
And nights bright days when dreams do show thee me. | |
44 | |
If the dull substance of my flesh were thought, | |
Injurious distance should not stop my way, | |
For then despite of space I would be brought, | |
From limits far remote, where thou dost stay, | |
No matter then although my foot did stand | |
Upon the farthest earth removed from thee, | |
For nimble thought can jump both sea and land, | |
As soon as think the place where he would be. | |
But ah, thought kills me that I am not thought | |
To leap large lengths of miles when thou art gone, | |
But that so much of earth and water wrought, | |
I must attend, time's leisure with my moan. | |
Receiving nought by elements so slow, | |
But heavy tears, badges of either's woe. | |
45 | |
The other two, slight air, and purging fire, | |
Are both with thee, wherever I abide, | |
The first my thought, the other my desire, | |
These present-absent with swift motion slide. | |
For when these quicker elements are gone | |
In tender embassy of love to thee, | |
My life being made of four, with two alone, | |
Sinks down to death, oppressed with melancholy. | |
Until life's composition be recured, | |
By those swift messengers returned from thee, | |
Who even but now come back again assured, | |
Of thy fair health, recounting it to me. | |
This told, I joy, but then no longer glad, | |
I send them back again and straight grow sad. | |
46 | |
Mine eye and heart are at a mortal war, | |
How to divide the conquest of thy sight, | |
Mine eye, my heart thy picture's sight would bar, | |
My heart, mine eye the freedom of that right, | |
My heart doth plead that thou in him dost lie, | |
(A closet never pierced with crystal eyes) | |
But the defendant doth that plea deny, | |
And says in him thy fair appearance lies. | |
To side this title is impanelled | |
A quest of thoughts, all tenants to the heart, | |
And by their verdict is determined | |
The clear eye's moiety, and the dear heart's part. | |
As thus, mine eye's due is thy outward part, | |
And my heart's right, thy inward love of heart. | |
47 | |
Betwixt mine eye and heart a league is took, | |
And each doth good turns now unto the other, | |
When that mine eye is famished for a look, | |
Or heart in love with sighs himself doth smother; | |
With my love's picture then my eye doth feast, | |
And to the painted banquet bids my heart: | |
Another time mine eye is my heart's guest, | |
And in his thoughts of love doth share a part. | |
So either by thy picture or my love, | |
Thy self away, art present still with me, | |
For thou not farther than my thoughts canst move, | |
And I am still with them, and they with thee. | |
Or if they sleep, thy picture in my sight | |
Awakes my heart, to heart's and eye's delight. | |
48 | |
How careful was I when I took my way, | |
Each trifle under truest bars to thrust, | |
That to my use it might unused stay | |
From hands of falsehood, in sure wards of trust! | |
But thou, to whom my jewels trifles are, | |
Most worthy comfort, now my greatest grief, | |
Thou best of dearest, and mine only care, | |
Art left the prey of every vulgar thief. | |
Thee have I not locked up in any chest, | |
Save where thou art not, though I feel thou art, | |
Within the gentle closure of my breast, | |
From whence at pleasure thou mayst come and part, | |
And even thence thou wilt be stol'n I fear, | |
For truth proves thievish for a prize so dear. | |
49 | |
Against that time (if ever that time come) | |
When I shall see thee frown on my defects, | |
When as thy love hath cast his utmost sum, | |
Called to that audit by advised respects, | |
Against that time when thou shalt strangely pass, | |
And scarcely greet me with that sun thine eye, | |
When love converted from the thing it was | |
Shall reasons find of settled gravity; | |
Against that time do I ensconce me here | |
Within the knowledge of mine own desert, | |
And this my hand, against my self uprear, | |
To guard the lawful reasons on thy part, | |
To leave poor me, thou hast the strength of laws, | |
Since why to love, I can allege no cause. | |
50 | |
How heavy do I journey on the way, | |
When what I seek (my weary travel's end) | |
Doth teach that case and that repose to say | |
'Thus far the miles are measured from thy friend.' | |
The beast that bears me, tired with my woe, | |
Plods dully on, to bear that weight in me, | |
As if by some instinct the wretch did know | |
His rider loved not speed being made from thee: | |
The bloody spur cannot provoke him on, | |
That sometimes anger thrusts into his hide, | |
Which heavily he answers with a groan, | |
More sharp to me than spurring to his side, | |
For that same groan doth put this in my mind, | |
My grief lies onward and my joy behind. | |
51 | |
Thus can my love excuse the slow offence, | |
Of my dull bearer, when from thee I speed, | |
From where thou art, why should I haste me thence? | |
Till I return of posting is no need. | |
O what excuse will my poor beast then find, | |
When swift extremity can seem but slow? | |
Then should I spur though mounted on the wind, | |
In winged speed no motion shall I know, | |
Then can no horse with my desire keep pace, | |
Therefore desire (of perfect'st love being made) | |
Shall neigh (no dull flesh) in his fiery race, | |
But love, for love, thus shall excuse my jade, | |
Since from thee going, he went wilful-slow, | |
Towards thee I'll run, and give him leave to go. | |
52 | |
So am I as the rich whose blessed key, | |
Can bring him to his sweet up-locked treasure, | |
The which he will not every hour survey, | |
For blunting the fine point of seldom pleasure. | |
Therefore are feasts so solemn and so rare, | |
Since seldom coming in that long year set, | |
Like stones of worth they thinly placed are, | |
Or captain jewels in the carcanet. | |
So is the time that keeps you as my chest | |
Or as the wardrobe which the robe doth hide, | |
To make some special instant special-blest, | |
By new unfolding his imprisoned pride. | |
Blessed are you whose worthiness gives scope, | |
Being had to triumph, being lacked to hope. | |
53 | |
What is your substance, whereof are you made, | |
That millions of strange shadows on you tend? | |
Since every one, hath every one, one shade, | |
And you but one, can every shadow lend: | |
Describe Adonis and the counterfeit, | |
Is poorly imitated after you, | |
On Helen's cheek all art of beauty set, | |
And you in Grecian tires are painted new: | |
Speak of the spring, and foison of the year, | |
The one doth shadow of your beauty show, | |
The other as your bounty doth appear, | |
And you in every blessed shape we know. | |
In all external grace you have some part, | |
But you like none, none you for constant heart. | |
54 | |
O how much more doth beauty beauteous seem, | |
By that sweet ornament which truth doth give! | |
The rose looks fair, but fairer we it deem | |
For that sweet odour, which doth in it live: | |
The canker blooms have full as deep a dye, | |
As the perfumed tincture of the roses, | |
Hang on such thorns, and play as wantonly, | |
When summer's breath their masked buds discloses: | |
But for their virtue only is their show, | |
They live unwooed, and unrespected fade, | |
Die to themselves. Sweet roses do not so, | |
Of their sweet deaths, are sweetest odours made: | |
And so of you, beauteous and lovely youth, | |
When that shall vade, by verse distills your truth. | |
55 | |
Not marble, nor the gilded monuments | |
Of princes shall outlive this powerful rhyme, | |
But you shall shine more bright in these contents | |
Than unswept stone, besmeared with sluttish time. | |
When wasteful war shall statues overturn, | |
And broils root out the work of masonry, | |
Nor Mars his sword, nor war's quick fire shall burn: | |
The living record of your memory. | |
'Gainst death, and all-oblivious enmity | |
Shall you pace forth, your praise shall still find room, | |
Even in the eyes of all posterity | |
That wear this world out to the ending doom. | |
So till the judgment that your self arise, | |
You live in this, and dwell in lovers' eyes. | |
56 | |
Sweet love renew thy force, be it not said | |
Thy edge should blunter be than appetite, | |
Which but to-day by feeding is allayed, | |
To-morrow sharpened in his former might. | |
So love be thou, although to-day thou fill | |
Thy hungry eyes, even till they wink with fulness, | |
To-morrow see again, and do not kill | |
The spirit of love, with a perpetual dulness: | |
Let this sad interim like the ocean be | |
Which parts the shore, where two contracted new, | |
Come daily to the banks, that when they see: | |
Return of love, more blest may be the view. | |
Or call it winter, which being full of care, | |
Makes summer's welcome, thrice more wished, more rare. | |
57 | |
Being your slave what should I do but tend, | |
Upon the hours, and times of your desire? | |
I have no precious time at all to spend; | |
Nor services to do till you require. | |
Nor dare I chide the world-without-end hour, | |
Whilst I (my sovereign) watch the clock for you, | |
Nor think the bitterness of absence sour, | |
When you have bid your servant once adieu. | |
Nor dare I question with my jealous thought, | |
Where you may be, or your affairs suppose, | |
But like a sad slave stay and think of nought | |
Save where you are, how happy you make those. | |
So true a fool is love, that in your will, | |
(Though you do any thing) he thinks no ill. | |
58 | |
That god forbid, that made me first your slave, | |
I should in thought control your times of pleasure, | |
Or at your hand th' account of hours to crave, | |
Being your vassal bound to stay your leisure. | |
O let me suffer (being at your beck) | |
Th' imprisoned absence of your liberty, | |
And patience tame to sufferance bide each check, | |
Without accusing you of injury. | |
Be where you list, your charter is so strong, | |
That you your self may privilage your time | |
To what you will, to you it doth belong, | |
Your self to pardon of self-doing crime. | |
I am to wait, though waiting so be hell, | |
Not blame your pleasure be it ill or well. | |
59 | |
If there be nothing new, but that which is, | |
Hath been before, how are our brains beguiled, | |
Which labouring for invention bear amis | |
The second burthen of a former child! | |
O that record could with a backward look, | |
Even of five hundred courses of the sun, | |
Show me your image in some antique book, | |
Since mind at first in character was done. | |
That I might see what the old world could say, | |
To this composed wonder of your frame, | |
Whether we are mended, or whether better they, | |
Or whether revolution be the same. | |
O sure I am the wits of former days, | |
To subjects worse have given admiring praise. | |
60 | |
Like as the waves make towards the pebbled shore, | |
So do our minutes hasten to their end, | |
Each changing place with that which goes before, | |
In sequent toil all forwards do contend. | |
Nativity once in the main of light, | |
Crawls to maturity, wherewith being crowned, | |
Crooked eclipses 'gainst his glory fight, | |
And Time that gave, doth now his gift confound. | |
Time doth transfix the flourish set on youth, | |
And delves the parallels in beauty's brow, | |
Feeds on the rarities of nature's truth, | |
And nothing stands but for his scythe to mow. | |
And yet to times in hope, my verse shall stand | |
Praising thy worth, despite his cruel hand. | |
61 | |
Is it thy will, thy image should keep open | |
My heavy eyelids to the weary night? | |
Dost thou desire my slumbers should be broken, | |
While shadows like to thee do mock my sight? | |
Is it thy spirit that thou send'st from thee | |
So far from home into my deeds to pry, | |
To find out shames and idle hours in me, | |
The scope and tenure of thy jealousy? | |
O no, thy love though much, is not so great, | |
It is my love that keeps mine eye awake, | |
Mine own true love that doth my rest defeat, | |
To play the watchman ever for thy sake. | |
For thee watch I, whilst thou dost wake elsewhere, | |
From me far off, with others all too near. | |
62 | |
Sin of self-love possesseth all mine eye, | |
And all my soul, and all my every part; | |
And for this sin there is no remedy, | |
It is so grounded inward in my heart. | |
Methinks no face so gracious is as mine, | |
No shape so true, no truth of such account, | |
And for my self mine own worth do define, | |
As I all other in all worths surmount. | |
But when my glass shows me my self indeed | |
beated and chopt with tanned antiquity, | |
Mine own self-love quite contrary I read: | |
Self, so self-loving were iniquity. | |
'Tis thee (my self) that for my self I praise, | |
Painting my age with beauty of thy days. | |
63 | |
Against my love shall be as I am now | |
With Time's injurious hand crushed and o'erworn, | |
When hours have drained his blood and filled his brow | |
With lines and wrinkles, when his youthful morn | |
Hath travelled on to age's steepy night, | |
And all those beauties whereof now he's king | |
Are vanishing, or vanished out of sight, | |
Stealing away the treasure of his spring: | |
For such a time do I now fortify | |
Against confounding age's cruel knife, | |
That he shall never cut from memory | |
My sweet love's beauty, though my lover's life. | |
His beauty shall in these black lines be seen, | |
And they shall live, and he in them still green. | |
64 | |
When I have seen by Time's fell hand defaced | |
The rich-proud cost of outworn buried age, | |
When sometime lofty towers I see down-rased, | |
And brass eternal slave to mortal rage. | |
When I have seen the hungry ocean gain | |
Advantage on the kingdom of the shore, | |
And the firm soil win of the watery main, | |
Increasing store with loss, and loss with store. | |
When I have seen such interchange of State, | |
Or state it self confounded, to decay, | |
Ruin hath taught me thus to ruminate | |
That Time will come and take my love away. | |
This thought is as a death which cannot choose | |
But weep to have, that which it fears to lose. | |
65 | |
Since brass, nor stone, nor earth, nor boundless sea, | |
But sad mortality o'ersways their power, | |
How with this rage shall beauty hold a plea, | |
Whose action is no stronger than a flower? | |
O how shall summer's honey breath hold out, | |
Against the wrackful siege of batt'ring days, | |
When rocks impregnable are not so stout, | |
Nor gates of steel so strong but time decays? | |
O fearful meditation, where alack, | |
Shall Time's best jewel from Time's chest lie hid? | |
Or what strong hand can hold his swift foot back, | |
Or who his spoil of beauty can forbid? | |
O none, unless this miracle have might, | |
That in black ink my love may still shine bright. | |
66 | |
Tired with all these for restful death I cry, | |
As to behold desert a beggar born, | |
And needy nothing trimmed in jollity, | |
And purest faith unhappily forsworn, | |
And gilded honour shamefully misplaced, | |
And maiden virtue rudely strumpeted, | |
And right perfection wrongfully disgraced, | |
And strength by limping sway disabled | |
And art made tongue-tied by authority, | |
And folly (doctor-like) controlling skill, | |
And simple truth miscalled simplicity, | |
And captive good attending captain ill. | |
Tired with all these, from these would I be gone, | |
Save that to die, I leave my love alone. | |
67 | |
Ah wherefore with infection should he live, | |
And with his presence grace impiety, | |
That sin by him advantage should achieve, | |
And lace it self with his society? | |
Why should false painting imitate his cheek, | |
And steal dead seeming of his living hue? | |
Why should poor beauty indirectly seek, | |
Roses of shadow, since his rose is true? | |
Why should he live, now nature bankrupt is, | |
Beggared of blood to blush through lively veins, | |
For she hath no exchequer now but his, | |
And proud of many, lives upon his gains? | |
O him she stores, to show what wealth she had, | |
In days long since, before these last so bad. | |
68 | |
Thus is his cheek the map of days outworn, | |
When beauty lived and died as flowers do now, | |
Before these bastard signs of fair were born, | |
Or durst inhabit on a living brow: | |
Before the golden tresses of the dead, | |
The right of sepulchres, were shorn away, | |
To live a second life on second head, | |
Ere beauty's dead fleece made another gay: | |
In him those holy antique hours are seen, | |
Without all ornament, it self and true, | |
Making no summer of another's green, | |
Robbing no old to dress his beauty new, | |
And him as for a map doth Nature store, | |
To show false Art what beauty was of yore. | |
69 | |
Those parts of thee that the world's eye doth view, | |
Want nothing that the thought of hearts can mend: | |
All tongues (the voice of souls) give thee that due, | |
Uttering bare truth, even so as foes commend. | |
Thy outward thus with outward praise is crowned, | |
But those same tongues that give thee so thine own, | |
In other accents do this praise confound | |
By seeing farther than the eye hath shown. | |
They look into the beauty of thy mind, | |
And that in guess they measure by thy deeds, | |
Then churls their thoughts (although their eyes were kind) | |
To thy fair flower add the rank smell of weeds: | |
But why thy odour matcheth not thy show, | |
The soil is this, that thou dost common grow. | |
70 | |
That thou art blamed shall not be thy defect, | |
For slander's mark was ever yet the fair, | |
The ornament of beauty is suspect, | |
A crow that flies in heaven's sweetest air. | |
So thou be good, slander doth but approve, | |
Thy worth the greater being wooed of time, | |
For canker vice the sweetest buds doth love, | |
And thou present'st a pure unstained prime. | |
Thou hast passed by the ambush of young days, | |
Either not assailed, or victor being charged, | |
Yet this thy praise cannot be so thy praise, | |
To tie up envy, evermore enlarged, | |
If some suspect of ill masked not thy show, | |
Then thou alone kingdoms of hearts shouldst owe. | |
71 | |
No longer mourn for me when I am dead, | |
Than you shall hear the surly sullen bell | |
Give warning to the world that I am fled | |
From this vile world with vilest worms to dwell: | |
Nay if you read this line, remember not, | |
The hand that writ it, for I love you so, | |
That I in your sweet thoughts would be forgot, | |
If thinking on me then should make you woe. | |
O if (I say) you look upon this verse, | |
When I (perhaps) compounded am with clay, | |
Do not so much as my poor name rehearse; | |
But let your love even with my life decay. | |
Lest the wise world should look into your moan, | |
And mock you with me after I am gone. | |
72 | |
O lest the world should task you to recite, | |
What merit lived in me that you should love | |
After my death (dear love) forget me quite, | |
For you in me can nothing worthy prove. | |
Unless you would devise some virtuous lie, | |
To do more for me than mine own desert, | |
And hang more praise upon deceased I, | |
Than niggard truth would willingly impart: | |
O lest your true love may seem false in this, | |
That you for love speak well of me untrue, | |
My name be buried where my body is, | |
And live no more to shame nor me, nor you. | |
For I am shamed by that which I bring forth, | |
And so should you, to love things nothing worth. | |
73 | |
That time of year thou mayst in me behold, | |
When yellow leaves, or none, or few do hang | |
Upon those boughs which shake against the cold, | |
Bare ruined choirs, where late the sweet birds sang. | |
In me thou seest the twilight of such day, | |
As after sunset fadeth in the west, | |
Which by and by black night doth take away, | |
Death's second self that seals up all in rest. | |
In me thou seest the glowing of such fire, | |
That on the ashes of his youth doth lie, | |
As the death-bed, whereon it must expire, | |
Consumed with that which it was nourished by. | |
This thou perceiv'st, which makes thy love more strong, | |
To love that well, which thou must leave ere long. | |
74 | |
But be contented when that fell arrest, | |
Without all bail shall carry me away, | |
My life hath in this line some interest, | |
Which for memorial still with thee shall stay. | |
When thou reviewest this, thou dost review, | |
The very part was consecrate to thee, | |
The earth can have but earth, which is his due, | |
My spirit is thine the better part of me, | |
So then thou hast but lost the dregs of life, | |
The prey of worms, my body being dead, | |
The coward conquest of a wretch's knife, | |
Too base of thee to be remembered, | |
The worth of that, is that which it contains, | |
And that is this, and this with thee remains. | |
75 | |
So are you to my thoughts as food to life, | |
Or as sweet-seasoned showers are to the ground; | |
And for the peace of you I hold such strife | |
As 'twixt a miser and his wealth is found. | |
Now proud as an enjoyer, and anon | |
Doubting the filching age will steal his treasure, | |
Now counting best to be with you alone, | |
Then bettered that the world may see my pleasure, | |
Sometime all full with feasting on your sight, | |
And by and by clean starved for a look, | |
Possessing or pursuing no delight | |
Save what is had, or must from you be took. | |
Thus do I pine and surfeit day by day, | |
Or gluttoning on all, or all away. | |
76 | |
Why is my verse so barren of new pride? | |
So far from variation or quick change? | |
Why with the time do I not glance aside | |
To new-found methods, and to compounds strange? | |
Why write I still all one, ever the same, | |
And keep invention in a noted weed, | |
That every word doth almost tell my name, | |
Showing their birth, and where they did proceed? | |
O know sweet love I always write of you, | |
And you and love are still my argument: | |
So all my best is dressing old words new, | |
Spending again what is already spent: | |
For as the sun is daily new and old, | |
So is my love still telling what is told. | |
77 | |
Thy glass will show thee how thy beauties wear, | |
Thy dial how thy precious minutes waste, | |
These vacant leaves thy mind's imprint will bear, | |
And of this book, this learning mayst thou taste. | |
The wrinkles which thy glass will truly show, | |
Of mouthed graves will give thee memory, | |
Thou by thy dial's shady stealth mayst know, | |
Time's thievish progress to eternity. | |
Look what thy memory cannot contain, | |
Commit to these waste blanks, and thou shalt find | |
Those children nursed, delivered from thy brain, | |
To take a new acquaintance of thy mind. | |
These offices, so oft as thou wilt look, | |
Shall profit thee, and much enrich thy book. | |
78 | |
So oft have I invoked thee for my muse, | |
And found such fair assistance in my verse, | |
As every alien pen hath got my use, | |
And under thee their poesy disperse. | |
Thine eyes, that taught the dumb on high to sing, | |
And heavy ignorance aloft to fly, | |
Have added feathers to the learned's wing, | |
And given grace a double majesty. | |
Yet be most proud of that which I compile, | |
Whose influence is thine, and born of thee, | |
In others' works thou dost but mend the style, | |
And arts with thy sweet graces graced be. | |
But thou art all my art, and dost advance | |
As high as learning, my rude ignorance. | |
79 | |
Whilst I alone did call upon thy aid, | |
My verse alone had all thy gentle grace, | |
But now my gracious numbers are decayed, | |
And my sick muse doth give an other place. | |
I grant (sweet love) thy lovely argument | |
Deserves the travail of a worthier pen, | |
Yet what of thee thy poet doth invent, | |
He robs thee of, and pays it thee again, | |
He lends thee virtue, and he stole that word, | |
From thy behaviour, beauty doth he give | |
And found it in thy cheek: he can afford | |
No praise to thee, but what in thee doth live. | |
Then thank him not for that which he doth say, | |
Since what he owes thee, thou thy self dost pay. | |
80 | |
O how I faint when I of you do write, | |
Knowing a better spirit doth use your name, | |
And in the praise thereof spends all his might, | |
To make me tongue-tied speaking of your fame. | |
But since your worth (wide as the ocean is) | |
The humble as the proudest sail doth bear, | |
My saucy bark (inferior far to his) | |
On your broad main doth wilfully appear. | |
Your shallowest help will hold me up afloat, | |
Whilst he upon your soundless deep doth ride, | |
Or (being wrecked) I am a worthless boat, | |
He of tall building, and of goodly pride. | |
Then if he thrive and I be cast away, | |
The worst was this, my love was my decay. | |
81 | |
Or I shall live your epitaph to make, | |
Or you survive when I in earth am rotten, | |
From hence your memory death cannot take, | |
Although in me each part will be forgotten. | |
Your name from hence immortal life shall have, | |
Though I (once gone) to all the world must die, | |
The earth can yield me but a common grave, | |
When you entombed in men's eyes shall lie, | |
Your monument shall be my gentle verse, | |
Which eyes not yet created shall o'er-read, | |
And tongues to be, your being shall rehearse, | |
When all the breathers of this world are dead, | |
You still shall live (such virtue hath my pen) | |
Where breath most breathes, even in the mouths of men. | |
82 | |
I grant thou wert not married to my muse, | |
And therefore mayst without attaint o'erlook | |
The dedicated words which writers use | |
Of their fair subject, blessing every book. | |
Thou art as fair in knowledge as in hue, | |
Finding thy worth a limit past my praise, | |
And therefore art enforced to seek anew, | |
Some fresher stamp of the time-bettering days. | |
And do so love, yet when they have devised, | |
What strained touches rhetoric can lend, | |
Thou truly fair, wert truly sympathized, | |
In true plain words, by thy true-telling friend. | |
And their gross painting might be better used, | |
Where cheeks need blood, in thee it is abused. | |
83 | |
I never saw that you did painting need, | |
And therefore to your fair no painting set, | |
I found (or thought I found) you did exceed, | |
That barren tender of a poet's debt: | |
And therefore have I slept in your report, | |
That you your self being extant well might show, | |
How far a modern quill doth come too short, | |
Speaking of worth, what worth in you doth grow. | |
This silence for my sin you did impute, | |
Which shall be most my glory being dumb, | |
For I impair not beauty being mute, | |
When others would give life, and bring a tomb. | |
There lives more life in one of your fair eyes, | |
Than both your poets can in praise devise. | |
84 | |
Who is it that says most, which can say more, | |
Than this rich praise, that you alone, are you? | |
In whose confine immured is the store, | |
Which should example where your equal grew. | |
Lean penury within that pen doth dwell, | |
That to his subject lends not some small glory, | |
But he that writes of you, if he can tell, | |
That you are you, so dignifies his story. | |
Let him but copy what in you is writ, | |
Not making worse what nature made so clear, | |
And such a counterpart shall fame his wit, | |
Making his style admired every where. | |
You to your beauteous blessings add a curse, | |
Being fond on praise, which makes your praises worse. | |
85 | |
My tongue-tied muse in manners holds her still, | |
While comments of your praise richly compiled, | |
Reserve their character with golden quill, | |
And precious phrase by all the Muses filed. | |
I think good thoughts, whilst other write good words, | |
And like unlettered clerk still cry Amen, | |
To every hymn that able spirit affords, | |
In polished form of well refined pen. | |
Hearing you praised, I say 'tis so, 'tis true, | |
And to the most of praise add something more, | |
But that is in my thought, whose love to you | |
(Though words come hindmost) holds his rank before, | |
Then others, for the breath of words respect, | |
Me for my dumb thoughts, speaking in effect. | |
86 | |
Was it the proud full sail of his great verse, | |
Bound for the prize of (all too precious) you, | |
That did my ripe thoughts in my brain inhearse, | |
Making their tomb the womb wherein they grew? | |
Was it his spirit, by spirits taught to write, | |
Above a mortal pitch, that struck me dead? | |
No, neither he, nor his compeers by night | |
Giving him aid, my verse astonished. | |
He nor that affable familiar ghost | |
Which nightly gulls him with intelligence, | |
As victors of my silence cannot boast, | |
I was not sick of any fear from thence. | |
But when your countenance filled up his line, | |
Then lacked I matter, that enfeebled mine. | |
87 | |
Farewell! thou art too dear for my possessing, | |
And like enough thou know'st thy estimate, | |
The charter of thy worth gives thee releasing: | |
My bonds in thee are all determinate. | |
For how do I hold thee but by thy granting, | |
And for that riches where is my deserving? | |
The cause of this fair gift in me is wanting, | |
And so my patent back again is swerving. | |
Thy self thou gav'st, thy own worth then not knowing, | |
Or me to whom thou gav'st it, else mistaking, | |
So thy great gift upon misprision growing, | |
Comes home again, on better judgement making. | |
Thus have I had thee as a dream doth flatter, | |
In sleep a king, but waking no such matter. | |
88 | |
When thou shalt be disposed to set me light, | |
And place my merit in the eye of scorn, | |
Upon thy side, against my self I'll fight, | |
And prove thee virtuous, though thou art forsworn: | |
With mine own weakness being best acquainted, | |
Upon thy part I can set down a story | |
Of faults concealed, wherein I am attainted: | |
That thou in losing me, shalt win much glory: | |
And I by this will be a gainer too, | |
For bending all my loving thoughts on thee, | |
The injuries that to my self I do, | |
Doing thee vantage, double-vantage me. | |
Such is my love, to thee I so belong, | |
That for thy right, my self will bear all wrong. | |
89 | |
Say that thou didst forsake me for some fault, | |
And I will comment upon that offence, | |
Speak of my lameness, and I straight will halt: | |
Against thy reasons making no defence. | |
Thou canst not (love) disgrace me half so ill, | |
To set a form upon desired change, | |
As I'll my self disgrace, knowing thy will, | |
I will acquaintance strangle and look strange: | |
Be absent from thy walks and in my tongue, | |
Thy sweet beloved name no more shall dwell, | |
Lest I (too much profane) should do it wronk: | |
And haply of our old acquaintance tell. | |
For thee, against my self I'll vow debate, | |
For I must ne'er love him whom thou dost hate. | |
90 | |
Then hate me when thou wilt, if ever, now, | |
Now while the world is bent my deeds to cross, | |
join with the spite of fortune, make me bow, | |
And do not drop in for an after-loss: | |
Ah do not, when my heart hath 'scaped this sorrow, | |
Come in the rearward of a conquered woe, | |
Give not a windy night a rainy morrow, | |
To linger out a purposed overthrow. | |
If thou wilt leave me, do not leave me last, | |
When other petty griefs have done their spite, | |
But in the onset come, so shall I taste | |
At first the very worst of fortune's might. | |
And other strains of woe, which now seem woe, | |
Compared with loss of thee, will not seem so. | |
91 | |
Some glory in their birth, some in their skill, | |
Some in their wealth, some in their body's force, | |
Some in their garments though new-fangled ill: | |
Some in their hawks and hounds, some in their horse. | |
And every humour hath his adjunct pleasure, | |
Wherein it finds a joy above the rest, | |
But these particulars are not my measure, | |
All these I better in one general best. | |
Thy love is better than high birth to me, | |
Richer than wealth, prouder than garments' costs, | |
Of more delight than hawks and horses be: | |
And having thee, of all men's pride I boast. | |
Wretched in this alone, that thou mayst take, | |
All this away, and me most wretchcd make. | |
92 | |
But do thy worst to steal thy self away, | |
For term of life thou art assured mine, | |
And life no longer than thy love will stay, | |
For it depends upon that love of thine. | |
Then need I not to fear the worst of wrongs, | |
When in the least of them my life hath end, | |
I see, a better state to me belongs | |
Than that, which on thy humour doth depend. | |
Thou canst not vex me with inconstant mind, | |
Since that my life on thy revolt doth lie, | |
O what a happy title do I find, | |
Happy to have thy love, happy to die! | |
But what's so blessed-fair that fears no blot? | |
Thou mayst be false, and yet I know it not. | |
93 | |
So shall I live, supposing thou art true, | |
Like a deceived husband, so love's face, | |
May still seem love to me, though altered new: | |
Thy looks with me, thy heart in other place. | |
For there can live no hatred in thine eye, | |
Therefore in that I cannot know thy change, | |
In many's looks, the false heart's history | |
Is writ in moods and frowns and wrinkles strange. | |
But heaven in thy creation did decree, | |
That in thy face sweet love should ever dwell, | |
Whate'er thy thoughts, or thy heart's workings be, | |
Thy looks should nothing thence, but sweetness tell. | |
How like Eve's apple doth thy beauty grow, | |
If thy sweet virtue answer not thy show. | |
94 | |
They that have power to hurt, and will do none, | |
That do not do the thing, they most do show, | |
Who moving others, are themselves as stone, | |
Unmoved, cold, and to temptation slow: | |
They rightly do inherit heaven's graces, | |
And husband nature's riches from expense, | |
Tibey are the lords and owners of their faces, | |
Others, but stewards of their excellence: | |
The summer's flower is to the summer sweet, | |
Though to it self, it only live and die, | |
But if that flower with base infection meet, | |
The basest weed outbraves his dignity: | |
For sweetest things turn sourest by their deeds, | |
Lilies that fester, smell far worse than weeds. | |
95 | |
How sweet and lovely dost thou make the shame, | |
Which like a canker in the fragrant rose, | |
Doth spot the beauty of thy budding name! | |
O in what sweets dost thou thy sins enclose! | |
That tongue that tells the story of thy days, | |
(Making lascivious comments on thy sport) | |
Cannot dispraise, but in a kind of praise, | |
Naming thy name, blesses an ill report. | |
O what a mansion have those vices got, | |
Which for their habitation chose out thee, | |
Where beauty's veil doth cover every blot, | |
And all things turns to fair, that eyes can see! | |
Take heed (dear heart) of this large privilege, | |
The hardest knife ill-used doth lose his edge. | |
96 | |
Some say thy fault is youth, some wantonness, | |
Some say thy grace is youth and gentle sport, | |
Both grace and faults are loved of more and less: | |
Thou mak'st faults graces, that to thee resort: | |
As on the finger of a throned queen, | |
The basest jewel will be well esteemed: | |
So are those errors that in thee are seen, | |
To truths translated, and for true things deemed. | |
How many lambs might the stern wolf betray, | |
If like a lamb he could his looks translate! | |
How many gazers mightst thou lead away, | |
if thou wouldst use the strength of all thy state! | |
But do not so, I love thee in such sort, | |
As thou being mine, mine is thy good report. | |
97 | |
How like a winter hath my absence been | |
From thee, the pleasure of the fleeting year! | |
What freezings have I felt, what dark days seen! | |
What old December's bareness everywhere! | |
And yet this time removed was summer's time, | |
The teeming autumn big with rich increase, | |
Bearing the wanton burden of the prime, | |
Like widowed wombs after their lords' decease: | |
Yet this abundant issue seemed to me | |
But hope of orphans, and unfathered fruit, | |
For summer and his pleasures wait on thee, | |
And thou away, the very birds are mute. | |
Or if they sing, 'tis with so dull a cheer, | |
That leaves look pale, dreading the winter's near. | |
98 | |
From you have I been absent in the spring, | |
When proud-pied April (dressed in all his trim) | |
Hath put a spirit of youth in every thing: | |
That heavy Saturn laughed and leaped with him. | |
Yet nor the lays of birds, nor the sweet smell | |
Of different flowers in odour and in hue, | |
Could make me any summer's story tell: | |
Or from their proud lap pluck them where they grew: | |
Nor did I wonder at the lily's white, | |
Nor praise the deep vermilion in the rose, | |
They were but sweet, but figures of delight: | |
Drawn after you, you pattern of all those. | |
Yet seemed it winter still, and you away, | |
As with your shadow I with these did play. | |
99 | |
The forward violet thus did I chide, | |
Sweet thief, whence didst thou steal thy sweet that smells, | |
If not from my love's breath? The purple pride | |
Which on thy soft check for complexion dwells, | |
In my love's veins thou hast too grossly dyed. | |
The lily I condemned for thy hand, | |
And buds of marjoram had stol'n thy hair, | |
The roses fearfully on thorns did stand, | |
One blushing shame, another white despair: | |
A third nor red, nor white, had stol'n of both, | |
And to his robbery had annexed thy breath, | |
But for his theft in pride of all his growth | |
A vengeful canker eat him up to death. | |
More flowers I noted, yet I none could see, | |
But sweet, or colour it had stol'n from thee. | |
100 | |
Where art thou Muse that thou forget'st so long, | |
To speak of that which gives thee all thy might? | |
Spend'st thou thy fury on some worthless song, | |
Darkening thy power to lend base subjects light? | |
Return forgetful Muse, and straight redeem, | |
In gentle numbers time so idly spent, | |
Sing to the ear that doth thy lays esteem, | |
And gives thy pen both skill and argument. | |
Rise resty Muse, my love's sweet face survey, | |
If time have any wrinkle graven there, | |
If any, be a satire to decay, | |
And make time's spoils despised everywhere. | |
Give my love fame faster than Time wastes life, | |
So thou prevent'st his scythe, and crooked knife. | |
101 | |
O truant Muse what shall be thy amends, | |
For thy neglect of truth in beauty dyed? | |
Both truth and beauty on my love depends: | |
So dost thou too, and therein dignified: | |
Make answer Muse, wilt thou not haply say, | |
'Truth needs no colour with his colour fixed, | |
Beauty no pencil, beauty's truth to lay: | |
But best is best, if never intermixed'? | |
Because he needs no praise, wilt thou be dumb? | |
Excuse not silence so, for't lies in thee, | |
To make him much outlive a gilded tomb: | |
And to be praised of ages yet to be. | |
Then do thy office Muse, I teach thee how, | |
To make him seem long hence, as he shows now. | |
102 | |
My love is strengthened though more weak in seeming, | |
I love not less, though less the show appear, | |
That love is merchandized, whose rich esteeming, | |
The owner's tongue doth publish every where. | |
Our love was new, and then but in the spring, | |
When I was wont to greet it with my lays, | |
As Philomel in summer's front doth sing, | |
And stops her pipe in growth of riper days: | |
Not that the summer is less pleasant now | |
Than when her mournful hymns did hush the night, | |
But that wild music burthens every bough, | |
And sweets grown common lose their dear delight. | |
Therefore like her, I sometime hold my tongue: | |
Because I would not dull you with my song. | |
103 | |
Alack what poverty my muse brings forth, | |
That having such a scope to show her pride, | |
The argument all bare is of more worth | |
Than when it hath my added praise beside. | |
O blame me not if I no more can write! | |
Look in your glass and there appears a face, | |
That over-goes my blunt invention quite, | |
Dulling my lines, and doing me disgrace. | |
Were it not sinful then striving to mend, | |
To mar the subject that before was well? | |
For to no other pass my verses tend, | |
Than of your graces and your gifts to tell. | |
And more, much more than in my verse can sit, | |
Your own glass shows you, when you look in it. | |
104 | |
To me fair friend you never can be old, | |
For as you were when first your eye I eyed, | |
Such seems your beauty still: three winters cold, | |
Have from the forests shook three summers' pride, | |
Three beauteous springs to yellow autumn turned, | |
In process of the seasons have I seen, | |
Three April perfumes in three hot Junes burned, | |
Since first I saw you fresh which yet are green. | |
Ah yet doth beauty like a dial hand, | |
Steal from his figure, and no pace perceived, | |
So your sweet hue, which methinks still doth stand | |
Hath motion, and mine eye may be deceived. | |
For fear of which, hear this thou age unbred, | |
Ere you were born was beauty's summer dead. | |
105 | |
Let not my love be called idolatry, | |
Nor my beloved as an idol show, | |
Since all alike my songs and praises be | |
To one, of one, still such, and ever so. | |
Kind is my love to-day, to-morrow kind, | |
Still constant in a wondrous excellence, | |
Therefore my verse to constancy confined, | |
One thing expressing, leaves out difference. | |
Fair, kind, and true, is all my argument, | |
Fair, kind, and true, varying to other words, | |
And in this change is my invention spent, | |
Three themes in one, which wondrous scope affords. | |
Fair, kind, and true, have often lived alone. | |
Which three till now, never kept seat in one. | |
106 | |
When in the chronicle of wasted time, | |
I see descriptions of the fairest wights, | |
And beauty making beautiful old rhyme, | |
In praise of ladies dead, and lovely knights, | |
Then in the blazon of sweet beauty's best, | |
Of hand, of foot, of lip, of eye, of brow, | |
I see their antique pen would have expressed, | |
Even such a beauty as you master now. | |
So all their praises are but prophecies | |
Of this our time, all you prefiguring, | |
And for they looked but with divining eyes, | |
They had not skill enough your worth to sing: | |
For we which now behold these present days, | |
Have eyes to wonder, but lack tongues to praise. | |
107 | |
Not mine own fears, nor the prophetic soul, | |
Of the wide world, dreaming on things to come, | |
Can yet the lease of my true love control, | |
Supposed as forfeit to a confined doom. | |
The mortal moon hath her eclipse endured, | |
And the sad augurs mock their own presage, | |
Incertainties now crown themselves assured, | |
And peace proclaims olives of endless age. | |
Now with the drops of this most balmy time, | |
My love looks fresh, and death to me subscribes, | |
Since spite of him I'll live in this poor rhyme, | |
While he insults o'er dull and speechless tribes. | |
And thou in this shalt find thy monument, | |
When tyrants' crests and tombs of brass are spent. | |
108 | |
What's in the brain that ink may character, | |
Which hath not figured to thee my true spirit, | |
What's new to speak, what now to register, | |
That may express my love, or thy dear merit? | |
Nothing sweet boy, but yet like prayers divine, | |
I must each day say o'er the very same, | |
Counting no old thing old, thou mine, I thine, | |
Even as when first I hallowed thy fair name. | |
So that eternal love in love's fresh case, | |
Weighs not the dust and injury of age, | |
Nor gives to necessary wrinkles place, | |
But makes antiquity for aye his page, | |
Finding the first conceit of love there bred, | |
Where time and outward form would show it dead. | |
109 | |
O never say that I was false of heart, | |
Though absence seemed my flame to qualify, | |
As easy might I from my self depart, | |
As from my soul which in thy breast doth lie: | |
That is my home of love, if I have ranged, | |
Like him that travels I return again, | |
Just to the time, not with the time exchanged, | |
So that my self bring water for my stain, | |
Never believe though in my nature reigned, | |
All frailties that besiege all kinds of blood, | |
That it could so preposterously be stained, | |
To leave for nothing all thy sum of good: | |
For nothing this wide universe I call, | |
Save thou my rose, in it thou art my all. | |
110 | |
Alas 'tis true, I have gone here and there, | |
And made my self a motley to the view, | |
Gored mine own thoughts, sold cheap what is most dear, | |
Made old offences of affections new. | |
Most true it is, that I have looked on truth | |
Askance and strangely: but by all above, | |
These blenches gave my heart another youth, | |
And worse essays proved thee my best of love. | |
Now all is done, have what shall have no end, | |
Mine appetite I never more will grind | |
On newer proof, to try an older friend, | |
A god in love, to whom I am confined. | |
Then give me welcome, next my heaven the best, | |
Even to thy pure and most most loving breast. | |
111 | |
O for my sake do you with Fortune chide, | |
The guilty goddess of my harmful deeds, | |
That did not better for my life provide, | |
Than public means which public manners breeds. | |
Thence comes it that my name receives a brand, | |
And almost thence my nature is subdued | |
To what it works in, like the dyer's hand: | |
Pity me then, and wish I were renewed, | |
Whilst like a willing patient I will drink, | |
Potions of eisel 'gainst my strong infection, | |
No bitterness that I will bitter think, | |
Nor double penance to correct correction. | |
Pity me then dear friend, and I assure ye, | |
Even that your pity is enough to cure me. | |
112 | |
Your love and pity doth th' impression fill, | |
Which vulgar scandal stamped upon my brow, | |
For what care I who calls me well or ill, | |
So you o'er-green my bad, my good allow? | |
You are my all the world, and I must strive, | |
To know my shames and praises from your tongue, | |
None else to me, nor I to none alive, | |
That my steeled sense or changes right or wrong. | |
In so profound abysm I throw all care | |
Of others' voices, that my adder's sense, | |
To critic and to flatterer stopped are: | |
Mark how with my neglect I do dispense. | |
You are so strongly in my purpose bred, | |
That all the world besides methinks are dead. | |
113 | |
Since I left you, mine eye is in my mind, | |
And that which governs me to go about, | |
Doth part his function, and is partly blind, | |
Seems seeing, but effectually is out: | |
For it no form delivers to the heart | |
Of bird, of flower, or shape which it doth latch, | |
Of his quick objects hath the mind no part, | |
Nor his own vision holds what it doth catch: | |
For if it see the rud'st or gentlest sight, | |
The most sweet favour or deformed'st creature, | |
The mountain, or the sea, the day, or night: | |
The crow, or dove, it shapes them to your feature. | |
Incapable of more, replete with you, | |
My most true mind thus maketh mine untrue. | |
114 | |
Or whether doth my mind being crowned with you | |
Drink up the monarch's plague this flattery? | |
Or whether shall I say mine eye saith true, | |
And that your love taught it this alchemy? | |
To make of monsters, and things indigest, | |
Such cherubins as your sweet self resemble, | |
Creating every bad a perfect best | |
As fast as objects to his beams assemble: | |
O 'tis the first, 'tis flattery in my seeing, | |
And my great mind most kingly drinks it up, | |
Mine eye well knows what with his gust is 'greeing, | |
And to his palate doth prepare the cup. | |
If it be poisoned, 'tis the lesser sin, | |
That mine eye loves it and doth first begin. | |
115 | |
Those lines that I before have writ do lie, | |
Even those that said I could not love you dearer, | |
Yet then my judgment knew no reason why, | |
My most full flame should afterwards burn clearer, | |
But reckoning time, whose millioned accidents | |
Creep in 'twixt vows, and change decrees of kings, | |
Tan sacred beauty, blunt the sharp'st intents, | |
Divert strong minds to the course of alt'ring things: | |
Alas why fearing of time's tyranny, | |
Might I not then say 'Now I love you best,' | |
When I was certain o'er incertainty, | |
Crowning the present, doubting of the rest? | |
Love is a babe, then might I not say so | |
To give full growth to that which still doth grow. | |
116 | |
Let me not to the marriage of true minds | |
Admit impediments, love is not love | |
Which alters when it alteration finds, | |
Or bends with the remover to remove. | |
O no, it is an ever-fixed mark | |
That looks on tempests and is never shaken; | |
It is the star to every wand'ring bark, | |
Whose worth's unknown, although his height be taken. | |
Love's not Time's fool, though rosy lips and cheeks | |
Within his bending sickle's compass come, | |
Love alters not with his brief hours and weeks, | |
But bears it out even to the edge of doom: | |
If this be error and upon me proved, | |
I never writ, nor no man ever loved. | |
117 | |
Accuse me thus, that I have scanted all, | |
Wherein I should your great deserts repay, | |
Forgot upon your dearest love to call, | |
Whereto all bonds do tie me day by day, | |
That I have frequent been with unknown minds, | |
And given to time your own dear-purchased right, | |
That I have hoisted sail to all the winds | |
Which should transport me farthest from your sight. | |
Book both my wilfulness and errors down, | |
And on just proof surmise, accumulate, | |
Bring me within the level of your frown, | |
But shoot not at me in your wakened hate: | |
Since my appeal says I did strive to prove | |
The constancy and virtue of your love. | |
118 | |
Like as to make our appetite more keen | |
With eager compounds we our palate urge, | |
As to prevent our maladies unseen, | |
We sicken to shun sickness when we purge. | |
Even so being full of your ne'er-cloying sweetness, | |
To bitter sauces did I frame my feeding; | |
And sick of welfare found a kind of meetness, | |
To be diseased ere that there was true needing. | |
Thus policy in love t' anticipate | |
The ills that were not, grew to faults assured, | |
And brought to medicine a healthful state | |
Which rank of goodness would by ill be cured. | |
But thence I learn and find the lesson true, | |
Drugs poison him that so feil sick of you. | |
119 | |
What potions have I drunk of Siren tears | |
Distilled from limbecks foul as hell within, | |
Applying fears to hopes, and hopes to fears, | |
Still losing when I saw my self to win! | |
What wretched errors hath my heart committed, | |
Whilst it hath thought it self so blessed never! | |
How have mine eyes out of their spheres been fitted | |
In the distraction of this madding fever! | |
O benefit of ill, now I find true | |
That better is, by evil still made better. | |
And ruined love when it is built anew | |
Grows fairer than at first, more strong, far greater. | |
So I return rebuked to my content, | |
And gain by ills thrice more than I have spent. | |
120 | |
That you were once unkind befriends me now, | |
And for that sorrow, which I then did feel, | |
Needs must I under my transgression bow, | |
Unless my nerves were brass or hammered steel. | |
For if you were by my unkindness shaken | |
As I by yours, y'have passed a hell of time, | |
And I a tyrant have no leisure taken | |
To weigh how once I suffered in your crime. | |
O that our night of woe might have remembered | |
My deepest sense, how hard true sorrow hits, | |
And soon to you, as you to me then tendered | |
The humble salve, which wounded bosoms fits! | |
But that your trespass now becomes a fee, | |
Mine ransoms yours, and yours must ransom me. | |
121 | |
'Tis better to be vile than vile esteemed, | |
When not to be, receives reproach of being, | |
And the just pleasure lost, which is so deemed, | |
Not by our feeling, but by others' seeing. | |
For why should others' false adulterate eyes | |
Give salutation to my sportive blood? | |
Or on my frailties why are frailer spies, | |
Which in their wills count bad what I think good? | |
No, I am that I am, and they that level | |
At my abuses, reckon up their own, | |
I may be straight though they themselves be bevel; | |
By their rank thoughts, my deeds must not be shown | |
Unless this general evil they maintain, | |
All men are bad and in their badness reign. | |
122 | |
Thy gift, thy tables, are within my brain | |
Full charactered with lasting memory, | |
Which shall above that idle rank remain | |
Beyond all date even to eternity. | |
Or at the least, so long as brain and heart | |
Have faculty by nature to subsist, | |
Till each to razed oblivion yield his part | |
Of thee, thy record never can be missed: | |
That poor retention could not so much hold, | |
Nor need I tallies thy dear love to score, | |
Therefore to give them from me was I bold, | |
To trust those tables that receive thee more: | |
To keep an adjunct to remember thee | |
Were to import forgetfulness in me. | |
123 | |
No! Time, thou shalt not boast that I do change, | |
Thy pyramids built up with newer might | |
To me are nothing novel, nothing strange, | |
They are but dressings Of a former sight: | |
Our dates are brief, and therefore we admire, | |
What thou dost foist upon us that is old, | |
And rather make them born to our desire, | |
Than think that we before have heard them told: | |
Thy registers and thee I both defy, | |
Not wond'ring at the present, nor the past, | |
For thy records, and what we see doth lie, | |
Made more or less by thy continual haste: | |
This I do vow and this shall ever be, | |
I will be true despite thy scythe and thee. | |
124 | |
If my dear love were but the child of state, | |
It might for Fortune's bastard be unfathered, | |
As subject to time's love or to time's hate, | |
Weeds among weeds, or flowers with flowers gathered. | |
No it was builded far from accident, | |
It suffers not in smiling pomp, nor falls | |
Under the blow of thralled discontent, | |
Whereto th' inviting time our fashion calls: | |
It fears not policy that heretic, | |
Which works on leases of short-numbered hours, | |
But all alone stands hugely politic, | |
That it nor grows with heat, nor drowns with showers. | |
To this I witness call the fools of time, | |
Which die for goodness, who have lived for crime. | |
125 | |
Were't aught to me I bore the canopy, | |
With my extern the outward honouring, | |
Or laid great bases for eternity, | |
Which proves more short than waste or ruining? | |
Have I not seen dwellers on form and favour | |
Lose all, and more by paying too much rent | |
For compound sweet; forgoing simple savour, | |
Pitiful thrivers in their gazing spent? | |
No, let me be obsequious in thy heart, | |
And take thou my oblation, poor but free, | |
Which is not mixed with seconds, knows no art, | |
But mutual render, only me for thee. | |
Hence, thou suborned informer, a true soul | |
When most impeached, stands least in thy control. | |
126 | |
O thou my lovely boy who in thy power, | |
Dost hold Time's fickle glass his fickle hour: | |
Who hast by waning grown, and therein show'st, | |
Thy lovers withering, as thy sweet self grow'st. | |
If Nature (sovereign mistress over wrack) | |
As thou goest onwards still will pluck thee back, | |
She keeps thee to this purpose, that her skill | |
May time disgrace, and wretched minutes kill. | |
Yet fear her O thou minion of her pleasure, | |
She may detain, but not still keep her treasure! | |
Her audit (though delayed) answered must be, | |
And her quietus is to render thee. | |
127 | |
In the old age black was not counted fair, | |
Or if it were it bore not beauty's name: | |
But now is black beauty's successive heir, | |
And beauty slandered with a bastard shame, | |
For since each hand hath put on nature's power, | |
Fairing the foul with art's false borrowed face, | |
Sweet beauty hath no name no holy bower, | |
But is profaned, if not lives in disgrace. | |
Therefore my mistress' eyes are raven black, | |
Her eyes so suited, and they mourners seem, | |
At such who not born fair no beauty lack, | |
Slandering creation with a false esteem, | |
Yet so they mourn becoming of their woe, | |
That every tongue says beauty should look so. | |
128 | |
How oft when thou, my music, music play'st, | |
Upon that blessed wood whose motion sounds | |
With thy sweet fingers when thou gently sway'st | |
The wiry concord that mine ear confounds, | |
Do I envy those jacks that nimble leap, | |
To kiss the tender inward of thy hand, | |
Whilst my poor lips which should that harvest reap, | |
At the wood's boldness by thee blushing stand. | |
To be so tickled they would change their state | |
And situation with those dancing chips, | |
O'er whom thy fingers walk with gentle gait, | |
Making dead wood more blest than living lips, | |
Since saucy jacks so happy are in this, | |
Give them thy fingers, me thy lips to kiss. | |
129 | |
Th' expense of spirit in a waste of shame | |
Is lust in action, and till action, lust | |
Is perjured, murd'rous, bloody full of blame, | |
Savage, extreme, rude, cruel, not to trust, | |
Enjoyed no sooner but despised straight, | |
Past reason hunted, and no sooner had | |
Past reason hated as a swallowed bait, | |
On purpose laid to make the taker mad. | |
Mad in pursuit and in possession so, | |
Had, having, and in quest, to have extreme, | |
A bliss in proof and proved, a very woe, | |
Before a joy proposed behind a dream. | |
All this the world well knows yet none knows well, | |
To shun the heaven that leads men to this hell. | |
130 | |
My mistress' eyes are nothing like the sun, | |
Coral is far more red, than her lips red, | |
If snow be white, why then her breasts are dun: | |
If hairs be wires, black wires grow on her head: | |
I have seen roses damasked, red and white, | |
But no such roses see I in her cheeks, | |
And in some perfumes is there more delight, | |
Than in the breath that from my mistress reeks. | |
I love to hear her speak, yet well I know, | |
That music hath a far more pleasing sound: | |
I grant I never saw a goddess go, | |
My mistress when she walks treads on the ground. | |
And yet by heaven I think my love as rare, | |
As any she belied with false compare. | |
131 | |
Thou art as tyrannous, so as thou art, | |
As those whose beauties proudly make them cruel; | |
For well thou know'st to my dear doting heart | |
Thou art the fairest and most precious jewel. | |
Yet in good faith some say that thee behold, | |
Thy face hath not the power to make love groan; | |
To say they err, I dare not be so bold, | |
Although I swear it to my self alone. | |
And to be sure that is not false I swear, | |
A thousand groans but thinking on thy face, | |
One on another's neck do witness bear | |
Thy black is fairest in my judgment's place. | |
In nothing art thou black save in thy deeds, | |
And thence this slander as I think proceeds. | |
132 | |
Thine eyes I love, and they as pitying me, | |
Knowing thy heart torment me with disdain, | |
Have put on black, and loving mourners be, | |
Looking with pretty ruth upon my pain. | |
And truly not the morning sun of heaven | |
Better becomes the grey cheeks of the east, | |
Nor that full star that ushers in the even | |
Doth half that glory to the sober west | |
As those two mourning eyes become thy face: | |
O let it then as well beseem thy heart | |
To mourn for me since mourning doth thee grace, | |
And suit thy pity like in every part. | |
Then will I swear beauty herself is black, | |
And all they foul that thy complexion lack. | |
133 | |
Beshrew that heart that makes my heart to groan | |
For that deep wound it gives my friend and me; | |
Is't not enough to torture me alone, | |
But slave to slavery my sweet'st friend must be? | |
Me from my self thy cruel eye hath taken, | |
And my next self thou harder hast engrossed, | |
Of him, my self, and thee I am forsaken, | |
A torment thrice three-fold thus to be crossed: | |
Prison my heart in thy steel bosom's ward, | |
But then my friend's heart let my poor heart bail, | |
Whoe'er keeps me, let my heart be his guard, | |
Thou canst not then use rigour in my gaol. | |
And yet thou wilt, for I being pent in thee, | |
Perforce am thine and all that is in me. | |
134 | |
So now I have confessed that he is thine, | |
And I my self am mortgaged to thy will, | |
My self I'll forfeit, so that other mine, | |
Thou wilt restore to be my comfort still: | |
But thou wilt not, nor he will not be free, | |
For thou art covetous, and he is kind, | |
He learned but surety-like to write for me, | |
Under that bond that him as fist doth bind. | |
The statute of thy beauty thou wilt take, | |
Thou usurer that put'st forth all to use, | |
And sue a friend, came debtor for my sake, | |
So him I lose through my unkind abuse. | |
Him have I lost, thou hast both him and me, | |
He pays the whole, and yet am I not free. | |
135 | |
Whoever hath her wish, thou hast thy will, | |
And 'Will' to boot, and 'Will' in over-plus, | |
More than enough am I that vex thee still, | |
To thy sweet will making addition thus. | |
Wilt thou whose will is large and spacious, | |
Not once vouchsafe to hide my will in thine? | |
Shall will in others seem right gracious, | |
And in my will no fair acceptance shine? | |
The sea all water, yet receives rain still, | |
And in abundance addeth to his store, | |
So thou being rich in will add to thy will | |
One will of mine to make thy large will more. | |
Let no unkind, no fair beseechers kill, | |
Think all but one, and me in that one 'Will.' | |
136 | |
If thy soul check thee that I come so near, | |
Swear to thy blind soul that I was thy 'Will', | |
And will thy soul knows is admitted there, | |
Thus far for love, my love-suit sweet fulfil. | |
'Will', will fulfil the treasure of thy love, | |
Ay, fill it full with wills, and my will one, | |
In things of great receipt with case we prove, | |
Among a number one is reckoned none. | |
Then in the number let me pass untold, | |
Though in thy store's account I one must be, | |
For nothing hold me, so it please thee hold, | |
That nothing me, a something sweet to thee. | |
Make but my name thy love, and love that still, | |
And then thou lov'st me for my name is Will. | |
137 | |
Thou blind fool Love, what dost thou to mine eyes, | |
That they behold and see not what they see? | |
They know what beauty is, see where it lies, | |
Yet what the best is, take the worst to be. | |
If eyes corrupt by over-partial looks, | |
Be anchored in the bay where all men ride, | |
Why of eyes' falsehood hast thou forged hooks, | |
Whereto the judgment of my heart is tied? | |
Why should my heart think that a several plot, | |
Which my heart knows the wide world's common place? | |
Or mine eyes seeing this, say this is not | |
To put fair truth upon so foul a face? | |
In things right true my heart and eyes have erred, | |
And to this false plague are they now transferred. | |
138 | |
When my love swears that she is made of truth, | |
I do believe her though I know she lies, | |
That she might think me some untutored youth, | |
Unlearned in the world's false subtleties. | |
Thus vainly thinking that she thinks me young, | |
Although she knows my days are past the best, | |
Simply I credit her false-speaking tongue, | |
On both sides thus is simple truth suppressed: | |
But wherefore says she not she is unjust? | |
And wherefore say not I that I am old? | |
O love's best habit is in seeming trust, | |
And age in love, loves not to have years told. | |
Therefore I lie with her, and she with me, | |
And in our faults by lies we flattered be. | |
139 | |
O call not me to justify the wrong, | |
That thy unkindness lays upon my heart, | |
Wound me not with thine eye but with thy tongue, | |
Use power with power, and slay me not by art, | |
Tell me thou lov'st elsewhere; but in my sight, | |
Dear heart forbear to glance thine eye aside, | |
What need'st thou wound with cunning when thy might | |
Is more than my o'erpressed defence can bide? | |
Let me excuse thee, ah my love well knows, | |
Her pretty looks have been mine enemies, | |
And therefore from my face she turns my foes, | |
That they elsewhere might dart their injuries: | |
Yet do not so, but since I am near slain, | |
Kill me outright with looks, and rid my pain. | |
140 | |
Be wise as thou art cruel, do not press | |
My tongue-tied patience with too much disdain: | |
Lest sorrow lend me words and words express, | |
The manner of my pity-wanting pain. | |
If I might teach thee wit better it were, | |
Though not to love, yet love to tell me so, | |
As testy sick men when their deaths be near, | |
No news but health from their physicians know. | |
For if I should despair I should grow mad, | |
And in my madness might speak ill of thee, | |
Now this ill-wresting world is grown so bad, | |
Mad slanderers by mad ears believed be. | |
That I may not be so, nor thou belied, | |
Bear thine eyes straight, though thy proud heart go wide. | |
141 | |
In faith I do not love thee with mine eyes, | |
For they in thee a thousand errors note, | |
But 'tis my heart that loves what they despise, | |
Who in despite of view is pleased to dote. | |
Nor are mine cars with thy tongue's tune delighted, | |
Nor tender feeling to base touches prone, | |
Nor taste, nor smell, desire to be invited | |
To any sensual feast with thee alone: | |
But my five wits, nor my five senses can | |
Dissuade one foolish heart from serving thee, | |
Who leaves unswayed the likeness of a man, | |
Thy proud heart's slave and vassal wretch to be: | |
Only my plague thus far I count my gain, | |
That she that makes me sin, awards me pain. | |
142 | |
Love is my sin, and thy dear virtue hate, | |
Hate of my sin, grounded on sinful loving, | |
O but with mine, compare thou thine own state, | |
And thou shalt find it merits not reproving, | |
Or if it do, not from those lips of thine, | |
That have profaned their scarlet ornaments, | |
And sealed false bonds of love as oft as mine, | |
Robbed others' beds' revenues of their rents. | |
Be it lawful I love thee as thou lov'st those, | |
Whom thine eyes woo as mine importune thee, | |
Root pity in thy heart that when it grows, | |
Thy pity may deserve to pitied be. | |
If thou dost seek to have what thou dost hide, | |
By self-example mayst thou be denied. | |
143 | |
Lo as a careful huswife runs to catch, | |
One of her feathered creatures broke away, | |
Sets down her babe and makes all swift dispatch | |
In pursuit of the thing she would have stay: | |
Whilst her neglected child holds her in chase, | |
Cries to catch her whose busy care is bent, | |
To follow that which flies before her face: | |
Not prizing her poor infant's discontent; | |
So run'st thou after that which flies from thee, | |
Whilst I thy babe chase thee afar behind, | |
But if thou catch thy hope turn back to me: | |
And play the mother's part, kiss me, be kind. | |
So will I pray that thou mayst have thy Will, | |
If thou turn back and my loud crying still. | |
144 | |
Two loves I have of comfort and despair, | |
Which like two spirits do suggest me still, | |
The better angel is a man right fair: | |
The worser spirit a woman coloured ill. | |
To win me soon to hell my female evil, | |
Tempteth my better angel from my side, | |
And would corrupt my saint to be a devil: | |
Wooing his purity with her foul pride. | |
And whether that my angel be turned fiend, | |
Suspect I may, yet not directly tell, | |
But being both from me both to each friend, | |
I guess one angel in another's hell. | |
Yet this shall I ne'er know but live in doubt, | |
Till my bad angel fire my good one out. | |
145 | |
Those lips that Love's own hand did make, | |
Breathed forth the sound that said 'I hate', | |
To me that languished for her sake: | |
But when she saw my woeful state, | |
Straight in her heart did mercy come, | |
Chiding that tongue that ever sweet, | |
Was used in giving gentle doom: | |
And taught it thus anew to greet: | |
'I hate' she altered with an end, | |
That followed it as gentle day, | |
Doth follow night who like a fiend | |
From heaven to hell is flown away. | |
'I hate', from hate away she threw, | |
And saved my life saying 'not you'. | |
146 | |
Poor soul the centre of my sinful earth, | |
My sinful earth these rebel powers array, | |
Why dost thou pine within and suffer dearth | |
Painting thy outward walls so costly gay? | |
Why so large cost having so short a lease, | |
Dost thou upon thy fading mansion spend? | |
Shall worms inheritors of this excess | |
Eat up thy charge? is this thy body's end? | |
Then soul live thou upon thy servant's loss, | |
And let that pine to aggravate thy store; | |
Buy terms divine in selling hours of dross; | |
Within be fed, without be rich no more, | |
So shall thou feed on death, that feeds on men, | |
And death once dead, there's no more dying then. | |
147 | |
My love is as a fever longing still, | |
For that which longer nurseth the disease, | |
Feeding on that which doth preserve the ill, | |
Th' uncertain sickly appetite to please: | |
My reason the physician to my love, | |
Angry that his prescriptions are not kept | |
Hath left me, and I desperate now approve, | |
Desire is death, which physic did except. | |
Past cure I am, now reason is past care, | |
And frantic-mad with evermore unrest, | |
My thoughts and my discourse as mad men's are, | |
At random from the truth vainly expressed. | |
For I have sworn thee fair, and thought thee bright, | |
Who art as black as hell, as dark as night. | |
148 | |
O me! what eyes hath love put in my head, | |
Which have no correspondence with true sight, | |
Or if they have, where is my judgment fled, | |
That censures falsely what they see aright? | |
If that be fair whereon my false eyes dote, | |
What means the world to say it is not so? | |
If it be not, then love doth well denote, | |
Love's eye is not so true as all men's: no, | |
How can it? O how can love's eye be true, | |
That is so vexed with watching and with tears? | |
No marvel then though I mistake my view, | |
The sun it self sees not, till heaven clears. | |
O cunning love, with tears thou keep'st me blind, | |
Lest eyes well-seeing thy foul faults should find. | |
149 | |
Canst thou O cruel, say I love thee not, | |
When I against my self with thee partake? | |
Do I not think on thee when I forgot | |
Am of my self, all-tyrant, for thy sake? | |
Who hateth thee that I do call my friend, | |
On whom frown'st thou that I do fawn upon, | |
Nay if thou lour'st on me do I not spend | |
Revenge upon my self with present moan? | |
What merit do I in my self respect, | |
That is so proud thy service to despise, | |
When all my best doth worship thy defect, | |
Commanded by the motion of thine eyes? | |
But love hate on for now I know thy mind, | |
Those that can see thou lov'st, and I am blind. | |
150 | |
O from what power hast thou this powerful might, | |
With insufficiency my heart to sway, | |
To make me give the lie to my true sight, | |
And swear that brightness doth not grace the day? | |
Whence hast thou this becoming of things ill, | |
That in the very refuse of thy deeds, | |
There is such strength and warrantise of skill, | |
That in my mind thy worst all best exceeds? | |
Who taught thee how to make me love thee more, | |
The more I hear and see just cause of hate? | |
O though I love what others do abhor, | |
With others thou shouldst not abhor my state. | |
If thy unworthiness raised love in me, | |
More worthy I to be beloved of thee. | |
151 | |
Love is too young to know what conscience is, | |
Yet who knows not conscience is born of love? | |
Then gentle cheater urge not my amiss, | |
Lest guilty of my faults thy sweet self prove. | |
For thou betraying me, I do betray | |
My nobler part to my gross body's treason, | |
My soul doth tell my body that he may, | |
Triumph in love, flesh stays no farther reason, | |
But rising at thy name doth point out thee, | |
As his triumphant prize, proud of this pride, | |
He is contented thy poor drudge to be, | |
To stand in thy affairs, fall by thy side. | |
No want of conscience hold it that I call, | |
Her love, for whose dear love I rise and fall. | |
152 | |
In loving thee thou know'st I am forsworn, | |
But thou art twice forsworn to me love swearing, | |
In act thy bed-vow broke and new faith torn, | |
In vowing new hate after new love bearing: | |
But why of two oaths' breach do I accuse thee, | |
When I break twenty? I am perjured most, | |
For all my vows are oaths but to misuse thee: | |
And all my honest faith in thee is lost. | |
For I have sworn deep oaths of thy deep kindness: | |
Oaths of thy love, thy truth, thy constancy, | |
And to enlighten thee gave eyes to blindness, | |
Or made them swear against the thing they see. | |
For I have sworn thee fair: more perjured I, | |
To swear against the truth so foul a be. | |
153 | |
Cupid laid by his brand and fell asleep, | |
A maid of Dian's this advantage found, | |
And his love-kindling fire did quickly steep | |
In a cold valley-fountain of that ground: | |
Which borrowed from this holy fire of Love, | |
A dateless lively heat still to endure, | |
And grew a seeting bath which yet men prove, | |
Against strange maladies a sovereign cure: | |
But at my mistress' eye Love's brand new-fired, | |
The boy for trial needs would touch my breast, | |
I sick withal the help of bath desired, | |
And thither hied a sad distempered guest. | |
But found no cure, the bath for my help lies, | |
Where Cupid got new fire; my mistress' eyes. | |
154 | |
The little Love-god lying once asleep, | |
Laid by his side his heart-inflaming brand, | |
Whilst many nymphs that vowed chaste life to keep, | |
Came tripping by, but in her maiden hand, | |
The fairest votary took up that fire, | |
Which many legions of true hearts had warmed, | |
And so the general of hot desire, | |
Was sleeping by a virgin hand disarmed. | |
This brand she quenched in a cool well by, | |
Which from Love's fire took heat perpetual, | |
Growing a bath and healthful remedy, | |
For men discased, but I my mistress' thrall, | |
Came there for cure and this by that I prove, | |
Love's fire heats water, water cools not love. | |
THE END | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
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PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
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1603 | |
ALLS WELL THAT ENDS WELL | |
by William Shakespeare | |
Dramatis Personae | |
KING OF FRANCE | |
THE DUKE OF FLORENCE | |
BERTRAM, Count of Rousillon | |
LAFEU, an old lord | |
PAROLLES, a follower of Bertram | |
TWO FRENCH LORDS, serving with Bertram | |
STEWARD, Servant to the Countess of Rousillon | |
LAVACHE, a clown and Servant to the Countess of Rousillon | |
A PAGE, Servant to the Countess of Rousillon | |
COUNTESS OF ROUSILLON, mother to Bertram | |
HELENA, a gentlewoman protected by the Countess | |
A WIDOW OF FLORENCE. | |
DIANA, daughter to the Widow | |
VIOLENTA, neighbour and friend to the Widow | |
MARIANA, neighbour and friend to the Widow | |
Lords, Officers, Soldiers, etc., French and Florentine | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY | |
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>> | |
SCENE: | |
Rousillon; Paris; Florence; Marseilles | |
ACT I. SCENE 1. | |
Rousillon. The COUNT'S palace | |
Enter BERTRAM, the COUNTESS OF ROUSILLON, HELENA, and LAFEU, all in black | |
COUNTESS. In delivering my son from me, I bury a second husband. | |
BERTRAM. And I in going, madam, weep o'er my father's death anew; | |
but I must attend his Majesty's command, to whom I am now in | |
ward, evermore in subjection. | |
LAFEU. You shall find of the King a husband, madam; you, sir, a | |
father. He that so generally is at all times good must of | |
necessity hold his virtue to you, whose worthiness would stir it | |
up where it wanted, rather than lack it where there is such | |
abundance. | |
COUNTESS. What hope is there of his Majesty's amendment? | |
LAFEU. He hath abandon'd his physicians, madam; under whose | |
practices he hath persecuted time with hope, and finds no other | |
advantage in the process but only the losing of hope by time. | |
COUNTESS. This young gentlewoman had a father- O, that 'had,' how | |
sad a passage 'tis!-whose skill was almost as great as his | |
honesty; had it stretch'd so far, would have made nature | |
immortal, and death should have play for lack of work. Would, for | |
the King's sake, he were living! I think it would be the death of | |
the King's disease. | |
LAFEU. How call'd you the man you speak of, madam? | |
COUNTESS. He was famous, sir, in his profession, and it was his | |
great right to be so- Gerard de Narbon. | |
LAFEU. He was excellent indeed, madam; the King very lately spoke | |
of him admiringly and mourningly; he was skilful enough to have | |
liv'd still, if knowledge could be set up against mortality. | |
BERTRAM. What is it, my good lord, the King languishes of? | |
LAFEU. A fistula, my lord. | |
BERTRAM. I heard not of it before. | |
LAFEU. I would it were not notorious. Was this gentlewoman the | |
daughter of Gerard de Narbon? | |
COUNTESS. His sole child, my lord, and bequeathed to my | |
overlooking. I have those hopes of her good that her education | |
promises; her dispositions she inherits, which makes fair gifts | |
fairer; for where an unclean mind carries virtuous qualities, | |
there commendations go with pity-they are virtues and traitors | |
too. In her they are the better for their simpleness; she derives | |
her honesty, and achieves her goodness. | |
LAFEU. Your commendations, madam, get from her tears. | |
COUNTESS. 'Tis the best brine a maiden can season her praise in. | |
The remembrance of her father never approaches her heart but the | |
tyranny of her sorrows takes all livelihood from her cheek. No | |
more of this, Helena; go to, no more, lest it be rather thought | |
you affect a sorrow than to have- | |
HELENA. I do affect a sorrow indeed, but I have it too. | |
LAFEU. Moderate lamentation is the right of the dead: excessive | |
grief the enemy to the living. | |
COUNTESS. If the living be enemy to the grief, the excess makes it | |
soon mortal. | |
BERTRAM. Madam, I desire your holy wishes. | |
LAFEU. How understand we that? | |
COUNTESS. Be thou blest, Bertram, and succeed thy father | |
In manners, as in shape! Thy blood and virtue | |
Contend for empire in thee, and thy goodness | |
Share with thy birthright! Love all, trust a few, | |
Do wrong to none; be able for thine enemy | |
Rather in power than use, and keep thy friend | |
Under thy own life's key; be check'd for silence, | |
But never tax'd for speech. What heaven more will, | |
That thee may furnish, and my prayers pluck down, | |
Fall on thy head! Farewell. My lord, | |
'Tis an unseason'd courtier; good my lord, | |
Advise him. | |
LAFEU. He cannot want the best | |
That shall attend his love. | |
COUNTESS. Heaven bless him! Farewell, Bertram. Exit | |
BERTRAM. The best wishes that can be forg'd in your thoughts be | |
servants to you! [To HELENA] Be comfortable to my mother, your | |
mistress, and make much of her. | |
LAFEU. Farewell, pretty lady; you must hold the credit of your | |
father. Exeunt BERTRAM and LAFEU | |
HELENA. O, were that all! I think not on my father; | |
And these great tears grace his remembrance more | |
Than those I shed for him. What was he like? | |
I have forgot him; my imagination | |
Carries no favour in't but Bertram's. | |
I am undone; there is no living, none, | |
If Bertram be away. 'Twere all one | |
That I should love a bright particular star | |
And think to wed it, he is so above me. | |
In his bright radiance and collateral light | |
Must I be comforted, not in his sphere. | |
Th' ambition in my love thus plagues itself: | |
The hind that would be mated by the lion | |
Must die for love. 'Twas pretty, though a plague, | |
To see him every hour; to sit and draw | |
His arched brows, his hawking eye, his curls, | |
In our heart's table-heart too capable | |
Of every line and trick of his sweet favour. | |
But now he's gone, and my idolatrous fancy | |
Must sanctify his relics. Who comes here? | |
Enter PAROLLES | |
[Aside] One that goes with him. I love him for his sake; | |
And yet I know him a notorious liar, | |
Think him a great way fool, solely a coward; | |
Yet these fix'd evils sit so fit in him | |
That they take place when virtue's steely bones | |
Looks bleak i' th' cold wind; withal, full oft we see | |
Cold wisdom waiting on superfluous folly. | |
PAROLLES. Save you, fair queen! | |
HELENA. And you, monarch! | |
PAROLLES. No. | |
HELENA. And no. | |
PAROLLES. Are you meditating on virginity? | |
HELENA. Ay. You have some stain of soldier in you; let me ask you a | |
question. Man is enemy to virginity; how may we barricado it | |
against him? | |
PAROLLES. Keep him out. | |
HELENA. But he assails; and our virginity, though valiant in the | |
defence, yet is weak. Unfold to us some warlike resistance. | |
PAROLLES. There is none. Man, setting down before you, will | |
undermine you and blow you up. | |
HELENA. Bless our poor virginity from underminers and blowers-up! | |
Is there no military policy how virgins might blow up men? | |
PAROLLES. Virginity being blown down, man will quicklier be blown | |
up; marry, in blowing him down again, with the breach yourselves | |
made, you lose your city. It is not politic in the commonwealth | |
of nature to preserve virginity. Loss of virginity is rational | |
increase; and there was never virgin got till virginity was first | |
lost. That you were made of is metal to make virgins. Virginity | |
by being once lost may be ten times found; by being ever kept, it | |
is ever lost. 'Tis too cold a companion; away with't. | |
HELENA. I will stand for 't a little, though therefore I die a | |
virgin. | |
PAROLLES. There's little can be said in 't; 'tis against the rule | |
of nature. To speak on the part of virginity is to accuse your | |
mothers; which is most infallible disobedience. He that hangs | |
himself is a virgin; virginity murders itself, and should be | |
buried in highways, out of all sanctified limit, as a desperate | |
offendress against nature. Virginity breeds mites, much like a | |
cheese; consumes itself to the very paring, and so dies with | |
feeding his own stomach. Besides, virginity is peevish, proud, | |
idle, made of self-love, which is the most inhibited sin in the | |
canon. Keep it not; you cannot choose but lose by't. Out with't. | |
Within ten year it will make itself ten, which is a goodly | |
increase; and the principal itself not much the worse. Away | |
with't. | |
HELENA. How might one do, sir, to lose it to her own liking? | |
PAROLLES. Let me see. Marry, ill to like him that ne'er it likes. | |
'Tis a commodity will lose the gloss with lying; the longer kept, | |
the less worth. Off with't while 'tis vendible; answer the time | |
of request. Virginity, like an old courtier, wears her cap out of | |
fashion, richly suited but unsuitable; just like the brooch and | |
the toothpick, which wear not now. Your date is better in your | |
pie and your porridge than in your cheek. And your virginity, | |
your old virginity, is like one of our French wither'd pears: it | |
looks ill, it eats drily; marry, 'tis a wither'd pear; it was | |
formerly better; marry, yet 'tis a wither'd pear. Will you | |
anything with it? | |
HELENA. Not my virginity yet. | |
There shall your master have a thousand loves, | |
A mother, and a mistress, and a friend, | |
A phoenix, captain, and an enemy, | |
A guide, a goddess, and a sovereign, | |
A counsellor, a traitress, and a dear; | |
His humble ambition, proud humility, | |
His jarring concord, and his discord dulcet, | |
His faith, his sweet disaster; with a world | |
Of pretty, fond, adoptious christendoms | |
That blinking Cupid gossips. Now shall he- | |
I know not what he shall. God send him well! | |
The court's a learning-place, and he is one- | |
PAROLLES. What one, i' faith? | |
HELENA. That I wish well. 'Tis pity- | |
PAROLLES. What's pity? | |
HELENA. That wishing well had not a body in't | |
Which might be felt; that we, the poorer born, | |
Whose baser stars do shut us up in wishes, | |
Might with effects of them follow our friends | |
And show what we alone must think, which never | |
Returns us thanks. | |
Enter PAGE | |
PAGE. Monsieur Parolles, my lord calls for you. Exit PAGE | |
PAROLLES. Little Helen, farewell; if I can remember thee, I will | |
think of thee at court. | |
HELENA. Monsieur Parolles, you were born under a charitable star. | |
PAROLLES. Under Mars, I. | |
HELENA. I especially think, under Mars. | |
PAROLLES. Why under Man? | |
HELENA. The wars hath so kept you under that you must needs be born | |
under Mars. | |
PAROLLES. When he was predominant. | |
HELENA. When he was retrograde, I think, rather. | |
PAROLLES. Why think you so? | |
HELENA. You go so much backward when you fight. | |
PAROLLES. That's for advantage. | |
HELENA. So is running away, when fear proposes the safety: but the | |
composition that your valour and fear makes in you is a virtue of | |
a good wing, and I like the wear well. | |
PAROLLES. I am so full of business I cannot answer thee acutely. I | |
will return perfect courtier; in the which my instruction shall | |
serve to naturalize thee, so thou wilt be capable of a courtier's | |
counsel, and understand what advice shall thrust upon thee; else | |
thou diest in thine unthankfulness, and thine ignorance makes | |
thee away. Farewell. When thou hast leisure, say thy prayers; | |
when thou hast none, remember thy friends. Get thee a good | |
husband and use him as he uses thee. So, farewell. | |
Exit | |
HELENA. Our remedies oft in ourselves do lie, | |
Which we ascribe to heaven. The fated sky | |
Gives us free scope; only doth backward pull | |
Our slow designs when we ourselves are dull. | |
What power is it which mounts my love so high, | |
That makes me see, and cannot feed mine eye? | |
The mightiest space in fortune nature brings | |
To join like likes, and kiss like native things. | |
Impossible be strange attempts to those | |
That weigh their pains in sense, and do suppose | |
What hath been cannot be. Who ever strove | |
To show her merit that did miss her love? | |
The King's disease-my project may deceive me, | |
But my intents are fix'd, and will not leave me. Exit | |
ACT I. SCENE 2. | |
Paris. The KING'S palace | |
Flourish of cornets. Enter the KING OF FRANCE, with letters, | |
and divers ATTENDANTS | |
KING. The Florentines and Senoys are by th' ears; | |
Have fought with equal fortune, and continue | |
A braving war. | |
FIRST LORD. So 'tis reported, sir. | |
KING. Nay, 'tis most credible. We here receive it, | |
A certainty, vouch'd from our cousin Austria, | |
With caution, that the Florentine will move us | |
For speedy aid; wherein our dearest friend | |
Prejudicates the business, and would seem | |
To have us make denial. | |
FIRST LORD. His love and wisdom, | |
Approv'd so to your Majesty, may plead | |
For amplest credence. | |
KING. He hath arm'd our answer, | |
And Florence is denied before he comes; | |
Yet, for our gentlemen that mean to see | |
The Tuscan service, freely have they leave | |
To stand on either part. | |
SECOND LORD. It well may serve | |
A nursery to our gentry, who are sick | |
For breathing and exploit. | |
KING. What's he comes here? | |
Enter BERTRAM, LAFEU, and PAROLLES | |
FIRST LORD. It is the Count Rousillon, my good lord, | |
Young Bertram. | |
KING. Youth, thou bear'st thy father's face; | |
Frank nature, rather curious than in haste, | |
Hath well compos'd thee. Thy father's moral parts | |
Mayst thou inherit too! Welcome to Paris. | |
BERTRAM. My thanks and duty are your Majesty's. | |
KING. I would I had that corporal soundness now, | |
As when thy father and myself in friendship | |
First tried our soldiership. He did look far | |
Into the service of the time, and was | |
Discipled of the bravest. He lasted long; | |
But on us both did haggish age steal on, | |
And wore us out of act. It much repairs me | |
To talk of your good father. In his youth | |
He had the wit which I can well observe | |
To-day in our young lords; but they may jest | |
Till their own scorn return to them unnoted | |
Ere they can hide their levity in honour. | |
So like a courtier, contempt nor bitterness | |
Were in his pride or sharpness; if they were, | |
His equal had awak'd them; and his honour, | |
Clock to itself, knew the true minute when | |
Exception bid him speak, and at this time | |
His tongue obey'd his hand. Who were below him | |
He us'd as creatures of another place; | |
And bow'd his eminent top to their low ranks, | |
Making them proud of his humility | |
In their poor praise he humbled. Such a man | |
Might be a copy to these younger times; | |
Which, followed well, would demonstrate them now | |
But goers backward. | |
BERTRAM. His good remembrance, sir, | |
Lies richer in your thoughts than on his tomb; | |
So in approof lives not his epitaph | |
As in your royal speech. | |
KING. Would I were with him! He would always say- | |
Methinks I hear him now; his plausive words | |
He scatter'd not in ears, but grafted them | |
To grow there, and to bear- 'Let me not live'- | |
This his good melancholy oft began, | |
On the catastrophe and heel of pastime, | |
When it was out-'Let me not live' quoth he | |
'After my flame lacks oil, to be the snuff | |
Of younger spirits, whose apprehensive senses | |
All but new things disdain; whose judgments are | |
Mere fathers of their garments; whose constancies | |
Expire before their fashions.' This he wish'd. | |
I, after him, do after him wish too, | |
Since I nor wax nor honey can bring home, | |
I quickly were dissolved from my hive, | |
To give some labourers room. | |
SECOND LORD. You're loved, sir; | |
They that least lend it you shall lack you first. | |
KING. I fill a place, I know't. How long is't, Count, | |
Since the physician at your father's died? | |
He was much fam'd. | |
BERTRAM. Some six months since, my lord. | |
KING. If he were living, I would try him yet- | |
Lend me an arm-the rest have worn me out | |
With several applications. Nature and sickness | |
Debate it at their leisure. Welcome, Count; | |
My son's no dearer. | |
BERTRAM. Thank your Majesty. Exeunt [Flourish] | |
ACT I. SCENE 3. | |
Rousillon. The COUNT'S palace | |
Enter COUNTESS, STEWARD, and CLOWN | |
COUNTESS. I will now hear; what say you of this gentlewoman? | |
STEWARD. Madam, the care I have had to even your content I wish | |
might be found in the calendar of my past endeavours; for then we | |
wound our modesty, and make foul the clearness of our deservings, | |
when of ourselves we publish them. | |
COUNTESS. What does this knave here? Get you gone, sirrah. The | |
complaints I have heard of you I do not all believe; 'tis my | |
slowness that I do not, for I know you lack not folly to commit | |
them and have ability enough to make such knaveries yours. | |
CLOWN. 'Tis not unknown to you, madam, I am a poor fellow. | |
COUNTESS. Well, sir. | |
CLOWN. No, madam, 'tis not so well that I am poor, though many of | |
the rich are damn'd; but if I may have your ladyship's good will | |
to go to the world, Isbel the woman and I will do as we may. | |
COUNTESS. Wilt thou needs be a beggar? | |
CLOWN. I do beg your good will in this case. | |
COUNTESS. In what case? | |
CLOWN. In Isbel's case and mine own. Service is no heritage; and I | |
think I shall never have the blessing of God till I have issue o' | |
my body; for they say bames are blessings. | |
COUNTESS. Tell me thy reason why thou wilt marry. | |
CLOWN. My poor body, madam, requires it. I am driven on by the | |
flesh; and he must needs go that the devil drives. | |
COUNTESS. Is this all your worship's reason? | |
CLOWN. Faith, madam, I have other holy reasons, such as they are. | |
COUNTESS. May the world know them? | |
CLOWN. I have been, madam, a wicked creature, as you and all flesh | |
and blood are; and, indeed, I do marry that I may repent. | |
COUNTESS. Thy marriage, sooner than thy wickedness. | |
CLOWN. I am out o' friends, madam, and I hope to have friends for | |
my wife's sake. | |
COUNTESS. Such friends are thine enemies, knave. | |
CLOWN. Y'are shallow, madam-in great friends; for the knaves come | |
to do that for me which I am aweary of. He that ears my land | |
spares my team, and gives me leave to in the crop. If I be his | |
cuckold, he's my drudge. He that comforts my wife is the | |
cherisher of my flesh and blood; he that cherishes my flesh and | |
blood loves my flesh and blood; he that loves my flesh and blood | |
is my friend; ergo, he that kisses my wife is my friend. If men | |
could be contented to be what they are, there were no fear in | |
marriage; for young Charbon the puritan and old Poysam the | |
papist, howsome'er their hearts are sever'd in religion, their | |
heads are both one; they may jowl horns together like any deer | |
i' th' herd. | |
COUNTESS. Wilt thou ever be a foul-mouth'd and calumnious knave? | |
CLOWN. A prophet I, madam; and I speak the truth the next way: | |
For I the ballad will repeat, | |
Which men full true shall find: | |
Your marriage comes by destiny, | |
Your cuckoo sings by kind. | |
COUNTESS. Get you gone, sir; I'll talk with you more anon. | |
STEWARD. May it please you, madam, that he bid Helen come to you. | |
Of her I am to speak. | |
COUNTESS. Sirrah, tell my gentlewoman I would speak with her; Helen | |
I mean. | |
CLOWN. [Sings] | |
'Was this fair face the cause' quoth she | |
'Why the Grecians sacked Troy? | |
Fond done, done fond, | |
Was this King Priam's joy?' | |
With that she sighed as she stood, | |
With that she sighed as she stood, | |
And gave this sentence then: | |
'Among nine bad if one be good, | |
Among nine bad if one be good, | |
There's yet one good in ten.' | |
COUNTESS. What, one good in ten? You corrupt the song, sirrah. | |
CLOWN. One good woman in ten, madam, which is a purifying o' th' | |
song. Would God would serve the world so all the year! We'd find | |
no fault with the tithe-woman, if I were the parson. One in ten, | |
quoth 'a! An we might have a good woman born before every blazing | |
star, or at an earthquake, 'twould mend the lottery well: a man | |
may draw his heart out ere 'a pluck one. | |
COUNTESS. You'll be gone, sir knave, and do as I command you. | |
CLOWN. That man should be at woman's command, and yet no hurt done! | |
Though honesty be no puritan, yet it will do no hurt; it will | |
wear the surplice of humility over the black gown of a big heart. | |
I am going, forsooth. The business is for Helen to come hither. | |
Exit | |
COUNTESS. Well, now. | |
STEWARD. I know, madam, you love your gentlewoman entirely. | |
COUNTESS. Faith I do. Her father bequeath'd her to me; and she | |
herself, without other advantage, may lawfully make title to as | |
much love as she finds. There is more owing her than is paid; and | |
more shall be paid her than she'll demand. | |
STEWARD. Madam, I was very late more near her than I think she | |
wish'd me. Alone she was, and did communicate to herself her own | |
words to her own ears; she thought, I dare vow for her, they | |
touch'd not any stranger sense. Her matter was, she loved your | |
son. Fortune, she said, was no goddess, that had put such | |
difference betwixt their two estates; Love no god, that would not | |
extend his might only where qualities were level; Diana no queen | |
of virgins, that would suffer her poor knight surpris'd without | |
rescue in the first assault, or ransom afterward. This she | |
deliver'd in the most bitter touch of sorrow that e'er I heard | |
virgin exclaim in; which I held my duty speedily to acquaint you | |
withal; sithence, in the loss that may happen, it concerns you | |
something to know it. | |
COUNTESS. YOU have discharg'd this honestly; keep it to yourself. | |
Many likelihoods inform'd me of this before, which hung so | |
tott'ring in the balance that I could neither believe nor | |
misdoubt. Pray you leave me. Stall this in your bosom; and I | |
thank you for your honest care. I will speak with you further | |
anon. Exit STEWARD | |
Enter HELENA | |
Even so it was with me when I was young. | |
If ever we are nature's, these are ours; this thorn | |
Doth to our rose of youth rightly belong; | |
Our blood to us, this to our blood is born. | |
It is the show and seal of nature's truth, | |
Where love's strong passion is impress'd in youth. | |
By our remembrances of days foregone, | |
Such were our faults, or then we thought them none. | |
Her eye is sick on't; I observe her now. | |
HELENA. What is your pleasure, madam? | |
COUNTESS. You know, Helen, | |
I am a mother to you. | |
HELENA. Mine honourable mistress. | |
COUNTESS. Nay, a mother. | |
Why not a mother? When I said 'a mother,' | |
Methought you saw a serpent. What's in 'mother' | |
That you start at it? I say I am your mother, | |
And put you in the catalogue of those | |
That were enwombed mine. 'Tis often seen | |
Adoption strives with nature, and choice breeds | |
A native slip to us from foreign seeds. | |
You ne'er oppress'd me with a mother's groan, | |
Yet I express to you a mother's care. | |
God's mercy, maiden! does it curd thy blood | |
To say I am thy mother? What's the matter, | |
That this distempered messenger of wet, | |
The many-colour'd Iris, rounds thine eye? | |
Why, that you are my daughter? | |
HELENA. That I am not. | |
COUNTESS. I say I am your mother. | |
HELENA. Pardon, madam. | |
The Count Rousillon cannot be my brother: | |
I am from humble, he from honoured name; | |
No note upon my parents, his all noble. | |
My master, my dear lord he is; and I | |
His servant live, and will his vassal die. | |
He must not be my brother. | |
COUNTESS. Nor I your mother? | |
HELENA. You are my mother, madam; would you were- | |
So that my lord your son were not my brother- | |
Indeed my mother! Or were you both our mothers, | |
I care no more for than I do for heaven, | |
So I were not his sister. Can't no other, | |
But, I your daughter, he must be my brother? | |
COUNTESS. Yes, Helen, you might be my daughter-in-law. | |
God shield you mean it not! 'daughter' and 'mother' | |
So strive upon your pulse. What! pale again? | |
My fear hath catch'd your fondness. Now I see | |
The myst'ry of your loneliness, and find | |
Your salt tears' head. Now to all sense 'tis gross | |
You love my son; invention is asham'd, | |
Against the proclamation of thy passion, | |
To say thou dost not. Therefore tell me true; | |
But tell me then, 'tis so; for, look, thy cheeks | |
Confess it, th' one to th' other; and thine eyes | |
See it so grossly shown in thy behaviours | |
That in their kind they speak it; only sin | |
And hellish obstinacy tie thy tongue, | |
That truth should be suspected. Speak, is't so? | |
If it be so, you have wound a goodly clew; | |
If it be not, forswear't; howe'er, I charge thee, | |
As heaven shall work in me for thine avail, | |
To tell me truly. | |
HELENA. Good madam, pardon me. | |
COUNTESS. Do you love my son? | |
HELENA. Your pardon, noble mistress. | |
COUNTESS. Love you my son? | |
HELENA. Do not you love him, madam? | |
COUNTESS. Go not about; my love hath in't a bond | |
Whereof the world takes note. Come, come, disclose | |
The state of your affection; for your passions | |
Have to the full appeach'd. | |
HELENA. Then I confess, | |
Here on my knee, before high heaven and you, | |
That before you, and next unto high heaven, | |
I love your son. | |
My friends were poor, but honest; so's my love. | |
Be not offended, for it hurts not him | |
That he is lov'd of me; I follow him not | |
By any token of presumptuous suit, | |
Nor would I have him till I do deserve him; | |
Yet never know how that desert should be. | |
I know I love in vain, strive against hope; | |
Yet in this captious and intenible sieve | |
I still pour in the waters of my love, | |
And lack not to lose still. Thus, Indian-like, | |
Religious in mine error, I adore | |
The sun that looks upon his worshipper | |
But knows of him no more. My dearest madam, | |
Let not your hate encounter with my love, | |
For loving where you do; but if yourself, | |
Whose aged honour cites a virtuous youth, | |
Did ever in so true a flame of liking | |
Wish chastely and love dearly that your Dian | |
Was both herself and Love; O, then, give pity | |
To her whose state is such that cannot choose | |
But lend and give where she is sure to lose; | |
That seeks not to find that her search implies, | |
But, riddle-like, lives sweetly where she dies! | |
COUNTESS. Had you not lately an intent-speak truly- | |
To go to Paris? | |
HELENA. Madam, I had. | |
COUNTESS. Wherefore? Tell true. | |
HELENA. I will tell truth; by grace itself I swear. | |
You know my father left me some prescriptions | |
Of rare and prov'd effects, such as his reading | |
And manifest experience had collected | |
For general sovereignty; and that he will'd me | |
In heedfull'st reservation to bestow them, | |
As notes whose faculties inclusive were | |
More than they were in note. Amongst the rest | |
There is a remedy, approv'd, set down, | |
To cure the desperate languishings whereof | |
The King is render'd lost. | |
COUNTESS. This was your motive | |
For Paris, was it? Speak. | |
HELENA. My lord your son made me to think of this, | |
Else Paris, and the medicine, and the King, | |
Had from the conversation of my thoughts | |
Haply been absent then. | |
COUNTESS. But think you, Helen, | |
If you should tender your supposed aid, | |
He would receive it? He and his physicians | |
Are of a mind: he, that they cannot help him; | |
They, that they cannot help. How shall they credit | |
A poor unlearned virgin, when the schools, | |
Embowell'd of their doctrine, have let off | |
The danger to itself? | |
HELENA. There's something in't | |
More than my father's skill, which was the great'st | |
Of his profession, that his good receipt | |
Shall for my legacy be sanctified | |
By th' luckiest stars in heaven; and, would your honour | |
But give me leave to try success, I'd venture | |
The well-lost life of mine on his Grace's cure. | |
By such a day and hour. | |
COUNTESS. Dost thou believe't? | |
HELENA. Ay, madam, knowingly. | |
COUNTESS. Why, Helen, thou shalt have my leave and love, | |
Means and attendants, and my loving greetings | |
To those of mine in court. I'll stay at home, | |
And pray God's blessing into thy attempt. | |
Be gone to-morrow; and be sure of this, | |
What I can help thee to thou shalt not miss. Exeunt | |
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ACT II. SCENE 1. | |
Paris. The KING'S palace | |
Flourish of cornets. Enter the KING with divers young LORDS taking leave | |
for the Florentine war; BERTRAM and PAROLLES; ATTENDANTS | |
KING. Farewell, young lords; these war-like principles | |
Do not throw from you. And you, my lords, farewell; | |
Share the advice betwixt you; if both gain all, | |
The gift doth stretch itself as 'tis receiv'd, | |
And is enough for both. | |
FIRST LORD. 'Tis our hope, sir, | |
After well-ent'red soldiers, to return | |
And find your Grace in health. | |
KING. No, no, it cannot be; and yet my heart | |
Will not confess he owes the malady | |
That doth my life besiege. Farewell, young lords; | |
Whether I live or die, be you the sons | |
Of worthy Frenchmen; let higher Italy- | |
Those bated that inherit but the fall | |
Of the last monarchy-see that you come | |
Not to woo honour, but to wed it; when | |
The bravest questant shrinks, find what you seek, | |
That fame may cry you aloud. I say farewell. | |
SECOND LORD. Health, at your bidding, serve your Majesty! | |
KING. Those girls of Italy, take heed of them; | |
They say our French lack language to deny, | |
If they demand; beware of being captives | |
Before you serve. | |
BOTH. Our hearts receive your warnings. | |
KING. Farewell. [To ATTENDANTS] Come hither to me. | |
The KING retires attended | |
FIRST LORD. O my sweet lord, that you will stay behind us! | |
PAROLLES. 'Tis not his fault, the spark. | |
SECOND LORD. O, 'tis brave wars! | |
PAROLLES. Most admirable! I have seen those wars. | |
BERTRAM. I am commanded here and kept a coil with | |
'Too young' and next year' and "Tis too early.' | |
PAROLLES. An thy mind stand to 't, boy, steal away bravely. | |
BERTRAM. I shall stay here the forehorse to a smock, | |
Creaking my shoes on the plain masonry, | |
Till honour be bought up, and no sword worn | |
But one to dance with. By heaven, I'll steal away. | |
FIRST LORD. There's honour in the theft. | |
PAROLLES. Commit it, Count. | |
SECOND LORD. I am your accessary; and so farewell. | |
BERTRAM. I grow to you, and our parting is a tortur'd body. | |
FIRST LORD. Farewell, Captain. | |
SECOND LORD. Sweet Monsieur Parolles! | |
PAROLLES. Noble heroes, my sword and yours are kin. Good sparks and | |
lustrous, a word, good metals: you shall find in the regiment of | |
the Spinii one Captain Spurio, with his cicatrice, an emblem of | |
war, here on his sinister cheek; it was this very sword | |
entrench'd it. Say to him I live; and observe his reports for me. | |
FIRST LORD. We shall, noble Captain. | |
PAROLLES. Mars dote on you for his novices! Exeunt LORDS | |
What will ye do? | |
Re-enter the KING | |
BERTRAM. Stay; the King! | |
PAROLLES. Use a more spacious ceremony to the noble lords; you have | |
restrain'd yourself within the list of too cold an adieu. Be more | |
expressive to them; for they wear themselves in the cap of the | |
time; there do muster true gait; eat, speak, and move, under the | |
influence of the most receiv'd star; and though the devil lead | |
the measure, such are to be followed. After them, and take a more | |
dilated farewell. | |
BERTRAM. And I will do so. | |
PAROLLES. Worthy fellows; and like to prove most sinewy sword-men. | |
Exeunt BERTRAM and PAROLLES | |
Enter LAFEU | |
LAFEU. [Kneeling] Pardon, my lord, for me and for my tidings. | |
KING. I'll fee thee to stand up. | |
LAFEU. Then here's a man stands that has brought his pardon. | |
I would you had kneel'd, my lord, to ask me mercy; | |
And that at my bidding you could so stand up. | |
KING. I would I had; so I had broke thy pate, | |
And ask'd thee mercy for't. | |
LAFEU. Good faith, across! | |
But, my good lord, 'tis thus: will you be cur'd | |
Of your infirmity? | |
KING. No. | |
LAFEU. O, will you eat | |
No grapes, my royal fox? Yes, but you will | |
My noble grapes, an if my royal fox | |
Could reach them: I have seen a medicine | |
That's able to breathe life into a stone, | |
Quicken a rock, and make you dance canary | |
With spritely fire and motion; whose simple touch | |
Is powerful to araise King Pepin, nay, | |
To give great Charlemain a pen in's hand | |
And write to her a love-line. | |
KING. What her is this? | |
LAFEU. Why, Doctor She! My lord, there's one arriv'd, | |
If you will see her. Now, by my faith and honour, | |
If seriously I may convey my thoughts | |
In this my light deliverance, I have spoke | |
With one that in her sex, her years, profession, | |
Wisdom, and constancy, hath amaz'd me more | |
Than I dare blame my weakness. Will you see her, | |
For that is her demand, and know her business? | |
That done, laugh well at me. | |
KING. Now, good Lafeu, | |
Bring in the admiration, that we with the | |
May spend our wonder too, or take off thine | |
By wond'ring how thou took'st it. | |
LAFEU. Nay, I'll fit you, | |
And not be all day neither. Exit LAFEU | |
KING. Thus he his special nothing ever prologues. | |
Re-enter LAFEU with HELENA | |
LAFEU. Nay, come your ways. | |
KING. This haste hath wings indeed. | |
LAFEU. Nay, come your ways; | |
This is his Majesty; say your mind to him. | |
A traitor you do look like; but such traitors | |
His Majesty seldom fears. I am Cressid's uncle, | |
That dare leave two together. Fare you well. Exit | |
KING. Now, fair one, does your business follow us? | |
HELENA. Ay, my good lord. | |
Gerard de Narbon was my father, | |
In what he did profess, well found. | |
KING. I knew him. | |
HELENA. The rather will I spare my praises towards him; | |
Knowing him is enough. On's bed of death | |
Many receipts he gave me; chiefly one, | |
Which, as the dearest issue of his practice, | |
And of his old experience th' only darling, | |
He bade me store up as a triple eye, | |
Safer than mine own two, more dear. I have so: | |
And, hearing your high Majesty is touch'd | |
With that malignant cause wherein the honour | |
Of my dear father's gift stands chief in power, | |
I come to tender it, and my appliance, | |
With all bound humbleness. | |
KING. We thank you, maiden; | |
But may not be so credulous of cure, | |
When our most learned doctors leave us, and | |
The congregated college have concluded | |
That labouring art can never ransom nature | |
From her inaidable estate-I say we must not | |
So stain our judgment, or corrupt our hope, | |
To prostitute our past-cure malady | |
To empirics; or to dissever so | |
Our great self and our credit to esteem | |
A senseless help, when help past sense we deem. | |
HELENA. My duty then shall pay me for my pains. | |
I will no more enforce mine office on you; | |
Humbly entreating from your royal thoughts | |
A modest one to bear me back again. | |
KING. I cannot give thee less, to be call'd grateful. | |
Thou thought'st to help me; and such thanks I give | |
As one near death to those that wish him live. | |
But what at full I know, thou know'st no part; | |
I knowing all my peril, thou no art. | |
HELENA. What I can do can do no hurt to try, | |
Since you set up your rest 'gainst remedy. | |
He that of greatest works is finisher | |
Oft does them by the weakest minister. | |
So holy writ in babes hath judgment shown, | |
When judges have been babes. Great floods have flown | |
From simple sources, and great seas have dried | |
When miracles have by the greatest been denied. | |
Oft expectation fails, and most oft there | |
Where most it promises; and oft it hits | |
Where hope is coldest, and despair most fits. | |
KING. I must not hear thee. Fare thee well, kind maid; | |
Thy pains, not us'd, must by thyself be paid; | |
Proffers not took reap thanks for their reward. | |
HELENA. Inspired merit so by breath is barr'd. | |
It is not so with Him that all things knows, | |
As 'tis with us that square our guess by shows; | |
But most it is presumption in us when | |
The help of heaven we count the act of men. | |
Dear sir, to my endeavours give consent; | |
Of heaven, not me, make an experiment. | |
I am not an impostor, that proclaim | |
Myself against the level of mine aim; | |
But know I think, and think I know most sure, | |
My art is not past power nor you past cure. | |
KING. Art thou so confident? Within what space | |
Hop'st thou my cure? | |
HELENA. The greatest Grace lending grace. | |
Ere twice the horses of the sun shall bring | |
Their fiery torcher his diurnal ring, | |
Ere twice in murk and occidental damp | |
Moist Hesperus hath quench'd his sleepy lamp, | |
Or four and twenty times the pilot's glass | |
Hath told the thievish minutes how they pass, | |
What is infirm from your sound parts shall fly, | |
Health shall live free, and sickness freely die. | |
KING. Upon thy certainty and confidence | |
What dar'st thou venture? | |
HELENA. Tax of impudence, | |
A strumpet's boldness, a divulged shame, | |
Traduc'd by odious ballads; my maiden's name | |
Sear'd otherwise; ne worse of worst-extended | |
With vilest torture let my life be ended. | |
KING. Methinks in thee some blessed spirit doth speak | |
His powerful sound within an organ weak; | |
And what impossibility would slay | |
In common sense, sense saves another way. | |
Thy life is dear; for all that life can rate | |
Worth name of life in thee hath estimate: | |
Youth, beauty, wisdom, courage, all | |
That happiness and prime can happy call. | |
Thou this to hazard needs must intimate | |
Skill infinite or monstrous desperate. | |
Sweet practiser, thy physic I will try, | |
That ministers thine own death if I die. | |
HELENA. If I break time, or flinch in property | |
Of what I spoke, unpitied let me die; | |
And well deserv'd. Not helping, death's my fee; | |
But, if I help, what do you promise me? | |
KING. Make thy demand. | |
HELENA. But will you make it even? | |
KING. Ay, by my sceptre and my hopes of heaven. | |
HELENA. Then shalt thou give me with thy kingly hand | |
What husband in thy power I will command. | |
Exempted be from me the arrogance | |
To choose from forth the royal blood of France, | |
My low and humble name to propagate | |
With any branch or image of thy state; | |
But such a one, thy vassal, whom I know | |
Is free for me to ask, thee to bestow. | |
KING. Here is my hand; the premises observ'd, | |
Thy will by my performance shall be serv'd. | |
So make the choice of thy own time, for I, | |
Thy resolv'd patient, on thee still rely. | |
More should I question thee, and more I must, | |
Though more to know could not be more to trust, | |
From whence thou cam'st, how tended on. But rest | |
Unquestion'd welcome and undoubted blest. | |
Give me some help here, ho! If thou proceed | |
As high as word, my deed shall match thy deed. | |
[Flourish. Exeunt] | |
ACT II. SCENE 2. | |
Rousillon. The COUNT'S palace | |
Enter COUNTESS and CLOWN | |
COUNTESS. Come on, sir; I shall now put you to the height of your | |
breeding. | |
CLOWN. I will show myself highly fed and lowly taught. I know my | |
business is but to the court. | |
COUNTESS. To the court! Why, what place make you special, when you | |
put off that with such contempt? But to the court! | |
CLOWN. Truly, madam, if God have lent a man any manners, he may | |
easily put it off at court. He that cannot make a leg, put off's | |
cap, kiss his hand, and say nothing, has neither leg, hands, lip, | |
nor cap; and indeed such a fellow, to say precisely, were not for | |
the court; but for me, I have an answer will serve all men. | |
COUNTESS. Marry, that's a bountiful answer that fits all questions. | |
CLOWN. It is like a barber's chair, that fits all buttocks-the pin | |
buttock, the quatch buttock, the brawn buttock, or any buttock. | |
COUNTESS. Will your answer serve fit to all questions? | |
CLOWN. As fit as ten groats is for the hand of an attorney, as your | |
French crown for your taffety punk, as Tib's rush for Tom's | |
forefinger, as a pancake for Shrove Tuesday, a morris for Mayday, | |
as the nail to his hole, the cuckold to his horn, as a scolding | |
quean to a wrangling knave, as the nun's lip to the friar's | |
mouth; nay, as the pudding to his skin. | |
COUNTESS. Have you, I, say, an answer of such fitness for all | |
questions? | |
CLOWN. From below your duke to beneath your constable, it will fit | |
any question. | |
COUNTESS. It must be an answer of most monstrous size that must fit | |
all demands. | |
CLOWN. But a trifle neither, in good faith, if the learned should | |
speak truth of it. Here it is, and all that belongs to't. Ask me | |
if I am a courtier: it shall do you no harm to learn. | |
COUNTESS. To be young again, if we could, I will be a fool in | |
question, hoping to be the wiser by your answer. I pray you, sir, | |
are you a courtier? | |
CLOWN. O Lord, sir!-There's a simple putting off. More, more, a | |
hundred of them. | |
COUNTESS. Sir, I am a poor friend of yours, that loves you. | |
CLOWN. O Lord, sir!-Thick, thick; spare not me. | |
COUNTESS. I think, sir, you can eat none of this homely meat. | |
CLOWN. O Lord, sir!-Nay, put me to't, I warrant you. | |
COUNTESS. You were lately whipp'd, sir, as I think. | |
CLOWN. O Lord, sir!-Spare not me. | |
COUNTESS. Do you cry 'O Lord, sir!' at your whipping, and 'spare | |
not me'? Indeed your 'O Lord, sir!' is very sequent to your | |
whipping. You would answer very well to a whipping, if you were | |
but bound to't. | |
CLOWN. I ne'er had worse luck in my life in my 'O Lord, sir!' I see | |
thing's may serve long, but not serve ever. | |
COUNTESS. I play the noble housewife with the time, | |
To entertain it so merrily with a fool. | |
CLOWN. O Lord, sir!-Why, there't serves well again. | |
COUNTESS. An end, sir! To your business: give Helen this, | |
And urge her to a present answer back; | |
Commend me to my kinsmen and my son. This is not much. | |
CLOWN. Not much commendation to them? | |
COUNTESS. Not much employment for you. You understand me? | |
CLOWN. Most fruitfully; I am there before my legs. | |
COUNTESS. Haste you again. Exeunt | |
ACT II. SCENE 3. | |
Paris. The KING'S palace | |
Enter BERTRAM, LAFEU, and PAROLLES | |
LAFEU. They say miracles are past; and we have our philosophical | |
persons to make modern and familiar things supernatural and | |
causeless. Hence is it that we make trifles of terrors, | |
ensconcing ourselves into seeming knowledge when we should submit | |
ourselves to an unknown fear. | |
PAROLLES. Why, 'tis the rarest argument of wonder that hath shot | |
out in our latter times. | |
BERTRAM. And so 'tis. | |
LAFEU. To be relinquish'd of the artists- | |
PAROLLES. So I say-both of Galen and Paracelsus. | |
LAFEU. Of all the learned and authentic fellows- | |
PAROLLES. Right; so I say. | |
LAFEU. That gave him out incurable- | |
PAROLLES. Why, there 'tis; so say I too. | |
LAFEU. Not to be help'd- | |
PAROLLES. Right; as 'twere a man assur'd of a- | |
LAFEU. Uncertain life and sure death. | |
PAROLLES. Just; you say well; so would I have said. | |
LAFEU. I may truly say it is a novelty to the world. | |
PAROLLES. It is indeed. If you will have it in showing, you shall | |
read it in what-do-ye-call't here. | |
LAFEU. [Reading the ballad title] 'A Showing of a Heavenly | |
Effect in an Earthly Actor.' | |
PAROLLES. That's it; I would have said the very same. | |
LAFEU. Why, your dolphin is not lustier. 'Fore me, I speak in | |
respect- | |
PAROLLES. Nay, 'tis strange, 'tis very strange; that is the brief | |
and the tedious of it; and he's of a most facinerious spirit that | |
will not acknowledge it to be the- | |
LAFEU. Very hand of heaven. | |
PAROLLES. Ay; so I say. | |
LAFEU. In a most weak- | |
PAROLLES. And debile minister, great power, great transcendence; | |
which should, indeed, give us a further use to be made than alone | |
the recov'ry of the King, as to be- | |
LAFEU. Generally thankful. | |
Enter KING, HELENA, and ATTENDANTS | |
PAROLLES. I would have said it; you say well. Here comes the King. | |
LAFEU. Lustig, as the Dutchman says. I'll like a maid the better, | |
whilst I have a tooth in my head. Why, he's able to lead her a | |
coranto. | |
PAROLLES. Mort du vinaigre! Is not this Helen? | |
LAFEU. 'Fore God, I think so. | |
KING. Go, call before me all the lords in court. | |
Exit an ATTENDANT | |
Sit, my preserver, by thy patient's side; | |
And with this healthful hand, whose banish'd sense | |
Thou has repeal'd, a second time receive | |
The confirmation of my promis'd gift, | |
Which but attends thy naming. | |
Enter three or four LORDS | |
Fair maid, send forth thine eye. This youthful parcel | |
Of noble bachelors stand at my bestowing, | |
O'er whom both sovereign power and father's voice | |
I have to use. Thy frank election make; | |
Thou hast power to choose, and they none to forsake. | |
HELENA. To each of you one fair and virtuous mistress | |
Fall, when love please. Marry, to each but one! | |
LAFEU. I'd give bay Curtal and his furniture | |
My mouth no more were broken than these boys', | |
And writ as little beard. | |
KING. Peruse them well. | |
Not one of those but had a noble father. | |
HELENA. Gentlemen, | |
Heaven hath through me restor'd the King to health. | |
ALL. We understand it, and thank heaven for you. | |
HELENA. I am a simple maid, and therein wealthiest | |
That I protest I simply am a maid. | |
Please it your Majesty, I have done already. | |
The blushes in my cheeks thus whisper me: | |
'We blush that thou shouldst choose; but, be refused, | |
Let the white death sit on thy cheek for ever, | |
We'll ne'er come there again.' | |
KING. Make choice and see: | |
Who shuns thy love shuns all his love in me. | |
HELENA. Now, Dian, from thy altar do I fly, | |
And to imperial Love, that god most high, | |
Do my sighs stream. Sir, will you hear my suit? | |
FIRST LORD. And grant it. | |
HELENA. Thanks, sir; all the rest is mute. | |
LAFEU. I had rather be in this choice than throw ames-ace for my | |
life. | |
HELENA. The honour, sir, that flames in your fair eyes, | |
Before I speak, too threat'ningly replies. | |
Love make your fortunes twenty times above | |
Her that so wishes, and her humble love! | |
SECOND LORD. No better, if you please. | |
HELENA. My wish receive, | |
Which great Love grant; and so I take my leave. | |
LAFEU. Do all they deny her? An they were sons of mine I'd have | |
them whipt; or I would send them to th' Turk to make eunuchs of. | |
HELENA. Be not afraid that I your hand should take; | |
I'll never do you wrong for your own sake. | |
Blessing upon your vows; and in your bed | |
Find fairer fortune, if you ever wed! | |
LAFEU. These boys are boys of ice; they'll none have her. | |
Sure, they are bastards to the English; the French ne'er got 'em. | |
HELENA. You are too young, too happy, and too good, | |
To make yourself a son out of my blood. | |
FOURTH LORD. Fair one, I think not so. | |
LAFEU. There's one grape yet; I am sure thy father drunk wine-but | |
if thou be'st not an ass, I am a youth of fourteen; I have known | |
thee already. | |
HELENA. [To BERTRAM] I dare not say I take you; but I give | |
Me and my service, ever whilst I live, | |
Into your guiding power. This is the man. | |
KING. Why, then, young Bertram, take her; she's thy wife. | |
BERTRAM. My wife, my liege! I shall beseech your Highness, | |
In such a business give me leave to use | |
The help of mine own eyes. | |
KING. Know'st thou not, Bertram, | |
What she has done for me? | |
BERTRAM. Yes, my good lord; | |
But never hope to know why I should marry her. | |
KING. Thou know'st she has rais'd me from my sickly bed. | |
BERTRAM. But follows it, my lord, to bring me down | |
Must answer for your raising? I know her well: | |
She had her breeding at my father's charge. | |
A poor physician's daughter my wife! Disdain | |
Rather corrupt me ever! | |
KING. 'Tis only title thou disdain'st in her, the which | |
I can build up. Strange is it that our bloods, | |
Of colour, weight, and heat, pour'd all together, | |
Would quite confound distinction, yet stand off | |
In differences so mighty. If she be | |
All that is virtuous-save what thou dislik'st, | |
A poor physician's daughter-thou dislik'st | |
Of virtue for the name; but do not so. | |
From lowest place when virtuous things proceed, | |
The place is dignified by the doer's deed; | |
Where great additions swell's, and virtue none, | |
It is a dropsied honour. Good alone | |
Is good without a name. Vileness is so: | |
The property by what it is should go, | |
Not by the title. She is young, wise, fair; | |
In these to nature she's immediate heir; | |
And these breed honour. That is honour's scorn | |
Which challenges itself as honour's born | |
And is not like the sire. Honours thrive | |
When rather from our acts we them derive | |
Than our fore-goers. The mere word's a slave, | |
Debauch'd on every tomb, on every grave | |
A lying trophy; and as oft is dumb | |
Where dust and damn'd oblivion is the tomb | |
Of honour'd bones indeed. What should be said? | |
If thou canst like this creature as a maid, | |
I can create the rest. Virtue and she | |
Is her own dower; honour and wealth from me. | |
BERTRAM. I cannot love her, nor will strive to do 't. | |
KING. Thou wrong'st thyself, if thou shouldst strive to choose. | |
HELENA. That you are well restor'd, my lord, I'm glad. | |
Let the rest go. | |
KING. My honour's at the stake; which to defeat, | |
I must produce my power. Here, take her hand, | |
Proud scornful boy, unworthy this good gift, | |
That dost in vile misprision shackle up | |
My love and her desert; that canst not dream | |
We, poising us in her defective scale, | |
Shall weigh thee to the beam; that wilt not know | |
It is in us to plant thine honour where | |
We please to have it grow. Check thy contempt; | |
Obey our will, which travails in thy good; | |
Believe not thy disdain, but presently | |
Do thine own fortunes that obedient right | |
Which both thy duty owes and our power claims; | |
Or I will throw thee from my care for ever | |
Into the staggers and the careless lapse | |
Of youth and ignorance; both my revenge and hate | |
Loosing upon thee in the name of justice, | |
Without all terms of pity. Speak; thine answer. | |
BERTRAM. Pardon, my gracious lord; for I submit | |
My fancy to your eyes. When I consider | |
What great creation and what dole of honour | |
Flies where you bid it, I find that she which late | |
Was in my nobler thoughts most base is now | |
The praised of the King; who, so ennobled, | |
Is as 'twere born so. | |
KING. Take her by the hand, | |
And tell her she is thine; to whom I promise | |
A counterpoise, if not to thy estate | |
A balance more replete. | |
BERTRAM. I take her hand. | |
KING. Good fortune and the favour of the King | |
Smile upon this contract; whose ceremony | |
Shall seem expedient on the now-born brief, | |
And be perform'd to-night. The solemn feast | |
Shall more attend upon the coming space, | |
Expecting absent friends. As thou lov'st her, | |
Thy love's to me religious; else, does err. | |
Exeunt all but LAFEU and PAROLLES who stay behind, | |
commenting of this wedding | |
LAFEU. Do you hear, monsieur? A word with you. | |
PAROLLES. Your pleasure, sir? | |
LAFEU. Your lord and master did well to make his recantation. | |
PAROLLES. Recantation! My Lord! my master! | |
LAFEU. Ay; is it not a language I speak? | |
PAROLLES. A most harsh one, and not to be understood without bloody | |
succeeding. My master! | |
LAFEU. Are you companion to the Count Rousillon? | |
PAROLLES. To any count; to all counts; to what is man. | |
LAFEU. To what is count's man: count's master is of another style. | |
PAROLLES. You are too old, sir; let it satisfy you, you are too | |
old. | |
LAFEU. I must tell thee, sirrah, I write man; to which title age | |
cannot bring thee. | |
PAROLLES. What I dare too well do, I dare not do. | |
LAFEU. I did think thee, for two ordinaries, to be a pretty wise | |
fellow; thou didst make tolerable vent of thy travel; it might | |
pass. Yet the scarfs and the bannerets about thee did manifoldly | |
dissuade me from believing thee a vessel of too great a burden. I | |
have now found thee; when I lose thee again I care not; yet art | |
thou good for nothing but taking up; and that thou'rt scarce | |
worth. | |
PAROLLES. Hadst thou not the privilege of antiquity upon thee- | |
LAFEU. Do not plunge thyself too far in anger, lest thou hasten thy | |
trial; which if-Lord have mercy on thee for a hen! So, my good | |
window of lattice, fare thee well; thy casement I need not open, | |
for I look through thee. Give me thy hand. | |
PAROLLES. My lord, you give me most egregious indignity. | |
LAFEU. Ay, with all my heart; and thou art worthy of it. | |
PAROLLES. I have not, my lord, deserv'd it. | |
LAFEU. Yes, good faith, ev'ry dram of it; and I will not bate thee | |
a scruple. | |
PAROLLES. Well, I shall be wiser. | |
LAFEU. Ev'n as soon as thou canst, for thou hast to pull at a smack | |
o' th' contrary. If ever thou be'st bound in thy scarf and | |
beaten, thou shalt find what it is to be proud of thy bondage. I | |
have a desire to hold my acquaintance with thee, or rather my | |
knowledge, that I may say in the default 'He is a man I know.' | |
PAROLLES. My lord, you do me most insupportable vexation. | |
LAFEU. I would it were hell pains for thy sake, and my poor doing | |
eternal; for doing I am past, as I will by thee, in what motion | |
age will give me leave. Exit | |
PAROLLES. Well, thou hast a son shall take this disgrace off me: | |
scurvy, old, filthy, scurvy lord! Well, I must be patient; there | |
is no fettering of authority. I'll beat him, by my life, if I can | |
meet him with any convenience, an he were double and double a | |
lord. I'll have no more pity of his age than I would have of- | |
I'll beat him, and if I could but meet him again. | |
Re-enter LAFEU | |
LAFEU. Sirrah, your lord and master's married; there's news for | |
you; you have a new mistress. | |
PAROLLES. I most unfeignedly beseech your lordship to make some | |
reservation of your wrongs. He is my good lord: whom I serve | |
above is my master. | |
LAFEU. Who? God? | |
PAROLLES. Ay, sir. | |
LAFEU. The devil it is that's thy master. Why dost thou garter up | |
thy arms o' this fashion? Dost make hose of thy sleeves? Do other | |
servants so? Thou wert best set thy lower part where thy nose | |
stands. By mine honour, if I were but two hours younger, I'd beat | |
thee. Methink'st thou art a general offence, and every man should | |
beat thee. I think thou wast created for men to breathe | |
themselves upon thee. | |
PAROLLES. This is hard and undeserved measure, my lord. | |
LAFEU. Go to, sir; you were beaten in Italy for picking a kernel | |
out of a pomegranate; you are a vagabond, and no true traveller; | |
you are more saucy with lords and honourable personages than the | |
commission of your birth and virtue gives you heraldry. You are | |
not worth another word, else I'd call you knave. I leave you. | |
Exit | |
Enter BERTRAM | |
PAROLLES. Good, very, good, it is so then. Good, very good; let it | |
be conceal'd awhile. | |
BERTRAM. Undone, and forfeited to cares for ever! | |
PAROLLES. What's the matter, sweetheart? | |
BERTRAM. Although before the solemn priest I have sworn, | |
I will not bed her. | |
PAROLLES. What, what, sweetheart? | |
BERTRAM. O my Parolles, they have married me! | |
I'll to the Tuscan wars, and never bed her. | |
PAROLLES. France is a dog-hole, and it no more merits | |
The tread of a man's foot. To th' wars! | |
BERTRAM. There's letters from my mother; what th' import is I know | |
not yet. | |
PAROLLES. Ay, that would be known. To th' wars, my boy, to th' | |
wars! | |
He wears his honour in a box unseen | |
That hugs his kicky-wicky here at home, | |
Spending his manly marrow in her arms, | |
Which should sustain the bound and high curvet | |
Of Mars's fiery steed. To other regions! | |
France is a stable; we that dwell in't jades; | |
Therefore, to th' war! | |
BERTRAM. It shall be so; I'll send her to my house, | |
Acquaint my mother with my hate to her, | |
And wherefore I am fled; write to the King | |
That which I durst not speak. His present gift | |
Shall furnish me to those Italian fields | |
Where noble fellows strike. War is no strife | |
To the dark house and the detested wife. | |
PAROLLES. Will this capriccio hold in thee, art sure? | |
BERTRAM. Go with me to my chamber and advise me. | |
I'll send her straight away. To-morrow | |
I'll to the wars, she to her single sorrow. | |
PAROLLES. Why, these balls bound; there's noise in it. 'Tis hard: | |
A young man married is a man that's marr'd. | |
Therefore away, and leave her bravely; go. | |
The King has done you wrong; but, hush, 'tis so. Exeunt | |
ACT II. SCENE 4. | |
Paris. The KING'S palace | |
Enter HELENA and CLOWN | |
HELENA. My mother greets me kindly; is she well? | |
CLOWN. She is not well, but yet she has her health; she's very | |
merry, but yet she is not well. But thanks be given, she's very | |
well, and wants nothing i' th' world; but yet she is not well. | |
HELENA. If she be very well, what does she ail that she's not very | |
well? | |
CLOWN. Truly, she's very well indeed, but for two things. | |
HELENA. What two things? | |
CLOWN. One, that she's not in heaven, whither God send her quickly! | |
The other, that she's in earth, from whence God send her quickly! | |
Enter PAROLLES | |
PAROLLES. Bless you, my fortunate lady! | |
HELENA. I hope, sir, I have your good will to have mine own good | |
fortunes. | |
PAROLLES. You had my prayers to lead them on; and to keep them on, | |
have them still. O, my knave, how does my old lady? | |
CLOWN. So that you had her wrinkles and I her money, I would she | |
did as you say. | |
PAROLLES. Why, I say nothing. | |
CLOWN. Marry, you are the wiser man; for many a man's tongue shakes | |
out his master's undoing. To say nothing, to do nothing, to know | |
nothing, and to have nothing, is to be a great part of your | |
title, which is within a very little of nothing. | |
PAROLLES. Away! th'art a knave. | |
CLOWN. You should have said, sir, 'Before a knave th'art a knave'; | |
that's 'Before me th'art a knave.' This had been truth, sir. | |
PAROLLES. Go to, thou art a witty fool; I have found thee. | |
CLOWN. Did you find me in yourself, sir, or were you taught to find | |
me? The search, sir, was profitable; and much fool may you find | |
in you, even to the world's pleasure and the increase of | |
laughter. | |
PAROLLES. A good knave, i' faith, and well fed. | |
Madam, my lord will go away to-night: | |
A very serious business calls on him. | |
The great prerogative and rite of love, | |
Which, as your due, time claims, he does acknowledge; | |
But puts it off to a compell'd restraint; | |
Whose want, and whose delay, is strew'd with sweets, | |
Which they distil now in the curbed time, | |
To make the coming hour o'erflow with joy | |
And pleasure drown the brim. | |
HELENA. What's his else? | |
PAROLLES. That you will take your instant leave o' th' King, | |
And make this haste as your own good proceeding, | |
Strength'ned with what apology you think | |
May make it probable need. | |
HELENA. What more commands he? | |
PAROLLES. That, having this obtain'd, you presently | |
Attend his further pleasure. | |
HELENA. In everything I wait upon his will. | |
PAROLLES. I shall report it so. | |
HELENA. I pray you. Exit PAROLLES | |
Come, sirrah. Exeunt | |
ACT II. SCENE 5. | |
Paris. The KING'S palace | |
Enter LAFEU and BERTRAM | |
LAFEU. But I hope your lordship thinks not him a soldier. | |
BERTRAM. Yes, my lord, and of very valiant approof. | |
LAFEU. You have it from his own deliverance. | |
BERTRAM. And by other warranted testimony. | |
LAFEU. Then my dial goes not true; I took this lark for a bunting. | |
BERTRAM. I do assure you, my lord, he is very great in knowledge, | |
and accordingly valiant. | |
LAFEU. I have then sinn'd against his experience and transgress'd | |
against his valour; and my state that way is dangerous, since I | |
cannot yet find in my heart to repent. Here he comes; I pray you | |
make us friends; I will pursue the amity | |
Enter PAROLLES | |
PAROLLES. [To BERTRAM] These things shall be done, sir. | |
LAFEU. Pray you, sir, who's his tailor? | |
PAROLLES. Sir! | |
LAFEU. O, I know him well. Ay, sir; he, sir, 's a good workman, a | |
very good tailor. | |
BERTRAM. [Aside to PAROLLES] Is she gone to the King? | |
PAROLLES. She is. | |
BERTRAM. Will she away to-night? | |
PAROLLES. As you'll have her. | |
BERTRAM. I have writ my letters, casketed my treasure, | |
Given order for our horses; and to-night, | |
When I should take possession of the bride, | |
End ere I do begin. | |
LAFEU. A good traveller is something at the latter end of a dinner; | |
but one that lies three-thirds and uses a known truth to pass a | |
thousand nothings with, should be once heard and thrice beaten. | |
God save you, Captain. | |
BERTRAM. Is there any unkindness between my lord and you, monsieur? | |
PAROLLES. I know not how I have deserved to run into my lord's | |
displeasure. | |
LAFEU. You have made shift to run into 't, boots and spurs and all, | |
like him that leapt into the custard; and out of it you'll run | |
again, rather than suffer question for your residence. | |
BERTRAM. It may be you have mistaken him, my lord. | |
LAFEU. And shall do so ever, though I took him at's prayers. | |
Fare you well, my lord; and believe this of me: there can be no | |
kernal in this light nut; the soul of this man is his clothes; | |
trust him not in matter of heavy consequence; I have kept of them | |
tame, and know their natures. Farewell, monsieur; I have spoken | |
better of you than you have or will to deserve at my hand; but we | |
must do good against evil. Exit | |
PAROLLES. An idle lord, I swear. | |
BERTRAM. I think so. | |
PAROLLES. Why, do you not know him? | |
BERTRAM. Yes, I do know him well; and common speech | |
Gives him a worthy pass. Here comes my clog. | |
Enter HELENA | |
HELENA. I have, sir, as I was commanded from you, | |
Spoke with the King, and have procur'd his leave | |
For present parting; only he desires | |
Some private speech with you. | |
BERTRAM. I shall obey his will. | |
You must not marvel, Helen, at my course, | |
Which holds not colour with the time, nor does | |
The ministration and required office | |
On my particular. Prepar'd I was not | |
For such a business; therefore am I found | |
So much unsettled. This drives me to entreat you | |
That presently you take your way for home, | |
And rather muse than ask why I entreat you; | |
For my respects are better than they seem, | |
And my appointments have in them a need | |
Greater than shows itself at the first view | |
To you that know them not. This to my mother. | |
[Giving a letter] | |
'Twill be two days ere I shall see you; so | |
I leave you to your wisdom. | |
HELENA. Sir, I can nothing say | |
But that I am your most obedient servant. | |
BERTRAM. Come, come, no more of that. | |
HELENA. And ever shall | |
With true observance seek to eke out that | |
Wherein toward me my homely stars have fail'd | |
To equal my great fortune. | |
BERTRAM. Let that go. | |
My haste is very great. Farewell; hie home. | |
HELENA. Pray, sir, your pardon. | |
BERTRAM. Well, what would you say? | |
HELENA. I am not worthy of the wealth I owe, | |
Nor dare I say 'tis mine, and yet it is; | |
But, like a timorous thief, most fain would steal | |
What law does vouch mine own. | |
BERTRAM. What would you have? | |
HELENA. Something; and scarce so much; nothing, indeed. | |
I would not tell you what I would, my lord. | |
Faith, yes: | |
Strangers and foes do sunder and not kiss. | |
BERTRAM. I pray you, stay not, but in haste to horse. | |
HELENA. I shall not break your bidding, good my lord. | |
BERTRAM. Where are my other men, monsieur? | |
Farewell! Exit HELENA | |
Go thou toward home, where I will never come | |
Whilst I can shake my sword or hear the drum. | |
Away, and for our flight. | |
PAROLLES. Bravely, coragio! Exeunt | |
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ACT III. SCENE 1. | |
Florence. The DUKE's palace | |
Flourish. Enter the DUKE OF FLORENCE, attended; two | |
FRENCH LORDS, with a TROOP OF SOLDIERS | |
DUKE. So that, from point to point, now have you hear | |
The fundamental reasons of this war; | |
Whose great decision hath much blood let forth | |
And more thirsts after. | |
FIRST LORD. Holy seems the quarrel | |
Upon your Grace's part; black and fearful | |
On the opposer. | |
DUKE. Therefore we marvel much our cousin France | |
Would in so just a business shut his bosom | |
Against our borrowing prayers. | |
SECOND LORD. Good my lord, | |
The reasons of our state I cannot yield, | |
But like a common and an outward man | |
That the great figure of a council frames | |
By self-unable motion; therefore dare not | |
Say what I think of it, since I have found | |
Myself in my incertain grounds to fail | |
As often as I guess'd. | |
DUKE. Be it his pleasure. | |
FIRST LORD. But I am sure the younger of our nature, | |
That surfeit on their ease, will day by day | |
Come here for physic. | |
DUKE. Welcome shall they be | |
And all the honours that can fly from us | |
Shall on them settle. You know your places well; | |
When better fall, for your avails they fell. | |
To-morrow to th' field. Flourish. Exeunt | |
ACT III. SCENE 2. | |
Rousillon. The COUNT'S palace | |
Enter COUNTESS and CLOWN | |
COUNTESS. It hath happen'd all as I would have had it, save that he | |
comes not along with her. | |
CLOWN. By my troth, I take my young lord to be a very melancholy | |
man. | |
COUNTESS. By what observance, I pray you? | |
CLOWN. Why, he will look upon his boot and sing; mend the ruff and | |
sing; ask questions and sing; pick his teeth and sing. I know a | |
man that had this trick of melancholy sold a goodly manor for a | |
song. | |
COUNTESS. Let me see what he writes, and when he means to come. | |
[Opening a letter] | |
CLOWN. I have no mind to Isbel since I was at court. Our old ling | |
and our Isbels o' th' country are nothing like your old ling and | |
your Isbels o' th' court. The brains of my Cupid's knock'd out; | |
and I begin to love, as an old man loves money, with no stomach. | |
COUNTESS. What have we here? | |
CLOWN. E'en that you have there. Exit | |
COUNTESS. [Reads] 'I have sent you a daughter-in-law; she hath | |
recovered the King and undone me. I have wedded her, not bedded | |
her; and sworn to make the "not" eternal. You shall hear I am run | |
away; know it before the report come. If there be breadth enough | |
in the world, I will hold a long distance. My duty to you. | |
Your unfortunate son, | |
BERTRAM.' | |
This is not well, rash and unbridled boy, | |
To fly the favours of so good a king, | |
To pluck his indignation on thy head | |
By the misprizing of a maid too virtuous | |
For the contempt of empire. | |
Re-enter CLOWN | |
CLOWN. O madam, yonder is heavy news within between two soldiers | |
and my young lady. | |
COUNTESS. What is the -matter? | |
CLOWN. Nay, there is some comfort in the news, some comfort; your | |
son will not be kill'd so soon as I thought he would. | |
COUNTESS. Why should he be kill'd? | |
CLOWN. So say I, madam, if he run away, as I hear he does the | |
danger is in standing to 't; that's the loss of men, though it be | |
the getting of children. Here they come will tell you more. For my | |
part, I only hear your son was run away. Exit | |
Enter HELENA and the two FRENCH GENTLEMEN | |
SECOND GENTLEMAN. Save you, good madam. | |
HELENA. Madam, my lord is gone, for ever gone. | |
FIRST GENTLEMAN. Do not say so. | |
COUNTESS. Think upon patience. Pray you, gentlemen- | |
I have felt so many quirks of joy and grief | |
That the first face of neither, on the start, | |
Can woman me unto 't. Where is my son, I pray you? | |
FIRST GENTLEMAN. Madam, he's gone to serve the Duke of Florence. | |
We met him thitherward; for thence we came, | |
And, after some dispatch in hand at court, | |
Thither we bend again. | |
HELENA. Look on this letter, madam; here's my passport. | |
[Reads] 'When thou canst get the ring upon my finger, which | |
never shall come off, and show me a child begotten of thy body | |
that I am father to, then call me husband; but in such a "then" I | |
write a "never." | |
This is a dreadful sentence. | |
COUNTESS. Brought you this letter, gentlemen? | |
FIRST GENTLEMAN. Ay, madam; | |
And for the contents' sake are sorry for our pains. | |
COUNTESS. I prithee, lady, have a better cheer; | |
If thou engrossest all the griefs are thine, | |
Thou robb'st me of a moiety. He was my son; | |
But I do wash his name out of my blood, | |
And thou art all my child. Towards Florence is he? | |
FIRST GENTLEMAN. Ay, madam. | |
COUNTESS. And to be a soldier? | |
FIRST GENTLEMAN. Such is his noble purpose; and, believe 't, | |
The Duke will lay upon him all the honour | |
That good convenience claims. | |
COUNTESS. Return you thither? | |
SECOND GENTLEMAN. Ay, madam, with the swiftest wing of speed. | |
HELENA. [Reads] 'Till I have no wife, I have nothing in France.' | |
'Tis bitter. | |
COUNTESS. Find you that there? | |
HELENA. Ay, madam. | |
SECOND GENTLEMAN. 'Tis but the boldness of his hand haply, which | |
his heart was not consenting to. | |
COUNTESS. Nothing in France until he have no wife! | |
There's nothing here that is too good for him | |
But only she; and she deserves a lord | |
That twenty such rude boys might tend upon, | |
And call her hourly mistress. Who was with him? | |
SECOND GENTLEMAN. A servant only, and a gentleman | |
Which I have sometime known. | |
COUNTESS. Parolles, was it not? | |
SECOND GENTLEMAN. Ay, my good lady, he. | |
COUNTESS. A very tainted fellow, and full of wickedness. | |
My son corrupts a well-derived nature | |
With his inducement. | |
SECOND GENTLEMAN. Indeed, good lady, | |
The fellow has a deal of that too much | |
Which holds him much to have. | |
COUNTESS. Y'are welcome, gentlemen. | |
I will entreat you, when you see my son, | |
To tell him that his sword can never win | |
The honour that he loses. More I'll entreat you | |
Written to bear along. | |
FIRST GENTLEMAN. We serve you, madam, | |
In that and all your worthiest affairs. | |
COUNTESS. Not so, but as we change our courtesies. | |
Will you draw near? Exeunt COUNTESS and GENTLEMEN | |
HELENA. 'Till I have no wife, I have nothing in France.' | |
Nothing in France until he has no wife! | |
Thou shalt have none, Rousillon, none in France | |
Then hast thou all again. Poor lord! is't | |
That chase thee from thy country, and expose | |
Those tender limbs of thine to the event | |
Of the non-sparing war? And is it I | |
That drive thee from the sportive court, where thou | |
Wast shot at with fair eyes, to be the mark | |
Of smoky muskets? O you leaden messengers, | |
That ride upon the violent speed of fire, | |
Fly with false aim; move the still-piecing air, | |
That sings with piercing; do not touch my lord. | |
Whoever shoots at him, I set him there; | |
Whoever charges on his forward breast, | |
I am the caitiff that do hold him to't; | |
And though I kill him not, I am the cause | |
His death was so effected. Better 'twere | |
I met the ravin lion when he roar'd | |
With sharp constraint of hunger; better 'twere | |
That all the miseries which nature owes | |
Were mine at once. No; come thou home, Rousillon, | |
Whence honour but of danger wins a scar, | |
As oft it loses all. I will be gone. | |
My being here it is that holds thee hence. | |
Shall I stay here to do 't? No, no, although | |
The air of paradise did fan the house, | |
And angels offic'd all. I will be gone, | |
That pitiful rumour may report my flight | |
To consolate thine ear. Come, night; end, day. | |
For with the dark, poor thief, I'll steal away. Exit | |
ACT III. SCENE 3. | |
Florence. Before the DUKE's palace | |
Flourish. Enter the DUKE OF FLORENCE, BERTRAM, PAROLLES, SOLDIERS, | |
drum and trumpets | |
DUKE. The General of our Horse thou art; and we, | |
Great in our hope, lay our best love and credence | |
Upon thy promising fortune. | |
BERTRAM. Sir, it is | |
A charge too heavy for my strength; but yet | |
We'll strive to bear it for your worthy sake | |
To th' extreme edge of hazard. | |
DUKE. Then go thou forth; | |
And Fortune play upon thy prosperous helm, | |
As thy auspicious mistress! | |
BERTRAM. This very day, | |
Great Mars, I put myself into thy file; | |
Make me but like my thoughts, and I shall prove | |
A lover of thy drum, hater of love. Exeunt | |
ACT III. SCENE 4. | |
Rousillon. The COUNT'S palace | |
Enter COUNTESS and STEWARD | |
COUNTESS. Alas! and would you take the letter of her? | |
Might you not know she would do as she has done | |
By sending me a letter? Read it again. | |
STEWARD. [Reads] 'I am Saint Jaques' pilgrim, thither gone. | |
Ambitious love hath so in me offended | |
That barefoot plod I the cold ground upon, | |
With sainted vow my faults to have amended. | |
Write, write, that from the bloody course of war | |
My dearest master, your dear son, may hie. | |
Bless him at home in peace, whilst I from far | |
His name with zealous fervour sanctify. | |
His taken labours bid him me forgive; | |
I, his despiteful Juno, sent him forth | |
From courtly friends, with camping foes to live, | |
Where death and danger dogs the heels of worth. | |
He is too good and fair for death and me; | |
Whom I myself embrace to set him free.' | |
COUNTESS. Ah, what sharp stings are in her mildest words! | |
Rinaldo, you did never lack advice so much | |
As letting her pass so; had I spoke with her, | |
I could have well diverted her intents, | |
Which thus she hath prevented. | |
STEWARD. Pardon me, madam; | |
If I had given you this at over-night, | |
She might have been o'er ta'en; and yet she writes | |
Pursuit would be but vain. | |
COUNTESS. What angel shall | |
Bless this unworthy husband? He cannot thrive, | |
Unless her prayers, whom heaven delights to hear | |
And loves to grant, reprieve him from the wrath | |
Of greatest justice. Write, write, Rinaldo, | |
To this unworthy husband of his wife; | |
Let every word weigh heavy of her worth | |
That he does weigh too light. My greatest grief, | |
Though little he do feel it, set down sharply. | |
Dispatch the most convenient messenger. | |
When haply he shall hear that she is gone | |
He will return; and hope I may that she, | |
Hearing so much, will speed her foot again, | |
Led hither by pure love. Which of them both | |
Is dearest to me I have no skill in sense | |
To make distinction. Provide this messenger. | |
My heart is heavy, and mine age is weak; | |
Grief would have tears, and sorrow bids me speak. Exeunt | |
ACT III. SCENE 5. | |
Without the walls of Florence | |
A tucket afar off. Enter an old WIDOW OF FLORENCE, her daughter DIANA, | |
VIOLENTA, and MARIANA, with other CITIZENS | |
WIDOW. Nay, come; for if they do approach the city we shall lose | |
all the sight. | |
DIANA. They say the French count has done most honourable service. | |
WIDOW. It is reported that he has taken their great'st commander; | |
and that with his own hand he slew the Duke's brother. [Tucket] | |
We have lost our labour; they are gone a contrary way. Hark! you | |
may know by their trumpets. | |
MARIANA. Come, let's return again, and suffice ourselves with the | |
report of it. Well, Diana, take heed of this French earl; the | |
honour of a maid is her name, and no legacy is so rich as | |
honesty. | |
WIDOW. I have told my neighbour how you have been solicited by a | |
gentleman his companion. | |
MARIANA. I know that knave, hang him! one Parolles; a filthy | |
officer he is in those suggestions for the young earl. Beware of | |
them, Diana: their promises, enticements, oaths, tokens, and all | |
these engines of lust, are not the things they go under; many a | |
maid hath been seduced by them; and the misery is, example, that | |
so terrible shows in the wreck of maidenhood, cannot for all that | |
dissuade succession, but that they are limed with the twigs that | |
threatens them. I hope I need not to advise you further; but I | |
hope your own grace will keep you where you are, though there | |
were no further danger known but the modesty which is so lost. | |
DIANA. You shall not need to fear me. | |
Enter HELENA in the dress of a pilgrim | |
WIDOW. I hope so. Look, here comes a pilgrim. I know she will lie | |
at my house: thither they send one another. I'll question her. | |
God save you, pilgrim! Whither are bound? | |
HELENA. To Saint Jaques le Grand. | |
Where do the palmers lodge, I do beseech you? | |
WIDOW. At the Saint Francis here, beside the port. | |
HELENA. Is this the way? | |
[A march afar] | |
WIDOW. Ay, marry, is't. Hark you! They come this way. | |
If you will tarry, holy pilgrim, | |
But till the troops come by, | |
I will conduct you where you shall be lodg'd; | |
The rather for I think I know your hostess | |
As ample as myself. | |
HELENA. Is it yourself? | |
WIDOW. If you shall please so, pilgrim. | |
HELENA. I thank you, and will stay upon your leisure. | |
WIDOW. You came, I think, from France? | |
HELENA. I did so. | |
WIDOW. Here you shall see a countryman of yours | |
That has done worthy service. | |
HELENA. His name, I pray you. | |
DIANA. The Count Rousillon. Know you such a one? | |
HELENA. But by the ear, that hears most nobly of him; | |
His face I know not. | |
DIANA. What some'er he is, | |
He's bravely taken here. He stole from France, | |
As 'tis reported, for the King had married him | |
Against his liking. Think you it is so? | |
HELENA. Ay, surely, mere the truth; I know his lady. | |
DIANA. There is a gentleman that serves the Count | |
Reports but coarsely of her. | |
HELENA. What's his name? | |
DIANA. Monsieur Parolles. | |
HELENA. O, I believe with him, | |
In argument of praise, or to the worth | |
Of the great Count himself, she is too mean | |
To have her name repeated; all her deserving | |
Is a reserved honesty, and that | |
I have not heard examin'd. | |
DIANA. Alas, poor lady! | |
'Tis a hard bondage to become the wife | |
Of a detesting lord. | |
WIDOW. I sweet, good creature, wheresoe'er she is | |
Her heart weighs sadly. This young maid might do her | |
A shrewd turn, if she pleas'd. | |
HELENA. How do you mean? | |
May be the amorous Count solicits her | |
In the unlawful purpose. | |
WIDOW. He does, indeed; | |
And brokes with all that can in such a suit | |
Corrupt the tender honour of a maid; | |
But she is arm'd for him, and keeps her guard | |
In honestest defence. | |
Enter, with drum and colours, BERTRAM, PAROLLES, and the | |
whole ARMY | |
MARIANA. The gods forbid else! | |
WIDOW. So, now they come. | |
That is Antonio, the Duke's eldest son; | |
That, Escalus. | |
HELENA. Which is the Frenchman? | |
DIANA. He- | |
That with the plume; 'tis a most gallant fellow. | |
I would he lov'd his wife; if he were honester | |
He were much goodlier. Is't not a handsome gentleman? | |
HELENA. I like him well. | |
DIANA. 'Tis pity he is not honest. Yond's that same knave | |
That leads him to these places; were I his lady | |
I would poison that vile rascal. | |
HELENA. Which is he? | |
DIANA. That jack-an-apes with scarfs. Why is he melancholy? | |
HELENA. Perchance he's hurt i' th' battle. | |
PAROLLES. Lose our drum! well. | |
MARIANA. He's shrewdly vex'd at something. | |
Look, he has spied us. | |
WIDOW. Marry, hang you! | |
MARIANA. And your courtesy, for a ring-carrier! | |
Exeunt BERTRAM, PAROLLES, and ARMY | |
WIDOW. The troop is past. Come, pilgrim, I will bring you | |
Where you shall host. Of enjoin'd penitents | |
There's four or five, to great Saint Jaques bound, | |
Already at my house. | |
HELENA. I humbly thank you. | |
Please it this matron and this gentle maid | |
To eat with us to-night; the charge and thanking | |
Shall be for me, and, to requite you further, | |
I will bestow some precepts of this virgin, | |
Worthy the note. | |
BOTH. We'll take your offer kindly. Exeunt | |
ACT III. SCENE 6. | |
Camp before Florence | |
Enter BERTRAM, and the two FRENCH LORDS | |
SECOND LORD. Nay, good my lord, put him to't; let him have his way. | |
FIRST LORD. If your lordship find him not a hiding, hold me no more | |
in your respect. | |
SECOND LORD. On my life, my lord, a bubble. | |
BERTRAM. Do you think I am so far deceived in him? | |
SECOND LORD. Believe it, my lord, in mine own direct knowledge, | |
without any malice, but to speak of him as my kinsman, he's a | |
most notable coward, an infinite and endless liar, an hourly | |
promise-breaker, the owner of no one good quality worthy your | |
lordship's entertainment. | |
FIRST LORD. It were fit you knew him; lest, reposing too far in his | |
virtue, which he hath not, he might at some great and trusty | |
business in a main danger fail you. | |
BERTRAM. I would I knew in what particular action to try him. | |
FIRST LORD. None better than to let him fetch off his drum, which | |
you hear him so confidently undertake to do. | |
SECOND LORD. I with a troop of Florentines will suddenly surprise | |
him; such I will have whom I am sure he knows not from the enemy. | |
We will bind and hoodwink him so that he shall suppose no other | |
but that he is carried into the leaguer of the adversaries when | |
we bring him to our own tents. Be but your lordship present at | |
his examination; if he do not, for the promise of his life and in | |
the highest compulsion of base fear, offer to betray you and | |
deliver all the intelligence in his power against you, and that | |
with the divine forfeit of his soul upon oath, never trust my | |
judgment in anything. | |
FIRST LORD. O, for the love of laughter, let him fetch his drum; he | |
says he has a stratagem for't. When your lordship sees the bottom | |
of his success in't, and to what metal this counterfeit lump of | |
ore will be melted, if you give him not John Drum's | |
entertainment, your inclining cannot be removed. Here he comes. | |
Enter PAROLLES | |
SECOND LORD. O, for the love of laughter, hinder not the honour of | |
his design; let him fetch off his drum in any hand. | |
BERTRAM. How now, monsieur! This drum sticks sorely in your | |
disposition. | |
FIRST LORD. A pox on 't; let it go; 'tis but a drum. | |
PAROLLES. But a drum! Is't but a drum? A drum so lost! There was | |
excellent command: to charge in with our horse upon our own | |
wings, and to rend our own soldiers! | |
FIRST LORD. That was not to be blam'd in the command of the | |
service; it was a disaster of war that Caesar himself could not | |
have prevented, if he had been there to command. | |
BERTRAM. Well, we cannot greatly condemn our success. | |
Some dishonour we had in the loss of that drum; but it is not to | |
be recovered. | |
PAROLLES. It might have been recovered. | |
BERTRAM. It might, but it is not now. | |
PAROLLES. It is to be recovered. But that the merit of service is | |
seldom attributed to the true and exact performer, I would have | |
that drum or another, or 'hic jacet.' | |
BERTRAM. Why, if you have a stomach, to't, monsieur. If you think | |
your mystery in stratagem can bring this instrument of honour | |
again into his native quarter, be magnanimous in the enterprise, | |
and go on; I will grace the attempt for a worthy exploit. If you | |
speed well in it, the Duke shall both speak of it and extend to | |
you what further becomes his greatness, even to the utmost | |
syllable of our worthiness. | |
PAROLLES. By the hand of a soldier, I will undertake it. | |
BERTRAM. But you must not now slumber in it. | |
PAROLLES. I'll about it this evening; and I will presently pen | |
down my dilemmas, encourage myself in my certainty, put myself | |
into my mortal preparation; and by midnight look to hear further | |
from me. | |
BERTRAM. May I be bold to acquaint his Grace you are gone about it? | |
PAROLLES. I know not what the success will be, my lord, but the | |
attempt I vow. | |
BERTRAM. I know th' art valiant; and, to the of thy soldiership, | |
will subscribe for thee. Farewell. | |
PAROLLES. I love not many words. Exit | |
SECOND LORD. No more than a fish loves water. Is not this a strange | |
fellow, my lord, that so confidently seems to undertake this | |
business, which he knows is not to be done; damns himself to do, | |
and dares better be damn'd than to do 't. | |
FIRST LORD. You do not know him, my lord, as we do. Certain it is | |
that he will steal himself into a man's favour, and for a week | |
escape a great deal of discoveries; but when you find him out, | |
you have him ever after. | |
BERTRAM. Why, do you think he will make no deed at all of this that | |
so seriously he does address himself unto? | |
SECOND LORD. None in the world; but return with an invention, and | |
clap upon you two or three probable lies. But we have almost | |
emboss'd him. You shall see his fall to-night; for indeed he is | |
not for your lordship's respect. | |
FIRST LORD. We'll make you some sport with the fox ere we case him. | |
He was first smok'd by the old Lord Lafeu. When his disguise and | |
he is parted, tell me what a sprat you shall find him; which you | |
shall see this very night. | |
SECOND LORD. I must go look my twigs; he shall be caught. | |
BERTRAM. Your brother, he shall go along with me. | |
SECOND LORD. As't please your lordship. I'll leave you. Exit | |
BERTRAM. Now will I lead you to the house, and show you | |
The lass I spoke of. | |
FIRST LORD. But you say she's honest. | |
BERTRAM. That's all the fault. I spoke with her but once, | |
And found her wondrous cold; but I sent to her, | |
By this same coxcomb that we have i' th' wind, | |
Tokens and letters which she did re-send; | |
And this is all I have done. She's a fair creature; | |
Will you go see her? | |
FIRST LORD. With all my heart, my lord. Exeunt | |
ACT III. SCENE 7. | |
Florence. The WIDOW'S house | |
Enter HELENA and WIDOW | |
HELENA. If you misdoubt me that I am not she, | |
I know not how I shall assure you further | |
But I shall lose the grounds I work upon. | |
WIDOW. Though my estate be fall'n, I was well born, | |
Nothing acquainted with these businesses; | |
And would not put my reputation now | |
In any staining act. | |
HELENA. Nor would I wish you. | |
FIRST give me trust the Count he is my husband, | |
And what to your sworn counsel I have spoken | |
Is so from word to word; and then you cannot, | |
By the good aid that I of you shall borrow, | |
Err in bestowing it. | |
WIDOW. I should believe you; | |
For you have show'd me that which well approves | |
Y'are great in fortune. | |
HELENA. Take this purse of gold, | |
And let me buy your friendly help thus far, | |
Which I will over-pay and pay again | |
When I have found it. The Count he woos your daughter | |
Lays down his wanton siege before her beauty, | |
Resolv'd to carry her. Let her in fine consent, | |
As we'll direct her how 'tis best to bear it. | |
Now his important blood will nought deny | |
That she'll demand. A ring the County wears | |
That downward hath succeeded in his house | |
From son to son some four or five descents | |
Since the first father wore it. This ring he holds | |
In most rich choice; yet, in his idle fire, | |
To buy his will, it would not seem too dear, | |
Howe'er repented after. | |
WIDOW. Now I see | |
The bottom of your purpose. | |
HELENA. You see it lawful then. It is no more | |
But that your daughter, ere she seems as won, | |
Desires this ring; appoints him an encounter; | |
In fine, delivers me to fill the time, | |
Herself most chastely absent. After this, | |
To marry her, I'll add three thousand crowns | |
To what is pass'd already. | |
WIDOW. I have yielded. | |
Instruct my daughter how she shall persever, | |
That time and place with this deceit so lawful | |
May prove coherent. Every night he comes | |
With musics of all sorts, and songs compos'd | |
To her unworthiness. It nothing steads us | |
To chide him from our eaves, for he persists | |
As if his life lay on 't. | |
HELENA. Why then to-night | |
Let us assay our plot; which, if it speed, | |
Is wicked meaning in a lawful deed, | |
And lawful meaning in a lawful act; | |
Where both not sin, and yet a sinful fact. | |
But let's about it. Exeunt | |
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ACT IV. SCENE 1. | |
Without the Florentine camp | |
Enter SECOND FRENCH LORD with five or six other SOLDIERS in ambush | |
SECOND LORD. He can come no other way but by this hedge-corner. | |
When you sally upon him, speak what terrible language you will; | |
though you understand it not yourselves, no matter; for we must | |
not seem to understand him, unless some one among us, whom we | |
must produce for an interpreter. | |
FIRST SOLDIER. Good captain, let me be th' interpreter. | |
SECOND LORD. Art not acquainted with him? Knows he not thy voice? | |
FIRST SOLDIER. No, sir, I warrant you. | |
SECOND LORD. But what linsey-woolsey has thou to speak to us again? | |
FIRST SOLDIER. E'en such as you speak to me. | |
SECOND LORD. He must think us some band of strangers i' th' | |
adversary's entertainment. Now he hath a smack of all | |
neighbouring languages, therefore we must every one be a man of | |
his own fancy; not to know what we speak one to another, so we | |
seem to know, is to know straight our purpose: choughs' language, | |
gabble enough, and good enough. As for you, interpreter, you must | |
seem very politic. But couch, ho! here he comes; to beguile two | |
hours in a sleep, and then to return and swear the lies he forges. | |
Enter PAROLLES | |
PAROLLES. Ten o'clock. Within these three hours 'twill be time | |
enough to go home. What shall I say I have done? It must be a | |
very plausive invention that carries it. They begin to smoke me; | |
and disgraces have of late knock'd to often at my door. I find my | |
tongue is too foolhardy; but my heart hath the fear of Mars | |
before it, and of his creatures, not daring the reports of my | |
tongue. | |
SECOND LORD. This is the first truth that e'er thine own tongue was | |
guilty of. | |
PAROLLES. What the devil should move me to undertake the recovery | |
of this drum, being not ignorant of the impossibility, and | |
knowing I had no such purpose? I must give myself some hurts, and | |
say I got them in exploit. Yet slight ones will not carry it. | |
They will say 'Came you off with so little?' And great ones I | |
dare not give. Wherefore, what's the instance? Tongue, I must put | |
you into a butterwoman's mouth, and buy myself another of | |
Bajazet's mule, if you prattle me into these perils. | |
SECOND LORD. Is it possible he should know what he is, and be that | |
he is? | |
PAROLLES. I would the cutting of my garments would serve the turn, | |
or the breaking of my Spanish sword. | |
SECOND LORD. We cannot afford you so. | |
PAROLLES. Or the baring of my beard; and to say it was in | |
stratagem. | |
SECOND LORD. 'Twould not do. | |
PAROLLES. Or to drown my clothes, and say I was stripp'd. | |
SECOND LORD. Hardly serve. | |
PAROLLES. Though I swore I leap'd from the window of the citadel- | |
SECOND LORD. How deep? | |
PAROLLES. Thirty fathom. | |
SECOND LORD. Three great oaths would scarce make that be believed. | |
PAROLLES. I would I had any drum of the enemy's; I would swear I | |
recover'd it. | |
SECOND LORD. You shall hear one anon. [Alarum within] | |
PAROLLES. A drum now of the enemy's! | |
SECOND LORD. Throca movousus, cargo, cargo, cargo. | |
ALL. Cargo, cargo, cargo, villianda par corbo, cargo. | |
PAROLLES. O, ransom, ransom! Do not hide mine eyes. | |
[They blindfold him] | |
FIRST SOLDIER. Boskos thromuldo boskos. | |
PAROLLES. I know you are the Muskos' regiment, | |
And I shall lose my life for want of language. | |
If there be here German, or Dane, Low Dutch, | |
Italian, or French, let him speak to me; | |
I'll discover that which shall undo the Florentine. | |
FIRST SOLDIER. Boskos vauvado. I understand thee, and can speak thy | |
tongue. Kerely-bonto, sir, betake thee to thy faith, for | |
seventeen poniards are at thy bosom. | |
PAROLLES. O! | |
FIRST SOLDIER. O, pray, pray, pray! Manka revania dulche. | |
SECOND LORD. Oscorbidulchos volivorco. | |
FIRST SOLDIER. The General is content to spare thee yet; | |
And, hoodwink'd as thou art, will lead thee on | |
To gather from thee. Haply thou mayst inform | |
Something to save thy life. | |
PAROLLES. O, let me live, | |
And all the secrets of our camp I'll show, | |
Their force, their purposes. Nay, I'll speak that | |
Which you will wonder at. | |
FIRST SOLDIER. But wilt thou faithfully? | |
PAROLLES. If I do not, damn me. | |
FIRST SOLDIER. Acordo linta. | |
Come on; thou art granted space. | |
Exit, PAROLLES guarded. A short alarum within | |
SECOND LORD. Go, tell the Count Rousillon and my brother | |
We have caught the woodcock, and will keep him muffled | |
Till we do hear from them. | |
SECOND SOLDIER. Captain, I will. | |
SECOND LORD. 'A will betray us all unto ourselves- | |
Inform on that. | |
SECOND SOLDIER. So I will, sir. | |
SECOND LORD. Till then I'll keep him dark and safely lock'd. | |
Exeunt | |
ACT IV. SCENE 2. | |
Florence. The WIDOW'S house | |
Enter BERTRAM and DIANA | |
BERTRAM. They told me that your name was Fontibell. | |
DIANA. No, my good lord, Diana. | |
BERTRAM. Titled goddess; | |
And worth it, with addition! But, fair soul, | |
In your fine frame hath love no quality? | |
If the quick fire of youth light not your mind, | |
You are no maiden, but a monument; | |
When you are dead, you should be such a one | |
As you are now, for you are cold and stern; | |
And now you should be as your mother was | |
When your sweet self was got. | |
DIANA. She then was honest. | |
BERTRAM. So should you be. | |
DIANA. No. | |
My mother did but duty; such, my lord, | |
As you owe to your wife. | |
BERTRAM. No more o'that! | |
I prithee do not strive against my vows. | |
I was compell'd to her; but I love the | |
By love's own sweet constraint, and will for ever | |
Do thee all rights of service. | |
DIANA. Ay, so you serve us | |
Till we serve you; but when you have our roses | |
You barely leave our thorns to prick ourselves, | |
And mock us with our bareness. | |
BERTRAM. How have I sworn! | |
DIANA. 'Tis not the many oaths that makes the truth, | |
But the plain single vow that is vow'd true. | |
What is not holy, that we swear not by, | |
But take the High'st to witness. Then, pray you, tell me: | |
If I should swear by Jove's great attributes | |
I lov'd you dearly, would you believe my oaths | |
When I did love you ill? This has no holding, | |
To swear by him whom I protest to love | |
That I will work against him. Therefore your oaths | |
Are words and poor conditions, but unseal'd- | |
At least in my opinion. | |
BERTRAM. Change it, change it; | |
Be not so holy-cruel. Love is holy; | |
And my integrity ne'er knew the crafts | |
That you do charge men with. Stand no more off, | |
But give thyself unto my sick desires, | |
Who then recovers. Say thou art mine, and ever | |
My love as it begins shall so persever. | |
DIANA. I see that men make ropes in such a scarre | |
That we'll forsake ourselves. Give me that ring. | |
BERTRAM. I'll lend it thee, my dear, but have no power | |
To give it from me. | |
DIANA. Will you not, my lord? | |
BERTRAM. It is an honour 'longing to our house, | |
Bequeathed down from many ancestors; | |
Which were the greatest obloquy i' th' world | |
In me to lose. | |
DIANA. Mine honour's such a ring: | |
My chastity's the jewel of our house, | |
Bequeathed down from many ancestors; | |
Which were the greatest obloquy i' th' world | |
In me to lose. Thus your own proper wisdom | |
Brings in the champion Honour on my part | |
Against your vain assault. | |
BERTRAM. Here, take my ring; | |
My house, mine honour, yea, my life, be thine, | |
And I'll be bid by thee. | |
DIANA. When midnight comes, knock at my chamber window; | |
I'll order take my mother shall not hear. | |
Now will I charge you in the band of truth, | |
When you have conquer'd my yet maiden bed, | |
Remain there but an hour, nor speak to me: | |
My reasons are most strong; and you shall know them | |
When back again this ring shall be deliver'd. | |
And on your finger in the night I'll put | |
Another ring, that what in time proceeds | |
May token to the future our past deeds. | |
Adieu till then; then fail not. You have won | |
A wife of me, though there my hope be done. | |
BERTRAM. A heaven on earth I have won by wooing thee. | |
Exit | |
DIANA. For which live long to thank both heaven and me! | |
You may so in the end. | |
My mother told me just how he would woo, | |
As if she sat in's heart; she says all men | |
Have the like oaths. He had sworn to marry me | |
When his wife's dead; therefore I'll lie with him | |
When I am buried. Since Frenchmen are so braid, | |
Marry that will, I live and die a maid. | |
Only, in this disguise, I think't no sin | |
To cozen him that would unjustly win. Exit | |
ACT IV. SCENE 3. | |
The Florentine camp | |
Enter the two FRENCH LORDS, and two or three SOLDIERS | |
SECOND LORD. You have not given him his mother's letter? | |
FIRST LORD. I have deliv'red it an hour since. There is something | |
in't that stings his nature; for on the reading it he chang'd | |
almost into another man. | |
SECOND LORD. He has much worthy blame laid upon him for shaking off | |
so good a wife and so sweet a lady. | |
FIRST LORD. Especially he hath incurred the everlasting displeasure | |
of the King, who had even tun'd his bounty to sing happiness to | |
him. I will tell you a thing, but you shall let it dwell darkly | |
with you. | |
SECOND LORD. When you have spoken it, 'tis dead, and I am the grave | |
of it. | |
FIRST LORD. He hath perverted a young gentlewoman here in Florence, | |
of a most chaste renown; and this night he fleshes his will in | |
the spoil of her honour. He hath given her his monumental ring, | |
and thinks himself made in the unchaste composition. | |
SECOND LORD. Now, God delay our rebellion! As we are ourselves, | |
what things are we! | |
FIRST LORD. Merely our own traitors. And as in the common course of | |
all treasons we still see them reveal themselves till they attain | |
to their abhorr'd ends; so he that in this action contrives | |
against his own nobility, in his proper stream, o'erflows | |
himself. | |
SECOND LORD. Is it not meant damnable in us to be trumpeters of our | |
unlawful intents? We shall not then have his company to-night? | |
FIRST LORD. Not till after midnight; for he is dieted to his hour. | |
SECOND LORD. That approaches apace. I would gladly have him see his | |
company anatomiz'd, that he might take a measure of his own | |
judgments, wherein so curiously he had set this counterfeit. | |
FIRST LORD. We will not meddle with him till he come; for his | |
presence must be the whip of the other. | |
SECOND LORD. In the meantime, what hear you of these wars? | |
FIRST LORD. I hear there is an overture of peace. | |
SECOND LORD. Nay, I assure you, a peace concluded. | |
FIRST LORD. What will Count Rousillon do then? Will he travel | |
higher, or return again into France? | |
SECOND LORD. I perceive, by this demand, you are not altogether | |
of his counsel. | |
FIRST LORD. Let it be forbid, sir! So should I be a great deal | |
of his act. | |
SECOND LORD. Sir, his wife, some two months since, fled from his | |
house. Her pretence is a pilgrimage to Saint Jaques le Grand; | |
which holy undertaking with most austere sanctimony she | |
accomplish'd; and, there residing, the tenderness of her nature | |
became as a prey to her grief; in fine, made a groan of her last | |
breath, and now she sings in heaven. | |
FIRST LORD. How is this justified? | |
SECOND LORD. The stronger part of it by her own letters, which | |
makes her story true even to the point of her death. Her death | |
itself, which could not be her office to say is come, was | |
faithfully confirm'd by the rector of the place. | |
FIRST LORD. Hath the Count all this intelligence? | |
SECOND LORD. Ay, and the particular confirmations, point from | |
point, to the full arming of the verity. | |
FIRST LORD. I am heartily sorry that he'll be glad of this. | |
SECOND LORD. How mightily sometimes we make us comforts of our | |
losses! | |
FIRST LORD. And how mightily some other times we drown our gain in | |
tears! The great dignity that his valour hath here acquir'd for | |
him shall at home be encount'red with a shame as ample. | |
SECOND LORD. The web of our life is of a mingled yarn, good and ill | |
together. Our virtues would be proud if our faults whipt them | |
not; and our crimes would despair if they were not cherish'd by | |
our virtues. | |
Enter a MESSENGER | |
How now? Where's your master? | |
SERVANT. He met the Duke in the street, sir; of whom he hath taken | |
a solemn leave. His lordship will next morning for France. The | |
Duke hath offered him letters of commendations to the King. | |
SECOND LORD. They shall be no more than needful there, if they were | |
more than they can commend. | |
FIRST LORD. They cannot be too sweet for the King's tartness. | |
Here's his lordship now. | |
Enter BERTRAM | |
How now, my lord, is't not after midnight? | |
BERTRAM. I have to-night dispatch'd sixteen businesses, a month's | |
length apiece; by an abstract of success: I have congied with the | |
Duke, done my adieu with his nearest; buried a wife, mourn'd for | |
her; writ to my lady mother I am returning; entertain'd my | |
convoy; and between these main parcels of dispatch effected many | |
nicer needs. The last was the greatest, but that I have not ended | |
yet. | |
SECOND LORD. If the business be of any difficulty and this morning | |
your departure hence, it requires haste of your lordship. | |
BERTRAM. I mean the business is not ended, as fearing to hear of it | |
hereafter. But shall we have this dialogue between the Fool and | |
the Soldier? Come, bring forth this counterfeit module has | |
deceiv'd me like a double-meaning prophesier. | |
SECOND LORD. Bring him forth. [Exeunt SOLDIERS] Has sat i' th' | |
stocks all night, poor gallant knave. | |
BERTRAM. No matter; his heels have deserv'd it, in usurping his | |
spurs so long. How does he carry himself? | |
SECOND LORD. I have told your lordship already the stocks carry | |
him. But to answer you as you would be understood: he weeps like | |
a wench that had shed her milk; he hath confess'd himself to | |
Morgan, whom he supposes to be a friar, from the time of his | |
remembrance to this very instant disaster of his setting i' th' | |
stocks. And what think you he hath confess'd? | |
BERTRAM. Nothing of me, has 'a? | |
SECOND LORD. His confession is taken, and it shall be read to his | |
face; if your lordship be in't, as I believe you are, you must | |
have the patience to hear it. | |
Enter PAROLLES guarded, and | |
FIRST SOLDIER as interpreter | |
BERTRAM. A plague upon him! muffled! He can say nothing of me. | |
SECOND LORD. Hush, hush! Hoodman comes. Portotartarossa. | |
FIRST SOLDIER. He calls for the tortures. What will you say without | |
'em? | |
PAROLLES. I will confess what I know without constraint; if ye | |
pinch me like a pasty, I can say no more. | |
FIRST SOLDIER. Bosko chimurcho. | |
SECOND LORD. Boblibindo chicurmurco. | |
FIRST SOLDIER. YOU are a merciful general. Our General bids you | |
answer to what I shall ask you out of a note. | |
PAROLLES. And truly, as I hope to live. | |
FIRST SOLDIER. 'First demand of him how many horse the Duke is | |
strong.' What say you to that? | |
PAROLLES. Five or six thousand; but very weak and unserviceable. | |
The troops are all scattered, and the commanders very poor | |
rogues, upon my reputation and credit, and as I hope to live. | |
FIRST SOLDIER. Shall I set down your answer so? | |
PAROLLES. Do; I'll take the sacrament on 't, how and which way you | |
will. | |
BERTRAM. All's one to him. What a past-saving slave is this! | |
SECOND LORD. Y'are deceiv'd, my lord; this is Monsieur Parolles, | |
the gallant militarist-that was his own phrase-that had the whole | |
theoric of war in the knot of his scarf, and the practice in the | |
chape of his dagger. | |
FIRST LORD. I will never trust a man again for keeping his sword | |
clean; nor believe he can have everything in him by wearing his | |
apparel neatly. | |
FIRST SOLDIER. Well, that's set down. | |
PAROLLES. 'Five or six thousand horse' I said-I will say true- 'or | |
thereabouts' set down, for I'll speak truth. | |
SECOND LORD. He's very near the truth in this. | |
BERTRAM. But I con him no thanks for't in the nature he delivers it. | |
PAROLLES. 'Poor rogues' I pray you say. | |
FIRST SOLDIER. Well, that's set down. | |
PAROLLES. I humbly thank you, sir. A truth's a truth-the rogues are | |
marvellous poor. | |
FIRST SOLDIER. 'Demand of him of what strength they are a-foot.' | |
What say you to that? | |
PAROLLES. By my troth, sir, if I were to live this present hour, I | |
will tell true. Let me see: Spurio, a hundred and fifty; | |
Sebastian, so many; Corambus, so many; Jaques, so many; Guiltian, | |
Cosmo, Lodowick, and Gratii, two hundred fifty each; mine own | |
company, Chitopher, Vaumond, Bentii, two hundred fifty each; so | |
that the muster-file, rotten and sound, upon my life, amounts not | |
to fifteen thousand poll; half of the which dare not shake the | |
snow from off their cassocks lest they shake themselves to | |
pieces. | |
BERTRAM. What shall be done to him? | |
SECOND LORD. Nothing, but let him have thanks. Demand of him my | |
condition, and what credit I have with the Duke. | |
FIRST SOLDIER. Well, that's set down. 'You shall demand of him | |
whether one Captain Dumain be i' th' camp, a Frenchman; what his | |
reputation is with the Duke, what his valour, honesty, expertness | |
in wars; or whether he thinks it were not possible, with | |
well-weighing sums of gold, to corrupt him to a revolt.' What say | |
you to this? What do you know of it? | |
PAROLLES. I beseech you, let me answer to the particular of the | |
inter'gatories. Demand them singly. | |
FIRST SOLDIER. Do you know this Captain Dumain? | |
PAROLLES. I know him: 'a was a botcher's prentice in Paris, from | |
whence he was whipt for getting the shrieve's fool with child-a | |
dumb innocent that could not say him nay. | |
BERTRAM. Nay, by your leave, hold your hands; though I know his | |
brains are forfeit to the next tile that falls. | |
FIRST SOLDIER. Well, is this captain in the Duke of Florence's | |
camp? | |
PAROLLES. Upon my knowledge, he is, and lousy. | |
SECOND LORD. Nay, look not so upon me; we shall hear of your | |
lordship anon. | |
FIRST SOLDIER. What is his reputation with the Duke? | |
PAROLLES. The Duke knows him for no other but a poor officer of | |
mine; and writ to me this other day to turn him out o' th' band. | |
I think I have his letter in my pocket. | |
FIRST SOLDIER. Marry, we'll search. | |
PAROLLES. In good sadness, I do not know; either it is there or it | |
is upon a file with the Duke's other letters in my tent. | |
FIRST SOLDIER. Here 'tis; here's a paper. Shall I read it to you? | |
PAROLLES. I do not know if it be it or no. | |
BERTRAM. Our interpreter does it well. | |
SECOND LORD. Excellently. | |
FIRST SOLDIER. [Reads] 'Dian, the Count's a fool, and full of | |
gold.' | |
PAROLLES. That is not the Duke's letter, sir; that is an | |
advertisement to a proper maid in Florence, one Diana, to take | |
heed of the allurement of one Count Rousillon, a foolish idle | |
boy, but for all that very ruttish. I pray you, sir, put it up | |
again. | |
FIRST SOLDIER. Nay, I'll read it first by your favour. | |
PAROLLES. My meaning in't, I protest, was very honest in the behalf | |
of the maid; for I knew the young Count to be a dangerous and | |
lascivious boy, who is a whale to virginity, and devours up all | |
the fry it finds. | |
BERTRAM. Damnable both-sides rogue! | |
FIRST SOLDIER. [Reads] | |
'When he swears oaths, bid him drop gold, and take it; | |
After he scores, he never pays the score. | |
Half won is match well made; match, and well make it; | |
He ne'er pays after-debts, take it before. | |
And say a soldier, Dian, told thee this: | |
Men are to mell with, boys are not to kiss; | |
For count of this, the Count's a fool, I know it, | |
Who pays before, but not when he does owe it. | |
Thine, as he vow'd to thee in thine ear, | |
PAROLLES.' | |
BERTRAM. He shall be whipt through the army with this rhyme in's | |
forehead. | |
FIRST LORD. This is your devoted friend, sir, the manifold | |
linguist, and the amnipotent soldier. | |
BERTRAM. I could endure anything before but a cat, and now he's a | |
cat to me. | |
FIRST SOLDIER. I perceive, sir, by our General's looks we shall be | |
fain to hang you. | |
PAROLLES. My life, sir, in any case! Not that I am afraid to die, | |
but that, my offences being many, I would repent out the | |
remainder of nature. Let me live, sir, in a dungeon, i' th' | |
stocks, or anywhere, so I may live. | |
FIRST SOLDIER. We'll see what may be done, so you confess freely; | |
therefore, once more to this Captain Dumain: you have answer'd to | |
his reputation with the Duke, and to his valour; what is his | |
honesty? | |
PAROLLES. He will steal, sir, an egg out of a cloister; for rapes | |
and ravishments he parallels Nessus. He professes not keeping of | |
oaths; in breaking 'em he is stronger than Hercules. He will lie, | |
sir, with such volubility that you would think truth were a fool. | |
Drunkenness is his best virtue, for he will be swine-drunk; and | |
in his sleep he does little harm, save to his bedclothes about | |
him; but they know his conditions and lay him in straw. I have | |
but little more to say, sir, of his honesty. He has everything | |
that an honest man should not have; what an honest man should | |
have he has nothing. | |
SECOND LORD. I begin to love him for this. | |
BERTRAM. For this description of thine honesty? A pox upon him! For | |
me, he's more and more a cat. | |
FIRST SOLDIER. What say you to his expertness in war? | |
PAROLLES. Faith, sir, has led the drum before the English | |
tragedians-to belie him I will not-and more of his soldier-ship | |
I know not, except in that country he had the honour to be the | |
officer at a place there called Mile-end to instruct for the | |
doubling of files-I would do the man what honour I can-but of | |
this I am not certain. | |
SECOND LORD. He hath out-villain'd villainy so far that the rarity | |
redeems him. | |
BERTRAM. A pox on him! he's a cat still. | |
FIRST SOLDIER. His qualities being at this poor price, I need not | |
to ask you if gold will corrupt him to revolt. | |
PAROLLES. Sir, for a cardecue he will sell the fee-simple of his | |
salvation, the inheritance of it; and cut th' entail from all | |
remainders and a perpetual succession for it perpetually. | |
FIRST SOLDIER. What's his brother, the other Captain Dumain? | |
FIRST LORD. Why does he ask him of me? | |
FIRST SOLDIER. What's he? | |
PAROLLES. E'en a crow o' th' same nest; not altogether so great as | |
the first in goodness, but greater a great deal in evil. He | |
excels his brother for a coward; yet his brother is reputed one | |
of the best that is. In a retreat he outruns any lackey: marry, | |
in coming on he has the cramp. | |
FIRST SOLDIER. If your life be saved, will you undertake to betray | |
the Florentine? | |
PAROLLES. Ay, and the Captain of his Horse, Count Rousillon. | |
FIRST SOLDIER. I'll whisper with the General, and know his | |
pleasure. | |
PAROLLES. [Aside] I'll no more drumming. A plague of all drums! | |
Only to seem to deserve well, and to beguile the supposition of | |
that lascivious young boy the Count, have I run into this danger. | |
Yet who would have suspected an ambush where I was taken? | |
FIRST SOLDIER. There is no remedy, sir, but you must die. | |
The General says you that have so traitorously discover'd the | |
secrets of your army, and made such pestiferous reports of men | |
very nobly held, can serve the world for no honest use; therefore | |
you must die. Come, headsman, of with his head. | |
PAROLLES. O Lord, sir, let me live, or let me see my death! | |
FIRST SOLDIER. That shall you, and take your leave of all your | |
friends. [Unmuffling him] So look about you; know you any here? | |
BERTRAM. Good morrow, noble Captain. | |
FIRST LORD. God bless you, Captain Parolles. | |
SECOND LORD. God save you, noble Captain. | |
FIRST LORD. Captain, what greeting will you to my Lord Lafeu? I am | |
for France. | |
SECOND LORD. Good Captain, will you give me a copy of the sonnet | |
you writ to Diana in behalf of the Count Rousillon? An I were not | |
a very coward I'd compel it of you; but fare you well. | |
Exeunt BERTRAM and LORDS | |
FIRST SOLDIER. You are undone, Captain, all but your scarf; that | |
has a knot on 't yet. | |
PAROLLES. Who cannot be crush'd with a plot? | |
FIRST SOLDIER. If you could find out a country where but women were | |
that had received so much shame, you might begin an impudent | |
nation. Fare ye well, sir; I am for France too; we shall speak of | |
you there. Exit with SOLDIERS | |
PAROLLES. Yet am I thankful. If my heart were great, | |
'Twould burst at this. Captain I'll be no more; | |
But I will eat, and drink, and sleep as soft | |
As captain shall. Simply the thing I am | |
Shall make me live. Who knows himself a braggart, | |
Let him fear this; for it will come to pass | |
That every braggart shall be found an ass. | |
Rust, sword; cool, blushes; and, Parolles, live | |
Safest in shame. Being fool'd, by fool'ry thrive. | |
There's place and means for every man alive. | |
I'll after them. Exit | |
ACT IV SCENE 4. | |
The WIDOW'S house | |
Enter HELENA, WIDOW, and DIANA | |
HELENA. That you may well perceive I have not wrong'd you! | |
One of the greatest in the Christian world | |
Shall be my surety; fore whose throne 'tis needful, | |
Ere I can perfect mine intents, to kneel. | |
Time was I did him a desired office, | |
Dear almost as his life; which gratitude | |
Through flinty Tartar's bosom would peep forth, | |
And answer 'Thanks.' I duly am inform'd | |
His Grace is at Marseilles, to which place | |
We have convenient convoy. You must know | |
I am supposed dead. The army breaking, | |
My husband hies him home; where, heaven aiding, | |
And by the leave of my good lord the King, | |
We'll be before our welcome. | |
WIDOW. Gentle madam, | |
You never had a servant to whose trust | |
Your business was more welcome. | |
HELENA. Nor you, mistress, | |
Ever a friend whose thoughts more truly labour | |
To recompense your love. Doubt not but heaven | |
Hath brought me up to be your daughter's dower, | |
As it hath fated her to be my motive | |
And helper to a husband. But, O strange men! | |
That can such sweet use make of what they hate, | |
When saucy trusting of the cozen'd thoughts | |
Defiles the pitchy night. So lust doth play | |
With what it loathes, for that which is away. | |
But more of this hereafter. You, Diana, | |
Under my poor instructions yet must suffer | |
Something in my behalf. | |
DIANA. Let death and honesty | |
Go with your impositions, I am yours | |
Upon your will to suffer. | |
HELENA. Yet, I pray you: | |
But with the word the time will bring on summer, | |
When briers shall have leaves as well as thorns | |
And be as sweet as sharp. We must away; | |
Our waggon is prepar'd, and time revives us. | |
All's Well that Ends Well. Still the fine's the crown. | |
Whate'er the course, the end is the renown. Exeunt | |
ACT IV SCENE 5. | |
Rousillon. The COUNT'S palace | |
Enter COUNTESS, LAFEU, and CLOWN | |
LAFEU. No, no, no, son was misled with a snipt-taffeta fellow | |
there, whose villainous saffron would have made all the unbak'd | |
and doughy youth of a nation in his colour. Your daughter-in-law | |
had been alive at this hour, and your son here at home, more | |
advanc'd by the King than by that red-tail'd humble-bee I speak | |
of. | |
COUNTESS. I would I had not known him. It was the death of the most | |
virtuous gentlewoman that ever nature had praise for creating. If | |
she had partaken of my flesh, and cost me the dearest groans of a | |
mother. I could not have owed her a more rooted love. | |
LAFEU. 'Twas a good lady, 'twas a good lady. We may pick a thousand | |
sallets ere we light on such another herb. | |
CLOWN. Indeed, sir, she was the sweet-marjoram of the sallet, or, | |
rather, the herb of grace. | |
LAFEU. They are not sallet-herbs, you knave; they are nose-herbs. | |
CLOWN. I am no great Nebuchadnezzar, sir; I have not much skill in | |
grass. | |
LAFEU. Whether dost thou profess thyself-a knave or a fool? | |
CLOWN. A fool, sir, at a woman's service, and a knave at a man's. | |
LAFEU. Your distinction? | |
CLOWN. I would cozen the man of his wife, and do his service. | |
LAFEU. So you were a knave at his service, indeed. | |
CLOWN. And I would give his wife my bauble, sir, to do her service. | |
LAFEU. I will subscribe for thee; thou art both knave and fool. | |
CLOWN. At your service. | |
LAFEU. No, no, no. | |
CLOWN. Why, sir, if I cannot serve you, I can serve as great a | |
prince as you are. | |
LAFEU. Who's that? A Frenchman? | |
CLOWN. Faith, sir, 'a has an English name; but his fisnomy is more | |
hotter in France than there. | |
LAFEU. What prince is that? | |
CLOWN. The Black Prince, sir; alias, the Prince of Darkness; alias, | |
the devil. | |
LAFEU. Hold thee, there's my purse. I give thee not this to suggest | |
thee from thy master thou talk'st of; serve him still. | |
CLOWN. I am a woodland fellow, sir, that always loved a great fire; | |
and the master I speak of ever keeps a good fire. But, sure, he | |
is the prince of the world; let his nobility remain in's court. I | |
am for the house with the narrow gate, which I take to be too | |
little for pomp to enter. Some that humble themselves may; but | |
the many will be too chill and tender: and they'll be for the | |
flow'ry way that leads to the broad gate and the great fire. | |
LAFEU. Go thy ways, I begin to be aweary of thee; and I tell thee | |
so before, because I would not fall out with thee. Go thy ways; | |
let my horses be well look'd to, without any tricks. | |
CLOWN. If I put any tricks upon 'em, sir, they shall be jades' | |
tricks, which are their own right by the law of nature. | |
Exit | |
LAFEU. A shrewd knave, and an unhappy. | |
COUNTESS. So 'a is. My lord that's gone made himself much sport | |
out of him. By his authority he remains here, which he thinks is | |
a patent for his sauciness; and indeed he has no pace, but runs | |
where he will. | |
LAFEU. I like him well; 'tis not amiss. And I was about to tell | |
you, since I heard of the good lady's death, and that my lord | |
your son was upon his return home, I moved the King my master to | |
speak in the behalf of my daughter; which, in the minority of | |
them both, his Majesty out of a self-gracious remembrance did | |
first propose. His Highness hath promis'd me to do it; and, to | |
stop up the displeasure he hath conceived against your son, there | |
is no fitter matter. How does your ladyship like it? | |
COUNTESS. With very much content, my lord; and I wish it happily | |
effected. | |
LAFEU. His Highness comes post from Marseilles, of as able body as | |
when he number'd thirty; 'a will be here to-morrow, or I am | |
deceiv'd by him that in such intelligence hath seldom fail'd. | |
COUNTESS. It rejoices me that I hope I shall see him ere I die. | |
I have letters that my son will be here to-night. I shall beseech | |
your lordship to remain with me tal they meet together. | |
LAFEU. Madam, I was thinking with what manners I might safely be | |
admitted. | |
COUNTESS. You need but plead your honourable privilege. | |
LAFEU. Lady, of that I have made a bold charter; but, I thank my | |
God, it holds yet. | |
Re-enter CLOWN | |
CLOWN. O madam, yonder's my lord your son with a patch of velvet | |
on's face; whether there be a scar under 't or no, the velvet | |
knows; but 'tis a goodly patch of velvet. His left cheek is a | |
cheek of two pile and a half, but his right cheek is worn bare. | |
LAFEU. A scar nobly got, or a noble scar, is a good liv'ry of | |
honour; so belike is that. | |
CLOWN. But it is your carbonado'd face. | |
LAFEU. Let us go see your son, I pray you; | |
I long to talk with the young noble soldier. | |
CLOWN. Faith, there's a dozen of 'em, with delicate fine hats, and | |
most courteous feathers, which bow the head and nod at every man. | |
Exeunt | |
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ACT V. SCENE 1. | |
Marseilles. A street | |
Enter HELENA, WIDOW, and DIANA, with two ATTENDANTS | |
HELENA. But this exceeding posting day and night | |
Must wear your spirits low; we cannot help it. | |
But since you have made the days and nights as one, | |
To wear your gentle limbs in my affairs, | |
Be bold you do so grow in my requital | |
As nothing can unroot you. | |
Enter a GENTLEMAN | |
In happy time! | |
This man may help me to his Majesty's ear, | |
If he would spend his power. God save you, sir. | |
GENTLEMAN. And you. | |
HELENA. Sir, I have seen you in the court of France. | |
GENTLEMAN. I have been sometimes there. | |
HELENA. I do presume, sir, that you are not fall'n | |
From the report that goes upon your goodness; | |
And therefore, goaded with most sharp occasions, | |
Which lay nice manners by, I put you to | |
The use of your own virtues, for the which | |
I shall continue thankful. | |
GENTLEMAN. What's your will? | |
HELENA. That it will please you | |
To give this poor petition to the King; | |
And aid me with that store of power you have | |
To come into his presence. | |
GENTLEMAN. The King's not here. | |
HELENA. Not here, sir? | |
GENTLEMAN. Not indeed. | |
He hence remov'd last night, and with more haste | |
Than is his use. | |
WIDOW. Lord, how we lose our pains! | |
HELENA. All's Well That Ends Well yet, | |
Though time seem so adverse and means unfit. | |
I do beseech you, whither is he gone? | |
GENTLEMAN. Marry, as I take it, to Rousillon; | |
Whither I am going. | |
HELENA. I do beseech you, sir, | |
Since you are like to see the King before me, | |
Commend the paper to his gracious hand; | |
Which I presume shall render you no blame, | |
But rather make you thank your pains for it. | |
I will come after you with what good speed | |
Our means will make us means. | |
GENTLEMAN. This I'll do for you. | |
HELENA. And you shall find yourself to be well thank'd, | |
Whate'er falls more. We must to horse again; | |
Go, go, provide. Exeunt | |
ACT V SCENE 2. | |
Rousillon. The inner court of the COUNT'S palace | |
Enter CLOWN and PAROLLES | |
PAROLLES. Good Monsieur Lavache, give my Lord Lafeu this letter. I | |
have ere now, sir, been better known to you, when I have held | |
familiarity with fresher clothes; but I am now, sir, muddied in | |
Fortune's mood, and smell somewhat strong of her strong | |
displeasure. | |
CLOWN. Truly, Fortune's displeasure is but sluttish, if it smell | |
so strongly as thou speak'st of. I will henceforth eat no fish | |
of Fortune's butt'ring. Prithee, allow the wind. | |
PAROLLES. Nay, you need not to stop your nose, sir; I spake but by | |
a metaphor. | |
CLOWN. Indeed, sir, if your metaphor stink, I will stop my nose; or | |
against any man's metaphor. Prithee, get thee further. | |
PAROLLES. Pray you, sir, deliver me this paper. | |
CLOWN. Foh! prithee stand away. A paper from Fortune's close-stool | |
to give to a nobleman! Look here he comes himself. | |
Enter LAFEU | |
Here is a pur of Fortune's, sir, or of Fortune's cat, but not | |
a musk-cat, that has fall'n into the unclean fishpond of her | |
displeasure, and, as he says, is muddied withal. Pray you, sir, | |
use the carp as you may; for he looks like a poor, decayed, | |
ingenious, foolish, rascally knave. I do pity his distress | |
in my similes of comfort, and leave him to your lordship. | |
Exit | |
PAROLLES. My lord, I am a man whom Fortune hath cruelly scratch'd. | |
LAFEU. And what would you have me to do? 'Tis too late to pare her | |
nails now. Wherein have you played the knave with Fortune, that | |
she should scratch you, who of herself is a good lady and would | |
not have knaves thrive long under her? There's a cardecue for | |
you. Let the justices make you and Fortune friends; I am for | |
other business. | |
PAROLLES. I beseech your honour to hear me one single word. | |
LAFEU. You beg a single penny more; come, you shall ha't; save your | |
word. | |
PAROLLES. My name, my good lord, is Parolles. | |
LAFEU. You beg more than word then. Cox my passion! give me your | |
hand. How does your drum? | |
PAROLLES. O my good lord, you were the first that found me. | |
LAFEU. Was I, in sooth? And I was the first that lost thee. | |
PAROLLES. It lies in you, my lord, to bring me in some grace, for | |
you did bring me out. | |
LAFEU. Out upon thee, knave! Dost thou put upon me at once both the | |
office of God and the devil? One brings the in grace, and the | |
other brings thee out. [Trumpets sound] The King's coming; I | |
know by his trumpets. Sirrah, inquire further after me; I had | |
talk of you last night. Though you are a fool and a knave, you | |
shall eat. Go to; follow. | |
PAROLLES. I praise God for you. Exeunt | |
ACT V SCENE 3. | |
Rousillon. The COUNT'S palace | |
Flourish. Enter KING, COUNTESS, LAFEU, the two FRENCH LORDS, with ATTENDANTS | |
KING. We lost a jewel of her, and our esteem | |
Was made much poorer by it; but your son, | |
As mad in folly, lack'd the sense to know | |
Her estimation home. | |
COUNTESS. 'Tis past, my liege; | |
And I beseech your Majesty to make it | |
Natural rebellion, done i' th' blaze of youth, | |
When oil and fire, too strong for reason's force, | |
O'erbears it and burns on. | |
KING. My honour'd lady, | |
I have forgiven and forgotten all; | |
Though my revenges were high bent upon him | |
And watch'd the time to shoot. | |
LAFEU. This I must say- | |
But first, I beg my pardon: the young lord | |
Did to his Majesty, his mother, and his lady, | |
Offence of mighty note; but to himself | |
The greatest wrong of all. He lost a wife | |
Whose beauty did astonish the survey | |
Of richest eyes; whose words all ears took captive; | |
Whose dear perfection hearts that scorn'd to serve | |
Humbly call'd mistress. | |
KING. Praising what is lost | |
Makes the remembrance dear. Well, call him hither; | |
We are reconcil'd, and the first view shall kill | |
All repetition. Let him not ask our pardon; | |
The nature of his great offence is dead, | |
And deeper than oblivion do we bury | |
Th' incensing relics of it; let him approach, | |
A stranger, no offender; and inform him | |
So 'tis our will he should. | |
GENTLEMAN. I shall, my liege. Exit GENTLEMAN | |
KING. What says he to your daughter? Have you spoke? | |
LAFEU. All that he is hath reference to your Highness. | |
KING. Then shall we have a match. I have letters sent me | |
That sets him high in fame. | |
Enter BERTRAM | |
LAFEU. He looks well on 't. | |
KING. I am not a day of season, | |
For thou mayst see a sunshine and a hail | |
In me at once. But to the brightest beams | |
Distracted clouds give way; so stand thou forth; | |
The time is fair again. | |
BERTRAM. My high-repented blames, | |
Dear sovereign, pardon to me. | |
KING. All is whole; | |
Not one word more of the consumed time. | |
Let's take the instant by the forward top; | |
For we are old, and on our quick'st decrees | |
Th' inaudible and noiseless foot of Time | |
Steals ere we can effect them. You remember | |
The daughter of this lord? | |
BERTRAM. Admiringly, my liege. At first | |
I stuck my choice upon her, ere my heart | |
Durst make too bold herald of my tongue; | |
Where the impression of mine eye infixing, | |
Contempt his scornful perspective did lend me, | |
Which warp'd the line of every other favour, | |
Scorn'd a fair colour or express'd it stol'n, | |
Extended or contracted all proportions | |
To a most hideous object. Thence it came | |
That she whom all men prais'd, and whom myself, | |
Since I have lost, have lov'd, was in mine eye | |
The dust that did offend it. | |
KING. Well excus'd. | |
That thou didst love her, strikes some scores away | |
From the great compt; but love that comes too late, | |
Like a remorseful pardon slowly carried, | |
To the great sender turns a sour offence, | |
Crying 'That's good that's gone.' Our rash faults | |
Make trivial price of serious things we have, | |
Not knowing them until we know their grave. | |
Oft our displeasures, to ourselves unjust, | |
Destroy our friends, and after weep their dust; | |
Our own love waking cries to see what's done, | |
While shameful hate sleeps out the afternoon. | |
Be this sweet Helen's knell. And now forget her. | |
Send forth your amorous token for fair Maudlin. | |
The main consents are had; and here we'll stay | |
To see our widower's second marriage-day. | |
COUNTESS. Which better than the first, O dear heaven, bless! | |
Or, ere they meet, in me, O nature, cesse! | |
LAFEU. Come on, my son, in whom my house's name | |
Must be digested; give a favour from you, | |
To sparkle in the spirits of my daughter, | |
That she may quickly come. | |
[BERTRAM gives a ring] | |
By my old beard, | |
And ev'ry hair that's on 't, Helen, that's dead, | |
Was a sweet creature; such a ring as this, | |
The last that e'er I took her leave at court, | |
I saw upon her finger. | |
BERTRAM. Hers it was not. | |
KING. Now, pray you, let me see it; for mine eye, | |
While I was speaking, oft was fasten'd to't. | |
This ring was mine; and when I gave it Helen | |
I bade her, if her fortunes ever stood | |
Necessitied to help, that by this token | |
I would relieve her. Had you that craft to reave her | |
Of what should stead her most? | |
BERTRAM. My gracious sovereign, | |
Howe'er it pleases you to take it so, | |
The ring was never hers. | |
COUNTESS. Son, on my life, | |
I have seen her wear it; and she reckon'd it | |
At her life's rate. | |
LAFEU. I am sure I saw her wear it. | |
BERTRAM. You are deceiv'd, my lord; she never saw it. | |
In Florence was it from a casement thrown me, | |
Wrapp'd in a paper, which contain'd the name | |
Of her that threw it. Noble she was, and thought | |
I stood engag'd; but when I had subscrib'd | |
To mine own fortune, and inform'd her fully | |
I could not answer in that course of honour | |
As she had made the overture, she ceas'd, | |
In heavy satisfaction, and would never | |
Receive the ring again. | |
KING. Plutus himself, | |
That knows the tinct and multiplying med'cine, | |
Hath not in nature's mystery more science | |
Than I have in this ring. 'Twas mine, 'twas Helen's, | |
Whoever gave it you. Then, if you know | |
That you are well acquainted with yourself, | |
Confess 'twas hers, and by what rough enforcement | |
You got it from her. She call'd the saints to surety | |
That she would never put it from her finger | |
Unless she gave it to yourself in bed- | |
Where you have never come- or sent it us | |
Upon her great disaster. | |
BERTRAM. She never saw it. | |
KING. Thou speak'st it falsely, as I love mine honour; | |
And mak'st conjectural fears to come into me | |
Which I would fain shut out. If it should prove | |
That thou art so inhuman- 'twill not prove so. | |
And yet I know not- thou didst hate her deadly, | |
And she is dead; which nothing, but to close | |
Her eyes myself, could win me to believe | |
More than to see this ring. Take him away. | |
[GUARDS seize BERTRAM] | |
My fore-past proofs, howe'er the matter fall, | |
Shall tax my fears of little vanity, | |
Having vainly fear'd too little. Away with him. | |
We'll sift this matter further. | |
BERTRAM. If you shall prove | |
This ring was ever hers, you shall as easy | |
Prove that I husbanded her bed in Florence, | |
Where she yet never was. Exit, guarded | |
KING. I am wrapp'd in dismal thinkings. | |
Enter a GENTLEMAN | |
GENTLEMAN. Gracious sovereign, | |
Whether I have been to blame or no, I know not: | |
Here's a petition from a Florentine, | |
Who hath, for four or five removes, come short | |
To tender it herself. I undertook it, | |
Vanquish'd thereto by the fair grace and speech | |
Of the poor suppliant, who by this, I know, | |
Is here attending; her business looks in her | |
With an importing visage; and she told me | |
In a sweet verbal brief it did concern | |
Your Highness with herself. | |
KING. [Reads the letter] 'Upon his many protestations to marry me | |
when his wife was dead, I blush to say it, he won me. Now is the | |
Count Rousillon a widower; his vows are forfeited to me, and my | |
honour's paid to him. He stole from Florence, taking no leave, | |
and I follow him to his country for justice. Grant it me, O King! | |
in you it best lies; otherwise a seducer flourishes, and a poor | |
maid is undone. | |
DIANA CAPILET.' | |
LAFEU. I will buy me a son-in-law in a fair, and toll for this. | |
I'll none of him. | |
KING. The heavens have thought well on thee, Lafeu, | |
To bring forth this discov'ry. Seek these suitors. | |
Go speedily, and bring again the Count. | |
Exeunt ATTENDANTS | |
I am afeard the life of Helen, lady, | |
Was foully snatch'd. | |
COUNTESS. Now, justice on the doers! | |
Enter BERTRAM, guarded | |
KING. I wonder, sir, sith wives are monsters to you. | |
And that you fly them as you swear them lordship, | |
Yet you desire to marry. | |
Enter WIDOW and DIANA | |
What woman's that? | |
DIANA. I am, my lord, a wretched Florentine, | |
Derived from the ancient Capilet. | |
My suit, as I do understand, you know, | |
And therefore know how far I may be pitied. | |
WIDOW. I am her mother, sir, whose age and honour | |
Both suffer under this complaint we bring, | |
And both shall cease, without your remedy. | |
KING. Come hither, Count; do you know these women? | |
BERTRAM. My lord, I neither can nor will deny | |
But that I know them. Do they charge me further? | |
DIANA. Why do you look so strange upon your wife? | |
BERTRAM. She's none of mine, my lord. | |
DIANA. If you shall marry, | |
You give away this hand, and that is mine; | |
You give away heaven's vows, and those are mine; | |
You give away myself, which is known mine; | |
For I by vow am so embodied yours | |
That she which marries you must marry me, | |
Either both or none. | |
LAFEU. [To BERTRAM] Your reputation comes too short for | |
my daughter; you are no husband for her. | |
BERTRAM. My lord, this is a fond and desp'rate creature | |
Whom sometime I have laugh'd with. Let your Highness | |
Lay a more noble thought upon mine honour | |
Than for to think that I would sink it here. | |
KING. Sir, for my thoughts, you have them ill to friend | |
Till your deeds gain them. Fairer prove your honour | |
Than in my thought it lies! | |
DIANA. Good my lord, | |
Ask him upon his oath if he does think | |
He had not my virginity. | |
KING. What say'st thou to her? | |
BERTRAM. She's impudent, my lord, | |
And was a common gamester to the camp. | |
DIANA. He does me wrong, my lord; if I were so | |
He might have bought me at a common price. | |
Do not believe him. o, behold this ring, | |
Whose high respect and rich validity | |
Did lack a parallel; yet, for all that, | |
He gave it to a commoner o' th' camp, | |
If I be one. | |
COUNTESS. He blushes, and 'tis it. | |
Of six preceding ancestors, that gem | |
Conferr'd by testament to th' sequent issue, | |
Hath it been ow'd and worn. This is his wife: | |
That ring's a thousand proofs. | |
KING. Methought you said | |
You saw one here in court could witness it. | |
DIANA. I did, my lord, but loath am to produce | |
So bad an instrument; his name's Parolles. | |
LAFEU. I saw the man to-day, if man he be. | |
KING. Find him, and bring him hither. Exit an ATTENDANT | |
BERTRAM. What of him? | |
He's quoted for a most perfidious slave, | |
With all the spots o' th' world tax'd and debauch'd, | |
Whose nature sickens but to speak a truth. | |
Am I or that or this for what he'll utter | |
That will speak anything? | |
KING. She hath that ring of yours. | |
BERTRAM. I think she has. Certain it is I lik'd her, | |
And boarded her i' th' wanton way of youth. | |
She knew her distance, and did angle for me, | |
Madding my eagerness with her restraint, | |
As all impediments in fancy's course | |
Are motives of more fancy; and, in fine, | |
Her infinite cunning with her modern grace | |
Subdu'd me to her rate. She got the ring; | |
And I had that which any inferior might | |
At market-price have bought. | |
DIANA. I must be patient. | |
You that have turn'd off a first so noble wife | |
May justly diet me. I pray you yet- | |
Since you lack virtue, I will lose a husband- | |
Send for your ring, I will return it home, | |
And give me mine again. | |
BERTRAM. I have it not. | |
KING. What ring was yours, I pray you? | |
DIANA. Sir, much like | |
The same upon your finger. | |
KING. Know you this ring? This ring was his of late. | |
DIANA. And this was it I gave him, being abed. | |
KING. The story, then, goes false you threw it him | |
Out of a casement. | |
DIANA. I have spoke the truth. | |
Enter PAROLLES | |
BERTRAM. My lord, I do confess the ring was hers. | |
KING. You boggle shrewdly; every feather starts you. | |
Is this the man you speak of? | |
DIANA. Ay, my lord. | |
KING. Tell me, sirrah-but tell me true I charge you, | |
Not fearing the displeasure of your master, | |
Which, on your just proceeding, I'll keep off- | |
By him and by this woman here what know you? | |
PAROLLES. So please your Majesty, my master hath been an honourable | |
gentleman; tricks he hath had in him, which gentlemen have. | |
KING. Come, come, to th' purpose. Did he love this woman? | |
PAROLLES. Faith, sir, he did love her; but how? | |
KING. How, I pray you? | |
PAROLLES. He did love her, sir, as a gentleman loves a woman. | |
KING. How is that? | |
PAROLLES. He lov'd her, sir, and lov'd her not. | |
KING. As thou art a knave and no knave. | |
What an equivocal companion is this! | |
PAROLLES. I am a poor man, and at your Majesty's command. | |
LAFEU. He's a good drum, my lord, but a naughty orator. | |
DIANA. Do you know he promis'd me marriage? | |
PAROLLES. Faith, I know more than I'll speak. | |
KING. But wilt thou not speak all thou know'st? | |
PAROLLES. Yes, so please your Majesty. I did go between them, as I | |
said; but more than that, he loved her-for indeed he was mad for | |
her, and talk'd of Satan, and of Limbo, and of Furies, and I know | |
not what. Yet I was in that credit with them at that time that I | |
knew of their going to bed; and of other motions, as promising | |
her marriage, and things which would derive me ill will to speak | |
of; therefore I will not speak what I know. | |
KING. Thou hast spoken all already, unless thou canst say they are | |
married; but thou art too fine in thy evidence; therefore stand | |
aside. | |
This ring, you say, was yours? | |
DIANA. Ay, my good lord. | |
KING. Where did you buy it? Or who gave it you? | |
DIANA. It was not given me, nor I did not buy it. | |
KING. Who lent it you? | |
DIANA. It was not lent me neither. | |
KING. Where did you find it then? | |
DIANA. I found it not. | |
KING. If it were yours by none of all these ways, | |
How could you give it him? | |
DIANA. I never gave it him. | |
LAFEU. This woman's an easy glove, my lord; she goes of and on at | |
pleasure. | |
KING. This ring was mine, I gave it his first wife. | |
DIANA. It might be yours or hers, for aught I know. | |
KING. Take her away, I do not like her now; | |
To prison with her. And away with him. | |
Unless thou tell'st me where thou hadst this ring, | |
Thou diest within this hour. | |
DIANA. I'll never tell you. | |
KING. Take her away. | |
DIANA. I'll put in bail, my liege. | |
KING. I think thee now some common customer. | |
DIANA. By Jove, if ever I knew man, 'twas you. | |
KING. Wherefore hast thou accus'd him all this while? | |
DIANA. Because he's guilty, and he is not guilty. | |
He knows I am no maid, and he'll swear to't: | |
I'll swear I am a maid, and he knows not. | |
Great King, I am no strumpet, by my life; | |
I am either maid, or else this old man's wife. | |
[Pointing to LAFEU] | |
KING. She does abuse our ears; to prison with her. | |
DIANA. Good mother, fetch my bail. Stay, royal sir; | |
Exit WIDOW | |
The jeweller that owes the ring is sent for, | |
And he shall surety me. But for this lord | |
Who hath abus'd me as he knows himself, | |
Though yet he never harm'd me, here I quit him. | |
He knows himself my bed he hath defil'd; | |
And at that time he got his wife with child. | |
Dead though she be, she feels her young one kick; | |
So there's my riddle: one that's dead is quick- | |
And now behold the meaning. | |
Re-enter WIDOW with HELENA | |
KING. Is there no exorcist | |
Beguiles the truer office of mine eyes? | |
Is't real that I see? | |
HELENA. No, my good lord; | |
'Tis but the shadow of a wife you see, | |
The name and not the thing. | |
BERTRAM. Both, both; o, pardon! | |
HELENA. O, my good lord, when I was like this maid, | |
I found you wondrous kind. There is your ring, | |
And, look you, here's your letter. This it says: | |
'When from my finger you can get this ring, | |
And are by me with child,' etc. This is done. | |
Will you be mine now you are doubly won? | |
BERTRAM. If she, my liege, can make me know this clearly, | |
I'll love her dearly, ever, ever dearly. | |
HELENA. If it appear not plain, and prove untrue, | |
Deadly divorce step between me and you! | |
O my dear mother, do I see you living? | |
LAFEU. Mine eyes smell onions; I shall weep anon. [To PAROLLES] | |
Good Tom Drum, lend me a handkercher. So, I | |
thank thee. Wait on me home, I'll make sport with thee; | |
let thy curtsies alone, they are scurvy ones. | |
KING. Let us from point to point this story know, | |
To make the even truth in pleasure flow. | |
[To DIANA] If thou beest yet a fresh uncropped flower, | |
Choose thou thy husband, and I'll pay thy dower; | |
For I can guess that by thy honest aid | |
Thou kept'st a wife herself, thyself a maid.- | |
Of that and all the progress, more and less, | |
Resolvedly more leisure shall express. | |
All yet seems well; and if it end so meet, | |
The bitter past, more welcome is the sweet. [Flourish] | |
EPILOGUE | |
EPILOGUE. | |
KING. The King's a beggar, now the play is done. | |
All is well ended if this suit be won, | |
That you express content; which we will pay | |
With strife to please you, day exceeding day. | |
Ours be your patience then, and yours our parts; | |
Your gentle hands lend us, and take our hearts. | |
Exeunt omnes | |
THE END | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY | |
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1607 | |
THE TRAGEDY OF ANTONY AND CLEOPATRA | |
by William Shakespeare | |
DRAMATIS PERSONAE | |
MARK ANTONY, Triumvirs | |
OCTAVIUS CAESAR, " | |
M. AEMILIUS LEPIDUS, " | |
SEXTUS POMPEIUS, " | |
DOMITIUS ENOBARBUS, friend to Antony | |
VENTIDIUS, " " " | |
EROS, " " " | |
SCARUS, " " " | |
DERCETAS, " " " | |
DEMETRIUS, " " " | |
PHILO, " " " | |
MAECENAS, friend to Caesar | |
AGRIPPA, " " " | |
DOLABELLA, " " " | |
PROCULEIUS, " " " | |
THYREUS, " " " | |
GALLUS, " " " | |
MENAS, friend to Pompey | |
MENECRATES, " " " | |
VARRIUS, " " " | |
TAURUS, Lieutenant-General to Caesar | |
CANIDIUS, Lieutenant-General to Antony | |
SILIUS, an Officer in Ventidius's army | |
EUPHRONIUS, an Ambassador from Antony to Caesar | |
ALEXAS, attendant on Cleopatra | |
MARDIAN, " " " | |
SELEUCUS, " " " | |
DIOMEDES, " " " | |
A SOOTHSAYER | |
A CLOWN | |
CLEOPATRA, Queen of Egypt | |
OCTAVIA, sister to Caesar and wife to Antony | |
CHARMIAN, lady attending on Cleopatra | |
IRAS, " " " " | |
Officers, Soldiers, Messengers, and Attendants | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY | |
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>> | |
SCENE: | |
The Roman Empire | |
ACT I. SCENE I. | |
Alexandria. CLEOPATRA'S palace | |
Enter DEMETRIUS and PHILO | |
PHILO. Nay, but this dotage of our general's | |
O'erflows the measure. Those his goodly eyes, | |
That o'er the files and musters of the war | |
Have glow'd like plated Mars, now bend, now turn, | |
The office and devotion of their view | |
Upon a tawny front. His captain's heart, | |
Which in the scuffles of great fights hath burst | |
The buckles on his breast, reneges all temper, | |
And is become the bellows and the fan | |
To cool a gipsy's lust. | |
Flourish. Enter ANTONY, CLEOPATRA, her LADIES, the train, | |
with eunuchs fanning her | |
Look where they come! | |
Take but good note, and you shall see in him | |
The triple pillar of the world transform'd | |
Into a strumpet's fool. Behold and see. | |
CLEOPATRA. If it be love indeed, tell me how much. | |
ANTONY. There's beggary in the love that can be reckon'd. | |
CLEOPATRA. I'll set a bourn how far to be belov'd. | |
ANTONY. Then must thou needs find out new heaven, new earth. | |
Enter a MESSENGER | |
MESSENGER. News, my good lord, from Rome. | |
ANTONY. Grates me the sum. | |
CLEOPATRA. Nay, hear them, Antony. | |
Fulvia perchance is angry; or who knows | |
If the scarce-bearded Caesar have not sent | |
His pow'rful mandate to you: 'Do this or this; | |
Take in that kingdom and enfranchise that; | |
Perform't, or else we damn thee.' | |
ANTONY. How, my love? | |
CLEOPATRA. Perchance? Nay, and most like, | |
You must not stay here longer; your dismission | |
Is come from Caesar; therefore hear it, Antony. | |
Where's Fulvia's process? Caesar's I would say? Both? | |
Call in the messengers. As I am Egypt's Queen, | |
Thou blushest, Antony, and that blood of thine | |
Is Caesar's homager. Else so thy cheek pays shame | |
When shrill-tongu'd Fulvia scolds. The messengers! | |
ANTONY. Let Rome in Tiber melt, and the wide arch | |
Of the rang'd empire fall! Here is my space. | |
Kingdoms are clay; our dungy earth alike | |
Feeds beast as man. The nobleness of life | |
Is to do thus [emhracing], when such a mutual pair | |
And such a twain can do't, in which I bind, | |
On pain of punishment, the world to weet | |
We stand up peerless. | |
CLEOPATRA. Excellent falsehood! | |
Why did he marry Fulvia, and not love her? | |
I'll seem the fool I am not. Antony | |
Will be himself. | |
ANTONY. But stirr'd by Cleopatra. | |
Now for the love of Love and her soft hours, | |
Let's not confound the time with conference harsh; | |
There's not a minute of our lives should stretch | |
Without some pleasure now. What sport to-night? | |
CLEOPATRA. Hear the ambassadors. | |
ANTONY. Fie, wrangling queen! | |
Whom everything becomes- to chide, to laugh, | |
To weep; whose every passion fully strives | |
To make itself in thee fair and admir'd. | |
No messenger but thine, and all alone | |
To-night we'll wander through the streets and note | |
The qualities of people. Come, my queen; | |
Last night you did desire it. Speak not to us. | |
Exeunt ANTONY and CLEOPATRA, with the train | |
DEMETRIUS. Is Caesar with Antonius priz'd so slight? | |
PHILO. Sir, sometimes when he is not Antony, | |
He comes too short of that great property | |
Which still should go with Antony. | |
DEMETRIUS. I am full sorry | |
That he approves the common liar, who | |
Thus speaks of him at Rome; but I will hope | |
Of better deeds to-morrow. Rest you happy! Exeunt | |
SCENE II. | |
Alexandria. CLEOPATRA'S palace | |
Enter CHARMIAN, IRAS, ALEXAS, and a SOOTHSAYER | |
CHARMIAN. Lord Alexas, sweet Alexas, most anything Alexas, almost | |
most absolute Alexas, where's the soothsayer that you prais'd so | |
to th' Queen? O that I knew this husband, which you say must | |
charge his horns with garlands! | |
ALEXAS. Soothsayer! | |
SOOTHSAYER. Your will? | |
CHARMIAN. Is this the man? Is't you, sir, that know things? | |
SOOTHSAYER. In nature's infinite book of secrecy | |
A little I can read. | |
ALEXAS. Show him your hand. | |
Enter ENOBARBUS | |
ENOBARBUS. Bring in the banquet quickly; wine enough | |
Cleopatra's health to drink. | |
CHARMIAN. Good, sir, give me good fortune. | |
SOOTHSAYER. I make not, but foresee. | |
CHARMIAN. Pray, then, foresee me one. | |
SOOTHSAYER. You shall be yet far fairer than you are. | |
CHARMIAN. He means in flesh. | |
IRAS. No, you shall paint when you are old. | |
CHARMIAN. Wrinkles forbid! | |
ALEXAS. Vex not his prescience; be attentive. | |
CHARMIAN. Hush! | |
SOOTHSAYER. You shall be more beloving than beloved. | |
CHARMIAN. I had rather heat my liver with drinking. | |
ALEXAS. Nay, hear him. | |
CHARMIAN. Good now, some excellent fortune! Let me be married to | |
three kings in a forenoon, and widow them all. Let me have a | |
child at fifty, to whom Herod of Jewry may do homage. Find me to | |
marry me with Octavius Caesar, and companion me with my mistress. | |
SOOTHSAYER. You shall outlive the lady whom you serve. | |
CHARMIAN. O, excellent! I love long life better than figs. | |
SOOTHSAYER. You have seen and prov'd a fairer former fortune | |
Than that which is to approach. | |
CHARMIAN. Then belike my children shall have no names. | |
Prithee, how many boys and wenches must I have? | |
SOOTHSAYER. If every of your wishes had a womb, | |
And fertile every wish, a million. | |
CHARMIAN. Out, fool! I forgive thee for a witch. | |
ALEXAS. You think none but your sheets are privy to your wishes. | |
CHARMIAN. Nay, come, tell Iras hers. | |
ALEXAS. We'll know all our fortunes. | |
ENOBARBUS. Mine, and most of our fortunes, to-night, shall be- | |
drunk to bed. | |
IRAS. There's a palm presages chastity, if nothing else. | |
CHARMIAN. E'en as the o'erflowing Nilus presageth famine. | |
IRAS. Go, you wild bedfellow, you cannot soothsay. | |
CHARMIAN. Nay, if an oily palm be not a fruitful prognostication, I | |
cannot scratch mine ear. Prithee, tell her but worky-day fortune. | |
SOOTHSAYER. Your fortunes are alike. | |
IRAS. But how, but how? Give me particulars. | |
SOOTHSAYER. I have said. | |
IRAS. Am I not an inch of fortune better than she? | |
CHARMIAN. Well, if you were but an inch of fortune better than I, | |
where would you choose it? | |
IRAS. Not in my husband's nose. | |
CHARMIAN. Our worser thoughts heavens mend! Alexas- come, his | |
fortune, his fortune! O, let him marry a woman that cannot go, | |
sweet Isis, I beseech thee! And let her die too, and give him a | |
worse! And let worse follow worse, till the worst of all follow | |
him laughing to his grave, fiftyfold a cuckold! Good Isis, hear | |
me this prayer, though thou deny me a matter of more weight; good | |
Isis, I beseech thee! | |
IRAS. Amen. Dear goddess, hear that prayer of the people! For, as | |
it is a heartbreaking to see a handsome man loose-wiv'd, so it is | |
a deadly sorrow to behold a foul knave uncuckolded. Therefore, | |
dear Isis, keep decorum, and fortune him accordingly! | |
CHARMIAN. Amen. | |
ALEXAS. Lo now, if it lay in their hands to make me a cuckold, they | |
would make themselves whores but they'ld do't! | |
Enter CLEOPATRA | |
ENOBARBUS. Hush! Here comes Antony. | |
CHARMIAN. Not he; the Queen. | |
CLEOPATRA. Saw you my lord? | |
ENOBARBUS. No, lady. | |
CLEOPATRA. Was he not here? | |
CHARMIAN. No, madam. | |
CLEOPATRA. He was dispos'd to mirth; but on the sudden | |
A Roman thought hath struck him. Enobarbus! | |
ENOBARBUS. Madam? | |
CLEOPATRA. Seek him, and bring him hither. Where's Alexas? | |
ALEXAS. Here, at your service. My lord approaches. | |
Enter ANTONY, with a MESSENGER and attendants | |
CLEOPATRA. We will not look upon him. Go with us. | |
Exeunt CLEOPATRA, ENOBARBUS, and the rest | |
MESSENGER. Fulvia thy wife first came into the field. | |
ANTONY. Against my brother Lucius? | |
MESSENGER. Ay. | |
But soon that war had end, and the time's state | |
Made friends of them, jointing their force 'gainst Caesar, | |
Whose better issue in the war from Italy | |
Upon the first encounter drave them. | |
ANTONY. Well, what worst? | |
MESSENGER. The nature of bad news infects the teller. | |
ANTONY. When it concerns the fool or coward. On! | |
Things that are past are done with me. 'Tis thus: | |
Who tells me true, though in his tale lie death, | |
I hear him as he flatter'd. | |
MESSENGER. Labienus- | |
This is stiff news- hath with his Parthian force | |
Extended Asia from Euphrates, | |
His conquering banner shook from Syria | |
To Lydia and to Ionia, | |
Whilst- | |
ANTONY. Antony, thou wouldst say. | |
MESSENGER. O, my lord! | |
ANTONY. Speak to me home; mince not the general tongue; | |
Name Cleopatra as she is call'd in Rome. | |
Rail thou in Fulvia's phrase, and taunt my faults | |
With such full licence as both truth and malice | |
Have power to utter. O, then we bring forth weeds | |
When our quick minds lie still, and our ills told us | |
Is as our earing. Fare thee well awhile. | |
MESSENGER. At your noble pleasure. Exit | |
ANTONY. From Sicyon, ho, the news! Speak there! | |
FIRST ATTENDANT. The man from Sicyon- is there such an one? | |
SECOND ATTENDANT. He stays upon your will. | |
ANTONY. Let him appear. | |
These strong Egyptian fetters I must break, | |
Or lose myself in dotage. | |
Enter another MESSENGER with a letter | |
What are you? | |
SECOND MESSENGER. Fulvia thy wife is dead. | |
ANTONY. Where died she? | |
SECOND MESSENGER. In Sicyon. | |
Her length of sickness, with what else more serious | |
Importeth thee to know, this bears. [Gives the letter] | |
ANTONY. Forbear me. Exit MESSENGER | |
There's a great spirit gone! Thus did I desire it. | |
What our contempts doth often hurl from us | |
We wish it ours again; the present pleasure, | |
By revolution low'ring, does become | |
The opposite of itself. She's good, being gone; | |
The hand could pluck her back that shov'd her on. | |
I must from this enchanting queen break off. | |
Ten thousand harms, more than the ills I know, | |
My idleness doth hatch. How now, Enobarbus! | |
Re-enter ENOBARBUS | |
ENOBARBUS. What's your pleasure, sir? | |
ANTONY. I must with haste from hence. | |
ENOBARBUS. Why, then we kill all our women. We see how mortal an | |
unkindness is to them; if they suffer our departure, death's the | |
word. | |
ANTONY. I must be gone. | |
ENOBARBUS. Under a compelling occasion, let women die. It were pity | |
to cast them away for nothing, though between them and a great | |
cause they should be esteemed nothing. Cleopatra, catching but | |
the least noise of this, dies instantly; I have seen her die | |
twenty times upon far poorer moment. I do think there is mettle | |
in death, which commits some loving act upon her, she hath such a | |
celerity in dying. | |
ANTONY. She is cunning past man's thought. | |
ENOBARBUS. Alack, sir, no! Her passions are made of nothing but the | |
finest part of pure love. We cannot call her winds and waters | |
sighs and tears; they are greater storms and tempests than | |
almanacs can report. This cannot be cunning in her; if it be, she | |
makes a show'r of rain as well as Jove. | |
ANTONY. Would I had never seen her! | |
ENOBARBUS. O Sir, you had then left unseen a wonderful piece of | |
work, which not to have been blest withal would have discredited | |
your travel. | |
ANTONY. Fulvia is dead. | |
ENOBARBUS. Sir? | |
ANTONY. Fulvia is dead. | |
ENOBARBUS. Fulvia? | |
ANTONY. Dead. | |
ENOBARBUS. Why, sir, give the gods a thankful sacrifice. When it | |
pleaseth their deities to take the wife of a man from him, it | |
shows to man the tailors of the earth; comforting therein that | |
when old robes are worn out there are members to make new. If | |
there were no more women but Fulvia, then had you indeed a cut, | |
and the case to be lamented. This grief is crown'd with | |
consolation: your old smock brings forth a new petticoat; and | |
indeed the tears live in an onion that should water this sorrow. | |
ANTONY. The business she hath broached in the state | |
Cannot endure my absence. | |
ENOBARBUS. And the business you have broach'd here cannot be | |
without you; especially that of Cleopatra's, which wholly depends | |
on your abode. | |
ANTONY. No more light answers. Let our officers | |
Have notice what we purpose. I shall break | |
The cause of our expedience to the Queen, | |
And get her leave to part. For not alone | |
The death of Fulvia, with more urgent touches, | |
Do strongly speak to us; but the letters to | |
Of many our contriving friends in Rome | |
Petition us at home. Sextus Pompeius | |
Hath given the dare to Caesar, and commands | |
The empire of the sea; our slippery people, | |
Whose love is never link'd to the deserver | |
Till his deserts are past, begin to throw | |
Pompey the Great and all his dignities | |
Upon his son; who, high in name and power, | |
Higher than both in blood and life, stands up | |
For the main soldier; whose quality, going on, | |
The sides o' th' world may danger. Much is breeding | |
Which, like the courser's hair, hath yet but life | |
And not a serpent's poison. Say our pleasure, | |
To such whose place is under us, requires | |
Our quick remove from hence. | |
ENOBARBUS. I shall do't. Exeunt | |
SCENE III. | |
Alexandria. CLEOPATRA'S palace | |
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS | |
CLEOPATRA. Where is he? | |
CHARMIAN. I did not see him since. | |
CLEOPATRA. See where he is, who's with him, what he does. | |
I did not send you. If you find him sad, | |
Say I am dancing; if in mirth, report | |
That I am sudden sick. Quick, and return. Exit ALEXAS | |
CHARMIAN. Madam, methinks, if you did love him dearly, | |
You do not hold the method to enforce | |
The like from him. | |
CLEOPATRA. What should I do I do not? | |
CHARMIAN. In each thing give him way; cross him in nothing. | |
CLEOPATRA. Thou teachest like a fool- the way to lose him. | |
CHARMIAN. Tempt him not so too far; I wish, forbear; | |
In time we hate that which we often fear. | |
Enter ANTONY | |
But here comes Antony. | |
CLEOPATRA. I am sick and sullen. | |
ANTONY. I am sorry to give breathing to my purpose- | |
CLEOPATRA. Help me away, dear Charmian; I shall fall. | |
It cannot be thus long; the sides of nature | |
Will not sustain it. | |
ANTONY. Now, my dearest queen- | |
CLEOPATRA. Pray you, stand farther from me. | |
ANTONY. What's the matter? | |
CLEOPATRA. I know by that same eye there's some good news. | |
What says the married woman? You may go. | |
Would she had never given you leave to come! | |
Let her not say 'tis I that keep you here- | |
I have no power upon you; hers you are. | |
ANTONY. The gods best know- | |
CLEOPATRA. O, never was there queen | |
So mightily betray'd! Yet at the first | |
I saw the treasons planted. | |
ANTONY. Cleopatra- | |
CLEOPATRA. Why should I think you can be mine and true, | |
Though you in swearing shake the throned gods, | |
Who have been false to Fulvia? Riotous madness, | |
To be entangled with those mouth-made vows, | |
Which break themselves in swearing! | |
ANTONY. Most sweet queen- | |
CLEOPATRA. Nay, pray you seek no colour for your going, | |
But bid farewell, and go. When you sued staying, | |
Then was the time for words. No going then! | |
Eternity was in our lips and eyes, | |
Bliss in our brows' bent, none our parts so poor | |
But was a race of heaven. They are so still, | |
Or thou, the greatest soldier of the world, | |
Art turn'd the greatest liar. | |
ANTONY. How now, lady! | |
CLEOPATRA. I would I had thy inches. Thou shouldst know | |
There were a heart in Egypt. | |
ANTONY. Hear me, queen: | |
The strong necessity of time commands | |
Our services awhile; but my full heart | |
Remains in use with you. Our Italy | |
Shines o'er with civil swords: Sextus Pompeius | |
Makes his approaches to the port of Rome; | |
Equality of two domestic powers | |
Breed scrupulous faction; the hated, grown to strength, | |
Are newly grown to love. The condemn'd Pompey, | |
Rich in his father's honour, creeps apace | |
Into the hearts of such as have not thrived | |
Upon the present state, whose numbers threaten; | |
And quietness, grown sick of rest, would purge | |
By any desperate change. My more particular, | |
And that which most with you should safe my going, | |
Is Fulvia's death. | |
CLEOPATRA. Though age from folly could not give me freedom, | |
It does from childishness. Can Fulvia die? | |
ANTONY. She's dead, my Queen. | |
Look here, and at thy sovereign leisure read | |
The garboils she awak'd. At the last, best. | |
See when and where she died. | |
CLEOPATRA. O most false love! | |
Where be the sacred vials thou shouldst fill | |
With sorrowful water? Now I see, I see, | |
In Fulvia's death how mine receiv'd shall be. | |
ANTONY. Quarrel no more, but be prepar'd to know | |
The purposes I bear; which are, or cease, | |
As you shall give th' advice. By the fire | |
That quickens Nilus' slime, I go from hence | |
Thy soldier, servant, making peace or war | |
As thou affects. | |
CLEOPATRA. Cut my lace, Charmian, come! | |
But let it be; I am quickly ill and well- | |
So Antony loves. | |
ANTONY. My precious queen, forbear, | |
And give true evidence to his love, which stands | |
An honourable trial. | |
CLEOPATRA. So Fulvia told me. | |
I prithee turn aside and weep for her; | |
Then bid adieu to me, and say the tears | |
Belong to Egypt. Good now, play one scene | |
Of excellent dissembling, and let it look | |
Like perfect honour. | |
ANTONY. You'll heat my blood; no more. | |
CLEOPATRA. You can do better yet; but this is meetly. | |
ANTONY. Now, by my sword- | |
CLEOPATRA. And target. Still he mends; | |
But this is not the best. Look, prithee, Charmian, | |
How this Herculean Roman does become | |
The carriage of his chafe. | |
ANTONY. I'll leave you, lady. | |
CLEOPATRA. Courteous lord, one word. | |
Sir, you and I must part- but that's not it. | |
Sir, you and I have lov'd- but there's not it. | |
That you know well. Something it is I would- | |
O, my oblivion is a very Antony, | |
And I am all forgotten! | |
ANTONY. But that your royalty | |
Holds idleness your subject, I should take you | |
For idleness itself. | |
CLEOPATRA. 'Tis sweating labour | |
To bear such idleness so near the heart | |
As Cleopatra this. But, sir, forgive me; | |
Since my becomings kill me when they do not | |
Eye well to you. Your honour calls you hence; | |
Therefore be deaf to my unpitied folly, | |
And all the gods go with you! Upon your sword | |
Sit laurel victory, and smooth success | |
Be strew'd before your feet! | |
ANTONY. Let us go. Come. | |
Our separation so abides and flies | |
That thou, residing here, goes yet with me, | |
And I, hence fleeting, here remain with thee. | |
Away! Exeunt | |
SCENE IV. | |
Rome. CAESAR'S house | |
Enter OCTAVIUS CAESAR, reading a letter; LEPIDUS, and their train | |
CAESAR. You may see, Lepidus, and henceforth know, | |
It is not Caesar's natural vice to hate | |
Our great competitor. From Alexandria | |
This is the news: he fishes, drinks, and wastes | |
The lamps of night in revel; is not more manlike | |
Than Cleopatra, nor the queen of Ptolemy | |
More womanly than he; hardly gave audience, or | |
Vouchsaf'd to think he had partners. You shall find there | |
A man who is the abstract of all faults | |
That all men follow. | |
LEPIDUS. I must not think there are | |
Evils enow to darken all his goodness. | |
His faults, in him, seem as the spots of heaven, | |
More fiery by night's blackness; hereditary | |
Rather than purchas'd; what he cannot change | |
Than what he chooses. | |
CAESAR. You are too indulgent. Let's grant it is not | |
Amiss to tumble on the bed of Ptolemy, | |
To give a kingdom for a mirth, to sit | |
And keep the turn of tippling with a slave, | |
To reel the streets at noon, and stand the buffet | |
With knaves that smell of sweat. Say this becomes him- | |
As his composure must be rare indeed | |
Whom these things cannot blemish- yet must Antony | |
No way excuse his foils when we do bear | |
So great weight in his lightness. If he fill'd | |
His vacancy with his voluptuousness, | |
Full surfeits and the dryness of his bones | |
Call on him for't! But to confound such time | |
That drums him from his sport and speaks as loud | |
As his own state and ours- 'tis to be chid | |
As we rate boys who, being mature in knowledge, | |
Pawn their experience to their present pleasure, | |
And so rebel to judgment. | |
Enter a MESSENGER | |
LEPIDUS. Here's more news. | |
MESSENGER. Thy biddings have been done; and every hour, | |
Most noble Caesar, shalt thou have report | |
How 'tis abroad. Pompey is strong at sea, | |
And it appears he is belov'd of those | |
That only have fear'd Caesar. To the ports | |
The discontents repair, and men's reports | |
Give him much wrong'd. | |
CAESAR. I should have known no less. | |
It hath been taught us from the primal state | |
That he which is was wish'd until he were; | |
And the ebb'd man, ne'er lov'd till ne'er worth love, | |
Comes dear'd by being lack'd. This common body, | |
Like to a vagabond flag upon the stream, | |
Goes to and back, lackeying the varying tide, | |
To rot itself with motion. | |
MESSENGER. Caesar, I bring thee word | |
Menecrates and Menas, famous pirates, | |
Make the sea serve them, which they ear and wound | |
With keels of every kind. Many hot inroads | |
They make in Italy; the borders maritime | |
Lack blood to think on't, and flush youth revolt. | |
No vessel can peep forth but 'tis as soon | |
Taken as seen; for Pompey's name strikes more | |
Than could his war resisted. | |
CAESAR. Antony, | |
Leave thy lascivious wassails. When thou once | |
Was beaten from Modena, where thou slew'st | |
Hirtius and Pansa, consuls, at thy heel | |
Did famine follow; whom thou fought'st against, | |
Though daintily brought up, with patience more | |
Than savages could suffer. Thou didst drink | |
The stale of horses and the gilded puddle | |
Which beasts would cough at. Thy palate then did deign | |
The roughest berry on the rudest hedge; | |
Yea, like the stag when snow the pasture sheets, | |
The barks of trees thou brows'd. On the Alps | |
It is reported thou didst eat strange flesh, | |
Which some did die to look on. And all this- | |
It wounds thine honour that I speak it now- | |
Was borne so like a soldier that thy cheek | |
So much as lank'd not. | |
LEPIDUS. 'Tis pity of him. | |
CAESAR. Let his shames quickly | |
Drive him to Rome. 'Tis time we twain | |
Did show ourselves i' th' field; and to that end | |
Assemble we immediate council. Pompey | |
Thrives in our idleness. | |
LEPIDUS. To-morrow, Caesar, | |
I shall be furnish'd to inform you rightly | |
Both what by sea and land I can be able | |
To front this present time. | |
CAESAR. Till which encounter | |
It is my business too. Farewell. | |
LEPIDUS. Farewell, my lord. What you shall know meantime | |
Of stirs abroad, I shall beseech you, sir, | |
To let me be partaker. | |
CAESAR. Doubt not, sir; | |
I knew it for my bond. Exeunt | |
SCENE V. | |
Alexandria. CLEOPATRA'S palace | |
Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN | |
CLEOPATRA. Charmian! | |
CHARMIAN. Madam? | |
CLEOPATRA. Ha, ha! | |
Give me to drink mandragora. | |
CHARMIAN. Why, madam? | |
CLEOPATRA. That I might sleep out this great gap of time | |
My Antony is away. | |
CHARMIAN. You think of him too much. | |
CLEOPATRA. O, 'tis treason! | |
CHARMIAN. Madam, I trust, not so. | |
CLEOPATRA. Thou, eunuch Mardian! | |
MARDIAN. What's your Highness' pleasure? | |
CLEOPATRA. Not now to hear thee sing; I take no pleasure | |
In aught an eunuch has. 'Tis well for thee | |
That, being unseminar'd, thy freer thoughts | |
May not fly forth of Egypt. Hast thou affections? | |
MARDIAN. Yes, gracious madam. | |
CLEOPATRA. Indeed? | |
MARDIAN. Not in deed, madam; for I can do nothing | |
But what indeed is honest to be done. | |
Yet have I fierce affections, and think | |
What Venus did with Mars. | |
CLEOPATRA. O Charmian, | |
Where think'st thou he is now? Stands he or sits he? | |
Or does he walk? or is he on his horse? | |
O happy horse, to bear the weight of Antony! | |
Do bravely, horse; for wot'st thou whom thou mov'st? | |
The demi-Atlas of this earth, the arm | |
And burgonet of men. He's speaking now, | |
Or murmuring 'Where's my serpent of old Nile?' | |
For so he calls me. Now I feed myself | |
With most delicious poison. Think on me, | |
That am with Phoebus' amorous pinches black, | |
And wrinkled deep in time? Broad-fronted Caesar, | |
When thou wast here above the ground, I was | |
A morsel for a monarch; and great Pompey | |
Would stand and make his eyes grow in my brow; | |
There would he anchor his aspect and die | |
With looking on his life. | |
Enter ALEXAS | |
ALEXAS. Sovereign of Egypt, hail! | |
CLEOPATRA. How much unlike art thou Mark Antony! | |
Yet, coming from him, that great med'cine hath | |
With his tinct gilded thee. | |
How goes it with my brave Mark Antony? | |
ALEXAS. Last thing he did, dear Queen, | |
He kiss'd- the last of many doubled kisses- | |
This orient pearl. His speech sticks in my heart. | |
CLEOPATRA. Mine ear must pluck it thence. | |
ALEXAS. 'Good friend,' quoth he | |
'Say the firm Roman to great Egypt sends | |
This treasure of an oyster; at whose foot, | |
To mend the petty present, I will piece | |
Her opulent throne with kingdoms. All the East, | |
Say thou, shall call her mistress.' So he nodded, | |
And soberly did mount an arm-gaunt steed, | |
Who neigh'd so high that what I would have spoke | |
Was beastly dumb'd by him. | |
CLEOPATRA. What, was he sad or merry? | |
ALEXAS. Like to the time o' th' year between the extremes | |
Of hot and cold; he was nor sad nor merry. | |
CLEOPATRA. O well-divided disposition! Note him, | |
Note him, good Charmian; 'tis the man; but note him! | |
He was not sad, for he would shine on those | |
That make their looks by his; he was not merry, | |
Which seem'd to tell them his remembrance lay | |
In Egypt with his joy; but between both. | |
O heavenly mingle! Be'st thou sad or merry, | |
The violence of either thee becomes, | |
So does it no man else. Met'st thou my posts? | |
ALEXAS. Ay, madam, twenty several messengers. | |
Why do you send so thick? | |
CLEOPATRA. Who's born that day | |
When I forget to send to Antony | |
Shall die a beggar. Ink and paper, Charmian. | |
Welcome, my good Alexas. Did I, Charmian, | |
Ever love Caesar so? | |
CHARMIAN. O that brave Caesar! | |
CLEOPATRA. Be chok'd with such another emphasis! | |
Say 'the brave Antony.' | |
CHARMIAN. The valiant Caesar! | |
CLEOPATRA. By Isis, I will give thee bloody teeth | |
If thou with Caesar paragon again | |
My man of men. | |
CHARMIAN. By your most gracious pardon, | |
I sing but after you. | |
CLEOPATRA. My salad days, | |
When I was green in judgment, cold in blood, | |
To say as I said then. But come, away! | |
Get me ink and paper. | |
He shall have every day a several greeting, | |
Or I'll unpeople Egypt. Exeunt | |
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ACT II. SCENE I. | |
Messina. POMPEY'S house | |
Enter POMPEY, MENECRATES, and MENAS, in warlike manner | |
POMPEY. If the great gods be just, they shall assist | |
The deeds of justest men. | |
MENECRATES. Know, worthy Pompey, | |
That what they do delay they not deny. | |
POMPEY. Whiles we are suitors to their throne, decays | |
The thing we sue for. | |
MENECRATES. We, ignorant of ourselves, | |
Beg often our own harms, which the wise pow'rs | |
Deny us for our good; so find we profit | |
By losing of our prayers. | |
POMPEY. I shall do well. | |
The people love me, and the sea is mine; | |
My powers are crescent, and my auguring hope | |
Says it will come to th' full. Mark Antony | |
In Egypt sits at dinner, and will make | |
No wars without doors. Caesar gets money where | |
He loses hearts. Lepidus flatters both, | |
Of both is flatter'd; but he neither loves, | |
Nor either cares for him. | |
MENAS. Caesar and Lepidus | |
Are in the field. A mighty strength they carry. | |
POMPEY. Where have you this? 'Tis false. | |
MENAS. From Silvius, sir. | |
POMPEY. He dreams. I know they are in Rome together, | |
Looking for Antony. But all the charms of love, | |
Salt Cleopatra, soften thy wan'd lip! | |
Let witchcraft join with beauty, lust with both; | |
Tie up the libertine in a field of feasts, | |
Keep his brain fuming. Epicurean cooks | |
Sharpen with cloyless sauce his appetite, | |
That sleep and feeding may prorogue his honour | |
Even till a Lethe'd dullness- | |
Enter VARRIUS | |
How now, Varrius! | |
VARRIUS. This is most certain that I shall deliver: | |
Mark Antony is every hour in Rome | |
Expected. Since he went from Egypt 'tis | |
A space for farther travel. | |
POMPEY. I could have given less matter | |
A better ear. Menas, I did not think | |
This amorous surfeiter would have donn'd his helm | |
For such a petty war; his soldiership | |
Is twice the other twain. But let us rear | |
The higher our opinion, that our stirring | |
Can from the lap of Egypt's widow pluck | |
The ne'er-lust-wearied Antony. | |
MENAS. I cannot hope | |
Caesar and Antony shall well greet together. | |
His wife that's dead did trespasses to Caesar; | |
His brother warr'd upon him; although, I think, | |
Not mov'd by Antony. | |
POMPEY. I know not, Menas, | |
How lesser enmities may give way to greater. | |
Were't not that we stand up against them all, | |
'Twere pregnant they should square between themselves; | |
For they have entertained cause enough | |
To draw their swords. But how the fear of us | |
May cement their divisions, and bind up | |
The petty difference we yet not know. | |
Be't as our gods will have't! It only stands | |
Our lives upon to use our strongest hands. | |
Come, Menas. Exeunt | |
SCENE II. | |
Rome. The house of LEPIDUS | |
Enter ENOBARBUS and LEPIDUS | |
LEPIDUS. Good Enobarbus, 'tis a worthy deed, | |
And shall become you well, to entreat your captain | |
To soft and gentle speech. | |
ENOBARBUS. I shall entreat him | |
To answer like himself. If Caesar move him, | |
Let Antony look over Caesar's head | |
And speak as loud as Mars. By Jupiter, | |
Were I the wearer of Antonius' beard, | |
I would not shave't to-day. | |
LEPIDUS. 'Tis not a time | |
For private stomaching. | |
ENOBARBUS. Every time | |
Serves for the matter that is then born in't. | |
LEPIDUS. But small to greater matters must give way. | |
ENOBARBUS. Not if the small come first. | |
LEPIDUS. Your speech is passion; | |
But pray you stir no embers up. Here comes | |
The noble Antony. | |
Enter ANTONY and VENTIDIUS | |
ENOBARBUS. And yonder, Caesar. | |
Enter CAESAR, MAECENAS, and AGRIPPA | |
ANTONY. If we compose well here, to Parthia. | |
Hark, Ventidius. | |
CAESAR. I do not know, Maecenas. Ask Agrippa. | |
LEPIDUS. Noble friends, | |
That which combin'd us was most great, and let not | |
A leaner action rend us. What's amiss, | |
May it be gently heard. When we debate | |
Our trivial difference loud, we do commit | |
Murder in healing wounds. Then, noble partners, | |
The rather for I earnestly beseech, | |
Touch you the sourest points with sweetest terms, | |
Nor curstness grow to th' matter. | |
ANTONY. 'Tis spoken well. | |
Were we before our arinies, and to fight, | |
I should do thus. [Flourish] | |
CAESAR. Welcome to Rome. | |
ANTONY. Thank you. | |
CAESAR. Sit. | |
ANTONY. Sit, sir. | |
CAESAR. Nay, then. [They sit] | |
ANTONY. I learn you take things ill which are not so, | |
Or being, concern you not. | |
CAESAR. I must be laugh'd at | |
If, or for nothing or a little, | |
Should say myself offended, and with you | |
Chiefly i' the world; more laugh'd at that I should | |
Once name you derogately when to sound your name | |
It not concern'd me. | |
ANTONY. My being in Egypt, Caesar, | |
What was't to you? | |
CAESAR. No more than my residing here at Rome | |
Might be to you in Egypt. Yet, if you there | |
Did practise on my state, your being in Egypt | |
Might be my question. | |
ANTONY. How intend you- practis'd? | |
CAESAR. You may be pleas'd to catch at mine intent | |
By what did here befall me. Your wife and brother | |
Made wars upon me, and their contestation | |
Was theme for you; you were the word of war. | |
ANTONY. You do mistake your business; my brother never | |
Did urge me in his act. I did inquire it, | |
And have my learning from some true reports | |
That drew their swords with you. Did he not rather | |
Discredit my authority with yours, | |
And make the wars alike against my stomach, | |
Having alike your cause? Of this my letters | |
Before did satisfy you. If you'll patch a quarrel, | |
As matter whole you have not to make it with, | |
It must not be with this. | |
CAESAR. You praise yourself | |
By laying defects of judgment to me; but | |
You patch'd up your excuses. | |
ANTONY. Not so, not so; | |
I know you could not lack, I am certain on't, | |
Very necessity of this thought, that I, | |
Your partner in the cause 'gainst which he fought, | |
Could not with graceful eyes attend those wars | |
Which fronted mine own peace. As for my wife, | |
I would you had her spirit in such another! | |
The third o' th' world is yours, which with a snaffle | |
You may pace easy, but not such a wife. | |
ENOBARBUS. Would we had all such wives, that the men might go to | |
wars with the women! | |
ANTONY. So much uncurbable, her garboils, Caesar, | |
Made out of her impatience- which not wanted | |
Shrewdness of policy too- I grieving grant | |
Did you too much disquiet. For that you must | |
But say I could not help it. | |
CAESAR. I wrote to you | |
When rioting in Alexandria; you | |
Did pocket up my letters, and with taunts | |
Did gibe my missive out of audience. | |
ANTONY. Sir, | |
He fell upon me ere admitted. Then | |
Three kings I had newly feasted, and did want | |
Of what I was i' th' morning; but next day | |
I told him of myself, which was as much | |
As to have ask'd him pardon. Let this fellow | |
Be nothing of our strife; if we contend, | |
Out of our question wipe him. | |
CAESAR. You have broken | |
The article of your oath, which you shall never | |
Have tongue to charge me with. | |
LEPIDUS. Soft, Caesar! | |
ANTONY. No; | |
Lepidus, let him speak. | |
The honour is sacred which he talks on now, | |
Supposing that I lack'd it. But on, Caesar: | |
The article of my oath- | |
CAESAR. To lend me arms and aid when I requir'd them, | |
The which you both denied. | |
ANTONY. Neglected, rather; | |
And then when poisoned hours had bound me up | |
From mine own knowledge. As nearly as I may, | |
I'll play the penitent to you; but mine honesty | |
Shall not make poor my greatness, nor my power | |
Work without it. Truth is, that Fulvia, | |
To have me out of Egypt, made wars here; | |
For which myself, the ignorant motive, do | |
So far ask pardon as befits mine honour | |
To stoop in such a case. | |
LEPIDUS. 'Tis noble spoken. | |
MAECENAS. If it might please you to enforce no further | |
The griefs between ye- to forget them quite | |
Were to remember that the present need | |
Speaks to atone you. | |
LEPIDUS. Worthily spoken, Maecenas. | |
ENOBARBUS. Or, if you borrow one another's love for the instant, | |
you may, when you hear no more words of Pompey, return it again. | |
You shall have time to wrangle in when you have nothing else to | |
do. | |
ANTONY. Thou art a soldier only. Speak no more. | |
ENOBARBUS. That truth should be silent I had almost forgot. | |
ANTONY. You wrong this presence; therefore speak no more. | |
ENOBARBUS. Go to, then- your considerate stone! | |
CAESAR. I do not much dislike the matter, but | |
The manner of his speech; for't cannot be | |
We shall remain in friendship, our conditions | |
So diff'ring in their acts. Yet if I knew | |
What hoop should hold us stanch, from edge to edge | |
O' th' world, I would pursue it. | |
AGRIPPA. Give me leave, Caesar. | |
CAESAR. Speak, Agrippa. | |
AGRIPPA. Thou hast a sister by the mother's side, | |
Admir'd Octavia. Great Mark Antony | |
Is now a widower. | |
CAESAR. Say not so, Agrippa. | |
If Cleopatra heard you, your reproof | |
Were well deserv'd of rashness. | |
ANTONY. I am not married, Caesar. Let me hear | |
Agrippa further speak. | |
AGRIPPA. To hold you in perpetual amity, | |
To make you brothers, and to knit your hearts | |
With an unslipping knot, take Antony | |
Octavia to his wife; whose beauty claims | |
No worse a husband than the best of men; | |
Whose virtue and whose general graces speak | |
That which none else can utter. By this marriage | |
All little jealousies, which now seem great, | |
And all great fears, which now import their dangers, | |
Would then be nothing. Truths would be tales, | |
Where now half tales be truths. Her love to both | |
Would each to other, and all loves to both, | |
Draw after her. Pardon what I have spoke; | |
For 'tis a studied, not a present thought, | |
By duty ruminated. | |
ANTONY. Will Caesar speak? | |
CAESAR. Not till he hears how Antony is touch'd | |
With what is spoke already. | |
ANTONY. What power is in Agrippa, | |
If I would say 'Agrippa, be it so,' | |
To make this good? | |
CAESAR. The power of Caesar, and | |
His power unto Octavia. | |
ANTONY. May I never | |
To this good purpose, that so fairly shows, | |
Dream of impediment! Let me have thy hand. | |
Further this act of grace; and from this hour | |
The heart of brothers govern in our loves | |
And sway our great designs! | |
CAESAR. There is my hand. | |
A sister I bequeath you, whom no brother | |
Did ever love so dearly. Let her live | |
To join our kingdoms and our hearts; and never | |
Fly off our loves again! | |
LEPIDUS. Happily, amen! | |
ANTONY. I did not think to draw my sword 'gainst Pompey; | |
For he hath laid strange courtesies and great | |
Of late upon me. I must thank him only, | |
Lest my remembrance suffer ill report; | |
At heel of that, defy him. | |
LEPIDUS. Time calls upon's. | |
Of us must Pompey presently be sought, | |
Or else he seeks out us. | |
ANTONY. Where lies he? | |
CAESAR. About the Mount Misenum. | |
ANTONY. What is his strength by land? | |
CAESAR. Great and increasing; but by sea | |
He is an absolute master. | |
ANTONY. So is the fame. | |
Would we had spoke together! Haste we for it. | |
Yet, ere we put ourselves in arms, dispatch we | |
The business we have talk'd of. | |
CAESAR. With most gladness; | |
And do invite you to my sister's view, | |
Whither straight I'll lead you. | |
ANTONY. Let us, Lepidus, | |
Not lack your company. | |
LEPIDUS. Noble Antony, | |
Not sickness should detain me. [Flourish] | |
Exeunt all but ENOBARBUS, AGRIPPA, MAECENAS | |
MAECENAS. Welcome from Egypt, sir. | |
ENOBARBUS. Half the heart of Caesar, worthy Maecenas! My honourable | |
friend, Agrippa! | |
AGRIPPA. Good Enobarbus! | |
MAECENAS. We have cause to be glad that matters are so well | |
digested. You stay'd well by't in Egypt. | |
ENOBARBUS. Ay, sir; we did sleep day out of countenance and made | |
the night light with drinking. | |
MAECENAS. Eight wild boars roasted whole at a breakfast, and but | |
twelve persons there. Is this true? | |
ENOBARBUS. This was but as a fly by an eagle. We had much more | |
monstrous matter of feast, which worthily deserved noting. | |
MAECENAS. She's a most triumphant lady, if report be square to her. | |
ENOBARBUS. When she first met Mark Antony she purs'd up his heart, | |
upon the river of Cydnus. | |
AGRIPPA. There she appear'd indeed! Or my reporter devis'd well for | |
her. | |
ENOBARBUS. I will tell you. | |
The barge she sat in, like a burnish'd throne, | |
Burn'd on the water. The poop was beaten gold; | |
Purple the sails, and so perfumed that | |
The winds were love-sick with them; the oars were silver, | |
Which to the tune of flutes kept stroke, and made | |
The water which they beat to follow faster, | |
As amorous of their strokes. For her own person, | |
It beggar'd all description. She did lie | |
In her pavilion, cloth-of-gold, of tissue, | |
O'erpicturing that Venus where we see | |
The fancy out-work nature. On each side her | |
Stood pretty dimpled boys, like smiling Cupids, | |
With divers-colour'd fans, whose wind did seem | |
To glow the delicate cheeks which they did cool, | |
And what they undid did. | |
AGRIPPA. O, rare for Antony! | |
ENOBARBUS. Her gentlewomen, like the Nereides, | |
So many mermaids, tended her i' th' eyes, | |
And made their bends adornings. At the helm | |
A seeming mermaid steers. The silken tackle | |
Swell with the touches of those flower-soft hands | |
That yarely frame the office. From the barge | |
A strange invisible perfume hits the sense | |
Of the adjacent wharfs. The city cast | |
Her people out upon her; and Antony, | |
Enthron'd i' th' market-place, did sit alone, | |
Whistling to th' air; which, but for vacancy, | |
Had gone to gaze on Cleopatra too, | |
And made a gap in nature. | |
AGRIPPA. Rare Egyptian! | |
ENOBARBUS. Upon her landing, Antony sent to her, | |
Invited her to supper. She replied | |
It should be better he became her guest; | |
Which she entreated. Our courteous Antony, | |
Whom ne'er the word of 'No' woman heard speak, | |
Being barber'd ten times o'er, goes to the feast, | |
And for his ordinary pays his heart | |
For what his eyes eat only. | |
AGRIPPA. Royal wench! | |
She made great Caesar lay his sword to bed. | |
He ploughed her, and she cropp'd. | |
ENOBARBUS. I saw her once | |
Hop forty paces through the public street; | |
And, having lost her breath, she spoke, and panted, | |
That she did make defect perfection, | |
And, breathless, pow'r breathe forth. | |
MAECENAS. Now Antony must leave her utterly. | |
ENOBARBUS. Never! He will not. | |
Age cannot wither her, nor custom stale | |
Her infinite variety. Other women cloy | |
The appetites they feed, but she makes hungry | |
Where most she satisfies; for vilest things | |
Become themselves in her, that the holy priests | |
Bless her when she is riggish. | |
MAECENAS. If beauty, wisdom, modesty, can settle | |
The heart of Antony, Octavia is | |
A blessed lottery to him. | |
AGRIPPA. Let us go. | |
Good Enobarbus, make yourself my guest | |
Whilst you abide here. | |
ENOBARBUS. Humbly, sir, I thank you. Exeunt | |
SCENE III. | |
Rome. CAESAR'S house | |
Enter ANTONY, CAESAR, OCTAVIA between them | |
ANTONY. The world and my great office will sometimes | |
Divide me from your bosom. | |
OCTAVIA. All which time | |
Before the gods my knee shall bow my prayers | |
To them for you. | |
ANTONY. Good night, sir. My Octavia, | |
Read not my blemishes in the world's report. | |
I have not kept my square; but that to come | |
Shall all be done by th' rule. Good night, dear lady. | |
OCTAVIA. Good night, sir. | |
CAESAR. Good night. Exeunt CAESAR and OCTAVIA | |
Enter SOOTHSAYER | |
ANTONY. Now, sirrah, you do wish yourself in Egypt? | |
SOOTHSAYER. Would I had never come from thence, nor you thither! | |
ANTONY. If you can- your reason. | |
SOOTHSAYER. I see it in my motion, have it not in my tongue; but | |
yet hie you to Egypt again. | |
ANTONY. Say to me, | |
Whose fortunes shall rise higher, Caesar's or mine? | |
SOOTHSAYER. Caesar's. | |
Therefore, O Antony, stay not by his side. | |
Thy daemon, that thy spirit which keeps thee, is | |
Noble, courageous, high, unmatchable, | |
Where Caesar's is not; but near him thy angel | |
Becomes a fear, as being o'erpow'r'd. Therefore | |
Make space enough between you. | |
ANTONY. Speak this no more. | |
SOOTHSAYER. To none but thee; no more but when to thee. | |
If thou dost play with him at any game, | |
Thou art sure to lose; and of that natural luck | |
He beats thee 'gainst the odds. Thy lustre thickens | |
When he shines by. I say again, thy spirit | |
Is all afraid to govern thee near him; | |
But, he away, 'tis noble. | |
ANTONY. Get thee gone. | |
Say to Ventidius I would speak with him. | |
Exit SOOTHSAYER | |
He shall to Parthia.- Be it art or hap, | |
He hath spoken true. The very dice obey him; | |
And in our sports my better cunning faints | |
Under his chance. If we draw lots, he speeds; | |
His cocks do win the battle still of mine, | |
When it is all to nought, and his quails ever | |
Beat mine, inhoop'd, at odds. I will to Egypt; | |
And though I make this marriage for my peace, | |
I' th' East my pleasure lies. | |
Enter VENTIDIUS | |
O, come, Ventidius, | |
You must to Parthia. Your commission's ready; | |
Follow me and receive't. Exeunt | |
SCENE IV. | |
Rome. A street | |
Enter LEPIDUS, MAECENAS, and AGRIPPA | |
LEPIDUS. Trouble yourselves no further. Pray you hasten | |
Your generals after. | |
AGRIPPA. Sir, Mark Antony | |
Will e'en but kiss Octavia, and we'll follow. | |
LEPIDUS. Till I shall see you in your soldier's dress, | |
Which will become you both, farewell. | |
MAECENAS. We shall, | |
As I conceive the journey, be at th' Mount | |
Before you, Lepidus. | |
LEPIDUS. Your way is shorter; | |
My purposes do draw me much about. | |
You'll win two days upon me. | |
BOTH. Sir, good success! | |
LEPIDUS. Farewell. Exeunt | |
SCENE V. | |
Alexandria. CLEOPATRA'S palace | |
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS | |
CLEOPATRA. Give me some music- music, moody food | |
Of us that trade in love. | |
ALL. The music, ho! | |
Enter MARDIAN the eunuch | |
CLEOPATRA. Let it alone! Let's to billiards. Come, Charmian. | |
CHARMIAN. My arm is sore; best play with Mardian. | |
CLEOPATRA. As well a woman with an eunuch play'd | |
As with a woman. Come, you'll play with me, sir? | |
MARDIAN. As well as I can, madam. | |
CLEOPATRA. And when good will is show'd, though't come too short, | |
The actor may plead pardon. I'll none now. | |
Give me mine angle- we'll to th' river. There, | |
My music playing far off, I will betray | |
Tawny-finn'd fishes; my bended hook shall pierce | |
Their slimy jaws; and as I draw them up | |
I'll think them every one an Antony, | |
And say 'Ah ha! Y'are caught.' | |
CHARMIAN. 'Twas merry when | |
You wager'd on your angling; when your diver | |
Did hang a salt fish on his hook, which he | |
With fervency drew up. | |
CLEOPATRA. That time? O times | |
I laughed him out of patience; and that night | |
I laugh'd him into patience; and next morn, | |
Ere the ninth hour, I drunk him to his bed, | |
Then put my tires and mantles on him, whilst | |
I wore his sword Philippan. | |
Enter a MESSENGER | |
O! from Italy? | |
Ram thou thy fruitful tidings in mine ears, | |
That long time have been barren. | |
MESSENGER. Madam, madam- | |
CLEOPATRA. Antony's dead! If thou say so, villain, | |
Thou kill'st thy mistress; but well and free, | |
If thou so yield him, there is gold, and here | |
My bluest veins to kiss- a hand that kings | |
Have lipp'd, and trembled kissing. | |
MESSENGER. First, madam, he is well. | |
CLEOPATRA. Why, there's more gold. | |
But, sirrah, mark, we use | |
To say the dead are well. Bring it to that, | |
The gold I give thee will I melt and pour | |
Down thy ill-uttering throat. | |
MESSENGER. Good madam, hear me. | |
CLEOPATRA. Well, go to, I will. | |
But there's no goodness in thy face. If Antony | |
Be free and healthful- why so tart a favour | |
To trumpet such good tidings? If not well, | |
Thou shouldst come like a Fury crown'd with snakes, | |
Not like a formal man. | |
MESSENGER. Will't please you hear me? | |
CLEOPATRA. I have a mind to strike thee ere thou speak'st. | |
Yet, if thou say Antony lives, is well, | |
Or friends with Caesar, or not captive to him, | |
I'll set thee in a shower of gold, and hail | |
Rich pearls upon thee. | |
MESSENGER. Madam, he's well. | |
CLEOPATRA. Well said. | |
MESSENGER. And friends with Caesar. | |
CLEOPATRA. Th'art an honest man. | |
MESSENGER. Caesar and he are greater friends than ever. | |
CLEOPATRA. Make thee a fortune from me. | |
MESSENGER. But yet, madam- | |
CLEOPATRA. I do not like 'but yet.' It does allay | |
The good precedence; fie upon 'but yet'! | |
'But yet' is as a gaoler to bring forth | |
Some monstrous malefactor. Prithee, friend, | |
Pour out the pack of matter to mine ear, | |
The good and bad together. He's friends with Caesar; | |
In state of health, thou say'st; and, thou say'st, free. | |
MESSENGER. Free, madam! No; I made no such report. | |
He's bound unto Octavia. | |
CLEOPATRA. For what good turn? | |
MESSENGER. For the best turn i' th' bed. | |
CLEOPATRA. I am pale, Charmian. | |
MESSENGER. Madam, he's married to Octavia. | |
CLEOPATRA. The most infectious pestilence upon thee! | |
[Strikes him down] | |
MESSENGER. Good madam, patience. | |
CLEOPATRA. What say you? Hence, [Strikes him] | |
Horrible villain! or I'll spurn thine eyes | |
Like balls before me; I'll unhair thy head; | |
[She hales him up and down] | |
Thou shalt be whipp'd with wire and stew'd in brine, | |
Smarting in ling'ring pickle. | |
MESSENGER. Gracious madam, | |
I that do bring the news made not the match. | |
CLEOPATRA. Say 'tis not so, a province I will give thee, | |
And make thy fortunes proud. The blow thou hadst | |
Shall make thy peace for moving me to rage; | |
And I will boot thee with what gift beside | |
Thy modesty can beg. | |
MESSENGER. He's married, madam. | |
CLEOPATRA. Rogue, thou hast liv'd too long. [Draws a knife] | |
MESSENGER. Nay, then I'll run. | |
What mean you, madam? I have made no fault. Exit | |
CHARMIAN. Good madam, keep yourself within yourself: | |
The man is innocent. | |
CLEOPATRA. Some innocents scape not the thunderbolt. | |
Melt Egypt into Nile! and kindly creatures | |
Turn all to serpents! Call the slave again. | |
Though I am mad, I will not bite him. Call! | |
CHARMIAN. He is afear'd to come. | |
CLEOPATRA. I will not hurt him. | |
These hands do lack nobility, that they strike | |
A meaner than myself; since I myself | |
Have given myself the cause. | |
Enter the MESSENGER again | |
Come hither, sir. | |
Though it be honest, it is never good | |
To bring bad news. Give to a gracious message | |
An host of tongues; but let ill tidings tell | |
Themselves when they be felt. | |
MESSENGER. I have done my duty. | |
CLEOPATRA. Is he married? | |
I cannot hate thee worser than I do | |
If thou again say 'Yes.' | |
MESSENGER. He's married, madam. | |
CLEOPATRA. The gods confound thee! Dost thou hold there still? | |
MESSENGER. Should I lie, madam? | |
CLEOPATRA. O, I would thou didst, | |
So half my Egypt were submerg'd and made | |
A cistern for scal'd snakes! Go, get thee hence. | |
Hadst thou Narcissus in thy face, to me | |
Thou wouldst appear most ugly. He is married? | |
MESSENGER. I crave your Highness' pardon. | |
CLEOPATRA. He is married? | |
MESSENGER. Take no offence that I would not offend you; | |
To punish me for what you make me do | |
Seems much unequal. He's married to Octavia. | |
CLEOPATRA. O, that his fault should make a knave of thee | |
That art not what th'art sure of! Get thee hence. | |
The merchandise which thou hast brought from Rome | |
Are all too dear for me. Lie they upon thy hand, | |
And be undone by 'em! Exit MESSENGER | |
CHARMIAN. Good your Highness, patience. | |
CLEOPATRA. In praising Antony I have disprais'd Caesar. | |
CHARMIAN. Many times, madam. | |
CLEOPATRA. I am paid for't now. Lead me from hence, | |
I faint. O Iras, Charmian! 'Tis no matter. | |
Go to the fellow, good Alexas; bid him | |
Report the feature of Octavia, her years, | |
Her inclination; let him not leave out | |
The colour of her hair. Bring me word quickly. | |
Exit ALEXAS | |
Let him for ever go- let him not, Charmian- | |
Though he be painted one way like a Gorgon, | |
The other way's a Mars. [To MARDIAN] | |
Bid you Alexas | |
Bring me word how tall she is.- Pity me, Charmian, | |
But do not speak to me. Lead me to my chamber. Exeunt | |
SCENE VI. | |
Near Misenum | |
Flourish. Enter POMPEY and MENAS at one door, with drum and trumpet; | |
at another, CAESAR, ANTONY, LEPIDUS, ENOBARBUS, MAECENAS, AGRIPPA, | |
with soldiers marching | |
POMPEY. Your hostages I have, so have you mine; | |
And we shall talk before we fight. | |
CAESAR. Most meet | |
That first we come to words; and therefore have we | |
Our written purposes before us sent; | |
Which if thou hast considered, let us know | |
If 'twill tie up thy discontented sword | |
And carry back to Sicily much tall youth | |
That else must perish here. | |
POMPEY. To you all three, | |
The senators alone of this great world, | |
Chief factors for the gods: I do not know | |
Wherefore my father should revengers want, | |
Having a son and friends, since Julius Caesar, | |
Who at Philippi the good Brutus ghosted, | |
There saw you labouring for him. What was't | |
That mov'd pale Cassius to conspire? and what | |
Made the all-honour'd honest Roman, Brutus, | |
With the arm'd rest, courtiers of beauteous freedom, | |
To drench the Capitol, but that they would | |
Have one man but a man? And that is it | |
Hath made me rig my navy, at whose burden | |
The anger'd ocean foams; with which I meant | |
To scourge th' ingratitude that despiteful Rome | |
Cast on my noble father. | |
CAESAR. Take your time. | |
ANTONY. Thou canst not fear us, Pompey, with thy sails; | |
We'll speak with thee at sea; at land thou know'st | |
How much we do o'er-count thee. | |
POMPEY. At land, indeed, | |
Thou dost o'er-count me of my father's house. | |
But since the cuckoo builds not for himself, | |
Remain in't as thou mayst. | |
LEPIDUS. Be pleas'd to tell us- | |
For this is from the present- how you take | |
The offers we have sent you. | |
CAESAR. There's the point. | |
ANTONY. Which do not be entreated to, but weigh | |
What it is worth embrac'd. | |
CAESAR. And what may follow, | |
To try a larger fortune. | |
POMPEY. You have made me offer | |
Of Sicily, Sardinia; and I must | |
Rid all the sea of pirates; then to send | |
Measures of wheat to Rome; this 'greed upon, | |
To part with unhack'd edges and bear back | |
Our targes undinted. | |
ALL. That's our offer. | |
POMPEY. Know, then, | |
I came before you here a man prepar'd | |
To take this offer; but Mark Antony | |
Put me to some impatience. Though I lose | |
The praise of it by telling, you must know, | |
When Caesar and your brother were at blows, | |
Your mother came to Sicily and did find | |
Her welcome friendly. | |
ANTONY. I have heard it, Pompey, | |
And am well studied for a liberal thanks | |
Which I do owe you. | |
POMPEY. Let me have your hand. | |
I did not think, sir, to have met you here. | |
ANTONY. The beds i' th' East are soft; and thanks to you, | |
That call'd me timelier than my purpose hither; | |
For I have gained by't. | |
CAESAR. Since I saw you last | |
There is a change upon you. | |
POMPEY. Well, I know not | |
What counts harsh fortune casts upon my face; | |
But in my bosom shall she never come | |
To make my heart her vassal. | |
LEPIDUS. Well met here. | |
POMPEY. I hope so, Lepidus. Thus we are agreed. | |
I crave our composition may be written, | |
And seal'd between us. | |
CAESAR. That's the next to do. | |
POMPEY. We'll feast each other ere we part, and let's | |
Draw lots who shall begin. | |
ANTONY. That will I, Pompey. | |
POMPEY. No, Antony, take the lot; | |
But, first or last, your fine Egyptian cookery | |
Shall have the fame. I have heard that Julius Caesar | |
Grew fat with feasting there. | |
ANTONY. You have heard much. | |
POMPEY. I have fair meanings, sir. | |
ANTONY. And fair words to them. | |
POMPEY. Then so much have I heard; | |
And I have heard Apollodorus carried- | |
ENOBARBUS. No more of that! He did so. | |
POMPEY. What, I pray you? | |
ENOBARBUS. A certain queen to Caesar in a mattress. | |
POMPEY. I know thee now. How far'st thou, soldier? | |
ENOBARBUS. Well; | |
And well am like to do, for I perceive | |
Four feasts are toward. | |
POMPEY. Let me shake thy hand. | |
I never hated thee; I have seen thee fight, | |
When I have envied thy behaviour. | |
ENOBARBUS. Sir, | |
I never lov'd you much; but I ha' prais'd ye | |
When you have well deserv'd ten times as much | |
As I have said you did. | |
POMPEY. Enjoy thy plainness; | |
It nothing ill becomes thee. | |
Aboard my galley I invite you all. | |
Will you lead, lords? | |
ALL. Show's the way, sir. | |
POMPEY. Come. Exeunt all but ENOBARBUS and MENAS | |
MENAS. [Aside] Thy father, Pompey, would ne'er have made this | |
treaty.- You and I have known, sir. | |
ENOBARBUS. At sea, I think. | |
MENAS. We have, sir. | |
ENOBARBUS. You have done well by water. | |
MENAS. And you by land. | |
ENOBARBUS. I Will praise any man that will praise me; though it | |
cannot be denied what I have done by land. | |
MENAS. Nor what I have done by water. | |
ENOBARBUS. Yes, something you can deny for your own safety: you | |
have been a great thief by sea. | |
MENAS. And you by land. | |
ENOBARBUS. There I deny my land service. But give me your hand, | |
Menas; if our eyes had authority, here they might take two | |
thieves kissing. | |
MENAS. All men's faces are true, whatsome'er their hands are. | |
ENOBARBUS. But there is never a fair woman has a true face. | |
MENAS. No slander: they steal hearts. | |
ENOBARBUS. We came hither to fight with you. | |
MENAS. For my part, I am sorry it is turn'd to a drinking. | |
Pompey doth this day laugh away his fortune. | |
ENOBARBUS. If he do, sure he cannot weep't back again. | |
MENAS. Y'have said, sir. We look'd not for Mark Antony here. Pray | |
you, is he married to Cleopatra? | |
ENOBARBUS. Caesar' sister is call'd Octavia. | |
MENAS. True, sir; she was the wife of Caius Marcellus. | |
ENOBARBUS. But she is now the wife of Marcus Antonius. | |
MENAS. Pray ye, sir? | |
ENOBARBUS. 'Tis true. | |
MENAS. Then is Caesar and he for ever knit together. | |
ENOBARBUS. If I were bound to divine of this unity, I would not | |
prophesy so. | |
MENAS. I think the policy of that purpose made more in the marriage | |
than the love of the parties. | |
ENOBARBUS. I think so too. But you shall find the band that seems | |
to tie their friendship together will be the very strangler of | |
their amity: Octavia is of a holy, cold, and still conversation. | |
MENAS. Who would not have his wife so? | |
ENOBARBUS. Not he that himself is not so; which is Mark Antony. He | |
will to his Egyptian dish again; then shall the sighs of Octavia | |
blow the fire up in Caesar, and, as I said before, that which is | |
the strength of their amity shall prove the immediate author of | |
their variance. Antony will use his affection where it is; he | |
married but his occasion here. | |
MENAS. And thus it may be. Come, sir, will you aboard? I have a | |
health for you. | |
ENOBARBUS. I shall take it, sir. We have us'd our throats in Egypt. | |
MENAS. Come, let's away. Exeunt | |
ACT_2|SC_7 | |
SCENE VII. | |
On board POMPEY'S galley, off Misenum | |
Music plays. Enter two or three SERVANTS with a banquet | |
FIRST SERVANT. Here they'll be, man. Some o' their plants are | |
ill-rooted already; the least wind i' th' world will blow them | |
down. | |
SECOND SERVANT. Lepidus is high-colour'd. | |
FIRST SERVANT. They have made him drink alms-drink. | |
SECOND SERVANT. As they pinch one another by the disposition, he | |
cries out 'No more!'; reconciles them to his entreaty and himself | |
to th' drink. | |
FIRST SERVANT. But it raises the greater war between him and his | |
discretion. | |
SECOND SERVANT. Why, this it is to have a name in great men's | |
fellowship. I had as lief have a reed that will do me no service | |
as a partizan I could not heave. | |
FIRST SERVANT. To be call'd into a huge sphere, and not to be seen | |
to move in't, are the holes where eyes should be, which pitifully | |
disaster the cheeks. | |
A sennet sounded. Enter CAESAR, ANTONY, LEPIDUS, | |
POMPEY, AGRIPPA, MAECENAS, ENOBARBUS, MENAS, | |
with other CAPTAINS | |
ANTONY. [To CAESAR] Thus do they, sir: they take the flow o' th' | |
Nile | |
By certain scales i' th' pyramid; they know | |
By th' height, the lowness, or the mean, if dearth | |
Or foison follow. The higher Nilus swells | |
The more it promises; as it ebbs, the seedsman | |
Upon the slime and ooze scatters his grain, | |
And shortly comes to harvest. | |
LEPIDUS. Y'have strange serpents there. | |
ANTONY. Ay, Lepidus. | |
LEPIDUS. Your serpent of Egypt is bred now of your mud by the | |
operation of your sun; so is your crocodile. | |
ANTONY. They are so. | |
POMPEY. Sit- and some wine! A health to Lepidus! | |
LEPIDUS. I am not so well as I should be, but I'll ne'er out. | |
ENOBARBUS. Not till you have slept. I fear me you'll be in till | |
then. | |
LEPIDUS. Nay, certainly, I have heard the Ptolemies' pyramises are | |
very goodly things. Without contradiction I have heard that. | |
MENAS. [Aside to POMPEY] Pompey, a word. | |
POMPEY. [Aside to MENAS] Say in mine ear; what is't? | |
MENAS. [Aside to POMPEY] Forsake thy seat, I do beseech thee, | |
Captain, | |
And hear me speak a word. | |
POMPEY. [ Whispers in's ear ] Forbear me till anon- | |
This wine for Lepidus! | |
LEPIDUS. What manner o' thing is your crocodile? | |
ANTONY. It is shap'd, sir, like itself, and it is as broad as it | |
hath breadth; it is just so high as it is, and moves with it own | |
organs. It lives by that which nourisheth it, and the elements | |
once out of it, it transmigrates. | |
LEPIDUS. What colour is it of? | |
ANTONY. Of it own colour too. | |
LEPIDUS. 'Tis a strange serpent. | |
ANTONY. 'Tis so. And the tears of it are wet. | |
CAESAR. Will this description satisfy him? | |
ANTONY. With the health that Pompey gives him, else he is a very | |
epicure. | |
POMPEY. [Aside to MENAS] Go, hang, sir, hang! Tell me of that! | |
Away! | |
Do as I bid you.- Where's this cup I call'd for? | |
MENAS. [Aside to POMPEY] If for the sake of merit thou wilt hear | |
me, | |
Rise from thy stool. | |
POMPEY. [Aside to MENAS] I think th'art mad. [Rises and walks | |
aside] The matter? | |
MENAS. I have ever held my cap off to thy fortunes. | |
POMPEY. Thou hast serv'd me with much faith. What's else to say?- | |
Be jolly, lords. | |
ANTONY. These quicksands, Lepidus, | |
Keep off them, for you sink. | |
MENAS. Wilt thou be lord of all the world? | |
POMPEY. What say'st thou? | |
MENAS. Wilt thou be lord of the whole world? That's twice. | |
POMPEY. How should that be? | |
MENAS. But entertain it, | |
And though you think me poor, I am the man | |
Will give thee all the world. | |
POMPEY. Hast thou drunk well? | |
MENAS. No, Pompey, I have kept me from the cup. | |
Thou art, if thou dar'st be, the earthly Jove; | |
Whate'er the ocean pales or sky inclips | |
Is thine, if thou wilt ha't. | |
POMPEY. Show me which way. | |
MENAS. These three world-sharers, these competitors, | |
Are in thy vessel. Let me cut the cable; | |
And when we are put off, fall to their throats. | |
All there is thine. | |
POMPEY. Ah, this thou shouldst have done, | |
And not have spoke on't. In me 'tis villainy: | |
In thee't had been good service. Thou must know | |
'Tis not my profit that does lead mine honour: | |
Mine honour, it. Repent that e'er thy tongue | |
Hath so betray'd thine act. Being done unknown, | |
I should have found it afterwards well done, | |
But must condemn it now. Desist, and drink. | |
MENAS. [Aside] For this, | |
I'll never follow thy pall'd fortunes more. | |
Who seeks, and will not take when once 'tis offer'd, | |
Shall never find it more. | |
POMPEY. This health to Lepidus! | |
ANTONY. Bear him ashore. I'll pledge it for him, Pompey. | |
ENOBARBUS. Here's to thee, Menas! | |
MENAS. Enobarbus, welcome! | |
POMPEY. Fill till the cup be hid. | |
ENOBARBUS. There's a strong fellow, Menas. | |
[Pointing to the servant who carries off LEPIDUS] | |
MENAS. Why? | |
ENOBARBUS. 'A bears the third part of the world, man; see'st not? | |
MENAS. The third part, then, is drunk. Would it were all, | |
That it might go on wheels! | |
ENOBARBUS. Drink thou; increase the reels. | |
MENAS. Come. | |
POMPEY. This is not yet an Alexandrian feast. | |
ANTONY. It ripens towards it. Strike the vessels, ho! | |
Here's to Caesar! | |
CAESAR. I could well forbear't. | |
It's monstrous labour when I wash my brain | |
And it grows fouler. | |
ANTONY. Be a child o' th' time. | |
CAESAR. Possess it, I'll make answer. | |
But I had rather fast from all four days | |
Than drink so much in one. | |
ENOBARBUS. [To ANTONY] Ha, my brave emperor! | |
Shall we dance now the Egyptian Bacchanals | |
And celebrate our drink? | |
POMPEY. Let's ha't, good soldier. | |
ANTONY. Come, let's all take hands, | |
Till that the conquering wine hath steep'd our sense | |
In soft and delicate Lethe. | |
ENOBARBUS. All take hands. | |
Make battery to our ears with the loud music, | |
The while I'll place you; then the boy shall sing; | |
The holding every man shall bear as loud | |
As his strong sides can volley. | |
[Music plays. ENOBARBUS places them hand in hand] | |
THE SONG | |
Come, thou monarch of the vine, | |
Plumpy Bacchus with pink eyne! | |
In thy fats our cares be drown'd, | |
With thy grapes our hairs be crown'd. | |
Cup us till the world go round, | |
Cup us till the world go round! | |
CAESAR. What would you more? Pompey, good night. Good brother, | |
Let me request you off; our graver business | |
Frowns at this levity. Gentle lords, let's part; | |
You see we have burnt our cheeks. Strong Enobarb | |
Is weaker than the wine, and mine own tongue | |
Splits what it speaks. The wild disguise hath almost | |
Antick'd us all. What needs more words? Good night. | |
Good Antony, your hand. | |
POMPEY. I'll try you on the shore. | |
ANTONY. And shall, sir. Give's your hand. | |
POMPEY. O Antony, | |
You have my father's house- but what? We are friends. | |
Come, down into the boat. | |
ENOBARBUS. Take heed you fall not. | |
Exeunt all but ENOBARBUS and MENAS | |
Menas, I'll not on shore. | |
MENAS. No, to my cabin. | |
These drums! these trumpets, flutes! what! | |
Let Neptune hear we bid a loud farewell | |
To these great fellows. Sound and be hang'd, sound out! | |
[Sound a flourish, with drums] | |
ENOBARBUS. Hoo! says 'a. There's my cap. | |
MENAS. Hoo! Noble Captain, come. Exeunt | |
ACT_3|SC_1 | |
ACT III. SCENE I. | |
A plain in Syria | |
Enter VENTIDIUS, as it were in triumph, with SILIUS | |
and other Romans, OFFICERS and soldiers; the dead body | |
of PACORUS borne before him | |
VENTIDIUS. Now, darting Parthia, art thou struck, and now | |
Pleas'd fortune does of Marcus Crassus' death | |
Make me revenger. Bear the King's son's body | |
Before our army. Thy Pacorus, Orodes, | |
Pays this for Marcus Crassus. | |
SILIUS. Noble Ventidius, | |
Whilst yet with Parthian blood thy sword is warm | |
The fugitive Parthians follow; spur through Media, | |
Mesopotamia, and the shelters whither | |
The routed fly. So thy grand captain, Antony, | |
Shall set thee on triumphant chariots and | |
Put garlands on thy head. | |
VENTIDIUS. O Silius, Silius, | |
I have done enough. A lower place, note well, | |
May make too great an act; for learn this, Silius: | |
Better to leave undone than by our deed | |
Acquire too high a fame when him we serve's away. | |
Caesar and Antony have ever won | |
More in their officer, than person. Sossius, | |
One of my place in Syria, his lieutenant, | |
For quick accumulation of renown, | |
Which he achiev'd by th' minute, lost his favour. | |
Who does i' th' wars more than his captain can | |
Becomes his captain's captain; and ambition, | |
The soldier's virtue, rather makes choice of loss | |
Than gain which darkens him. | |
I could do more to do Antonius good, | |
But 'twould offend him; and in his offence | |
Should my performance perish. | |
SILIUS. Thou hast, Ventidius, that | |
Without the which a soldier and his sword | |
Grants scarce distinction. Thou wilt write to Antony? | |
VENTIDIUS. I'll humbly signify what in his name, | |
That magical word of war, we have effected; | |
How, with his banners, and his well-paid ranks, | |
The ne'er-yet-beaten horse of Parthia | |
We have jaded out o' th' field. | |
SILIUS. Where is he now? | |
VENTIDIUS. He purposeth to Athens; whither, with what haste | |
The weight we must convey with's will permit, | |
We shall appear before him.- On, there; pass along. | |
Exeunt | |
ACT_3|SC_2 | |
SCENE II. Rome. CAESAR'S house | |
Enter AGRIPPA at one door, ENOBARBUS at another | |
AGRIPPA. What, are the brothers parted? | |
ENOBARBUS. They have dispatch'd with Pompey; he is gone; | |
The other three are sealing. Octavia weeps | |
To part from Rome; Caesar is sad; and Lepidus, | |
Since Pompey's feast, as Menas says, is troubled | |
With the green sickness. | |
AGRIPPA. 'Tis a noble Lepidus. | |
ENOBARBUS. A very fine one. O, how he loves Caesar! | |
AGRIPPA. Nay, but how dearly he adores Mark Antony! | |
ENOBARBUS. Caesar? Why he's the Jupiter of men. | |
AGRIPPA. What's Antony? The god of Jupiter. | |
ENOBARBUS. Spake you of Caesar? How! the nonpareil! | |
AGRIPPA. O, Antony! O thou Arabian bird! | |
ENOBARBUS. Would you praise Caesar, say 'Caesar'- go no further. | |
AGRIPPA. Indeed, he plied them both with excellent praises. | |
ENOBARBUS. But he loves Caesar best. Yet he loves Antony. | |
Hoo! hearts, tongues, figures, scribes, bards, poets, cannot | |
Think, speak, cast, write, sing, number- hoo!- | |
His love to Antony. But as for Caesar, | |
Kneel down, kneel down, and wonder. | |
AGRIPPA. Both he loves. | |
ENOBARBUS. They are his shards, and he their beetle. [Trumpets | |
within] So- | |
This is to horse. Adieu, noble Agrippa. | |
AGRIPPA. Good fortune, worthy soldier, and farewell. | |
Enter CAESAR, ANTONY, LEPIDUS, and OCTAVIA | |
ANTONY. No further, sir. | |
CAESAR. You take from me a great part of myself; | |
Use me well in't. Sister, prove such a wife | |
As my thoughts make thee, and as my farthest band | |
Shall pass on thy approof. Most noble Antony, | |
Let not the piece of virtue which is set | |
Betwixt us as the cement of our love | |
To keep it builded be the ram to batter | |
The fortress of it; for better might we | |
Have lov'd without this mean, if on both parts | |
This be not cherish'd. | |
ANTONY. Make me not offended | |
In your distrust. | |
CAESAR. I have said. | |
ANTONY. You shall not find, | |
Though you be therein curious, the least cause | |
For what you seem to fear. So the gods keep you, | |
And make the hearts of Romans serve your ends! | |
We will here part. | |
CAESAR. Farewell, my dearest sister, fare thee well. | |
The elements be kind to thee and make | |
Thy spirits all of comfort! Fare thee well. | |
OCTAVIA. My noble brother! | |
ANTONY. The April's in her eyes. It is love's spring, | |
And these the showers to bring it on. Be cheerful. | |
OCTAVIA. Sir, look well to my husband's house; and- | |
CAESAR. What, Octavia? | |
OCTAVIA. I'll tell you in your ear. | |
ANTONY. Her tongue will not obey her heart, nor can | |
Her heart inform her tongue- the swan's down feather, | |
That stands upon the swell at the full of tide, | |
And neither way inclines. | |
ENOBARBUS. [Aside to AGRIPPA] Will Caesar weep? | |
AGRIPPA. [Aside to ENOBARBUS] He has a cloud in's face. | |
ENOBARBUS. [Aside to AGRIPPA] He were the worse for that, were he a | |
horse; | |
So is he, being a man. | |
AGRIPPA. [Aside to ENOBARBUS] Why, Enobarbus, | |
When Antony found Julius Caesar dead, | |
He cried almost to roaring; and he wept | |
When at Philippi he found Brutus slain. | |
ENOBARBUS. [Aside to AGRIPPA] That year, indeed, he was troubled | |
with a rheum; | |
What willingly he did confound he wail'd, | |
Believe't- till I weep too. | |
CAESAR. No, sweet Octavia, | |
You shall hear from me still; the time shall not | |
Out-go my thinking on you. | |
ANTONY. Come, sir, come; | |
I'll wrestle with you in my strength of love. | |
Look, here I have you; thus I let you go, | |
And give you to the gods. | |
CAESAR. Adieu; be happy! | |
LEPIDUS. Let all the number of the stars give light | |
To thy fair way! | |
CAESAR. Farewell, farewell! [Kisses OCTAVIA] | |
ANTONY. Farewell! Trumpets sound. Exeunt | |
ACT_3|SC_3 | |
SCENE III. | |
Alexandria. CLEOPATRA'S palace | |
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS | |
CLEOPATRA. Where is the fellow? | |
ALEXAS. Half afeard to come. | |
CLEOPATRA. Go to, go to. | |
Enter the MESSENGER as before | |
Come hither, sir. | |
ALEXAS. Good Majesty, | |
Herod of Jewry dare not look upon you | |
But when you are well pleas'd. | |
CLEOPATRA. That Herod's head | |
I'll have. But how, when Antony is gone, | |
Through whom I might command it? Come thou near. | |
MESSENGER. Most gracious Majesty! | |
CLEOPATRA. Didst thou behold Octavia? | |
MESSENGER. Ay, dread Queen. | |
CLEOPATRA. Where? | |
MESSENGER. Madam, in Rome | |
I look'd her in the face, and saw her led | |
Between her brother and Mark Antony. | |
CLEOPATRA. Is she as tall as me? | |
MESSENGER. She is not, madam. | |
CLEOPATRA. Didst hear her speak? Is she shrill-tongu'd or low? | |
MESSENGER. Madam, I heard her speak: she is low-voic'd. | |
CLEOPATRA. That's not so good. He cannot like her long. | |
CHARMIAN. Like her? O Isis! 'tis impossible. | |
CLEOPATRA. I think so, Charmian. Dull of tongue and dwarfish! | |
What majesty is in her gait? Remember, | |
If e'er thou look'dst on majesty. | |
MESSENGER. She creeps. | |
Her motion and her station are as one; | |
She shows a body rather than a life, | |
A statue than a breather. | |
CLEOPATRA. Is this certain? | |
MESSENGER. Or I have no observance. | |
CHARMIAN. Three in Egypt | |
Cannot make better note. | |
CLEOPATRA. He's very knowing; | |
I do perceive't. There's nothing in her yet. | |
The fellow has good judgment. | |
CHARMIAN. Excellent. | |
CLEOPATRA. Guess at her years, I prithee. | |
MESSENGER. Madam, | |
She was a widow. | |
CLEOPATRA. Widow? Charmian, hark! | |
MESSENGER. And I do think she's thirty. | |
CLEOPATRA. Bear'st thou her face in mind? Is't long or round? | |
MESSENGER. Round even to faultiness. | |
CLEOPATRA. For the most part, too, they are foolish that are so. | |
Her hair, what colour? | |
MESSENGER. Brown, madam; and her forehead | |
As low as she would wish it. | |
CLEOPATRA. There's gold for thee. | |
Thou must not take my former sharpness ill. | |
I will employ thee back again; I find thee | |
Most fit for business. Go make thee ready; | |
Our letters are prepar'd. Exeunt MESSENGER | |
CHARMIAN. A proper man. | |
CLEOPATRA. Indeed, he is so. I repent me much | |
That so I harried him. Why, methinks, by him, | |
This creature's no such thing. | |
CHARMIAN. Nothing, madam. | |
CLEOPATRA. The man hath seen some majesty, and should know. | |
CHARMIAN. Hath he seen majesty? Isis else defend, | |
And serving you so long! | |
CLEOPATRA. I have one thing more to ask him yet, good Charmian. | |
But 'tis no matter; thou shalt bring him to me | |
Where I will write. All may be well enough. | |
CHARMIAN. I warrant you, madam. Exeunt | |
ACT_3|SC_4 | |
SCENE IV. | |
Athens. ANTONY'S house | |
Enter ANTONY and OCTAVIA | |
ANTONY. Nay, nay, Octavia, not only that- | |
That were excusable, that and thousands more | |
Of semblable import- but he hath wag'd | |
New wars 'gainst Pompey; made his will, and read it | |
To public ear; | |
Spoke scandy of me; when perforce he could not | |
But pay me terms of honour, cold and sickly | |
He vented them, most narrow measure lent me; | |
When the best hint was given him, he not took't, | |
Or did it from his teeth. | |
OCTAVIA. O my good lord, | |
Believe not all; or if you must believe, | |
Stomach not all. A more unhappy lady, | |
If this division chance, ne'er stood between, | |
Praying for both parts. | |
The good gods will mock me presently | |
When I shall pray 'O, bless my lord and husband!' | |
Undo that prayer by crying out as loud | |
'O, bless my brother!' Husband win, win brother, | |
Prays, and destroys the prayer; no mid-way | |
'Twixt these extremes at all. | |
ANTONY. Gentle Octavia, | |
Let your best love draw to that point which seeks | |
Best to preserve it. If I lose mine honour, | |
I lose myself; better I were not yours | |
Than yours so branchless. But, as you requested, | |
Yourself shall go between's. The meantime, lady, | |
I'll raise the preparation of a war | |
Shall stain your brother. Make your soonest haste; | |
So your desires are yours. | |
OCTAVIA. Thanks to my lord. | |
The Jove of power make me, most weak, most weak, | |
Your reconciler! Wars 'twixt you twain would be | |
As if the world should cleave, and that slain men | |
Should solder up the rift. | |
ANTONY. When it appears to you where this begins, | |
Turn your displeasure that way, for our faults | |
Can never be so equal that your love | |
Can equally move with them. Provide your going; | |
Choose your own company, and command what cost | |
Your heart has mind to. Exeunt | |
ACT_3|SC_5 | |
SCENE V. | |
Athens. ANTONY'S house | |
Enter ENOBARBUS and EROS, meeting | |
ENOBARBUS. How now, friend Eros! | |
EROS. There's strange news come, sir. | |
ENOBARBUS. What, man? | |
EROS. Caesar and Lepidus have made wars upon Pompey. | |
ENOBARBUS. This is old. What is the success? | |
EROS. Caesar, having made use of him in the wars 'gainst Pompey, | |
presently denied him rivality, would not let him partake in the | |
glory of the action; and not resting here, accuses him of letters | |
he had formerly wrote to Pompey; upon his own appeal, seizes him. | |
So the poor third is up, till death enlarge his confine. | |
ENOBARBUS. Then, world, thou hast a pair of chaps- no more; | |
And throw between them all the food thou hast, | |
They'll grind the one the other. Where's Antony? | |
EROS. He's walking in the garden- thus, and spurns | |
The rush that lies before him; cries 'Fool Lepidus!' | |
And threats the throat of that his officer | |
That murd'red Pompey. | |
ENOBARBUS. Our great navy's rigg'd. | |
EROS. For Italy and Caesar. More, Domitius: | |
My lord desires you presently; my news | |
I might have told hereafter. | |
ENOBARBUS. 'Twill be naught; | |
But let it be. Bring me to Antony. | |
EROS. Come, sir. Exeunt | |
ACT_3|SC_6 | |
SCENE VI. | |
Rome. CAESAR'S house | |
Enter CAESAR, AGRIPPA, and MAECENAS | |
CAESAR. Contemning Rome, he has done all this and more | |
In Alexandria. Here's the manner of't: | |
I' th' market-place, on a tribunal silver'd, | |
Cleopatra and himself in chairs of gold | |
Were publicly enthron'd; at the feet sat | |
Caesarion, whom they call my father's son, | |
And all the unlawful issue that their lust | |
Since then hath made between them. Unto her | |
He gave the stablishment of Egypt; made her | |
Of lower Syria, Cyprus, Lydia, | |
Absolute queen. | |
MAECENAS. This in the public eye? | |
CAESAR. I' th' common show-place, where they exercise. | |
His sons he there proclaim'd the kings of kings: | |
Great Media, Parthia, and Armenia, | |
He gave to Alexander; to Ptolemy he assign'd | |
Syria, Cilicia, and Phoenicia. She | |
In th' habiliments of the goddess Isis | |
That day appear'd; and oft before gave audience, | |
As 'tis reported, so. | |
MAECENAS. Let Rome be thus | |
Inform'd. | |
AGRIPPA. Who, queasy with his insolence | |
Already, will their good thoughts call from him. | |
CAESAR. The people knows it, and have now receiv'd | |
His accusations. | |
AGRIPPA. Who does he accuse? | |
CAESAR. Caesar; and that, having in Sicily | |
Sextus Pompeius spoil'd, we had not rated him | |
His part o' th' isle. Then does he say he lent me | |
Some shipping, unrestor'd. Lastly, he frets | |
That Lepidus of the triumvirate | |
Should be depos'd; and, being, that we detain | |
All his revenue. | |
AGRIPPA. Sir, this should be answer'd. | |
CAESAR. 'Tis done already, and messenger gone. | |
I have told him Lepidus was grown too cruel, | |
That he his high authority abus'd, | |
And did deserve his change. For what I have conquer'd | |
I grant him part; but then, in his Armenia | |
And other of his conquer'd kingdoms, | |
Demand the like. | |
MAECENAS. He'll never yield to that. | |
CAESAR. Nor must not then be yielded to in this. | |
Enter OCTAVIA, with her train | |
OCTAVIA. Hail, Caesar, and my lord! hail, most dear Caesar! | |
CAESAR. That ever I should call thee cast-away! | |
OCTAVIA. You have not call'd me so, nor have you cause. | |
CAESAR. Why have you stol'n upon us thus? You come not | |
Like Caesar's sister. The wife of Antony | |
Should have an army for an usher, and | |
The neighs of horse to tell of her approach | |
Long ere she did appear. The trees by th' way | |
Should have borne men, and expectation fainted, | |
Longing for what it had not. Nay, the dust | |
Should have ascended to the roof of heaven, | |
Rais'd by your populous troops. But you are come | |
A market-maid to Rome, and have prevented | |
The ostentation of our love, which left unshown | |
Is often left unlov'd. We should have met you | |
By sea and land, supplying every stage | |
With an augmented greeting. | |
OCTAVIA. Good my lord, | |
To come thus was I not constrain'd, but did it | |
On my free will. My lord, Mark Antony, | |
Hearing that you prepar'd for war, acquainted | |
My grieved ear withal; whereon I begg'd | |
His pardon for return. | |
CAESAR. Which soon he granted, | |
Being an obstruct 'tween his lust and him. | |
OCTAVIA. Do not say so, my lord. | |
CAESAR. I have eyes upon him, | |
And his affairs come to me on the wind. | |
Where is he now? | |
OCTAVIA. My lord, in Athens. | |
CAESAR. No, my most wronged sister: Cleopatra | |
Hath nodded him to her. He hath given his empire | |
Up to a whore, who now are levying | |
The kings o' th' earth for war. He hath assembled | |
Bocchus, the king of Libya; Archelaus | |
Of Cappadocia; Philadelphos, king | |
Of Paphlagonia; the Thracian king, Adallas; | |
King Manchus of Arabia; King of Pont; | |
Herod of Jewry; Mithridates, king | |
Of Comagene; Polemon and Amyntas, | |
The kings of Mede and Lycaonia, with | |
More larger list of sceptres. | |
OCTAVIA. Ay me most wretched, | |
That have my heart parted betwixt two friends, | |
That does afflict each other! | |
CAESAR. Welcome hither. | |
Your letters did withhold our breaking forth, | |
Till we perceiv'd both how you were wrong led | |
And we in negligent danger. Cheer your heart; | |
Be you not troubled with the time, which drives | |
O'er your content these strong necessities, | |
But let determin'd things to destiny | |
Hold unbewail'd their way. Welcome to Rome; | |
Nothing more dear to me. You are abus'd | |
Beyond the mark of thought, and the high gods, | |
To do you justice, make their ministers | |
Of us and those that love you. Best of comfort, | |
And ever welcome to us. | |
AGRIPPA. Welcome, lady. | |
MAECENAS. Welcome, dear madam. | |
Each heart in Rome does love and pity you; | |
Only th' adulterous Antony, most large | |
In his abominations, turns you off, | |
And gives his potent regiment to a trull | |
That noises it against us. | |
OCTAVIA. Is it so, sir? | |
CAESAR. Most certain. Sister, welcome. Pray you | |
Be ever known to patience. My dear'st sister! Exeunt | |
ACT_3|SC_7 | |
SCENE VII. | |
ANTONY'S camp near Actium | |
Enter CLEOPATRA and ENOBARBUS | |
CLEOPATRA. I will be even with thee, doubt it not. | |
ENOBARBUS. But why, why, | |
CLEOPATRA. Thou hast forspoke my being in these wars, | |
And say'st it is not fit. | |
ENOBARBUS. Well, is it, is it? | |
CLEOPATRA. Is't not denounc'd against us? Why should not we | |
Be there in person? | |
ENOBARBUS. [Aside] Well, I could reply: | |
If we should serve with horse and mares together | |
The horse were merely lost; the mares would bear | |
A soldier and his horse. | |
CLEOPATRA. What is't you say? | |
ENOBARBUS. Your presence needs must puzzle Antony; | |
Take from his heart, take from his brain, from's time, | |
What should not then be spar'd. He is already | |
Traduc'd for levity; and 'tis said in Rome | |
That Photinus an eunuch and your maids | |
Manage this war. | |
CLEOPATRA. Sink Rome, and their tongues rot | |
That speak against us! A charge we bear i' th' war, | |
And, as the president of my kingdom, will | |
Appear there for a man. Speak not against it; | |
I will not stay behind. | |
Enter ANTONY and CANIDIUS | |
ENOBARBUS. Nay, I have done. | |
Here comes the Emperor. | |
ANTONY. Is it not strange, Canidius, | |
That from Tarentum and Brundusium | |
He could so quickly cut the Ionian sea, | |
And take in Toryne?- You have heard on't, sweet? | |
CLEOPATRA. Celerity is never more admir'd | |
Than by the negligent. | |
ANTONY. A good rebuke, | |
Which might have well becom'd the best of men | |
To taunt at slackness. Canidius, we | |
Will fight with him by sea. | |
CLEOPATRA. By sea! What else? | |
CANIDIUS. Why will my lord do so? | |
ANTONY. For that he dares us to't. | |
ENOBARBUS. So hath my lord dar'd him to single fight. | |
CANIDIUS. Ay, and to wage this battle at Pharsalia, | |
Where Caesar fought with Pompey. But these offers, | |
Which serve not for his vantage, he shakes off; | |
And so should you. | |
ENOBARBUS. Your ships are not well mann'd; | |
Your mariners are muleteers, reapers, people | |
Ingross'd by swift impress. In Caesar's fleet | |
Are those that often have 'gainst Pompey fought; | |
Their ships are yare; yours heavy. No disgrace | |
Shall fall you for refusing him at sea, | |
Being prepar'd for land. | |
ANTONY. By sea, by sea. | |
ENOBARBUS. Most worthy sir, you therein throw away | |
The absolute soldiership you have by land; | |
Distract your army, which doth most consist | |
Of war-mark'd footmen; leave unexecuted | |
Your own renowned knowledge; quite forgo | |
The way which promises assurance; and | |
Give up yourself merely to chance and hazard | |
From firm security. | |
ANTONY. I'll fight at sea. | |
CLEOPATRA. I have sixty sails, Caesar none better. | |
ANTONY. Our overplus of shipping will we burn, | |
And, with the rest full-mann'd, from th' head of Actium | |
Beat th' approaching Caesar. But if we fail, | |
We then can do't at land. | |
Enter a MESSENGER | |
Thy business? | |
MESSENGER. The news is true, my lord: he is descried; | |
Caesar has taken Toryne. | |
ANTONY. Can he be there in person? 'Tis impossible- | |
Strange that his power should be. Canidius, | |
Our nineteen legions thou shalt hold by land, | |
And our twelve thousand horse. We'll to our ship. | |
Away, my Thetis! | |
Enter a SOLDIER | |
How now, worthy soldier? | |
SOLDIER. O noble Emperor, do not fight by sea; | |
Trust not to rotten planks. Do you misdoubt | |
This sword and these my wounds? Let th' Egyptians | |
And the Phoenicians go a-ducking; we | |
Have us'd to conquer standing on the earth | |
And fighting foot to foot. | |
ANTONY. Well, well- away. | |
Exeunt ANTONY, CLEOPATRA, and ENOBARBUS | |
SOLDIER. By Hercules, I think I am i' th' right. | |
CANIDIUS. Soldier, thou art; but his whole action grows | |
Not in the power on't. So our leader's led, | |
And we are women's men. | |
SOLDIER. You keep by land | |
The legions and the horse whole, do you not? | |
CANIDIUS. Marcus Octavius, Marcus Justeius, | |
Publicola, and Caelius are for sea; | |
But we keep whole by land. This speed of Caesar's | |
Carries beyond belief. | |
SOLDIER. While he was yet in Rome, | |
His power went out in such distractions as | |
Beguil'd all spies. | |
CANIDIUS. Who's his lieutenant, hear you? | |
SOLDIER. They say one Taurus. | |
CANIDIUS. Well I know the man. | |
Enter a MESSENGER | |
MESSENGER. The Emperor calls Canidius. | |
CANIDIUS. With news the time's with labour and throes forth | |
Each minute some. Exeunt | |
ACT_3|SC_8 | |
SCENE VIII. | |
A plain near Actium | |
Enter CAESAR, with his army, marching | |
CAESAR. Taurus! | |
TAURUS. My lord? | |
CAESAR. Strike not by land; keep whole; provoke not battle | |
Till we have done at sea. Do not exceed | |
The prescript of this scroll. Our fortune lies | |
Upon this jump. Exeunt | |
ACT_3|SC_9 | |
SCENE IX. | |
Another part of the plain | |
Enter ANTONY and ENOBARBUS | |
ANTONY. Set we our squadrons on yon side o' th' hill, | |
In eye of Caesar's battle; from which place | |
We may the number of the ships behold, | |
And so proceed accordingly. Exeunt | |
ACT_3|SC_10 | |
SCENE X. | |
Another part of the plain | |
CANIDIUS marcheth with his land army one way | |
over the stage, and TAURUS, the Lieutenant of | |
CAESAR, the other way. After their going in is heard | |
the noise of a sea-fight | |
Alarum. Enter ENOBARBUS | |
ENOBARBUS. Naught, naught, all naught! I can behold no longer. | |
Th' Antoniad, the Egyptian admiral, | |
With all their sixty, fly and turn the rudder. | |
To see't mine eyes are blasted. | |
Enter SCARUS | |
SCARUS. Gods and goddesses, | |
All the whole synod of them! | |
ENOBARBUS. What's thy passion? | |
SCARUS. The greater cantle of the world is lost | |
With very ignorance; we have kiss'd away | |
Kingdoms and provinces. | |
ENOBARBUS. How appears the fight? | |
SCARUS. On our side like the token'd pestilence, | |
Where death is sure. Yon ribaudred nag of Egypt- | |
Whom leprosy o'ertake!- i' th' midst o' th' fight, | |
When vantage like a pair of twins appear'd, | |
Both as the same, or rather ours the elder- | |
The breese upon her, like a cow in June- | |
Hoists sails and flies. | |
ENOBARBUS. That I beheld; | |
Mine eyes did sicken at the sight and could not | |
Endure a further view. | |
SCARUS. She once being loof'd, | |
The noble ruin of her magic, Antony, | |
Claps on his sea-wing, and, like a doting mallard, | |
Leaving the fight in height, flies after her. | |
I never saw an action of such shame; | |
Experience, manhood, honour, ne'er before | |
Did violate so itself. | |
ENOBARBUS. Alack, alack! | |
Enter CANIDIUS | |
CANIDIUS. Our fortune on the sea is out of breath, | |
And sinks most lamentably. Had our general | |
Been what he knew himself, it had gone well. | |
O, he has given example for our flight | |
Most grossly by his own! | |
ENOBARBUS. Ay, are you thereabouts? | |
Why then, good night indeed. | |
CANIDIUS. Toward Peloponnesus are they fled. | |
SCARUS. 'Tis easy to't; and there I will attend | |
What further comes. | |
CANIDIUS. To Caesar will I render | |
My legions and my horse; six kings already | |
Show me the way of yielding. | |
ENOBARBUS. I'll yet follow | |
The wounded chance of Antony, though my reason | |
Sits in the wind against me. Exeunt | |
ACT_3|SC_11 | |
SCENE XI. | |
Alexandria. CLEOPATRA'S palace | |
Enter ANTONY With attendants | |
ANTONY. Hark! the land bids me tread no more upon't; | |
It is asham'd to bear me. Friends, come hither. | |
I am so lated in the world that I | |
Have lost my way for ever. I have a ship | |
Laden with gold; take that; divide it. Fly, | |
And make your peace with Caesar. | |
ALL. Fly? Not we! | |
ANTONY. I have fled myself, and have instructed cowards | |
To run and show their shoulders. Friends, be gone; | |
I have myself resolv'd upon a course | |
Which has no need of you; be gone. | |
My treasure's in the harbour, take it. O, | |
I follow'd that I blush to look upon. | |
My very hairs do mutiny; for the white | |
Reprove the brown for rashness, and they them | |
For fear and doting. Friends, be gone; you shall | |
Have letters from me to some friends that will | |
Sweep your way for you. Pray you look not sad, | |
Nor make replies of loathness; take the hint | |
Which my despair proclaims. Let that be left | |
Which leaves itself. To the sea-side straight way. | |
I will possess you of that ship and treasure. | |
Leave me, I pray, a little; pray you now; | |
Nay, do so, for indeed I have lost command; | |
Therefore I pray you. I'll see you by and by. [Sits down] | |
Enter CLEOPATRA, led by CHARMIAN and IRAS, | |
EROS following | |
EROS. Nay, gentle madam, to him! Comfort him. | |
IRAS. Do, most dear Queen. | |
CHARMIAN. Do? Why, what else? | |
CLEOPATRA. Let me sit down. O Juno! | |
ANTONY. No, no, no, no, no. | |
EROS. See you here, sir? | |
ANTONY. O, fie, fie, fie! | |
CHARMIAN. Madam! | |
IRAS. Madam, O good Empress! | |
EROS. Sir, sir! | |
ANTONY. Yes, my lord, yes. He at Philippi kept | |
His sword e'en like a dancer, while I struck | |
The lean and wrinkled Cassius; and 'twas I | |
That the mad Brutus ended; he alone | |
Dealt on lieutenantry, and no practice had | |
In the brave squares of war. Yet now- no matter. | |
CLEOPATRA. Ah, stand by! | |
EROS. The Queen, my lord, the Queen! | |
IRAS. Go to him, madam, speak to him. | |
He is unqualitied with very shame. | |
CLEOPATRA. Well then, sustain me. O! | |
EROS. Most noble sir, arise; the Queen approaches. | |
Her head's declin'd, and death will seize her but | |
Your comfort makes the rescue. | |
ANTONY. I have offended reputation- | |
A most unnoble swerving. | |
EROS. Sir, the Queen. | |
ANTONY. O, whither hast thou led me, Egypt? See | |
How I convey my shame out of thine eyes | |
By looking back what I have left behind | |
'Stroy'd in dishonour. | |
CLEOPATRA. O my lord, my lord, | |
Forgive my fearful sails! I little thought | |
You would have followed. | |
ANTONY. Egypt, thou knew'st too well | |
My heart was to thy rudder tied by th' strings, | |
And thou shouldst tow me after. O'er my spirit | |
Thy full supremacy thou knew'st, and that | |
Thy beck might from the bidding of the gods | |
Command me. | |
CLEOPATRA. O, my pardon! | |
ANTONY. Now I must | |
To the young man send humble treaties, dodge | |
And palter in the shifts of lowness, who | |
With half the bulk o' th' world play'd as I pleas'd, | |
Making and marring fortunes. You did know | |
How much you were my conqueror, and that | |
My sword, made weak by my affection, would | |
Obey it on all cause. | |
CLEOPATRA. Pardon, pardon! | |
ANTONY. Fall not a tear, I say; one of them rates | |
All that is won and lost. Give me a kiss; | |
Even this repays me. | |
We sent our schoolmaster; is 'a come back? | |
Love, I am full of lead. Some wine, | |
Within there, and our viands! Fortune knows | |
We scorn her most when most she offers blows. Exeunt | |
ACT_3|SC_12 | |
SCENE XII. | |
CAESAR'S camp in Egypt | |
Enter CAESAR, AGRIPPA, DOLABELLA, THYREUS, with others | |
CAESAR. Let him appear that's come from Antony. | |
Know you him? | |
DOLABELLA. Caesar, 'tis his schoolmaster: | |
An argument that he is pluck'd, when hither | |
He sends so poor a pinion of his wing, | |
Which had superfluous kings for messengers | |
Not many moons gone by. | |
Enter EUPHRONIUS, Ambassador from ANTONY | |
CAESAR. Approach, and speak. | |
EUPHRONIUS. Such as I am, I come from Antony. | |
I was of late as petty to his ends | |
As is the morn-dew on the myrtle leaf | |
To his grand sea. | |
CAESAR. Be't so. Declare thine office. | |
EUPHRONIUS. Lord of his fortunes he salutes thee, and | |
Requires to live in Egypt; which not granted, | |
He lessens his requests and to thee sues | |
To let him breathe between the heavens and earth, | |
A private man in Athens. This for him. | |
Next, Cleopatra does confess thy greatness, | |
Submits her to thy might, and of thee craves | |
The circle of the Ptolemies for her heirs, | |
Now hazarded to thy grace. | |
CAESAR. For Antony, | |
I have no ears to his request. The Queen | |
Of audience nor desire shall fail, so she | |
From Egypt drive her all-disgraced friend, | |
Or take his life there. This if she perform, | |
She shall not sue unheard. So to them both. | |
EUPHRONIUS. Fortune pursue thee! | |
CAESAR. Bring him through the bands. Exit EUPHRONIUS | |
[To THYREUS] To try thy eloquence, now 'tis time. Dispatch; | |
From Antony win Cleopatra. Promise, | |
And in our name, what she requires; add more, | |
From thine invention, offers. Women are not | |
In their best fortunes strong; but want will perjure | |
The ne'er-touch'd vestal. Try thy cunning, Thyreus; | |
Make thine own edict for thy pains, which we | |
Will answer as a law. | |
THYREUS. Caesar, I go. | |
CAESAR. Observe how Antony becomes his flaw, | |
And what thou think'st his very action speaks | |
In every power that moves. | |
THYREUS. Caesar, I shall. Exeunt | |
ACT_3|SC_13 | |
SCENE XIII. | |
Alexandria. CLEOPATRA'S palace | |
Enter CLEOPATRA, ENOBARBUS, CHARMIAN, and IRAS | |
CLEOPATRA. What shall we do, Enobarbus? | |
ENOBARBUS. Think, and die. | |
CLEOPATRA. Is Antony or we in fault for this? | |
ENOBARBUS. Antony only, that would make his will | |
Lord of his reason. What though you fled | |
From that great face of war, whose several ranges | |
Frighted each other? Why should he follow? | |
The itch of his affection should not then | |
Have nick'd his captainship, at such a point, | |
When half to half the world oppos'd, he being | |
The mered question. 'Twas a shame no less | |
Than was his loss, to course your flying flags | |
And leave his navy gazing. | |
CLEOPATRA. Prithee, peace. | |
Enter EUPHRONIUS, the Ambassador; with ANTONY | |
ANTONY. Is that his answer? | |
EUPHRONIUS. Ay, my lord. | |
ANTONY. The Queen shall then have courtesy, so she | |
Will yield us up. | |
EUPHRONIUS. He says so. | |
ANTONY. Let her know't. | |
To the boy Caesar send this grizzled head, | |
And he will fill thy wishes to the brim | |
With principalities. | |
CLEOPATRA. That head, my lord? | |
ANTONY. To him again. Tell him he wears the rose | |
Of youth upon him; from which the world should note | |
Something particular. His coin, ships, legions, | |
May be a coward's whose ministers would prevail | |
Under the service of a child as soon | |
As i' th' command of Caesar. I dare him therefore | |
To lay his gay comparisons apart, | |
And answer me declin'd, sword against sword, | |
Ourselves alone. I'll write it. Follow me. | |
Exeunt ANTONY and EUPHRONIUS | |
EUPHRONIUS. [Aside] Yes, like enough high-battled Caesar will | |
Unstate his happiness, and be stag'd to th' show | |
Against a sworder! I see men's judgments are | |
A parcel of their fortunes, and things outward | |
Do draw the inward quality after them, | |
To suffer all alike. That he should dream, | |
Knowing all measures, the full Caesar will | |
Answer his emptiness! Caesar, thou hast subdu'd | |
His judgment too. | |
Enter a SERVANT | |
SERVANT. A messenger from Caesar. | |
CLEOPATRA. What, no more ceremony? See, my women! | |
Against the blown rose may they stop their nose | |
That kneel'd unto the buds. Admit him, sir. Exit SERVANT | |
ENOBARBUS. [Aside] Mine honesty and I begin to square. | |
The loyalty well held to fools does make | |
Our faith mere folly. Yet he that can endure | |
To follow with allegiance a fall'n lord | |
Does conquer him that did his master conquer, | |
And earns a place i' th' story. | |
Enter THYREUS | |
CLEOPATRA. Caesar's will? | |
THYREUS. Hear it apart. | |
CLEOPATRA. None but friends: say boldly. | |
THYREUS. So, haply, are they friends to Antony. | |
ENOBARBUS. He needs as many, sir, as Caesar has, | |
Or needs not us. If Caesar please, our master | |
Will leap to be his friend. For us, you know | |
Whose he is we are, and that is Caesar's. | |
THYREUS. So. | |
Thus then, thou most renown'd: Caesar entreats | |
Not to consider in what case thou stand'st | |
Further than he is Caesar. | |
CLEOPATRA. Go on. Right royal! | |
THYREUS. He knows that you embrace not Antony | |
As you did love, but as you fear'd him. | |
CLEOPATRA. O! | |
THYREUS. The scars upon your honour, therefore, he | |
Does pity, as constrained blemishes, | |
Not as deserv'd. | |
CLEOPATRA. He is a god, and knows | |
What is most right. Mine honour was not yielded, | |
But conquer'd merely. | |
ENOBARBUS. [Aside] To be sure of that, | |
I will ask Antony. Sir, sir, thou art so leaky | |
That we must leave thee to thy sinking, for | |
Thy dearest quit thee. Exit | |
THYREUS. Shall I say to Caesar | |
What you require of him? For he partly begs | |
To be desir'd to give. It much would please him | |
That of his fortunes you should make a staff | |
To lean upon. But it would warm his spirits | |
To hear from me you had left Antony, | |
And put yourself under his shroud, | |
The universal landlord. | |
CLEOPATRA. What's your name? | |
THYREUS. My name is Thyreus. | |
CLEOPATRA. Most kind messenger, | |
Say to great Caesar this: in deputation | |
I kiss his conquring hand. Tell him I am prompt | |
To lay my crown at 's feet, and there to kneel. | |
Tell him from his all-obeying breath I hear | |
The doom of Egypt. | |
THYREUS. 'Tis your noblest course. | |
Wisdom and fortune combating together, | |
If that the former dare but what it can, | |
No chance may shake it. Give me grace to lay | |
My duty on your hand. | |
CLEOPATRA. Your Caesar's father oft, | |
When he hath mus'd of taking kingdoms in, | |
Bestow'd his lips on that unworthy place, | |
As it rain'd kisses. | |
Re-enter ANTONY and ENOBARBUS | |
ANTONY. Favours, by Jove that thunders! | |
What art thou, fellow? | |
THYREUS. One that but performs | |
The bidding of the fullest man, and worthiest | |
To have command obey'd. | |
ENOBARBUS. [Aside] You will be whipt. | |
ANTONY. Approach there.- Ah, you kite!- Now, gods and devils! | |
Authority melts from me. Of late, when I cried 'Ho!' | |
Like boys unto a muss, kings would start forth | |
And cry 'Your will?' Have you no ears? I am | |
Antony yet. | |
Enter servants | |
Take hence this Jack and whip him. | |
ENOBARBUS. 'Tis better playing with a lion's whelp | |
Than with an old one dying. | |
ANTONY. Moon and stars! | |
Whip him. Were't twenty of the greatest tributaries | |
That do acknowledge Caesar, should I find them | |
So saucy with the hand of she here- what's her name | |
Since she was Cleopatra? Whip him, fellows, | |
Till like a boy you see him cringe his face, | |
And whine aloud for mercy. Take him hence. | |
THYMUS. Mark Antony- | |
ANTONY. Tug him away. Being whipt, | |
Bring him again: the Jack of Caesar's shall | |
Bear us an errand to him. Exeunt servants with THYREUS | |
You were half blasted ere I knew you. Ha! | |
Have I my pillow left unpress'd in Rome, | |
Forborne the getting of a lawful race, | |
And by a gem of women, to be abus'd | |
By one that looks on feeders? | |
CLEOPATRA. Good my lord- | |
ANTONY. You have been a boggler ever. | |
But when we in our viciousness grow hard- | |
O misery on't!- the wise gods seel our eyes, | |
In our own filth drop our clear judgments, make us | |
Adore our errors, laugh at's while we strut | |
To our confusion. | |
CLEOPATRA. O, is't come to this? | |
ANTONY. I found you as a morsel cold upon | |
Dead Caesar's trencher. Nay, you were a fragment | |
Of Cneius Pompey's, besides what hotter hours, | |
Unregist'red in vulgar fame, you have | |
Luxuriously pick'd out; for I am sure, | |
Though you can guess what temperance should be, | |
You know not what it is. | |
CLEOPATRA. Wherefore is this? | |
ANTONY. To let a fellow that will take rewards, | |
And say 'God quit you!' be familiar with | |
My playfellow, your hand, this kingly seal | |
And plighter of high hearts! O that I were | |
Upon the hill of Basan to outroar | |
The horned herd! For I have savage cause, | |
And to proclaim it civilly were like | |
A halter'd neck which does the hangman thank | |
For being yare about him. | |
Re-enter a SERVANT with THYREUS | |
Is he whipt? | |
SERVANT. Soundly, my lord. | |
ANTONY. Cried he? and begg'd 'a pardon? | |
SERVANT. He did ask favour. | |
ANTONY. If that thy father live, let him repent | |
Thou wast not made his daughter; and be thou sorry | |
To follow Caesar in his triumph, since | |
Thou hast been whipt for following him. Henceforth | |
The white hand of a lady fever thee! | |
Shake thou to look on't. Get thee back to Caesar; | |
Tell him thy entertainment; look thou say | |
He makes me angry with him; for he seems | |
Proud and disdainful, harping on what I am, | |
Not what he knew I was. He makes me angry; | |
And at this time most easy 'tis to do't, | |
When my good stars, that were my former guides, | |
Have empty left their orbs and shot their fires | |
Into th' abysm of hell. If he mislike | |
My speech and what is done, tell him he has | |
Hipparchus, my enfranched bondman, whom | |
He may at pleasure whip or hang or torture, | |
As he shall like, to quit me. Urge it thou. | |
Hence with thy stripes, be gone. Exit THYREUS | |
CLEOPATRA. Have you done yet? | |
ANTONY. Alack, our terrene moon | |
Is now eclips'd, and it portends alone | |
The fall of Antony. | |
CLEOPATRA. I must stay his time. | |
ANTONY. To flatter Caesar, would you mingle eyes | |
With one that ties his points? | |
CLEOPATRA. Not know me yet? | |
ANTONY. Cold-hearted toward me? | |
CLEOPATRA. Ah, dear, if I be so, | |
From my cold heart let heaven engender hail, | |
And poison it in the source, and the first stone | |
Drop in my neck; as it determines, so | |
Dissolve my life! The next Caesarion smite! | |
Till by degrees the memory of my womb, | |
Together with my brave Egyptians all, | |
By the discandying of this pelleted storm, | |
Lie graveless, till the flies and gnats of Nile | |
Have buried them for prey. | |
ANTONY. I am satisfied. | |
Caesar sits down in Alexandria, where | |
I will oppose his fate. Our force by land | |
Hath nobly held; our sever'd navy to | |
Have knit again, and fleet, threat'ning most sea-like. | |
Where hast thou been, my heart? Dost thou hear, lady? | |
If from the field I shall return once more | |
To kiss these lips, I will appear in blood. | |
I and my sword will earn our chronicle. | |
There's hope in't yet. | |
CLEOPATRA. That's my brave lord! | |
ANTONY. I will be treble-sinew'd, hearted, breath'd, | |
And fight maliciously. For when mine hours | |
Were nice and lucky, men did ransom lives | |
Of me for jests; but now I'll set my teeth, | |
And send to darkness all that stop me. Come, | |
Let's have one other gaudy night. Call to me | |
All my sad captains; fill our bowls once more; | |
Let's mock the midnight bell. | |
CLEOPATRA. It is my birthday. | |
I had thought t'have held it poor; but since my lord | |
Is Antony again, I will be Cleopatra. | |
ANTONY. We will yet do well. | |
CLEOPATRA. Call all his noble captains to my lord. | |
ANTONY. Do so, we'll speak to them; and to-night I'll force | |
The wine peep through their scars. Come on, my queen, | |
There's sap in't yet. The next time I do fight | |
I'll make death love me; for I will contend | |
Even with his pestilent scythe. Exeunt all but ENOBARBUS | |
ENOBARBUS. Now he'll outstare the lightning. To be furious | |
Is to be frighted out of fear, and in that mood | |
The dove will peck the estridge; and I see still | |
A diminution in our captain's brain | |
Restores his heart. When valour preys on reason, | |
It eats the sword it fights with. I will seek | |
Some way to leave him. Exit | |
ACT_4|SC_1 | |
ACT IV. SCENE I. | |
CAESAR'S camp before Alexandria | |
Enter CAESAR, AGRIPPA, and MAECENAS, with his army; | |
CAESAR reading a letter | |
CAESAR. He calls me boy, and chides as he had power | |
To beat me out of Egypt. My messenger | |
He hath whipt with rods; dares me to personal combat, | |
Caesar to Antony. Let the old ruffian know | |
I have many other ways to die, meantime | |
Laugh at his challenge. | |
MAECENAS. Caesar must think | |
When one so great begins to rage, he's hunted | |
Even to falling. Give him no breath, but now | |
Make boot of his distraction. Never anger | |
Made good guard for itself. | |
CAESAR. Let our best heads | |
Know that to-morrow the last of many battles | |
We mean to fight. Within our files there are | |
Of those that serv'd Mark Antony but late | |
Enough to fetch him in. See it done; | |
And feast the army; we have store to do't, | |
And they have earn'd the waste. Poor Antony! Exeunt | |
ACT_4|SC_2 | |
SCENE II. | |
Alexandria. CLEOPATRA's palace | |
Enter ANTONY, CLEOPATRA, ENOBARBUS, CHARMIAN, IRAS, | |
ALEXAS, with others | |
ANTONY. He will not fight with me, Domitius? | |
ENOBARBUS. No. | |
ANTONY. Why should he not? | |
ENOBARBUS. He thinks, being twenty times of better fortune, | |
He is twenty men to one. | |
ANTONY. To-morrow, soldier, | |
By sea and land I'll fight. Or I will live, | |
Or bathe my dying honour in the blood | |
Shall make it live again. Woo't thou fight well? | |
ENOBARBUS. I'll strike, and cry 'Take all.' | |
ANTONY. Well said; come on. | |
Call forth my household servants; let's to-night | |
Be bounteous at our meal. | |
Enter three or four servitors | |
Give me thy hand, | |
Thou has been rightly honest. So hast thou; | |
Thou, and thou, and thou. You have serv'd me well, | |
And kings have been your fellows. | |
CLEOPATRA. [Aside to ENOBARBUS] What means this? | |
ENOBARBUS. [Aside to CLEOPATRA] 'Tis one of those odd tricks which | |
sorrow shoots | |
Out of the mind. | |
ANTONY. And thou art honest too. | |
I wish I could be made so many men, | |
And all of you clapp'd up together in | |
An Antony, that I might do you service | |
So good as you have done. | |
SERVANT. The gods forbid! | |
ANTONY. Well, my good fellows, wait on me to-night. | |
Scant not my cups, and make as much of me | |
As when mine empire was your fellow too, | |
And suffer'd my command. | |
CLEOPATRA. [Aside to ENOBARBUS] What does he mean? | |
ENOBARBUS. [Aside to CLEOPATRA] To make his followers weep. | |
ANTONY. Tend me to-night; | |
May be it is the period of your duty. | |
Haply you shall not see me more; or if, | |
A mangled shadow. Perchance to-morrow | |
You'll serve another master. I look on you | |
As one that takes his leave. Mine honest friends, | |
I turn you not away; but, like a master | |
Married to your good service, stay till death. | |
Tend me to-night two hours, I ask no more, | |
And the gods yield you for't! | |
ENOBARBUS. What mean you, sir, | |
To give them this discomfort? Look, they weep; | |
And I, an ass, am onion-ey'd. For shame! | |
Transform us not to women. | |
ANTONY. Ho, ho, ho! | |
Now the witch take me if I meant it thus! | |
Grace grow where those drops fall! My hearty friends, | |
You take me in too dolorous a sense; | |
For I spake to you for your comfort, did desire you | |
To burn this night with torches. Know, my hearts, | |
I hope well of to-morrow, and will lead you | |
Where rather I'll expect victorious life | |
Than death and honour. Let's to supper, come, | |
And drown consideration. Exeunt | |
ACT_4|SC_3 | |
SCENE III. | |
Alexandria. Before CLEOPATRA's palace | |
Enter a company of soldiers | |
FIRST SOLDIER. Brother, good night. To-morrow is the day. | |
SECOND SOLDIER. It will determine one way. Fare you well. | |
Heard you of nothing strange about the streets? | |
FIRST SOLDIER. Nothing. What news? | |
SECOND SOLDIER. Belike 'tis but a rumour. Good night to you. | |
FIRST SOLDIER. Well, sir, good night. | |
[They meet other soldiers] | |
SECOND SOLDIER. Soldiers, have careful watch. | |
FIRST SOLDIER. And you. Good night, good night. | |
[The two companies separate and place themselves | |
in every corner of the stage] | |
SECOND SOLDIER. Here we. And if to-morrow | |
Our navy thrive, I have an absolute hope | |
Our landmen will stand up. | |
THIRD SOLDIER. 'Tis a brave army, | |
And full of purpose. | |
[Music of the hautboys is under the stage] | |
SECOND SOLDIER. Peace, what noise? | |
THIRD SOLDIER. List, list! | |
SECOND SOLDIER. Hark! | |
THIRD SOLDIER. Music i' th' air. | |
FOURTH SOLDIER. Under the earth. | |
THIRD SOLDIER. It signs well, does it not? | |
FOURTH SOLDIER. No. | |
THIRD SOLDIER. Peace, I say! | |
What should this mean? | |
SECOND SOLDIER. 'Tis the god Hercules, whom Antony lov'd, | |
Now leaves him. | |
THIRD SOLDIER. Walk; let's see if other watchmen | |
Do hear what we do. | |
SECOND SOLDIER. How now, masters! | |
SOLDIERS. [Speaking together] How now! | |
How now! Do you hear this? | |
FIRST SOLDIER. Ay; is't not strange? | |
THIRD SOLDIER. Do you hear, masters? Do you hear? | |
FIRST SOLDIER. Follow the noise so far as we have quarter; | |
Let's see how it will give off. | |
SOLDIERS. Content. 'Tis strange. Exeunt | |
ACT_4|SC_4 | |
SCENE IV. | |
Alexandria. CLEOPATRA's palace | |
Enter ANTONY and CLEOPATRA, CHARMIAN, IRAS, | |
with others | |
ANTONY. Eros! mine armour, Eros! | |
CLEOPATRA. Sleep a little. | |
ANTONY. No, my chuck. Eros! Come, mine armour, Eros! | |
Enter EROS with armour | |
Come, good fellow, put mine iron on. | |
If fortune be not ours to-day, it is | |
Because we brave her. Come. | |
CLEOPATRA. Nay, I'll help too. | |
What's this for? | |
ANTONY. Ah, let be, let be! Thou art | |
The armourer of my heart. False, false; this, this. | |
CLEOPATRA. Sooth, la, I'll help. Thus it must be. | |
ANTONY. Well, well; | |
We shall thrive now. Seest thou, my good fellow? | |
Go put on thy defences. | |
EROS. Briefly, sir. | |
CLEOPATRA. Is not this buckled well? | |
ANTONY. Rarely, rarely! | |
He that unbuckles this, till we do please | |
To daff't for our repose, shall hear a storm. | |
Thou fumblest, Eros, and my queen's a squire | |
More tight at this than thou. Dispatch. O love, | |
That thou couldst see my wars to-day, and knew'st | |
The royal occupation! Thou shouldst see | |
A workman in't. | |
Enter an armed SOLDIER | |
Good-morrow to thee. Welcome. | |
Thou look'st like him that knows a warlike charge. | |
To business that we love we rise betime, | |
And go to't with delight. | |
SOLDIER. A thousand, sir, | |
Early though't be, have on their riveted trim, | |
And at the port expect you. | |
[Shout. Flourish of trumpets within] | |
Enter CAPTAINS and soldiers | |
CAPTAIN. The morn is fair. Good morrow, General. | |
ALL. Good morrow, General. | |
ANTONY. 'Tis well blown, lads. | |
This morning, like the spirit of a youth | |
That means to be of note, begins betimes. | |
So, so. Come, give me that. This way. Well said. | |
Fare thee well, dame, whate'er becomes of me. | |
This is a soldier's kiss. Rebukeable, | |
And worthy shameful check it were, to stand | |
On more mechanic compliment; I'll leave thee | |
Now like a man of steel. You that will fight, | |
Follow me close; I'll bring you to't. Adieu. | |
Exeunt ANTONY, EROS, CAPTAINS and soldiers | |
CHARMIAN. Please you retire to your chamber? | |
CLEOPATRA. Lead me. | |
He goes forth gallantly. That he and Caesar might | |
Determine this great war in single fight! | |
Then, Antony- but now. Well, on. Exeunt | |
ACT_4|SC_5 | |
SCENE V. | |
Alexandria. ANTONY'S camp | |
Trumpets sound. Enter ANTONY and EROS, a SOLDIER | |
meeting them | |
SOLDIER. The gods make this a happy day to Antony! | |
ANTONY. Would thou and those thy scars had once prevail'd | |
To make me fight at land! | |
SOLDIER. Hadst thou done so, | |
The kings that have revolted, and the soldier | |
That has this morning left thee, would have still | |
Followed thy heels. | |
ANTONY. Who's gone this morning? | |
SOLDIER. Who? | |
One ever near thee. Call for Enobarbus, | |
He shall not hear thee; or from Caesar's camp | |
Say 'I am none of thine.' | |
ANTONY. What say'st thou? | |
SOLDIER. Sir, | |
He is with Caesar. | |
EROS. Sir, his chests and treasure | |
He has not with him. | |
ANTONY. Is he gone? | |
SOLDIER. Most certain. | |
ANTONY. Go, Eros, send his treasure after; do it; | |
Detain no jot, I charge thee. Write to him- | |
I will subscribe- gentle adieus and greetings; | |
Say that I wish he never find more cause | |
To change a master. O, my fortunes have | |
Corrupted honest men! Dispatch. Enobarbus! Exeunt | |
ACT_4|SC_6 | |
SCENE VI. | |
Alexandria. CAESAR'S camp | |
Flourish. Enter AGRIPPA, CAESAR, With DOLABELLA | |
and ENOBARBUS | |
CAESAR. Go forth, Agrippa, and begin the fight. | |
Our will is Antony be took alive; | |
Make it so known. | |
AGRIPPA. Caesar, I shall. Exit | |
CAESAR. The time of universal peace is near. | |
Prove this a prosp'rous day, the three-nook'd world | |
Shall bear the olive freely. | |
Enter A MESSENGER | |
MESSENGER. Antony | |
Is come into the field. | |
CAESAR. Go charge Agrippa | |
Plant those that have revolted in the vant, | |
That Antony may seem to spend his fury | |
Upon himself. Exeunt all but ENOBARBUS | |
ENOBARBUS. Alexas did revolt and went to Jewry on | |
Affairs of Antony; there did dissuade | |
Great Herod to incline himself to Caesar | |
And leave his master Antony. For this pains | |
Casaer hath hang'd him. Canidius and the rest | |
That fell away have entertainment, but | |
No honourable trust. I have done ill, | |
Of which I do accuse myself so sorely | |
That I will joy no more. | |
Enter a SOLDIER of CAESAR'S | |
SOLDIER. Enobarbus, Antony | |
Hath after thee sent all thy treasure, with | |
His bounty overplus. The messenger | |
Came on my guard, and at thy tent is now | |
Unloading of his mules. | |
ENOBARBUS. I give it you. | |
SOLDIER. Mock not, Enobarbus. | |
I tell you true. Best you saf'd the bringer | |
Out of the host. I must attend mine office, | |
Or would have done't myself. Your emperor | |
Continues still a Jove. Exit | |
ENOBARBUS. I am alone the villain of the earth, | |
And feel I am so most. O Antony, | |
Thou mine of bounty, how wouldst thou have paid | |
My better service, when my turpitude | |
Thou dost so crown with gold! This blows my heart. | |
If swift thought break it not, a swifter mean | |
Shall outstrike thought; but thought will do't, I feel. | |
I fight against thee? No! I will go seek | |
Some ditch wherein to die; the foul'st best fits | |
My latter part of life. Exit | |
ACT_4|SC_7 | |
SCENE VII. | |
Field of battle between the camps | |
Alarum. Drums and trumpets. Enter AGRIPPA | |
and others | |
AGRIPPA. Retire. We have engag'd ourselves too far. | |
Caesar himself has work, and our oppression | |
Exceeds what we expected. Exeunt | |
Alarums. Enter ANTONY, and SCARUS wounded | |
SCARUS. O my brave Emperor, this is fought indeed! | |
Had we done so at first, we had droven them home | |
With clouts about their heads. | |
ANTONY. Thou bleed'st apace. | |
SCARUS. I had a wound here that was like a T, | |
But now 'tis made an H. | |
ANTONY. They do retire. | |
SCARUS. We'll beat'em into bench-holes. I have yet | |
Room for six scotches more. | |
Enter EROS | |
EROS. They are beaten, sir, and our advantage serves | |
For a fair victory. | |
SCARUS. Let us score their backs | |
And snatch 'em up, as we take hares, behind. | |
'Tis sport to maul a runner. | |
ANTONY. I will reward thee | |
Once for thy sprightly comfort, and tenfold | |
For thy good valour. Come thee on. | |
SCARUS. I'll halt after. Exeunt | |
ACT_4|SC_8 | |
SCENE VIII. | |
Under the walls of Alexandria | |
Alarum. Enter ANTONY, again in a march; SCARUS | |
with others | |
ANTONY. We have beat him to his camp. Run one before | |
And let the Queen know of our gests. To-morrow, | |
Before the sun shall see's, we'll spill the blood | |
That has to-day escap'd. I thank you all; | |
For doughty-handed are you, and have fought | |
Not as you serv'd the cause, but as't had been | |
Each man's like mine; you have shown all Hectors. | |
Enter the city, clip your wives, your friends, | |
Tell them your feats; whilst they with joyful tears | |
Wash the congealment from your wounds and kiss | |
The honour'd gashes whole. | |
Enter CLEOPATRA, attended | |
[To SCARUS] Give me thy hand- | |
To this great fairy I'll commend thy acts, | |
Make her thanks bless thee. O thou day o' th' world, | |
Chain mine arm'd neck. Leap thou, attire and all, | |
Through proof of harness to my heart, and there | |
Ride on the pants triumphing. | |
CLEOPATRA. Lord of lords! | |
O infinite virtue, com'st thou smiling from | |
The world's great snare uncaught? | |
ANTONY. Mine nightingale, | |
We have beat them to their beds. What, girl! though grey | |
Do something mingle with our younger brown, yet ha' we | |
A brain that nourishes our nerves, and can | |
Get goal for goal of youth. Behold this man; | |
Commend unto his lips thy favouring hand- | |
Kiss it, my warrior- he hath fought to-day | |
As if a god in hate of mankind had | |
Destroyed in such a shape. | |
CLEOPATRA. I'll give thee, friend, | |
An armour all of gold; it was a king's. | |
ANTONY. He has deserv'd it, were it carbuncled | |
Like holy Phoebus' car. Give me thy hand. | |
Through Alexandria make a jolly march; | |
Bear our hack'd targets like the men that owe them. | |
Had our great palace the capacity | |
To camp this host, we all would sup together, | |
And drink carouses to the next day's fate, | |
Which promises royal peril. Trumpeters, | |
With brazen din blast you the city's ear; | |
Make mingle with our rattling tabourines, | |
That heaven and earth may strike their sounds together | |
Applauding our approach. Exeunt | |
ACT_4|SC_9 | |
SCENE IX. | |
CAESAR'S camp | |
Enter a CENTURION and his company; ENOBARBUS follows | |
CENTURION. If we be not reliev'd within this hour, | |
We must return to th' court of guard. The night | |
Is shiny, and they say we shall embattle | |
By th' second hour i' th' morn. | |
FIRST WATCH. This last day was | |
A shrewd one to's. | |
ENOBARBUS. O, bear me witness, night- | |
SECOND WATCH. What man is this? | |
FIRST WATCH. Stand close and list him. | |
ENOBARBUS. Be witness to me, O thou blessed moon, | |
When men revolted shall upon record | |
Bear hateful memory, poor Enobarbus did | |
Before thy face repent! | |
CENTURION. Enobarbus? | |
SECOND WATCH. Peace! | |
Hark further. | |
ENOBARBUS. O sovereign mistress of true melancholy, | |
The poisonous damp of night disponge upon me, | |
That life, a very rebel to my will, | |
May hang no longer on me. Throw my heart | |
Against the flint and hardness of my fault, | |
Which, being dried with grief, will break to powder, | |
And finish all foul thoughts. O Antony, | |
Nobler than my revolt is infamous, | |
Forgive me in thine own particular, | |
But let the world rank me in register | |
A master-leaver and a fugitive! | |
O Antony! O Antony! [Dies] | |
FIRST WATCH. Let's speak to him. | |
CENTURION. Let's hear him, for the things he speaks | |
May concern Caesar. | |
SECOND WATCH. Let's do so. But he sleeps. | |
CENTURION. Swoons rather; for so bad a prayer as his | |
Was never yet for sleep. | |
FIRST WATCH. Go we to him. | |
SECOND WATCH. Awake, sir, awake; speak to us. | |
FIRST WATCH. Hear you, sir? | |
CENTURION. The hand of death hath raught him. | |
[Drums afar off ] Hark! the drums | |
Demurely wake the sleepers. Let us bear him | |
To th' court of guard; he is of note. Our hour | |
Is fully out. | |
SECOND WATCH. Come on, then; | |
He may recover yet. Exeunt with the body | |
ACT_4|SC_10 | |
SCENE X. | |
Between the two camps | |
Enter ANTONY and SCARUS, with their army | |
ANTONY. Their preparation is to-day by sea; | |
We please them not by land. | |
SCARUS. For both, my lord. | |
ANTONY. I would they'd fight i' th' fire or i' th' air; | |
We'd fight there too. But this it is, our foot | |
Upon the hills adjoining to the city | |
Shall stay with us- Order for sea is given; | |
They have put forth the haven- | |
Where their appointment we may best discover | |
And look on their endeavour. Exeunt | |
ACT_4|SC_11 | |
SCENE XI. | |
Between the camps | |
Enter CAESAR and his army | |
CAESAR. But being charg'd, we will be still by land, | |
Which, as I take't, we shall; for his best force | |
Is forth to man his galleys. To the vales, | |
And hold our best advantage. Exeunt | |
ACT_4|SC_12 | |
SCENE XII. | |
A hill near Alexandria | |
Enter ANTONY and SCARUS | |
ANTONY. Yet they are not join'd. Where yond pine does stand | |
I shall discover all. I'll bring thee word | |
Straight how 'tis like to go. Exit | |
SCARUS. Swallows have built | |
In Cleopatra's sails their nests. The augurers | |
Say they know not, they cannot tell; look grimly, | |
And dare not speak their knowledge. Antony | |
Is valiant and dejected; and by starts | |
His fretted fortunes give him hope and fear | |
Of what he has and has not. | |
[Alarum afar off, as at a sea-fight] | |
Re-enter ANTONY | |
ANTONY. All is lost! | |
This foul Egyptian hath betrayed me. | |
My fleet hath yielded to the foe, and yonder | |
They cast their caps up and carouse together | |
Like friends long lost. Triple-turn'd whore! 'tis thou | |
Hast sold me to this novice; and my heart | |
Makes only wars on thee. Bid them all fly; | |
For when I am reveng'd upon my charm, | |
I have done all. Bid them all fly; begone. Exit SCARUS | |
O sun, thy uprise shall I see no more! | |
Fortune and Antony part here; even here | |
Do we shake hands. All come to this? The hearts | |
That spaniel'd me at heels, to whom I gave | |
Their wishes, do discandy, melt their sweets | |
On blossoming Caesar; and this pine is bark'd | |
That overtopp'd them all. Betray'd I am. | |
O this false soul of Egypt! this grave charm- | |
Whose eye beck'd forth my wars and call'd them home, | |
Whose bosom was my crownet, my chief end- | |
Like a right gypsy hath at fast and loose | |
Beguil'd me to the very heart of loss. | |
What, Eros, Eros! | |
Enter CLEOPATRA | |
Ah, thou spell! Avaunt! | |
CLEOPATRA. Why is my lord enrag'd against his love? | |
ANTONY. Vanish, or I shall give thee thy deserving | |
And blemish Caesar's triumph. Let him take thee | |
And hoist thee up to the shouting plebeians; | |
Follow his chariot, like the greatest spot | |
Of all thy sex; most monster-like, be shown | |
For poor'st diminutives, for doits, and let | |
Patient Octavia plough thy visage up | |
With her prepared nails. Exit CLEOPATRA | |
'Tis well th'art gone, | |
If it be well to live; but better 'twere | |
Thou fell'st into my fury, for one death | |
Might have prevented many. Eros, ho! | |
The shirt of Nessus is upon me; teach me, | |
Alcides, thou mine ancestor, thy rage; | |
Let me lodge Lichas on the horns o' th' moon, | |
And with those hands that grasp'd the heaviest club | |
Subdue my worthiest self. The witch shall die. | |
To the young Roman boy she hath sold me, and I fall | |
Under this plot. She dies for't. Eros, ho! Exit | |
ACT_4|SC_13 | |
SCENE XIII. | |
Alexandria. CLEOPATRA's palace | |
Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN | |
CLEOPATRA. Help me, my women. O, he is more mad | |
Than Telamon for his shield; the boar of Thessaly | |
Was never so emboss'd. | |
CHARMIAN. To th'monument! | |
There lock yourself, and send him word you are dead. | |
The soul and body rive not more in parting | |
Than greatness going off. | |
CLEOPATRA. To th' monument! | |
Mardian, go tell him I have slain myself; | |
Say that the last I spoke was 'Antony' | |
And word it, prithee, piteously. Hence, Mardian, | |
And bring me how he takes my death. To th' monument! | |
Exeunt | |
ACT_4|SC_14 | |
SCENE XIV. | |
CLEOPATRA'S palace | |
Enter ANTONY and EROS | |
ANTONY. Eros, thou yet behold'st me? | |
EROS. Ay, noble lord. | |
ANTONY. Sometime we see a cloud that's dragonish; | |
A vapour sometime like a bear or lion, | |
A tower'd citadel, a pendent rock, | |
A forked mountain, or blue promontory | |
With trees upon't that nod unto the world | |
And mock our eyes with air. Thou hast seen these signs; | |
They are black vesper's pageants. | |
EROS. Ay, my lord. | |
ANTONY. That which is now a horse, even with a thought | |
The rack dislimns, and makes it indistinct, | |
As water is in water. | |
EROS. It does, my lord. | |
ANTONY. My good knave Eros, now thy captain is | |
Even such a body. Here I am Antony; | |
Yet cannot hold this visible shape, my knave. | |
I made these wars for Egypt; and the Queen- | |
Whose heart I thought I had, for she had mine, | |
Which, whilst it was mine, had annex'd unto't | |
A million moe, now lost- she, Eros, has | |
Pack'd cards with Caesar, and false-play'd my glory | |
Unto an enemy's triumph. | |
Nay, weep not, gentle Eros; there is left us | |
Ourselves to end ourselves. | |
Enter MARDIAN | |
O, thy vile lady! | |
She has robb'd me of my sword. | |
MARDIAN. No, Antony; | |
My mistress lov'd thee, and her fortunes mingled | |
With thine entirely. | |
ANTONY. Hence, saucy eunuch; peace! | |
She hath betray'd me, and shall die the death. | |
MARDIAN. Death of one person can be paid but once, | |
And that she has discharg'd. What thou wouldst do | |
Is done unto thy hand. The last she spake | |
Was 'Antony! most noble Antony!' | |
Then in the midst a tearing groan did break | |
The name of Antony; it was divided | |
Between her heart and lips. She rend'red life, | |
Thy name so buried in her. | |
ANTONY. Dead then? | |
MARDIAN. Dead. | |
ANTONY. Unarm, Eros; the long day's task is done, | |
And we must sleep. That thou depart'st hence safe | |
Does pay thy labour richly. Go. Exit MARDIAN | |
Off, pluck off! | |
The sevenfold shield of Ajax cannot keep | |
The battery from my heart. O, cleave, my sides! | |
Heart, once be stronger than thy continent, | |
Crack thy frail case. Apace, Eros, apace.- | |
No more a soldier. Bruised pieces, go; | |
You have been nobly borne.- From me awhile. Exit EROS | |
I will o'ertake thee, Cleopatra, and | |
Weep for my pardon. So it must be, for now | |
All length is torture. Since the torch is out, | |
Lie down, and stray no farther. Now all labour | |
Mars what it does; yea, very force entangles | |
Itself with strength. Seal then, and all is done. | |
Eros!- I come, my queen.- Eros!- Stay for me; | |
Where souls do couch on flowers, we'll hand in hand, | |
And with our sprightly port make the ghosts gaze. | |
Dido and her Aeneas shall want troops, | |
And all the haunt be ours.- Come, Eros, Eros! | |
Re-enter EROS | |
EROS. What would my lord? | |
ANTONY. Since Cleopatra died, | |
I have liv'd in such dishonour that the gods | |
Detest my baseness. I, that with my sword | |
Quarter'd the world, and o'er green Neptune's back | |
With ships made cities, condemn myself to lack | |
The courage of a woman; less noble mind | |
Than she which by her death our Caesar tells | |
'I am conqueror of myself.' Thou art sworn, Eros, | |
That, when the exigent should come- which now | |
Is come indeed- when I should see behind me | |
Th' inevitable prosecution of | |
Disgrace and horror, that, on my command, | |
Thou then wouldst kill me. Do't; the time is come. | |
Thou strik'st not me; 'tis Caesar thou defeat'st. | |
Put colour in thy cheek. | |
EROS. The gods withhold me! | |
Shall I do that which all the Parthian darts, | |
Though enemy, lost aim and could not? | |
ANTONY. Eros, | |
Wouldst thou be window'd in great Rome and see | |
Thy master thus with pleach'd arms, bending down | |
His corrigible neck, his face subdu'd | |
To penetrative shame, whilst the wheel'd seat | |
Of fortunate Caesar, drawn before him, branded | |
His baseness that ensued? | |
EROS. I would not see't. | |
ANTONY. Come, then; for with a wound I must be cur'd. | |
Draw that thy honest sword, which thou hast worn | |
Most useful for thy country. | |
EROS. O, sir, pardon me! | |
ANTONY. When I did make thee free, swor'st thou not then | |
To do this when I bade thee? Do it at once, | |
Or thy precedent services are all | |
But accidents unpurpos'd. Draw, and come. | |
EROS. Turn from me then that noble countenance, | |
Wherein the worship of the whole world lies. | |
ANTONY. Lo thee! [Turning from him] | |
EROS. My sword is drawn. | |
ANTONY. Then let it do at once | |
The thing why thou hast drawn it. | |
EROS. My dear master, | |
My captain and my emperor, let me say, | |
Before I strike this bloody stroke, farewell. | |
ANTONY. 'Tis said, man; and farewell. | |
EROS. Farewell, great chief. Shall I strike now? | |
ANTONY. Now, Eros. | |
EROS. Why, there then! Thus do I escape the sorrow | |
Of Antony's death. [Kills himself | |
ANTONY. Thrice nobler than myself! | |
Thou teachest me, O valiant Eros, what | |
I should, and thou couldst not. My queen and Eros | |
Have, by their brave instruction, got upon me | |
A nobleness in record. But I will be | |
A bridegroom in my death, and run into't | |
As to a lover's bed. Come, then; and, Eros, | |
Thy master dies thy scholar. To do thus | |
[Falling on his sword] | |
I learn'd of thee. How? not dead? not dead?- | |
The guard, ho! O, dispatch me! | |
Enter DERCETAS and a guard | |
FIRST GUARD. What's the noise? | |
ANTONY. I have done my work ill, friends. O, make an end | |
Of what I have begun. | |
SECOND GUARD. The star is fall'n. | |
FIRST GUARD. And time is at his period. | |
ALL. Alas, and woe! | |
ANTONY. Let him that loves me, strike me dead. | |
FIRST GUARD. Not I. | |
SECOND GUARD. Nor I. | |
THIRD GUARD. Nor any one. Exeunt guard | |
DERCETAS. Thy death and fortunes bid thy followers fly. | |
This sword but shown to Caesar, with this tidings, | |
Shall enter me with him. | |
Enter DIOMEDES | |
DIOMEDES. Where's Antony? | |
DERCETAS. There, Diomed, there. | |
DIOMEDES. Lives he? | |
Wilt thou not answer, man? Exit DERCETAS | |
ANTONY. Art thou there, Diomed? Draw thy sword and give me | |
Sufficing strokes for death. | |
DIOMEDES. Most absolute lord, | |
My mistress Cleopatra sent me to thee. | |
ANTONY. When did she send thee? | |
DIOMEDES. Now, my lord. | |
ANTONY. Where is she? | |
DIOMEDES. Lock'd in her monument. She had a prophesying fear | |
Of what hath come to pass; for when she saw- | |
Which never shall be found- you did suspect | |
She had dispos'd with Caesar, and that your rage | |
Would not be purg'd, she sent you word she was dead; | |
But fearing since how it might work, hath sent | |
Me to proclaim the truth; and I am come, | |
I dread, too late. | |
ANTONY. Too late, good Diomed. Call my guard, I prithee. | |
DIOMEDES. What, ho! the Emperor's guard! The guard, what ho! | |
Come, your lord calls! | |
Enter four or five of the guard of ANTONY | |
ANTONY. Bear me, good friends, where Cleopatra bides; | |
'Tis the last service that I shall command you. | |
FIRST GUARD. Woe, woe are we, sir, you may not live to wear | |
All your true followers out. | |
ALL. Most heavy day! | |
ANTONY. Nay, good my fellows, do not please sharp fate | |
To grace it with your sorrows. Bid that welcome | |
Which comes to punish us, and we punish it, | |
Seeming to bear it lightly. Take me up. | |
I have led you oft; carry me now, good friends, | |
And have my thanks for all. Exeunt, hearing ANTONY | |
ACT_4|SC_15 | |
SCENE XV. | |
Alexandria. A monument | |
Enter CLEOPATRA and her maids aloft, with CHARMIAN | |
and IRAS | |
CLEOPATRA. O Charmian, I will never go from hence! | |
CHARMIAN. Be comforted, dear madam. | |
CLEOPATRA. No, I will not. | |
All strange and terrible events are welcome, | |
But comforts we despise; our size of sorrow, | |
Proportion'd to our cause, must be as great | |
As that which makes it. | |
Enter DIOMEDES, below | |
How now! Is he dead? | |
DIOMEDES. His death's upon him, but not dead. | |
Look out o' th' other side your monument; | |
His guard have brought him thither. | |
Enter, below, ANTONY, borne by the guard | |
CLEOPATRA. O sun, | |
Burn the great sphere thou mov'st in! Darkling stand | |
The varying shore o' th' world. O Antony, | |
Antony, Antony! Help, Charmian; help, Iras, help; | |
Help, friends below! Let's draw him hither. | |
ANTONY. Peace! | |
Not Caesar's valour hath o'erthrown Antony, | |
But Antony's hath triumph'd on itself. | |
CLEOPATRA. So it should be, that none but Antony | |
Should conquer Antony; but woe 'tis so! | |
ANTONY. I am dying, Egypt, dying; only | |
I here importune death awhile, until | |
Of many thousand kisses the poor last | |
I lay upon thy lips. | |
CLEOPATRA. I dare not, dear. | |
Dear my lord, pardon! I dare not, | |
Lest I be taken. Not th' imperious show | |
Of the full-fortun'd Caesar ever shall | |
Be brooch'd with me. If knife, drugs, serpents, have | |
Edge, sting, or operation, I am safe. | |
Your wife Octavia, with her modest eyes | |
And still conclusion, shall acquire no honour | |
Demuring upon me. But come, come, Antony- | |
Help me, my women- we must draw thee up; | |
Assist, good friends. | |
ANTONY. O, quick, or I am gone. | |
CLEOPATRA. Here's sport indeed! How heavy weighs my lord! | |
Our strength is all gone into heaviness; | |
That makes the weight. Had I great Juno's power, | |
The strong-wing'd Mercury should fetch thee up, | |
And set thee by Jove's side. Yet come a little. | |
Wishers were ever fools. O come, come, | |
[They heave ANTONY aloft to CLEOPATRA] | |
And welcome, welcome! Die where thou hast liv'd. | |
Quicken with kissing. Had my lips that power, | |
Thus would I wear them out. | |
ALL. A heavy sight! | |
ANTONY. I am dying, Egypt, dying. | |
Give me some wine, and let me speak a little. | |
CLEOPATRA. No, let me speak; and let me rail so high | |
That the false huswife Fortune break her wheel, | |
Provok'd by my offence. | |
ANTONY. One word, sweet queen: | |
Of Caesar seek your honour, with your safety. O! | |
CLEOPATRA. They do not go together. | |
ANTONY. Gentle, hear me: | |
None about Caesar trust but Proculeius. | |
CLEOPATRA. My resolution and my hands I'll trust; | |
None about Caesar | |
ANTONY. The miserable change now at my end | |
Lament nor sorrow at; but please your thoughts | |
In feeding them with those my former fortunes | |
Wherein I liv'd the greatest prince o' th' world, | |
The noblest; and do now not basely die, | |
Not cowardly put off my helmet to | |
My countryman- a Roman by a Roman | |
Valiantly vanquish'd. Now my spirit is going | |
I can no more. | |
CLEOPATRA. Noblest of men, woo't die? | |
Hast thou no care of me? Shall I abide | |
In this dull world, which in thy absence is | |
No better than a sty? O, see, my women, [Antony dies] | |
The crown o' th' earth doth melt. My lord! | |
O, wither'd is the garland of the war, | |
The soldier's pole is fall'n! Young boys and girls | |
Are level now with men. The odds is gone, | |
And there is nothing left remarkable | |
Beneath the visiting moon. [Swoons] | |
CHARMIAN. O, quietness, lady! | |
IRAS. She's dead too, our sovereign. | |
CHARMIAN. Lady! | |
IRAS. Madam! | |
CHARMIAN. O madam, madam, madam! | |
IRAS. Royal Egypt, Empress! | |
CHARMIAN. Peace, peace, Iras! | |
CLEOPATRA. No more but e'en a woman, and commanded | |
By such poor passion as the maid that milks | |
And does the meanest chares. It were for me | |
To throw my sceptre at the injurious gods; | |
To tell them that this world did equal theirs | |
Till they had stol'n our jewel. All's but nought; | |
Patience is sottish, and impatience does | |
Become a dog that's mad. Then is it sin | |
To rush into the secret house of death | |
Ere death dare come to us? How do you, women? | |
What, what! good cheer! Why, how now, Charmian! | |
My noble girls! Ah, women, women, look, | |
Our lamp is spent, it's out! Good sirs, take heart. | |
We'll bury him; and then, what's brave, what's noble, | |
Let's do it after the high Roman fashion, | |
And make death proud to take us. Come, away; | |
This case of that huge spirit now is cold. | |
Ah, women, women! Come; we have no friend | |
But resolution and the briefest end. | |
Exeunt; those above hearing off ANTONY'S body | |
ACT_5|SC_1 | |
ACT V. SCENE I. | |
Alexandria. CAESAR'S camp | |
Enter CAESAR, AGRIPPA, DOLABELLA, MAECENAS, GALLUS, | |
PROCULEIUS, and others, his Council of War | |
CAESAR. Go to him, Dolabella, bid him yield; | |
Being so frustrate, tell him he mocks | |
The pauses that he makes. | |
DOLABELLA. Caesar, I shall. Exit | |
Enter DERCETAS With the sword of ANTONY | |
CAESAR. Wherefore is that? And what art thou that dar'st | |
Appear thus to us? | |
DERCETAS. I am call'd Dercetas; | |
Mark Antony I serv'd, who best was worthy | |
Best to be serv'd. Whilst he stood up and spoke, | |
He was my master, and I wore my life | |
To spend upon his haters. If thou please | |
To take me to thee, as I was to him | |
I'll be to Caesar; if thou pleasest not, | |
I yield thee up my life. | |
CAESAR. What is't thou say'st? | |
DERCETAS. I say, O Caesar, Antony is dead. | |
CAESAR. The breaking of so great a thing should make | |
A greater crack. The round world | |
Should have shook lions into civil streets, | |
And citizens to their dens. The death of Antony | |
Is not a single doom; in the name lay | |
A moiety of the world. | |
DERCETAS. He is dead, Caesar, | |
Not by a public minister of justice, | |
Nor by a hired knife; but that self hand | |
Which writ his honour in the acts it did | |
Hath, with the courage which the heart did lend it, | |
Splitted the heart. This is his sword; | |
I robb'd his wound of it; behold it stain'd | |
With his most noble blood. | |
CAESAR. Look you sad, friends? | |
The gods rebuke me, but it is tidings | |
To wash the eyes of kings. | |
AGRIPPA. And strange it is | |
That nature must compel us to lament | |
Our most persisted deeds. | |
MAECENAS. His taints and honours | |
Wag'd equal with him. | |
AGRIPPA. A rarer spirit never | |
Did steer humanity. But you gods will give us | |
Some faults to make us men. Caesar is touch'd. | |
MAECENAS. When such a spacious mirror's set before him, | |
He needs must see himself. | |
CAESAR. O Antony, | |
I have follow'd thee to this! But we do lance | |
Diseases in our bodies. I must perforce | |
Have shown to thee such a declining day | |
Or look on thine; we could not stall together | |
In the whole world. But yet let me lament, | |
With tears as sovereign as the blood of hearts, | |
That thou, my brother, my competitor | |
In top of all design, my mate in empire, | |
Friend and companion in the front of war, | |
The arm of mine own body, and the heart | |
Where mine his thoughts did kindle- that our stars, | |
Unreconciliable, should divide | |
Our equalness to this. Hear me, good friends- | |
Enter an EGYPTIAN | |
But I will tell you at some meeter season. | |
The business of this man looks out of him; | |
We'll hear him what he says. Whence are you? | |
EGYPTIAN. A poor Egyptian, yet the Queen, my mistress, | |
Confin'd in all she has, her monument, | |
Of thy intents desires instruction, | |
That she preparedly may frame herself | |
To th' way she's forc'd to. | |
CAESAR. Bid her have good heart. | |
She soon shall know of us, by some of ours, | |
How honourable and how kindly we | |
Determine for her; for Caesar cannot learn | |
To be ungentle. | |
EGYPTIAN. So the gods preserve thee! Exit | |
CAESAR. Come hither, Proculeius. Go and say | |
We purpose her no shame. Give her what comforts | |
The quality of her passion shall require, | |
Lest, in her greatness, by some mortal stroke | |
She do defeat us; for her life in Rome | |
Would be eternal in our triumph. Go, | |
And with your speediest bring us what she says, | |
And how you find her. | |
PROCULEIUS. Caesar, I shall. Exit | |
CAESAR. Gallus, go you along. Exit GALLUS | |
Where's Dolabella, to second Proculeius? | |
ALL. Dolabella! | |
CAESAR. Let him alone, for I remember now | |
How he's employ'd; he shall in time be ready. | |
Go with me to my tent, where you shall see | |
How hardly I was drawn into this war, | |
How calm and gentle I proceeded still | |
In all my writings. Go with me, and see | |
What I can show in this. Exeunt | |
ACT_5|SC_2 | |
SCENE II. | |
Alexandria. The monument | |
Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN | |
CLEOPATRA. My desolation does begin to make | |
A better life. 'Tis paltry to be Caesar: | |
Not being Fortune, he's but Fortune's knave, | |
A minister of her will; and it is great | |
To do that thing that ends all other deeds, | |
Which shackles accidents and bolts up change, | |
Which sleeps, and never palates more the dug, | |
The beggar's nurse and Caesar's. | |
Enter, to the gates of the monument, PROCULEIUS, GALLUS, | |
and soldiers | |
PROCULEIUS. Caesar sends greetings to the Queen of Egypt, | |
And bids thee study on what fair demands | |
Thou mean'st to have him grant thee. | |
CLEOPATRA. What's thy name? | |
PROCULEIUS. My name is Proculeius. | |
CLEOPATRA. Antony | |
Did tell me of you, bade me trust you; but | |
I do not greatly care to be deceiv'd, | |
That have no use for trusting. If your master | |
Would have a queen his beggar, you must tell him | |
That majesty, to keep decorum, must | |
No less beg than a kingdom. If he please | |
To give me conquer'd Egypt for my son, | |
He gives me so much of mine own as I | |
Will kneel to him with thanks. | |
PROCULEIUS. Be of good cheer; | |
Y'are fall'n into a princely hand; fear nothing. | |
Make your full reference freely to my lord, | |
Who is so full of grace that it flows over | |
On all that need. Let me report to him | |
Your sweet dependency, and you shall find | |
A conqueror that will pray in aid for kindness | |
Where he for grace is kneel'd to. | |
CLEOPATRA. Pray you tell him | |
I am his fortune's vassal and I send him | |
The greatness he has got. I hourly learn | |
A doctrine of obedience, and would gladly | |
Look him i' th' face. | |
PROCULEIUS. This I'll report, dear lady. | |
Have comfort, for I know your plight is pitied | |
Of him that caus'd it. | |
GALLUS. You see how easily she may be surpris'd. | |
Here PROCULEIUS and two of the guard ascend the | |
monument by a ladder placed against a window, | |
and come behind CLEOPATRA. Some of the guard | |
unbar and open the gates | |
Guard her till Caesar come. Exit | |
IRAS. Royal Queen! | |
CHARMIAN. O Cleopatra! thou art taken, Queen! | |
CLEOPATRA. Quick, quick, good hands. [Drawing a dagger] | |
PROCULEIUS. Hold, worthy lady, hold, [Disarms her] | |
Do not yourself such wrong, who are in this | |
Reliev'd, but not betray'd. | |
CLEOPATRA. What, of death too, | |
That rids our dogs of languish? | |
PROCULEIUS. Cleopatra, | |
Do not abuse my master's bounty by | |
Th' undoing of yourself. Let the world see | |
His nobleness well acted, which your death | |
Will never let come forth. | |
CLEOPATRA. Where art thou, death? | |
Come hither, come! Come, come, and take a queen | |
Worth many babes and beggars! | |
PROCULEIUS. O, temperance, lady! | |
CLEOPATRA. Sir, I will eat no meat; I'll not drink, sir; | |
If idle talk will once be necessary, | |
I'll not sleep neither. This mortal house I'll ruin, | |
Do Caesar what he can. Know, sir, that I | |
Will not wait pinion'd at your master's court, | |
Nor once be chastis'd with the sober eye | |
Of dull Octavia. Shall they hoist me up, | |
And show me to the shouting varletry | |
Of censuring Rome? Rather a ditch in Egypt | |
Be gentle grave unto me! Rather on Nilus' mud | |
Lay me stark-nak'd, and let the water-flies | |
Blow me into abhorring! Rather make | |
My country's high pyramides my gibbet, | |
And hang me up in chains! | |
PROCULEIUS. You do extend | |
These thoughts of horror further than you shall | |
Find cause in Caesar. | |
Enter DOLABELLA | |
DOLABELLA. Proculeius, | |
What thou hast done thy master Caesar knows, | |
And he hath sent for thee. For the Queen, | |
I'll take her to my guard. | |
PROCULEIUS. So, Dolabella, | |
It shall content me best. Be gentle to her. | |
[To CLEOPATRA] To Caesar I will speak what you shall please, | |
If you'll employ me to him. | |
CLEOPATRA. Say I would die. | |
Exeunt PROCULEIUS and soldiers | |
DOLABELLA. Most noble Empress, you have heard of me? | |
CLEOPATRA. I cannot tell. | |
DOLABELLA. Assuredly you know me. | |
CLEOPATRA. No matter, sir, what I have heard or known. | |
You laugh when boys or women tell their dreams; | |
Is't not your trick? | |
DOLABELLA. I understand not, madam. | |
CLEOPATRA. I dreamt there was an Emperor Antony- | |
O, such another sleep, that I might see | |
But such another man! | |
DOLABELLA. If it might please ye- | |
CLEOPATRA. His face was as the heav'ns, and therein stuck | |
A sun and moon, which kept their course and lighted | |
The little O, the earth. | |
DOLABELLA. Most sovereign creature- | |
CLEOPATRA. His legs bestrid the ocean; his rear'd arm | |
Crested the world. His voice was propertied | |
As all the tuned spheres, and that to friends; | |
But when he meant to quail and shake the orb, | |
He was as rattling thunder. For his bounty, | |
There was no winter in't; an autumn 'twas | |
That grew the more by reaping. His delights | |
Were dolphin-like: they show'd his back above | |
The element they liv'd in. In his livery | |
Walk'd crowns and crownets; realms and islands were | |
As plates dropp'd from his pocket. | |
DOLABELLA. Cleopatra- | |
CLEOPATRA. Think you there was or might be such a man | |
As this I dreamt of? | |
DOLABELLA. Gentle madam, no. | |
CLEOPATRA. You lie, up to the hearing of the gods. | |
But if there be nor ever were one such, | |
It's past the size of drearning. Nature wants stuff | |
To vie strange forms with fancy; yet t' imagine | |
An Antony were nature's piece 'gainst fancy, | |
Condemning shadows quite. | |
DOLABELLA. Hear me, good madam. | |
Your loss is, as yourself, great; and you bear it | |
As answering to the weight. Would I might never | |
O'ertake pursu'd success, but I do feel, | |
By the rebound of yours, a grief that smites | |
My very heart at root. | |
CLEOPATRA. I thank you, sir. | |
Know you what Caesar means to do with me? | |
DOLABELLA. I am loath to tell you what I would you knew. | |
CLEOPATRA. Nay, pray you, sir. | |
DOLABELLA. Though he be honourable- | |
CLEOPATRA. He'll lead me, then, in triumph? | |
DOLABELLA. Madam, he will. I know't. [Flourish] | |
[Within: 'Make way there-Caesar!'] | |
Enter CAESAR; GALLUS, PROCULEIUS, MAECENAS, SELEUCUS, | |
and others of his train | |
CAESAR. Which is the Queen of Egypt? | |
DOLABELLA. It is the Emperor, madam. [CLEOPATPA kneels] | |
CAESAR. Arise, you shall not kneel. | |
I pray you, rise; rise, Egypt. | |
CLEOPATRA. Sir, the gods | |
Will have it thus; my master and my lord | |
I must obey. | |
CAESAR. Take to you no hard thoughts. | |
The record of what injuries you did us, | |
Though written in our flesh, we shall remember | |
As things but done by chance. | |
CLEOPATRA. Sole sir o' th' world, | |
I cannot project mine own cause so well | |
To make it clear, but do confess I have | |
Been laden with like frailties which before | |
Have often sham'd our sex. | |
CAESAR. Cleopatra, know | |
We will extenuate rather than enforce. | |
If you apply yourself to our intents- | |
Which towards you are most gentle- you shall find | |
A benefit in this change; but if you seek | |
To lay on me a cruelty by taking | |
Antony's course, you shall bereave yourself | |
Of my good purposes, and put your children | |
To that destruction which I'll guard them from, | |
If thereon you rely. I'll take my leave. | |
CLEOPATRA. And may, through all the world. 'Tis yours, and we, | |
Your scutcheons and your signs of conquest, shall | |
Hang in what place you please. Here, my good lord. | |
CAESAR. You shall advise me in all for Cleopatra. | |
CLEOPATRA. This is the brief of money, plate, and jewels, | |
I am possess'd of. 'Tis exactly valued, | |
Not petty things admitted. Where's Seleucus? | |
SELEUCUS. Here, madam. | |
CLEOPATRA. This is my treasurer; let him speak, my lord, | |
Upon his peril, that I have reserv'd | |
To myself nothing. Speak the truth, Seleucus. | |
SELEUCUS. Madam, | |
I had rather seal my lips than to my peril | |
Speak that which is not. | |
CLEOPATRA. What have I kept back? | |
SELEUCUS. Enough to purchase what you have made known. | |
CAESAR. Nay, blush not, Cleopatra; I approve | |
Your wisdom in the deed. | |
CLEOPATRA. See, Caesar! O, behold, | |
How pomp is followed! Mine will now be yours; | |
And, should we shift estates, yours would be mine. | |
The ingratitude of this Seleucus does | |
Even make me wild. O slave, of no more trust | |
Than love that's hir'd! What, goest thou back? Thou shalt | |
Go back, I warrant thee; but I'll catch thine eyes | |
Though they had wings. Slave, soulless villain, dog! | |
O rarely base! | |
CAESAR. Good Queen, let us entreat you. | |
CLEOPATRA. O Caesar, what a wounding shame is this, | |
That thou vouchsafing here to visit me, | |
Doing the honour of thy lordliness | |
To one so meek, that mine own servant should | |
Parcel the sum of my disgraces by | |
Addition of his envy! Say, good Caesar, | |
That I some lady trifles have reserv'd, | |
Immoment toys, things of such dignity | |
As we greet modern friends withal; and say | |
Some nobler token I have kept apart | |
For Livia and Octavia, to induce | |
Their mediation- must I be unfolded | |
With one that I have bred? The gods! It smites me | |
Beneath the fall I have. [To SELEUCUS] Prithee go hence; | |
Or I shall show the cinders of my spirits | |
Through th' ashes of my chance. Wert thou a man, | |
Thou wouldst have mercy on me. | |
CAESAR. Forbear, Seleucus. Exit SELEUCUS | |
CLEOPATRA. Be it known that we, the greatest, are misthought | |
For things that others do; and when we fall | |
We answer others' merits in our name, | |
Are therefore to be pitied. | |
CAESAR. Cleopatra, | |
Not what you have reserv'd, nor what acknowledg'd, | |
Put we i' th' roll of conquest. Still be't yours, | |
Bestow it at your pleasure; and believe | |
Caesar's no merchant, to make prize with you | |
Of things that merchants sold. Therefore be cheer'd; | |
Make not your thoughts your prisons. No, dear Queen; | |
For we intend so to dispose you as | |
Yourself shall give us counsel. Feed and sleep. | |
Our care and pity is so much upon you | |
That we remain your friend; and so, adieu. | |
CLEOPATRA. My master and my lord! | |
CAESAR. Not so. Adieu. | |
Flourish. Exeunt CAESAR and his train | |
CLEOPATRA. He words me, girls, he words me, that I should not | |
Be noble to myself. But hark thee, Charmian! | |
[Whispers CHARMIAN] | |
IRAS. Finish, good lady; the bright day is done, | |
And we are for the dark. | |
CLEOPATRA. Hie thee again. | |
I have spoke already, and it is provided; | |
Go put it to the haste. | |
CHARMIAN. Madam, I will. | |
Re-enter DOLABELLA | |
DOLABELLA. Where's the Queen? | |
CHARMIAN. Behold, sir. Exit | |
CLEOPATRA. Dolabella! | |
DOLABELLA. Madam, as thereto sworn by your command, | |
Which my love makes religion to obey, | |
I tell you this: Caesar through Syria | |
Intends his journey, and within three days | |
You with your children will he send before. | |
Make your best use of this; I have perform'd | |
Your pleasure and my promise. | |
CLEOPATRA. Dolabella, | |
I shall remain your debtor. | |
DOLABELLA. I your servant. | |
Adieu, good Queen; I must attend on Caesar. | |
CLEOPATRA. Farewell, and thanks. Exit DOLABELLA | |
Now, Iras, what think'st thou? | |
Thou an Egyptian puppet shall be shown | |
In Rome as well as I. Mechanic slaves, | |
With greasy aprons, rules, and hammers, shall | |
Uplift us to the view; in their thick breaths, | |
Rank of gross diet, shall we be enclouded, | |
And forc'd to drink their vapour. | |
IRAS. The gods forbid! | |
CLEOPATRA. Nay, 'tis most certain, Iras. Saucy lictors | |
Will catch at us like strumpets, and scald rhymers | |
Ballad us out o' tune; the quick comedians | |
Extemporally will stage us, and present | |
Our Alexandrian revels; Antony | |
Shall be brought drunken forth, and I shall see | |
Some squeaking Cleopatra boy my greatness | |
I' th' posture of a whore. | |
IRAS. O the good gods! | |
CLEOPATRA. Nay, that's certain. | |
IRAS. I'll never see't, for I am sure mine nails | |
Are stronger than mine eyes. | |
CLEOPATRA. Why, that's the way | |
To fool their preparation and to conquer | |
Their most absurd intents. | |
Enter CHARMIAN | |
Now, Charmian! | |
Show me, my women, like a queen. Go fetch | |
My best attires. I am again for Cydnus, | |
To meet Mark Antony. Sirrah, Iras, go. | |
Now, noble Charmian, we'll dispatch indeed; | |
And when thou hast done this chare, I'll give thee leave | |
To play till doomsday. Bring our crown and all. | |
Exit IRAS. A noise within | |
Wherefore's this noise? | |
Enter a GUARDSMAN | |
GUARDSMAN. Here is a rural fellow | |
That will not be denied your Highness' presence. | |
He brings you figs. | |
CLEOPATRA. Let him come in. Exit GUARDSMAN | |
What poor an instrument | |
May do a noble deed! He brings me liberty. | |
My resolution's plac'd, and I have nothing | |
Of woman in me. Now from head to foot | |
I am marble-constant; now the fleeting moon | |
No planet is of mine. | |
Re-enter GUARDSMAN and CLOWN, with a basket | |
GUARDSMAN. This is the man. | |
CLEOPATRA. Avoid, and leave him. Exit GUARDSMAN | |
Hast thou the pretty worm of Nilus there | |
That kills and pains not? | |
CLOWN. Truly, I have him. But I would not be the party that should | |
desire you to touch him, for his biting is immortal; those that | |
do die of it do seldom or never recover. | |
CLEOPATRA. Remember'st thou any that have died on't? | |
CLOWN. Very many, men and women too. I heard of one of them no | |
longer than yesterday: a very honest woman, but something given | |
to lie, as a woman should not do but in the way of honesty; how | |
she died of the biting of it, what pain she felt- truly she makes | |
a very good report o' th' worm. But he that will believe all that | |
they say shall never be saved by half that they do. But this is | |
most falliable, the worm's an odd worm. | |
CLEOPATRA. Get thee hence; farewell. | |
CLOWN. I wish you all joy of the worm. | |
[Sets down the basket] | |
CLEOPATRA. Farewell. | |
CLOWN. You must think this, look you, that the worm will do his | |
kind. | |
CLEOPATRA. Ay, ay; farewell. | |
CLOWN. Look you, the worm is not to be trusted but in the keeping | |
of wise people; for indeed there is no goodness in the worm. | |
CLEOPATRA. Take thou no care; it shall be heeded. | |
CLOWN. Very good. Give it nothing, I pray you, for it is not worth | |
the feeding. | |
CLEOPATRA. Will it eat me? | |
CLOWN. You must not think I am so simple but I know the devil | |
himself will not eat a woman. I know that a woman is a dish for | |
the gods, if the devil dress her not. But truly, these same | |
whoreson devils do the gods great harm in their women, for in | |
every ten that they make the devils mar five. | |
CLEOPATRA. Well, get thee gone; farewell. | |
CLOWN. Yes, forsooth. I wish you joy o' th' worm. Exit | |
Re-enter IRAS, with a robe, crown, &c. | |
CLEOPATRA. Give me my robe, put on my crown; I have | |
Immortal longings in me. Now no more | |
The juice of Egypt's grape shall moist this lip. | |
Yare, yare, good Iras; quick. Methinks I hear | |
Antony call. I see him rouse himself | |
To praise my noble act. I hear him mock | |
The luck of Caesar, which the gods give men | |
To excuse their after wrath. Husband, I come. | |
Now to that name my courage prove my title! | |
I am fire and air; my other elements | |
I give to baser life. So, have you done? | |
Come then, and take the last warmth of my lips. | |
Farewell, kind Charmian. Iras, long farewell. | |
[Kisses them. IRAS falls and dies] | |
Have I the aspic in my lips? Dost fall? | |
If thus thou and nature can so gently part, | |
The stroke of death is as a lover's pinch, | |
Which hurts and is desir'd. Dost thou lie still? | |
If thou vanishest, thou tell'st the world | |
It is not worth leave-taking. | |
CHARMIAN. Dissolve, thick cloud, and rain, that I may say | |
The gods themselves do weep. | |
CLEOPATRA. This proves me base. | |
If she first meet the curled Antony, | |
He'll make demand of her, and spend that kiss | |
Which is my heaven to have. Come, thou mortal wretch, | |
[To an asp, which she applies to her breast] | |
With thy sharp teeth this knot intrinsicate | |
Of life at once untie. Poor venomous fool, | |
Be angry and dispatch. O couldst thou speak, | |
That I might hear thee call great Caesar ass | |
Unpolicied! | |
CHARMIAN. O Eastern star! | |
CLEOPATRA. Peace, peace! | |
Dost thou not see my baby at my breast | |
That sucks the nurse asleep? | |
CHARMIAN. O, break! O, break! | |
CLEOPATRA. As sweet as balm, as soft as air, as gentle- | |
O Antony! Nay, I will take thee too: | |
[Applying another asp to her arm] | |
What should I stay- [Dies] | |
CHARMIAN. In this vile world? So, fare thee well. | |
Now boast thee, death, in thy possession lies | |
A lass unparallel'd. Downy windows, close; | |
And golden Phoebus never be beheld | |
Of eyes again so royal! Your crown's awry; | |
I'll mend it and then play- | |
Enter the guard, rushing in | |
FIRST GUARD. Where's the Queen? | |
CHARMIAN. Speak softly, wake her not. | |
FIRST GUARD. Caesar hath sent- | |
CHARMIAN. Too slow a messenger. [Applies an asp] | |
O, come apace, dispatch. I partly feel thee. | |
FIRST GUARD. Approach, ho! All's not well: Caesar's beguil'd. | |
SECOND GUARD. There's Dolabella sent from Caesar; call him. | |
FIRST GUARD. What work is here! Charmian, is this well done? | |
CHARMIAN. It is well done, and fitting for a princes | |
Descended of so many royal kings. | |
Ah, soldier! [CHARMIAN dies] | |
Re-enter DOLABELLA | |
DOLABELLA. How goes it here? | |
SECOND GUARD. All dead. | |
DOLABELLA. Caesar, thy thoughts | |
Touch their effects in this. Thyself art coming | |
To see perform'd the dreaded act which thou | |
So sought'st to hinder. | |
[Within: 'A way there, a way for Caesar!'] | |
Re-enter CAESAR and all his train | |
DOLABELLA. O sir, you are too sure an augurer: | |
That you did fear is done. | |
CAESAR. Bravest at the last, | |
She levell'd at our purposes, and being royal, | |
Took her own way. The manner of their deaths? | |
I do not see them bleed. | |
DOLABELLA. Who was last with them? | |
FIRST GUARD. A simple countryman that brought her figs. | |
This was his basket. | |
CAESAR. Poison'd then. | |
FIRST GUARD. O Caesar, | |
This Charmian liv'd but now; she stood and spake. | |
I found her trimming up the diadem | |
On her dead mistress. Tremblingly she stood, | |
And on the sudden dropp'd. | |
CAESAR. O noble weakness! | |
If they had swallow'd poison 'twould appear | |
By external swelling; but she looks like sleep, | |
As she would catch another Antony | |
In her strong toil of grace. | |
DOLABELLA. Here on her breast | |
There is a vent of blood, and something blown; | |
The like is on her arm. | |
FIRST GUARD. This is an aspic's trail; and these fig-leaves | |
Have slime upon them, such as th' aspic leaves | |
Upon the caves of Nile. | |
CAESAR. Most probable | |
That so she died; for her physician tells me | |
She hath pursu'd conclusions infinite | |
Of easy ways to die. Take up her bed, | |
And bear her women from the monument. | |
She shall be buried by her Antony; | |
No grave upon the earth shall clip in it | |
A pair so famous. High events as these | |
Strike those that make them; and their story is | |
No less in pity than his glory which | |
Brought them to be lamented. Our army shall | |
In solemn show attend this funeral, | |
And then to Rome. Come, Dolabella, see | |
High order in this great solemnity. Exeunt | |
THE END | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
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1601 | |
AS YOU LIKE IT | |
by William Shakespeare | |
DRAMATIS PERSONAE. | |
DUKE, living in exile | |
FREDERICK, his brother, and usurper of his dominions | |
AMIENS, lord attending on the banished Duke | |
JAQUES, " " " " " " | |
LE BEAU, a courtier attending upon Frederick | |
CHARLES, wrestler to Frederick | |
OLIVER, son of Sir Rowland de Boys | |
JAQUES, " " " " " " | |
ORLANDO, " " " " " " | |
ADAM, servant to Oliver | |
DENNIS, " " " | |
TOUCHSTONE, the court jester | |
SIR OLIVER MARTEXT, a vicar | |
CORIN, shepherd | |
SILVIUS, " | |
WILLIAM, a country fellow, in love with Audrey | |
A person representing HYMEN | |
ROSALIND, daughter to the banished Duke | |
CELIA, daughter to Frederick | |
PHEBE, a shepherdes | |
AUDREY, a country wench | |
Lords, Pages, Foresters, and Attendants | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
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SCENE: | |
OLIVER'S house; FREDERICK'S court; and the Forest of Arden | |
ACT I. SCENE I. | |
Orchard of OLIVER'S house | |
Enter ORLANDO and ADAM | |
ORLANDO. As I remember, Adam, it was upon this fashion bequeathed | |
me by will but poor a thousand crowns, and, as thou say'st, | |
charged my brother, on his blessing, to breed me well; and there | |
begins my sadness. My brother Jaques he keeps at school, and | |
report speaks goldenly of his profit. For my part, he keeps me | |
rustically at home, or, to speak more properly, stays me here at | |
home unkept; for call you that keeping for a gentleman of my | |
birth that differs not from the stalling of an ox? His horses are | |
bred better; for, besides that they are fair with their feeding, | |
they are taught their manage, and to that end riders dearly | |
hir'd; but I, his brother, gain nothing under him but growth; for | |
the which his animals on his dunghills are as much bound to him | |
as I. Besides this nothing that he so plentifully gives me, the | |
something that nature gave me his countenance seems to take from | |
me. He lets me feed with his hinds, bars me the place of a | |
brother, and as much as in him lies, mines my gentility with my | |
education. This is it, Adam, that grieves me; and the spirit of | |
my father, which I think is within me, begins to mutiny against | |
this servitude. I will no longer endure it, though yet I know no | |
wise remedy how to avoid it. | |
Enter OLIVER | |
ADAM. Yonder comes my master, your brother. | |
ORLANDO. Go apart, Adam, and thou shalt hear how he will shake me | |
up. [ADAM retires] | |
OLIVER. Now, sir! what make you here? | |
ORLANDO. Nothing; I am not taught to make any thing. | |
OLIVER. What mar you then, sir? | |
ORLANDO. Marry, sir, I am helping you to mar that which God made, a | |
poor unworthy brother of yours, with idleness. | |
OLIVER. Marry, sir, be better employed, and be nought awhile. | |
ORLANDO. Shall I keep your hogs, and eat husks with them? What | |
prodigal portion have I spent that I should come to such penury? | |
OLIVER. Know you where you are, sir? | |
ORLANDO. O, sir, very well; here in your orchard. | |
OLIVER. Know you before whom, sir? | |
ORLANDO. Ay, better than him I am before knows me. I know you are | |
my eldest brother; and in the gentle condition of blood, you | |
should so know me. The courtesy of nations allows you my better | |
in that you are the first-born; but the same tradition takes not | |
away my blood, were there twenty brothers betwixt us. I have as | |
much of my father in me as you, albeit I confess your coming | |
before me is nearer to his reverence. | |
OLIVER. What, boy! [Strikes him] | |
ORLANDO. Come, come, elder brother, you are too young in this. | |
OLIVER. Wilt thou lay hands on me, villain? | |
ORLANDO. I am no villain; I am the youngest son of Sir Rowland de | |
Boys. He was my father; and he is thrice a villain that says such | |
a father begot villains. Wert thou not my brother, I would not | |
take this hand from thy throat till this other had pull'd out thy | |
tongue for saying so. Thou has rail'd on thyself. | |
ADAM. [Coming forward] Sweet masters, be patient; for your father's | |
remembrance, be at accord. | |
OLIVER. Let me go, I say. | |
ORLANDO. I will not, till I please; you shall hear me. My father | |
charg'd you in his will to give me good education: you have | |
train'd me like a peasant, obscuring and hiding from me all | |
gentleman-like qualities. The spirit of my father grows strong in | |
me, and I will no longer endure it; therefore allow me such | |
exercises as may become a gentleman, or give me the poor | |
allottery my father left me by testament; with that I will go buy | |
my fortunes. | |
OLIVER. And what wilt thou do? Beg, when that is spent? Well, sir, | |
get you in. I will not long be troubled with you; you shall have | |
some part of your will. I pray you leave me. | |
ORLANDO. I no further offend you than becomes me for my good. | |
OLIVER. Get you with him, you old dog. | |
ADAM. Is 'old dog' my reward? Most true, I have lost my teeth in | |
your service. God be with my old master! He would not have spoke | |
such a word. | |
Exeunt ORLANDO and ADAM | |
OLIVER. Is it even so? Begin you to grow upon me? I will physic | |
your rankness, and yet give no thousand crowns neither. Holla, | |
Dennis! | |
Enter DENNIS | |
DENNIS. Calls your worship? | |
OLIVER. not Charles, the Duke's wrestler, here to speak with me? | |
DENNIS. So please you, he is here at the door and importunes access | |
to you. | |
OLIVER. Call him in. [Exit DENNIS] 'Twill be a good way; and | |
to-morrow the wrestling is. | |
Enter CHARLES | |
CHARLES. Good morrow to your worship. | |
OLIVER. Good Monsieur Charles! What's the new news at the new | |
court? | |
CHARLES. There's no news at the court, sir, but the old news; that | |
is, the old Duke is banished by his younger brother the new Duke; | |
and three or four loving lords have put themselves into voluntary | |
exile with him, whose lands and revenues enrich the new Duke; | |
therefore he gives them good leave to wander. | |
OLIVER. Can you tell if Rosalind, the Duke's daughter, be banished | |
with her father? | |
CHARLES. O, no; for the Duke's daughter, her cousin, so loves her, | |
being ever from their cradles bred together, that she would have | |
followed her exile, or have died to stay behind her. She is at | |
the court, and no less beloved of her uncle than his own | |
daughter; and never two ladies loved as they do. | |
OLIVER. Where will the old Duke live? | |
CHARLES. They say he is already in the Forest of Arden, and a many | |
merry men with him; and there they live like the old Robin Hood | |
of England. They say many young gentlemen flock to him every day, | |
and fleet the time carelessly, as they did in the golden world. | |
OLIVER. What, you wrestle to-morrow before the new Duke? | |
CHARLES. Marry, do I, sir; and I came to acquaint you with a | |
matter. I am given, sir, secretly to understand that your younger | |
brother, Orlando, hath a disposition to come in disguis'd against | |
me to try a fall. To-morrow, sir, I wrestle for my credit; and he | |
that escapes me without some broken limb shall acquit him well. | |
Your brother is but young and tender; and, for your love, I would | |
be loath to foil him, as I must, for my own honour, if he come | |
in; therefore, out of my love to you, I came hither to acquaint | |
you withal, that either you might stay him from his intendment, | |
or brook such disgrace well as he shall run into, in that it is | |
thing of his own search and altogether against my will. | |
OLIVER. Charles, I thank thee for thy love to me, which thou shalt | |
find I will most kindly requite. I had myself notice of my | |
brother's purpose herein, and have by underhand means laboured to | |
dissuade him from it; but he is resolute. I'll tell thee, | |
Charles, it is the stubbornest young fellow of France; full of | |
ambition, an envious emulator of every man's good parts, a secret | |
and villainous contriver against me his natural brother. | |
Therefore use thy discretion: I had as lief thou didst break his | |
neck as his finger. And thou wert best look to't; for if thou | |
dost him any slight disgrace, or if he do not mightily grace | |
himself on thee, he will practise against thee by poison, entrap | |
thee by some treacherous device, and never leave thee till he | |
hath ta'en thy life by some indirect means or other; for, I | |
assure thee, and almost with tears I speak it, there is not one | |
so young and so villainous this day living. I speak but brotherly | |
of him; but should I anatomize him to thee as he is, I must blush | |
and weep, and thou must look pale and wonder. | |
CHARLES. I am heartily glad I came hither to you. If he come | |
to-morrow I'll give him his payment. If ever he go alone again, | |
I'll never wrestle for prize more. And so, God keep your worship! | |
Exit | |
OLIVER. Farewell, good Charles. Now will I stir this gamester. I | |
hope I shall see an end of him; for my soul, yet I know not why, | |
hates nothing more than he. Yet he's gentle; never school'd and | |
yet learned; full of noble device; of all sorts enchantingly | |
beloved; and, indeed, so much in the heart of the world, and | |
especially of my own people, who best know him, that I am | |
altogether misprised. But it shall not be so long; this wrestler | |
shall clear all. Nothing remains but that I kindle the boy | |
thither, which now I'll go about. Exit | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
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SCENE II. | |
A lawn before the DUKE'S palace | |
Enter ROSALIND and CELIA | |
CELIA. I pray thee, Rosalind, sweet my coz, be merry. | |
ROSALIND. Dear Celia, I show more mirth than I am mistress of; and | |
would you yet I were merrier? Unless you could teach me to forget | |
a banished father, you must not learn me how to remember any | |
extraordinary pleasure. | |
CELIA. Herein I see thou lov'st me not with the full weight that I | |
love thee. If my uncle, thy banished father, had banished thy | |
uncle, the Duke my father, so thou hadst been still with me, I | |
could have taught my love to take thy father for mine; so wouldst | |
thou, if the truth of thy love to me were so righteously temper'd | |
as mine is to thee. | |
ROSALIND. Well, I will forget the condition of my estate, to | |
rejoice in yours. | |
CELIA. You know my father hath no child but I, nor none is like to | |
have; and, truly, when he dies thou shalt be his heir; for what | |
he hath taken away from thy father perforce, I will render thee | |
again in affection. By mine honour, I will; and when I break that | |
oath, let me turn monster; therefore, my sweet Rose, my dear | |
Rose, be merry. | |
ROSALIND. From henceforth I will, coz, and devise sports. | |
Let me see; what think you of falling in love? | |
CELIA. Marry, I prithee, do, to make sport withal; but love no man | |
in good earnest, nor no further in sport neither than with safety | |
of a pure blush thou mayst in honour come off again. | |
ROSALIND. What shall be our sport, then? | |
CELIA. Let us sit and mock the good housewife Fortune from her | |
wheel, that her gifts may henceforth be bestowed equally. | |
ROSALIND. I would we could do so; for her benefits are mightily | |
misplaced; and the bountiful blind woman doth most mistake in her | |
gifts to women. | |
CELIA. 'Tis true; for those that she makes fair she scarce makes | |
honest; and those that she makes honest she makes very | |
ill-favouredly. | |
ROSALIND. Nay; now thou goest from Fortune's office to Nature's: | |
Fortune reigns in gifts of the world, not in the lineaments of | |
Nature. | |
Enter TOUCHSTONE | |
CELIA. No; when Nature hath made a fair creature, may she not by | |
Fortune fall into the fire? Though Nature hath given us wit to | |
flout at Fortune, hath not Fortune sent in this fool to cut off | |
the argument? | |
ROSALIND. Indeed, there is Fortune too hard for Nature, when | |
Fortune makes Nature's natural the cutter-off of Nature's wit. | |
CELIA. Peradventure this is not Fortune's work neither, but | |
Nature's, who perceiveth our natural wits too dull to reason of | |
such goddesses, and hath sent this natural for our whetstone; for | |
always the dullness of the fool is the whetstone of the wits. How | |
now, wit! Whither wander you? | |
TOUCHSTONE. Mistress, you must come away to your father. | |
CELIA. Were you made the messenger? | |
TOUCHSTONE. No, by mine honour; but I was bid to come for you. | |
ROSALIND. Where learned you that oath, fool? | |
TOUCHSTONE. Of a certain knight that swore by his honour they were | |
good pancakes, and swore by his honour the mustard was naught. | |
Now I'll stand to it, the pancakes were naught and the mustard | |
was good, and yet was not the knight forsworn. | |
CELIA. How prove you that, in the great heap of your knowledge? | |
ROSALIND. Ay, marry, now unmuzzle your wisdom. | |
TOUCHSTONE. Stand you both forth now: stroke your chins, and swear | |
by your beards that I am a knave. | |
CELIA. By our beards, if we had them, thou art. | |
TOUCHSTONE. By my knavery, if I had it, then I were. But if you | |
swear by that that not, you are not forsworn; no more was this | |
knight, swearing by his honour, for he never had any; or if he | |
had, he had sworn it away before ever he saw those pancackes or | |
that mustard. | |
CELIA. Prithee, who is't that thou mean'st? | |
TOUCHSTONE. One that old Frederick, your father, loves. | |
CELIA. My father's love is enough to honour him. Enough, speak no | |
more of him; you'll be whipt for taxation one of these days. | |
TOUCHSTONE. The more pity that fools may not speak wisely what wise | |
men do foolishly. | |
CELIA. By my troth, thou sayest true; for since the little wit that | |
fools have was silenced, the little foolery that wise men have | |
makes a great show. Here comes Monsieur Le Beau. | |
Enter LE BEAU | |
ROSALIND. With his mouth full of news. | |
CELIA. Which he will put on us as pigeons feed their young. | |
ROSALIND. Then shall we be news-cramm'd. | |
CELIA. All the better; we shall be the more marketable. Bon jour, | |
Monsieur Le Beau. What's the news? | |
LE BEAU. Fair Princess, you have lost much good sport. | |
CELIA. Sport! of what colour? | |
LE BEAU. What colour, madam? How shall I answer you? | |
ROSALIND. As wit and fortune will. | |
TOUCHSTONE. Or as the Destinies decrees. | |
CELIA. Well said; that was laid on with a trowel. | |
TOUCHSTONE. Nay, if I keep not my rank- | |
ROSALIND. Thou losest thy old smell. | |
LE BEAU. You amaze me, ladies. I would have told you of good | |
wrestling, which you have lost the sight of. | |
ROSALIND. Yet tell us the manner of the wrestling. | |
LE BEAU. I will tell you the beginning, and, if it please your | |
ladyships, you may see the end; for the best is yet to do; and | |
here, where you are, they are coming to perform it. | |
CELIA. Well, the beginning, that is dead and buried. | |
LE BEAU. There comes an old man and his three sons- | |
CELIA. I could match this beginning with an old tale. | |
LE BEAU. Three proper young men, of excellent growth and presence. | |
ROSALIND. With bills on their necks: 'Be it known unto all men by | |
these presents'- | |
LE BEAU. The eldest of the three wrestled with Charles, the Duke's | |
wrestler; which Charles in a moment threw him, and broke three of | |
his ribs, that there is little hope of life in him. So he serv'd | |
the second, and so the third. Yonder they lie; the poor old man, | |
their father, making such pitiful dole over them that all the | |
beholders take his part with weeping. | |
ROSALIND. Alas! | |
TOUCHSTONE. But what is the sport, monsieur, that the ladies have | |
lost? | |
LE BEAU. Why, this that I speak of. | |
TOUCHSTONE. Thus men may grow wiser every day. It is the first time | |
that ever I heard breaking of ribs was sport for ladies. | |
CELIA. Or I, I promise thee. | |
ROSALIND. But is there any else longs to see this broken music in | |
his sides? Is there yet another dotes upon rib-breaking? Shall we | |
see this wrestling, cousin? | |
LE BEAU. You must, if you stay here; for here is the place | |
appointed for the wrestling, and they are ready to perform it. | |
CELIA. Yonder, sure, they are coming. Let us now stay and see it. | |
Flourish. Enter DUKE FREDERICK, LORDS, ORLANDO, | |
CHARLES, and ATTENDANTS | |
FREDERICK. Come on; since the youth will not be entreated, his own | |
peril on his forwardness. | |
ROSALIND. Is yonder the man? | |
LE BEAU. Even he, madam. | |
CELIA. Alas, he is too young; yet he looks successfully. | |
FREDERICK. How now, daughter and cousin! Are you crept hither to | |
see the wrestling? | |
ROSALIND. Ay, my liege; so please you give us leave. | |
FREDERICK. You will take little delight in it, I can tell you, | |
there is such odds in the man. In pity of the challenger's youth | |
I would fain dissuade him, but he will not be entreated. Speak to | |
him, ladies; see if you can move him. | |
CELIA. Call him hither, good Monsieur Le Beau. | |
FREDERICK. Do so; I'll not be by. | |
[DUKE FREDERICK goes apart] | |
LE BEAU. Monsieur the Challenger, the Princess calls for you. | |
ORLANDO. I attend them with all respect and duty. | |
ROSALIND. Young man, have you challeng'd Charles the wrestler? | |
ORLANDO. No, fair Princess; he is the general challenger. I come | |
but in, as others do, to try with him the strength of my youth. | |
CELIA. Young gentleman, your spirits are too bold for your years. | |
You have seen cruel proof of this man's strength; if you saw | |
yourself with your eyes, or knew yourself with your judgment, the | |
fear of your adventure would counsel you to a more equal | |
enterprise. We pray you, for your own sake, to embrace your own | |
safety and give over this attempt. | |
ROSALIND. Do, young sir; your reputation shall not therefore be | |
misprised: we will make it our suit to the Duke that the | |
wrestling might not go forward. | |
ORLANDO. I beseech you, punish me not with your hard thoughts, | |
wherein I confess me much guilty to deny so fair and excellent | |
ladies any thing. But let your fair eyes and gentle wishes go | |
with me to my trial; wherein if I be foil'd there is but one | |
sham'd that was never gracious; if kill'd, but one dead that is | |
willing to be so. I shall do my friends no wrong, for I have none | |
to lament me; the world no injury, for in it I have nothing; only | |
in the world I fill up a place, which may be better supplied when | |
I have made it empty. | |
ROSALIND. The little strength that I have, I would it were with | |
you. | |
CELIA. And mine to eke out hers. | |
ROSALIND. Fare you well. Pray heaven I be deceiv'd in you! | |
CELIA. Your heart's desires be with you! | |
CHARLES. Come, where is this young gallant that is so desirous to | |
lie with his mother earth? | |
ORLANDO. Ready, sir; but his will hath in it a more modest working. | |
FREDERICK. You shall try but one fall. | |
CHARLES. No, I warrant your Grace, you shall not entreat him to a | |
second, that have so mightily persuaded him from a first. | |
ORLANDO. You mean to mock me after; you should not have mock'd me | |
before; but come your ways. | |
ROSALIND. Now, Hercules be thy speed, young man! | |
CELIA. I would I were invisible, to catch the strong fellow by the | |
leg. [They wrestle] | |
ROSALIND. O excellent young man! | |
CELIA. If I had a thunderbolt in mine eye, I can tell who should | |
down. | |
[CHARLES is thrown. Shout] | |
FREDERICK. No more, no more. | |
ORLANDO. Yes, I beseech your Grace; I am not yet well breath'd. | |
FREDERICK. How dost thou, Charles? | |
LE BEAU. He cannot speak, my lord. | |
FREDERICK. Bear him away. What is thy name, young man? | |
ORLANDO. Orlando, my liege; the youngest son of Sir Rowland de | |
Boys. | |
FREDERICK. I would thou hadst been son to some man else. | |
The world esteem'd thy father honourable, | |
But I did find him still mine enemy. | |
Thou shouldst have better pleas'd me with this deed, | |
Hadst thou descended from another house. | |
But fare thee well; thou art a gallant youth; | |
I would thou hadst told me of another father. | |
Exeunt DUKE, train, and LE BEAU | |
CELIA. Were I my father, coz, would I do this? | |
ORLANDO. I am more proud to be Sir Rowland's son, | |
His youngest son- and would not change that calling | |
To be adopted heir to Frederick. | |
ROSALIND. My father lov'd Sir Rowland as his soul, | |
And all the world was of my father's mind; | |
Had I before known this young man his son, | |
I should have given him tears unto entreaties | |
Ere he should thus have ventur'd. | |
CELIA. Gentle cousin, | |
Let us go thank him, and encourage him; | |
My father's rough and envious disposition | |
Sticks me at heart. Sir, you have well deserv'd; | |
If you do keep your promises in love | |
But justly as you have exceeded all promise, | |
Your mistress shall be happy. | |
ROSALIND. Gentleman, [Giving him a chain from her neck] | |
Wear this for me; one out of suits with fortune, | |
That could give more, but that her hand lacks means. | |
Shall we go, coz? | |
CELIA. Ay. Fare you well, fair gentleman. | |
ORLANDO. Can I not say 'I thank you'? My better parts | |
Are all thrown down; and that which here stands up | |
Is but a quintain, a mere lifeless block. | |
ROSALIND. He calls us back. My pride fell with my fortunes; | |
I'll ask him what he would. Did you call, sir? | |
Sir, you have wrestled well, and overthrown | |
More than your enemies. | |
CELIA. Will you go, coz? | |
ROSALIND. Have with you. Fare you well. | |
Exeunt ROSALIND and CELIA | |
ORLANDO. What passion hangs these weights upon my tongue? | |
I cannot speak to her, yet she urg'd conference. | |
O poor Orlando, thou art overthrown! | |
Or Charles or something weaker masters thee. | |
Re-enter LE BEAU | |
LE BEAU. Good sir, I do in friendship counsel you | |
To leave this place. Albeit you have deserv'd | |
High commendation, true applause, and love, | |
Yet such is now the Duke's condition | |
That he misconstrues all that you have done. | |
The Duke is humorous; what he is, indeed, | |
More suits you to conceive than I to speak of. | |
ORLANDO. I thank you, sir; and pray you tell me this: | |
Which of the two was daughter of the Duke | |
That here was at the wrestling? | |
LE BEAU. Neither his daughter, if we judge by manners; | |
But yet, indeed, the smaller is his daughter; | |
The other is daughter to the banish'd Duke, | |
And here detain'd by her usurping uncle, | |
To keep his daughter company; whose loves | |
Are dearer than the natural bond of sisters. | |
But I can tell you that of late this Duke | |
Hath ta'en displeasure 'gainst his gentle niece, | |
Grounded upon no other argument | |
But that the people praise her for her virtues | |
And pity her for her good father's sake; | |
And, on my life, his malice 'gainst the lady | |
Will suddenly break forth. Sir, fare you well. | |
Hereafter, in a better world than this, | |
I shall desire more love and knowledge of you. | |
ORLANDO. I rest much bounden to you; fare you well. | |
Exit LE BEAU | |
Thus must I from the smoke into the smother; | |
From tyrant Duke unto a tyrant brother. | |
But heavenly Rosalind! Exit | |
SCENE III. | |
The DUKE's palace | |
Enter CELIA and ROSALIND | |
CELIA. Why, cousin! why, Rosalind! Cupid have mercy! | |
Not a word? | |
ROSALIND. Not one to throw at a dog. | |
CELIA. No, thy words are too precious to be cast away upon curs; | |
throw some of them at me; come, lame me with reasons. | |
ROSALIND. Then there were two cousins laid up, when the one should | |
be lam'd with reasons and the other mad without any. | |
CELIA. But is all this for your father? | |
ROSALIND. No, some of it is for my child's father. O, how full of | |
briers is this working-day world! | |
CELIA. They are but burs, cousin, thrown upon thee in holiday | |
foolery; if we walk not in the trodden paths, our very petticoats | |
will catch them. | |
ROSALIND. I could shake them off my coat: these burs are in my | |
heart. | |
CELIA. Hem them away. | |
ROSALIND. I would try, if I could cry 'hem' and have him. | |
CELIA. Come, come, wrestle with thy affections. | |
ROSALIND. O, they take the part of a better wrestler than myself. | |
CELIA. O, a good wish upon you! You will try in time, in despite of | |
a fall. But, turning these jests out of service, let us talk in | |
good earnest. Is it possible, on such a sudden, you should fall | |
into so strong a liking with old Sir Rowland's youngest son? | |
ROSALIND. The Duke my father lov'd his father dearly. | |
CELIA. Doth it therefore ensue that you should love his son dearly? | |
By this kind of chase I should hate him, for my father hated his | |
father dearly; yet I hate not Orlando. | |
ROSALIND. No, faith, hate him not, for my sake. | |
CELIA. Why should I not? Doth he not deserve well? | |
Enter DUKE FREDERICK, with LORDS | |
ROSALIND. Let me love him for that; and do you love him because I | |
do. Look, here comes the Duke. | |
CELIA. With his eyes full of anger. | |
FREDERICK. Mistress, dispatch you with your safest haste, | |
And get you from our court. | |
ROSALIND. Me, uncle? | |
FREDERICK. You, cousin. | |
Within these ten days if that thou beest found | |
So near our public court as twenty miles, | |
Thou diest for it. | |
ROSALIND. I do beseech your Grace, | |
Let me the knowledge of my fault bear with me. | |
If with myself I hold intelligence, | |
Or have acquaintance with mine own desires; | |
If that I do not dream, or be not frantic- | |
As I do trust I am not- then, dear uncle, | |
Never so much as in a thought unborn | |
Did I offend your Highness. | |
FREDERICK. Thus do all traitors; | |
If their purgation did consist in words, | |
They are as innocent as grace itself. | |
Let it suffice thee that I trust thee not. | |
ROSALIND. Yet your mistrust cannot make me a traitor. | |
Tell me whereon the likelihood depends. | |
FREDERICK. Thou art thy father's daughter; there's enough. | |
ROSALIND. SO was I when your Highness took his dukedom; | |
So was I when your Highness banish'd him. | |
Treason is not inherited, my lord; | |
Or, if we did derive it from our friends, | |
What's that to me? My father was no traitor. | |
Then, good my liege, mistake me not so much | |
To think my poverty is treacherous. | |
CELIA. Dear sovereign, hear me speak. | |
FREDERICK. Ay, Celia; we stay'd her for your sake, | |
Else had she with her father rang'd along. | |
CELIA. I did not then entreat to have her stay; | |
It was your pleasure, and your own remorse; | |
I was too young that time to value her, | |
But now I know her. If she be a traitor, | |
Why so am I: we still have slept together, | |
Rose at an instant, learn'd, play'd, eat together; | |
And wheresoe'er we went, like Juno's swans, | |
Still we went coupled and inseparable. | |
FREDERICK. She is too subtle for thee; and her smoothness, | |
Her very silence and her patience, | |
Speak to the people, and they pity her. | |
Thou art a fool. She robs thee of thy name; | |
And thou wilt show more bright and seem more virtuous | |
When she is gone. Then open not thy lips. | |
Firm and irrevocable is my doom | |
Which I have pass'd upon her; she is banish'd. | |
CELIA. Pronounce that sentence, then, on me, my liege; | |
I cannot live out of her company. | |
FREDERICK. You are a fool. You, niece, provide yourself. | |
If you outstay the time, upon mine honour, | |
And in the greatness of my word, you die. | |
Exeunt DUKE and LORDS | |
CELIA. O my poor Rosalind! Whither wilt thou go? | |
Wilt thou change fathers? I will give thee mine. | |
I charge thee be not thou more griev'd than I am. | |
ROSALIND. I have more cause. | |
CELIA. Thou hast not, cousin. | |
Prithee be cheerful. Know'st thou not the Duke | |
Hath banish'd me, his daughter? | |
ROSALIND. That he hath not. | |
CELIA. No, hath not? Rosalind lacks, then, the love | |
Which teacheth thee that thou and I am one. | |
Shall we be sund'red? Shall we part, sweet girl? | |
No; let my father seek another heir. | |
Therefore devise with me how we may fly, | |
Whither to go, and what to bear with us; | |
And do not seek to take your charge upon you, | |
To bear your griefs yourself, and leave me out; | |
For, by this heaven, now at our sorrows pale, | |
Say what thou canst, I'll go along with thee. | |
ROSALIND. Why, whither shall we go? | |
CELIA. To seek my uncle in the Forest of Arden. | |
ROSALIND. Alas, what danger will it be to us, | |
Maids as we are, to travel forth so far! | |
Beauty provoketh thieves sooner than gold. | |
CELIA. I'll put myself in poor and mean attire, | |
And with a kind of umber smirch my face; | |
The like do you; so shall we pass along, | |
And never stir assailants. | |
ROSALIND. Were it not better, | |
Because that I am more than common tall, | |
That I did suit me all points like a man? | |
A gallant curtle-axe upon my thigh, | |
A boar spear in my hand; and- in my heart | |
Lie there what hidden woman's fear there will- | |
We'll have a swashing and a martial outside, | |
As many other mannish cowards have | |
That do outface it with their semblances. | |
CELIA. What shall I call thee when thou art a man? | |
ROSALIND. I'll have no worse a name than Jove's own page, | |
And therefore look you call me Ganymede. | |
But what will you be call'd? | |
CELIA. Something that hath a reference to my state: | |
No longer Celia, but Aliena. | |
ROSALIND. But, cousin, what if we assay'd to steal | |
The clownish fool out of your father's court? | |
Would he not be a comfort to our travel? | |
CELIA. He'll go along o'er the wide world with me; | |
Leave me alone to woo him. Let's away, | |
And get our jewels and our wealth together; | |
Devise the fittest time and safest way | |
To hide us from pursuit that will be made | |
After my flight. Now go we in content | |
To liberty, and not to banishment. Exeunt | |
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ACT II. SCENE I. | |
The Forest of Arden | |
Enter DUKE SENIOR, AMIENS, and two or three LORDS, like foresters | |
DUKE SENIOR. Now, my co-mates and brothers in exile, | |
Hath not old custom made this life more sweet | |
Than that of painted pomp? Are not these woods | |
More free from peril than the envious court? | |
Here feel we not the penalty of Adam, | |
The seasons' difference; as the icy fang | |
And churlish chiding of the winter's wind, | |
Which when it bites and blows upon my body, | |
Even till I shrink with cold, I smile and say | |
'This is no flattery; these are counsellors | |
That feelingly persuade me what I am.' | |
Sweet are the uses of adversity, | |
Which, like the toad, ugly and venomous, | |
Wears yet a precious jewel in his head; | |
And this our life, exempt from public haunt, | |
Finds tongues in trees, books in the running brooks, | |
Sermons in stones, and good in everything. | |
I would not change it. | |
AMIENS. Happy is your Grace, | |
That can translate the stubbornness of fortune | |
Into so quiet and so sweet a style. | |
DUKE SENIOR. Come, shall we go and kill us venison? | |
And yet it irks me the poor dappled fools, | |
Being native burghers of this desert city, | |
Should, in their own confines, with forked heads | |
Have their round haunches gor'd. | |
FIRST LORD. Indeed, my lord, | |
The melancholy Jaques grieves at that; | |
And, in that kind, swears you do more usurp | |
Than doth your brother that hath banish'd you. | |
To-day my Lord of Amiens and myself | |
Did steal behind him as he lay along | |
Under an oak whose antique root peeps out | |
Upon the brook that brawls along this wood! | |
To the which place a poor sequest'red stag, | |
That from the hunter's aim had ta'en a hurt, | |
Did come to languish; and, indeed, my lord, | |
The wretched animal heav'd forth such groans | |
That their discharge did stretch his leathern coat | |
Almost to bursting; and the big round tears | |
Cours'd one another down his innocent nose | |
In piteous chase; and thus the hairy fool, | |
Much marked of the melancholy Jaques, | |
Stood on th' extremest verge of the swift brook, | |
Augmenting it with tears. | |
DUKE SENIOR. But what said Jaques? | |
Did he not moralize this spectacle? | |
FIRST LORD. O, yes, into a thousand similes. | |
First, for his weeping into the needless stream: | |
'Poor deer,' quoth he 'thou mak'st a testament | |
As worldlings do, giving thy sum of more | |
To that which had too much.' Then, being there alone, | |
Left and abandoned of his velvet friends: | |
''Tis right'; quoth he 'thus misery doth part | |
The flux of company.' Anon, a careless herd, | |
Full of the pasture, jumps along by him | |
And never stays to greet him. 'Ay,' quoth Jaques | |
'Sweep on, you fat and greasy citizens; | |
'Tis just the fashion. Wherefore do you look | |
Upon that poor and broken bankrupt there?' | |
Thus most invectively he pierceth through | |
The body of the country, city, court, | |
Yea, and of this our life; swearing that we | |
Are mere usurpers, tyrants, and what's worse, | |
To fright the animals, and to kill them up | |
In their assign'd and native dwelling-place. | |
DUKE SENIOR. And did you leave him in this contemplation? | |
SECOND LORD. We did, my lord, weeping and commenting | |
Upon the sobbing deer. | |
DUKE SENIOR. Show me the place; | |
I love to cope him in these sullen fits, | |
For then he's full of matter. | |
FIRST LORD. I'll bring you to him straight. Exeunt | |
SCENE II. | |
The DUKE'S palace | |
Enter DUKE FREDERICK, with LORDS | |
FREDERICK. Can it be possible that no man saw them? | |
It cannot be; some villains of my court | |
Are of consent and sufferance in this. | |
FIRST LORD. I cannot hear of any that did see her. | |
The ladies, her attendants of her chamber, | |
Saw her abed, and in the morning early | |
They found the bed untreasur'd of their mistress. | |
SECOND LORD. My lord, the roynish clown, at whom so oft | |
Your Grace was wont to laugh, is also missing. | |
Hisperia, the Princess' gentlewoman, | |
Confesses that she secretly o'erheard | |
Your daughter and her cousin much commend | |
The parts and graces of the wrestler | |
That did but lately foil the sinewy Charles; | |
And she believes, wherever they are gone, | |
That youth is surely in their company. | |
FREDERICK. Send to his brother; fetch that gallant hither. | |
If he be absent, bring his brother to me; | |
I'll make him find him. Do this suddenly; | |
And let not search and inquisition quail | |
To bring again these foolish runaways. Exeunt | |
SCENE III. | |
Before OLIVER'S house | |
Enter ORLANDO and ADAM, meeting | |
ORLANDO. Who's there? | |
ADAM. What, my young master? O my gentle master! | |
O my sweet master! O you memory | |
Of old Sir Rowland! Why, what make you here? | |
Why are you virtuous? Why do people love you? | |
And wherefore are you gentle, strong, and valiant? | |
Why would you be so fond to overcome | |
The bonny prizer of the humorous Duke? | |
Your praise is come too swiftly home before you. | |
Know you not, master, to some kind of men | |
Their graces serve them but as enemies? | |
No more do yours. Your virtues, gentle master, | |
Are sanctified and holy traitors to you. | |
O, what a world is this, when what is comely | |
Envenoms him that bears it! | |
ORLANDO. Why, what's the matter? | |
ADAM. O unhappy youth! | |
Come not within these doors; within this roof | |
The enemy of all your graces lives. | |
Your brother- no, no brother; yet the son- | |
Yet not the son; I will not call him son | |
Of him I was about to call his father- | |
Hath heard your praises; and this night he means | |
To burn the lodging where you use to lie, | |
And you within it. If he fail of that, | |
He will have other means to cut you off; | |
I overheard him and his practices. | |
This is no place; this house is but a butchery; | |
Abhor it, fear it, do not enter it. | |
ORLANDO. Why, whither, Adam, wouldst thou have me go? | |
ADAM. No matter whither, so you come not here. | |
ORLANDO. What, wouldst thou have me go and beg my food, | |
Or with a base and boist'rous sword enforce | |
A thievish living on the common road? | |
This I must do, or know not what to do; | |
Yet this I will not do, do how I can. | |
I rather will subject me to the malice | |
Of a diverted blood and bloody brother. | |
ADAM. But do not so. I have five hundred crowns, | |
The thrifty hire I sav'd under your father, | |
Which I did store to be my foster-nurse, | |
When service should in my old limbs lie lame, | |
And unregarded age in corners thrown. | |
Take that, and He that doth the ravens feed, | |
Yea, providently caters for the sparrow, | |
Be comfort to my age! Here is the gold; | |
All this I give you. Let me be your servant; | |
Though I look old, yet I am strong and lusty; | |
For in my youth I never did apply | |
Hot and rebellious liquors in my blood, | |
Nor did not with unbashful forehead woo | |
The means of weakness and debility; | |
Therefore my age is as a lusty winter, | |
Frosty, but kindly. Let me go with you; | |
I'll do the service of a younger man | |
In all your business and necessities. | |
ORLANDO. O good old man, how well in thee appears | |
The constant service of the antique world, | |
When service sweat for duty, not for meed! | |
Thou art not for the fashion of these times, | |
Where none will sweat but for promotion, | |
And having that do choke their service up | |
Even with the having; it is not so with thee. | |
But, poor old man, thou prun'st a rotten tree | |
That cannot so much as a blossom yield | |
In lieu of all thy pains and husbandry. | |
But come thy ways, we'll go along together, | |
And ere we have thy youthful wages spent | |
We'll light upon some settled low content. | |
ADAM. Master, go on; and I will follow the | |
To the last gasp, with truth and loyalty. | |
From seventeen years till now almost four-score | |
Here lived I, but now live here no more. | |
At seventeen years many their fortunes seek, | |
But at fourscore it is too late a week; | |
Yet fortune cannot recompense me better | |
Than to die well and not my master's debtor. Exeunt | |
SCENE IV. | |
The Forest of Arden | |
Enter ROSALIND for GANYMEDE, CELIA for ALIENA, and CLOWN alias TOUCHSTONE | |
ROSALIND. O Jupiter, how weary are my spirits! | |
TOUCHSTONE. I Care not for my spirits, if my legs were not weary. | |
ROSALIND. I could find in my heart to disgrace my man's apparel, | |
and to cry like a woman; but I must comfort the weaker vessel, as | |
doublet and hose ought to show itself courageous to petticoat; | |
therefore, courage, good Aliena. | |
CELIA. I pray you bear with me; I cannot go no further. | |
TOUCHSTONE. For my part, I had rather bear with you than bear you; | |
yet I should bear no cross if I did bear you; for I think you | |
have no money in your purse. | |
ROSALIND. Well,. this is the Forest of Arden. | |
TOUCHSTONE. Ay, now am I in Arden; the more fool I; when I was at | |
home I was in a better place; but travellers must be content. | |
Enter CORIN and SILVIUS | |
ROSALIND. Ay, be so, good Touchstone. Look you, who comes here, a | |
young man and an old in solemn talk. | |
CORIN. That is the way to make her scorn you still. | |
SILVIUS. O Corin, that thou knew'st how I do love her! | |
CORIN. I partly guess; for I have lov'd ere now. | |
SILVIUS. No, Corin, being old, thou canst not guess, | |
Though in thy youth thou wast as true a lover | |
As ever sigh'd upon a midnight pillow. | |
But if thy love were ever like to mine, | |
As sure I think did never man love so, | |
How many actions most ridiculous | |
Hast thou been drawn to by thy fantasy? | |
CORIN. Into a thousand that I have forgotten. | |
SILVIUS. O, thou didst then never love so heartily! | |
If thou rememb'rest not the slightest folly | |
That ever love did make thee run into, | |
Thou hast not lov'd; | |
Or if thou hast not sat as I do now, | |
Wearing thy hearer in thy mistress' praise, | |
Thou hast not lov'd; | |
Or if thou hast not broke from company | |
Abruptly, as my passion now makes me, | |
Thou hast not lov'd. | |
O Phebe, Phebe, Phebe! Exit Silvius | |
ROSALIND. Alas, poor shepherd! searching of thy wound, | |
I have by hard adventure found mine own. | |
TOUCHSTONE. And I mine. I remember, when I was in love, I broke my | |
sword upon a stone, and bid him take that for coming a-night to | |
Jane Smile; and I remember the kissing of her batler, and the | |
cow's dugs that her pretty chopt hands had milk'd; and I remember | |
the wooing of peascod instead of her; from whom I took two cods, | |
and giving her them again, said with weeping tears 'Wear these | |
for my sake.' We that are true lovers run into strange capers; | |
but as all is mortal in nature, so is all nature in love mortal | |
in folly. | |
ROSALIND. Thou speak'st wiser than thou art ware of. | |
TOUCHSTONE. Nay, I shall ne'er be ware of mine own wit till I break | |
my shins against it. | |
ROSALIND. Jove, Jove! this shepherd's passion | |
Is much upon my fashion. | |
TOUCHSTONE. And mine; but it grows something stale with me. | |
CELIA. I pray you, one of you question yond man | |
If he for gold will give us any food; | |
I faint almost to death. | |
TOUCHSTONE. Holla, you clown! | |
ROSALIND. Peace, fool; he's not thy Ensman. | |
CORIN. Who calls? | |
TOUCHSTONE. Your betters, sir. | |
CORIN. Else are they very wretched. | |
ROSALIND. Peace, I say. Good even to you, friend. | |
CORIN. And to you, gentle sir, and to you all. | |
ROSALIND. I prithee, shepherd, if that love or gold | |
Can in this desert place buy entertainment, | |
Bring us where we may rest ourselves and feed. | |
Here's a young maid with travel much oppress'd, | |
And faints for succour. | |
CORIN. Fair sir, I pity her, | |
And wish, for her sake more than for mine own, | |
My fortunes were more able to relieve her; | |
But I am shepherd to another man, | |
And do not shear the fleeces that I graze. | |
My master is of churlish disposition, | |
And little recks to find the way to heaven | |
By doing deeds of hospitality. | |
Besides, his cote, his flocks, and bounds of feed, | |
Are now on sale; and at our sheepcote now, | |
By reason of his absence, there is nothing | |
That you will feed on; but what is, come see, | |
And in my voice most welcome shall you be. | |
ROSALIND. What is he that shall buy his flock and pasture? | |
CORIN. That young swain that you saw here but erewhile, | |
That little cares for buying any thing. | |
ROSALIND. I pray thee, if it stand with honesty, | |
Buy thou the cottage, pasture, and the flock, | |
And thou shalt have to pay for it of us. | |
CELIA. And we will mend thy wages. I like this place, | |
And willingly could waste my time in it. | |
CORIN. Assuredly the thing is to be sold. | |
Go with me; if you like upon report | |
The soil, the profit, and this kind of life, | |
I will your very faithful feeder be, | |
And buy it with your gold right suddenly. Exeunt | |
SCENE V. | |
Another part of the forest | |
Enter AMIENS, JAQUES, and OTHERS | |
SONG | |
AMIENS. Under the greenwood tree | |
Who loves to lie with me, | |
And turn his merry note | |
Unto the sweet bird's throat, | |
Come hither, come hither, come hither. | |
Here shall he see | |
No enemy | |
But winter and rough weather. | |
JAQUES. More, more, I prithee, more. | |
AMIENS. It will make you melancholy, Monsieur Jaques. | |
JAQUES. I thank it. More, I prithee, more. I can suck melancholy | |
out of a song, as a weasel sucks eggs. More, I prithee, more. | |
AMIENS. My voice is ragged; I know I cannot please you. | |
JAQUES. I do not desire you to please me; I do desire you to sing. | |
Come, more; another stanzo. Call you 'em stanzos? | |
AMIENS. What you will, Monsieur Jaques. | |
JAQUES. Nay, I care not for their names; they owe me nothing. Will | |
you sing? | |
AMIENS. More at your request than to please myself. | |
JAQUES. Well then, if ever I thank any man, I'll thank you; but | |
that they call compliment is like th' encounter of two dog-apes; | |
and when a man thanks me heartily, methinks have given him a | |
penny, and he renders me the beggarly thanks. Come, sing; and you | |
that will not, hold your tongues. | |
AMIENS. Well, I'll end the song. Sirs, cover the while; the Duke | |
will drink under this tree. He hath been all this day to look | |
you. | |
JAQUES. And I have been all this day to avoid him. He is to | |
disputable for my company. I think of as many matters as he; but | |
I give heaven thanks, and make no boast of them. Come, warble, | |
come. | |
SONG | |
[All together here] | |
Who doth ambition shun, | |
And loves to live i' th' sun, | |
Seeking the food he eats, | |
And pleas'd with what he gets, | |
Come hither, come hither, come hither. | |
Here shall he see | |
No enemy | |
But winter and rough weather. | |
JAQUES. I'll give you a verse to this note that I made yesterday in | |
despite of my invention. | |
AMIENS. And I'll sing it. | |
JAQUES. Thus it goes: | |
If it do come to pass | |
That any man turn ass, | |
Leaving his wealth and ease | |
A stubborn will to please, | |
Ducdame, ducdame, ducdame; | |
Here shall he see | |
Gross fools as he, | |
An if he will come to me. | |
AMIENS. What's that 'ducdame'? | |
JAQUES. 'Tis a Greek invocation, to call fools into a circle. I'll | |
go sleep, if I can; if I cannot, I'll rail against all the | |
first-born of Egypt. | |
AMIENS. And I'll go seek the Duke; his banquet is prepar'd. | |
Exeunt severally | |
SCENE VI. | |
The forest | |
Enter ORLANDO and ADAM | |
ADAM. Dear master, I can go no further. O, I die for food! Here lie | |
I down, and measure out my grave. Farewell, kind master. | |
ORLANDO. Why, how now, Adam! No greater heart in thee? Live a | |
little; comfort a little; cheer thyself a little. If this uncouth | |
forest yield anything savage, I will either be food for it or | |
bring it for food to thee. Thy conceit is nearer death than thy | |
powers. For my sake be comfortable; hold death awhile at the | |
arm's end. I will here be with the presently; and if I bring thee | |
not something to eat, I will give thee leave to die; but if thou | |
diest before I come, thou art a mocker of my labour. Well said! | |
thou look'st cheerly; and I'll be with thee quickly. Yet thou | |
liest in the bleak air. Come, I will bear thee to some shelter; | |
and thou shalt not die for lack of a dinner, if there live | |
anything in this desert. Cheerly, good Adam! Exeunt | |
SCENE VII. | |
The forest | |
A table set out. Enter DUKE SENIOR, AMIENS, and LORDS, like outlaws | |
DUKE SENIOR. I think he be transform'd into a beast; | |
For I can nowhere find him like a man. | |
FIRST LORD. My lord, he is but even now gone hence; | |
Here was he merry, hearing of a song. | |
DUKE SENIOR. If he, compact of jars, grow musical, | |
We shall have shortly discord in the spheres. | |
Go seek him; tell him I would speak with him. | |
Enter JAQUES | |
FIRST LORD. He saves my labour by his own approach. | |
DUKE SENIOR. Why, how now, monsieur! what a life is this, | |
That your poor friends must woo your company? | |
What, you look merrily! | |
JAQUES. A fool, a fool! I met a fool i' th' forest, | |
A motley fool. A miserable world! | |
As I do live by food, I met a fool, | |
Who laid him down and bask'd him in the sun, | |
And rail'd on Lady Fortune in good terms, | |
In good set terms- and yet a motley fool. | |
'Good morrow, fool,' quoth I; 'No, sir,' quoth he, | |
'Call me not fool till heaven hath sent me fortune.' | |
And then he drew a dial from his poke, | |
And, looking on it with lack-lustre eye, | |
Says very wisely, 'It is ten o'clock; | |
Thus we may see,' quoth he, 'how the world wags; | |
'Tis but an hour ago since it was nine; | |
And after one hour more 'twill be eleven; | |
And so, from hour to hour, we ripe and ripe, | |
And then, from hour to hour, we rot and rot; | |
And thereby hangs a tale.' When I did hear | |
The motley fool thus moral on the time, | |
My lungs began to crow like chanticleer | |
That fools should be so deep contemplative; | |
And I did laugh sans intermission | |
An hour by his dial. O noble fool! | |
A worthy fool! Motley's the only wear. | |
DUKE SENIOR. What fool is this? | |
JAQUES. O worthy fool! One that hath been a courtier, | |
And says, if ladies be but young and fair, | |
They have the gift to know it; and in his brain, | |
Which is as dry as the remainder biscuit | |
After a voyage, he hath strange places cramm'd | |
With observation, the which he vents | |
In mangled forms. O that I were a fool! | |
I am ambitious for a motley coat. | |
DUKE SENIOR. Thou shalt have one. | |
JAQUES. It is my only suit, | |
Provided that you weed your better judgments | |
Of all opinion that grows rank in them | |
That I am wise. I must have liberty | |
Withal, as large a charter as the wind, | |
To blow on whom I please, for so fools have; | |
And they that are most galled with my folly, | |
They most must laugh. And why, sir, must they so? | |
The why is plain as way to parish church: | |
He that a fool doth very wisely hit | |
Doth very foolishly, although he smart, | |
Not to seem senseless of the bob; if not, | |
The wise man's folly is anatomiz'd | |
Even by the squand'ring glances of the fool. | |
Invest me in my motley; give me leave | |
To speak my mind, and I will through and through | |
Cleanse the foul body of th' infected world, | |
If they will patiently receive my medicine. | |
DUKE SENIOR. Fie on thee! I can tell what thou wouldst do. | |
JAQUES. What, for a counter, would I do but good? | |
DUKE SENIOR. Most Mischievous foul sin, in chiding sin; | |
For thou thyself hast been a libertine, | |
As sensual as the brutish sting itself; | |
And all th' embossed sores and headed evils | |
That thou with license of free foot hast caught | |
Wouldst thou disgorge into the general world. | |
JAQUES. Why, who cries out on pride | |
That can therein tax any private party? | |
Doth it not flow as hugely as the sea, | |
Till that the wearer's very means do ebb? | |
What woman in the city do I name | |
When that I say the city-woman bears | |
The cost of princes on unworthy shoulders? | |
Who can come in and say that I mean her, | |
When such a one as she such is her neighbour? | |
Or what is he of basest function | |
That says his bravery is not on my cost, | |
Thinking that I mean him, but therein suits | |
His folly to the mettle of my speech? | |
There then! how then? what then? Let me see wherein | |
My tongue hath wrong'd him: if it do him right, | |
Then he hath wrong'd himself; if he be free, | |
Why then my taxing like a wild-goose flies, | |
Unclaim'd of any man. But who comes here? | |
Enter ORLANDO with his sword drawn | |
ORLANDO. Forbear, and eat no more. | |
JAQUES. Why, I have eat none yet. | |
ORLANDO. Nor shalt not, till necessity be serv'd. | |
JAQUES. Of what kind should this cock come of? | |
DUKE SENIOR. Art thou thus bolden'd, man, by thy distress? | |
Or else a rude despiser of good manners, | |
That in civility thou seem'st so empty? | |
ORLANDO. You touch'd my vein at first: the thorny point | |
Of bare distress hath ta'en from me the show | |
Of smooth civility; yet arn I inland bred, | |
And know some nurture. But forbear, I say; | |
He dies that touches any of this fruit | |
Till I and my affairs are answered. | |
JAQUES. An you will not be answer'd with reason, I must die. | |
DUKE SENIOR. What would you have? Your gentleness shall force | |
More than your force move us to gentleness. | |
ORLANDO. I almost die for food, and let me have it. | |
DUKE SENIOR. Sit down and feed, and welcome to our table. | |
ORLANDO. Speak you so gently? Pardon me, I pray you; | |
I thought that all things had been savage here, | |
And therefore put I on the countenance | |
Of stern commandment. But whate'er you are | |
That in this desert inaccessible, | |
Under the shade of melancholy boughs, | |
Lose and neglect the creeping hours of time; | |
If ever you have look'd on better days, | |
If ever been where bells have knoll'd to church, | |
If ever sat at any good man's feast, | |
If ever from your eyelids wip'd a tear, | |
And know what 'tis to pity and be pitied, | |
Let gentleness my strong enforcement be; | |
In the which hope I blush, and hide my sword. | |
DUKE SENIOR. True is it that we have seen better days, | |
And have with holy bell been knoll'd to church, | |
And sat at good men's feasts, and wip'd our eyes | |
Of drops that sacred pity hath engend'red; | |
And therefore sit you down in gentleness, | |
And take upon command what help we have | |
That to your wanting may be minist'red. | |
ORLANDO. Then but forbear your food a little while, | |
Whiles, like a doe, I go to find my fawn, | |
And give it food. There is an old poor man | |
Who after me hath many a weary step | |
Limp'd in pure love; till he be first suffic'd, | |
Oppress'd with two weak evils, age and hunger, | |
I will not touch a bit. | |
DUKE SENIOR. Go find him out. | |
And we will nothing waste till you return. | |
ORLANDO. I thank ye; and be blest for your good comfort! | |
Exit | |
DUKE SENIOR. Thou seest we are not all alone unhappy: | |
This wide and universal theatre | |
Presents more woeful pageants than the scene | |
Wherein we play in. | |
JAQUES. All the world's a stage, | |
And all the men and women merely players; | |
They have their exits and their entrances; | |
And one man in his time plays many parts, | |
His acts being seven ages. At first the infant, | |
Mewling and puking in the nurse's arms; | |
Then the whining school-boy, with his satchel | |
And shining morning face, creeping like snail | |
Unwillingly to school. And then the lover, | |
Sighing like furnace, with a woeful ballad | |
Made to his mistress' eyebrow. Then a soldier, | |
Full of strange oaths, and bearded like the pard, | |
Jealous in honour, sudden and quick in quarrel, | |
Seeking the bubble reputation | |
Even in the cannon's mouth. And then the justice, | |
In fair round belly with good capon lin'd, | |
With eyes severe and beard of formal cut, | |
Full of wise saws and modern instances; | |
And so he plays his part. The sixth age shifts | |
Into the lean and slipper'd pantaloon, | |
With spectacles on nose and pouch on side, | |
His youthful hose, well sav'd, a world too wide | |
For his shrunk shank; and his big manly voice, | |
Turning again toward childish treble, pipes | |
And whistles in his sound. Last scene of all, | |
That ends this strange eventful history, | |
Is second childishness and mere oblivion; | |
Sans teeth, sans eyes, sans taste, sans every thing. | |
Re-enter ORLANDO with ADAM | |
DUKE SENIOR. Welcome. Set down your venerable burden. | |
And let him feed. | |
ORLANDO. I thank you most for him. | |
ADAM. So had you need; | |
I scarce can speak to thank you for myself. | |
DUKE SENIOR. Welcome; fall to. I will not trouble you | |
As yet to question you about your fortunes. | |
Give us some music; and, good cousin, sing. | |
SONG | |
Blow, blow, thou winter wind, | |
Thou art not so unkind | |
As man's ingratitude; | |
Thy tooth is not so keen, | |
Because thou art not seen, | |
Although thy breath be rude. | |
Heigh-ho! sing heigh-ho! unto the green holly. | |
Most friendship is feigning, most loving mere folly. | |
Then, heigh-ho, the holly! | |
This life is most jolly. | |
Freeze, freeze, thou bitter sky, | |
That dost not bite so nigh | |
As benefits forgot; | |
Though thou the waters warp, | |
Thy sting is not so sharp | |
As friend rememb'red not. | |
Heigh-ho! sing, &c. | |
DUKE SENIOR. If that you were the good Sir Rowland's son, | |
As you have whisper'd faithfully you were, | |
And as mine eye doth his effigies witness | |
Most truly limn'd and living in your face, | |
Be truly welcome hither. I am the Duke | |
That lov'd your father. The residue of your fortune, | |
Go to my cave and tell me. Good old man, | |
Thou art right welcome as thy master is. | |
Support him by the arm. Give me your hand, | |
And let me all your fortunes understand. Exeunt | |
ACT III. SCENE I. | |
The palace | |
Enter DUKE FREDERICK, OLIVER, and LORDS | |
FREDERICK. Not see him since! Sir, sir, that cannot be. | |
But were I not the better part made mercy, | |
I should not seek an absent argument | |
Of my revenge, thou present. But look to it: | |
Find out thy brother wheresoe'er he is; | |
Seek him with candle; bring him dead or living | |
Within this twelvemonth, or turn thou no more | |
To seek a living in our territory. | |
Thy lands and all things that thou dost call thine | |
Worth seizure do we seize into our hands, | |
Till thou canst quit thee by thy brother's mouth | |
Of what we think against thee. | |
OLIVER. O that your Highness knew my heart in this! | |
I never lov'd my brother in my life. | |
FREDERICK. More villain thou. Well, push him out of doors; | |
And let my officers of such a nature | |
Make an extent upon his house and lands. | |
Do this expediently, and turn him going. Exeunt | |
SCENE II. | |
The forest | |
Enter ORLANDO, with a paper | |
ORLANDO. Hang there, my verse, in witness of my love; | |
And thou, thrice-crowned Queen of Night, survey | |
With thy chaste eye, from thy pale sphere above, | |
Thy huntress' name that my full life doth sway. | |
O Rosalind! these trees shall be my books, | |
And in their barks my thoughts I'll character, | |
That every eye which in this forest looks | |
Shall see thy virtue witness'd every where. | |
Run, run, Orlando; carve on every tree, | |
The fair, the chaste, and unexpressive she. Exit | |
Enter CORIN and TOUCHSTONE | |
CORIN. And how like you this shepherd's life, Master Touchstone? | |
TOUCHSTONE. Truly, shepherd, in respect of itself, it is a good | |
life; but in respect that it is a shepherd's life, it is nought. | |
In respect that it is solitary, I like it very well; but in | |
respect that it is private, it is a very vile life. Now in | |
respect it is in the fields, it pleaseth me well; but in respect | |
it is not in the court, it is tedious. As it is a spare life, | |
look you, it fits my humour well; but as there is no more plenty | |
in it, it goes much against my stomach. Hast any philosophy in | |
thee, shepherd? | |
CORIN. No more but that I know the more one sickens the worse at | |
ease he is; and that he that wants money, means, and content, is | |
without three good friends; that the property of rain is to wet, | |
and fire to burn; that good pasture makes fat sheep; and that a | |
great cause of the night is lack of the sun; that he that hath | |
learned no wit by nature nor art may complain of good breeding, | |
or comes of a very dull kindred. | |
TOUCHSTONE. Such a one is a natural philosopher. Wast ever in | |
court, shepherd? | |
CORIN. No, truly. | |
TOUCHSTONE. Then thou art damn'd. | |
CORIN. Nay, I hope. | |
TOUCHSTONE. Truly, thou art damn'd, like an ill-roasted egg, all on | |
one side. | |
CORIN. For not being at court? Your reason. | |
TOUCHSTONE. Why, if thou never wast at court thou never saw'st good | |
manners; if thou never saw'st good manners, then thy manners must | |
be wicked; and wickedness is sin, and sin is damnation. Thou art | |
in a parlous state, shepherd. | |
CORIN. Not a whit, Touchstone. Those that are good manners at the | |
court are as ridiculous in the country as the behaviour of the | |
country is most mockable at the court. You told me you salute not | |
at the court, but you kiss your hands; that courtesy would be | |
uncleanly if courtiers were shepherds. | |
TOUCHSTONE. Instance, briefly; come, instance. | |
CORIN. Why, we are still handling our ewes; and their fells, you | |
know, are greasy. | |
TOUCHSTONE. Why, do not your courtier's hands sweat? And is not the | |
grease of a mutton as wholesome as the sweat of a man? Shallow, | |
shallow. A better instance, I say; come. | |
CORIN. Besides, our hands are hard. | |
TOUCHSTONE. Your lips will feel them the sooner. Shallow again. A | |
more sounder instance; come. | |
CORIN. And they are often tarr'd over with the surgery of our | |
sheep; and would you have us kiss tar? The courtier's hands are | |
perfum'd with civet. | |
TOUCHSTONE. Most shallow man! thou worm's meat in respect of a good | |
piece of flesh indeed! Learn of the wise, and perpend: civet is | |
of a baser birth than tar- the very uncleanly flux of a cat. Mend | |
the instance, shepherd. | |
CORIN. You have too courtly a wit for me; I'll rest. | |
TOUCHSTONE. Wilt thou rest damn'd? God help thee, shallow man! God | |
make incision in thee! thou art raw. | |
CORIN. Sir, I am a true labourer: I earn that I eat, get that I | |
wear; owe no man hate, envy no man's happiness; glad of other | |
men's good, content with my harm; and the greatest of my pride is | |
to see my ewes graze and my lambs suck. | |
TOUCHSTONE. That is another simple sin in you: to bring the ewes | |
and the rams together, and to offer to get your living by the | |
copulation of cattle; to be bawd to a bell-wether, and to betray | |
a she-lamb of a twelvemonth to crooked-pated, old, cuckoldly ram, | |
out of all reasonable match. If thou beest not damn'd for this, | |
the devil himself will have no shepherds; I cannot see else how | |
thou shouldst scape. | |
CORIN. Here comes young Master Ganymede, my new mistress's brother. | |
Enter ROSALIND, reading a paper | |
ROSALIND. 'From the east to western Inde, | |
No jewel is like Rosalinde. | |
Her worth, being mounted on the wind, | |
Through all the world bears Rosalinde. | |
All the pictures fairest lin'd | |
Are but black to Rosalinde. | |
Let no face be kept in mind | |
But the fair of Rosalinde.' | |
TOUCHSTONE. I'll rhyme you so eight years together, dinners, and | |
suppers, and sleeping hours, excepted. It is the right | |
butter-women's rank to market. | |
ROSALIND. Out, fool! | |
TOUCHSTONE. For a taste: | |
If a hart do lack a hind, | |
Let him seek out Rosalinde. | |
If the cat will after kind, | |
So be sure will Rosalinde. | |
Winter garments must be lin'd, | |
So must slender Rosalinde. | |
They that reap must sheaf and bind, | |
Then to cart with Rosalinde. | |
Sweetest nut hath sourest rind, | |
Such a nut is Rosalinde. | |
He that sweetest rose will find | |
Must find love's prick and Rosalinde. | |
This is the very false gallop of verses; why do you infect | |
yourself with them? | |
ROSALIND. Peace, you dull fool! I found them on a tree. | |
TOUCHSTONE. Truly, the tree yields bad fruit. | |
ROSALIND. I'll graff it with you, and then I shall graff it with a | |
medlar. Then it will be the earliest fruit i' th' country; for | |
you'll be rotten ere you be half ripe, and that's the right | |
virtue of the medlar. | |
TOUCHSTONE. You have said; but whether wisely or no, let the forest | |
judge. | |
Enter CELIA, with a writing | |
ROSALIND. Peace! | |
Here comes my sister, reading; stand aside. | |
CELIA. 'Why should this a desert be? | |
For it is unpeopled? No; | |
Tongues I'll hang on every tree | |
That shall civil sayings show. | |
Some, how brief the life of man | |
Runs his erring pilgrimage, | |
That the streching of a span | |
Buckles in his sum of age; | |
Some, of violated vows | |
'Twixt the souls of friend and friend; | |
But upon the fairest boughs, | |
Or at every sentence end, | |
Will I Rosalinda write, | |
Teaching all that read to know | |
The quintessence of every sprite | |
Heaven would in little show. | |
Therefore heaven Nature charg'd | |
That one body should be fill'd | |
With all graces wide-enlarg'd. | |
Nature presently distill'd | |
Helen's cheek, but not her heart, | |
Cleopatra's majesty, | |
Atalanta's better part, | |
Sad Lucretia's modesty. | |
Thus Rosalinde of many parts | |
By heavenly synod was devis'd, | |
Of many faces, eyes, and hearts, | |
To have the touches dearest priz'd. | |
Heaven would that she these gifts should have, | |
And I to live and die her slave.' | |
ROSALIND. O most gentle pulpiter! What tedious homily of love have | |
you wearied your parishioners withal, and never cried 'Have | |
patience, good people.' | |
CELIA. How now! Back, friends; shepherd, go off a little; go with | |
him, sirrah. | |
TOUCHSTONE. Come, shepherd, let us make an honourable retreat; | |
though not with bag and baggage, yet with scrip and scrippage. | |
Exeunt CORIN and TOUCHSTONE | |
CELIA. Didst thou hear these verses? | |
ROSALIND. O, yes, I heard them all, and more too; for some of them | |
had in them more feet than the verses would bear. | |
CELIA. That's no matter; the feet might bear the verses. | |
ROSALIND. Ay, but the feet were lame, and could not bear themselves | |
without the verse, and therefore stood lamely in the verse. | |
CELIA. But didst thou hear without wondering how thy name should be | |
hang'd and carved upon these trees? | |
ROSALIND. I was seven of the nine days out of the wonder before you | |
came; for look here what I found on a palm-tree. I was never so | |
berhym'd since Pythagoras' time that I was an Irish rat, which I | |
can hardly remember. | |
CELIA. Trow you who hath done this? | |
ROSALIND. Is it a man? | |
CELIA. And a chain, that you once wore, about his neck. | |
Change you colour? | |
ROSALIND. I prithee, who? | |
CELIA. O Lord, Lord! it is a hard matter for friends to meet; but | |
mountains may be remov'd with earthquakes, and so encounter. | |
ROSALIND. Nay, but who is it? | |
CELIA. Is it possible? | |
ROSALIND. Nay, I prithee now, with most petitionary vehemence, tell | |
me who it is. | |
CELIA. O wonderful, wonderful, most wonderful wonderful, and yet | |
again wonderful, and after that, out of all whooping! | |
ROSALIND. Good my complexion! dost thou think, though I am | |
caparison'd like a man, I have a doublet and hose in my | |
disposition? One inch of delay more is a South Sea of discovery. | |
I prithee tell me who is it quickly, and speak apace. I would | |
thou could'st stammer, that thou mightst pour this conceal'd man | |
out of thy mouth, as wine comes out of narrow-mouth'd bottle- | |
either too much at once or none at all. I prithee take the cork | |
out of thy mouth that I may drink thy tidings. | |
CELIA. So you may put a man in your belly. | |
ROSALIND. Is he of God's making? What manner of man? | |
Is his head worth a hat or his chin worth a beard? | |
CELIA. Nay, he hath but a little beard. | |
ROSALIND. Why, God will send more if the man will be thankful. Let | |
me stay the growth of his beard, if thou delay me not the | |
knowledge of his chin. | |
CELIA. It is young Orlando, that tripp'd up the wrestler's heels | |
and your heart both in an instant. | |
ROSALIND. Nay, but the devil take mocking! Speak sad brow and true | |
maid. | |
CELIA. I' faith, coz, 'tis he. | |
ROSALIND. Orlando? | |
CELIA. Orlando. | |
ROSALIND. Alas the day! what shall I do with my doublet and hose? | |
What did he when thou saw'st him? What said he? How look'd he? | |
Wherein went he? What makes he here? Did he ask for me? Where | |
remains he? How parted he with thee? And when shalt thou see him | |
again? Answer me in one word. | |
CELIA. You must borrow me Gargantua's mouth first; 'tis a word too | |
great for any mouth of this age's size. To say ay and no to these | |
particulars is more than to answer in a catechism. | |
ROSALIND. But doth he know that I am in this forest, and in man's | |
apparel? Looks he as freshly as he did the day he wrestled? | |
CELIA. It is as easy to count atomies as to resolve the | |
propositions of a lover; but take a taste of my finding him, and | |
relish it with good observance. I found him under a tree, like a | |
dropp'd acorn. | |
ROSALIND. It may well be call'd Jove's tree, when it drops forth | |
such fruit. | |
CELIA. Give me audience, good madam. | |
ROSALIND. Proceed. | |
CELIA. There lay he, stretch'd along like a wounded knight. | |
ROSALIND. Though it be pity to see such a sight, it well becomes | |
the ground. | |
CELIA. Cry 'Holla' to thy tongue, I prithee; it curvets | |
unseasonably. He was furnish'd like a hunter. | |
ROSALIND. O, ominous! he comes to kill my heart. | |
CELIA. I would sing my song without a burden; thou bring'st me out | |
of tune. | |
ROSALIND. Do you not know I am a woman? When I think, I must speak. | |
Sweet, say on. | |
CELIA. You bring me out. Soft! comes he not here? | |
Enter ORLANDO and JAQUES | |
ROSALIND. 'Tis he; slink by, and note him. | |
JAQUES. I thank you for your company; but, good faith, I had as | |
lief have been myself alone. | |
ORLANDO. And so had I; but yet, for fashion sake, I thank you too | |
for your society. | |
JAQUES. God buy you; let's meet as little as we can. | |
ORLANDO. I do desire we may be better strangers. | |
JAQUES. I pray you mar no more trees with writing love songs in | |
their barks. | |
ORLANDO. I pray you mar no more of my verses with reading them | |
ill-favouredly. | |
JAQUES. Rosalind is your love's name? | |
ORLANDO. Yes, just. | |
JAQUES. I do not like her name. | |
ORLANDO. There was no thought of pleasing you when she was | |
christen'd. | |
JAQUES. What stature is she of? | |
ORLANDO. Just as high as my heart. | |
JAQUES. You are full of pretty answers. Have you not been | |
acquainted with goldsmiths' wives, and conn'd them out of rings? | |
ORLANDO. Not so; but I answer you right painted cloth, from whence | |
you have studied your questions. | |
JAQUES. You have a nimble wit; I think 'twas made of Atalanta's | |
heels. Will you sit down with me? and we two will rail against | |
our mistress the world, and all our misery. | |
ORLANDO. I will chide no breather in the world but myself, against | |
whom I know most faults. | |
JAQUES. The worst fault you have is to be in love. | |
ORLANDO. 'Tis a fault I will not change for your best virtue. I am | |
weary of you. | |
JAQUES. By my troth, I was seeking for a fool when I found you. | |
ORLANDO. He is drown'd in the brook; look but in, and you shall see | |
him. | |
JAQUES. There I shall see mine own figure. | |
ORLANDO. Which I take to be either a fool or a cipher. | |
JAQUES. I'll tarry no longer with you; farewell, good Signior Love. | |
ORLANDO. I am glad of your departure; adieu, good Monsieur | |
Melancholy. | |
Exit JAQUES | |
ROSALIND. [Aside to CELIA] I will speak to him like a saucy lackey, | |
and under that habit play the knave with him.- Do you hear, | |
forester? | |
ORLANDO. Very well; what would you? | |
ROSALIND. I pray you, what is't o'clock? | |
ORLANDO. You should ask me what time o' day; there's no clock in | |
the forest. | |
ROSALIND. Then there is no true lover in the forest, else sighing | |
every minute and groaning every hour would detect the lazy foot | |
of Time as well as a clock. | |
ORLANDO. And why not the swift foot of Time? Had not that been as | |
proper? | |
ROSALIND. By no means, sir. Time travels in divers paces with | |
divers persons. I'll tell you who Time ambles withal, who Time | |
trots withal, who Time gallops withal, and who he stands still | |
withal. | |
ORLANDO. I prithee, who doth he trot withal? | |
ROSALIND. Marry, he trots hard with a young maid between the | |
contract of her marriage and the day it is solemniz'd; if the | |
interim be but a se'nnight, Time's pace is so hard that it seems | |
the length of seven year. | |
ORLANDO. Who ambles Time withal? | |
ROSALIND. With a priest that lacks Latin and a rich man that hath | |
not the gout; for the one sleeps easily because he cannot study, | |
and the other lives merrily because he feels no pain; the one | |
lacking the burden of lean and wasteful learning, the other | |
knowing no burden of heavy tedious penury. These Time ambles | |
withal. | |
ORLANDO. Who doth he gallop withal? | |
ROSALIND. With a thief to the gallows; for though he go as softly | |
as foot can fall, he thinks himself too soon there. | |
ORLANDO. Who stays it still withal? | |
ROSALIND. With lawyers in the vacation; for they sleep between term | |
and term, and then they perceive not how Time moves. | |
ORLANDO. Where dwell you, pretty youth? | |
ROSALIND. With this shepherdess, my sister; here in the skirts of | |
the forest, like fringe upon a petticoat. | |
ORLANDO. Are you native of this place? | |
ROSALIND. As the coney that you see dwell where she is kindled. | |
ORLANDO. Your accent is something finer than you could purchase in | |
so removed a dwelling. | |
ROSALIND. I have been told so of many; but indeed an old religious | |
uncle of mine taught me to speak, who was in his youth an inland | |
man; one that knew courtship too well, for there he fell in love. | |
I have heard him read many lectures against it; and I thank God I | |
am not a woman, to be touch'd with so many giddy offences as he | |
hath generally tax'd their whole sex withal. | |
ORLANDO. Can you remember any of the principal evils that he laid | |
to the charge of women? | |
ROSALIND. There were none principal; they were all like one another | |
as halfpence are; every one fault seeming monstrous till his | |
fellow-fault came to match it. | |
ORLANDO. I prithee recount some of them. | |
ROSALIND. No; I will not cast away my physic but on those that are | |
sick. There is a man haunts the forest that abuses our young | |
plants with carving 'Rosalind' on their barks; hangs odes upon | |
hawthorns and elegies on brambles; all, forsooth, deifying the | |
name of Rosalind. If I could meet that fancy-monger, I would give | |
him some good counsel, for he seems to have the quotidian of love | |
upon him. | |
ORLANDO. I am he that is so love-shak'd; I pray you tell me your | |
remedy. | |
ROSALIND. There is none of my uncle's marks upon you; he taught me | |
how to know a man in love; in which cage of rushes I am sure you | |
are not prisoner. | |
ORLANDO. What were his marks? | |
ROSALIND. A lean cheek, which you have not; a blue eye and sunken, | |
which you have not; an unquestionable spirit, which you have not; | |
a beard neglected, which you have not; but I pardon you for that, | |
for simply your having in beard is a younger brother's revenue. | |
Then your hose should be ungarter'd, your bonnet unbanded, your | |
sleeve unbutton'd, your shoe untied, and every thing about you | |
demonstrating a careless desolation. But you are no such man; you | |
are rather point-device in your accoutrements, as loving yourself | |
than seeming the lover of any other. | |
ORLANDO. Fair youth, I would I could make thee believe I love. | |
ROSALIND. Me believe it! You may as soon make her that you love | |
believe it; which, I warrant, she is apter to do than to confess | |
she does. That is one of the points in the which women still give | |
the lie to their consciences. But, in good sooth, are you he that | |
hangs the verses on the trees wherein Rosalind is so admired? | |
ORLANDO. I swear to thee, youth, by the white hand of Rosalind, I | |
am that he, that unfortunate he. | |
ROSALIND. But are you so much in love as your rhymes speak? | |
ORLANDO. Neither rhyme nor reason can express how much. | |
ROSALIND. Love is merely a madness; and, I tell you, deserves as | |
well a dark house and a whip as madmen do; and the reason why | |
they are not so punish'd and cured is that the lunacy is so | |
ordinary that the whippers are in love too. Yet I profess curing | |
it by counsel. | |
ORLANDO. Did you ever cure any so? | |
ROSALIND. Yes, one; and in this manner. He was to imagine me his | |
love, his mistress; and I set him every day to woo me; at which | |
time would I, being but a moonish youth, grieve, be effeminate, | |
changeable, longing and liking, proud, fantastical, apish, | |
shallow, inconstant, full of tears, full of smiles; for every | |
passion something and for no passion truly anything, as boys and | |
women are for the most part cattle of this colour; would now like | |
him, now loathe him; then entertain him, then forswear him; now | |
weep for him, then spit at him; that I drave my suitor from his | |
mad humour of love to a living humour of madness; which was, to | |
forswear the full stream of the world and to live in a nook | |
merely monastic. And thus I cur'd him; and this way will I take | |
upon me to wash your liver as clean as a sound sheep's heart, | |
that there shall not be one spot of love in 't. | |
ORLANDO. I would not be cured, youth. | |
ROSALIND. I would cure you, if you would but call me Rosalind, and | |
come every day to my cote and woo me. | |
ORLANDO. Now, by the faith of my love, I will. Tell me where it is. | |
ROSALIND. Go with me to it, and I'll show it you; and, by the way, | |
you shall tell me where in the forest you live. Will you go? | |
ORLANDO. With all my heart, good youth. | |
ROSALIND. Nay, you must call me Rosalind. Come, sister, will you | |
go? Exeunt | |
SCENE III. | |
The forest | |
Enter TOUCHSTONE and AUDREY; JAQUES behind | |
TOUCHSTONE. Come apace, good Audrey; I will fetch up your goats, | |
Audrey. And how, Audrey, am I the man yet? Doth my simple feature | |
content you? | |
AUDREY. Your features! Lord warrant us! What features? | |
TOUCHSTONE. I am here with thee and thy goats, as the most | |
capricious poet, honest Ovid, was among the Goths. | |
JAQUES. [Aside] O knowledge ill-inhabited, worse than Jove in a | |
thatch'd house! | |
TOUCHSTONE. When a man's verses cannot be understood, nor a man's | |
good wit seconded with the forward child understanding, it | |
strikes a man more dead than a great reckoning in a little room. | |
Truly, I would the gods had made thee poetical. | |
AUDREY. I do not know what 'poetical' is. Is it honest in deed and | |
word? Is it a true thing? | |
TOUCHSTONE. No, truly; for the truest poetry is the most feigning, | |
and lovers are given to poetry; and what they swear in poetry may | |
be said as lovers they do feign. | |
AUDREY. Do you wish, then, that the gods had made me poetical? | |
TOUCHSTONE. I do, truly, for thou swear'st to me thou art honest; | |
now, if thou wert a poet, I might have some hope thou didst | |
feign. | |
AUDREY. Would you not have me honest? | |
TOUCHSTONE. No, truly, unless thou wert hard-favour'd; for honesty | |
coupled to beauty is to have honey a sauce to sugar. | |
JAQUES. [Aside] A material fool! | |
AUDREY. Well, I am not fair; and therefore I pray the gods make me | |
honest. | |
TOUCHSTONE. Truly, and to cast away honesty upon a foul slut were | |
to put good meat into an unclean dish. | |
AUDREY. I am not a slut, though I thank the gods I am foul. | |
TOUCHSTONE. Well, praised be the gods for thy foulness; | |
sluttishness may come hereafter. But be it as it may be, I will | |
marry thee; and to that end I have been with Sir Oliver Martext, | |
the vicar of the next village, who hath promis'd to meet me in | |
this place of the forest, and to couple us. | |
JAQUES. [Aside] I would fain see this meeting. | |
AUDREY. Well, the gods give us joy! | |
TOUCHSTONE. Amen. A man may, if he were of a fearful heart, stagger | |
in this attempt; for here we have no temple but the wood, no | |
assembly but horn-beasts. But what though? Courage! As horns are | |
odious, they are necessary. It is said: 'Many a man knows no end | |
of his goods.' Right! Many a man has good horns and knows no end | |
of them. Well, that is the dowry of his wife; 'tis none of his | |
own getting. Horns? Even so. Poor men alone? No, no; the noblest | |
deer hath them as huge as the rascal. Is the single man therefore | |
blessed? No; as a wall'd town is more worthier than a village, so | |
is the forehead of a married man more honourable than the bare | |
brow of a bachelor; and by how much defence is better than no | |
skill, by so much is horn more precious than to want. Here comes | |
Sir Oliver. | |
Enter SIR OLIVER MARTEXT | |
Sir Oliver Martext, you are well met. Will you dispatch us here | |
under this tree, or shall we go with you to your chapel? | |
MARTEXT. Is there none here to give the woman? | |
TOUCHSTONE. I will not take her on gift of any man. | |
MARTEXT. Truly, she must be given, or the marriage is not lawful. | |
JAQUES. [Discovering himself] Proceed, proceed; I'll give her. | |
TOUCHSTONE. Good even, good Master What-ye-call't; how do you, sir? | |
You are very well met. Goddild you for your last company. I am | |
very glad to see you. Even a toy in hand here, sir. Nay; pray be | |
cover'd. | |
JAQUES. Will you be married, motley? | |
TOUCHSTONE. As the ox hath his bow, sir, the horse his curb, and | |
the falcon her bells, so man hath his desires; and as pigeons | |
bill, so wedlock would be nibbling. | |
JAQUES. And will you, being a man of your breeding, be married | |
under a bush, like a beggar? Get you to church and have a good | |
priest that can tell you what marriage is; this fellow will but | |
join you together as they join wainscot; then one of you will | |
prove a shrunk panel, and like green timber warp, warp. | |
TOUCHSTONE. [Aside] I am not in the mind but I were better to be | |
married of him than of another; for he is not like to marry me | |
well; and not being well married, it will be a good excuse for me | |
hereafter to leave my wife. | |
JAQUES. Go thou with me, and let me counsel thee. | |
TOUCHSTONE. Come, sweet Audrey; | |
We must be married or we must live in bawdry. | |
Farewell, good Master Oliver. Not- | |
O sweet Oliver, | |
O brave Oliver, | |
Leave me not behind thee. | |
But- | |
Wind away, | |
Begone, I say, | |
I will not to wedding with thee. | |
Exeunt JAQUES, TOUCHSTONE, and AUDREY | |
MARTEXT. 'Tis no matter; ne'er a fantastical knave of them all | |
shall flout me out of my calling. Exit | |
SCENE IV. | |
The forest | |
Enter ROSALIND and CELIA | |
ROSALIND. Never talk to me; I will weep. | |
CELIA. Do, I prithee; but yet have the grace to consider that tears | |
do not become a man. | |
ROSALIND. But have I not cause to weep? | |
CELIA. As good cause as one would desire; therefore weep. | |
ROSALIND. His very hair is of the dissembling colour. | |
CELIA. Something browner than Judas's. | |
Marry, his kisses are Judas's own children. | |
ROSALIND. I' faith, his hair is of a good colour. | |
CELIA. An excellent colour: your chestnut was ever the only colour. | |
ROSALIND. And his kissing is as full of sanctity as the touch of | |
holy bread. | |
CELIA. He hath bought a pair of cast lips of Diana. A nun of | |
winter's sisterhood kisses not more religiously; the very ice of | |
chastity is in them. | |
ROSALIND. But why did he swear he would come this morning, and | |
comes not? | |
CELIA. Nay, certainly, there is no truth in him. | |
ROSALIND. Do you think so? | |
CELIA. Yes; I think he is not a pick-purse nor a horse-stealer; but | |
for his verity in love, I do think him as concave as covered | |
goblet or a worm-eaten nut. | |
ROSALIND. Not true in love? | |
CELIA. Yes, when he is in; but I think he is not in. | |
ROSALIND. You have heard him swear downright he was. | |
CELIA. 'Was' is not 'is'; besides, the oath of a lover is no | |
stronger than the word of a tapster; they are both the confirmer | |
of false reckonings. He attends here in the forest on the Duke, | |
your father. | |
ROSALIND. I met the Duke yesterday, and had much question with him. | |
He asked me of what parentage I was; I told him, of as good as | |
he; so he laugh'd and let me go. But what talk we of fathers when | |
there is such a man as Orlando? | |
CELIA. O, that's a brave man! He writes brave verses, speaks brave | |
words, swears brave oaths, and breaks them bravely, quite | |
traverse, athwart the heart of his lover; as a puny tilter, that | |
spurs his horse but on one side, breaks his staff like a noble | |
goose. But all's brave that youth mounts and folly guides. Who | |
comes here? | |
Enter CORIN | |
CORIN. Mistress and master, you have oft enquired | |
After the shepherd that complain'd of love, | |
Who you saw sitting by me on the turf, | |
Praising the proud disdainful shepherdess | |
That was his mistress. | |
CELIA. Well, and what of him? | |
CORIN. If you will see a pageant truly play'd | |
Between the pale complexion of true love | |
And the red glow of scorn and proud disdain, | |
Go hence a little, and I shall conduct you, | |
If you will mark it. | |
ROSALIND. O, come, let us remove! | |
The sight of lovers feedeth those in love. | |
Bring us to this sight, and you shall say | |
I'll prove a busy actor in their play. Exeunt | |
SCENE V. | |
Another part of the forest | |
Enter SILVIUS and PHEBE | |
SILVIUS. Sweet Phebe, do not scorn me; do not, Phebe. | |
Say that you love me not; but say not so | |
In bitterness. The common executioner, | |
Whose heart th' accustom'd sight of death makes hard, | |
Falls not the axe upon the humbled neck | |
But first begs pardon. Will you sterner be | |
Than he that dies and lives by bloody drops? | |
Enter ROSALIND, CELIA, and CORIN, at a distance | |
PHEBE. I would not be thy executioner; | |
I fly thee, for I would not injure thee. | |
Thou tell'st me there is murder in mine eye. | |
'Tis pretty, sure, and very probable, | |
That eyes, that are the frail'st and softest things, | |
Who shut their coward gates on atomies, | |
Should be call'd tyrants, butchers, murderers! | |
Now I do frown on thee with all my heart; | |
And if mine eyes can wound, now let them kill thee. | |
Now counterfeit to swoon; why, now fall down; | |
Or, if thou canst not, O, for shame, for shame, | |
Lie not, to say mine eyes are murderers. | |
Now show the wound mine eye hath made in thee. | |
Scratch thee but with a pin, and there remains | |
Some scar of it; lean upon a rush, | |
The cicatrice and capable impressure | |
Thy palm some moment keeps; but now mine eyes, | |
Which I have darted at thee, hurt thee not; | |
Nor, I am sure, there is not force in eyes | |
That can do hurt. | |
SILVIUS. O dear Phebe, | |
If ever- as that ever may be near- | |
You meet in some fresh cheek the power of fancy, | |
Then shall you know the wounds invisible | |
That love's keen arrows make. | |
PHEBE. But till that time | |
Come not thou near me; and when that time comes, | |
Afflict me with thy mocks, pity me not; | |
As till that time I shall not pity thee. | |
ROSALIND. [Advancing] And why, I pray you? Who might be your | |
mother, | |
That you insult, exult, and all at once, | |
Over the wretched? What though you have no beauty- | |
As, by my faith, I see no more in you | |
Than without candle may go dark to bed- | |
Must you be therefore proud and pitiless? | |
Why, what means this? Why do you look on me? | |
I see no more in you than in the ordinary | |
Of nature's sale-work. 'Od's my little life, | |
I think she means to tangle my eyes too! | |
No faith, proud mistress, hope not after it; | |
'Tis not your inky brows, your black silk hair, | |
Your bugle eyeballs, nor your cheek of cream, | |
That can entame my spirits to your worship. | |
You foolish shepherd, wherefore do you follow her, | |
Like foggy south, puffing with wind and rain? | |
You are a thousand times a properer man | |
Than she a woman. 'Tis such fools as you | |
That makes the world full of ill-favour'd children. | |
'Tis not her glass, but you, that flatters her; | |
And out of you she sees herself more proper | |
Than any of her lineaments can show her. | |
But, mistress, know yourself. Down on your knees, | |
And thank heaven, fasting, for a good man's love; | |
For I must tell you friendly in your ear: | |
Sell when you can; you are not for all markets. | |
Cry the man mercy, love him, take his offer; | |
Foul is most foul, being foul to be a scoffer. | |
So take her to thee, shepherd. Fare you well. | |
PHEBE. Sweet youth, I pray you chide a year together; | |
I had rather hear you chide than this man woo. | |
ROSALIND. He's fall'n in love with your foulness, and she'll fall | |
in love with my anger. If it be so, as fast as she answers thee | |
with frowning looks, I'll sauce her with bitter words. Why look | |
you so upon me? | |
PHEBE. For no ill will I bear you. | |
ROSALIND. I pray you do not fall in love with me, | |
For I am falser than vows made in wine; | |
Besides, I like you not. If you will know my house, | |
'Tis at the tuft of olives here hard by. | |
Will you go, sister? Shepherd, ply her hard. | |
Come, sister. Shepherdess, look on him better, | |
And be not proud; though all the world could see, | |
None could be so abus'd in sight as he. | |
Come, to our flock. Exeunt ROSALIND, CELIA, and CORIN | |
PHEBE. Dead shepherd, now I find thy saw of might: | |
'Who ever lov'd that lov'd not at first sight?' | |
SILVIUS. Sweet Phebe. | |
PHEBE. Ha! what say'st thou, Silvius? | |
SILVIUS. Sweet Phebe, pity me. | |
PHEBE. Why, I arn sorry for thee, gentle Silvius. | |
SILVIUS. Wherever sorrow is, relief would be. | |
If you do sorrow at my grief in love, | |
By giving love, your sorrow and my grief | |
Were both extermin'd. | |
PHEBE. Thou hast my love; is not that neighbourly? | |
SILVIUS. I would have you. | |
PHEBE. Why, that were covetousness. | |
Silvius, the time was that I hated thee; | |
And yet it is not that I bear thee love; | |
But since that thou canst talk of love so well, | |
Thy company, which erst was irksome to me, | |
I will endure; and I'll employ thee too. | |
But do not look for further recompense | |
Than thine own gladness that thou art employ'd. | |
SILVIUS. So holy and so perfect is my love, | |
And I in such a poverty of grace, | |
That I shall think it a most plenteous crop | |
To glean the broken ears after the man | |
That the main harvest reaps; loose now and then | |
A scatt'red smile, and that I'll live upon. | |
PHEBE. Know'st thou the youth that spoke to me erewhile? | |
SILVIUS. Not very well; but I have met him oft; | |
And he hath bought the cottage and the bounds | |
That the old carlot once was master of. | |
PHEBE. Think not I love him, though I ask for him; | |
'Tis but a peevish boy; yet he talks well. | |
But what care I for words? Yet words do well | |
When he that speaks them pleases those that hear. | |
It is a pretty youth- not very pretty; | |
But, sure, he's proud; and yet his pride becomes him. | |
He'll make a proper man. The best thing in him | |
Is his complexion; and faster than his tongue | |
Did make offence, his eye did heal it up. | |
He is not very tall; yet for his years he's tall; | |
His leg is but so-so; and yet 'tis well. | |
There was a pretty redness in his lip, | |
A little riper and more lusty red | |
Than that mix'd in his cheek; 'twas just the difference | |
Betwixt the constant red and mingled damask. | |
There be some women, Silvius, had they mark'd him | |
In parcels as I did, would have gone near | |
To fall in love with him; but, for my part, | |
I love him not, nor hate him not; and yet | |
I have more cause to hate him than to love him; | |
For what had he to do to chide at me? | |
He said mine eyes were black, and my hair black, | |
And, now I am rememb'red, scorn'd at me. | |
I marvel why I answer'd not again; | |
But that's all one: omittance is no quittance. | |
I'll write to him a very taunting letter, | |
And thou shalt bear it; wilt thou, Silvius? | |
SILVIUS. Phebe, with all my heart. | |
PHEBE. I'll write it straight; | |
The matter's in my head and in my heart; | |
I will be bitter with him and passing short. | |
Go with me, Silvius. Exeunt | |
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ACT IV. SCENE I. | |
The forest | |
Enter ROSALIND, CELIA, and JAQUES | |
JAQUES. I prithee, pretty youth, let me be better acquainted with | |
thee. | |
ROSALIND. They say you are a melancholy fellow. | |
JAQUES. I am so; I do love it better than laughing. | |
ROSALIND. Those that are in extremity of either are abominable | |
fellows, and betray themselves to every modern censure worse than | |
drunkards. | |
JAQUES. Why, 'tis good to be sad and say nothing. | |
ROSALIND. Why then, 'tis good to be a post. | |
JAQUES. I have neither the scholar's melancholy, which is | |
emulation; nor the musician's, which is fantastical; nor the | |
courtier's, which is proud; nor the soldier's, which is | |
ambitious; nor the lawyer's, which is politic; nor the lady's, | |
which is nice; nor the lover's, which is all these; but it is a | |
melancholy of mine own, compounded of many simples, extracted | |
from many objects, and, indeed, the sundry contemplation of my | |
travels; in which my often rumination wraps me in a most humorous | |
sadness. | |
ROSALIND. A traveller! By my faith, you have great reason to be | |
sad. I fear you have sold your own lands to see other men's; then | |
to have seen much and to have nothing is to have rich eyes and | |
poor hands. | |
JAQUES. Yes, I have gain'd my experience. | |
Enter ORLANDO | |
ROSALIND. And your experience makes you sad. I had rather have a | |
fool to make me merry than experience to make me sad- and to | |
travel for it too. | |
ORLANDO. Good day, and happiness, dear Rosalind! | |
JAQUES. Nay, then, God buy you, an you talk in blank verse. | |
ROSALIND. Farewell, Monsieur Traveller; look you lisp and wear | |
strange suits, disable all the benefits of your own country, be | |
out of love with your nativity, and almost chide God for making | |
you that countenance you are; or I will scarce think you have | |
swam in a gondola. [Exit JAQUES] Why, how now, Orlando! where | |
have you been all this while? You a lover! An you serve me such | |
another trick, never come in my sight more. | |
ORLANDO. My fair Rosalind, I come within an hour of my promise. | |
ROSALIND. Break an hour's promise in love! He that will divide a | |
minute into a thousand parts, and break but a part of the | |
thousand part of a minute in the affairs of love, it may be said | |
of him that Cupid hath clapp'd him o' th' shoulder, but I'll | |
warrant him heart-whole. | |
ORLANDO. Pardon me, dear Rosalind. | |
ROSALIND. Nay, an you be so tardy, come no more in my sight. I had | |
as lief be woo'd of a snail. | |
ORLANDO. Of a snail! | |
ROSALIND. Ay, of a snail; for though he comes slowly, he carries | |
his house on his head- a better jointure, I think, than you make | |
a woman; besides, he brings his destiny with him. | |
ORLANDO. What's that? | |
ROSALIND. Why, horns; which such as you are fain to be beholding to | |
your wives for; but he comes armed in his fortune, and prevents | |
the slander of his wife. | |
ORLANDO. Virtue is no horn-maker; and my Rosalind is virtuous. | |
ROSALIND. And I am your Rosalind. | |
CELIA. It pleases him to call you so; but he hath a Rosalind of a | |
better leer than you. | |
ROSALIND. Come, woo me, woo me; for now I am in a holiday humour, | |
and like enough to consent. What would you say to me now, an I | |
were your very very Rosalind? | |
ORLANDO. I would kiss before I spoke. | |
ROSALIND. Nay, you were better speak first; and when you were | |
gravell'd for lack of matter, you might take occasion to kiss. | |
Very good orators, when they are out, they will spit; and for | |
lovers lacking- God warn us!- matter, the cleanliest shift is to | |
kiss. | |
ORLANDO. How if the kiss be denied? | |
ROSALIND. Then she puts you to entreaty, and there begins new | |
matter. | |
ORLANDO. Who could be out, being before his beloved mistress? | |
ROSALIND. Marry, that should you, if I were your mistress; or I | |
should think my honesty ranker than my wit. | |
ORLANDO. What, of my suit? | |
ROSALIND. Not out of your apparel, and yet out of your suit. | |
Am not I your Rosalind? | |
ORLANDO. I take some joy to say you are, because I would be talking | |
of her. | |
ROSALIND. Well, in her person, I say I will not have you. | |
ORLANDO. Then, in mine own person, I die. | |
ROSALIND. No, faith, die by attorney. The poor world is almost six | |
thousand years old, and in all this time there was not any man | |
died in his own person, videlicet, in a love-cause. Troilus had | |
his brains dash'd out with a Grecian club; yet he did what he | |
could to die before, and he is one of the patterns of love. | |
Leander, he would have liv'd many a fair year, though Hero had | |
turn'd nun, if it had not been for a hot midsummer night; for, | |
good youth, he went but forth to wash him in the Hellespont, and, | |
being taken with the cramp, was drown'd; and the foolish | |
chroniclers of that age found it was- Hero of Sestos. But these | |
are all lies: men have died from time to time, and worms have | |
eaten them, but not for love. | |
ORLANDO. I would not have my right Rosalind of this mind; for, I | |
protest, her frown might kill me. | |
ROSALIND. By this hand, it will not kill a fly. But come, now I | |
will be your Rosalind in a more coming-on disposition; and ask me | |
what you will, I will grant it. | |
ORLANDO. Then love me, Rosalind. | |
ROSALIND. Yes, faith, will I, Fridays and Saturdays, and all. | |
ORLANDO. And wilt thou have me? | |
ROSALIND. Ay, and twenty such. | |
ORLANDO. What sayest thou? | |
ROSALIND. Are you not good? | |
ORLANDO. I hope so. | |
ROSALIND. Why then, can one desire too much of a good thing? Come, | |
sister, you shall be the priest, and marry us. Give me your hand, | |
Orlando. What do you say, sister? | |
ORLANDO. Pray thee, marry us. | |
CELIA. I cannot say the words. | |
ROSALIND. You must begin 'Will you, Orlando'- | |
CELIA. Go to. Will you, Orlando, have to wife this Rosalind? | |
ORLANDO. I will. | |
ROSALIND. Ay, but when? | |
ORLANDO. Why, now; as fast as she can marry us. | |
ROSALIND. Then you must say 'I take thee, Rosalind, for wife.' | |
ORLANDO. I take thee, Rosalind, for wife. | |
ROSALIND. I might ask you for your commission; but- I do take thee, | |
Orlando, for my husband. There's a girl goes before the priest; | |
and, certainly, a woman's thought runs before her actions. | |
ORLANDO. So do all thoughts; they are wing'd. | |
ROSALIND. Now tell me how long you would have her, after you have | |
possess'd her. | |
ORLANDO. For ever and a day. | |
ROSALIND. Say 'a day' without the 'ever.' No, no, Orlando; men are | |
April when they woo, December when they wed: maids are May when | |
they are maids, but the sky changes when they are wives. I will | |
be more jealous of thee than a Barbary cock-pigeon over his hen, | |
more clamorous than a parrot against rain, more new-fangled than | |
an ape, more giddy in my desires than a monkey. I will weep for | |
nothing, like Diana in the fountain, and I will do that when you | |
are dispos'd to be merry; I will laugh like a hyen, and that when | |
thou are inclin'd to sleep. | |
ORLANDO. But will my Rosalind do so? | |
ROSALIND. By my life, she will do as I do. | |
ORLANDO. O, but she is wise. | |
ROSALIND. Or else she could not have the wit to do this. The wiser, | |
the waywarder. Make the doors upon a woman's wit, and it will out | |
at the casement; shut that, and 'twill out at the key-hole; stop | |
that, 'twill fly with the smoke out at the chimney. | |
ORLANDO. A man that had a wife with such a wit, he might say 'Wit, | |
whither wilt?' ROSALIND. Nay, you might keep that check for it, till you met your | |
wife's wit going to your neighbour's bed. | |
ORLANDO. And what wit could wit have to excuse that? | |
ROSALIND. Marry, to say she came to seek you there. You shall never | |
take her without her answer, unless you take her without her | |
tongue. O, that woman that cannot make her fault her husband's | |
occasion, let her never nurse her child herself, for she will | |
breed it like a fool! | |
ORLANDO. For these two hours, Rosalind, I will leave thee. | |
ROSALIND. Alas, dear love, I cannot lack thee two hours! | |
ORLANDO. I must attend the Duke at dinner; by two o'clock I will be | |
with thee again. | |
ROSALIND. Ay, go your ways, go your ways. I knew what you would | |
prove; my friends told me as much, and I thought no less. That | |
flattering tongue of yours won me. 'Tis but one cast away, and | |
so, come death! Two o'clock is your hour? | |
ORLANDO. Ay, sweet Rosalind. | |
ROSALIND. By my troth, and in good earnest, and so God mend me, and | |
by all pretty oaths that are not dangerous, if you break one jot | |
of your promise, or come one minute behind your hour, I will | |
think you the most pathetical break-promise, and the most hollow | |
lover, and the most unworthy of her you call Rosalind, that may | |
be chosen out of the gross band of the unfaithful. Therefore | |
beware my censure, and keep your promise. | |
ORLANDO. With no less religion than if thou wert indeed my | |
Rosalind; so, adieu. | |
ROSALIND. Well, Time is the old justice that examines all such | |
offenders, and let Time try. Adieu. Exit ORLANDO | |
CELIA. You have simply misus'd our sex in your love-prate. We must | |
have your doublet and hose pluck'd over your head, and show the | |
world what the bird hath done to her own nest. | |
ROSALIND. O coz, coz, coz, my pretty little coz, that thou didst | |
know how many fathom deep I am in love! But it cannot be sounded; | |
my affection hath an unknown bottom, like the Bay of Portugal. | |
CELIA. Or rather, bottomless; that as fast as you pour affection | |
in, it runs out. | |
ROSALIND. No; that same wicked bastard of Venus, that was begot of | |
thought, conceiv'd of spleen, and born of madness; that blind | |
rascally boy, that abuses every one's eyes, because his own are | |
out- let him be judge how deep I am in love. I'll tell thee, | |
Aliena, I cannot be out of the sight of Orlando. I'll go find a | |
shadow, and sigh till he come. | |
CELIA. And I'll sleep. Exeunt | |
SCENE II. | |
The forest | |
Enter JAQUES and LORDS, in the habit of foresters | |
JAQUES. Which is he that killed the deer? | |
LORD. Sir, it was I. | |
JAQUES. Let's present him to the Duke, like a Roman conqueror; and | |
it would do well to set the deer's horns upon his head for a | |
branch of victory. Have you no song, forester, for this purpose? | |
LORD. Yes, sir. | |
JAQUES. Sing it; 'tis no matter how it be in tune, so it make noise | |
enough. | |
SONG. | |
What shall he have that kill'd the deer? | |
His leather skin and horns to wear. | |
[The rest shall hear this burden:] | |
Then sing him home. | |
Take thou no scorn to wear the horn; | |
It was a crest ere thou wast born. | |
Thy father's father wore it; | |
And thy father bore it. | |
The horn, the horn, the lusty horn, | |
Is not a thing to laugh to scorn. Exeunt | |
SCENE III. | |
The forest | |
Enter ROSALIND and CELIA | |
ROSALIND. How say you now? Is it not past two o'clock? | |
And here much Orlando! | |
CELIA. I warrant you, with pure love and troubled brain, he hath | |
ta'en his bow and arrows, and is gone forth- to sleep. Look, who | |
comes here. | |
Enter SILVIUS | |
SILVIUS. My errand is to you, fair youth; | |
My gentle Phebe did bid me give you this. | |
I know not the contents; but, as I guess | |
By the stern brow and waspish action | |
Which she did use as she was writing of it, | |
It bears an angry tenour. Pardon me, | |
I am but as a guiltless messenger. | |
ROSALIND. Patience herself would startle at this letter, | |
And play the swaggerer. Bear this, bear all. | |
She says I am not fair, that I lack manners; | |
She calls me proud, and that she could not love me, | |
Were man as rare as Phoenix. 'Od's my will! | |
Her love is not the hare that I do hunt; | |
Why writes she so to me? Well, shepherd, well, | |
This is a letter of your own device. | |
SILVIUS. No, I protest, I know not the contents; | |
Phebe did write it. | |
ROSALIND. Come, come, you are a fool, | |
And turn'd into the extremity of love. | |
I saw her hand; she has a leathern hand, | |
A freestone-colour'd hand; I verily did think | |
That her old gloves were on, but 'twas her hands; | |
She has a huswife's hand- but that's no matter. | |
I say she never did invent this letter: | |
This is a man's invention, and his hand. | |
SILVIUS. Sure, it is hers. | |
ROSALIND. Why, 'tis a boisterous and a cruel style; | |
A style for challengers. Why, she defies me, | |
Like Turk to Christian. Women's gentle brain | |
Could not drop forth such giant-rude invention, | |
Such Ethiope words, blacker in their effect | |
Than in their countenance. Will you hear the letter? | |
SILVIUS. So please you, for I never heard it yet; | |
Yet heard too much of Phebe's cruelty. | |
ROSALIND. She Phebes me: mark how the tyrant writes. | |
[Reads] | |
'Art thou god to shepherd turn'd, | |
That a maiden's heart hath burn'd?' | |
Can a woman rail thus? | |
SILVIUS. Call you this railing? | |
ROSALIND. 'Why, thy godhead laid apart, | |
Warr'st thou with a woman's heart?' | |
Did you ever hear such railing? | |
'Whiles the eye of man did woo me, | |
That could do no vengeance to me.' | |
Meaning me a beast. | |
'If the scorn of your bright eyne | |
Have power to raise such love in mine, | |
Alack, in me what strange effect | |
Would they work in mild aspect! | |
Whiles you chid me, I did love; | |
How then might your prayers move! | |
He that brings this love to the | |
Little knows this love in me; | |
And by him seal up thy mind, | |
Whether that thy youth and kind | |
Will the faithful offer take | |
Of me and all that I can make; | |
Or else by him my love deny, | |
And then I'll study how to die.' | |
SILVIUS. Call you this chiding? | |
CELIA. Alas, poor shepherd! | |
ROSALIND. Do you pity him? No, he deserves no pity. Wilt thou love | |
such a woman? What, to make thee an instrument, and play false | |
strains upon thee! Not to be endur'd! Well, go your way to her, | |
for I see love hath made thee tame snake, and say this to her- | |
that if she love me, I charge her to love thee; if she will not, | |
I will never have her unless thou entreat for her. If you be a | |
true lover, hence, and not a word; for here comes more company. | |
Exit SILVIUS | |
Enter OLIVER | |
OLIVER. Good morrow, fair ones; pray you, if you know, | |
Where in the purlieus of this forest stands | |
A sheep-cote fenc'd about with olive trees? | |
CELIA. West of this place, down in the neighbour bottom. | |
The rank of osiers by the murmuring stream | |
Left on your right hand brings you to the place. | |
But at this hour the house doth keep itself; | |
There's none within. | |
OLIVER. If that an eye may profit by a tongue, | |
Then should I know you by description- | |
Such garments, and such years: 'The boy is fair, | |
Of female favour, and bestows himself | |
Like a ripe sister; the woman low, | |
And browner than her brother.' Are not you | |
The owner of the house I did inquire for? | |
CELIA. It is no boast, being ask'd, to say we are. | |
OLIVER. Orlando doth commend him to you both; | |
And to that youth he calls his Rosalind | |
He sends this bloody napkin. Are you he? | |
ROSALIND. I am. What must we understand by this? | |
OLIVER. Some of my shame; if you will know of me | |
What man I am, and how, and why, and where, | |
This handkercher was stain'd. | |
CELIA. I pray you, tell it. | |
OLIVER. When last the young Orlando parted from you, | |
He left a promise to return again | |
Within an hour; and, pacing through the forest, | |
Chewing the food of sweet and bitter fancy, | |
Lo, what befell! He threw his eye aside, | |
And mark what object did present itself. | |
Under an oak, whose boughs were moss'd with age, | |
And high top bald with dry antiquity, | |
A wretched ragged man, o'ergrown with hair, | |
Lay sleeping on his back. About his neck | |
A green and gilded snake had wreath'd itself, | |
Who with her head nimble in threats approach'd | |
The opening of his mouth; but suddenly, | |
Seeing Orlando, it unlink'd itself, | |
And with indented glides did slip away | |
Into a bush; under which bush's shade | |
A lioness, with udders all drawn dry, | |
Lay couching, head on ground, with catlike watch, | |
When that the sleeping man should stir; for 'tis | |
The royal disposition of that beast | |
To prey on nothing that doth seem as dead. | |
This seen, Orlando did approach the man, | |
And found it was his brother, his elder brother. | |
CELIA. O, I have heard him speak of that same brother; | |
And he did render him the most unnatural | |
That liv'd amongst men. | |
OLIVER. And well he might so do, | |
For well I know he was unnatural. | |
ROSALIND. But, to Orlando: did he leave him there, | |
Food to the suck'd and hungry lioness? | |
OLIVER. Twice did he turn his back, and purpos'd so; | |
But kindness, nobler ever than revenge, | |
And nature, stronger than his just occasion, | |
Made him give battle to the lioness, | |
Who quickly fell before him; in which hurtling | |
From miserable slumber I awak'd. | |
CELIA. Are you his brother? | |
ROSALIND. Was't you he rescu'd? | |
CELIA. Was't you that did so oft contrive to kill him? | |
OLIVER. 'Twas I; but 'tis not I. I do not shame | |
To tell you what I was, since my conversion | |
So sweetly tastes, being the thing I am. | |
ROSALIND. But for the bloody napkin? | |
OLIVER. By and by. | |
When from the first to last, betwixt us two, | |
Tears our recountments had most kindly bath'd, | |
As how I came into that desert place- | |
In brief, he led me to the gentle Duke, | |
Who gave me fresh array and entertainment, | |
Committing me unto my brother's love; | |
Who led me instantly unto his cave, | |
There stripp'd himself, and here upon his arm | |
The lioness had torn some flesh away, | |
Which all this while had bled; and now he fainted, | |
And cried, in fainting, upon Rosalind. | |
Brief, I recover'd him, bound up his wound, | |
And, after some small space, being strong at heart, | |
He sent me hither, stranger as I am, | |
To tell this story, that you might excuse | |
His broken promise, and to give this napkin, | |
Dy'd in his blood, unto the shepherd youth | |
That he in sport doth call his Rosalind. | |
[ROSALIND swoons] | |
CELIA. Why, how now, Ganymede! sweet Ganymede! | |
OLIVER. Many will swoon when they do look on blood. | |
CELIA. There is more in it. Cousin Ganymede! | |
OLIVER. Look, he recovers. | |
ROSALIND. I would I were at home. | |
CELIA. We'll lead you thither. | |
I pray you, will you take him by the arm? | |
OLIVER. Be of good cheer, youth. You a man! | |
You lack a man's heart. | |
ROSALIND. I do so, I confess it. Ah, sirrah, a body would think | |
this was well counterfeited. I pray you tell your brother how | |
well I counterfeited. Heigh-ho! | |
OLIVER. This was not counterfeit; there is too great testimony in | |
your complexion that it was a passion of earnest. | |
ROSALIND. Counterfeit, I assure you. | |
OLIVER. Well then, take a good heart and counterfeit to be a man. | |
ROSALIND. So I do; but, i' faith, I should have been a woman by | |
right. | |
CELIA. Come, you look paler and paler; pray you draw homewards. | |
Good sir, go with us. | |
OLIVER. That will I, for I must bear answer back | |
How you excuse my brother, Rosalind. | |
ROSALIND. I shall devise something; but, I pray you, commend my | |
counterfeiting to him. Will you go? Exeunt | |
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ACT V. SCENE I. | |
The forest | |
Enter TOUCHSTONE and AUDREY | |
TOUCHSTONE. We shall find a time, Audrey; patience, gentle Audrey. | |
AUDREY. Faith, the priest was good enough, for all the old | |
gentleman's saying. | |
TOUCHSTONE. A most wicked Sir Oliver, Audrey, a most vile Martext. | |
But, Audrey, there is a youth here in the forest lays claim to | |
you. | |
AUDREY. Ay, I know who 'tis; he hath no interest in me in the | |
world; here comes the man you mean. | |
Enter WILLIAM | |
TOUCHSTONE. It is meat and drink to me to see a clown. By my troth, | |
we that have good wits have much to answer for: we shall be | |
flouting; we cannot hold. | |
WILLIAM. Good ev'n, Audrey. | |
AUDREY. God ye good ev'n, William. | |
WILLIAM. And good ev'n to you, sir. | |
TOUCHSTONE. Good ev'n, gentle friend. Cover thy head, cover thy | |
head; nay, prithee be cover'd. How old are you, friend? | |
WILLIAM. Five and twenty, sir. | |
TOUCHSTONE. A ripe age. Is thy name William? | |
WILLIAM. William, sir. | |
TOUCHSTONE. A fair name. Wast born i' th' forest here? | |
WILLIAM. Ay, sir, I thank God. | |
TOUCHSTONE. 'Thank God.' A good answer. | |
Art rich? | |
WILLIAM. Faith, sir, so so. | |
TOUCHSTONE. 'So so' is good, very good, very excellent good; and | |
yet it is not; it is but so so. Art thou wise? | |
WILLIAM. Ay, sir, I have a pretty wit. | |
TOUCHSTONE. Why, thou say'st well. I do now remember a saying: 'The | |
fool doth think he is wise, but the wise man knows himself to be | |
a fool.' The heathen philosopher, when he had a desire to eat a | |
grape, would open his lips when he put it into his mouth; meaning | |
thereby that grapes were made to eat and lips to open. You do | |
love this maid? | |
WILLIAM. I do, sir. | |
TOUCHSTONE. Give me your hand. Art thou learned? | |
WILLIAM. No, sir. | |
TOUCHSTONE. Then learn this of me: to have is to have; for it is a | |
figure in rhetoric that drink, being pour'd out of cup into a | |
glass, by filling the one doth empty the other; for all your | |
writers do consent that ipse is he; now, you are not ipse, for I | |
am he. | |
WILLIAM. Which he, sir? | |
TOUCHSTONE. He, sir, that must marry this woman. Therefore, you | |
clown, abandon- which is in the vulgar leave- the society- which | |
in the boorish is company- of this female- which in the common is | |
woman- which together is: abandon the society of this female; or, | |
clown, thou perishest; or, to thy better understanding, diest; | |
or, to wit, I kill thee, make thee away, translate thy life into | |
death, thy liberty into bondage. I will deal in poison with thee, | |
or in bastinado, or in steel; I will bandy with thee in faction; | |
will o'er-run thee with policy; I will kill thee a hundred and | |
fifty ways; therefore tremble and depart. | |
AUDREY. Do, good William. | |
WILLIAM. God rest you merry, sir. Exit | |
Enter CORIN | |
CORIN. Our master and mistress seeks you; come away, away. | |
TOUCHSTONE. Trip, Audrey, trip, Audrey. I attend, I attend. | |
Exeunt | |
SCENE II. | |
The forest | |
Enter ORLANDO and OLIVER | |
ORLANDO. Is't possible that on so little acquaintance you should | |
like her? that but seeing you should love her? and loving woo? | |
and, wooing, she should grant? and will you persever to enjoy | |
her? | |
OLIVER. Neither call the giddiness of it in question, the poverty | |
of her, the small acquaintance, my sudden wooing, nor her sudden | |
consenting; but say with me, I love Aliena; say with her that she | |
loves me; consent with both that we may enjoy each other. It | |
shall be to your good; for my father's house and all the revenue | |
that was old Sir Rowland's will I estate upon you, and here live | |
and die a shepherd. | |
ORLANDO. You have my consent. Let your wedding be to-morrow. | |
Thither will I invite the Duke and all's contented followers. Go | |
you and prepare Aliena; for, look you, here comes my Rosalind. | |
Enter ROSALIND | |
ROSALIND. God save you, brother. | |
OLIVER. And you, fair sister. Exit | |
ROSALIND. O, my dear Orlando, how it grieves me to see thee wear | |
thy heart in a scarf! | |
ORLANDO. It is my arm. | |
ROSALIND. I thought thy heart had been wounded with the claws of a | |
lion. | |
ORLANDO. Wounded it is, but with the eyes of a lady. | |
ROSALIND. Did your brother tell you how I counterfeited to swoon | |
when he show'd me your handkercher? | |
ORLANDO. Ay, and greater wonders than that. | |
ROSALIND. O, I know where you are. Nay, 'tis true. There was never | |
any thing so sudden but the fight of two rams and Caesar's | |
thrasonical brag of 'I came, saw, and overcame.' For your brother | |
and my sister no sooner met but they look'd; no sooner look'd but | |
they lov'd; no sooner lov'd but they sigh'd; no sooner sigh'd but | |
they ask'd one another the reason; no sooner knew the reason but | |
they sought the remedy- and in these degrees have they made pair | |
of stairs to marriage, which they will climb incontinent, or else | |
be incontinent before marriage. They are in the very wrath of | |
love, and they will together. Clubs cannot part them. | |
ORLANDO. They shall be married to-morrow; and I will bid the Duke | |
to the nuptial. But, O, how bitter a thing it is to look into | |
happiness through another man's eyes! By so much the more shall I | |
to-morrow be at the height of heart-heaviness, by how much I | |
shall think my brother happy in having what he wishes for. | |
ROSALIND. Why, then, to-morrow I cannot serve your turn for | |
Rosalind? | |
ORLANDO. I can live no longer by thinking. | |
ROSALIND. I will weary you, then, no longer with idle talking. Know | |
of me then- for now I speak to some purpose- that I know you are | |
a gentleman of good conceit. I speak not this that you should | |
bear a good opinion of my knowledge, insomuch I say I know you | |
are; neither do I labour for a greater esteem than may in some | |
little measure draw a belief from you, to do yourself good, and | |
not to grace me. Believe then, if you please, that I can do | |
strange things. I have, since I was three year old, convers'd | |
with a magician, most profound in his art and yet not damnable. | |
If you do love Rosalind so near the heart as your gesture cries | |
it out, when your brother marries Aliena shall you marry her. I | |
know into what straits of fortune she is driven; and it is not | |
impossible to me, if it appear not inconvenient to you, to set | |
her before your eyes to-morrow, human as she is, and without any | |
danger. | |
ORLANDO. Speak'st thou in sober meanings? | |
ROSALIND. By my life, I do; which I tender dearly, though I say I | |
am a magician. Therefore put you in your best array, bid your | |
friends; for if you will be married to-morrow, you shall; and to | |
Rosalind, if you will. | |
Enter SILVIUS and PHEBE | |
Look, here comes a lover of mine, and a lover of hers. | |
PHEBE. Youth, you have done me much ungentleness | |
To show the letter that I writ to you. | |
ROSALIND. I care not if I have. It is my study | |
To seem despiteful and ungentle to you. | |
You are there follow'd by a faithful shepherd; | |
Look upon him, love him; he worships you. | |
PHEBE. Good shepherd, tell this youth what 'tis to love. | |
SILVIUS. It is to be all made of sighs and tears; | |
And so am I for Phebe. | |
PHEBE. And I for Ganymede. | |
ORLANDO. And I for Rosalind. | |
ROSALIND. And I for no woman. | |
SILVIUS. It is to be all made of faith and service; | |
And so am I for Phebe. | |
PHEBE. And I for Ganymede. | |
ORLANDO. And I for Rosalind. | |
ROSALIND. And I for no woman. | |
SILVIUS. It is to be all made of fantasy, | |
All made of passion, and all made of wishes; | |
All adoration, duty, and observance, | |
All humbleness, all patience, and impatience, | |
All purity, all trial, all obedience; | |
And so am I for Phebe. | |
PHEBE. And so am I for Ganymede. | |
ORLANDO. And so am I for Rosalind. | |
ROSALIND. And so am I for no woman. | |
PHEBE. If this be so, why blame you me to love you? | |
SILVIUS. If this be so, why blame you me to love you? | |
ORLANDO. If this be so, why blame you me to love you? | |
ROSALIND. Why do you speak too, 'Why blame you me to love you?' | |
ORLANDO. To her that is not here, nor doth not hear. | |
ROSALIND. Pray you, no more of this; 'tis like the howling of Irish | |
wolves against the moon. [To SILVIUS] I will help you if I can. | |
[To PHEBE] I would love you if I could.- To-morrow meet me all | |
together. [ To PHEBE ] I will marry you if ever I marry woman, | |
and I'll be married to-morrow. [To ORLANDO] I will satisfy you if | |
ever I satisfied man, and you shall be married to-morrow. [To | |
Silvius] I will content you if what pleases you contents you, and | |
you shall be married to-morrow. [To ORLANDO] As you love | |
Rosalind, meet. [To SILVIUS] As you love Phebe, meet;- and as I | |
love no woman, I'll meet. So, fare you well; I have left you | |
commands. | |
SILVIUS. I'll not fail, if I live. | |
PHEBE. Nor I. | |
ORLANDO. Nor I. Exeunt | |
SCENE III. | |
The forest | |
Enter TOUCHSTONE and AUDREY | |
TOUCHSTONE. To-morrow is the joyful day, Audre'y; to-morrow will we | |
be married. | |
AUDREY. I do desire it with all my heart; and I hope it is no | |
dishonest desire to desire to be a woman of the world. Here come | |
two of the banish'd Duke's pages. | |
Enter two PAGES | |
FIRST PAGE. Well met, honest gentleman. | |
TOUCHSTONE. By my troth, well met. Come sit, sit, and a song. | |
SECOND PAGE. We are for you; sit i' th' middle. | |
FIRST PAGE. Shall we clap into't roundly, without hawking, or | |
spitting, or saying we are hoarse, which are the only prologues | |
to a bad voice? | |
SECOND PAGE. I'faith, i'faith; and both in a tune, like two gipsies | |
on a horse. | |
SONG. | |
It was a lover and his lass, | |
With a hey, and a ho, and a hey nonino, | |
That o'er the green corn-field did pass | |
In the spring time, the only pretty ring time, | |
When birds do sing, hey ding a ding, ding. | |
Sweet lovers love the spring. | |
Between the acres of the rye, | |
With a hey, and a ho, and a hey nonino, | |
These pretty country folks would lie, | |
In the spring time, &c. | |
This carol they began that hour, | |
With a hey, and a ho, and a hey nonino, | |
How that a life was but a flower, | |
In the spring time, &c. | |
And therefore take the present time, | |
With a hey, and a ho, and a hey nonino, | |
For love is crowned with the prime, | |
In the spring time, &c. | |
TOUCHSTONE. Truly, young gentlemen, though there was no great | |
matter in the ditty, yet the note was very untuneable. | |
FIRST PAGE. YOU are deceiv'd, sir; we kept time, we lost not our | |
time. | |
TOUCHSTONE. By my troth, yes; I count it but time lost to hear such | |
a foolish song. God buy you; and God mend your voices. Come, | |
Audrey. Exeunt | |
SCENE IV. | |
The forest | |
Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER, and CELIA | |
DUKE SENIOR. Dost thou believe, Orlando, that the boy | |
Can do all this that he hath promised? | |
ORLANDO. I sometimes do believe and sometimes do not: | |
As those that fear they hope, and know they fear. | |
Enter ROSALIND, SILVIUS, and PHEBE | |
ROSALIND. Patience once more, whiles our compact is urg'd: | |
You say, if I bring in your Rosalind, | |
You will bestow her on Orlando here? | |
DUKE SENIOR. That would I, had I kingdoms to give with her. | |
ROSALIND. And you say you will have her when I bring her? | |
ORLANDO. That would I, were I of all kingdoms king. | |
ROSALIND. You say you'll marry me, if I be willing? | |
PHEBE. That will I, should I die the hour after. | |
ROSALIND. But if you do refuse to marry me, | |
You'll give yourself to this most faithful shepherd? | |
PHEBE. So is the bargain. | |
ROSALIND. You say that you'll have Phebe, if she will? | |
SILVIUS. Though to have her and death were both one thing. | |
ROSALIND. I have promis'd to make all this matter even. | |
Keep you your word, O Duke, to give your daughter; | |
You yours, Orlando, to receive his daughter; | |
Keep your word, Phebe, that you'll marry me, | |
Or else, refusing me, to wed this shepherd; | |
Keep your word, Silvius, that you'll marry her | |
If she refuse me; and from hence I go, | |
To make these doubts all even. | |
Exeunt ROSALIND and CELIA | |
DUKE SENIOR. I do remember in this shepherd boy | |
Some lively touches of my daughter's favour. | |
ORLANDO. My lord, the first time that I ever saw him | |
Methought he was a brother to your daughter. | |
But, my good lord, this boy is forest-born, | |
And hath been tutor'd in the rudiments | |
Of many desperate studies by his uncle, | |
Whom he reports to be a great magician, | |
Obscured in the circle of this forest. | |
Enter TOUCHSTONE and AUDREY | |
JAQUES. There is, sure, another flood toward, and these couples are | |
coming to the ark. Here comes a pair of very strange beasts which | |
in all tongues are call'd fools. | |
TOUCHSTONE. Salutation and greeting to you all! | |
JAQUES. Good my lord, bid him welcome. This is the motley-minded | |
gentleman that I have so often met in the forest. He hath been a | |
courtier, he swears. | |
TOUCHSTONE. If any man doubt that, let him put me to my purgation. | |
I have trod a measure; I have flatt'red a lady; I have been | |
politic with my friend, smooth with mine enemy; I have undone | |
three tailors; I have had four quarrels, and like to have fought | |
one. | |
JAQUES. And how was that ta'en up? | |
TOUCHSTONE. Faith, we met, and found the quarrel was upon the | |
seventh cause. | |
JAQUES. How seventh cause? Good my lord, like this fellow. | |
DUKE SENIOR. I like him very well. | |
TOUCHSTONE. God 'ild you, sir; I desire you of the like. I press in | |
here, sir, amongst the rest of the country copulatives, to swear | |
and to forswear, according as marriage binds and blood breaks. A | |
poor virgin, sir, an ill-favour'd thing, sir, but mine own; a | |
poor humour of mine, sir, to take that that man else will. Rich | |
honesty dwells like a miser, sir, in a poor house; as your pearl | |
in your foul oyster. | |
DUKE SENIOR. By my faith, he is very swift and sententious. | |
TOUCHSTONE. According to the fool's bolt, sir, and such dulcet | |
diseases. | |
JAQUES. But, for the seventh cause: how did you find the quarrel on | |
the seventh cause? | |
TOUCHSTONE. Upon a lie seven times removed- bear your body more | |
seeming, Audrey- as thus, sir. I did dislike the cut of a certain | |
courtier's beard; he sent me word, if I said his beard was not | |
cut well, he was in the mind it was. This is call'd the Retort | |
Courteous. If I sent him word again it was not well cut, he would | |
send me word he cut it to please himself. This is call'd the Quip | |
Modest. If again it was not well cut, he disabled my judgment. | |
This is call'd the Reply Churlish. If again it was not well cut, | |
he would answer I spake not true. This is call'd the Reproof | |
Valiant. If again it was not well cut, he would say I lie. This | |
is call'd the Countercheck Quarrelsome. And so to the Lie | |
Circumstantial and the Lie Direct. | |
JAQUES. And how oft did you say his beard was not well cut? | |
TOUCHSTONE. I durst go no further than the Lie Circumstantial, nor | |
he durst not give me the Lie Direct; and so we measur'd swords | |
and parted. | |
JAQUES. Can you nominate in order now the degrees of the lie? | |
TOUCHSTONE. O, sir, we quarrel in print by the book, as you have | |
books for good manners. I will name you the degrees. The first, | |
the Retort Courteous; the second, the Quip Modest; the third, the | |
Reply Churlish; the fourth, the Reproof Valiant; the fifth, the | |
Countercheck Quarrelsome; the sixth, the Lie with Circumstance; | |
the seventh, the Lie Direct. All these you may avoid but the Lie | |
Direct; and you may avoid that too with an If. I knew when seven | |
justices could not take up a quarrel; but when the parties were | |
met themselves, one of them thought but of an If, as: 'If you | |
said so, then I said so.' And they shook hands, and swore | |
brothers. Your If is the only peace-maker; much virtue in If. | |
JAQUES. Is not this a rare fellow, my lord? | |
He's as good at any thing, and yet a fool. | |
DUKE SENIOR. He uses his folly like a stalking-horse, and under the | |
presentation of that he shoots his wit: | |
Enter HYMEN, ROSALIND, and CELIA. Still MUSIC | |
HYMEN. Then is there mirth in heaven, | |
When earthly things made even | |
Atone together. | |
Good Duke, receive thy daughter; | |
Hymen from heaven brought her, | |
Yea, brought her hither, | |
That thou mightst join her hand with his, | |
Whose heart within his bosom is. | |
ROSALIND. [To DUKE] To you I give myself, for I am yours. | |
[To ORLANDO] To you I give myself, for I am yours. | |
DUKE SENIOR. If there be truth in sight, you are my daughter. | |
ORLANDO. If there be truth in sight, you are my Rosalind. | |
PHEBE. If sight and shape be true, | |
Why then, my love adieu! | |
ROSALIND. I'll have no father, if you be not he; | |
I'll have no husband, if you be not he; | |
Nor ne'er wed woman, if you be not she. | |
HYMEN. Peace, ho! I bar confusion; | |
'Tis I must make conclusion | |
Of these most strange events. | |
Here's eight that must take hands | |
To join in Hymen's bands, | |
If truth holds true contents. | |
You and you no cross shall part; | |
You and you are heart in heart; | |
You to his love must accord, | |
Or have a woman to your lord; | |
You and you are sure together, | |
As the winter to foul weather. | |
Whiles a wedlock-hymn we sing, | |
Feed yourselves with questioning, | |
That reason wonder may diminish, | |
How thus we met, and these things finish. | |
SONG | |
Wedding is great Juno's crown; | |
O blessed bond of board and bed! | |
'Tis Hymen peoples every town; | |
High wedlock then be honoured. | |
Honour, high honour, and renown, | |
To Hymen, god of every town! | |
DUKE SENIOR. O my dear niece, welcome thou art to me! | |
Even daughter, welcome in no less degree. | |
PHEBE. I will not eat my word, now thou art mine; | |
Thy faith my fancy to thee doth combine. | |
Enter JAQUES de BOYS | |
JAQUES de BOYS. Let me have audience for a word or two. | |
I am the second son of old Sir Rowland, | |
That bring these tidings to this fair assembly. | |
Duke Frederick, hearing how that every day | |
Men of great worth resorted to this forest, | |
Address'd a mighty power; which were on foot, | |
In his own conduct, purposely to take | |
His brother here, and put him to the sword; | |
And to the skirts of this wild wood he came, | |
Where, meeting with an old religious man, | |
After some question with him, was converted | |
Both from his enterprise and from the world; | |
His crown bequeathing to his banish'd brother, | |
And all their lands restor'd to them again | |
That were with him exil'd. This to be true | |
I do engage my life. | |
DUKE SENIOR. Welcome, young man. | |
Thou offer'st fairly to thy brothers' wedding: | |
To one, his lands withheld; and to the other, | |
A land itself at large, a potent dukedom. | |
First, in this forest let us do those ends | |
That here were well begun and well begot; | |
And after, every of this happy number, | |
That have endur'd shrewd days and nights with us, | |
Shall share the good of our returned fortune, | |
According to the measure of their states. | |
Meantime, forget this new-fall'n dignity, | |
And fall into our rustic revelry. | |
Play, music; and you brides and bridegrooms all, | |
With measure heap'd in joy, to th' measures fall. | |
JAQUES. Sir, by your patience. If I heard you rightly, | |
The Duke hath put on a religious life, | |
And thrown into neglect the pompous court. | |
JAQUES DE BOYS. He hath. | |
JAQUES. To him will I. Out of these convertites | |
There is much matter to be heard and learn'd. | |
[To DUKE] You to your former honour I bequeath; | |
Your patience and your virtue well deserves it. | |
[To ORLANDO] You to a love that your true faith doth merit; | |
[To OLIVER] You to your land, and love, and great allies | |
[To SILVIUS] You to a long and well-deserved bed; | |
[To TOUCHSTONE] And you to wrangling; for thy loving voyage | |
Is but for two months victuall'd.- So to your pleasures; | |
I am for other than for dancing measures. | |
DUKE SENIOR. Stay, Jaques, stay. | |
JAQUES. To see no pastime I. What you would have | |
I'll stay to know at your abandon'd cave. Exit | |
DUKE SENIOR. Proceed, proceed. We will begin these rites, | |
As we do trust they'll end, in true delights. [A dance] Exeunt | |
EPILOGUE | |
EPILOGUE. | |
ROSALIND. It is not the fashion to see the lady the epilogue; but | |
it is no more unhandsome than to see the lord the prologue. If it | |
be true that good wine needs no bush, 'tis true that a good play | |
needs no epilogue. Yet to good wine they do use good bushes; and | |
good plays prove the better by the help of good epilogues. What a | |
case am I in then, that am neither a good epilogue, nor cannot | |
insinuate with you in the behalf of a good play! I am not | |
furnish'd like a beggar; therefore to beg will not become me. My | |
way is to conjure you; and I'll begin with the women. I charge | |
you, O women, for the love you bear to men, to like as much of | |
this play as please you; and I charge you, O men, for the love | |
you bear to women- as I perceive by your simp'ring none of you | |
hates them- that between you and the women the play may please. | |
If I were a woman, I would kiss as many of you as had beards that | |
pleas'd me, complexions that lik'd me, and breaths that I defied | |
not; and, I am sure, as many as have good beards, or good faces, | |
or sweet breaths, will, for my kind offer, when I make curtsy, | |
bid me farewell. | |
THE END | |
1593 | |
THE COMEDY OF ERRORS | |
by William Shakespeare | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY | |
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>> | |
DRAMATIS PERSONAE | |
SOLINUS, Duke of Ephesus | |
AEGEON, a merchant of Syracuse | |
ANTIPHOLUS OF EPHESUS twin brothers and sons to | |
ANTIPHOLUS OF SYRACUSE Aegion and Aemelia | |
DROMIO OF EPHESUS twin brothers, and attendants on | |
DROMIO OF SYRACUSE the two Antipholuses | |
BALTHAZAR, a merchant | |
ANGELO, a goldsmith | |
FIRST MERCHANT, friend to Antipholus of Syracuse | |
SECOND MERCHANT, to whom Angelo is a debtor | |
PINCH, a schoolmaster | |
AEMILIA, wife to AEgeon; an abbess at Ephesus | |
ADRIANA, wife to Antipholus of Ephesus | |
LUCIANA, her sister | |
LUCE, servant to Adriana | |
A COURTEZAN | |
Gaoler, Officers, Attendants | |
SCENE: | |
Ephesus | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
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THE COMEDY OF ERRORS | |
ACT I. SCENE 1 | |
A hall in the DUKE'S palace | |
Enter the DUKE OF EPHESUS, AEGEON, the Merchant | |
of Syracuse, GAOLER, OFFICERS, and other ATTENDANTS | |
AEGEON. Proceed, Solinus, to procure my fall, | |
And by the doom of death end woes and all. | |
DUKE. Merchant of Syracuse, plead no more; | |
I am not partial to infringe our laws. | |
The enmity and discord which of late | |
Sprung from the rancorous outrage of your duke | |
To merchants, our well-dealing countrymen, | |
Who, wanting guilders to redeem their lives, | |
Have seal'd his rigorous statutes with their bloods, | |
Excludes all pity from our threat'ning looks. | |
For, since the mortal and intestine jars | |
'Twixt thy seditious countrymen and us, | |
It hath in solemn synods been decreed, | |
Both by the Syracusians and ourselves, | |
To admit no traffic to our adverse towns; | |
Nay, more: if any born at Ephesus | |
Be seen at any Syracusian marts and fairs; | |
Again, if any Syracusian born | |
Come to the bay of Ephesus-he dies, | |
His goods confiscate to the Duke's dispose, | |
Unless a thousand marks be levied, | |
To quit the penalty and to ransom him. | |
Thy substance, valued at the highest rate, | |
Cannot amount unto a hundred marks; | |
Therefore by law thou art condemn'd to die. | |
AEGEON. Yet this my comfort: when your words are done, | |
My woes end likewise with the evening sun. | |
DUKE. Well, Syracusian, say in brief the cause | |
Why thou departed'st from thy native home, | |
And for what cause thou cam'st to Ephesus. | |
AEGEON. A heavier task could not have been impos'd | |
Than I to speak my griefs unspeakable; | |
Yet, that the world may witness that my end | |
Was wrought by nature, not by vile offence, | |
I'll utter what my sorrow gives me leave. | |
In Syracuse was I born, and wed | |
Unto a woman, happy but for me, | |
And by me, had not our hap been bad. | |
With her I liv'd in joy; our wealth increas'd | |
By prosperous voyages I often made | |
To Epidamnum; till my factor's death, | |
And the great care of goods at random left, | |
Drew me from kind embracements of my spouse: | |
From whom my absence was not six months old, | |
Before herself, almost at fainting under | |
The pleasing punishment that women bear, | |
Had made provision for her following me, | |
And soon and safe arrived where I was. | |
There had she not been long but she became | |
A joyful mother of two goodly sons; | |
And, which was strange, the one so like the other | |
As could not be disdnguish'd but by names. | |
That very hour, and in the self-same inn, | |
A mean woman was delivered | |
Of such a burden, male twins, both alike. | |
Those, for their parents were exceeding poor, | |
I bought, and brought up to attend my sons. | |
My wife, not meanly proud of two such boys, | |
Made daily motions for our home return; | |
Unwilling, I agreed. Alas! too soon | |
We came aboard. | |
A league from Epidamnum had we sail'd | |
Before the always-wind-obeying deep | |
Gave any tragic instance of our harm: | |
But longer did we not retain much hope, | |
For what obscured light the heavens did grant | |
Did but convey unto our fearful minds | |
A doubtful warrant of immediate death; | |
Which though myself would gladly have embrac'd, | |
Yet the incessant weepings of my wife, | |
Weeping before for what she saw must come, | |
And piteous plainings of the pretty babes, | |
That mourn'd for fashion, ignorant what to fear, | |
Forc'd me to seek delays for them and me. | |
And this it was, for other means was none: | |
The sailors sought for safety by our boat, | |
And left the ship, then sinking-ripe, to us; | |
My wife, more careful for the latter-born, | |
Had fast'ned him unto a small spare mast, | |
Such as sea-faring men provide for storms; | |
To him one of the other twins was bound, | |
Whilst I had been like heedful of the other. | |
The children thus dispos'd, my wife and I, | |
Fixing our eyes on whom our care was fix'd, | |
Fast'ned ourselves at either end the mast, | |
And, floating straight, obedient to the stream, | |
Was carried towards Corinth, as we thought. | |
At length the sun, gazing upon the earth, | |
Dispers'd those vapours that offended us; | |
And, by the benefit of his wished light, | |
The seas wax'd calm, and we discovered | |
Two ships from far making amain to us- | |
Of Corinth that, of Epidaurus this. | |
But ere they came-O, let me say no more! | |
Gather the sequel by that went before. | |
DUKE. Nay, forward, old man, do not break off so; | |
For we may pity, though not pardon thee. | |
AEGEON. O, had the gods done so, I had not now | |
Worthily term'd them merciless to us! | |
For, ere the ships could meet by twice five leagues, | |
We were encount'red by a mighty rock, | |
Which being violently borne upon, | |
Our helpful ship was splitted in the midst; | |
So that, in this unjust divorce of us, | |
Fortune had left to both of us alike | |
What to delight in, what to sorrow for. | |
Her part, poor soul, seeming as burdened | |
With lesser weight, but not with lesser woe, | |
Was carried with more speed before the wind; | |
And in our sight they three were taken up | |
By fishermen of Corinth, as we thought. | |
At length another ship had seiz'd on us; | |
And, knowing whom it was their hap to save, | |
Gave healthful welcome to their ship-wreck'd guests, | |
And would have reft the fishers of their prey, | |
Had not their bark been very slow of sail; | |
And therefore homeward did they bend their course. | |
Thus have you heard me sever'd from my bliss, | |
That by misfortunes was my life prolong'd, | |
To tell sad stories of my own mishaps. | |
DUKE. And, for the sake of them thou sorrowest for, | |
Do me the favour to dilate at full | |
What have befall'n of them and thee till now. | |
AEGEON. My youngest boy, and yet my eldest care, | |
At eighteen years became inquisitive | |
After his brother, and importun'd me | |
That his attendant-so his case was like, | |
Reft of his brother, but retain'd his name- | |
Might bear him company in the quest of him; | |
Whom whilst I laboured of a love to see, | |
I hazarded the loss of whom I lov'd. | |
Five summers have I spent in farthest Greece, | |
Roaming clean through the bounds of Asia, | |
And, coasting homeward, came to Ephesus; | |
Hopeless to find, yet loath to leave unsought | |
Or that or any place that harbours men. | |
But here must end the story of my life; | |
And happy were I in my timely death, | |
Could all my travels warrant me they live. | |
DUKE. Hapless, Aegeon, whom the fates have mark'd | |
To bear the extremity of dire mishap! | |
Now, trust me, were it not against our laws, | |
Against my crown, my oath, my dignity, | |
Which princes, would they, may not disannul, | |
My soul should sue as advocate for thee. | |
But though thou art adjudged to the death, | |
And passed sentence may not be recall'd | |
But to our honour's great disparagement, | |
Yet will I favour thee in what I can. | |
Therefore, merchant, I'll limit thee this day | |
To seek thy help by beneficial hap. | |
Try all the friends thou hast in Ephesus; | |
Beg thou, or borrow, to make up the sum, | |
And live; if no, then thou art doom'd to die. | |
Gaoler, take him to thy custody. | |
GAOLER. I will, my lord. | |
AEGEON. Hopeless and helpless doth Aegeon wend, | |
But to procrastinate his lifeless end. | |
<Exeunt | |
SCENE 2 | |
The mart | |
Enter ANTIPHOLUS OF SYRACUSE, DROMIO OF SYRACUSE, and FIRST MERCHANT | |
FIRST MERCHANT. Therefore, give out you are of Epidamnum, | |
Lest that your goods too soon be confiscate. | |
This very day a Syracusian merchant | |
Is apprehended for arrival here; | |
And, not being able to buy out his life, | |
According to the statute of the town, | |
Dies ere the weary sun set in the west. | |
There is your money that I had to keep. | |
ANTIPHOLUS OF SYRACUSE. Go bear it to the Centaur, where we host. | |
And stay there, Dromio, till I come to thee. | |
Within this hour it will be dinner-time; | |
Till that, I'll view the manners of the town, | |
Peruse the traders, gaze upon the buildings, | |
And then return and sleep within mine inn; | |
For with long travel I am stiff and weary. | |
Get thee away. | |
DROMIO OF SYRACUSE. Many a man would take you at your word, | |
And go indeed, having so good a mean. | |
<Exit | |
ANTIPHOLUS OF SYRACUSE. A trusty villain, sir, that very oft, | |
When I am dull with care and melancholy, | |
Lightens my humour with his merry jests. | |
What, will you walk with me about the town, | |
And then go to my inn and dine with me? | |
FIRST MERCHANT. I am invited, sir, to certain merchants, | |
Of whom I hope to make much benefit; | |
I crave your pardon. Soon at five o'clock, | |
Please you, I'll meet with you upon the mart, | |
And afterward consort you till bed time. | |
My present business calls me from you now. | |
ANTIPHOLUS OF SYRACUSE. Farewell till then. I will go lose myself, | |
And wander up and down to view the city. | |
FIRST MERCHANT. Sir, I commend you to your own content. | |
<Exit FIRST MERCHANT | |
ANTIPHOLUS OF SYRACUSE. He that commends me to mine own content | |
Commends me to the thing I cannot get. | |
I to the world am like a drop of water | |
That in the ocean seeks another drop, | |
Who, falling there to find his fellow forth, | |
Unseen, inquisitive, confounds himself. | |
So I, to find a mother and a brother, | |
In quest of them, unhappy, lose myself. | |
Enter DROMIO OF EPHESUS | |
Here comes the almanac of my true date. | |
What now? How chance thou art return'd so soon? | |
DROMIO OF EPHESUS. Return'd so soon! rather approach'd too late. | |
The capon burns, the pig falls from the spit; | |
The clock hath strucken twelve upon the bell- | |
My mistress made it one upon my cheek; | |
She is so hot because the meat is cold, | |
The meat is cold because you come not home, | |
You come not home because you have no stomach, | |
You have no stomach, having broke your fast; | |
But we, that know what 'tis to fast and pray, | |
Are penitent for your default to-day. | |
ANTIPHOLUS OF SYRACUSE. Stop in your wind, sir; tell me this, I pray: | |
Where have you left the money that I gave you? | |
DROMIO OF EPHESUS. O-Sixpence that I had a Wednesday last | |
To pay the saddler for my mistress' crupper? | |
The saddler had it, sir; I kept it not. | |
ANTIPHOLUS OF SYRACUSE. I am not in a sportive humour now; | |
Tell me, and dally not, where is the money? | |
We being strangers here, how dar'st thou trust | |
So great a charge from thine own custody? | |
DROMIO OF EPHESUS. I pray you jest, sir, as you sit at dinner. | |
I from my mistress come to you in post; | |
If I return, I shall be post indeed, | |
For she will score your fault upon my pate. | |
Methinks your maw, like mine, should be your clock, | |
And strike you home without a messenger. | |
ANTIPHOLUS OF SYRACUSE. Come, Dromio, come, these jests are out of season; | |
Reserve them till a merrier hour than this. | |
Where is the gold I gave in charge to thee? | |
DROMIO OF EPHESUS. To me, sir? Why, you gave no gold to me. | |
ANTIPHOLUS OF SYRACUSE. Come on, sir knave, have done your foolishness, | |
And tell me how thou hast dispos'd thy charge. | |
DROMIO OF EPHESUS. My charge was but to fetch you from the mart | |
Home to your house, the Phoenix, sir, to dinner. | |
My mistress and her sister stays for you. | |
ANTIPHOLUS OF SYRACUSE. Now, as I am a Christian, answer me | |
In what safe place you have bestow'd my money, | |
Or I shall break that merry sconce of yours, | |
That stands on tricks when I am undispos'd. | |
Where is the thousand marks thou hadst of me? | |
DROMIO OF EPHESUS. I have some marks of yours upon my pate, | |
Some of my mistress' marks upon my shoulders, | |
But not a thousand marks between you both. | |
If I should pay your worship those again, | |
Perchance you will not bear them patiently. | |
ANTIPHOLUS OF SYRACUSE. Thy mistress' marks! What mistress, slave, hast thou? | |
DROMIO OF EPHESUS. Your worship's wife, my mistress at the Phoenix; | |
She that doth fast till you come home to dinner, | |
And prays that you will hie you home to dinner. | |
ANTIPHOLUS OF SYRACUSE. What, wilt thou flout me thus unto my face, | |
Being forbid? There, take you that, sir knave. | |
[Beats him] | |
DROMIO OF EPHESUS. What mean you, sir? For God's sake hold your hands! | |
Nay, an you will not, sir, I'll take my heels. | |
<Exit | |
ANTIPHOLUS OF SYRACUSE. Upon my life, by some device or other | |
The villain is o'erraught of all my money. | |
They say this town is full of cozenage; | |
As, nimble jugglers that deceive the eye, | |
Dark-working sorcerers that change the mind, | |
Soul-killing witches that deform the body, | |
Disguised cheaters, prating mountebanks, | |
And many such-like liberties of sin; | |
If it prove so, I will be gone the sooner. | |
I'll to the Centaur to go seek this slave. | |
I greatly fear my money is not safe. | |
<Exit | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY | |
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>> | |
ACT Il. SCENE 1 | |
The house of ANTIPHOLUS OF EPHESUS | |
Enter ADRIANA, wife to ANTIPHOLUS OF EPHESUS, with LUCIANA, her sister | |
ADRIANA. Neither my husband nor the slave return'd | |
That in such haste I sent to seek his master! | |
Sure, Luciana, it is two o'clock. | |
LUCIANA. Perhaps some merchant hath invited him, | |
And from the mart he's somewhere gone to dinner; | |
Good sister, let us dine, and never fret. | |
A man is master of his liberty; | |
Time is their master, and when they see time, | |
They'll go or come. If so, be patient, sister. | |
ADRIANA. Why should their liberty than ours be more? | |
LUCIANA. Because their business still lies out o' door. | |
ADRIANA. Look when I serve him so, he takes it ill. | |
LUCIANA. O, know he is the bridle of your will. | |
ADRIANA. There's none but asses will be bridled so. | |
LUCIANA. Why, headstrong liberty is lash'd with woe. | |
There's nothing situate under heaven's eye | |
But hath his bound, in earth, in sea, in sky. | |
The beasts, the fishes, and the winged fowls, | |
Are their males' subjects, and at their controls. | |
Man, more divine, the master of all these, | |
Lord of the wide world and wild wat'ry seas, | |
Indu'd with intellectual sense and souls, | |
Of more pre-eminence than fish and fowls, | |
Are masters to their females, and their lords; | |
Then let your will attend on their accords. | |
ADRIANA. This servitude makes you to keep unwed. | |
LUCIANA. Not this, but troubles of the marriage-bed. | |
ADRIANA. But, were you wedded, you would bear some sway. | |
LUCIANA. Ere I learn love, I'll practise to obey. | |
ADRIANA. How if your husband start some other where? | |
LUCIANA. Till he come home again, I would forbear. | |
ADRIANA. Patience unmov'd! no marvel though she pause: | |
They can be meek that have no other cause. | |
A wretched soul, bruis'd with adversity, | |
We bid be quiet when we hear it cry; | |
But were we burd'ned with like weight of pain, | |
As much, or more, we should ourselves complain. | |
So thou, that hast no unkind mate to grieve thee, | |
With urging helpless patience would relieve me; | |
But if thou live to see like right bereft, | |
This fool-begg'd patience in thee will be left. | |
LUCIANA. Well, I will marry one day, but to try. | |
Here comes your man, now is your husband nigh. | |
Enter DROMIO OF EPHESUS | |
ADRIANA. Say, is your tardy master now at hand? | |
DROMIO OF EPHESUS. Nay, he's at two hands with me, and that my two | |
ears can witness. | |
ADRIANA. Say, didst thou speak with him? Know'st thou his mind? | |
DROMIO OF EPHESUS. Ay, ay, he told his mind upon mine ear. | |
Beshrew his hand, I scarce could understand it. | |
LUCIANA. Spake he so doubtfully thou could'st not feel his meaning? | |
DROMIO OF EPHESUS. Nay, he struck so plainly I could to | |
well feel his blows; and withal so doubtfully that I could | |
scarce understand them. | |
ADRIANA. But say, I prithee, is he coming home? | |
It seems he hath great care to please his wife. | |
DROMIO OF EPHESUS. Why, mistress, sure my master is horn-mad. | |
ADRIANA. Horn-mad, thou villain! | |
DROMIO OF EPHESUS. I mean not cuckold-mad; | |
But, sure, he is stark mad. | |
When I desir'd him to come home to dinner, | |
He ask'd me for a thousand marks in gold. | |
"Tis dinner time' quoth I; 'My gold!' quoth he. | |
'Your meat doth burn' quoth I; 'My gold!' quoth he. | |
'Will you come home?' quoth I; 'My gold!' quoth he. | |
'Where is the thousand marks I gave thee, villain?' | |
'The pig' quoth I 'is burn'd'; 'My gold!' quoth he. | |
'My mistress, sir,' quoth I; 'Hang up thy mistress; | |
I know not thy mistress; out on thy mistress.' | |
LUCIANA. Quoth who? | |
DROMIO OF EPHESUS. Quoth my master. | |
'I know' quoth he 'no house, no wife, no mistress.' | |
So that my errand, due unto my tongue, | |
I thank him, I bare home upon my shoulders; | |
For, in conclusion, he did beat me there. | |
ADRIANA. Go back again, thou slave, and fetch him home. | |
DROMIO OF EPHESUS. Go back again, and be new beaten home? | |
For God's sake, send some other messenger. | |
ADRIANA. Back, slave, or I will break thy pate across. | |
DROMIO OF EPHESUS. And he will bless that cross with other beating; | |
Between you I shall have a holy head. | |
ADRIANA. Hence, prating peasant! Fetch thy master home. | |
DROMIO OF EPHESUS. Am I so round with you, as you with me, | |
That like a football you do spurn me thus? | |
You spurn me hence, and he will spurn me hither; | |
If I last in this service, you must case me in leather. | |
<Exit | |
LUCIANA. Fie, how impatience loureth in your face! | |
ADRIANA. His company must do his minions grace, | |
Whilst I at home starve for a merry look. | |
Hath homely age th' alluring beauty took | |
From my poor cheek? Then he hath wasted it. | |
Are my discourses dull? Barren my wit? | |
If voluble and sharp discourse be marr'd, | |
Unkindness blunts it more than marble hard. | |
Do their gay vestments his affections bait? | |
That's not my fault; he's master of my state. | |
What ruins are in me that can be found | |
By him not ruin'd? Then is he the ground | |
Of my defeatures. My decayed fair | |
A sunny look of his would soon repair. | |
But, too unruly deer, he breaks the pale, | |
And feeds from home; poor I am but his stale. | |
LUCIANA. Self-harming jealousy! fie, beat it hence. | |
ADRIANA. Unfeeling fools can with such wrongs dispense. | |
I know his eye doth homage otherwhere; | |
Or else what lets it but he would be here? | |
Sister, you know he promis'd me a chain; | |
Would that alone a love he would detain, | |
So he would keep fair quarter with his bed! | |
I see the jewel best enamelled | |
Will lose his beauty; yet the gold bides still | |
That others touch and, often touching, will | |
Where gold; and no man that hath a name | |
By falsehood and corruption doth it shame. | |
Since that my beauty cannot please his eye, | |
I'll weep what's left away, and weeping die. | |
LUCIANA. How many fond fools serve mad jealousy! | |
<Exeunt | |
SCENE 2 | |
The mart | |
Enter ANTIPHOLUS OF SYRACUSE | |
ANTIPHOLUS OF SYRACUSE. The gold I gave to Dromio is laid up | |
Safe at the Centaur, and the heedful slave | |
Is wand'red forth in care to seek me out. | |
By computation and mine host's report | |
I could not speak with Dromio since at first | |
I sent him from the mart. See, here he comes. | |
Enter DROMIO OF SYRACUSE | |
How now, sir, is your merry humour alter'd? | |
As you love strokes, so jest with me again. | |
You know no Centaur! You receiv'd no gold! | |
Your mistress sent to have me home to dinner! | |
My house was at the Phoenix! Wast thou mad, | |
That thus so madly thou didst answer me? | |
DROMIO OF SYRACUSE. What answer, sir? When spake I such a word? | |
ANTIPHOLUS OF SYRACUSE. Even now, even here, not half an hour since. | |
DROMIO OF SYRACUSE. I did not see you since you sent me hence, | |
Home to the Centaur, with the gold you gave me. | |
ANTIPHOLUS OF SYRACUSE. Villain, thou didst deny the gold's receipt, | |
And told'st me of a mistress and a dinner; | |
For which, I hope, thou felt'st I was displeas'd. | |
DROMIO OF SYRACUSE. I am glad to see you in this merry vein. | |
What means this jest? I pray you, master, tell me. | |
ANTIPHOLUS OF SYRACUSE. Yea, dost thou jeer and flout me in the teeth? | |
Think'st thou I jest? Hold, take thou that, and that. | |
[Beating him] | |
DROMIO OF SYRACUSE. Hold, sir, for God's sake! Now your jest is earnest. | |
Upon what bargain do you give it me? | |
ANTIPHOLUS OF SYRACUSE. Because that I familiarly sometimes | |
Do use you for my fool and chat with you, | |
Your sauciness will jest upon my love, | |
And make a common of my serious hours. | |
When the sun shines let foolish gnats make sport, | |
But creep in crannies when he hides his beams. | |
If you will jest with me, know my aspect, | |
And fashion your demeanour to my looks, | |
Or I will beat this method in your sconce. | |
DROMIO OF SYRACUSE. Sconce, call you it? So you would | |
leave battering, I had rather have it a head. An you use | |
these blows long, I must get a sconce for my head, and | |
insconce it too; or else I shall seek my wit in my shoulders. | |
But I pray, sir, why am I beaten? | |
ANTIPHOLUS OF SYRACUSE. Dost thou not know? | |
DROMIO OF SYRACUSE. Nothing, sir, but that I am beaten. | |
ANTIPHOLUS OF SYRACUSE. Shall I tell you why? | |
DROMIO OF SYRACUSE. Ay, sir, and wherefore; for they say | |
every why hath a wherefore. | |
ANTIPHOLUS OF SYRACUSE. Why, first for flouting me; and then wherefore, | |
For urging it the second time to me. | |
DROMIO OF SYRACUSE. Was there ever any man thus beaten out of season, | |
When in the why and the wherefore is neither rhyme nor reason? | |
Well, sir, I thank you. | |
ANTIPHOLUS OF SYRACUSE. Thank me, sir! for what? | |
DROMIO OF SYRACUSE. Marry, sir, for this something that you gave | |
me for nothing. | |
ANTIPHOLUS OF SYRACUSE. I'll make you amends next, to | |
give you nothing for something. But say, sir, is it dinnertime? | |
DROMIO OF SYRACUSE. No, sir; I think the meat wants that I have. | |
ANTIPHOLUS OF SYRACUSE. In good time, sir, what's that? | |
DROMIO OF SYRACUSE. Basting. | |
ANTIPHOLUS OF SYRACUSE. Well, sir, then 'twill be dry. | |
DROMIO OF SYRACUSE. If it be, sir, I pray you eat none of it. | |
ANTIPHOLUS OF SYRACUSE. Your reason? | |
DROMIO OF SYRACUSE. Lest it make you choleric, and purchase me | |
another dry basting. | |
ANTIPHOLUS OF SYRACUSE. Well, sir, learn to jest in good time; | |
there's a time for all things. | |
DROMIO OF SYRACUSE. I durst have denied that, before you | |
were so choleric. | |
ANTIPHOLUS OF SYRACUSE. By what rule, sir? | |
DROMIO OF SYRACUSE. Marry, sir, by a rule as plain as the | |
plain bald pate of Father Time himself. | |
ANTIPHOLUS OF SYRACUSE. Let's hear it. | |
DROMIO OF SYRACUSE. There's no time for a man to recover | |
his hair that grows bald by nature. | |
ANTIPHOLUS OF SYRACUSE. May he not do it by fine and recovery? | |
DROMIO OF SYRACUSE. Yes, to pay a fine for a periwig, and | |
recover the lost hair of another man. | |
ANTIPHOLUS OF SYRACUSE. Why is Time such a niggard of | |
hair, being, as it is, so plentiful an excrement? | |
DROMIO OF SYRACUSE. Because it is a blessing that he bestows | |
on beasts, and what he hath scanted men in hair he hath | |
given them in wit. | |
ANTIPHOLUS OF SYRACUSE. Why, but there's many a man | |
hath more hair than wit. | |
DROMIO OF SYRACUSE. Not a man of those but he hath the | |
wit to lose his hair. | |
ANTIPHOLUS OF SYRACUSE. Why, thou didst conclude hairy | |
men plain dealers without wit. | |
DROMIO OF SYRACUSE. The plainer dealer, the sooner lost; | |
yet he loseth it in a kind of jollity. | |
ANTIPHOLUS OF SYRACUSE. For what reason? | |
DROMIO OF SYRACUSE. For two; and sound ones too. | |
ANTIPHOLUS OF SYRACUSE. Nay, not sound I pray you. | |
DROMIO OF SYRACUSE. Sure ones, then. | |
ANTIPHOLUS OF SYRACUSE. Nay, not sure, in a thing falsing. | |
DROMIO OF SYRACUSE. Certain ones, then. | |
ANTIPHOLUS OF SYRACUSE. Name them. | |
DROMIO OF SYRACUSE. The one, to save the money that he spends in | |
tiring; the other, that at dinner they should not drop in his | |
porridge. | |
ANTIPHOLUS OF SYRACUSE. You would all this time have prov'd there | |
is no time for all things. | |
DROMIO OF SYRACUSE. Marry, and did, sir; namely, no time to recover | |
hair lost by nature. | |
ANTIPHOLUS OF SYRACUSE. But your reason was not substantial, why | |
there is no time to recover. | |
DROMIO OF SYRACUSE. Thus I mend it: Time himself is bald, | |
and therefore to the world's end will have bald followers. | |
ANTIPHOLUS OF SYRACUSE. I knew 't'would be a bald conclusion. But, | |
soft, who wafts us yonder? | |
Enter ADRIANA and LUCIANA | |
ADRIANA. Ay, ay, Antipholus, look strange and frown. | |
Some other mistress hath thy sweet aspects; | |
I am not Adriana, nor thy wife. | |
The time was once when thou unurg'd wouldst vow | |
That never words were music to thine ear, | |
That never object pleasing in thine eye, | |
That never touch well welcome to thy hand, | |
That never meat sweet-savour'd in thy taste, | |
Unless I spake, or look'd, or touch'd, or carv'd to thee. | |
How comes it now, my husband, O, how comes it, | |
That thou art then estranged from thyself? | |
Thyself I call it, being strange to me, | |
That, undividable, incorporate, | |
Am better than thy dear self's better part. | |
Ah, do not tear away thyself from me; | |
For know, my love, as easy mayst thou fall | |
A drop of water in the breaking gulf, | |
And take unmingled thence that drop again | |
Without addition or diminishing, | |
As take from me thyself, and not me too. | |
How dearly would it touch thee to the quick, | |
Should'st thou but hear I were licentious, | |
And that this body, consecrate to thee, | |
By ruffian lust should be contaminate! | |
Wouldst thou not spit at me and spurn at me, | |
And hurl the name of husband in my face, | |
And tear the stain'd skin off my harlot-brow, | |
And from my false hand cut the wedding-ring, | |
And break it with a deep-divorcing vow? | |
I know thou canst, and therefore see thou do it. | |
I am possess'd with an adulterate blot; | |
My blood is mingled with the crime of lust; | |
For if we two be one, and thou play false, | |
I do digest the poison of thy flesh, | |
Being strumpeted by thy contagion. | |
Keep then fair league and truce with thy true bed; | |
I live dis-stain'd, thou undishonoured. | |
ANTIPHOLUS OF SYRACUSE. Plead you to me, fair dame? I know you not: | |
In Ephesus I am but two hours old, | |
As strange unto your town as to your talk, | |
Who, every word by all my wit being scann'd, | |
Wants wit in all one word to understand. | |
LUCIANA. Fie, brother, how the world is chang'd with you! | |
When were you wont to use my sister thus? | |
She sent for you by Dromio home to dinner. | |
ANTIPHOLUS OF SYRACUSE. By Dromio? | |
DROMIO OF SYRACUSE. By me? | |
ADRIANA. By thee; and this thou didst return from him- | |
That he did buffet thee, and in his blows | |
Denied my house for his, me for his wife. | |
ANTIPHOLUS OF SYRACUSE. Did you converse, sir, with this gentlewoman? | |
What is the course and drift of your compact? | |
DROMIO OF SYRACUSE. I, Sir? I never saw her till this time. | |
ANTIPHOLUS OF SYRACUSE. Villain, thou liest; for even her very words | |
Didst thou deliver to me on the mart. | |
DROMIO OF SYRACUSE. I never spake with her in all my life. | |
ANTIPHOLUS OF SYRACUSE. How can she thus, then, call us by our names, | |
Unless it be by inspiration? | |
ADRIANA. How ill agrees it with your gravity | |
To counterfeit thus grossly with your slave, | |
Abetting him to thwart me in my mood! | |
Be it my wrong you are from me exempt, | |
But wrong not that wrong with a more contempt. | |
Come, I will fasten on this sleeve of thine; | |
Thou art an elm, my husband, I a vine, | |
Whose weakness, married to thy stronger state, | |
Makes me with thy strength to communicate. | |
If aught possess thee from me, it is dross, | |
Usurping ivy, brier, or idle moss; | |
Who all, for want of pruning, with intrusion | |
Infect thy sap, and live on thy confusion. | |
ANTIPHOLUS OF SYRACUSE. To me she speaks; she moves me for her theme. | |
What, was I married to her in my dream? | |
Or sleep I now, and think I hear all this? | |
What error drives our eyes and ears amiss? | |
Until I know this sure uncertainty, | |
I'll entertain the offer'd fallacy. | |
LUCIANA. Dromio, go bid the servants spread for dinner. | |
DROMIO OF SYRACUSE. O, for my beads! I cross me for sinner. | |
This is the fairy land. O spite of spites! | |
We talk with goblins, owls, and sprites. | |
If we obey them not, this will ensue: | |
They'll suck our breath, or pinch us black and blue. | |
LUCIANA. Why prat'st thou to thyself, and answer'st not? | |
Dromio, thou drone, thou snail, thou slug, thou sot! | |
DROMIO OF SYRACUSE. I am transformed, master, am not I? | |
ANTIPHOLUS OF SYRACUSE. I think thou art in mind, and so am I. | |
DROMIO OF SYRACUSE. Nay, master, both in mind and in my shape. | |
ANTIPHOLUS OF SYRACUSE. Thou hast thine own form. | |
DROMIO OF SYRACUSE. No, I am an ape. | |
LUCIANA. If thou art chang'd to aught, 'tis to an ass. | |
DROMIO OF SYRACUSE. 'Tis true; she rides me, and I long for grass. | |
'Tis so, I am an ass; else it could never be | |
But I should know her as well as she knows me. | |
ADRIANA. Come, come, no longer will I be a fool, | |
To put the finger in the eye and weep, | |
Whilst man and master laughs my woes to scorn. | |
Come, sir, to dinner. Dromio, keep the gate. | |
Husband, I'll dine above with you to-day, | |
And shrive you of a thousand idle pranks. | |
Sirrah, if any ask you for your master, | |
Say he dines forth, and let no creature enter. | |
Come, sister. Dromio, play the porter well. | |
ANTIPHOLUS OF SYRACUSE. Am I in earth, in heaven, or in hell? | |
Sleeping or waking, mad or well-advis'd? | |
Known unto these, and to myself disguis'd! | |
I'll say as they say, and persever so, | |
And in this mist at all adventures go. | |
DROMIO OF SYRACUSE. Master, shall I be porter at the gate? | |
ADRIANA. Ay; and let none enter, lest I break your pate. | |
LUCIANA. Come, come, Antipholus, we dine too late. | |
<Exeunt | |
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ACT III. SCENE 1 | |
Before the house of ANTIPHOLUS OF EPHESUS | |
Enter ANTIPHOLUS OF EPHESUS, DROMIO OF EPHESUS, ANGELO, and BALTHAZAR | |
ANTIPHOLUS OF EPHESUS. Good Signior Angelo, you must excuse us all; | |
My wife is shrewish when I keep not hours. | |
Say that I linger'd with you at your shop | |
To see the making of her carcanet, | |
And that to-morrow you will bring it home. | |
But here's a villain that would face me down | |
He met me on the mart, and that I beat him, | |
And charg'd him with a thousand marks in gold, | |
And that I did deny my wife and house. | |
Thou drunkard, thou, what didst thou mean by this? | |
DROMIO OF EPHESUS. Say what you will, sir, but I know what I know. | |
That you beat me at the mart I have your hand to show; | |
If the skin were parchment, and the blows you gave were ink, | |
Your own handwriting would tell you what I think. | |
ANTIPHOLUS OF EPHESUS. I think thou art an ass. | |
DROMIO OF EPHESUS. Marry, so it doth appear | |
By the wrongs I suffer and the blows I bear. | |
I should kick, being kick'd; and being at that pass, | |
You would keep from my heels, and beware of an ass. | |
ANTIPHOLUS OF EPHESUS. Y'are sad, Signior Balthazar; pray God our cheer | |
May answer my good will and your good welcome here. | |
BALTHAZAR. I hold your dainties cheap, sir, and your welcome dear. | |
ANTIPHOLUS OF EPHESUS. O, Signior Balthazar, either at flesh or fish, | |
A table full of welcome makes scarce one dainty dish. | |
BALTHAZAR. Good meat, sir, is common; that every churl affords. | |
ANTIPHOLUS OF EPHESUS. And welcome more common; for that's nothing | |
but words. | |
BALTHAZAR. Small cheer and great welcome makes a merry feast. | |
ANTIPHOLUS OF EPHESUS. Ay, to a niggardly host and more sparing guest. | |
But though my cates be mean, take them in good part; | |
Better cheer may you have, but not with better heart. | |
But, soft, my door is lock'd; go bid them let us in. | |
DROMIO OF EPHESUS. Maud, Bridget, Marian, Cicely, Gillian, Ginn! | |
DROMIO OF SYRACUSE. [Within] Mome, malt-horse, capon, coxcomb, idiot, patch! | |
Either get thee from the door, or sit down at the hatch. | |
Dost thou conjure for wenches, that thou call'st for such store, | |
When one is one too many? Go get thee from the door. | |
DROMIO OF EPHESUS. What patch is made our porter? | |
My master stays in the street. | |
DROMIO OF SYRACUSE. [Within] Let him walk from whence he came, | |
lest he catch cold on's feet. | |
ANTIPHOLUS OF EPHESUS. Who talks within there? Ho, open the door! | |
DROMIO OF SYRACUSE. [Within] Right, sir; I'll tell you when, | |
an you'll tell me wherefore. | |
ANTIPHOLUS OF EPHESUS. Wherefore? For my dinner; | |
I have not din'd to-day. | |
DROMIO OF SYRACUSE. [Within] Nor to-day here you must not; | |
come again when you may. | |
ANTIPHOLUS OF EPHESUS. What art thou that keep'st me out | |
from the house I owe? | |
DROMIO OF SYRACUSE. [Within] The porter for this time, | |
sir, and my name is Dromio. | |
DROMIO OF EPHESUS. O Villain, thou hast stol'n both mine | |
office and my name! | |
The one ne'er got me credit, the other mickle blame. | |
If thou hadst been Dromio to-day in my place, | |
Thou wouldst have chang'd thy face for a name, or thy name for an ass. | |
Enter LUCE, within | |
LUCE. [Within] What a coil is there, Dromio? Who are those at the gate? | |
DROMIO OF EPHESUS. Let my master in, Luce. | |
LUCE. [Within] Faith, no, he comes too late; | |
And so tell your master. | |
DROMIO OF EPHESUS. O Lord, I must laugh! | |
Have at you with a proverb: Shall I set in my staff? | |
LUCE. [Within] Have at you with another: that's-when? can you tell? | |
DROMIO OF SYRACUSE. [Within] If thy name be called Luce | |
-Luce, thou hast answer'd him well. | |
ANTIPHOLUS OF EPHESUS. Do you hear, you minion? You'll let us in, I hope? | |
LUCE. [Within] I thought to have ask'd you. | |
DROMIO OF SYRACUSE. [Within] And you said no. | |
DROMIO OF EPHESUS. SO, Come, help: well struck! there was blow for blow. | |
ANTIPHOLUS OF EPHESUS. Thou baggage, let me in. | |
LUCE. [Within] Can you tell for whose sake? | |
DROMIO OF EPHESUS. Master, knock the door hard. | |
LUCE. [Within] Let him knock till it ache. | |
ANTIPHOLUS OF EPHESUS. You'll cry for this, minion, if beat the door down. | |
LUCE. [Within] What needs all that, and a pair of stocks in the town? | |
Enter ADRIANA, within | |
ADRIANA. [Within] Who is that at the door, that keeps all this noise? | |
DROMIO OF SYRACUSE. [Within] By my troth, your town is | |
troubled with unruly boys. | |
ANTIPHOLUS OF EPHESUS. Are you there, wife? You might | |
have come before. | |
ADRIANA. [Within] Your wife, sir knave! Go get you from the door. | |
DROMIO OF EPHESUS. If YOU went in pain, master, this 'knave' would go sore. | |
ANGELO. Here is neither cheer, sir, nor welcome; we would fain have either. | |
BALTHAZAR. In debating which was best, we shall part with neither. | |
DROMIO OF EPHESUS. They stand at the door, master; bid them welcome hither. | |
ANTIPHOLUS OF EPHESUS. There is something in the wind, that we cannot get in. | |
DROMIO OF EPHESUS. You would say so, master, if your garments were thin. | |
Your cake here is warm within; you stand here in the cold; | |
It would make a man mad as a buck to be so bought and sold. | |
ANTIPHOLUS OF EPHESUS. Go fetch me something; I'll break ope the gate. | |
DROMIO OF SYRACUSE. [Within] Break any breaking here, | |
and I'll break your knave's pate. | |
DROMIO OF EPHESUS. A man may break a word with you, | |
sir; and words are but wind; | |
Ay, and break it in your face, so he break it not behind. | |
DROMIO OF SYRACUSE. [Within] It seems thou want'st breaking; | |
out upon thee, hind! | |
DROMIO OF EPHESUS. Here's too much 'out upon thee!' pray thee let me in. | |
DROMIO OF SYRACUSE. [Within] Ay, when fowls have no | |
feathers and fish have no fin. | |
ANTIPHOLUS OF EPHESUS. Well, I'll break in; go borrow me a crow. | |
DROMIO OF EPHESUS. A crow without feather? Master, mean you so? | |
For a fish without a fin, there's a fowl without a feather; | |
If a crow help us in, sirrah, we'll pluck a crow together. | |
ANTIPHOLUS OF EPHESUS. Go get thee gone; fetch me an iron crow. | |
BALTHAZAR. Have patience, sir; O, let it not be so! | |
Herein you war against your reputation, | |
And draw within the compass of suspect | |
Th' unviolated honour of your wife. | |
Once this-your long experience of her wisdom, | |
Her sober virtue, years, and modesty, | |
Plead on her part some cause to you unknown; | |
And doubt not, sir, but she will well excuse | |
Why at this time the doors are made against you. | |
Be rul'd by me: depart in patience, | |
And let us to the Tiger all to dinner; | |
And, about evening, come yourself alone | |
To know the reason of this strange restraint. | |
If by strong hand you offer to break in | |
Now in the stirring passage of the day, | |
A vulgar comment will be made of it, | |
And that supposed by the common rout | |
Against your yet ungalled estimation | |
That may with foul intrusion enter in | |
And dwell upon your grave when you are dead; | |
For slander lives upon succession, | |
For ever hous'd where it gets possession. | |
ANTIPHOLUS OF EPHESUS. You have prevail'd. I will depart in quiet, | |
And in despite of mirth mean to be merry. | |
I know a wench of excellent discourse, | |
Pretty and witty; wild, and yet, too, gentle; | |
There will we dine. This woman that I mean, | |
My wife-but, I protest, without desert- | |
Hath oftentimes upbraided me withal; | |
To her will we to dinner. [To ANGELO] Get you home | |
And fetch the chain; by this I know 'tis made. | |
Bring it, I pray you, to the Porpentine; | |
For there's the house. That chain will I bestow- | |
Be it for nothing but to spite my wife- | |
Upon mine hostess there; good sir, make haste. | |
Since mine own doors refuse to entertain me, | |
I'll knock elsewhere, to see if they'll disdain me. | |
ANGELO. I'll meet you at that place some hour hence. | |
ANTIPHOLUS OF EPHESUS. Do so; this jest shall cost me some expense. | |
<Exeunt | |
SCENE 2 | |
Before the house of ANTIPHOLUS OF EPHESUS | |
Enter LUCIANA with ANTIPHOLUS OF SYRACUSE | |
LUCIANA. And may it be that you have quite forgot | |
A husband's office? Shall, Antipholus, | |
Even in the spring of love, thy love-springs rot? | |
Shall love, in building, grow so ruinous? | |
If you did wed my sister for her wealth, | |
Then for her wealth's sake use her with more kindness; | |
Or, if you like elsewhere, do it by stealth; | |
Muffle your false love with some show of blindness; | |
Let not my sister read it in your eye; | |
Be not thy tongue thy own shame's orator; | |
Look sweet, speak fair, become disloyalty; | |
Apparel vice like virtue's harbinger; | |
Bear a fair presence, though your heart be tainted; | |
Teach sin the carriage of a holy saint; | |
Be secret-false. What need she be acquainted? | |
What simple thief brags of his own attaint? | |
'Tis double wrong to truant with your bed | |
And let her read it in thy looks at board; | |
Shame hath a bastard fame, well managed; | |
Ill deeds is doubled with an evil word. | |
Alas, poor women! make us but believe, | |
Being compact of credit, that you love us; | |
Though others have the arm, show us the sleeve; | |
We in your motion turn, and you may move us. | |
Then, gentle brother, get you in again; | |
Comfort my sister, cheer her, call her wife. | |
'Tis holy sport to be a little vain | |
When the sweet breath of flattery conquers strife. | |
ANTIPHOLUS OF SYRACUSE. Sweet mistress-what your name is else, I know not, | |
Nor by what wonder you do hit of mine- | |
Less in your knowledge and your grace you show not | |
Than our earth's wonder-more than earth, divine. | |
Teach me, dear creature, how to think and speak; | |
Lay open to my earthy-gross conceit, | |
Smoth'red in errors, feeble, shallow, weak, | |
The folded meaning of your words' deceit. | |
Against my soul's pure truth why labour you | |
To make it wander in an unknown field? | |
Are you a god? Would you create me new? | |
Transform me, then, and to your pow'r I'll yield. | |
But if that I am I, then well I know | |
Your weeping sister is no wife of mine, | |
Nor to her bed no homage do I owe; | |
Far more, far more, to you do I decline. | |
O, train me not, sweet mermaid, with thy note, | |
To drown me in thy sister's flood of tears. | |
Sing, siren, for thyself, and I will dote; | |
Spread o'er the silver waves thy golden hairs, | |
And as a bed I'll take them, and there he; | |
And in that glorious supposition think | |
He gains by death that hath such means to die. | |
Let Love, being light, be drowned if she sink. | |
LUCIANA. What, are you mad, that you do reason so? | |
ANTIPHOLUS OF SYRACUSE. Not mad, but mated; how, I do not know. | |
LUCIANA. It is a fault that springeth from your eye. | |
ANTIPHOLUS OF SYRACUSE. For gazing on your beams, fair sun, being by. | |
LUCIANA. Gaze where you should, and that will clear your sight. | |
ANTIPHOLUS OF SYRACUSE. As good to wink, sweet love, as look on night. | |
LUCIANA. Why call you me love? Call my sister so. | |
ANTIPHOLUS OF SYRACUSE. Thy sister's sister. | |
LUCIANA. That's my sister. | |
ANTIPHOLUS OF SYRACUSE. No; | |
It is thyself, mine own self's better part; | |
Mine eye's clear eye, my dear heart's dearer heart, | |
My food, my fortune, and my sweet hope's aim, | |
My sole earth's heaven, and my heaven's claim. | |
LUCIANA. All this my sister is, or else should be. | |
ANTIPHOLUS OF SYRACUSE. Call thyself sister, sweet, for I am thee; | |
Thee will I love, and with thee lead my life; | |
Thou hast no husband yet, nor I no wife. | |
Give me thy hand. | |
LUCIANA. O, soft, sir, hold you still; | |
I'll fetch my sister to get her good will. | |
<Exit LUCIANA | |
Enter DROMIO OF SYRACUSE. | |
ANTIPHOLUS OF SYRACUSE. Why, how now, Dromio! Where run'st thou | |
so fast? | |
DROMIO OF SYRACUSE. Do you know me, sir? Am I Dromio? | |
Am I your man? Am I myself? | |
ANTIPHOLUS OF SYRACUSE. Thou art Dromio, thou art my | |
man, thou art thyself. | |
DROMIO OF SYRACUSE. I am an ass, I am a woman's man, and besides | |
myself. | |
ANTIPHOLUS OF SYRACUSE. What woman's man, and how besides thyself? | |
DROMIO OF SYRACUSE. Marry, sir, besides myself, I am due | |
to a woman-one that claims me, one that haunts me, one | |
that will have me. | |
ANTIPHOLUS OF SYRACUSE. What claim lays she to thee? | |
DROMIO OF SYRACUSE. Marry, sir, such claim as you would | |
lay to your horse; and she would have me as a beast: not | |
that, I being a beast, she would have me; but that she, | |
being a very beastly creature, lays claim to me. | |
ANTIPHOLUS OF SYRACUSE. What is she? | |
DROMIO OF SYRACUSE. A very reverent body; ay, such a one | |
as a man may not speak of without he say 'Sir-reverence.' | |
I have but lean luck in the match, and yet is she a | |
wondrous fat marriage. | |
ANTIPHOLUS OF SYRACUSE. How dost thou mean a fat marriage? | |
DROMIO OF SYRACUSE. Marry, sir, she's the kitchen-wench, | |
and all grease; and I know not what use to put her to but | |
to make a lamp of her and run from her by her own light. | |
I warrant, her rags and the tallow in them will burn | |
Poland winter. If she lives till doomsday, she'll burn | |
week longer than the whole world. | |
ANTIPHOLUS OF SYRACUSE. What complexion is she of? | |
DROMIO OF SYRACUSE. Swart, like my shoe; but her face | |
nothing like so clean kept; for why, she sweats, a man may | |
go over shoes in the grime of it. | |
ANTIPHOLUS OF SYRACUSE. That's a fault that water will mend. | |
DROMIO OF SYRACUSE. No, sir, 'tis in grain; Noah's flood | |
could not do it. | |
ANTIPHOLUS OF SYRACUSE. What's her name? | |
DROMIO OF SYRACUSE. Nell, sir; but her name and three | |
quarters, that's an ell and three quarters, will not measure | |
her from hip to hip. | |
ANTIPHOLUS OF SYRACUSE. Then she bears some breadth? | |
DROMIO OF SYRACUSE. No longer from head to foot than | |
from hip to hip: she is spherical, like a globe; I could find | |
out countries in her. | |
ANTIPHOLUS OF SYRACUSE. In what part of her body stands Ireland? | |
DROMIO OF SYRACUSE. Marry, sir, in her buttocks; I found it out by | |
the bogs. | |
ANTIPHOLUS OF SYRACUSE. Where Scotland? | |
DROMIO OF SYRACUSE. I found it by the barrenness, hard in | |
the palm of the hand. | |
ANTIPHOLUS OF SYRACUSE. Where France? | |
DROMIO OF SYRACUSE. In her forehead, arm'd and reverted, | |
making war against her heir. | |
ANTIPHOLUS OF SYRACUSE. Where England? | |
DROMIO OF SYRACUSE. I look'd for the chalky cliffs, but I | |
could find no whiteness in them; but I guess it stood in her | |
chin, by the salt rheum that ran between France and it. | |
ANTIPHOLUS OF SYRACUSE. Where Spain? | |
DROMIO OF SYRACUSE. Faith, I saw it not, but I felt it hot in | |
her breath. | |
ANTIPHOLUS OF SYRACUSE. Where America, the Indies? | |
DROMIO OF SYRACUSE. O, sir, upon her nose, an o'er embellished with | |
rubies, carbuncles, sapphires, declining their rich aspect to the | |
hot breath of Spain; who sent whole armadoes of caracks to be | |
ballast at her nose. | |
ANTIPHOLUS OF SYRACUSE. Where stood Belgia, the Netherlands? | |
DROMIO OF SYRACUSE. O, Sir, I did not look so low. To | |
conclude: this drudge or diviner laid claim to me; call'd me | |
Dromio; swore I was assur'd to her; told me what privy | |
marks I had about me, as, the mark of my shoulder, the | |
mole in my neck, the great wart on my left arm, that I, | |
amaz'd, ran from her as a witch. | |
And, I think, if my breast had not been made of faith, | |
and my heart of steel, | |
She had transform'd me to a curtal dog, and made me turn i' th' wheel. | |
ANTIPHOLUS OF SYRACUSE. Go hie thee presently post to the road; | |
An if the wind blow any way from shore, | |
I will not harbour in this town to-night. | |
If any bark put forth, come to the mart, | |
Where I will walk till thou return to me. | |
If every one knows us, and we know none, | |
'Tis time, I think, to trudge, pack and be gone. | |
DROMIO OF SYRACUSE. As from a bear a man would run for life, | |
So fly I from her that would be my wife. | |
<Exit | |
ANTIPHOLUS OF SYRACUSE. There's none but witches do inhabit here, | |
And therefore 'tis high time that I were hence. | |
She that doth call me husband, even my soul | |
Doth for a wife abhor. But her fair sister, | |
Possess'd with such a gentle sovereign grace, | |
Of such enchanting presence and discourse, | |
Hath almost made me traitor to myself; | |
But, lest myself be guilty to self-wrong, | |
I'll stop mine ears against the mermaid's song. | |
Enter ANGELO with the chain | |
ANGELO. Master Antipholus! | |
ANTIPHOLUS OF SYRACUSE. Ay, that's my name. | |
ANGELO. I know it well, sir. Lo, here is the chain. | |
I thought to have ta'en you at the Porpentine; | |
The chain unfinish'd made me stay thus long. | |
ANTIPHOLUS OF SYRACUSE. What is your will that I shall do with this? | |
ANGELO. What please yourself, sir; I have made it for you. | |
ANTIPHOLUS OF SYRACUSE. Made it for me, sir! I bespoke it not. | |
ANGELO. Not once nor twice, but twenty times you have. | |
Go home with it, and please your wife withal; | |
And soon at supper-time I'll visit you, | |
And then receive my money for the chain. | |
ANTIPHOLUS OF SYRACUSE. I pray you, sir, receive the money now, | |
For fear you ne'er see chain nor money more. | |
ANGELO. You are a merry man, sir; fare you well. | |
<Exit | |
ANTIPHOLUS OF SYRACUSE. What I should think of this cannot tell: | |
But this I think, there's no man is so vain | |
That would refuse so fair an offer'd chain. | |
I see a man here needs not live by shifts, | |
When in the streets he meets such golden gifts. | |
I'll to the mart, and there for Dromio stay; | |
If any ship put out, then straight away. | |
<Exit | |
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ACT IV. SCENE 1 | |
A public place | |
Enter SECOND MERCHANT, ANGELO, and an OFFICER | |
SECOND MERCHANT. You know since Pentecost the sum is due, | |
And since I have not much importun'd you; | |
Nor now I had not, but that I am bound | |
To Persia, and want guilders for my voyage. | |
Therefore make present satisfaction, | |
Or I'll attach you by this officer. | |
ANGELO. Even just the sum that I do owe to you | |
Is growing to me by Antipholus; | |
And in the instant that I met with you | |
He had of me a chain; at five o'clock | |
I shall receive the money for the same. | |
Pleaseth you walk with me down to his house, | |
I will discharge my bond, and thank you too. | |
Enter ANTIPHOLUS OF EPHESUS, and DROMIO OF EPHESUS, from the COURTEZAN'S | |
OFFICER. That labour may you save; see where he comes. | |
ANTIPHOLUS OF EPHESUS. While I go to the goldsmith's house, go thou | |
And buy a rope's end; that will I bestow | |
Among my wife and her confederates, | |
For locking me out of my doors by day. | |
But, soft, I see the goldsmith. Get thee gone; | |
Buy thou a rope, and bring it home to me. | |
DROMIO OF EPHESUS. I buy a thousand pound a year; I buy a rope. | |
<Exit DROMIO | |
ANTIPHOLUS OF EPHESUS. A man is well holp up that trusts to you! | |
I promised your presence and the chain; | |
But neither chain nor goldsmith came to me. | |
Belike you thought our love would last too long, | |
If it were chain'd together, and therefore came not. | |
ANGELO. Saving your merry humour, here's the note | |
How much your chain weighs to the utmost carat, | |
The fineness of the gold, and chargeful fashion, | |
Which doth amount to three odd ducats more | |
Than I stand debted to this gentleman. | |
I pray you see him presently discharg'd, | |
For he is bound to sea, and stays but for it. | |
ANTIPHOLUS OF EPHESUS. I am not furnish'd with the present money; | |
Besides, I have some business in the town. | |
Good signior, take the stranger to my house, | |
And with you take the chain, and bid my wife | |
Disburse the sum on the receipt thereof. | |
Perchance I will be there as soon as you. | |
ANGELO. Then you will bring the chain to her yourself? | |
ANTIPHOLUS OF EPHESUS. No; bear it with you, lest I come not time enough. | |
ANGELO. Well, sir, I will. Have you the chain about you? | |
ANTIPHOLUS OF EPHESUS. An if I have not, sir, I hope you have; | |
Or else you may return without your money. | |
ANGELO. Nay, come, I pray you, sir, give me the chain; | |
Both wind and tide stays for this gentleman, | |
And I, to blame, have held him here too long. | |
ANTIPHOLUS OF EPHESUS. Good Lord! you use this dalliance to excuse | |
Your breach of promise to the Porpentine; | |
I should have chid you for not bringing it, | |
But, like a shrew, you first begin to brawl. | |
SECOND MERCHANT. The hour steals on; I pray you, sir, dispatch. | |
ANGELO. You hear how he importunes me-the chain! | |
ANTIPHOLUS OF EPHESUS. Why, give it to my wife, and fetch your money. | |
ANGELO. Come, come, you know I gave it you even now. | |
Either send the chain or send by me some token. | |
ANTIPHOLUS OF EPHESUS. Fie, now you run this humour out of breath! | |
Come, where's the chain? I pray you let me see it. | |
SECOND MERCHANT. My business cannot brook this dalliance. | |
Good sir, say whe'r you'll answer me or no; | |
If not, I'll leave him to the officer. | |
ANTIPHOLUS OF EPHESUS. I answer you! What should I answer you? | |
ANGELO. The money that you owe me for the chain. | |
ANTIPHOLUS OF EPHESUS. I owe you none till I receive the chain. | |
ANGELO. You know I gave it you half an hour since. | |
ANTIPHOLUS OF EPHESUS. You gave me none; you wrong me much to say so. | |
ANGELO. You wrong me more, sir, in denying it. | |
Consider how it stands upon my credit. | |
SECOND MERCHANT. Well, officer, arrest him at my suit. | |
OFFICER. I do; and charge you in the Duke's name to obey me. | |
ANGELO. This touches me in reputation. | |
Either consent to pay this sum for me, | |
Or I attach you by this officer. | |
ANTIPHOLUS OF EPHESUS. Consent to pay thee that I never had! | |
Arrest me, foolish fellow, if thou dar'st. | |
ANGELO. Here is thy fee; arrest him, officer. | |
I would not spare my brother in this case, | |
If he should scorn me so apparently. | |
OFFICER. I do arrest you, sir; you hear the suit. | |
ANTIPHOLUS OF EPHESUS. I do obey thee till I give thee bail. | |
But, sirrah, you shall buy this sport as dear | |
As all the metal in your shop will answer. | |
ANGELO. Sir, sir, I shall have law in Ephesus, | |
To your notorious shame, I doubt it not. | |
Enter DROMIO OF SYRACUSE, from the bay | |
DROMIO OF SYRACUSE. Master, there's a bark of Epidamnum | |
That stays but till her owner comes aboard, | |
And then, sir, she bears away. Our fraughtage, sir, | |
I have convey'd aboard; and I have bought | |
The oil, the balsamum, and aqua-vitx. | |
The ship is in her trim; the merry wind | |
Blows fair from land; they stay for nought at an | |
But for their owner, master, and yourself. | |
ANTIPHOLUS OF EPHESUS. How now! a madman? Why, thou peevish sheep, | |
What ship of Epidamnum stays for me? | |
DROMIO OF SYRACUSE. A ship you sent me to, to hire waftage. | |
ANTIPHOLUS OF EPHESUS. THOU drunken slave! I sent the for a rope; | |
And told thee to what purpose and what end. | |
DROMIO OF SYRACUSE. YOU sent me for a rope's end as soon- | |
You sent me to the bay, sir, for a bark. | |
ANTIPHOLUS OF EPHESUS. I Will debate this matter at more leisure, | |
And teach your ears to list me with more heed. | |
To Adriana, villain, hie thee straight; | |
Give her this key, and tell her in the desk | |
That's cover'd o'er with Turkish tapestry | |
There is a purse of ducats; let her send it. | |
Tell her I am arrested in the street, | |
And that shall bail me; hie thee, slave, be gone. | |
On, officer, to prison till it come. | |
<Exeunt all but DROMIO | |
DROMIO OF SYRACUSE. To Adriana! that is where we din'd, | |
Where Dowsabel did claim me for her husband. | |
She is too big, I hope, for me to compass. | |
Thither I must, although against my will, | |
For servants must their masters' minds fulfil. | |
<Exit | |
SCENE 2 | |
The house of ANTIPHOLUS OF EPHESUS | |
Enter ADRIANA and LUCIANA | |
ADRIANA. Ah, Luciana, did he tempt thee so? | |
Might'st thou perceive austerely in his eye | |
That he did plead in earnest? Yea or no? | |
Look'd he or red or pale, or sad or merrily? | |
What observation mad'st thou in this case | |
Of his heart's meteors tilting in his face? | |
LUCIANA. First he denied you had in him no right. | |
ADRIANA. He meant he did me none-the more my spite. | |
LUCIANA. Then swore he that he was a stranger here. | |
ADRIANA. And true he swore, though yet forsworn he were. | |
LUCIANA. Then pleaded I for you. | |
ADRIANA. And what said he? | |
LUCIANA. That love I begg'd for you he begg'd of me. | |
ADRIANA. With what persuasion did he tempt thy love? | |
LUCIANA. With words that in an honest suit might move. | |
First he did praise my beauty, then my speech. | |
ADRIANA. Didst speak him fair? | |
LUCIANA. Have patience, I beseech. | |
ADRIANA. I cannot, nor I will not hold me still; | |
My tongue, though not my heart, shall have his will. | |
He is deformed, crooked, old, and sere, | |
Ill-fac'd, worse bodied, shapeless everywhere; | |
Vicious, ungentle, foolish, blunt, unkind; | |
Stigmatical in making, worse in mind. | |
LUCIANA. Who would be jealous then of such a one? | |
No evil lost is wail'd when it is gone. | |
ADRIANA. Ah, but I think him better than I say, | |
And yet would herein others' eyes were worse. | |
Far from her nest the lapwing cries away; | |
My heart prays for him, though my tongue do curse. | |
Enter DROMIO OF SYRACUSE. | |
DROMIO OF SYRACUSE. Here go-the desk, the purse. Sweet | |
now, make haste. | |
LUCIANA. How hast thou lost thy breath? | |
DROMIO OF SYRACUSE. By running fast. | |
ADRIANA. Where is thy master, Dromio? Is he well? | |
DROMIO OF SYRACUSE. No, he's in Tartar limbo, worse than hell. | |
A devil in an everlasting garment hath him; | |
One whose hard heart is button'd up with steel; | |
A fiend, a fairy, pitiless and rough; | |
A wolf, nay worse, a fellow all in buff; | |
A back-friend, a shoulder-clapper, one that countermands | |
The passages of alleys, creeks, and narrow lands; | |
A hound that runs counter, and yet draws dry-foot well; | |
One that, before the Judgment, carries poor souls to hell. | |
ADRIANA. Why, man, what is the matter? | |
DROMIO OF SYRACUSE. I do not know the matter; he is rested on the case. | |
ADRIANA. What, is he arrested? Tell me, at whose suit? | |
DROMIO OF SYRACUSE. I know not at whose suit he is arrested well; | |
But he's in a suit of buff which 'rested him, that can I tell. | |
Will you send him, mistress, redemption, the money in his desk? | |
ADRIANA. Go fetch it, sister. [Exit LUCIANA] This I wonder at: | |
Thus he unknown to me should be in debt. | |
Tell me, was he arrested on a band? | |
DROMIO OF SYRACUSE. on a band, but on a stronger thing, | |
A chain, a chain. Do you not hear it ring? | |
ADRIANA. What, the chain? | |
DROMIO OF SYRACUSE. No, no, the bell; 'tis time that I were gone. | |
It was two ere I left him, and now the clock strikes one. | |
ADRIANA. The hours come back! That did I never hear. | |
DROMIO OF SYRACUSE. O yes. If any hour meet a sergeant, | |
'a turns back for very fear. | |
ADRIANA. As if Time were in debt! How fondly dost thou reason! | |
DROMIO OF SYRACUSE. Time is a very bankrupt, and owes | |
more than he's worth to season. | |
Nay, he's a thief too: have you not heard men say | |
That Time comes stealing on by night and day? | |
If 'a be in debt and theft, and a sergeant in the way, | |
Hath he not reason to turn back an hour in a day? | |
Re-enter LUCIANA with a purse | |
ADRIANA. Go, Dromio, there's the money; bear it straight, | |
And bring thy master home immediately. | |
Come, sister; I am press'd down with conceit- | |
Conceit, my comfort and my injury. | |
<Exeunt | |
SCENE 3 | |
The mart | |
Enter ANTIPHOLUS OF SYRACUSE | |
ANTIPHOLUS OF SYRACUSE. There's not a man I meet but doth salute me | |
As if I were their well-acquainted friend; | |
And every one doth call me by my name. | |
Some tender money to me, some invite me, | |
Some other give me thanks for kindnesses, | |
Some offer me commodities to buy; | |
Even now a tailor call'd me in his shop, | |
And show'd me silks that he had bought for me, | |
And therewithal took measure of my body. | |
Sure, these are but imaginary wiles, | |
And Lapland sorcerers inhabit here. | |
Enter DROMIO OF SYRACUSE | |
DROMIO OF SYRACUSE. Master, here's the gold you sent me | |
for. What, have you got the picture of old Adam new-apparell'd? | |
ANTIPHOLUS OF SYRACUSE. What gold is this? What Adam dost thou mean? | |
DROMIO OF SYRACUSE. Not that Adam that kept the Paradise, | |
but that Adam that keeps the prison; he that goes in the | |
calf's skin that was kill'd for the Prodigal; he that came behind | |
you, sir, like an evil angel, and bid you forsake your liberty. | |
ANTIPHOLUS OF SYRACUSE. I understand thee not. | |
DROMIO OF SYRACUSE. No? Why, 'tis a plain case: he that | |
went, like a bass-viol, in a case of leather; the man, sir, | |
that, when gentlemen are tired, gives them a sob, and rest | |
them; he, sir, that takes pity on decayed men, and give | |
them suits of durance; he that sets up his rest to do more | |
exploits with his mace than a morris-pike. | |
ANTIPHOLUS OF SYRACUSE. What, thou mean'st an officer? | |
DROMIO OF SYRACUSE. Ay, sir, the sergeant of the band; | |
that brings any man to answer it that breaks his band; on | |
that thinks a man always going to bed, and says 'God give | |
you good rest!' | |
ANTIPHOLUS OF SYRACUSE. Well, sir, there rest in your foolery. Is | |
there any ship puts forth to-night? May we be gone? | |
DROMIO OF SYRACUSE. Why, sir, I brought you word an | |
hour since that the bark Expedition put forth to-night; and | |
then were you hind'red by the sergeant, to tarry for the | |
boy Delay. Here are the angels that you sent for to deliver you. | |
ANTIPHOLUS OF SYRACUSE. The fellow is distract, and so am I; | |
And here we wander in illusions. | |
Some blessed power deliver us from hence! | |
Enter a COURTEZAN | |
COURTEZAN. Well met, well met, Master Antipholus. | |
I see, sir, you have found the goldsmith now. | |
Is that the chain you promis'd me to-day? | |
ANTIPHOLUS OF SYRACUSE. Satan, avoid! I charge thee, tempt me not. | |
DROMIO OF SYRACUSE. Master, is this Mistress Satan? | |
ANTIPHOLUS OF SYRACUSE. It is the devil. | |
DROMIO OF SYRACUSE. Nay, she is worse, she is the devil's | |
dam, and here she comes in the habit of a light wench; and | |
thereof comes that the wenches say 'God damn me!' That's | |
as much to say 'God make me a light wench!' It is written | |
they appear to men like angels of light; light is an effect | |
of fire, and fire will burn; ergo, light wenches will burn. | |
Come not near her. | |
COURTEZAN. Your man and you are marvellous merry, sir. | |
Will you go with me? We'll mend our dinner here. | |
DROMIO OF SYRACUSE. Master, if you do, expect spoon-meat, | |
or bespeak a long spoon. | |
ANTIPHOLUS OF SYRACUSE. Why, Dromio? | |
DROMIO OF SYRACUSE. Marry, he must have a long spoon | |
that must eat with the devil. | |
ANTIPHOLUS OF SYRACUSE. Avoid then, fiend! What tell'st thou me of supping? | |
Thou art, as you are all, a sorceress; | |
I conjure thee to leave me and be gone. | |
COURTEZAN. Give me the ring of mine you had at dinner, | |
Or, for my diamond, the chain you promis'd, | |
And I'll be gone, sir, and not trouble you. | |
DROMIO OF SYRACUSE. Some devils ask but the parings of one's nail, | |
A rush, a hair, a drop of blood, a pin, | |
A nut, a cherry-stone; | |
But she, more covetous, would have a chain. | |
Master, be wise; an if you give it her, | |
The devil will shake her chain, and fright us with it. | |
COURTEZAN. I pray you, sir, my ring, or else the chain; | |
I hope you do not mean to cheat me so. | |
ANTIPHOLUS OF SYRACUSE. Avaunt, thou witch! Come, Dromio, let us go. | |
DROMIO OF SYRACUSE. 'Fly pride' says the peacock. Mistress, that you know. | |
<Exeunt ANTIPHOLUS OF SYRACUSE and DROMIO OF SYRACUSE | |
COURTEZAN. Now, out of doubt, Antipholus is mad, | |
Else would he never so demean himself. | |
A ring he hath of mine worth forty ducats, | |
And for the same he promis'd me a chain; | |
Both one and other he denies me now. | |
The reason that I gather he is mad, | |
Besides this present instance of his rage, | |
Is a mad tale he told to-day at dinner | |
Of his own doors being shut against his entrance. | |
Belike his wife, acquainted with his fits, | |
On purpose shut the doors against his way. | |
My way is now to hie home to his house, | |
And tell his wife that, being lunatic, | |
He rush'd into my house and took perforce | |
My ring away. This course I fittest choose, | |
For forty ducats is too much to lose. | |
<Exit | |
SCENE 4 | |
A street | |
Enter ANTIPHOLUS OF EPHESUS with the OFFICER | |
ANTIPHOLUS OF EPHESUS. Fear me not, man; I will not break away. | |
I'll give thee, ere I leave thee, so much money, | |
To warrant thee, as I am 'rested for. | |
My wife is in a wayward mood to-day, | |
And will not lightly trust the messenger. | |
That I should be attach'd in Ephesus, | |
I tell you 'twill sound harshly in her cars. | |
Enter DROMIO OF EPHESUS, with a rope's-end | |
Here comes my man; I think he brings the money. | |
How now, sir! Have you that I sent you for? | |
DROMIO OF EPHESUS. Here's that, I warrant you, will pay them all. | |
ANTIPHOLUS OF EPHESUS. But where's the money? | |
DROMIO OF EPHESUS. Why, sir, I gave the money for the rope. | |
ANTIPHOLUS OF EPHESUS. Five hundred ducats, villain, for rope? | |
DROMIO OF EPHESUS. I'll serve you, sir, five hundred at the rate. | |
ANTIPHOLUS OF EPHESUS. To what end did I bid thee hie thee home? | |
DROMIO OF EPHESUS. To a rope's-end, sir; and to that end am I | |
return'd. | |
ANTIPHOLUS OF EPHESUS. And to that end, sir, I will welcome you. | |
[Beating him] | |
OFFICER. Good sir, be patient. | |
DROMIO OF EPHESUS. Nay, 'tis for me to be patient; I am in | |
adversity. | |
OFFICER. Good now, hold thy tongue. | |
DROMIO OF EPHESUS. Nay, rather persuade him to hold his hands. | |
ANTIPHOLUS OF EPHESUS. Thou whoreson, senseless villain! | |
DROMIO OF EPHESUS. I would I were senseless, sir, that I | |
might not feel your blows. | |
ANTIPHOLUS OF EPHESUS. Thou art sensible in nothing but | |
blows, and so is an ass. | |
DROMIO OF EPHESUS. I am an ass indeed; you may prove it | |
by my long 'ears. I have served him from the hour of my | |
nativity to this instant, and have nothing at his hands for | |
my service but blows. When I am cold he heats me with | |
beating; when I am warm he cools me with beating. I am | |
wak'd with it when I sleep; rais'd with it when I sit; driven | |
out of doors with it when I go from home; welcom'd home | |
with it when I return; nay, I bear it on my shoulders as | |
beggar wont her brat; and I think, when he hath lam'd me, | |
I shall beg with it from door to door. | |
Enter ADRIANA, LUCIANA, the COURTEZAN, and a SCHOOLMASTER | |
call'd PINCH | |
ANTIPHOLUS OF EPHESUS. Come, go along; my wife is coming yonder. | |
DROMIO OF EPHESUS. Mistress, 'respice finem,' respect your end; or | |
rather, to prophesy like the parrot, 'Beware the rope's-end.' | |
ANTIPHOLUS OF EPHESUS. Wilt thou still talk? | |
[Beating him] | |
COURTEZAN. How say you now? Is not your husband mad? | |
ADRIANA. His incivility confirms no less. | |
Good Doctor Pinch, you are a conjurer: | |
Establish him in his true sense again, | |
And I will please you what you will demand. | |
LUCIANA. Alas, how fiery and how sharp he looks! | |
COURTEZAN. Mark how he trembles in his ecstasy. | |
PINCH. Give me your hand, and let me feel your pulse. | |
ANTIPHOLUS OF EPHESUS. There is my hand, and let it feel your ear. | |
[Striking him] | |
PINCH. I charge thee, Satan, hous'd within this man, | |
To yield possession to my holy prayers, | |
And to thy state of darkness hie thee straight. | |
I conjure thee by all the saints in heaven. | |
ANTIPHOLUS OF EPHESUS. Peace, doting wizard, peace! I am not mad. | |
ADRIANA. O, that thou wert not, poor distressed soul! | |
ANTIPHOLUS OF EPHESUS. You minion, you, are these your customers? | |
Did this companion with the saffron face | |
Revel and feast it at my house to-day, | |
Whilst upon me the guilty doors were shut, | |
And I denied to enter in my house? | |
ADRIANA. O husband, God doth know you din'd at home, | |
Where would you had remain'd until this time, | |
Free from these slanders and this open shame! | |
ANTIPHOLUS OF EPHESUS. Din'd at home! Thou villain, what sayest thou? | |
DROMIO OF EPHESUS. Sir, Sooth to say, you did not dine at home. | |
ANTIPHOLUS OF EPHESUS. Were not my doors lock'd up and I shut out? | |
DROMIO OF EPHESUS. Perdie, your doors were lock'd and you shut out. | |
ANTIPHOLUS OF EPHESUS. And did not she herself revile me there? | |
DROMIO OF EPHESUS. Sans fable, she herself revil'd you there. | |
ANTIPHOLUS OF EPHESUS. Did not her kitchen-maid rail, taunt, and scorn me? | |
DROMIO OF EPHESUS. Certes, she did; the kitchen-vestal scorn'd you. | |
ANTIPHOLUS OF EPHESUS. And did not I in rage depart from thence? | |
DROMIO OF EPHESUS. In verity, you did. My bones bear witness, | |
That since have felt the vigour of his rage. | |
ADRIANA. Is't good to soothe him in these contraries? | |
PINCH. It is no shame; the fellow finds his vein, | |
And, yielding to him, humours well his frenzy. | |
ANTIPHOLUS OF EPHESUS. Thou hast suborn'd the goldsmith to arrest me. | |
ADRIANA. Alas, I sent you money to redeem you, | |
By Dromio here, who came in haste for it. | |
DROMIO OF EPHESUS. Money by me! Heart and goodwill you might, | |
But surely, master, not a rag of money. | |
ANTIPHOLUS OF EPHESUS. Went'st not thou to her for purse of ducats? | |
ADRIANA. He came to me, and I deliver'd it. | |
LUCIANA. And I am witness with her that she did. | |
DROMIO OF EPHESUS. God and the rope-maker bear me witness | |
That I was sent for nothing but a rope! | |
PINCH. Mistress, both man and master is possess'd; | |
I know it by their pale and deadly looks. | |
They must be bound, and laid in some dark room. | |
ANTIPHOLUS OF EPHESUS. Say, wherefore didst thou lock me forth to-day? | |
And why dost thou deny the bag of gold? | |
ADRIANA. I did not, gentle husband, lock thee forth. | |
DROMIO OF EPHESUS. And, gentle master, I receiv'd no gold; | |
But I confess, sir, that we were lock'd out. | |
ADRIANA. Dissembling villain, thou speak'st false in both. | |
ANTIPHOLUS OF EPHESUS. Dissembling harlot, thou art false in all, | |
And art confederate with a damned pack | |
To make a loathsome abject scorn of me; | |
But with these nails I'll pluck out these false eyes | |
That would behold in me this shameful sport. | |
ADRIANA. O, bind him, bind him; let him not come near me. | |
PINCH. More company! The fiend is strong within him. | |
Enter three or four, and offer to bind him. He strives | |
LUCIANA. Ay me, poor man, how pale and wan he looks! | |
ANTIPHOLUS OF EPHESUS. What, will you murder me? Thou gaoler, thou, | |
I am thy prisoner. Wilt thou suffer them | |
To make a rescue? | |
OFFICER. Masters, let him go; | |
He is my prisoner, and you shall not have him. | |
PINCH. Go bind this man, for he is frantic too. | |
[They bind DROMIO] | |
ADRIANA. What wilt thou do, thou peevish officer? | |
Hast thou delight to see a wretched man | |
Do outrage and displeasure to himself? | |
OFFICER. He is my prisoner; if I let him go, | |
The debt he owes will be requir'd of me. | |
ADRIANA. I will discharge thee ere I go from thee; | |
Bear me forthwith unto his creditor, | |
And, knowing how the debt grows, I will pay it. | |
Good Master Doctor, see him safe convey'd | |
Home to my house. O most unhappy day! | |
ANTIPHOLUS OF EPHESUS. O most unhappy strumpet! | |
DROMIO OF EPHESUS. Master, I am here ent'red in bond for you. | |
ANTIPHOLUS OF EPHESUS. Out on thee, villian! Wherefore | |
dost thou mad me? | |
DROMIO OF EPHESUS. Will you be bound for nothing? | |
Be mad, good master; cry 'The devil!' | |
LUCIANA. God help, poor souls, how idly do they talk! | |
ADRIANA. Go bear him hence. Sister, go you with me. | |
<Exeunt all but ADRIANA, LUCIANA, OFFICERS, and COURTEZAN | |
Say now, whose suit is he arrested at? | |
OFFICER. One Angelo, a goldsmith; do you know him? | |
ADRIANA. I know the man. What is the sum he owes? | |
OFFICER. Two hundred ducats. | |
ADRIANA. Say, how grows it due? | |
OFFICER. Due for a chain your husband had of him. | |
ADRIANA. He did bespeak a chain for me, but had it not. | |
COURTEZAN. When as your husband, all in rage, to-day | |
Came to my house, and took away my ring- | |
The ring I saw upon his finger now- | |
Straight after did I meet him with a chain. | |
ADRIANA. It may be so, but I did never see it. | |
Come, gaoler, bring me where the goldsmith is; | |
I long to know the truth hereof at large. | |
Enter ANTIPHOLUS OF SYRACUSE, with his rapier drawn, and | |
DROMIO OF SYRACUSE. | |
LUCIANA. God, for thy mercy! they are loose again. | |
ADRIANA. And come with naked swords. | |
Let's call more help to have them bound again. | |
OFFICER. Away, they'll kill us! | |
<Exeunt all but ANTIPHOLUS OF SYRACUSE and | |
DROMIO OF SYRACUSE as fast as may be, frighted | |
ANTIPHOLUS OF SYRACUSE. I see these witches are afraid of swords. | |
DROMIO OF SYRACUSE. She that would be your wife now ran from you. | |
ANTIPHOLUS OF SYRACUSE. Come to the Centaur; fetch our stuff from thence. | |
I long that we were safe and sound aboard. | |
DROMIO OF SYRACUSE. Faith, stay here this night; they will | |
surely do us no harm; you saw they speak us fair, give us | |
gold; methinks they are such a gentle nation that, but for | |
the mountain of mad flesh that claims marriage of me, | |
could find in my heart to stay here still and turn witch. | |
ANTIPHOLUS OF SYRACUSE. I will not stay to-night for all the town; | |
Therefore away, to get our stuff aboard. | |
<Exeunt | |
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ACT V. SCENE 1 | |
A street before a priory | |
Enter SECOND MERCHANT and ANGELO | |
ANGELO. I am sorry, sir, that I have hind'red you; | |
But I protest he had the chain of me, | |
Though most dishonestly he doth deny it. | |
SECOND MERCHANT. How is the man esteem'd here in the city? | |
ANGELO. Of very reverend reputation, sir, | |
Of credit infinite, highly belov'd, | |
Second to none that lives here in the city; | |
His word might bear my wealth at any time. | |
SECOND MERCHANT. Speak softly; yonder, as I think, he walks. | |
Enter ANTIPHOLUS OF SYRACUSE and DROMIO OF SYRACUSE | |
ANGELO. 'Tis so; and that self chain about his neck | |
Which he forswore most monstrously to have. | |
Good sir, draw near to me, I'll speak to him. | |
Signior Andpholus, I wonder much | |
That you would put me to this shame and trouble; | |
And, not without some scandal to yourself, | |
With circumstance and oaths so to deny | |
This chain, which now you wear so openly. | |
Beside the charge, the shame, imprisonment, | |
You have done wrong to this my honest friend; | |
Who, but for staying on our controversy, | |
Had hoisted sail and put to sea to-day. | |
This chain you had of me; can you deny it? | |
ANTIPHOLUS OF SYRACUSE. I think I had; I never did deny it. | |
SECOND MERCHANT. Yes, that you did, sir, and forswore it too. | |
ANTIPHOLUS OF SYRACUSE. Who heard me to deny it or forswear it? | |
SECOND MERCHANT. These ears of mine, thou know'st, did hear thee. | |
Fie on thee, wretch! 'tis pity that thou liv'st | |
To walk where any honest men resort. | |
ANTIPHOLUS OF SYRACUSE. Thou art a villain to impeach me thus; | |
I'll prove mine honour and mine honesty | |
Against thee presently, if thou dar'st stand. | |
SECOND MERCHANT. I dare, and do defy thee for a villain. | |
[They draw] | |
Enter ADRIANA, LUCIANA, the COURTEZAN, and OTHERS | |
ADRIANA. Hold, hurt him not, for God's sake! He is mad. | |
Some get within him, take his sword away; | |
Bind Dromio too, and bear them to my house. | |
DROMIO OF SYRACUSE. Run, master, run; for God's sake take a house. | |
This is some priory. In, or we are spoil'd. | |
<Exeunt ANTIPHOLUS OF SYRACUSE and DROMIO OF SYRACUSE to the priory | |
Enter the LADY ABBESS | |
ABBESS. Be quiet, people. Wherefore throng you hither? | |
ADRIANA. To fetch my poor distracted husband hence. | |
Let us come in, that we may bind him fast, | |
And bear him home for his recovery. | |
ANGELO. I knew he was not in his perfect wits. | |
SECOND MERCHANT. I am sorry now that I did draw on him. | |
ABBESS. How long hath this possession held the man? | |
ADRIANA. This week he hath been heavy, sour, sad, | |
And much different from the man he was; | |
But till this afternoon his passion | |
Ne'er brake into extremity of rage. | |
ABBESS. Hath he not lost much wealth by wreck of sea? | |
Buried some dear friend? Hath not else his eye | |
Stray'd his affection in unlawful love? | |
A sin prevailing much in youthful men | |
Who give their eyes the liberty of gazing. | |
Which of these sorrows is he subject to? | |
ADRIANA. To none of these, except it be the last; | |
Namely, some love that drew him oft from home. | |
ABBESS. You should for that have reprehended him. | |
ADRIANA. Why, so I did. | |
ABBESS. Ay, but not rough enough. | |
ADRIANA. As roughly as my modesty would let me. | |
ABBESS. Haply in private. | |
ADRIANA. And in assemblies too. | |
ABBESS. Ay, but not enough. | |
ADRIANA. It was the copy of our conference. | |
In bed, he slept not for my urging it; | |
At board, he fed not for my urging it; | |
Alone, it was the subject of my theme; | |
In company, I often glanced it; | |
Still did I tell him it was vile and bad. | |
ABBESS. And thereof came it that the man was mad. | |
The venom clamours of a jealous woman | |
Poisons more deadly than a mad dog's tooth. | |
It seems his sleeps were hind'red by thy railing, | |
And thereof comes it that his head is light. | |
Thou say'st his meat was sauc'd with thy upbraidings: | |
Unquiet meals make ill digestions; | |
Thereof the raging fire of fever bred; | |
And what's a fever but a fit of madness? | |
Thou say'st his sports were hind'red by thy brawls. | |
Sweet recreation barr'd, what doth ensue | |
But moody and dull melancholy, | |
Kinsman to grim and comfortless despair, | |
And at her heels a huge infectious troop | |
Of pale distemperatures and foes to life? | |
In food, in sport, and life-preserving rest, | |
To be disturb'd would mad or man or beast. | |
The consequence is, then, thy jealous fits | |
Hath scar'd thy husband from the use of wits. | |
LUCIANA. She never reprehended him but mildly, | |
When he demean'd himself rough, rude, and wildly. | |
Why bear you these rebukes, and answer not? | |
ADRIANA. She did betray me to my own reproof. | |
Good people, enter, and lay hold on him. | |
ABBESS. No, not a creature enters in my house. | |
ADRIANA. Then let your servants bring my husband forth. | |
ABBESS. Neither; he took this place for sanctuary, | |
And it shall privilege him from your hands | |
Till I have brought him to his wits again, | |
Or lose my labour in assaying it. | |
ADRIANA. I will attend my husband, be his nurse, | |
Diet his sickness, for it is my office, | |
And will have no attorney but myself; | |
And therefore let me have him home with me. | |
ABBESS. Be patient; for I will not let him stir | |
Till I have us'd the approved means I have, | |
With wholesome syrups, drugs, and holy prayers, | |
To make of him a formal man again. | |
It is a branch and parcel of mine oath, | |
A charitable duty of my order; | |
Therefore depart, and leave him here with me. | |
ADRIANA. I will not hence and leave my husband here; | |
And ill it doth beseem your holiness | |
To separate the husband and the wife. | |
ABBESS. Be quiet, and depart; thou shalt not have him. | |
<Exit | |
LUCIANA. Complain unto the Duke of this indignity. | |
ADRIANA. Come, go; I will fall prostrate at his feet, | |
And never rise until my tears and prayers | |
Have won his Grace to come in person hither | |
And take perforce my husband from the Abbess. | |
SECOND MERCHANT. By this, I think, the dial points at five; | |
Anon, I'm sure, the Duke himself in person | |
Comes this way to the melancholy vale, | |
The place of death and sorry execution, | |
Behind the ditches of the abbey here. | |
ANGELO. Upon what cause? | |
SECOND MERCHANT. To see a reverend Syracusian merchant, | |
Who put unluckily into this bay | |
Against the laws and statutes of this town, | |
Beheaded publicly for his offence. | |
ANGELO. See where they come; we will behold his death. | |
LUCIANA. Kneel to the Duke before he pass the abbey. | |
Enter the DUKE, attended; AEGEON, bareheaded; | |
with the HEADSMAN and other OFFICERS | |
DUKE. Yet once again proclaim it publicly, | |
If any friend will pay the sum for him, | |
He shall not die; so much we tender him. | |
ADRIANA. Justice, most sacred Duke, against the Abbess! | |
DUKE. She is a virtuous and a reverend lady; | |
It cannot be that she hath done thee wrong. | |
ADRIANA. May it please your Grace, Antipholus, my husband, | |
Who I made lord of me and all I had | |
At your important letters-this ill day | |
A most outrageous fit of madness took him, | |
That desp'rately he hurried through the street, | |
With him his bondman all as mad as he, | |
Doing displeasure to the citizens | |
By rushing in their houses, bearing thence | |
Rings, jewels, anything his rage did like. | |
Once did I get him bound and sent him home, | |
Whilst to take order for the wrongs I went, | |
That here and there his fury had committed. | |
Anon, I wot not by what strong escape, | |
He broke from those that had the guard of him, | |
And with his mad attendant and himself, | |
Each one with ireful passion, with drawn swords, | |
Met us again and, madly bent on us, | |
Chas'd us away; till, raising of more aid, | |
We came again to bind them. Then they fled | |
Into this abbey, whither we pursu'd them; | |
And here the Abbess shuts the gates on us, | |
And will not suffer us to fetch him out, | |
Nor send him forth that we may bear him hence. | |
Therefore, most gracious Duke, with thy command | |
Let him be brought forth and borne hence for help. | |
DUKE. Long since thy husband serv'd me in my wars, | |
And I to thee engag'd a prince's word, | |
When thou didst make him master of thy bed, | |
To do him all the grace and good I could. | |
Go, some of you, knock at the abbey gate, | |
And bid the Lady Abbess come to me, | |
I will determine this before I stir. | |
Enter a MESSENGER | |
MESSENGER. O mistress, mistress, shift and save yourself! | |
My master and his man are both broke loose, | |
Beaten the maids a-row and bound the doctor, | |
Whose beard they have sing'd off with brands of fire; | |
And ever, as it blaz'd, they threw on him | |
Great pails of puddled mire to quench the hair. | |
My master preaches patience to him, and the while | |
His man with scissors nicks him like a fool; | |
And sure, unless you send some present help, | |
Between them they will kill the conjurer. | |
ADRIANA. Peace, fool! thy master and his man are here, | |
And that is false thou dost report to us. | |
MESSENGER. Mistress, upon my life, I tell you true; | |
I have not breath'd almost since I did see it. | |
He cries for you, and vows, if he can take you, | |
To scorch your face, and to disfigure you. | |
[Cry within] | |
Hark, hark, I hear him, mistress; fly, be gone! | |
DUKE. Come, stand by me; fear nothing. Guard with halberds. | |
ADRIANA. Ay me, it is my husband! Witness you | |
That he is borne about invisible. | |
Even now we hous'd him in the abbey here, | |
And now he's there, past thought of human reason. | |
Enter ANTIPHOLUS OFEPHESUS and DROMIO OFEPHESUS | |
ANTIPHOLUS OFEPHESUS. Justice, most gracious Duke; O, grant me justice! | |
Even for the service that long since I did thee, | |
When I bestrid thee in the wars, and took | |
Deep scars to save thy life; even for the blood | |
That then I lost for thee, now grant me justice. | |
AEGEON. Unless the fear of death doth make me dote, | |
I see my son Antipholus, and Dromio. | |
ANTIPHOLUS OFEPHESUS. Justice, sweet Prince, against that woman there! | |
She whom thou gav'st to me to be my wife, | |
That hath abused and dishonoured me | |
Even in the strength and height of injury. | |
Beyond imagination is the wrong | |
That she this day hath shameless thrown on me. | |
DUKE. Discover how, and thou shalt find me just. | |
ANTIPHOLUS OFEPHESUS. This day, great Duke, she shut the doors upon me, | |
While she with harlots feasted in my house. | |
DUKE. A grievous fault. Say, woman, didst thou so? | |
ADRIANA. No, my good lord. Myself, he, and my sister, | |
To-day did dine together. So befall my soul | |
As this is false he burdens me withal! | |
LUCIANA. Ne'er may I look on day nor sleep on night | |
But she tells to your Highness simple truth! | |
ANGELO. O peflur'd woman! They are both forsworn. | |
In this the madman justly chargeth them. | |
ANTIPHOLUS OF EPHESUS. My liege, I am advised what I say; | |
Neither disturbed with the effect of wine, | |
Nor heady-rash, provok'd with raging ire, | |
Albeit my wrongs might make one wiser mad. | |
This woman lock'd me out this day from dinner; | |
That goldsmith there, were he not pack'd with her, | |
Could witness it, for he was with me then; | |
Who parted with me to go fetch a chain, | |
Promising to bring it to the Porpentine, | |
Where Balthazar and I did dine together. | |
Our dinner done, and he not coming thither, | |
I went to seek him. In the street I met him, | |
And in his company that gentleman. | |
There did this perjur'd goldsmith swear me down | |
That I this day of him receiv'd the chain, | |
Which, God he knows, I saw not; for the which | |
He did arrest me with an officer. | |
I did obey, and sent my peasant home | |
For certain ducats; he with none return'd. | |
Then fairly I bespoke the officer | |
To go in person with me to my house. | |
By th' way we met my wife, her sister, and a rabble more | |
Of vile confederates. Along with them | |
They brought one Pinch, a hungry lean-fac'd villain, | |
A mere anatomy, a mountebank, | |
A threadbare juggler, and a fortune-teller, | |
A needy, hollow-ey'd, sharp-looking wretch, | |
A living dead man. This pernicious slave, | |
Forsooth, took on him as a conjurer, | |
And gazing in mine eyes, feeling my pulse, | |
And with no face, as 'twere, outfacing me, | |
Cries out I was possess'd. Then all together | |
They fell upon me, bound me, bore me thence, | |
And in a dark and dankish vault at home | |
There left me and my man, both bound together; | |
Till, gnawing with my teeth my bonds in sunder, | |
I gain'd my freedom, and immediately | |
Ran hither to your Grace; whom I beseech | |
To give me ample satisfaction | |
For these deep shames and great indignities. | |
ANGELO. My lord, in truth, thus far I witness with him, | |
That he din'd not at home, but was lock'd out. | |
DUKE. But had he such a chain of thee, or no? | |
ANGELO. He had, my lord, and when he ran in here, | |
These people saw the chain about his neck. | |
SECOND MERCHANT. Besides, I will be sworn these ears of mine | |
Heard you confess you had the chain of him, | |
After you first forswore it on the mart; | |
And thereupon I drew my sword on you, | |
And then you fled into this abbey here, | |
From whence, I think, you are come by miracle. | |
ANTIPHOLUS OF EPHESUS. I never came within these abbey walls, | |
Nor ever didst thou draw thy sword on me; | |
I never saw the chain, so help me Heaven! | |
And this is false you burden me withal. | |
DUKE. Why, what an intricate impeach is this! | |
I think you all have drunk of Circe's cup. | |
If here you hous'd him, here he would have been; | |
If he were mad, he would not plead so coldly. | |
You say he din'd at home: the goldsmith here | |
Denies that saying. Sirrah, what say you? | |
DROMIO OF EPHESUS. Sir, he din'd with her there, at the Porpentine. | |
COURTEZAN. He did; and from my finger snatch'd that ring. | |
ANTIPHOLUS OF EPHESUS. 'Tis true, my liege; this ring I had of her. | |
DUKE. Saw'st thou him enter at the abbey here? | |
COURTEZAN. As sure, my liege, as I do see your Grace. | |
DUKE. Why, this is strange. Go call the Abbess hither. | |
I think you are all mated or stark mad. | |
<Exit one to the ABBESS | |
AEGEON. Most mighty Duke, vouchsafe me speak a word: | |
Haply I see a friend will save my life | |
And pay the sum that may deliver me. | |
DUKE. Speak freely, Syracusian, what thou wilt. | |
AEGEON. Is not your name, sir, call'd Antipholus? | |
And is not that your bondman Dromio? | |
DROMIO OF EPHESUS. Within this hour I was his bondman, sir, | |
But he, I thank him, gnaw'd in two my cords | |
Now am I Dromio and his man unbound. | |
AEGEON. I am sure you both of you remember me. | |
DROMIO OF EPHESUS. Ourselves we do remember, sir, by you; | |
For lately we were bound as you are now. | |
You are not Pinch's patient, are you, sir? | |
AEGEON. Why look you strange on me? You know me well. | |
ANTIPHOLUS OF EPHESUS. I never saw you in my life till now. | |
AEGEON. O! grief hath chang'd me since you saw me last; | |
And careful hours with time's deformed hand | |
Have written strange defeatures in my face. | |
But tell me yet, dost thou not know my voice? | |
ANTIPHOLUS OF EPHESUS. Neither. | |
AEGEON. Dromio, nor thou? | |
DROMIO OF EPHESUS. No, trust me, sir, nor I. | |
AEGEON. I am sure thou dost. | |
DROMIO OF EPHESUS. Ay, sir, but I am sure I do not; and | |
whatsoever a man denies, you are now bound to believe him. | |
AEGEON. Not know my voice! O time's extremity, | |
Hast thou so crack'd and splitted my poor tongue | |
In seven short years that here my only son | |
Knows not my feeble key of untun'd cares? | |
Though now this grained face of mine be hid | |
In sap-consuming winter's drizzled snow, | |
And all the conduits of my blood froze up, | |
Yet hath my night of life some memory, | |
My wasting lamps some fading glimmer left, | |
My dull deaf ears a little use to hear; | |
All these old witnesses-I cannot err- | |
Tell me thou art my son Antipholus. | |
ANTIPHOLUS OF EPHESUS. I never saw my father in my life. | |
AEGEON. But seven years since, in Syracuse, boy, | |
Thou know'st we parted; but perhaps, my son, | |
Thou sham'st to acknowledge me in misery. | |
ANTIPHOLUS OF EPHESUS. The Duke and all that know me in | |
the city Can witness with me that it is not so: | |
I ne'er saw Syracuse in my life. | |
DUKE. I tell thee, Syracusian, twenty years | |
Have I been patron to Antipholus, | |
During which time he ne'er saw Syracuse. | |
I see thy age and dangers make thee dote. | |
Re-enter the ABBESS, with ANTIPHOLUS OF SYRACUSE and DROMIO OF SYRACUSE | |
ABBESS. Most mighty Duke, behold a man much wrong'd. | |
[All gather to see them] | |
ADRIANA. I see two husbands, or mine eyes deceive me. | |
DUKE. One of these men is genius to the other; | |
And so of these. Which is the natural man, | |
And which the spirit? Who deciphers them? | |
DROMIO OF SYRACUSE. I, sir, am Dromio; command him away. | |
DROMIO OF EPHESUS. I, Sir, am Dromio; pray let me stay. | |
ANTIPHOLUS OF SYRACUSE. Aegeon, art thou not? or else his | |
DROMIO OF SYRACUSE. O, my old master! who hath bound | |
ABBESS. Whoever bound him, I will loose his bonds, | |
And gain a husband by his liberty. | |
Speak, old Aegeon, if thou be'st the man | |
That hadst a wife once call'd Aemilia, | |
That bore thee at a burden two fair sons. | |
O, if thou be'st the same Aegeon, speak, | |
And speak unto the same Aemilia! | |
AEGEON. If I dream not, thou art Aemilia. | |
If thou art she, tell me where is that son | |
That floated with thee on the fatal raft? | |
ABBESS. By men of Epidamnum he and I | |
And the twin Dromio, all were taken up; | |
But by and by rude fishermen of Corinth | |
By force took Dromio and my son from them, | |
And me they left with those of Epidamnum. | |
What then became of them I cannot tell; | |
I to this fortune that you see me in. | |
DUKE. Why, here begins his morning story right. | |
These two Antipholus', these two so like, | |
And these two Dromios, one in semblance- | |
Besides her urging of her wreck at sea- | |
These are the parents to these children, | |
Which accidentally are met together. | |
Antipholus, thou cam'st from Corinth first? | |
ANTIPHOLUS OF SYRACUSE. No, sir, not I; I came from Syracuse. | |
DUKE. Stay, stand apart; I know not which is which. | |
ANTIPHOLUS OF EPHESUS. I came from Corinth, my most gracious lord. | |
DROMIO OF EPHESUS. And I with him. | |
ANTIPHOLUS OF EPHESUS. Brought to this town by that most famous warrior, | |
Duke Menaphon, your most renowned uncle. | |
ADRIANA. Which of you two did dine with me to-day? | |
ANTIPHOLUS OF SYRACUSE. I, gentle mistress. | |
ADRIANA. And are not you my husband? | |
ANTIPHOLUS OF EPHESUS. No; I say nay to that. | |
ANTIPHOLUS OF SYRACUSE. And so do I, yet did she call me so; | |
And this fair gentlewoman, her sister here, | |
Did call me brother. [To LUCIANA] What I told you then, | |
I hope I shall have leisure to make good; | |
If this be not a dream I see and hear. | |
ANGELO. That is the chain, sir, which you had of me. | |
ANTIPHOLUS OF SYRACUSE. I think it be, sir; I deny it not. | |
ANTIPHOLUS OF EPHESUS. And you, sir, for this chain arrested me. | |
ANGELO. I think I did, sir; I deny it not. | |
ADRIANA. I sent you money, sir, to be your bail, | |
By Dromio; but I think he brought it not. | |
DROMIO OF EPHESUS. No, none by me. | |
ANTIPHOLUS OF SYRACUSE. This purse of ducats I receiv'd from you, | |
And Dromio my man did bring them me. | |
I see we still did meet each other's man, | |
And I was ta'en for him, and he for me, | |
And thereupon these ERRORS are arose. | |
ANTIPHOLUS OF EPHESUS. These ducats pawn I for my father here. | |
DUKE. It shall not need; thy father hath his life. | |
COURTEZAN. Sir, I must have that diamond from you. | |
ANTIPHOLUS OF EPHESUS. There, take it; and much thanks for my | |
good cheer. | |
ABBESS. Renowned Duke, vouchsafe to take the pains | |
To go with us into the abbey here, | |
And hear at large discoursed all our fortunes; | |
And all that are assembled in this place | |
That by this sympathized one day's error | |
Have suffer'd wrong, go keep us company, | |
And we shall make full satisfaction. | |
Thirty-three years have I but gone in travail | |
Of you, my sons; and till this present hour | |
My heavy burden ne'er delivered. | |
The Duke, my husband, and my children both, | |
And you the calendars of their nativity, | |
Go to a gossips' feast, and go with me; | |
After so long grief, such nativity! | |
DUKE. With all my heart, I'll gossip at this feast. | |
<Exeunt all but ANTIPHOLUS OF SYRACUSE, ANTIPHOLUS OF | |
EPHESUS, DROMIO OF SYRACUSE, and DROMIO OF EPHESUS | |
DROMIO OF SYRACUSE. Master, shall I fetch your stuff from shipboard? | |
ANTIPHOLUS OF EPHESUS. Dromio, what stuff of mine hast thou embark'd? | |
DROMIO OF SYRACUSE. Your goods that lay at host, sir, in the Centaur. | |
ANTIPHOLUS OF SYRACUSE. He speaks to me. I am your master, Dromio. | |
Come, go with us; we'll look to that anon. | |
Embrace thy brother there; rejoice with him. | |
<Exeunt ANTIPHOLUS OF SYRACUSE and ANTIPHOLUS OF EPHESUS | |
DROMIO OF SYRACUSE. There is a fat friend at your master's house, | |
That kitchen'd me for you to-day at dinner; | |
She now shall be my sister, not my wife. | |
DROMIO OF EPHESUS. Methinks you are my glass, and not my brother; | |
I see by you I am a sweet-fac'd youth. | |
Will you walk in to see their gossiping? | |
DROMIO OF SYRACUSE. Not I, sir; you are my elder. | |
DROMIO OF EPHESUS. That's a question; how shall we try it? | |
DROMIO OF SYRACUSE. We'll draw cuts for the senior; till then, | |
lead thou first. | |
DROMIO OF EPHESUS. Nay, then, thus: | |
We came into the world like brother and brother, | |
And now let's go hand in hand, not one before another. | |
<Exeunt | |
THE END | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY | |
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>> | |
1608 | |
THE TRAGEDY OF CORIOLANUS | |
by William Shakespeare | |
Dramatis Personae | |
CAIUS MARCIUS, afterwards CAIUS MARCIUS CORIOLANUS | |
Generals against the Volscians | |
TITUS LARTIUS | |
COMINIUS | |
MENENIUS AGRIPPA, friend to Coriolanus | |
Tribunes of the People | |
SICINIUS VELUTUS | |
JUNIUS BRUTUS | |
YOUNG MARCIUS, son to Coriolanus | |
A ROMAN HERALD | |
NICANOR, a Roman | |
TULLUS AUFIDIUS, General of the Volscians | |
LIEUTENANT, to Aufidius | |
CONSPIRATORS, With Aufidius | |
ADRIAN, a Volscian | |
A CITIZEN of Antium | |
TWO VOLSCIAN GUARDS | |
VOLUMNIA, mother to Coriolanus | |
VIRGILIA, wife to Coriolanus | |
VALERIA, friend to Virgilia | |
GENTLEWOMAN attending on Virgilia | |
Roman and Volscian Senators, Patricians, Aediles, Lictors, | |
Soldiers, Citizens, Messengers, Servants to Aufidius, and other | |
Attendants | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY | |
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>> | |
SCENE: | |
Rome and the neighbourhood; Corioli and the neighbourhood; Antium | |
ACT I. SCENE I. | |
Rome. A street | |
Enter a company of mutinous citizens, with staves, clubs, and other weapons | |
FIRST CITIZEN. Before we proceed any further, hear me speak. | |
ALL. Speak, speak. | |
FIRST CITIZEN. YOU are all resolv'd rather to die than to famish? | |
ALL. Resolv'd, resolv'd. | |
FIRST CITIZEN. First, you know Caius Marcius is chief enemy to the | |
people. | |
ALL. We know't, we know't. | |
FIRST CITIZEN. Let us kill him, and we'll have corn at our own | |
price. Is't a verdict? | |
ALL. No more talking on't; let it be done. Away, away! | |
SECOND CITIZEN. One word, good citizens. | |
FIRST CITIZEN. We are accounted poor citizens, the patricians good. | |
What authority surfeits on would relieve us; if they would yield | |
us but the superfluity while it were wholesome, we might guess | |
they relieved us humanely; but they think we are too dear. The | |
leanness that afflicts us, the object of our misery, is as an | |
inventory to particularize their abundance; our sufferance is a | |
gain to them. Let us revenge this with our pikes ere we become | |
rakes; for the gods know I speak this in hunger for bread, not in | |
thirst for revenge. | |
SECOND CITIZEN. Would you proceed especially against Caius Marcius? | |
FIRST CITIZEN. Against him first; he's a very dog to the | |
commonalty. | |
SECOND CITIZEN. Consider you what services he has done for his | |
country? | |
FIRST CITIZEN. Very well, and could be content to give him good | |
report for't but that he pays himself with being proud. | |
SECOND CITIZEN. Nay, but speak not maliciously. | |
FIRST CITIZEN. I say unto you, what he hath done famously he did it | |
to that end; though soft-conscienc'd men can be content to say it | |
was for his country, he did it to please his mother and to be | |
partly proud, which he is, even to the altitude of his virtue. | |
SECOND CITIZEN. What he cannot help in his nature you account a | |
vice in him. You must in no way say he is covetous. | |
FIRST CITIZEN. If I must not, I need not be barren of accusations; | |
he hath faults, with surplus, to tire in repetition. [Shouts | |
within] What shouts are these? The other side o' th' city is | |
risen. Why stay we prating here? To th' Capitol! | |
ALL. Come, come. | |
FIRST CITIZEN. Soft! who comes here? | |
Enter MENENIUS AGRIPPA | |
SECOND CITIZEN. Worthy Menenius Agrippa; one that hath always lov'd | |
the people. | |
FIRST CITIZEN. He's one honest enough; would all the rest were so! | |
MENENIUS. What work's, my countrymen, in hand? Where go you | |
With bats and clubs? The matter? Speak, I pray you. | |
FIRST CITIZEN. Our business is not unknown to th' Senate; they have | |
had inkling this fortnight what we intend to do, which now we'll | |
show 'em in deeds. They say poor suitors have strong breaths; | |
they shall know we have strong arms too. | |
MENENIUS. Why, masters, my good friends, mine honest neighbours, | |
Will you undo yourselves? | |
FIRST CITIZEN. We cannot, sir; we are undone already. | |
MENENIUS. I tell you, friends, most charitable care | |
Have the patricians of you. For your wants, | |
Your suffering in this dearth, you may as well | |
Strike at the heaven with your staves as lift them | |
Against the Roman state; whose course will on | |
The way it takes, cracking ten thousand curbs | |
Of more strong link asunder than can ever | |
Appear in your impediment. For the dearth, | |
The gods, not the patricians, make it, and | |
Your knees to them, not arms, must help. Alack, | |
You are transported by calamity | |
Thither where more attends you; and you slander | |
The helms o' th' state, who care for you like fathers, | |
When you curse them as enemies. | |
FIRST CITIZEN. Care for us! True, indeed! They ne'er car'd for us | |
yet. Suffer us to famish, and their storehouses cramm'd with | |
grain; make edicts for usury, to support usurers; repeal daily | |
any wholesome act established against the rich, and provide more | |
piercing statutes daily to chain up and restrain the poor. If the | |
wars eat us not up, they will; and there's all the love they bear | |
us. | |
MENENIUS. Either you must | |
Confess yourselves wondrous malicious, | |
Or be accus'd of folly. I shall tell you | |
A pretty tale. It may be you have heard it; | |
But, since it serves my purpose, I will venture | |
To stale't a little more. | |
FIRST CITIZEN. Well, I'll hear it, sir; yet you must not think to | |
fob off our disgrace with a tale. But, an't please you, deliver. | |
MENENIUS. There was a time when all the body's members | |
Rebell'd against the belly; thus accus'd it: | |
That only like a gulf it did remain | |
I' th' midst o' th' body, idle and unactive, | |
Still cupboarding the viand, never bearing | |
Like labour with the rest; where th' other instruments | |
Did see and hear, devise, instruct, walk, feel, | |
And, mutually participate, did minister | |
Unto the appetite and affection common | |
Of the whole body. The belly answer'd- | |
FIRST CITIZEN. Well, sir, what answer made the belly? | |
MENENIUS. Sir, I shall tell you. With a kind of smile, | |
Which ne'er came from the lungs, but even thus- | |
For look you, I may make the belly smile | |
As well as speak- it tauntingly replied | |
To th' discontented members, the mutinous parts | |
That envied his receipt; even so most fitly | |
As you malign our senators for that | |
They are not such as you. | |
FIRST CITIZEN. Your belly's answer- What? | |
The kingly crowned head, the vigilant eye, | |
The counsellor heart, the arm our soldier, | |
Our steed the leg, the tongue our trumpeter, | |
With other muniments and petty helps | |
Is this our fabric, if that they- | |
MENENIUS. What then? | |
Fore me, this fellow speaks! What then? What then? | |
FIRST CITIZEN. Should by the cormorant belly be restrain'd, | |
Who is the sink o' th' body- | |
MENENIUS. Well, what then? | |
FIRST CITIZEN. The former agents, if they did complain, | |
What could the belly answer? | |
MENENIUS. I will tell you; | |
If you'll bestow a small- of what you have little- | |
Patience awhile, you'st hear the belly's answer. | |
FIRST CITIZEN. Y'are long about it. | |
MENENIUS. Note me this, good friend: | |
Your most grave belly was deliberate, | |
Not rash like his accusers, and thus answered. | |
'True is it, my incorporate friends,' quoth he | |
'That I receive the general food at first | |
Which you do live upon; and fit it is, | |
Because I am the storehouse and the shop | |
Of the whole body. But, if you do remember, | |
I send it through the rivers of your blood, | |
Even to the court, the heart, to th' seat o' th' brain; | |
And, through the cranks and offices of man, | |
The strongest nerves and small inferior veins | |
From me receive that natural competency | |
Whereby they live. And though that all at once | |
You, my good friends'- this says the belly; mark me. | |
FIRST CITIZEN. Ay, sir; well, well. | |
MENENIUS. 'Though all at once cannot | |
See what I do deliver out to each, | |
Yet I can make my audit up, that all | |
From me do back receive the flour of all, | |
And leave me but the bran.' What say you to' t? | |
FIRST CITIZEN. It was an answer. How apply you this? | |
MENENIUS. The senators of Rome are this good belly, | |
And you the mutinous members; for, examine | |
Their counsels and their cares, digest things rightly | |
Touching the weal o' th' common, you shall find | |
No public benefit which you receive | |
But it proceeds or comes from them to you, | |
And no way from yourselves. What do you think, | |
You, the great toe of this assembly? | |
FIRST CITIZEN. I the great toe? Why the great toe? | |
MENENIUS. For that, being one o' th' lowest, basest, poorest, | |
Of this most wise rebellion, thou goest foremost. | |
Thou rascal, that art worst in blood to run, | |
Lead'st first to win some vantage. | |
But make you ready your stiff bats and clubs. | |
Rome and her rats are at the point of battle; | |
The one side must have bale. | |
Enter CAIUS MARCIUS | |
Hail, noble Marcius! | |
MARCIUS. Thanks. What's the matter, you dissentious rogues | |
That, rubbing the poor itch of your opinion, | |
Make yourselves scabs? | |
FIRST CITIZEN. We have ever your good word. | |
MARCIUS. He that will give good words to thee will flatter | |
Beneath abhorring. What would you have, you curs, | |
That like nor peace nor war? The one affrights you, | |
The other makes you proud. He that trusts to you, | |
Where he should find you lions, finds you hares; | |
Where foxes, geese; you are no surer, no, | |
Than is the coal of fire upon the ice | |
Or hailstone in the sun. Your virtue is | |
To make him worthy whose offence subdues him, | |
And curse that justice did it. Who deserves greatness | |
Deserves your hate; and your affections are | |
A sick man's appetite, who desires most that | |
Which would increase his evil. He that depends | |
Upon your favours swims with fins of lead, | |
And hews down oaks with rushes. Hang ye! Trust ye? | |
With every minute you do change a mind | |
And call him noble that was now your hate, | |
Him vile that was your garland. What's the matter | |
That in these several places of the city | |
You cry against the noble Senate, who, | |
Under the gods, keep you in awe, which else | |
Would feed on one another? What's their seeking? | |
MENENIUS. For corn at their own rates, whereof they say | |
The city is well stor'd. | |
MARCIUS. Hang 'em! They say! | |
They'll sit by th' fire and presume to know | |
What's done i' th' Capitol, who's like to rise, | |
Who thrives and who declines; side factions, and give out | |
Conjectural marriages, making parties strong, | |
And feebling such as stand not in their liking | |
Below their cobbled shoes. They say there's grain enough! | |
Would the nobility lay aside their ruth | |
And let me use my sword, I'd make a quarry | |
With thousands of these quarter'd slaves, as high | |
As I could pick my lance. | |
MENENIUS. Nay, these are almost thoroughly persuaded; | |
For though abundantly they lack discretion, | |
Yet are they passing cowardly. But, I beseech you, | |
What says the other troop? | |
MARCIUS. They are dissolv'd. Hang 'em! | |
They said they were an-hungry; sigh'd forth proverbs- | |
That hunger broke stone walls, that dogs must eat, | |
That meat was made for mouths, that the gods sent not | |
Corn for the rich men only. With these shreds | |
They vented their complainings; which being answer'd, | |
And a petition granted them- a strange one, | |
To break the heart of generosity | |
And make bold power look pale- they threw their caps | |
As they would hang them on the horns o' th' moon, | |
Shouting their emulation. | |
MENENIUS. What is granted them? | |
MARCIUS. Five tribunes, to defend their vulgar wisdoms, | |
Of their own choice. One's Junius Brutus- | |
Sicinius Velutus, and I know not. 'Sdeath! | |
The rabble should have first unroof'd the city | |
Ere so prevail'd with me; it will in time | |
Win upon power and throw forth greater themes | |
For insurrection's arguing. | |
MENENIUS. This is strange. | |
MARCIUS. Go get you home, you fragments. | |
Enter a MESSENGER, hastily | |
MESSENGER. Where's Caius Marcius? | |
MARCIUS. Here. What's the matter? | |
MESSENGER. The news is, sir, the Volsces are in arms. | |
MARCIUS. I am glad on't; then we shall ha' means to vent | |
Our musty superfluity. See, our best elders. | |
Enter COMINIUS, TITUS LARTIUS, with other SENATORS; | |
JUNIUS BRUTUS and SICINIUS VELUTUS | |
FIRST SENATOR. Marcius, 'tis true that you have lately told us: | |
The Volsces are in arms. | |
MARCIUS. They have a leader, | |
Tullus Aufidius, that will put you to't. | |
I sin in envying his nobility; | |
And were I anything but what I am, | |
I would wish me only he. | |
COMINIUS. You have fought together? | |
MARCIUS. Were half to half the world by th' ears, and he | |
Upon my party, I'd revolt, to make | |
Only my wars with him. He is a lion | |
That I am proud to hunt. | |
FIRST SENATOR. Then, worthy Marcius, | |
Attend upon Cominius to these wars. | |
COMINIUS. It is your former promise. | |
MARCIUS. Sir, it is; | |
And I am constant. Titus Lartius, thou | |
Shalt see me once more strike at Tullus' face. | |
What, art thou stiff? Stand'st out? | |
LARTIUS. No, Caius Marcius; | |
I'll lean upon one crutch and fight with t'other | |
Ere stay behind this business. | |
MENENIUS. O, true bred! | |
FIRST SENATOR. Your company to th' Capitol; where, I know, | |
Our greatest friends attend us. | |
LARTIUS. [To COMINIUS] Lead you on. | |
[To MARCIUS] Follow Cominius; we must follow you; | |
Right worthy you priority. | |
COMINIUS. Noble Marcius! | |
FIRST SENATOR. [To the Citizens] Hence to your homes; be gone. | |
MARCIUS. Nay, let them follow. | |
The Volsces have much corn: take these rats thither | |
To gnaw their garners. Worshipful mutineers, | |
Your valour puts well forth; pray follow. | |
Ciitzens steal away. Exeunt all but SICINIUS and BRUTUS | |
SICINIUS. Was ever man so proud as is this Marcius? | |
BRUTUS. He has no equal. | |
SICINIUS. When we were chosen tribunes for the people- | |
BRUTUS. Mark'd you his lip and eyes? | |
SICINIUS. Nay, but his taunts! | |
BRUTUS. Being mov'd, he will not spare to gird the gods. | |
SICINIUS. Bemock the modest moon. | |
BRUTUS. The present wars devour him! He is grown | |
Too proud to be so valiant. | |
SICINIUS. Such a nature, | |
Tickled with good success, disdains the shadow | |
Which he treads on at noon. But I do wonder | |
His insolence can brook to be commanded | |
Under Cominius. | |
BRUTUS. Fame, at the which he aims- | |
In whom already he is well grac'd- cannot | |
Better be held nor more attain'd than by | |
A place below the first; for what miscarries | |
Shall be the general's fault, though he perform | |
To th' utmost of a man, and giddy censure | |
Will then cry out of Marcius 'O, if he | |
Had borne the business!' | |
SICINIUS. Besides, if things go well, | |
Opinion, that so sticks on Marcius, shall | |
Of his demerits rob Cominius. | |
BRUTUS. Come. | |
Half all Cominius' honours are to Marcius, | |
Though Marcius earn'd them not; and all his faults | |
To Marcius shall be honours, though indeed | |
In aught he merit not. | |
SICINIUS. Let's hence and hear | |
How the dispatch is made, and in what fashion, | |
More than his singularity, he goes | |
Upon this present action. | |
BRUTUS. Let's along. Exeunt | |
SCENE II. | |
Corioli. The Senate House. | |
Enter TULLUS AUFIDIUS with SENATORS of Corioli | |
FIRST SENATOR. So, your opinion is, Aufidius, | |
That they of Rome are ent'red in our counsels | |
And know how we proceed. | |
AUFIDIUS. Is it not yours? | |
What ever have been thought on in this state | |
That could be brought to bodily act ere Rome | |
Had circumvention? 'Tis not four days gone | |
Since I heard thence; these are the words- I think | |
I have the letter here;.yes, here it is: | |
[Reads] 'They have press'd a power, but it is not known | |
Whether for east or west. The dearth is great; | |
The people mutinous; and it is rumour'd, | |
Cominius, Marcius your old enemy, | |
Who is of Rome worse hated than of you, | |
And Titus Lartius, a most valiant Roman, | |
These three lead on this preparation | |
Whither 'tis bent. Most likely 'tis for you; | |
Consider of it.' | |
FIRST SENATOR. Our army's in the field; | |
We never yet made doubt but Rome was ready | |
To answer us. | |
AUFIDIUS. Nor did you think it folly | |
To keep your great pretences veil'd till when | |
They needs must show themselves; which in the hatching, | |
It seem'd, appear'd to Rome. By the discovery | |
We shall be short'ned in our aim, which was | |
To take in many towns ere almost Rome | |
Should know we were afoot. | |
SECOND SENATOR. Noble Aufidius, | |
Take your commission; hie you to your bands; | |
Let us alone to guard Corioli. | |
If they set down before's, for the remove | |
Bring up your army; but I think you'll find | |
Th' have not prepar'd for us. | |
AUFIDIUS. O, doubt not that! | |
I speak from certainties. Nay more, | |
Some parcels of their power are forth already, | |
And only hitherward. I leave your honours. | |
If we and Caius Marcius chance to meet, | |
'Tis sworn between us we shall ever strike | |
Till one can do no more. | |
ALL. The gods assist you! | |
AUFIDIUS. And keep your honours safe! | |
FIRST SENATOR. Farewell. | |
SECOND SENATOR. Farewell. | |
ALL. Farewell. Exeunt | |
SCENE III. | |
Rome. MARCIUS' house | |
Enter VOLUMNIA and VIRGILIA, mother and wife to MARCIUS; | |
they set them down on two low stools and sew | |
VOLUMNIA. I pray you, daughter, sing, or express yourself in a more | |
comfortable sort. If my son were my husband, I should freelier | |
rejoice in that absence wherein he won honour than in the | |
embracements of his bed where he would show most love. When yet | |
he was but tender-bodied, and the only son of my womb; when youth | |
with comeliness pluck'd all gaze his way; when, for a day of | |
kings' entreaties, a mother should not sell him an hour from her | |
beholding; I, considering how honour would become such a person- | |
that it was no better than picture-like to hang by th' wall, if | |
renown made it not stir- was pleas'd to let him seek danger where | |
he was to find fame. To a cruel war I sent him, from whence he | |
return'd his brows bound with oak. I tell thee, daughter, I | |
sprang not more in joy at first hearing he was a man-child than | |
now in first seeing he had proved himself a man. | |
VIRGILIA. But had he died in the business, madam, how then? | |
VOLUMNIA. Then his good report should have been my son; I therein | |
would have found issue. Hear me profess sincerely: had I a dozen | |
sons, each in my love alike, and none less dear than thine and my | |
good Marcius, I had rather had eleven die nobly for their country | |
than one voluptuously surfeit out of action. | |
Enter a GENTLEWOMAN | |
GENTLEWOMAN. Madam, the Lady Valeria is come to visit you. | |
VIRGILIA. Beseech you give me leave to retire myself. | |
VOLUMNIA. Indeed you shall not. | |
Methinks I hear hither your husband's drum; | |
See him pluck Aufidius down by th' hair; | |
As children from a bear, the Volsces shunning him. | |
Methinks I see him stamp thus, and call thus: | |
'Come on, you cowards! You were got in fear, | |
Though you were born in Rome.' His bloody brow | |
With his mail'd hand then wiping, forth he goes, | |
Like to a harvest-man that's task'd to mow | |
Or all or lose his hire. | |
VIRGILIA. His bloody brow? O Jupiter, no blood! | |
VOLUMNIA. Away, you fool! It more becomes a man | |
Than gilt his trophy. The breasts of Hecuba, | |
When she did suckle Hector, look'd not lovelier | |
Than Hector's forehead when it spit forth blood | |
At Grecian sword, contemning. Tell Valeria | |
We are fit to bid her welcome. Exit GENTLEWOMAN | |
VIRGILIA. Heavens bless my lord from fell Aufidius! | |
VOLUMNIA. He'll beat Aufidius' head below his knee | |
And tread upon his neck. | |
Re-enter GENTLEWOMAN, With VALERIA and an usher | |
VALERIA. My ladies both, good day to you. | |
VOLUMNIA. Sweet madam! | |
VIRGILIA. I am glad to see your ladyship. | |
VALERIA. How do you both? You are manifest housekeepers. What are | |
you sewing here? A fine spot, in good faith. How does your little | |
son? | |
VIRGILIA. I thank your ladyship; well, good madam. | |
VOLUMNIA. He had rather see the swords and hear a drum than look | |
upon his schoolmaster. | |
VALERIA. O' my word, the father's son! I'll swear 'tis a very | |
pretty boy. O' my troth, I look'd upon him a Wednesday half an | |
hour together; has such a confirm'd countenance! I saw him run | |
after a gilded butterfly; and when he caught it he let it go | |
again, and after it again, and over and over he comes, and up | |
again, catch'd it again; or whether his fall enrag'd him, or how | |
'twas, he did so set his teeth and tear it. O, I warrant, how he | |
mammock'd it! | |
VOLUMNIA. One on's father's moods. | |
VALERIA. Indeed, la, 'tis a noble child. | |
VIRGILIA. A crack, madam. | |
VALERIA. Come, lay aside your stitchery; I must have you play the | |
idle huswife with me this afternoon. | |
VIRGILIA. No, good madam; I will not out of doors. | |
VALERIA. Not out of doors! | |
VOLUMNIA. She shall, she shall. | |
VIRGILIA. Indeed, no, by your patience; I'll not over the threshold | |
till my lord return from the wars. | |
VALERIA. Fie, you confine yourself most unreasonably; come, you | |
must go visit the good lady that lies in. | |
VIRGILIA. I will wish her speedy strength, and visit her with my | |
prayers; but I cannot go thither. | |
VOLUMNIA. Why, I pray you? | |
VIRGILIA. 'Tis not to save labour, nor that I want love. | |
VALERIA. You would be another Penelope; yet they say all the yarn | |
she spun in Ulysses' absence did but fill Ithaca full of moths. | |
Come, I would your cambric were sensible as your finger, that you | |
might leave pricking it for pity. Come, you shall go with us. | |
VIRGILIA. No, good madam, pardon me; indeed I will not forth. | |
VALERIA. In truth, la, go with me; and I'll tell you excellent news | |
of your husband. | |
VIRGILIA. O, good madam, there can be none yet. | |
VALERIA. Verily, I do not jest with you; there came news from him | |
last night. | |
VIRGILIA. Indeed, madam? | |
VALERIA. In earnest, it's true; I heard a senator speak it. Thus it | |
is: the Volsces have an army forth; against whom Cominius the | |
general is gone, with one part of our Roman power. Your lord and | |
Titus Lartius are set down before their city Corioli; they | |
nothing doubt prevailing and to make it brief wars. This is true, | |
on mine honour; and so, I pray, go with us. | |
VIRGILIA. Give me excuse, good madam; I will obey you in everything | |
hereafter. | |
VOLUMNIA. Let her alone, lady; as she is now, she will but disease | |
our better mirth. | |
VALERIA. In troth, I think she would. Fare you well, then. Come, | |
good sweet lady. Prithee, Virgilia, turn thy solemness out o' | |
door and go along with us. | |
VIRGILIA. No, at a word, madam; indeed I must not. I wish you much | |
mirth. | |
VALERIA. Well then, farewell. Exeunt | |
SCENE IV. | |
Before Corioli | |
Enter MARCIUS, TITUS LARTIUS, with drum and colours, | |
with CAPTAINS and soldiers. To them a MESSENGER | |
MARCIUS. Yonder comes news; a wager- they have met. | |
LARTIUS. My horse to yours- no. | |
MARCIUS. 'Tis done. | |
LARTIUS. Agreed. | |
MARCIUS. Say, has our general met the enemy? | |
MESSENGER. They lie in view, but have not spoke as yet. | |
LARTIUS. So, the good horse is mine. | |
MARCIUS. I'll buy him of you. | |
LARTIUS. No, I'll nor sell nor give him; lend you him I will | |
For half a hundred years. Summon the town. | |
MARCIUS. How far off lie these armies? | |
MESSENGER. Within this mile and half. | |
MARCIUS. Then shall we hear their 'larum, and they ours. | |
Now, Mars, I prithee, make us quick in work, | |
That we with smoking swords may march from hence | |
To help our fielded friends! Come, blow thy blast. | |
They sound a parley. Enter two SENATORS with others, | |
on the walls of Corioli | |
Tullus Aufidius, is he within your walls? | |
FIRST SENATOR. No, nor a man that fears you less than he: | |
That's lesser than a little. [Drum afar off] Hark, our drums | |
Are bringing forth our youth. We'll break our walls | |
Rather than they shall pound us up; our gates, | |
Which yet seem shut, we have but pinn'd with rushes; | |
They'll open of themselves. [Alarum far off] Hark you far off! | |
There is Aufidius. List what work he makes | |
Amongst your cloven army. | |
MARCIUS. O, they are at it! | |
LARTIUS. Their noise be our instruction. Ladders, ho! | |
Enter the army of the Volsces | |
MARCIUS. They fear us not, but issue forth their city. | |
Now put your shields before your hearts, and fight | |
With hearts more proof than shields. Advance, brave Titus. | |
They do disdain us much beyond our thoughts, | |
Which makes me sweat with wrath. Come on, my fellows. | |
He that retires, I'll take him for a Volsce, | |
And he shall feel mine edge. | |
Alarum. The Romans are beat back to their trenches. | |
Re-enter MARCIUS, cursing | |
MARCIUS. All the contagion of the south light on you, | |
You shames of Rome! you herd of- Boils and plagues | |
Plaster you o'er, that you may be abhorr'd | |
Farther than seen, and one infect another | |
Against the wind a mile! You souls of geese | |
That bear the shapes of men, how have you run | |
From slaves that apes would beat! Pluto and hell! | |
All hurt behind! Backs red, and faces pale | |
With flight and agued fear! Mend and charge home, | |
Or, by the fires of heaven, I'll leave the foe | |
And make my wars on you. Look to't. Come on; | |
If you'll stand fast we'll beat them to their wives, | |
As they us to our trenches. Follow me. | |
Another alarum. The Volsces fly, and MARCIUS follows | |
them to the gates | |
So, now the gates are ope; now prove good seconds; | |
'Tis for the followers fortune widens them, | |
Not for the fliers. Mark me, and do the like. | |
[MARCIUS enters the gates] | |
FIRST SOLDIER. Fool-hardiness; not I. | |
SECOND SOLDIER. Not I. [MARCIUS is shut in] | |
FIRST SOLDIER. See, they have shut him in. | |
ALL. To th' pot, I warrant him. [Alarum continues] | |
Re-enter TITUS LARTIUS | |
LARTIUS. What is become of Marcius? | |
ALL. Slain, sir, doubtless. | |
FIRST SOLDIER. Following the fliers at the very heels, | |
With them he enters; who, upon the sudden, | |
Clapp'd to their gates. He is himself alone, | |
To answer all the city. | |
LARTIUS. O noble fellow! | |
Who sensibly outdares his senseless sword, | |
And when it bows stand'st up. Thou art left, Marcius; | |
A carbuncle entire, as big as thou art, | |
Were not so rich a jewel. Thou wast a soldier | |
Even to Cato's wish, not fierce and terrible | |
Only in strokes; but with thy grim looks and | |
The thunder-like percussion of thy sounds | |
Thou mad'st thine enemies shake, as if the world | |
Were feverous and did tremble. | |
Re-enter MARCIUS, bleeding, assaulted by the enemy | |
FIRST SOLDIER. Look, sir. | |
LARTIUS. O, 'tis Marcius! | |
Let's fetch him off, or make remain alike. | |
[They fight, and all enter the city] | |
SCENE V. | |
Within Corioli. A street | |
Enter certain Romans, with spoils | |
FIRST ROMAN. This will I carry to Rome. | |
SECOND ROMAN. And I this. | |
THIRD ROMAN. A murrain on 't! I took this for silver. | |
[Alarum continues still afar off] | |
Enter MARCIUS and TITUS LARTIUS With a trumpeter | |
MARCIUS. See here these movers that do prize their hours | |
At a crack'd drachma! Cushions, leaden spoons, | |
Irons of a doit, doublets that hangmen would | |
Bury with those that wore them, these base slaves, | |
Ere yet the fight be done, pack up. Down with them! | |
Exeunt pillagers | |
And hark, what noise the general makes! To him! | |
There is the man of my soul's hate, Aufidius, | |
Piercing our Romans; then, valiant Titus, take | |
Convenient numbers to make good the city; | |
Whilst I, with those that have the spirit, will haste | |
To help Cominius. | |
LARTIUS. Worthy sir, thou bleed'st; | |
Thy exercise hath been too violent | |
For a second course of fight. | |
MARCIUS. Sir, praise me not; | |
My work hath yet not warm'd me. Fare you well; | |
The blood I drop is rather physical | |
Than dangerous to me. To Aufidius thus | |
I will appear, and fight. | |
LARTIUS. Now the fair goddess, Fortune, | |
Fall deep in love with thee, and her great charms | |
Misguide thy opposers' swords! Bold gentleman, | |
Prosperity be thy page! | |
MARCIUS. Thy friend no less | |
Than those she placeth highest! So farewell. | |
LARTIUS. Thou worthiest Marcius! Exit MARCIUS | |
Go sound thy trumpet in the market-place; | |
Call thither all the officers o' th' town, | |
Where they shall know our mind. Away! Exeunt | |
SCENE VI. | |
Near the camp of COMINIUS | |
Enter COMINIUS, as it were in retire, with soldiers | |
COMINIUS. Breathe you, my friends. Well fought; we are come off | |
Like Romans, neither foolish in our stands | |
Nor cowardly in retire. Believe me, sirs, | |
We shall be charg'd again. Whiles we have struck, | |
By interims and conveying gusts we have heard | |
The charges of our friends. The Roman gods, | |
Lead their successes as we wish our own, | |
That both our powers, with smiling fronts encount'ring, | |
May give you thankful sacrifice! | |
Enter A MESSENGER | |
Thy news? | |
MESSENGER. The citizens of Corioli have issued | |
And given to Lartius and to Marcius battle; | |
I saw our party to their trenches driven, | |
And then I came away. | |
COMINIUS. Though thou speak'st truth, | |
Methinks thou speak'st not well. How long is't since? | |
MESSENGER. Above an hour, my lord. | |
COMINIUS. 'Tis not a mile; briefly we heard their drums. | |
How couldst thou in a mile confound an hour, | |
And bring thy news so late? | |
MESSENGER. Spies of the Volsces | |
Held me in chase, that I was forc'd to wheel | |
Three or four miles about; else had I, sir, | |
Half an hour since brought my report. | |
Enter MARCIUS | |
COMINIUS. Who's yonder | |
That does appear as he were flay'd? O gods! | |
He has the stamp of Marcius, and I have | |
Before-time seen him thus. | |
MARCIUS. Come I too late? | |
COMINIUS. The shepherd knows not thunder from a tabor | |
More than I know the sound of Marcius' tongue | |
From every meaner man. | |
MARCIUS. Come I too late? | |
COMINIUS. Ay, if you come not in the blood of others, | |
But mantled in your own. | |
MARCIUS. O! let me clip ye | |
In arms as sound as when I woo'd, in heart | |
As merry as when our nuptial day was done, | |
And tapers burn'd to bedward. | |
COMINIUS. Flower of warriors, | |
How is't with Titus Lartius? | |
MARCIUS. As with a man busied about decrees: | |
Condemning some to death and some to exile; | |
Ransoming him or pitying, threat'ning th' other; | |
Holding Corioli in the name of Rome | |
Even like a fawning greyhound in the leash, | |
To let him slip at will. | |
COMINIUS. Where is that slave | |
Which told me they had beat you to your trenches? | |
Where is he? Call him hither. | |
MARCIUS. Let him alone; | |
He did inform the truth. But for our gentlemen, | |
The common file- a plague! tribunes for them! | |
The mouse ne'er shunn'd the cat as they did budge | |
From rascals worse than they. | |
COMINIUS. But how prevail'd you? | |
MARCIUS. Will the time serve to tell? I do not think. | |
Where is the enemy? Are you lords o' th' field? | |
If not, why cease you till you are so? | |
COMINIUS. Marcius, | |
We have at disadvantage fought, and did | |
Retire to win our purpose. | |
MARCIUS. How lies their battle? Know you on which side | |
They have plac'd their men of trust? | |
COMINIUS. As I guess, Marcius, | |
Their bands i' th' vaward are the Antiates, | |
Of their best trust; o'er them Aufidius, | |
Their very heart of hope. | |
MARCIUS. I do beseech you, | |
By all the battles wherein we have fought, | |
By th' blood we have shed together, by th' vows | |
We have made to endure friends, that you directly | |
Set me against Aufidius and his Antiates; | |
And that you not delay the present, but, | |
Filling the air with swords advanc'd and darts, | |
We prove this very hour. | |
COMINIUS. Though I could wish | |
You were conducted to a gentle bath | |
And balms applied to you, yet dare I never | |
Deny your asking: take your choice of those | |
That best can aid your action. | |
MARCIUS. Those are they | |
That most are willing. If any such be here- | |
As it were sin to doubt- that love this painting | |
Wherein you see me smear'd; if any fear | |
Lesser his person than an ill report; | |
If any think brave death outweighs bad life | |
And that his country's dearer than himself; | |
Let him alone, or so many so minded, | |
Wave thus to express his disposition, | |
And follow Marcius. [They all shout and wave their | |
swords, take him up in their arms and cast up their caps] | |
O, me alone! Make you a sword of me? | |
If these shows be not outward, which of you | |
But is four Volsces? None of you but is | |
Able to bear against the great Aufidius | |
A shield as hard as his. A certain number, | |
Though thanks to all, must I select from all; the rest | |
Shall bear the business in some other fight, | |
As cause will be obey'd. Please you to march; | |
And four shall quickly draw out my command, | |
Which men are best inclin'd. | |
COMINIUS. March on, my fellows; | |
Make good this ostentation, and you shall | |
Divide in all with us. Exeunt | |
SCENE VII. | |
The gates of Corioli | |
TITUS LARTIUS, having set a guard upon Corioli, going with drum and trumpet | |
toward COMINIUS and CAIUS MARCIUS, enters with a LIEUTENANT, other soldiers, | |
and a scout | |
LARTIUS. So, let the ports be guarded; keep your duties | |
As I have set them down. If I do send, dispatch | |
Those centuries to our aid; the rest will serve | |
For a short holding. If we lose the field | |
We cannot keep the town. | |
LIEUTENANT. Fear not our care, sir. | |
LARTIUS. Hence, and shut your gates upon's. | |
Our guider, come; to th' Roman camp conduct us. Exeunt | |
SCENE VIII. | |
A field of battle between the Roman and the Volscian camps | |
Alarum, as in battle. Enter MARCIUS and AUFIDIUS at several doors | |
MARCIUS. I'll fight with none but thee, for I do hate thee | |
Worse than a promise-breaker. | |
AUFIDIUS. We hate alike: | |
Not Afric owns a serpent I abhor | |
More than thy fame and envy. Fix thy foot. | |
MARCIUS. Let the first budger die the other's slave, | |
And the gods doom him after! | |
AUFIDIUS. If I fly, Marcius, | |
Halloa me like a hare. | |
MARCIUS. Within these three hours, Tullus, | |
Alone I fought in your Corioli walls, | |
And made what work I pleas'd. 'Tis not my blood | |
Wherein thou seest me mask'd. For thy revenge | |
Wrench up thy power to th' highest. | |
AUFIDIUS. Wert thou the Hector | |
That was the whip of your bragg'd progeny, | |
Thou shouldst not scape me here. | |
Here they fight, and certain Volsces come in the aid | |
of AUFIDIUS. MARCIUS fights till they be driven in | |
breathless | |
Officious, and not valiant, you have sham'd me | |
In your condemned seconds. Exeunt | |
SCENE IX. | |
The Roman camp | |
Flourish. Alarum. A retreat is sounded. Enter, at one door, | |
COMINIUS with the Romans; at another door, MARCIUS, with his arm in a scarf | |
COMINIUS. If I should tell thee o'er this thy day's work, | |
Thou't not believe thy deeds; but I'll report it | |
Where senators shall mingle tears with smiles; | |
Where great patricians shall attend, and shrug, | |
I' th' end admire; where ladies shall be frighted | |
And, gladly quak'd, hear more; where the dull tribunes, | |
That with the fusty plebeians hate thine honours, | |
Shall say against their hearts 'We thank the gods | |
Our Rome hath such a soldier.' | |
Yet cam'st thou to a morsel of this feast, | |
Having fully din'd before. | |
Enter TITUS LARTIUS, with his power, from the pursuit | |
LARTIUS. O General, | |
Here is the steed, we the caparison. | |
Hadst thou beheld- | |
MARCIUS. Pray now, no more; my mother, | |
Who has a charter to extol her blood, | |
When she does praise me grieves me. I have done | |
As you have done- that's what I can; induc'd | |
As you have been- that's for my country. | |
He that has but effected his good will | |
Hath overta'en mine act. | |
COMINIUS. You shall not be | |
The grave of your deserving; Rome must know | |
The value of her own. 'Twere a concealment | |
Worse than a theft, no less than a traducement, | |
To hide your doings and to silence that | |
Which, to the spire and top of praises vouch'd, | |
Would seem but modest. Therefore, I beseech you, | |
In sign of what you are, not to reward | |
What you have done, before our army hear me. | |
MARCIUS. I have some wounds upon me, and they smart | |
To hear themselves rememb'red. | |
COMINIUS. Should they not, | |
Well might they fester 'gainst ingratitude | |
And tent themselves with death. Of all the horses- | |
Whereof we have ta'en good, and good store- of all | |
The treasure in this field achiev'd and city, | |
We render you the tenth; to be ta'en forth | |
Before the common distribution at | |
Your only choice. | |
MARCIUS. I thank you, General, | |
But cannot make my heart consent to take | |
A bribe to pay my sword. I do refuse it, | |
And stand upon my common part with those | |
That have beheld the doing. | |
A long flourish. They all cry 'Marcius, Marcius!' | |
cast up their caps and lances. COMINIUS and LARTIUS stand bare | |
May these same instruments which you profane | |
Never sound more! When drums and trumpets shall | |
I' th' field prove flatterers, let courts and cities be | |
Made all of false-fac'd soothing. When steel grows | |
Soft as the parasite's silk, let him be made | |
An overture for th' wars. No more, I say. | |
For that I have not wash'd my nose that bled, | |
Or foil'd some debile wretch, which without note | |
Here's many else have done, you shout me forth | |
In acclamations hyperbolical, | |
As if I lov'd my little should be dieted | |
In praises sauc'd with lies. | |
COMINIUS. Too modest are you; | |
More cruel to your good report than grateful | |
To us that give you truly. By your patience, | |
If 'gainst yourself you be incens'd, we'll put you- | |
Like one that means his proper harm- in manacles, | |
Then reason safely with you. Therefore be it known, | |
As to us, to all the world, that Caius Marcius | |
Wears this war's garland; in token of the which, | |
My noble steed, known to the camp, I give him, | |
With all his trim belonging; and from this time, | |
For what he did before Corioli, can him | |
With all th' applause-and clamour of the host, | |
Caius Marcius Coriolanus. | |
Bear th' addition nobly ever! | |
[Flourish. Trumpets sound, and drums] | |
ALL. Caius Marcius Coriolanus! | |
CORIOLANUS. I will go wash; | |
And when my face is fair you shall perceive | |
Whether I blush or no. Howbeit, I thank you; | |
I mean to stride your steed, and at all times | |
To undercrest your good addition | |
To th' fairness of my power. | |
COMINIUS. So, to our tent; | |
Where, ere we do repose us, we will write | |
To Rome of our success. You, Titus Lartius, | |
Must to Corioli back. Send us to Rome | |
The best, with whom we may articulate | |
For their own good and ours. | |
LARTIUS. I shall, my lord. | |
CORIOLANUS. The gods begin to mock me. I, that now | |
Refus'd most princely gifts, am bound to beg | |
Of my Lord General. | |
COMINIUS. Take't- 'tis yours; what is't? | |
CORIOLANUS. I sometime lay here in Corioli | |
At a poor man's house; he us'd me kindly. | |
He cried to me; I saw him prisoner; | |
But then Aufidius was within my view, | |
And wrath o'erwhelm'd my pity. I request you | |
To give my poor host freedom. | |
COMINIUS. O, well begg'd! | |
Were he the butcher of my son, he should | |
Be free as is the wind. Deliver him, Titus. | |
LARTIUS. Marcius, his name? | |
CORIOLANUS. By Jupiter, forgot! | |
I am weary; yea, my memory is tir'd. | |
Have we no wine here? | |
COMINIUS. Go we to our tent. | |
The blood upon your visage dries; 'tis time | |
It should be look'd to. Come. Exeunt | |
SCENE X. | |
The camp of the Volsces | |
A flourish. Cornets. Enter TULLUS AUFIDIUS bloody, with two or three soldiers | |
AUFIDIUS. The town is ta'en. | |
FIRST SOLDIER. 'Twill be deliver'd back on good condition. | |
AUFIDIUS. Condition! | |
I would I were a Roman; for I cannot, | |
Being a Volsce, be that I am. Condition? | |
What good condition can a treaty find | |
I' th' part that is at mercy? Five times, Marcius, | |
I have fought with thee; so often hast thou beat me; | |
And wouldst do so, I think, should we encounter | |
As often as we eat. By th' elements, | |
If e'er again I meet him beard to beard, | |
He's mine or I am his. Mine emulation | |
Hath not that honour in't it had; for where | |
I thought to crush him in an equal force, | |
True sword to sword, I'll potch at him some way, | |
Or wrath or craft may get him. | |
FIRST SOLDIER. He's the devil. | |
AUFIDIUS. Bolder, though not so subtle. My valour's poison'd | |
With only suff'ring stain by him; for him | |
Shall fly out of itself. Nor sleep nor sanctuary, | |
Being naked, sick, nor fane nor Capitol, | |
The prayers of priests nor times of sacrifice, | |
Embarquements all of fury, shall lift up | |
Their rotten privilege and custom 'gainst | |
My hate to Marcius. Where I find him, were it | |
At home, upon my brother's guard, even there, | |
Against the hospitable canon, would I | |
Wash my fierce hand in's heart. Go you to th' city; | |
Learn how 'tis held, and what they are that must | |
Be hostages for Rome. | |
FIRST SOLDIER. Will not you go? | |
AUFIDIUS. I am attended at the cypress grove; I pray you- | |
'Tis south the city mills- bring me word thither | |
How the world goes, that to the pace of it | |
I may spur on my journey. | |
FIRST SOLDIER. I shall, sir. Exeunt | |
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ACT II. SCENE I. | |
Rome. A public place | |
Enter MENENIUS, with the two Tribunes of the people, SICINIUS and BRUTUS | |
MENENIUS. The augurer tells me we shall have news tonight. | |
BRUTUS. Good or bad? | |
MENENIUS. Not according to the prayer of the people, for they love | |
not Marcius. | |
SICINIUS. Nature teaches beasts to know their friends. | |
MENENIUS. Pray you, who does the wolf love? | |
SICINIUS. The lamb. | |
MENENIUS. Ay, to devour him, as the hungry plebeians would the | |
noble Marcius. | |
BRUTUS. He's a lamb indeed, that baes like a bear. | |
MENENIUS. He's a bear indeed, that lives fike a lamb. You two are | |
old men; tell me one thing that I shall ask you. | |
BOTH TRIBUNES. Well, sir. | |
MENENIUS. In what enormity is Marcius poor in that you two have not | |
in abundance? | |
BRUTUS. He's poor in no one fault, but stor'd with all. | |
SICINIUS. Especially in pride. | |
BRUTUS. And topping all others in boasting. | |
MENENIUS. This is strange now. Do you two know how you are censured | |
here in the city- I mean of us o' th' right-hand file? Do you? | |
BOTH TRIBUNES. Why, how are we censur'd? | |
MENENIUS. Because you talk of pride now- will you not be angry? | |
BOTH TRIBUNES. Well, well, sir, well. | |
MENENIUS. Why, 'tis no great matter; for a very little thief of | |
occasion will rob you of a great deal of patience. Give your | |
dispositions the reins, and be angry at your pleasures- at the | |
least, if you take it as a pleasure to you in being so. You blame | |
Marcius for being proud? | |
BRUTUS. We do it not alone, sir. | |
MENENIUS. I know you can do very little alone; for your helps are | |
many, or else your actions would grow wondrous single: your | |
abilities are too infant-like for doing much alone. You talk of | |
pride. O that you could turn your eyes toward the napes of your | |
necks, and make but an interior survey of your good selves! O | |
that you could! | |
BOTH TRIBUNES. What then, sir? | |
MENENIUS. Why, then you should discover a brace of unmeriting, | |
proud, violent, testy magistrates-alias fools- as any in Rome. | |
SICINIUS. Menenius, you are known well enough too. | |
MENENIUS. I am known to be a humorous patrician, and one that loves | |
a cup of hot wine with not a drop of allaying Tiber in't; said to | |
be something imperfect in favouring the first complaint, hasty | |
and tinder-like upon too trivial motion; one that converses more | |
with the buttock of the night than with the forehead of the | |
morning. What I think I utter, and spend my malice in my breath. | |
Meeting two such wealsmen as you are- I cannot call you | |
Lycurguses- if the drink you give me touch my palate adversely, I | |
make a crooked face at it. I cannot say your worships have | |
deliver'd the matter well, when I find the ass in compound with | |
the major part of your syllables; and though I must be content to | |
bear with those that say you are reverend grave men, yet they lie | |
deadly that tell you you have good faces. If you see this in the | |
map of my microcosm, follows it that I am known well enough too? | |
What harm can your bisson conspectuities glean out of this | |
character, if I be known well enough too? | |
BRUTUS. Come, sir, come, we know you well enough. | |
MENENIUS. You know neither me, yourselves, nor any thing. You are | |
ambitious for poor knaves' caps and legs; you wear out a good | |
wholesome forenoon in hearing a cause between an orange-wife and | |
a fosset-seller, and then rejourn the controversy of threepence | |
to a second day of audience. When you are hearing a matter | |
between party and party, if you chance to be pinch'd with the | |
colic, you make faces like mummers, set up the bloody flag | |
against all patience, and, in roaring for a chamber-pot, dismiss | |
the controversy bleeding, the more entangled by your hearing. All | |
the peace you make in their cause is calling both the parties | |
knaves. You are a pair of strange ones. | |
BRUTUS. Come, come, you are well understood to be a perfecter giber | |
for the table than a necessary bencher in the Capitol. | |
MENENIUS. Our very priests must become mockers, if they shall | |
encounter such ridiculous subjects as you are. When you speak | |
best unto the purpose, it is not worth the wagging of your | |
beards; and your beards deserve not so honourable a grave as to | |
stuff a botcher's cushion or to be entomb'd in an ass's | |
pack-saddle. Yet you must be saying Marcius is proud; who, in a | |
cheap estimation, is worth all your predecessors since Deucalion; | |
though peradventure some of the best of 'em were hereditary | |
hangmen. God-den to your worships. More of your conversation | |
would infect my brain, being the herdsmen of the beastly | |
plebeians. I will be bold to take my leave of you. | |
[BRUTUS and SICINIUS go aside] | |
Enter VOLUMNIA, VIRGILIA, and VALERIA | |
How now, my as fair as noble ladies- and the moon, were she | |
earthly, no nobler- whither do you follow your eyes so fast? | |
VOLUMNIA. Honourable Menenius, my boy Marcius approaches; for the | |
love of Juno, let's go. | |
MENENIUS. Ha! Marcius coming home? | |
VOLUMNIA. Ay, worthy Menenius, and with most prosperous | |
approbation. | |
MENENIUS. Take my cap, Jupiter, and I thank thee. Hoo! | |
Marcius coming home! | |
VOLUMNIA, VIRGILIA. Nay, 'tis true. | |
VOLUMNIA. Look, here's a letter from him; the state hath another, | |
his wife another; and I think there's one at home for you. | |
MENENIUS. I will make my very house reel to-night. A letter for me? | |
VIRGILIA. Yes, certain, there's a letter for you; I saw't. | |
MENENIUS. A letter for me! It gives me an estate of seven years' | |
health; in which time I will make a lip at the physician. The | |
most sovereign prescription in Galen is but empiricutic and, to | |
this preservative, of no better report than a horse-drench. Is he | |
not wounded? He was wont to come home wounded. | |
VIRGILIA. O, no, no, no. | |
VOLUMNIA. O, he is wounded, I thank the gods for't. | |
MENENIUS. So do I too, if it be not too much. Brings a victory in | |
his pocket? The wounds become him. | |
VOLUMNIA. On's brows, Menenius, he comes the third time home with | |
the oaken garland. | |
MENENIUS. Has he disciplin'd Aufidius soundly? | |
VOLUMNIA. Titus Lartius writes they fought together, but Aufidius | |
got off. | |
MENENIUS. And 'twas time for him too, I'll warrant him that; an he | |
had stay'd by him, I would not have been so fidius'd for all the | |
chests in Corioli and the gold that's in them. Is the Senate | |
possess'd of this? | |
VOLUMNIA. Good ladies, let's go. Yes, yes, yes: the Senate has | |
letters from the general, wherein he gives my son the whole name | |
of the war; he hath in this action outdone his former deeds | |
doubly. | |
VALERIA. In troth, there's wondrous things spoke of him. | |
MENENIUS. Wondrous! Ay, I warrant you, and not without his true | |
purchasing. | |
VIRGILIA. The gods grant them true! | |
VOLUMNIA. True! pow, waw. | |
MENENIUS. True! I'll be sworn they are true. Where is he wounded? | |
[To the TRIBUNES] God save your good worships! Marcius is coming | |
home; he has more cause to be proud. Where is he wounded? | |
VOLUMNIA. I' th' shoulder and i' th' left arm; there will be large | |
cicatrices to show the people when he shall stand for his place. | |
He received in the repulse of Tarquin seven hurts i' th' body. | |
MENENIUS. One i' th' neck and two i' th' thigh- there's nine that I | |
know. | |
VOLUMNIA. He had before this last expedition twenty-five wounds | |
upon him. | |
MENENIUS. Now it's twenty-seven; every gash was an enemy's grave. | |
[A shout and flourish] Hark! the trumpets. | |
VOLUMNIA. These are the ushers of Marcius. Before him he carries | |
noise, and behind him he leaves tears; | |
Death, that dark spirit, in's nervy arm doth lie, | |
Which, being advanc'd, declines, and then men die. | |
A sennet. Trumpets sound. Enter COMINIUS the | |
GENERAL, and TITUS LARTIUS; between them, | |
CORIOLANUS, crown'd with an oaken garland; with | |
CAPTAINS and soldiers and a HERALD | |
HERALD. Know, Rome, that all alone Marcius did fight | |
Within Corioli gates, where he hath won, | |
With fame, a name to Caius Marcius; these | |
In honour follows Coriolanus. | |
Welcome to Rome, renowned Coriolanus! [Flourish] | |
ALL. Welcome to Rome, renowned Coriolanus! | |
CORIOLANUS. No more of this, it does offend my heart. | |
Pray now, no more. | |
COMINIUS. Look, sir, your mother! | |
CORIOLANUS. O, | |
You have, I know, petition'd all the gods | |
For my prosperity! [Kneels] | |
VOLUMNIA. Nay, my good soldier, up; | |
My gentle Marcius, worthy Caius, and | |
By deed-achieving honour newly nam'd- | |
What is it? Coriolanus must I can thee? | |
But, O, thy wife! | |
CORIOLANUS. My gracious silence, hail! | |
Wouldst thou have laugh'd had I come coffin'd home, | |
That weep'st to see me triumph? Ah, my dear, | |
Such eyes the widows in Corioli wear, | |
And mothers that lack sons. | |
MENENIUS. Now the gods crown thee! | |
CORIOLANUS. And live you yet? [To VALERIA] O my sweet lady, | |
pardon. | |
VOLUMNIA. I know not where to turn. | |
O, welcome home! And welcome, General. | |
And y'are welcome all. | |
MENENIUS. A hundred thousand welcomes. I could weep | |
And I could laugh; I am light and heavy. Welcome! | |
A curse begin at very root on's heart | |
That is not glad to see thee! You are three | |
That Rome should dote on; yet, by the faith of men, | |
We have some old crab trees here at home that will not | |
Be grafted to your relish. Yet welcome, warriors. | |
We call a nettle but a nettle, and | |
The faults of fools but folly. | |
COMINIUS. Ever right. | |
CORIOLANUS. Menenius ever, ever. | |
HERALD. Give way there, and go on. | |
CORIOLANUS. [To his wife and mother] Your hand, and yours. | |
Ere in our own house I do shade my head, | |
The good patricians must be visited; | |
From whom I have receiv'd not only greetings, | |
But with them change of honours. | |
VOLUMNIA. I have lived | |
To see inherited my very wishes, | |
And the buildings of my fancy; only | |
There's one thing wanting, which I doubt not but | |
Our Rome will cast upon thee. | |
CORIOLANUS. Know, good mother, | |
I had rather be their servant in my way | |
Than sway with them in theirs. | |
COMINIUS. On, to the Capitol. | |
[Flourish. Cornets. Exeunt in state, as before] | |
BRUTUS and SICINIUS come forward | |
BRUTUS. All tongues speak of him and the bleared sights | |
Are spectacled to see him. Your prattling nurse | |
Into a rapture lets her baby cry | |
While she chats him; the kitchen malkin pins | |
Her richest lockram 'bout her reechy neck, | |
Clamb'ring the walls to eye him; stalls, bulks, windows, | |
Are smother'd up, leads fill'd and ridges hors'd | |
With variable complexions, all agreeing | |
In earnestness to see him. Seld-shown flamens | |
Do press among the popular throngs and puff | |
To win a vulgar station; our veil'd dames | |
Commit the war of white and damask in | |
Their nicely gawded cheeks to th' wanton spoil | |
Of Phoebus' burning kisses. Such a pother, | |
As if that whatsoever god who leads him | |
Were slily crept into his human powers, | |
And gave him graceful posture. | |
SICINIUS. On the sudden | |
I warrant him consul. | |
BRUTUS. Then our office may | |
During his power go sleep. | |
SICINIUS. He cannot temp'rately transport his honours | |
From where he should begin and end, but will | |
Lose those he hath won. | |
BRUTUS. In that there's comfort. | |
SICINIUS. Doubt not | |
The commoners, for whom we stand, but they | |
Upon their ancient malice will forget | |
With the least cause these his new honours; which | |
That he will give them make I as little question | |
As he is proud to do't. | |
BRUTUS. I heard him swear, | |
Were he to stand for consul, never would he | |
Appear i' th' market-place, nor on him put | |
The napless vesture of humility; | |
Nor, showing, as the manner is, his wounds | |
To th' people, beg their stinking breaths. | |
SICINIUS. 'Tis right. | |
BRUTUS. It was his word. O, he would miss it rather | |
Than carry it but by the suit of the gentry to him | |
And the desire of the nobles. | |
SICINIUS. I wish no better | |
Than have him hold that purpose, and to put it | |
In execution. | |
BRUTUS. 'Tis most like he will. | |
SICINIUS. It shall be to him then as our good wills: | |
A sure destruction. | |
BRUTUS. So it must fall out | |
To him or our authorities. For an end, | |
We must suggest the people in what hatred | |
He still hath held them; that to's power he would | |
Have made them mules, silenc'd their pleaders, and | |
Dispropertied their freedoms; holding them | |
In human action and capacity | |
Of no more soul nor fitness for the world | |
Than camels in their war, who have their provand | |
Only for bearing burdens, and sore blows | |
For sinking under them. | |
SICINIUS. This, as you say, suggested | |
At some time when his soaring insolence | |
Shall touch the people- which time shall not want, | |
If he be put upon't, and that's as easy | |
As to set dogs on sheep- will be his fire | |
To kindle their dry stubble; and their blaze | |
Shall darken him for ever. | |
Enter A MESSENGER | |
BRUTUS. What's the matter? | |
MESSENGER. You are sent for to the Capitol. 'Tis thought | |
That Marcius shall be consul. | |
I have seen the dumb men throng to see him and | |
The blind to hear him speak; matrons flung gloves, | |
Ladies and maids their scarfs and handkerchers, | |
Upon him as he pass'd; the nobles bended | |
As to Jove's statue, and the commons made | |
A shower and thunder with their caps and shouts. | |
I never saw the like. | |
BRUTUS. Let's to the Capitol, | |
And carry with us ears and eyes for th' time, | |
But hearts for the event. | |
SICINIUS. Have with you. Exeunt | |
SCENE II. | |
Rome. The Capitol | |
Enter two OFFICERS, to lay cushions, as it were in the Capitol | |
FIRST OFFICER. Come, come, they are almost here. How many stand for | |
consulships? | |
SECOND OFFICER. Three, they say; but 'tis thought of every one | |
Coriolanus will carry it. | |
FIRST OFFICER. That's a brave fellow; but he's vengeance proud and | |
loves not the common people. | |
SECOND OFFICER. Faith, there have been many great men that have | |
flatter'd the people, who ne'er loved them; and there be many | |
that they have loved, they know not wherefore; so that, if they | |
love they know not why, they hate upon no better a ground. | |
Therefore, for Coriolanus neither to care whether they love or | |
hate him manifests the true knowledge he has in their | |
disposition, and out of his noble carelessness lets them plainly | |
see't. | |
FIRST OFFICER. If he did not care whether he had their love or no, | |
he waved indifferently 'twixt doing them neither good nor harm; | |
but he seeks their hate with greater devotion than they can | |
render it him, and leaves nothing undone that may fully discover | |
him their opposite. Now to seem to affect the malice and | |
displeasure of the people is as bad as that which he dislikes- to | |
flatter them for their love. | |
SECOND OFFICER. He hath deserved worthily of his country; and his | |
ascent is not by such easy degrees as those who, having been | |
supple and courteous to the people, bonneted, without any further | |
deed to have them at all, into their estimation and report; but | |
he hath so planted his honours in their eyes and his actions in | |
their hearts that for their tongues to be silent and not confess | |
so much were a kind of ingrateful injury; to report otherwise | |
were a malice that, giving itself the lie, would pluck reproof | |
and rebuke from every car that heard it. | |
FIRST OFFICER. No more of him; he's a worthy man. Make way, they | |
are coming. | |
A sennet. Enter the PATRICIANS and the TRIBUNES | |
OF THE PEOPLE, LICTORS before them; CORIOLANUS, | |
MENENIUS, COMINIUS the Consul. SICINIUS and | |
BRUTUS take their places by themselves. | |
CORIOLANUS stands | |
MENENIUS. Having determin'd of the Volsces, and | |
To send for Titus Lartius, it remains, | |
As the main point of this our after-meeting, | |
To gratify his noble service that | |
Hath thus stood for his country. Therefore please you, | |
Most reverend and grave elders, to desire | |
The present consul and last general | |
In our well-found successes to report | |
A little of that worthy work perform'd | |
By Caius Marcius Coriolanus; whom | |
We met here both to thank and to remember | |
With honours like himself. [CORIOLANUS sits] | |
FIRST SENATOR. Speak, good Cominius. | |
Leave nothing out for length, and make us think | |
Rather our state's defective for requital | |
Than we to stretch it out. Masters o' th' people, | |
We do request your kindest ears; and, after, | |
Your loving motion toward the common body, | |
To yield what passes here. | |
SICINIUS. We are convented | |
Upon a pleasing treaty, and have hearts | |
Inclinable to honour and advance | |
The theme of our assembly. | |
BRUTUS. Which the rather | |
We shall be bless'd to do, if he remember | |
A kinder value of the people than | |
He hath hereto priz'd them at. | |
MENENIUS. That's off, that's off; | |
I would you rather had been silent. Please you | |
To hear Cominius speak? | |
BRUTUS. Most willingly. | |
But yet my caution was more pertinent | |
Than the rebuke you give it. | |
MENENIUS. He loves your people; | |
But tie him not to be their bedfellow. | |
Worthy Cominius, speak. | |
[CORIOLANUS rises, and offers to go away] | |
Nay, keep your place. | |
FIRST SENATOR. Sit, Coriolanus, never shame to hear | |
What you have nobly done. | |
CORIOLANUS. Your Honours' pardon. | |
I had rather have my wounds to heal again | |
Than hear say how I got them. | |
BRUTUS. Sir, I hope | |
My words disbench'd you not. | |
CORIOLANUS. No, sir; yet oft, | |
When blows have made me stay, I fled from words. | |
You sooth'd not, therefore hurt not. But your people, | |
I love them as they weigh- | |
MENENIUS. Pray now, sit down. | |
CORIOLANUS. I had rather have one scratch my head i' th' sun | |
When the alarum were struck than idly sit | |
To hear my nothings monster'd. Exit | |
MENENIUS. Masters of the people, | |
Your multiplying spawn how can he flatter- | |
That's thousand to one good one- when you now see | |
He had rather venture all his limbs for honour | |
Than one on's ears to hear it? Proceed, Cominius. | |
COMINIUS. I shall lack voice; the deeds of Coriolanus | |
Should not be utter'd feebly. It is held | |
That valour is the chiefest virtue and | |
Most dignifies the haver. If it be, | |
The man I speak of cannot in the world | |
Be singly counterpois'd. At sixteen years, | |
When Tarquin made a head for Rome, he fought | |
Beyond the mark of others; our then Dictator, | |
Whom with all praise I point at, saw him fight | |
When with his Amazonian chin he drove | |
The bristled lips before him; he bestrid | |
An o'erpress'd Roman and i' th' consul's view | |
Slew three opposers; Tarquin's self he met, | |
And struck him on his knee. In that day's feats, | |
When he might act the woman in the scene, | |
He prov'd best man i' th' field, and for his meed | |
Was brow-bound with the oak. His pupil age | |
Man-ent'red thus, he waxed like a sea, | |
And in the brunt of seventeen battles since | |
He lurch'd all swords of the garland. For this last, | |
Before and in Corioli, let me say | |
I cannot speak him home. He stopp'd the fliers, | |
And by his rare example made the coward | |
Turn terror into sport; as weeds before | |
A vessel under sail, so men obey'd | |
And fell below his stem. His sword, death's stamp, | |
Where it did mark, it took; from face to foot | |
He was a thing of blood, whose every motion | |
Was tim'd with dying cries. Alone he ent'red | |
The mortal gate of th' city, which he painted | |
With shunless destiny; aidless came off, | |
And with a sudden re-enforcement struck | |
Corioli like a planet. Now all's his. | |
When by and by the din of war 'gan pierce | |
His ready sense, then straight his doubled spirit | |
Re-quick'ned what in flesh was fatigate, | |
And to the battle came he; where he did | |
Run reeking o'er the lives of men, as if | |
'Twere a perpetual spoil; and till we call'd | |
Both field and city ours he never stood | |
To ease his breast with panting. | |
MENENIUS. Worthy man! | |
FIRST SENATOR. He cannot but with measure fit the honours | |
Which we devise him. | |
COMINIUS. Our spoils he kick'd at, | |
And look'd upon things precious as they were | |
The common muck of the world. He covets less | |
Than misery itself would give, rewards | |
His deeds with doing them, and is content | |
To spend the time to end it. | |
MENENIUS. He's right noble; | |
Let him be call'd for. | |
FIRST SENATOR. Call Coriolanus. | |
OFFICER. He doth appear. | |
Re-enter CORIOLANUS | |
MENENIUS. The Senate, Coriolanus, are well pleas'd | |
To make thee consul. | |
CORIOLANUS. I do owe them still | |
My life and services. | |
MENENIUS. It then remains | |
That you do speak to the people. | |
CORIOLANUS. I do beseech you | |
Let me o'erleap that custom; for I cannot | |
Put on the gown, stand naked, and entreat them | |
For my wounds' sake to give their suffrage. Please you | |
That I may pass this doing. | |
SICINIUS. Sir, the people | |
Must have their voices; neither will they bate | |
One jot of ceremony. | |
MENENIUS. Put them not to't. | |
Pray you go fit you to the custom, and | |
Take to you, as your predecessors have, | |
Your honour with your form. | |
CORIOLANUS. It is a part | |
That I shall blush in acting, and might well | |
Be taken from the people. | |
BRUTUS. Mark you that? | |
CORIOLANUS. To brag unto them 'Thus I did, and thus!' | |
Show them th' unaching scars which I should hide, | |
As if I had receiv'd them for the hire | |
Of their breath only! | |
MENENIUS. Do not stand upon't. | |
We recommend to you, Tribunes of the People, | |
Our purpose to them; and to our noble consul | |
Wish we all joy and honour. | |
SENATORS. To Coriolanus come all joy and honour! | |
[Flourish. Cornets. Then exeunt all | |
but SICINIUS and BRUTUS] | |
BRUTUS. You see how he intends to use the people. | |
SICINIUS. May they perceive's intent! He will require them | |
As if he did contemn what he requested | |
Should be in them to give. | |
BRUTUS. Come, we'll inform them | |
Of our proceedings here. On th' market-place | |
I know they do attend us. Exeunt | |
SCENE III. | |
Rome. The Forum | |
Enter seven or eight citizens | |
FIRST CITIZEN. Once, if he do require our voices, we ought not to | |
deny him. | |
SECOND CITIZEN. We may, sir, if we will. | |
THIRD CITIZEN. We have power in ourselves to do it, but it is a | |
power that we have no power to do; for if he show us his wounds | |
and tell us his deeds, we are to put our tongues into those | |
wounds and speak for them; so, if he tell us his noble deeds, we | |
must also tell him our noble acceptance of them. Ingratitude is | |
monstrous, and for the multitude to be ingrateful were to make a | |
monster of the multitude; of the which we being members should | |
bring ourselves to be monstrous members. | |
FIRST CITIZEN. And to make us no better thought of, a little help | |
will serve; for once we stood up about the corn, he himself stuck | |
not to call us the many-headed multitude. | |
THIRD CITIZEN. We have been call'd so of many; not that our heads | |
are some brown, some black, some abram, some bald, but that our | |
wits are so diversely colour'd; and truly I think if all our wits | |
were to issue out of one skull, they would fly east, west, north, | |
south, and their consent of one direct way should be at once to | |
all the points o' th' compass. | |
SECOND CITIZEN. Think you so? Which way do you judge my wit would | |
fly? | |
THIRD CITIZEN. Nay, your wit will not so soon out as another man's | |
will- 'tis strongly wedg'd up in a block-head; but if it were at | |
liberty 'twould sure southward. | |
SECOND CITIZEN. Why that way? | |
THIRD CITIZEN. To lose itself in a fog; where being three parts | |
melted away with rotten dews, the fourth would return for | |
conscience' sake, to help to get thee a wife. | |
SECOND CITIZEN. YOU are never without your tricks; you may, you | |
may. | |
THIRD CITIZEN. Are you all resolv'd to give your voices? But that's | |
no matter, the greater part carries it. I say, if he would | |
incline to the people, there was never a worthier man. | |
Enter CORIOLANUS, in a gown of humility, | |
with MENENIUS | |
Here he comes, and in the gown of humility. Mark his behaviour. | |
We are not to stay all together, but to come by him where he | |
stands, by ones, by twos, and by threes. He's to make his | |
requests by particulars, wherein every one of us has a single | |
honour, in giving him our own voices with our own tongues; | |
therefore follow me, and I'll direct you how you shall go by him. | |
ALL. Content, content. Exeunt citizens | |
MENENIUS. O sir, you are not right; have you not known | |
The worthiest men have done't? | |
CORIOLANUS. What must I say? | |
'I pray, sir'- Plague upon't! I cannot bring | |
My tongue to such a pace. 'Look, sir, my wounds | |
I got them in my country's service, when | |
Some certain of your brethren roar'd and ran | |
From th' noise of our own drums.' | |
MENENIUS. O me, the gods! | |
You must not speak of that. You must desire them | |
To think upon you. | |
CORIOLANUS. Think upon me? Hang 'em! | |
I would they would forget me, like the virtues | |
Which our divines lose by 'em. | |
MENENIUS. You'll mar all. | |
I'll leave you. Pray you speak to 'em, I pray you, | |
In wholesome manner. Exit | |
Re-enter three of the citizens | |
CORIOLANUS. Bid them wash their faces | |
And keep their teeth clean. So, here comes a brace. | |
You know the cause, sir, of my standing here. | |
THIRD CITIZEN. We do, sir; tell us what hath brought you to't. | |
CORIOLANUS. Mine own desert. | |
SECOND CITIZEN. Your own desert? | |
CORIOLANUS. Ay, not mine own desire. | |
THIRD CITIZEN. How, not your own desire? | |
CORIOLANUS. No, sir, 'twas never my desire yet to trouble the poor | |
with begging. | |
THIRD CITIZEN. YOU MUST think, if we give you anything, we hope to | |
gain by you. | |
CORIOLANUS. Well then, I pray, your price o' th' consulship? | |
FIRST CITIZEN. The price is to ask it kindly. | |
CORIOLANUS. Kindly, sir, I pray let me ha't. I have wounds to show | |
you, which shall be yours in private. Your good voice, sir; what | |
say you? | |
SECOND CITIZEN. You shall ha' it, worthy sir. | |
CORIOLANUS. A match, sir. There's in all two worthy voices begg'd. | |
I have your alms. Adieu. | |
THIRD CITIZEN. But this is something odd. | |
SECOND CITIZEN. An 'twere to give again- but 'tis no matter. | |
Exeunt the three citizens | |
Re-enter two other citizens | |
CORIOLANUS. Pray you now, if it may stand with the tune of your | |
voices that I may be consul, I have here the customary gown. | |
FOURTH CITIZEN. You have deserved nobly of your country, and you | |
have not deserved nobly. | |
CORIOLANUS. Your enigma? | |
FOURTH CITIZEN. You have been a scourge to her enemies; you have | |
been a rod to her friends. You have not indeed loved the common | |
people. | |
CORIOLANUS. You should account me the more virtuous, that I have | |
not been common in my love. I will, sir, flatter my sworn | |
brother, the people, to earn a dearer estimation of them; 'tis a | |
condition they account gentle; and since the wisdom of their | |
choice is rather to have my hat than my heart, I will practise | |
the insinuating nod and be off to them most counterfeitly. That | |
is, sir, I will counterfeit the bewitchment of some popular man | |
and give it bountiful to the desirers. Therefore, beseech you I | |
may be consul. | |
FIFTH CITIZEN. We hope to find you our friend; and therefore give | |
you our voices heartily. | |
FOURTH CITIZEN. You have received many wounds for your country. | |
CORIOLANUS. I will not seal your knowledge with showing them. I | |
will make much of your voices, and so trouble you no farther. | |
BOTH CITIZENS. The gods give you joy, sir, heartily! | |
Exeunt citizens | |
CORIOLANUS. Most sweet voices! | |
Better it is to die, better to starve, | |
Than crave the hire which first we do deserve. | |
Why in this wolvish toge should I stand here | |
To beg of Hob and Dick that do appear | |
Their needless vouches? Custom calls me to't. | |
What custom wills, in all things should we do't, | |
The dust on antique time would lie unswept, | |
And mountainous error be too highly heap'd | |
For truth to o'erpeer. Rather than fool it so, | |
Let the high office and the honour go | |
To one that would do thus. I am half through: | |
The one part suffered, the other will I do. | |
Re-enter three citizens more | |
Here come moe voices. | |
Your voices. For your voices I have fought; | |
Watch'd for your voices; for your voices bear | |
Of wounds two dozen odd; battles thrice six | |
I have seen and heard of; for your voices have | |
Done many things, some less, some more. Your voices? | |
Indeed, I would be consul. | |
SIXTH CITIZEN. He has done nobly, and cannot go without any honest | |
man's voice. | |
SEVENTH CITIZEN. Therefore let him be consul. The gods give him | |
joy, and make him good friend to the people! | |
ALL. Amen, amen. God save thee, noble consul! | |
Exeunt citizens | |
CORIOLANUS. Worthy voices! | |
Re-enter MENENIUS with BRUTUS and SICINIUS | |
MENENIUS. You have stood your limitation, and the tribunes | |
Endue you with the people's voice. Remains | |
That, in th' official marks invested, you | |
Anon do meet the Senate. | |
CORIOLANUS. Is this done? | |
SICINIUS. The custom of request you have discharg'd. | |
The people do admit you, and are summon'd | |
To meet anon, upon your approbation. | |
CORIOLANUS. Where? At the Senate House? | |
SICINIUS. There, Coriolanus. | |
CORIOLANUS. May I change these garments? | |
SICINIUS. You may, sir. | |
CORIOLANUS. That I'll straight do, and, knowing myself again, | |
Repair to th' Senate House. | |
MENENIUS. I'll keep you company. Will you along? | |
BRUTUS. We stay here for the people. | |
SICINIUS. Fare you well. | |
Exeunt CORIOLANUS and MENENIUS | |
He has it now; and by his looks methinks | |
'Tis warm at's heart. | |
BRUTUS. With a proud heart he wore | |
His humble weeds. Will you dismiss the people? | |
Re-enter citizens | |
SICINIUS. How now, my masters! Have you chose this man? | |
FIRST CITIZEN. He has our voices, sir. | |
BRUTUS. We pray the gods he may deserve your loves. | |
SECOND CITIZEN. Amen, sir. To my poor unworthy notice, | |
He mock'd us when he begg'd our voices. | |
THIRD CITIZEN. Certainly; | |
He flouted us downright. | |
FIRST CITIZEN. No, 'tis his kind of speech- he did not mock us. | |
SECOND CITIZEN. Not one amongst us, save yourself, but says | |
He us'd us scornfully. He should have show'd us | |
His marks of merit, wounds receiv'd for's country. | |
SICINIUS. Why, so he did, I am sure. | |
ALL. No, no; no man saw 'em. | |
THIRD CITIZEN. He said he had wounds which he could show in | |
private, | |
And with his hat, thus waving it in scorn, | |
'I would be consul,' says he; 'aged custom | |
But by your voices will not so permit me; | |
Your voices therefore.' When we granted that, | |
Here was 'I thank you for your voices. Thank you, | |
Your most sweet voices. Now you have left your voices, | |
I have no further with you.' Was not this mockery? | |
SICINIUS. Why either were you ignorant to see't, | |
Or, seeing it, of such childish friendliness | |
To yield your voices? | |
BRUTUS. Could you not have told him- | |
As you were lesson'd- when he had no power | |
But was a petty servant to the state, | |
He was your enemy; ever spake against | |
Your liberties and the charters that you bear | |
I' th' body of the weal; and now, arriving | |
A place of potency and sway o' th' state, | |
If he should still malignantly remain | |
Fast foe to th' plebeii, your voices might | |
Be curses to yourselves? You should have said | |
That as his worthy deeds did claim no less | |
Than what he stood for, so his gracious nature | |
Would think upon you for your voices, and | |
Translate his malice towards you into love, | |
Standing your friendly lord. | |
SICINIUS. Thus to have said, | |
As you were fore-advis'd, had touch'd his spirit | |
And tried his inclination; from him pluck'd | |
Either his gracious promise, which you might, | |
As cause had call'd you up, have held him to; | |
Or else it would have gall'd his surly nature, | |
Which easily endures not article | |
Tying him to aught. So, putting him to rage, | |
You should have ta'en th' advantage of his choler | |
And pass'd him unelected. | |
BRUTUS. Did you perceive | |
He did solicit you in free contempt | |
When he did need your loves; and do you think | |
That his contempt shall not be bruising to you | |
When he hath power to crush? Why, had your bodies | |
No heart among you? Or had you tongues to cry | |
Against the rectorship of judgment? | |
SICINIUS. Have you | |
Ere now denied the asker, and now again, | |
Of him that did not ask but mock, bestow | |
Your su'd-for tongues? | |
THIRD CITIZEN. He's not confirm'd: we may deny him yet. | |
SECOND CITIZENS. And will deny him; | |
I'll have five hundred voices of that sound. | |
FIRST CITIZEN. I twice five hundred, and their friends to piece | |
'em. | |
BRUTUS. Get you hence instantly, and tell those friends | |
They have chose a consul that will from them take | |
Their liberties, make them of no more voice | |
Than dogs, that are as often beat for barking | |
As therefore kept to do so. | |
SICINIUS. Let them assemble; | |
And, on a safer judgment, all revoke | |
Your ignorant election. Enforce his pride | |
And his old hate unto you; besides, forget not | |
With what contempt he wore the humble weed; | |
How in his suit he scorn'd you; but your loves, | |
Thinking upon his services, took from you | |
Th' apprehension of his present portance, | |
Which, most gibingly, ungravely, he did fashion | |
After the inveterate hate he bears you. | |
BRUTUS. Lay | |
A fault on us, your tribunes, that we labour'd, | |
No impediment between, but that you must | |
Cast your election on him. | |
SICINIUS. Say you chose him | |
More after our commandment than as guided | |
By your own true affections; and that your minds, | |
Pre-occupied with what you rather must do | |
Than what you should, made you against the grain | |
To voice him consul. Lay the fault on us. | |
BRUTUS. Ay, spare us not. Say we read lectures to you, | |
How youngly he began to serve his country, | |
How long continued; and what stock he springs of- | |
The noble house o' th' Marcians; from whence came | |
That Ancus Marcius, Numa's daughter's son, | |
Who, after great Hostilius, here was king; | |
Of the same house Publius and Quintus were, | |
That our best water brought by conduits hither; | |
And Censorinus, nobly named so, | |
Twice being by the people chosen censor, | |
Was his great ancestor. | |
SICINIUS. One thus descended, | |
That hath beside well in his person wrought | |
To be set high in place, we did commend | |
To your remembrances; but you have found, | |
Scaling his present bearing with his past, | |
That he's your fixed enemy, and revoke | |
Your sudden approbation. | |
BRUTUS. Say you ne'er had done't- | |
Harp on that still- but by our putting on; | |
And presently, when you have drawn your number, | |
Repair to th' Capitol. | |
CITIZENS. will will so; almost all | |
Repent in their election. Exeunt plebeians | |
BRUTUS. Let them go on; | |
This mutiny were better put in hazard | |
Than stay, past doubt, for greater. | |
If, as his nature is, he fall in rage | |
With their refusal, both observe and answer | |
The vantage of his anger. | |
SICINIUS. To th' Capitol, come. | |
We will be there before the stream o' th' people; | |
And this shall seem, as partly 'tis, their own, | |
Which we have goaded onward. Exeunt | |
ACT III. SCENE I. | |
Rome. A street | |
Cornets. Enter CORIOLANUS, MENENIUS, all the GENTRY, COMINIUS, | |
TITUS LARTIUS, and other SENATORS | |
CORIOLANUS. Tullus Aufidius, then, had made new head? | |
LARTIUS. He had, my lord; and that it was which caus'd | |
Our swifter composition. | |
CORIOLANUS. So then the Volsces stand but as at first, | |
Ready, when time shall prompt them, to make road | |
Upon's again. | |
COMINIUS. They are worn, Lord Consul, so | |
That we shall hardly in our ages see | |
Their banners wave again. | |
CORIOLANUS. Saw you Aufidius? | |
LARTIUS. On safeguard he came to me, and did curse | |
Against the Volsces, for they had so vilely | |
Yielded the town. He is retir'd to Antium. | |
CORIOLANUS. Spoke he of me? | |
LARTIUS. He did, my lord. | |
CORIOLANUS. How? What? | |
LARTIUS. How often he had met you, sword to sword; | |
That of all things upon the earth he hated | |
Your person most; that he would pawn his fortunes | |
To hopeless restitution, so he might | |
Be call'd your vanquisher. | |
CORIOLANUS. At Antium lives he? | |
LARTIUS. At Antium. | |
CORIOLANUS. I wish I had a cause to seek him there, | |
To oppose his hatred fully. Welcome home. | |
Enter SICINIUS and BRUTUS | |
Behold, these are the tribunes of the people, | |
The tongues o' th' common mouth. I do despise them, | |
For they do prank them in authority, | |
Against all noble sufferance. | |
SICINIUS. Pass no further. | |
CORIOLANUS. Ha! What is that? | |
BRUTUS. It will be dangerous to go on- no further. | |
CORIOLANUS. What makes this change? | |
MENENIUS. The matter? | |
COMINIUS. Hath he not pass'd the noble and the common? | |
BRUTUS. Cominius, no. | |
CORIOLANUS. Have I had children's voices? | |
FIRST SENATOR. Tribunes, give way: he shall to th' market-place. | |
BRUTUS. The people are incens'd against him. | |
SICINIUS. Stop, | |
Or all will fall in broil. | |
CORIOLANUS. Are these your herd? | |
Must these have voices, that can yield them now | |
And straight disclaim their tongues? What are your offices? | |
You being their mouths, why rule you not their teeth? | |
Have you not set them on? | |
MENENIUS. Be calm, be calm. | |
CORIOLANUS. It is a purpos'd thing, and grows by plot, | |
To curb the will of the nobility; | |
Suffer't, and live with such as cannot rule | |
Nor ever will be rul'd. | |
BRUTUS. Call't not a plot. | |
The people cry you mock'd them; and of late, | |
When corn was given them gratis, you repin'd; | |
Scandal'd the suppliants for the people, call'd them | |
Time-pleasers, flatterers, foes to nobleness. | |
CORIOLANUS. Why, this was known before. | |
BRUTUS. Not to them all. | |
CORIOLANUS. Have you inform'd them sithence? | |
BRUTUS. How? I inform them! | |
COMINIUS. You are like to do such business. | |
BRUTUS. Not unlike | |
Each way to better yours. | |
CORIOLANUS. Why then should I be consul? By yond clouds, | |
Let me deserve so ill as you, and make me | |
Your fellow tribune. | |
SICINIUS. You show too much of that | |
For which the people stir; if you will pass | |
To where you are bound, you must enquire your way, | |
Which you are out of, with a gentler spirit, | |
Or never be so noble as a consul, | |
Nor yoke with him for tribune. | |
MENENIUS. Let's be calm. | |
COMINIUS. The people are abus'd; set on. This palt'ring | |
Becomes not Rome; nor has Coriolanus | |
Deserved this so dishonour'd rub, laid falsely | |
I' th' plain way of his merit. | |
CORIOLANUS. Tell me of corn! | |
This was my speech, and I will speak't again- | |
MENENIUS. Not now, not now. | |
FIRST SENATOR. Not in this heat, sir, now. | |
CORIOLANUS. Now, as I live, I will. | |
My nobler friends, I crave their pardons. | |
For the mutable, rank-scented meiny, let them | |
Regard me as I do not flatter, and | |
Therein behold themselves. I say again, | |
In soothing them we nourish 'gainst our Senate | |
The cockle of rebellion, insolence, sedition, | |
Which we ourselves have plough'd for, sow'd, and scatter'd, | |
By mingling them with us, the honour'd number, | |
Who lack not virtue, no, nor power, but that | |
Which they have given to beggars. | |
MENENIUS. Well, no more. | |
FIRST SENATOR. No more words, we beseech you. | |
CORIOLANUS. How? no more! | |
As for my country I have shed my blood, | |
Not fearing outward force, so shall my lungs | |
Coin words till their decay against those measles | |
Which we disdain should tetter us, yet sought | |
The very way to catch them. | |
BRUTUS. You speak o' th' people | |
As if you were a god, to punish; not | |
A man of their infirmity. | |
SICINIUS. 'Twere well | |
We let the people know't. | |
MENENIUS. What, what? his choler? | |
CORIOLANUS. Choler! | |
Were I as patient as the midnight sleep, | |
By Jove, 'twould be my mind! | |
SICINIUS. It is a mind | |
That shall remain a poison where it is, | |
Not poison any further. | |
CORIOLANUS. Shall remain! | |
Hear you this Triton of the minnows? Mark you | |
His absolute 'shall'? | |
COMINIUS. 'Twas from the canon. | |
CORIOLANUS. 'Shall'! | |
O good but most unwise patricians! Why, | |
You grave but reckless senators, have you thus | |
Given Hydra here to choose an officer | |
That with his peremptory 'shall,' being but | |
The horn and noise o' th' monster's, wants not spirit | |
To say he'll turn your current in a ditch, | |
And make your channel his? If he have power, | |
Then vail your ignorance; if none, awake | |
Your dangerous lenity. If you are learn'd, | |
Be not as common fools; if you are not, | |
Let them have cushions by you. You are plebeians, | |
If they be senators; and they are no less, | |
When, both your voices blended, the great'st taste | |
Most palates theirs. They choose their magistrate; | |
And such a one as he, who puts his 'shall,' | |
His popular 'shall,' against a graver bench | |
Than ever frown'd in Greece. By Jove himself, | |
It makes the consuls base; and my soul aches | |
To know, when two authorities are up, | |
Neither supreme, how soon confusion | |
May enter 'twixt the gap of both and take | |
The one by th' other. | |
COMINIUS. Well, on to th' market-place. | |
CORIOLANUS. Whoever gave that counsel to give forth | |
The corn o' th' storehouse gratis, as 'twas us'd | |
Sometime in Greece- | |
MENENIUS. Well, well, no more of that. | |
CORIOLANUS. Though there the people had more absolute pow'r- | |
I say they nourish'd disobedience, fed | |
The ruin of the state. | |
BRUTUS. Why shall the people give | |
One that speaks thus their voice? | |
CORIOLANUS. I'll give my reasons, | |
More worthier than their voices. They know the corn | |
Was not our recompense, resting well assur'd | |
They ne'er did service for't; being press'd to th' war | |
Even when the navel of the state was touch'd, | |
They would not thread the gates. This kind of service | |
Did not deserve corn gratis. Being i' th' war, | |
Their mutinies and revolts, wherein they show'd | |
Most valour, spoke not for them. Th' accusation | |
Which they have often made against the Senate, | |
All cause unborn, could never be the native | |
Of our so frank donation. Well, what then? | |
How shall this bosom multiplied digest | |
The Senate's courtesy? Let deeds express | |
What's like to be their words: 'We did request it; | |
We are the greater poll, and in true fear | |
They gave us our demands.' Thus we debase | |
The nature of our seats, and make the rabble | |
Call our cares fears; which will in time | |
Break ope the locks o' th' Senate and bring in | |
The crows to peck the eagles. | |
MENENIUS. Come, enough. | |
BRUTUS. Enough, with over measure. | |
CORIOLANUS. No, take more. | |
What may be sworn by, both divine and human, | |
Seal what I end withal! This double worship, | |
Where one part does disdain with cause, the other | |
Insult without all reason; where gentry, title, wisdom, | |
Cannot conclude but by the yea and no | |
Of general ignorance- it must omit | |
Real necessities, and give way the while | |
To unstable slightness. Purpose so barr'd, it follows | |
Nothing is done to purpose. Therefore, beseech you- | |
You that will be less fearful than discreet; | |
That love the fundamental part of state | |
More than you doubt the change on't; that prefer | |
A noble life before a long, and wish | |
To jump a body with a dangerous physic | |
That's sure of death without it- at once pluck out | |
The multitudinous tongue; let them not lick | |
The sweet which is their poison. Your dishonour | |
Mangles true judgment, and bereaves the state | |
Of that integrity which should become't, | |
Not having the power to do the good it would, | |
For th' ill which doth control't. | |
BRUTUS. Has said enough. | |
SICINIUS. Has spoken like a traitor and shall answer | |
As traitors do. | |
CORIOLANUS. Thou wretch, despite o'erwhelm thee! | |
What should the people do with these bald tribunes, | |
On whom depending, their obedience fails | |
To the greater bench? In a rebellion, | |
When what's not meet, but what must be, was law, | |
Then were they chosen; in a better hour | |
Let what is meet be said it must be meet, | |
And throw their power i' th' dust. | |
BRUTUS. Manifest treason! | |
SICINIUS. This a consul? No. | |
BRUTUS. The aediles, ho! | |
Enter an AEDILE | |
Let him be apprehended. | |
SICINIUS. Go call the people, [Exit AEDILE] in whose name myself | |
Attach thee as a traitorous innovator, | |
A foe to th' public weal. Obey, I charge thee, | |
And follow to thine answer. | |
CORIOLANUS. Hence, old goat! | |
PATRICIANS. We'll surety him. | |
COMINIUS. Ag'd sir, hands off. | |
CORIOLANUS. Hence, rotten thing! or I shall shake thy bones | |
Out of thy garments. | |
SICINIUS. Help, ye citizens! | |
Enter a rabble of plebeians, with the AEDILES | |
MENENIUS. On both sides more respect. | |
SICINIUS. Here's he that would take from you all your power. | |
BRUTUS. Seize him, aediles. | |
PLEBEIANS. Down with him! down with him! | |
SECOND SENATOR. Weapons, weapons, weapons! | |
[They all bustle about CORIOLANUS] | |
ALL. Tribunes! patricians! citizens! What, ho! Sicinius! | |
Brutus! Coriolanus! Citizens! | |
PATRICIANS. Peace, peace, peace; stay, hold, peace! | |
MENENIUS. What is about to be? I am out of breath; | |
Confusion's near; I cannot speak. You tribunes | |
To th' people- Coriolanus, patience! | |
Speak, good Sicinius. | |
SICINIUS. Hear me, people; peace! | |
PLEBEIANS. Let's hear our tribune. Peace! Speak, speak, speak. | |
SICINIUS. You are at point to lose your liberties. | |
Marcius would have all from you; Marcius, | |
Whom late you have nam'd for consul. | |
MENENIUS. Fie, fie, fie! | |
This is the way to kindle, not to quench. | |
FIRST SENATOR. To unbuild the city, and to lay all flat. | |
SICINIUS. What is the city but the people? | |
PLEBEIANS. True, | |
The people are the city. | |
BRUTUS. By the consent of all we were establish'd | |
The people's magistrates. | |
PLEBEIANS. You so remain. | |
MENENIUS. And so are like to do. | |
COMINIUS. That is the way to lay the city flat, | |
To bring the roof to the foundation, | |
And bury all which yet distinctly ranges | |
In heaps and piles of ruin. | |
SICINIUS. This deserves death. | |
BRUTUS. Or let us stand to our authority | |
Or let us lose it. We do here pronounce, | |
Upon the part o' th' people, in whose power | |
We were elected theirs: Marcius is worthy | |
Of present death. | |
SICINIUS. Therefore lay hold of him; | |
Bear him to th' rock Tarpeian, and from thence | |
Into destruction cast him. | |
BRUTUS. AEdiles, seize him. | |
PLEBEIANS. Yield, Marcius, yield. | |
MENENIUS. Hear me one word; beseech you, Tribunes, | |
Hear me but a word. | |
AEDILES. Peace, peace! | |
MENENIUS. Be that you seem, truly your country's friend, | |
And temp'rately proceed to what you would | |
Thus violently redress. | |
BRUTUS. Sir, those cold ways, | |
That seem like prudent helps, are very poisonous | |
Where the disease is violent. Lay hands upon him | |
And bear him to the rock. | |
[CORIOLANUS draws his sword] | |
CORIOLANUS. No: I'll die here. | |
There's some among you have beheld me fighting; | |
Come, try upon yourselves what you have seen me. | |
MENENIUS. Down with that sword! Tribunes, withdraw awhile. | |
BRUTUS. Lay hands upon him. | |
MENENIUS. Help Marcius, help, | |
You that be noble; help him, young and old. | |
PLEBEIANS. Down with him, down with him! | |
[In this mutiny the TRIBUNES, the AEDILES, | |
and the people are beat in] | |
MENENIUS. Go, get you to your house; be gone, away. | |
All will be nought else. | |
SECOND SENATOR. Get you gone. | |
CORIOLANUS. Stand fast; | |
We have as many friends as enemies. | |
MENENIUS. Shall it be put to that? | |
FIRST SENATOR. The gods forbid! | |
I prithee, noble friend, home to thy house; | |
Leave us to cure this cause. | |
MENENIUS. For 'tis a sore upon us | |
You cannot tent yourself; be gone, beseech you. | |
COMINIUS. Come, sir, along with us. | |
CORIOLANUS. I would they were barbarians, as they are, | |
Though in Rome litter'd; not Romans, as they are not, | |
Though calved i' th' porch o' th' Capitol. | |
MENENIUS. Be gone. | |
Put not your worthy rage into your tongue; | |
One time will owe another. | |
CORIOLANUS. On fair ground | |
I could beat forty of them. | |
MENENIUS. I could myself | |
Take up a brace o' th' best of them; yea, the two tribunes. | |
COMINIUS. But now 'tis odds beyond arithmetic, | |
And manhood is call'd foolery when it stands | |
Against a falling fabric. Will you hence, | |
Before the tag return? whose rage doth rend | |
Like interrupted waters, and o'erbear | |
What they are us'd to bear. | |
MENENIUS. Pray you be gone. | |
I'll try whether my old wit be in request | |
With those that have but little; this must be patch'd | |
With cloth of any colour. | |
COMINIUS. Nay, come away. | |
Exeunt CORIOLANUS and COMINIUS, with others | |
PATRICIANS. This man has marr'd his fortune. | |
MENENIUS. His nature is too noble for the world: | |
He would not flatter Neptune for his trident, | |
Or Jove for's power to thunder. His heart's his mouth; | |
What his breast forges, that his tongue must vent; | |
And, being angry, does forget that ever | |
He heard the name of death. [A noise within] | |
Here's goodly work! | |
PATRICIANS. I would they were a-bed. | |
MENENIUS. I would they were in Tiber. | |
What the vengeance, could he not speak 'em fair? | |
Re-enter BRUTUS and SICINIUS, the rabble again | |
SICINIUS. Where is this viper | |
That would depopulate the city and | |
Be every man himself? | |
MENENIUS. You worthy Tribunes- | |
SICINIUS. He shall be thrown down the Tarpeian rock | |
With rigorous hands; he hath resisted law, | |
And therefore law shall scorn him further trial | |
Than the severity of the public power, | |
Which he so sets at nought. | |
FIRST CITIZEN. He shall well know | |
The noble tribunes are the people's mouths, | |
And we their hands. | |
PLEBEIANS. He shall, sure on't. | |
MENENIUS. Sir, sir- | |
SICINIUS. Peace! | |
MENENIUS. Do not cry havoc, where you should but hunt | |
With modest warrant. | |
SICINIUS. Sir, how comes't that you | |
Have holp to make this rescue? | |
MENENIUS. Hear me speak. | |
As I do know the consul's worthiness, | |
So can I name his faults. | |
SICINIUS. Consul! What consul? | |
MENENIUS. The consul Coriolanus. | |
BRUTUS. He consul! | |
PLEBEIANS. No, no, no, no, no. | |
MENENIUS. If, by the tribunes' leave, and yours, good people, | |
I may be heard, I would crave a word or two; | |
The which shall turn you to no further harm | |
Than so much loss of time. | |
SICINIUS. Speak briefly, then, | |
For we are peremptory to dispatch | |
This viperous traitor; to eject him hence | |
Were but one danger, and to keep him here | |
Our certain death; therefore it is decreed | |
He dies to-night. | |
MENENIUS. Now the good gods forbid | |
That our renowned Rome, whose gratitude | |
Towards her deserved children is enroll'd | |
In Jove's own book, like an unnatural dam | |
Should now eat up her own! | |
SICINIUS. He's a disease that must be cut away. | |
MENENIUS. O, he's a limb that has but a disease- | |
Mortal, to cut it off: to cure it, easy. | |
What has he done to Rome that's worthy death? | |
Killing our enemies, the blood he hath lost- | |
Which I dare vouch is more than that he hath | |
By many an ounce- he dropt it for his country; | |
And what is left, to lose it by his country | |
Were to us all that do't and suffer it | |
A brand to th' end o' th' world. | |
SICINIUS. This is clean kam. | |
BRUTUS. Merely awry. When he did love his country, | |
It honour'd him. | |
SICINIUS. The service of the foot, | |
Being once gangren'd, is not then respected | |
For what before it was. | |
BRUTUS. We'll hear no more. | |
Pursue him to his house and pluck him thence, | |
Lest his infection, being of catching nature, | |
Spread further. | |
MENENIUS. One word more, one word | |
This tiger-footed rage, when it shall find | |
The harm of unscann'd swiftness, will, too late, | |
Tie leaden pounds to's heels. Proceed by process, | |
Lest parties- as he is belov'd- break out, | |
And sack great Rome with Romans. | |
BRUTUS. If it were so- | |
SICINIUS. What do ye talk? | |
Have we not had a taste of his obedience- | |
Our aediles smote, ourselves resisted? Come! | |
MENENIUS. Consider this: he has been bred i' th' wars | |
Since 'a could draw a sword, and is ill school'd | |
In bolted language; meal and bran together | |
He throws without distinction. Give me leave, | |
I'll go to him and undertake to bring him | |
Where he shall answer by a lawful form, | |
In peace, to his utmost peril. | |
FIRST SENATOR. Noble Tribunes, | |
It is the humane way; the other course | |
Will prove too bloody, and the end of it | |
Unknown to the beginning. | |
SICINIUS. Noble Menenius, | |
Be you then as the people's officer. | |
Masters, lay down your weapons. | |
BRUTUS. Go not home. | |
SICINIUS. Meet on the market-place. We'll attend you there; | |
Where, if you bring not Marcius, we'll proceed | |
In our first way. | |
MENENIUS. I'll bring him to you. | |
[To the SENATORS] Let me desire your company; he must come, | |
Or what is worst will follow. | |
FIRST SENATOR. Pray you let's to him. Exeunt | |
SCENE II. | |
Rome. The house of CORIOLANUS | |
Enter CORIOLANUS with NOBLES | |
CORIOLANUS. Let them pull all about mine ears, present me | |
Death on the wheel or at wild horses' heels; | |
Or pile ten hills on the Tarpeian rock, | |
That the precipitation might down stretch | |
Below the beam of sight; yet will I still | |
Be thus to them. | |
FIRST PATRICIAN. You do the nobler. | |
CORIOLANUS. I muse my mother | |
Does not approve me further, who was wont | |
To call them woollen vassals, things created | |
To buy and sell with groats; to show bare heads | |
In congregations, to yawn, be still, and wonder, | |
When one but of my ordinance stood up | |
To speak of peace or war. | |
Enter VOLUMNIA | |
I talk of you: | |
Why did you wish me milder? Would you have me | |
False to my nature? Rather say I play | |
The man I am. | |
VOLUMNIA. O, sir, sir, sir, | |
I would have had you put your power well on | |
Before you had worn it out. | |
CORIOLANUS. Let go. | |
VOLUMNIA. You might have been enough the man you are | |
With striving less to be so; lesser had been | |
The thwartings of your dispositions, if | |
You had not show'd them how ye were dispos'd, | |
Ere they lack'd power to cross you. | |
CORIOLANUS. Let them hang. | |
VOLUMNIA. Ay, and burn too. | |
Enter MENENIUS with the SENATORS | |
MENENIUS. Come, come, you have been too rough, something too rough; | |
You must return and mend it. | |
FIRST SENATOR. There's no remedy, | |
Unless, by not so doing, our good city | |
Cleave in the midst and perish. | |
VOLUMNIA. Pray be counsell'd; | |
I have a heart as little apt as yours, | |
But yet a brain that leads my use of anger | |
To better vantage. | |
MENENIUS. Well said, noble woman! | |
Before he should thus stoop to th' herd, but that | |
The violent fit o' th' time craves it as physic | |
For the whole state, I would put mine armour on, | |
Which I can scarcely bear. | |
CORIOLANUS. What must I do? | |
MENENIUS. Return to th' tribunes. | |
CORIOLANUS. Well, what then, what then? | |
MENENIUS. Repent what you have spoke. | |
CORIOLANUS. For them! I cannot do it to the gods; | |
Must I then do't to them? | |
VOLUMNIA. You are too absolute; | |
Though therein you can never be too noble | |
But when extremities speak. I have heard you say | |
Honour and policy, like unsever'd friends, | |
I' th' war do grow together; grant that, and tell me | |
In peace what each of them by th' other lose | |
That they combine not there. | |
CORIOLANUS. Tush, tush! | |
MENENIUS. A good demand. | |
VOLUMNIA. If it be honour in your wars to seem | |
The same you are not, which for your best ends | |
You adopt your policy, how is it less or worse | |
That it shall hold companionship in peace | |
With honour as in war; since that to both | |
It stands in like request? | |
CORIOLANUS. Why force you this? | |
VOLUMNIA. Because that now it lies you on to speak | |
To th' people, not by your own instruction, | |
Nor by th' matter which your heart prompts you, | |
But with such words that are but roted in | |
Your tongue, though but bastards and syllables | |
Of no allowance to your bosom's truth. | |
Now, this no more dishonours you at all | |
Than to take in a town with gentle words, | |
Which else would put you to your fortune and | |
The hazard of much blood. | |
I would dissemble with my nature where | |
My fortunes and my friends at stake requir'd | |
I should do so in honour. I am in this | |
Your wife, your son, these senators, the nobles; | |
And you will rather show our general louts | |
How you can frown, than spend a fawn upon 'em | |
For the inheritance of their loves and safeguard | |
Of what that want might ruin. | |
MENENIUS. Noble lady! | |
Come, go with us, speak fair; you may salve so, | |
Not what is dangerous present, but the los | |
Of what is past. | |
VOLUMNIA. I prithee now, My son, | |
Go to them with this bonnet in thy hand; | |
And thus far having stretch'd it- here be with them- | |
Thy knee bussing the stones- for in such busines | |
Action is eloquence, and the eyes of th' ignorant | |
More learned than the ears- waving thy head, | |
Which often thus correcting thy-stout heart, | |
Now humble as the ripest mulberry | |
That will not hold the handling. Or say to them | |
Thou art their soldier and, being bred in broils, | |
Hast not the soft way which, thou dost confess, | |
Were fit for thee to use, as they to claim, | |
In asking their good loves; but thou wilt frame | |
Thyself, forsooth, hereafter theirs, so far | |
As thou hast power and person. | |
MENENIUS. This but done | |
Even as she speaks, why, their hearts were yours; | |
For they have pardons, being ask'd, as free | |
As words to little purpose. | |
VOLUMNIA. Prithee now, | |
Go, and be rul'd; although I know thou hadst rather | |
Follow thine enemy in a fiery gulf | |
Than flatter him in a bower. | |
Enter COMINIUS | |
Here is Cominius. | |
COMINIUS. I have been i' th' market-place; and, sir, 'tis fit | |
You make strong party, or defend yourself | |
By calmness or by absence; all's in anger. | |
MENENIUS. Only fair speech. | |
COMINIUS. I think 'twill serve, if he | |
Can thereto frame his spirit. | |
VOLUMNIA. He must and will. | |
Prithee now, say you will, and go about it. | |
CORIOLANUS. Must I go show them my unbarb'd sconce? Must I | |
With my base tongue give to my noble heart | |
A lie that it must bear? Well, I will do't; | |
Yet, were there but this single plot to lose, | |
This mould of Marcius, they to dust should grind it, | |
And throw't against the wind. To th' market-place! | |
You have put me now to such a part which never | |
I shall discharge to th' life. | |
COMINIUS. Come, come, we'll prompt you. | |
VOLUMNIA. I prithee now, sweet son, as thou hast said | |
My praises made thee first a soldier, so, | |
To have my praise for this, perform a part | |
Thou hast not done before. | |
CORIOLANUS. Well, I must do't. | |
Away, my disposition, and possess me | |
Some harlot's spirit! My throat of war be turn'd, | |
Which quier'd with my drum, into a pipe | |
Small as an eunuch or the virgin voice | |
That babies lulls asleep! The smiles of knaves | |
Tent in my cheeks, and schoolboys' tears take up | |
The glasses of my sight! A beggar's tongue | |
Make motion through my lips, and my arm'd knees, | |
Who bow'd but in my stirrup, bend like his | |
That hath receiv'd an alms! I will not do't, | |
Lest I surcease to honour mine own truth, | |
And by my body's action teach my mind | |
A most inherent baseness. | |
VOLUMNIA. At thy choice, then. | |
To beg of thee, it is my more dishonour | |
Than thou of them. Come all to ruin. Let | |
Thy mother rather feel thy pride than fear | |
Thy dangerous stoutness; for I mock at death | |
With as big heart as thou. Do as thou list. | |
Thy valiantness was mine, thou suck'dst it from me; | |
But owe thy pride thyself. | |
CORIOLANUS. Pray be content. | |
Mother, I am going to the market-place; | |
Chide me no more. I'll mountebank their loves, | |
Cog their hearts from them, and come home belov'd | |
Of all the trades in Rome. Look, I am going. | |
Commend me to my wife. I'll return consul, | |
Or never trust to what my tongue can do | |
I' th' way of flattery further. | |
VOLUMNIA. Do your will. Exit | |
COMINIUS. Away! The tribunes do attend you. Arm yourself | |
To answer mildly; for they are prepar'd | |
With accusations, as I hear, more strong | |
Than are upon you yet. | |
CORIOLANUS. The word is 'mildly.' Pray you let us go. | |
Let them accuse me by invention; I | |
Will answer in mine honour. | |
MENENIUS. Ay, but mildly. | |
CORIOLANUS. Well, mildly be it then- mildly. Exeunt | |
SCENE III. | |
Rome. The Forum | |
Enter SICINIUS and BRUTUS | |
BRUTUS. In this point charge him home, that he affects | |
Tyrannical power. If he evade us there, | |
Enforce him with his envy to the people, | |
And that the spoil got on the Antiates | |
Was ne'er distributed. | |
Enter an AEDILE | |
What, will he come? | |
AEDILE. He's coming. | |
BRUTUS. How accompanied? | |
AEDILE. With old Menenius, and those senators | |
That always favour'd him. | |
SICINIUS. Have you a catalogue | |
Of all the voices that we have procur'd, | |
Set down by th' poll? | |
AEDILE. I have; 'tis ready. | |
SICINIUS. Have you corrected them by tribes? | |
AEDILE. I have. | |
SICINIUS. Assemble presently the people hither; | |
And when they hear me say 'It shall be so | |
I' th' right and strength o' th' commons' be it either | |
For death, for fine, or banishment, then let them, | |
If I say fine, cry 'Fine!'- if death, cry 'Death!' | |
Insisting on the old prerogative | |
And power i' th' truth o' th' cause. | |
AEDILE. I shall inform them. | |
BRUTUS. And when such time they have begun to cry, | |
Let them not cease, but with a din confus'd | |
Enforce the present execution | |
Of what we chance to sentence. | |
AEDILE. Very well. | |
SICINIUS. Make them be strong, and ready for this hint, | |
When we shall hap to give't them. | |
BRUTUS. Go about it. Exit AEDILE | |
Put him to choler straight. He hath been us'd | |
Ever to conquer, and to have his worth | |
Of contradiction; being once chaf'd, he cannot | |
Be rein'd again to temperance; then he speaks | |
What's in his heart, and that is there which looks | |
With us to break his neck. | |
Enter CORIOLANUS, MENENIUS and COMINIUS, with others | |
SICINIUS. Well, here he comes. | |
MENENIUS. Calmly, I do beseech you. | |
CORIOLANUS. Ay, as an ostler, that for th' poorest piece | |
Will bear the knave by th' volume. Th' honour'd gods | |
Keep Rome in safety, and the chairs of justice | |
Supplied with worthy men! plant love among's! | |
Throng our large temples with the shows of peace, | |
And not our streets with war! | |
FIRST SENATOR. Amen, amen! | |
MENENIUS. A noble wish. | |
Re-enter the.AEDILE,with the plebeians | |
SICINIUS. Draw near, ye people. | |
AEDILE. List to your tribunes. Audience! peace, I say! | |
CORIOLANUS. First, hear me speak. | |
BOTH TRIBUNES. Well, say. Peace, ho! | |
CORIOLANUS. Shall I be charg'd no further than this present? | |
Must all determine here? | |
SICINIUS. I do demand, | |
If you submit you to the people's voices, | |
Allow their officers, and are content | |
To suffer lawful censure for such faults | |
As shall be prov'd upon you. | |
CORIOLANUS. I am content. | |
MENENIUS. Lo, citizens, he says he is content. | |
The warlike service he has done, consider; think | |
Upon the wounds his body bears, which show | |
Like graves i' th' holy churchyard. | |
CORIOLANUS. Scratches with briers, | |
Scars to move laughter only. | |
MENENIUS. Consider further, | |
That when he speaks not like a citizen, | |
You find him like a soldier; do not take | |
His rougher accents for malicious sounds, | |
But, as I say, such as become a soldier | |
Rather than envy you. | |
COMINIUS. Well, well! No more. | |
CORIOLANUS. What is the matter, | |
That being pass'd for consul with full voice, | |
I am so dishonour'd that the very hour | |
You take it off again? | |
SICINIUS. Answer to us. | |
CORIOLANUS. Say then; 'tis true, I ought so. | |
SICINIUS. We charge you that you have contriv'd to take | |
From Rome all season'd office, and to wind | |
Yourself into a power tyrannical; | |
For which you are a traitor to the people. | |
CORIOLANUS. How- traitor? | |
MENENIUS. Nay, temperately! Your promise. | |
CORIOLANUS. The fires i' th' lowest hell fold in the people! | |
Call me their traitor! Thou injurious tribune! | |
Within thine eyes sat twenty thousand deaths, | |
In thy hands clutch'd as many millions, in | |
Thy lying tongue both numbers, I would say | |
'Thou liest' unto thee with a voice as free | |
As I do pray the gods. | |
SICINIUS. Mark you this, people? | |
PLEBEIANS. To th' rock, to th' rock, with him! | |
SICINIUS. Peace! | |
We need not put new matter to his charge. | |
What you have seen him do and heard him speak, | |
Beating your officers, cursing yourselves, | |
Opposing laws with strokes, and here defying | |
Those whose great power must try him- even this, | |
So criminal and in such capital kind, | |
Deserves th' extremest death. | |
BRUTUS. But since he hath | |
Serv'd well for Rome- | |
CORIOLANUS. What do you prate of service? | |
BRUTUS. I talk of that that know it. | |
CORIOLANUS. You! | |
MENENIUS. Is this the promise that you made your mother? | |
COMINIUS. Know, I pray you- | |
CORIOLANUS. I'll know no further. | |
Let them pronounce the steep Tarpeian death, | |
Vagabond exile, flaying, pent to linger | |
But with a grain a day, I would not buy | |
Their mercy at the price of one fair word, | |
Nor check my courage for what they can give, | |
To have't with saying 'Good morrow.' | |
SICINIUS. For that he has- | |
As much as in him lies- from time to time | |
Envied against the people, seeking means | |
To pluck away their power; as now at last | |
Given hostile strokes, and that not in the presence | |
Of dreaded justice, but on the ministers | |
That do distribute it- in the name o' th' people, | |
And in the power of us the tribunes, we, | |
Ev'n from this instant, banish him our city, | |
In peril of precipitation | |
From off the rock Tarpeian, never more | |
To enter our Rome gates. I' th' people's name, | |
I say it shall be so. | |
PLEBEIANS. It shall be so, it shall be so! Let him away! | |
He's banish'd, and it shall be so. | |
COMINIUS. Hear me, my masters and my common friends- | |
SICINIUS. He's sentenc'd; no more hearing. | |
COMINIUS. Let me speak. | |
I have been consul, and can show for Rome | |
Her enemies' marks upon me. I do love | |
My country's good with a respect more tender, | |
More holy and profound, than mine own life, | |
My dear wife's estimate, her womb's increase | |
And treasure of my loins. Then if I would | |
Speak that- | |
SICINIUS. We know your drift. Speak what? | |
BRUTUS. There's no more to be said, but he is banish'd, | |
As enemy to the people and his country. | |
It shall be so. | |
PLEBEIANS. It shall be so, it shall be so. | |
CORIOLANUS. YOU common cry of curs, whose breath I hate | |
As reek o' th' rotten fens, whose loves I prize | |
As the dead carcasses of unburied men | |
That do corrupt my air- I banish you. | |
And here remain with your uncertainty! | |
Let every feeble rumour shake your hearts; | |
Your enemies, with nodding of their plumes, | |
Fan you into despair! Have the power still | |
To banish your defenders, till at length | |
Your ignorance- which finds not till it feels, | |
Making but reservation of yourselves | |
Still your own foes- deliver you | |
As most abated captives to some nation | |
That won you without blows! Despising | |
For you the city, thus I turn my back; | |
There is a world elsewhere. | |
Exeunt CORIOLANUS, | |
COMINIUS, MENENIUS, with the other PATRICIANS | |
AEDILE. The people's enemy is gone, is gone! | |
[They all shout and throw up their caps] | |
PLEBEIANS. Our enemy is banish'd, he is gone! Hoo-oo! | |
SICINIUS. Go see him out at gates, and follow him, | |
As he hath follow'd you, with all despite; | |
Give him deserv'd vexation. Let a guard | |
Attend us through the city. | |
PLEBEIANS. Come, come, let's see him out at gates; come! | |
The gods preserve our noble tribunes! Come. Exeunt | |
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ACT IV. SCENE I. | |
Rome. Before a gate of the city | |
Enter CORIOLANUS, VOLUMNIA, VIRGILIA, MENENIUS, COMINIUS, | |
with the young NOBILITY of Rome | |
CORIOLANUS. Come, leave your tears; a brief farewell. The beast | |
With many heads butts me away. Nay, mother, | |
Where is your ancient courage? You were us'd | |
To say extremities was the trier of spirits; | |
That common chances common men could bear; | |
That when the sea was calm all boats alike | |
Show'd mastership in floating; fortune's blows, | |
When most struck home, being gentle wounded craves | |
A noble cunning. You were us'd to load me | |
With precepts that would make invincible | |
The heart that conn'd them. | |
VIRGILIA. O heavens! O heavens! | |
CORIOLANUS. Nay, I prithee, woman- | |
VOLUMNIA. Now the red pestilence strike all trades in Rome, | |
And occupations perish! | |
CORIOLANUS. What, what, what! | |
I shall be lov'd when I am lack'd. Nay, mother, | |
Resume that spirit when you were wont to say, | |
If you had been the wife of Hercules, | |
Six of his labours you'd have done, and sav'd | |
Your husband so much sweat. Cominius, | |
Droop not; adieu. Farewell, my wife, my mother. | |
I'll do well yet. Thou old and true Menenius, | |
Thy tears are salter than a younger man's | |
And venomous to thine eyes. My sometime General, | |
I have seen thee stern, and thou hast oft beheld | |
Heart-hard'ning spectacles; tell these sad women | |
'Tis fond to wail inevitable strokes, | |
As 'tis to laugh at 'em. My mother, you wot well | |
My hazards still have been your solace; and | |
Believe't not lightly- though I go alone, | |
Like to a lonely dragon, that his fen | |
Makes fear'd and talk'd of more than seen- your son | |
Will or exceed the common or be caught | |
With cautelous baits and practice. | |
VOLUMNIA. My first son, | |
Whither wilt thou go? Take good Cominius | |
With thee awhile; determine on some course | |
More than a wild exposture to each chance | |
That starts i' th' way before thee. | |
VIRGILIA. O the gods! | |
COMINIUS. I'll follow thee a month, devise with the | |
Where thou shalt rest, that thou mayst hear of us, | |
And we of thee; so, if the time thrust forth | |
A cause for thy repeal, we shall not send | |
O'er the vast world to seek a single man, | |
And lose advantage, which doth ever cool | |
I' th' absence of the needer. | |
CORIOLANUS. Fare ye well; | |
Thou hast years upon thee, and thou art too full | |
Of the wars' surfeits to go rove with one | |
That's yet unbruis'd; bring me but out at gate. | |
Come, my sweet wife, my dearest mother, and | |
My friends of noble touch; when I am forth, | |
Bid me farewell, and smile. I pray you come. | |
While I remain above the ground you shall | |
Hear from me still, and never of me aught | |
But what is like me formerly. | |
MENENIUS. That's worthily | |
As any ear can hear. Come, let's not weep. | |
If I could shake off but one seven years | |
From these old arms and legs, by the good gods, | |
I'd with thee every foot. | |
CORIOLANUS. Give me thy hand. | |
Come. Exeunt | |
SCENE II. | |
Rome. A street near the gate | |
Enter the two Tribunes, SICINIUS and BRUTUS with the AEDILE | |
SICINIUS. Bid them all home; he's gone, and we'll no further. | |
The nobility are vex'd, whom we see have sided | |
In his behalf. | |
BRUTUS. Now we have shown our power, | |
Let us seem humbler after it is done | |
Than when it was a-doing. | |
SICINIUS. Bid them home. | |
Say their great enemy is gone, and they | |
Stand in their ancient strength. | |
BRUTUS. Dismiss them home. Exit AEDILE | |
Here comes his mother. | |
Enter VOLUMNIA, VIRGILIA, and MENENIUS | |
SICINIUS. Let's not meet her. | |
BRUTUS. Why? | |
SICINIUS. They say she's mad. | |
BRUTUS. They have ta'en note of us; keep on your way. | |
VOLUMNIA. O, Y'are well met; th' hoarded plague o' th' gods | |
Requite your love! | |
MENENIUS. Peace, peace, be not so loud. | |
VOLUMNIA. If that I could for weeping, you should hear- | |
Nay, and you shall hear some. [To BRUTUS] Will you be gone? | |
VIRGILIA. [To SICINIUS] You shall stay too. I would I had the | |
power | |
To say so to my husband. | |
SICINIUS. Are you mankind? | |
VOLUMNIA. Ay, fool; is that a shame? Note but this, fool: | |
Was not a man my father? Hadst thou foxship | |
To banish him that struck more blows for Rome | |
Than thou hast spoken words? | |
SICINIUS. O blessed heavens! | |
VOLUMNIA. Moe noble blows than ever thou wise words; | |
And for Rome's good. I'll tell thee what- yet go! | |
Nay, but thou shalt stay too. I would my son | |
Were in Arabia, and thy tribe before him, | |
His good sword in his hand. | |
SICINIUS. What then? | |
VIRGILIA. What then! | |
He'd make an end of thy posterity. | |
VOLUMNIA. Bastards and all. | |
Good man, the wounds that he does bear for Rome! | |
MENENIUS. Come, come, peace. | |
SICINIUS. I would he had continued to his country | |
As he began, and not unknit himself | |
The noble knot he made. | |
BRUTUS. I would he had. | |
VOLUMNIA. 'I would he had!' 'Twas you incens'd the rabble- | |
Cats that can judge as fitly of his worth | |
As I can of those mysteries which heaven | |
Will not have earth to know. | |
BRUTUS. Pray, let's go. | |
VOLUMNIA. Now, pray, sir, get you gone; | |
You have done a brave deed. Ere you go, hear this: | |
As far as doth the Capitol exceed | |
The meanest house in Rome, so far my son- | |
This lady's husband here, this, do you see?- | |
Whom you have banish'd does exceed you an. | |
BRUTUS. Well, well, we'll leave you. | |
SICINIUS. Why stay we to be baited | |
With one that wants her wits? Exeunt TRIBUNES | |
VOLUMNIA. Take my prayers with you. | |
I would the gods had nothing else to do | |
But to confirm my curses. Could I meet 'em | |
But once a day, it would unclog my heart | |
Of what lies heavy to't. | |
MENENIUS. You have told them home, | |
And, by my troth, you have cause. You'll sup with me? | |
VOLUMNIA. Anger's my meat; I sup upon myself, | |
And so shall starve with feeding. Come, let's go. | |
Leave this faint puling and lament as I do, | |
In anger, Juno-like. Come, come, come. | |
Exeunt VOLUMNIA and VIRGILIA | |
MENENIUS. Fie, fie, fie! Exit | |
SCENE III. | |
A highway between Rome and Antium | |
Enter a ROMAN and a VOLSCE, meeting | |
ROMAN. I know you well, sir, and you know me; your name, I think, | |
is Adrian. | |
VOLSCE. It is so, sir. Truly, I have forgot you. | |
ROMAN. I am a Roman; and my services are, as you are, against 'em. | |
Know you me yet? | |
VOLSCE. Nicanor? No! | |
ROMAN. The same, sir. | |
VOLSCE. YOU had more beard when I last saw you, but your favour is | |
well appear'd by your tongue. What's the news in Rome? I have a | |
note from the Volscian state, to find you out there. You have | |
well saved me a day's journey. | |
ROMAN. There hath been in Rome strange insurrections: the people | |
against the senators, patricians, and nobles. | |
VOLSCE. Hath been! Is it ended, then? Our state thinks not so; they | |
are in a most warlike preparation, and hope to come upon them in | |
the heat of their division. | |
ROMAN. The main blaze of it is past, but a small thing would make | |
it flame again; for the nobles receive so to heart the banishment | |
of that worthy Coriolanus that they are in a ripe aptness to take | |
all power from the people, and to pluck from them their tribunes | |
for ever. This lies glowing, I can tell you, and is almost mature | |
for the violent breaking out. | |
VOLSCE. Coriolanus banish'd! | |
ROMAN. Banish'd, sir. | |
VOLSCE. You will be welcome with this intelligence, Nicanor. | |
ROMAN. The day serves well for them now. I have heard it said the | |
fittest time to corrupt a man's wife is when she's fall'n out | |
with her husband. Your noble Tullus Aufidius will appear well in | |
these wars, his great opposer, Coriolanus, being now in no | |
request of his country. | |
VOLSCE. He cannot choose. I am most fortunate thus accidentally to | |
encounter you; you have ended my business, and I will merrily | |
accompany you home. | |
ROMAN. I shall between this and supper tell you most strange things | |
from Rome, all tending to the good of their adversaries. Have you | |
an army ready, say you? | |
VOLSCE. A most royal one: the centurions and their charges, | |
distinctly billeted, already in th' entertainment, and to be on | |
foot at an hour's warning. | |
ROMAN. I am joyful to hear of their readiness, and am the man, I | |
think, that shall set them in present action. So, sir, heartily | |
well met, and most glad of your company. | |
VOLSCE. You take my part from me, sir. I have the most cause to be | |
glad of yours. | |
ROMAN. Well, let us go together. | |
SCENE IV. | |
Antium. Before AUFIDIUS' house | |
Enter CORIOLANUS, in mean apparel, disguis'd and muffled | |
CORIOLANUS. A goodly city is this Antium. City, | |
'Tis I that made thy widows: many an heir | |
Of these fair edifices fore my wars | |
Have I heard groan and drop. Then know me not. | |
Lest that thy wives with spits and boys with stones, | |
In puny battle slay me. | |
Enter A CITIZEN | |
Save you, sir. | |
CITIZEN. And you. | |
CORIOLANUS. Direct me, if it be your will, | |
Where great Aufidius lies. Is he in Antium? | |
CITIZEN. He is, and feasts the nobles of the state | |
At his house this night. | |
CORIOLANUS. Which is his house, beseech you? | |
CITIZEN. This here before you. | |
CORIOLANUS. Thank you, sir; farewell. Exit CITIZEN | |
O world, thy slippery turns! Friends now fast sworn, | |
Whose double bosoms seems to wear one heart, | |
Whose hours, whose bed, whose meal and exercise | |
Are still together, who twin, as 'twere, in love, | |
Unseparable, shall within this hour, | |
On a dissension of a doit, break out | |
To bitterest enmity; so fellest foes, | |
Whose passions and whose plots have broke their sleep | |
To take the one the other, by some chance, | |
Some trick not worth an egg, shall grow dear friends | |
And interjoin their issues. So with me: | |
My birthplace hate I, and my love's upon | |
This enemy town. I'll enter. If he slay me, | |
He does fair justice: if he give me way, | |
I'll do his country service. | |
SCENE V. | |
Antium. AUFIDIUS' house | |
Music plays. Enter A SERVINGMAN | |
FIRST SERVANT. Wine, wine, wine! What service is here! I think our | |
fellows are asleep. Exit | |
Enter another SERVINGMAN | |
SECOND SERVANT.Where's Cotus? My master calls for him. | |
Cotus! Exit | |
Enter CORIOLANUS | |
CORIOLANUS. A goodly house. The feast smells well, but I | |
Appear not like a guest. | |
Re-enter the first SERVINGMAN | |
FIRST SERVANT. What would you have, friend? | |
Whence are you? Here's no place for you: pray go to the door. | |
Exit | |
CORIOLANUS. I have deserv'd no better entertainment | |
In being Coriolanus. | |
Re-enter second SERVINGMAN | |
SECOND SERVANT. Whence are you, sir? Has the porter his eyes in his | |
head that he gives entrance to such companions? Pray get you out. | |
CORIOLANUS. Away! | |
SECOND SERVANT. Away? Get you away. | |
CORIOLANUS. Now th' art troublesome. | |
SECOND SERVANT. Are you so brave? I'll have you talk'd with anon. | |
Enter a third SERVINGMAN. The first meets him | |
THIRD SERVANT. What fellow's this? | |
FIRST SERVANT. A strange one as ever I look'd on. I cannot get him | |
out o' th' house. Prithee call my master to him. | |
THIRD SERVANT. What have you to do here, fellow? Pray you avoid the | |
house. | |
CORIOLANUS. Let me but stand- I will not hurt your hearth. | |
THIRD SERVANT. What are you? | |
CORIOLANUS. A gentleman. | |
THIRD SERVANT. A marv'llous poor one. | |
CORIOLANUS. True, so I am. | |
THIRD SERVANT. Pray you, poor gentleman, take up some other | |
station; here's no place for you. Pray you avoid. Come. | |
CORIOLANUS. Follow your function, go and batten on cold bits. | |
[Pushes him away from him] | |
THIRD SERVANT. What, you will not? Prithee tell my master what a | |
strange guest he has here. | |
SECOND SERVANT. And I shall. Exit | |
THIRD SERVANT. Where dwell'st thou? | |
CORIOLANUS. Under the canopy. | |
THIRD SERVANT. Under the canopy? | |
CORIOLANUS. Ay. | |
THIRD SERVANT. Where's that? | |
CORIOLANUS. I' th' city of kites and crows. | |
THIRD SERVANT. I' th' city of kites and crows! | |
What an ass it is! Then thou dwell'st with daws too? | |
CORIOLANUS. No, I serve not thy master. | |
THIRD SERVANT. How, sir! Do you meddle with my master? | |
CORIOLANUS. Ay; 'tis an honester service than to meddle with thy | |
mistress. Thou prat'st and prat'st; serve with thy trencher; | |
hence! [Beats him away] | |
Enter AUFIDIUS with the second SERVINGMAN | |
AUFIDIUS. Where is this fellow? | |
SECOND SERVANT. Here, sir; I'd have beaten him like a dog, but for | |
disturbing the lords within. | |
AUFIDIUS. Whence com'st thou? What wouldst thou? Thy name? | |
Why speak'st not? Speak, man. What's thy name? | |
CORIOLANUS. [Unmuffling] If, Tullus, | |
Not yet thou know'st me, and, seeing me, dost not | |
Think me for the man I am, necessity | |
Commands me name myself. | |
AUFIDIUS. What is thy name? | |
CORIOLANUS. A name unmusical to the Volscians' ears, | |
And harsh in sound to thine. | |
AUFIDIUS. Say, what's thy name? | |
Thou has a grim appearance, and thy face | |
Bears a command in't; though thy tackle's torn, | |
Thou show'st a noble vessel. What's thy name? | |
CORIOLANUS. Prepare thy brow to frown- know'st thou me yet? | |
AUFIDIUS. I know thee not. Thy name? | |
CORIOLANUS. My name is Caius Marcius, who hath done | |
To thee particularly, and to all the Volsces, | |
Great hurt and mischief; thereto witness may | |
My surname, Coriolanus. The painful service, | |
The extreme dangers, and the drops of blood | |
Shed for my thankless country, are requited | |
But with that surname- a good memory | |
And witness of the malice and displeasure | |
Which thou shouldst bear me. Only that name remains; | |
The cruelty and envy of the people, | |
Permitted by our dastard nobles, who | |
Have all forsook me, hath devour'd the rest, | |
An suffer'd me by th' voice of slaves to be | |
Whoop'd out of Rome. Now this extremity | |
Hath brought me to thy hearth; not out of hope, | |
Mistake me not, to save my life; for if | |
I had fear'd death, of all the men i' th' world | |
I would have 'voided thee; but in mere spite, | |
To be full quit of those my banishers, | |
Stand I before thee here. Then if thou hast | |
A heart of wreak in thee, that wilt revenge | |
Thine own particular wrongs and stop those maims | |
Of shame seen through thy country, speed thee straight | |
And make my misery serve thy turn. So use it | |
That my revengeful services may prove | |
As benefits to thee; for I will fight | |
Against my cank'red country with the spleen | |
Of all the under fiends. But if so be | |
Thou dar'st not this, and that to prove more fortunes | |
Th'art tir'd, then, in a word, I also am | |
Longer to live most weary, and present | |
My throat to thee and to thy ancient malice; | |
Which not to cut would show thee but a fool, | |
Since I have ever followed thee with hate, | |
Drawn tuns of blood out of thy country's breast, | |
And cannot live but to thy shame, unless | |
It be to do thee service. | |
AUFIDIUS. O Marcius, Marcius! | |
Each word thou hast spoke hath weeded from my heart | |
A root of ancient envy. If Jupiter | |
Should from yond cloud speak divine things, | |
And say ''Tis true,' I'd not believe them more | |
Than thee, all noble Marcius. Let me twine | |
Mine arms about that body, where against | |
My grained ash an hundred times hath broke | |
And scarr'd the moon with splinters; here I clip | |
The anvil of my sword, and do contest | |
As hotly and as nobly with thy love | |
As ever in ambitious strength I did | |
Contend against thy valour. Know thou first, | |
I lov'd the maid I married; never man | |
Sigh'd truer breath; but that I see thee here, | |
Thou noble thing, more dances my rapt heart | |
Than when I first my wedded mistress saw | |
Bestride my threshold. Why, thou Mars, I tell the | |
We have a power on foot, and I had purpose | |
Once more to hew thy target from thy brawn, | |
Or lose mine arm for't. Thou hast beat me out | |
Twelve several times, and I have nightly since | |
Dreamt of encounters 'twixt thyself and me- | |
We have been down together in my sleep, | |
Unbuckling helms, fisting each other's throat- | |
And wak'd half dead with nothing. Worthy Marcius, | |
Had we no other quarrel else to Rome but that | |
Thou art thence banish'd, we would muster all | |
From twelve to seventy, and, pouring war | |
Into the bowels of ungrateful Rome, | |
Like a bold flood o'erbeat. O, come, go in, | |
And take our friendly senators by th' hands, | |
Who now are here, taking their leaves of me | |
Who am prepar'd against your territories, | |
Though not for Rome itself. | |
CORIOLANUS. You bless me, gods! | |
AUFIDIUS. Therefore, most. absolute sir, if thou wilt have | |
The leading of thine own revenges, take | |
Th' one half of my commission, and set down- | |
As best thou art experienc'd, since thou know'st | |
Thy country's strength and weakness- thine own ways, | |
Whether to knock against the gates of Rome, | |
Or rudely visit them in parts remote | |
To fright them ere destroy. But come in; | |
Let me commend thee first to those that shall | |
Say yea to thy desires. A thousand welcomes! | |
And more a friend than e'er an enemy; | |
Yet, Marcius, that was much. Your hand; most welcome! | |
Exeunt CORIOLANUS and AUFIDIUS | |
The two SERVINGMEN come forward | |
FIRST SERVANT. Here's a strange alteration! | |
SECOND SERVANT. By my hand, I had thought to have strucken him with | |
a cudgel; and yet my mind gave me his clothes made a false report | |
of him. | |
FIRST SERVANT. What an arm he has! He turn'd me about with his | |
finger and his thumb, as one would set up a top. | |
SECOND SERVANT. Nay, I knew by his face that there was something in | |
him; he had, sir, a kind of face, methought- I cannot tell how to | |
term it. | |
FIRST SERVANT. He had so, looking as it were- Would I were hang'd, | |
but I thought there was more in him than I could think. | |
SECOND SERVANT. So did I, I'll be sworn. He is simply the rarest | |
man i' th' world. | |
FIRST SERVANT. I think he is; but a greater soldier than he you wot | |
on. | |
SECOND SERVANT. Who, my master? | |
FIRST SERVANT. Nay, it's no matter for that. | |
SECOND SERVANT. Worth six on him. | |
FIRST SERVANT. Nay, not so neither; but I take him to be the | |
greater soldier. | |
SECOND SERVANT. Faith, look you, one cannot tell how to say that; | |
for the defence of a town our general is excellent. | |
FIRST SERVANT. Ay, and for an assault too. | |
Re-enter the third SERVINGMAN | |
THIRD SERVANT. O slaves, I can tell you news- news, you rascals! | |
BOTH. What, what, what? Let's partake. | |
THIRD SERVANT. I would not be a Roman, of all nations; | |
I had as lief be a condemn'd man. | |
BOTH. Wherefore? wherefore? | |
THIRD SERVANT. Why, here's he that was wont to thwack our general- | |
Caius Marcius. | |
FIRST SERVANT. Why do you say 'thwack our general'? | |
THIRD SERVANT. I do not say 'thwack our general,' but he was always | |
good enough for him. | |
SECOND SERVANT. Come, we are fellows and friends. He was ever too | |
hard for him, I have heard him say so himself. | |
FIRST SERVANT. He was too hard for him directly, to say the troth | |
on't; before Corioli he scotch'd him and notch'd him like a | |
carbonado. | |
SECOND SERVANT. An he had been cannibally given, he might have | |
broil'd and eaten him too. | |
FIRST SERVANT. But more of thy news! | |
THIRD SERVANT. Why, he is so made on here within as if he were son | |
and heir to Mars; set at upper end o' th' table; no question | |
asked him by any of the senators but they stand bald before him. | |
Our general himself makes a mistress of him, sanctifies himself | |
with's hand, and turns up the white o' th' eye to his discourse. | |
But the bottom of the news is, our general is cut i' th' middle | |
and but one half of what he was yesterday, for the other has half | |
by the entreaty and grant of the whole table. He'll go, he says, | |
and sowl the porter of Rome gates by th' ears; he will mow all | |
down before him, and leave his passage poll'd. | |
SECOND SERVANT. And he's as like to do't as any man I can imagine. | |
THIRD SERVANT. Do't! He will do't; for look you, sir, he has as | |
many friends as enemies; which friends, sir, as it were, durst | |
not- look you, sir- show themselves, as we term it, his friends, | |
whilst he's in directitude. | |
FIRST SERVANT. Directitude? What's that? | |
THIRD SERVANT. But when they shall see, sir, his crest up again and | |
the man in blood, they will out of their burrows, like conies | |
after rain, and revel an with him. | |
FIRST SERVANT. But when goes this forward? | |
THIRD SERVANT. To-morrow, to-day, presently. You shall have the | |
drum struck up this afternoon; 'tis as it were parcel of their | |
feast, and to be executed ere they wipe their lips. | |
SECOND SERVANT. Why, then we shall have a stirring world again. | |
This peace is nothing but to rust iron, increase tailors, and | |
breed ballad-makers. | |
FIRST SERVANT. Let me have war, say I; it exceeds peace as far as | |
day does night; it's spritely, waking, audible, and full of vent. | |
Peace is a very apoplexy, lethargy; mull'd, deaf, sleepy, | |
insensible; a getter of more bastard children than war's a | |
destroyer of men. | |
SECOND SERVANT. 'Tis so; and as war in some sort may be said to be | |
a ravisher, so it cannot be denied but peace is a great maker of | |
cuckolds. | |
FIRST SERVANT. Ay, and it makes men hate one another. | |
THIRD SERVANT. Reason: because they then less need one another. The | |
wars for my money. I hope to see Romans as cheap as Volscians. | |
They are rising, they are rising. | |
BOTH. In, in, in, in! Exeunt | |
SCENE VI. | |
Rome. A public place | |
Enter the two Tribunes, SICINIUS and BRUTUS | |
SICINIUS. We hear not of him, neither need we fear him. | |
His remedies are tame. The present peace | |
And quietness of the people, which before | |
Were in wild hurry, here do make his friends | |
Blush that the world goes well; who rather had, | |
Though they themselves did suffer by't, behold | |
Dissentious numbers pest'ring streets than see | |
Our tradesmen singing in their shops, and going | |
About their functions friendly. | |
Enter MENENIUS | |
BRUTUS. We stood to't in good time. Is this Menenius? | |
SICINIUS. 'Tis he, 'tis he. O, he is grown most kind | |
Of late. Hail, sir! | |
MENENIUS. Hail to you both! | |
SICINIUS. Your Coriolanus is not much miss'd | |
But with his friends. The commonwealth doth stand, | |
And so would do, were he more angry at it. | |
MENENIUS. All's well, and might have been much better | |
He could have temporiz'd. | |
SICINIUS. Where is he, hear you? | |
MENENIUS. Nay, I hear nothing; his mother and his wife | |
Hear nothing from him. | |
Enter three or four citizens | |
CITIZENS. The gods preserve you both! | |
SICINIUS. God-den, our neighbours. | |
BRUTUS. God-den to you all, god-den to you an. | |
FIRST CITIZEN. Ourselves, our wives, and children, on our knees | |
Are bound to pray for you both. | |
SICINIUS. Live and thrive! | |
BRUTUS. Farewell, kind neighbours; we wish'd Coriolanus | |
Had lov'd you as we did. | |
CITIZENS. Now the gods keep you! | |
BOTH TRIBUNES. Farewell, farewell. Exeunt citizens | |
SICINIUS. This is a happier and more comely time | |
Than when these fellows ran about the streets | |
Crying confusion. | |
BRUTUS. Caius Marcius was | |
A worthy officer i' the war, but insolent, | |
O'ercome with pride, ambitious past all thinking, | |
Self-loving- | |
SICINIUS. And affecting one sole throne, | |
Without assistance. | |
MENENIUS. I think not so. | |
SICINIUS. We should by this, to all our lamentation, | |
If he had gone forth consul, found it so. | |
BRUTUS. The gods have well prevented it, and Rome | |
Sits safe and still without him. | |
Enter an AEDILE | |
AEDILE. Worthy tribunes, | |
There is a slave, whom we have put in prison, | |
Reports the Volsces with several powers | |
Are ent'red in the Roman territories, | |
And with the deepest malice of the war | |
Destroy what lies before 'em. | |
MENENIUS. 'Tis Aufidius, | |
Who, hearing of our Marcius' banishment, | |
Thrusts forth his horns again into the world, | |
Which were inshell'd when Marcius stood for Rome, | |
And durst not once peep out. | |
SICINIUS. Come, what talk you of Marcius? | |
BRUTUS. Go see this rumourer whipp'd. It cannot be | |
The Volsces dare break with us. | |
MENENIUS. Cannot be! | |
We have record that very well it can; | |
And three examples of the like hath been | |
Within my age. But reason with the fellow | |
Before you punish him, where he heard this, | |
Lest you shall chance to whip your information | |
And beat the messenger who bids beware | |
Of what is to be dreaded. | |
SICINIUS. Tell not me. | |
I know this cannot be. | |
BRUTUS. Not Possible. | |
Enter A MESSENGER | |
MESSENGER. The nobles in great earnestness are going | |
All to the Senate House; some news is come | |
That turns their countenances. | |
SICINIUS. 'Tis this slave- | |
Go whip him fore the people's eyes- his raising, | |
Nothing but his report. | |
MESSENGER. Yes, worthy sir, | |
The slave's report is seconded, and more, | |
More fearful, is deliver'd. | |
SICINIUS. What more fearful? | |
MESSENGER. It is spoke freely out of many mouths- | |
How probable I do not know- that Marcius, | |
Join'd with Aufidius, leads a power 'gainst Rome, | |
And vows revenge as spacious as between | |
The young'st and oldest thing. | |
SICINIUS. This is most likely! | |
BRUTUS. Rais'd only that the weaker sort may wish | |
Good Marcius home again. | |
SICINIUS. The very trick on 't. | |
MENENIUS. This is unlikely. | |
He and Aufidius can no more atone | |
Than violent'st contrariety. | |
Enter a second MESSENGER | |
SECOND MESSENGER. You are sent for to the Senate. | |
A fearful army, led by Caius Marcius | |
Associated with Aufidius, rages | |
Upon our territories, and have already | |
O'erborne their way, consum'd with fire and took | |
What lay before them. | |
Enter COMINIUS | |
COMINIUS. O, you have made good work! | |
MENENIUS. What news? what news? | |
COMINIUS. You have holp to ravish your own daughters and | |
To melt the city leads upon your pates, | |
To see your wives dishonour'd to your noses- | |
MENENIUS. What's the news? What's the news? | |
COMINIUS. Your temples burned in their cement, and | |
Your franchises, whereon you stood, confin'd | |
Into an auger's bore. | |
MENENIUS. Pray now, your news? | |
You have made fair work, I fear me. Pray, your news. | |
If Marcius should be join'd wi' th' Volscians- | |
COMINIUS. If! | |
He is their god; he leads them like a thing | |
Made by some other deity than Nature, | |
That shapes man better; and they follow him | |
Against us brats with no less confidence | |
Than boys pursuing summer butterflies, | |
Or butchers killing flies. | |
MENENIUS. You have made good work, | |
You and your apron men; you that stood so much | |
Upon the voice of occupation and | |
The breath of garlic-eaters! | |
COMINIUS. He'll shake | |
Your Rome about your ears. | |
MENENIUS. As Hercules | |
Did shake down mellow fruit. You have made fair work! | |
BRUTUS. But is this true, sir? | |
COMINIUS. Ay; and you'll look pale | |
Before you find it other. All the regions | |
Do smilingly revolt, and who resists | |
Are mock'd for valiant ignorance, | |
And perish constant fools. Who is't can blame him? | |
Your enemies and his find something in him. | |
MENENIUS. We are all undone unless | |
The noble man have mercy. | |
COMINIUS. Who shall ask it? | |
The tribunes cannot do't for shame; the people | |
Deserve such pity of him as the wolf | |
Does of the shepherds; for his best friends, if they | |
Should say 'Be good to Rome'- they charg'd him even | |
As those should do that had deserv'd his hate, | |
And therein show'd fike enemies. | |
MENENIUS. 'Tis true; | |
If he were putting to my house the brand | |
That should consume it, I have not the face | |
To say 'Beseech you, cease.' You have made fair hands, | |
You and your crafts! You have crafted fair! | |
COMINIUS. You have brought | |
A trembling upon Rome, such as was never | |
S' incapable of help. | |
BOTH TRIBUNES. Say not we brought it. | |
MENENIUS. How! Was't we? We lov'd him, but, like beasts | |
And cowardly nobles, gave way unto your clusters, | |
Who did hoot him out o' th' city. | |
COMINIUS. But I fear | |
They'll roar him in again. Tullus Aufidius, | |
The second name of men, obeys his points | |
As if he were his officer. Desperation | |
Is all the policy, strength, and defence, | |
That Rome can make against them. | |
Enter a troop of citizens | |
MENENIUS. Here comes the clusters. | |
And is Aufidius with him? You are they | |
That made the air unwholesome when you cast | |
Your stinking greasy caps in hooting at | |
Coriolanus' exile. Now he's coming, | |
And not a hair upon a soldier's head | |
Which will not prove a whip; as many coxcombs | |
As you threw caps up will he tumble down, | |
And pay you for your voices. 'Tis no matter; | |
If he could burn us all into one coal | |
We have deserv'd it. | |
PLEBEIANS. Faith, we hear fearful news. | |
FIRST CITIZEN. For mine own part, | |
When I said banish him, I said 'twas pity. | |
SECOND CITIZEN. And so did I. | |
THIRD CITIZEN. And so did I; and, to say the truth, so did very | |
many of us. That we did, we did for the best; and though we | |
willingly consented to his banishment, yet it was against our | |
will. | |
COMINIUS. Y'are goodly things, you voices! | |
MENENIUS. You have made | |
Good work, you and your cry! Shall's to the Capitol? | |
COMINIUS. O, ay, what else? | |
Exeunt COMINIUS and MENENIUS | |
SICINIUS. Go, masters, get you be not dismay'd; | |
These are a side that would be glad to have | |
This true which they so seem to fear. Go home, | |
And show no sign of fear. | |
FIRST CITIZEN. The gods be good to us! Come, masters, let's home. I | |
ever said we were i' th' wrong when we banish'd him. | |
SECOND CITIZEN. So did we all. But come, let's home. | |
Exeunt citizens | |
BRUTUS. I do not like this news. | |
SICINIUS. Nor I. | |
BRUTUS. Let's to the Capitol. Would half my wealth | |
Would buy this for a lie! | |
SICINIUS. Pray let's go. Exeunt | |
SCENE VII. | |
A camp at a short distance from Rome | |
Enter AUFIDIUS with his LIEUTENANT | |
AUFIDIUS. Do they still fly to th' Roman? | |
LIEUTENANT. I do not know what witchcraft's in him, but | |
Your soldiers use him as the grace fore meat, | |
Their talk at table, and their thanks at end; | |
And you are dark'ned in this action, sir, | |
Even by your own. | |
AUFIDIUS. I cannot help it now, | |
Unless by using means I lame the foot | |
Of our design. He bears himself more proudlier, | |
Even to my person, than I thought he would | |
When first I did embrace him; yet his nature | |
In that's no changeling, and I must excuse | |
What cannot be amended. | |
LIEUTENANT. Yet I wish, sir- | |
I mean, for your particular- you had not | |
Join'd in commission with him, but either | |
Had borne the action of yourself, or else | |
To him had left it solely. | |
AUFIDIUS. I understand thee well; and be thou sure, | |
When he shall come to his account, he knows not | |
What I can urge against him. Although it seems, | |
And so he thinks, and is no less apparent | |
To th' vulgar eye, that he bears all things fairly | |
And shows good husbandry for the Volscian state, | |
Fights dragon-like, and does achieve as soon | |
As draw his sword; yet he hath left undone | |
That which shall break his neck or hazard mine | |
Whene'er we come to our account. | |
LIEUTENANT. Sir, I beseech you, think you he'll carry Rome? | |
AUFIDIUS. All places yield to him ere he sits down, | |
And the nobility of Rome are his; | |
The senators and patricians love him too. | |
The tribunes are no soldiers, and their people | |
Will be as rash in the repeal as hasty | |
To expel him thence. I think he'll be to Rome | |
As is the osprey to the fish, who takes it | |
By sovereignty of nature. First he was | |
A noble servant to them, but he could not | |
Carry his honours even. Whether 'twas pride, | |
Which out of daily fortune ever taints | |
The happy man; whether defect of judgment, | |
To fail in the disposing of those chances | |
Which he was lord of; or whether nature, | |
Not to be other than one thing, not moving | |
From th' casque to th' cushion, but commanding peace | |
Even with the same austerity and garb | |
As he controll'd the war; but one of these- | |
As he hath spices of them all- not all, | |
For I dare so far free him- made him fear'd, | |
So hated, and so banish'd. But he has a merit | |
To choke it in the utt'rance. So our virtues | |
Lie in th' interpretation of the time; | |
And power, unto itself most commendable, | |
Hath not a tomb so evident as a chair | |
T' extol what it hath done. | |
One fire drives out one fire; one nail, one nail; | |
Rights by rights falter, strengths by strengths do fail. | |
Come, let's away. When, Caius, Rome is thine, | |
Thou art poor'st of all; then shortly art thou mine. | |
Exeunt | |
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ACT V. SCENE I. | |
Rome. A public place | |
Enter MENENIUS, COMINIUS, SICINIUS and BRUTUS, the two Tribunes, with others | |
MENENIUS. No, I'll not go. You hear what he hath said | |
Which was sometime his general, who lov'd him | |
In a most dear particular. He call'd me father; | |
But what o' that? Go, you that banish'd him: | |
A mile before his tent fall down, and knee | |
The way into his mercy. Nay, if he coy'd | |
To hear Cominius speak, I'll keep at home. | |
COMINIUS. He would not seem to know me. | |
MENENIUS. Do you hear? | |
COMINIUS. Yet one time he did call me by my name. | |
I urg'd our old acquaintance, and the drops | |
That we have bled together. 'Coriolanus' | |
He would not answer to; forbid all names; | |
He was a kind of nothing, titleless, | |
Till he had forg'd himself a name i' th' fire | |
Of burning Rome. | |
MENENIUS. Why, so! You have made good work. | |
A pair of tribunes that have wrack'd for Rome | |
To make coals cheap- a noble memory! | |
COMINIUS. I minded him how royal 'twas to pardon | |
When it was less expected; he replied, | |
It was a bare petition of a state | |
To one whom they had punish'd. | |
MENENIUS. Very well. | |
Could he say less? | |
COMINIUS. I offer'd to awaken his regard | |
For's private friends; his answer to me was, | |
He could not stay to pick them in a pile | |
Of noisome musty chaff. He said 'twas folly, | |
For one poor grain or two, to leave unburnt | |
And still to nose th' offence. | |
MENENIUS. For one poor grain or two! | |
I am one of those. His mother, wife, his child, | |
And this brave fellow too- we are the grains: | |
You are the musty chaff, and you are smelt | |
Above the moon. We must be burnt for you. | |
SICINIUS. Nay, pray be patient; if you refuse your aid | |
In this so never-needed help, yet do not | |
Upbraid's with our distress. But sure, if you | |
Would be your country's pleader, your good tongue, | |
More than the instant army we can make, | |
Might stop our countryman. | |
MENENIUS. No; I'll not meddle. | |
SICINIUS. Pray you go to him. | |
MENENIUS. What should I do? | |
BRUTUS. Only make trial what your love can do | |
For Rome, towards Marcius. | |
MENENIUS. Well, and say that Marcius | |
Return me, as Cominius is return'd, | |
Unheard- what then? | |
But as a discontented friend, grief-shot | |
With his unkindness? Say't be so? | |
SICINIUS. Yet your good will | |
Must have that thanks from Rome after the measure | |
As you intended well. | |
MENENIUS. I'll undertake't; | |
I think he'll hear me. Yet to bite his lip | |
And hum at good Cominius much unhearts me. | |
He was not taken well: he had not din'd; | |
The veins unfill'd, our blood is cold, and then | |
We pout upon the morning, are unapt | |
To give or to forgive; but when we have stuff'd | |
These pipes and these conveyances of our blood | |
With wine and feeding, we have suppler souls | |
Than in our priest-like fasts. Therefore I'll watch him | |
Till he be dieted to my request, | |
And then I'll set upon him. | |
BRUTUS. You know the very road into his kindness | |
And cannot lose your way. | |
MENENIUS. Good faith, I'll prove him, | |
Speed how it will. I shall ere long have knowledge | |
Of my success. Exit | |
COMINIUS. He'll never hear him. | |
SICINIUS. Not? | |
COMINIUS. I tell you he does sit in gold, his eye | |
Red as 'twould burn Rome, and his injury | |
The gaoler to his pity. I kneel'd before him; | |
'Twas very faintly he said 'Rise'; dismiss'd me | |
Thus with his speechless hand. What he would do, | |
He sent in writing after me; what he would not, | |
Bound with an oath to yield to his conditions; | |
So that all hope is vain, | |
Unless his noble mother and his wife, | |
Who, as I hear, mean to solicit him | |
For mercy to his country. Therefore let's hence, | |
And with our fair entreaties haste them on. Exeunt | |
SCENE II. | |
The Volscian camp before Rome | |
Enter MENENIUS to the WATCH on guard | |
FIRST WATCH. Stay. Whence are you? | |
SECOND WATCH. Stand, and go back. | |
MENENIUS. You guard like men, 'tis well; but, by your leave, | |
I am an officer of state and come | |
To speak with Coriolanus. | |
FIRST WATCH. From whence? | |
MENENIUS. From Rome. | |
FIRST WATCH. YOU may not pass; you must return. Our general | |
Will no more hear from thence. | |
SECOND WATCH. You'll see your Rome embrac'd with fire before | |
You'll speak with Coriolanus. | |
MENENIUS. Good my friends, | |
If you have heard your general talk of Rome | |
And of his friends there, it is lots to blanks | |
My name hath touch'd your ears: it is Menenius. | |
FIRST WATCH. Be it so; go back. The virtue of your name | |
Is not here passable. | |
MENENIUS. I tell thee, fellow, | |
Thy general is my lover. I have been | |
The book of his good acts whence men have read | |
His fame unparallel'd haply amplified; | |
For I have ever verified my friends- | |
Of whom he's chief- with all the size that verity | |
Would without lapsing suffer. Nay, sometimes, | |
Like to a bowl upon a subtle ground, | |
I have tumbled past the throw, and in his praise | |
Have almost stamp'd the leasing; therefore, fellow, | |
I must have leave to pass. | |
FIRST WATCH. Faith, sir, if you had told as many lies in his behalf | |
as you have uttered words in your own, you should not pass here; | |
no, though it were as virtuous to lie as to live chastely. | |
Therefore go back. | |
MENENIUS. Prithee, fellow, remember my name is Menenius, always | |
factionary on the party of your general. | |
SECOND WATCH. Howsoever you have been his liar, as you say you | |
have, I am one that, telling true under him, must say you cannot | |
pass. Therefore go back. | |
MENENIUS. Has he din'd, canst thou tell? For I would not speak with | |
him till after dinner. | |
FIRST WATCH. You are a Roman, are you? | |
MENENIUS. I am as thy general is. | |
FIRST WATCH. Then you should hate Rome, as he does. Can you, when | |
you have push'd out your gates the very defender of them, and in | |
a violent popular ignorance given your enemy your shield, think | |
to front his revenges with the easy groans of old women, the | |
virginal palms of your daughters, or with the palsied | |
intercession of such a decay'd dotant as you seem to be? Can you | |
think to blow out the intended fire your city is ready to flame | |
in with such weak breath as this? No, you are deceiv'd; therefore | |
back to Rome and prepare for your execution. You are condemn'd; | |
our general has sworn you out of reprieve and pardon. | |
MENENIUS. Sirrah, if thy captain knew I were here, he would use me | |
with estimation. | |
FIRST WATCH. Come, my captain knows you not. | |
MENENIUS. I mean thy general. | |
FIRST WATCH. My general cares not for you. Back, I say; go, lest I | |
let forth your half pint of blood. Back- that's the utmost of | |
your having. Back. | |
MENENIUS. Nay, but fellow, fellow- | |
Enter CORIOLANUS with AUFIDIUS | |
CORIOLANUS. What's the matter? | |
MENENIUS. Now, you companion, I'll say an errand for you; you shall | |
know now that I am in estimation; you shall perceive that a Jack | |
guardant cannot office me from my son Coriolanus. Guess but by my | |
entertainment with him if thou stand'st not i' th' state of | |
hanging, or of some death more long in spectatorship and crueller | |
in suffering; behold now presently, and swoon for what's to come | |
upon thee. The glorious gods sit in hourly synod about thy | |
particular prosperity, and love thee no worse than thy old father | |
Menenius does! O my son! my son! thou art preparing fire for us; | |
look thee, here's water to quench it. I was hardly moved to come | |
to thee; but being assured none but myself could move thee, I | |
have been blown out of your gates with sighs, and conjure thee to | |
pardon Rome and thy petitionary countrymen. The good gods assuage | |
thy wrath, and turn the dregs of it upon this varlet here; this, | |
who, like a block, hath denied my access to thee. | |
CORIOLANUS. Away! | |
MENENIUS. How! away! | |
CORIOLANUS. Wife, mother, child, I know not. My affairs | |
Are servanted to others. Though I owe | |
My revenge properly, my remission lies | |
In Volscian breasts. That we have been familiar, | |
Ingrate forgetfulness shall poison rather | |
Than pity note how much. Therefore be gone. | |
Mine ears against your suits are stronger than | |
Your gates against my force. Yet, for I lov'd thee, | |
Take this along; I writ it for thy sake [Gives a letter] | |
And would have sent it. Another word, Menenius, | |
I will not hear thee speak. This man, Aufidius, | |
Was my belov'd in Rome; yet thou behold'st. | |
AUFIDIUS. You keep a constant temper. | |
Exeunt CORIOLANUS and Aufidius | |
FIRST WATCH. Now, sir, is your name Menenius? | |
SECOND WATCH. 'Tis a spell, you see, of much power! You know the | |
way home again. | |
FIRST WATCH. Do you hear how we are shent for keeping your | |
greatness back? | |
SECOND WATCH. What cause, do you think, I have to swoon? | |
MENENIUS. I neither care for th' world nor your general; for such | |
things as you, I can scarce think there's any, y'are so slight. | |
He that hath a will to die by himself fears it not from another. | |
Let your general do his worst. For you, be that you are, long; | |
and your misery increase with your age! I say to you, as I was | |
said to: Away! Exit | |
FIRST WATCH. A noble fellow, I warrant him. | |
SECOND WATCH. The worthy fellow is our general; he's the rock, the | |
oak not to be wind-shaken. Exeunt | |
SCENE III. | |
The tent of CORIOLANUS | |
Enter CORIOLANUS, AUFIDIUS, and others | |
CORIOLANUS. We will before the walls of Rome to-morrow | |
Set down our host. My partner in this action, | |
You must report to th' Volscian lords how plainly | |
I have borne this business. | |
AUFIDIUS. Only their ends | |
You have respected; stopp'd your ears against | |
The general suit of Rome; never admitted | |
A private whisper- no, not with such friends | |
That thought them sure of you. | |
CORIOLANUS. This last old man, | |
Whom with crack'd heart I have sent to Rome, | |
Lov'd me above the measure of a father; | |
Nay, godded me indeed. Their latest refuge | |
Was to send him; for whose old love I have- | |
Though I show'd sourly to him- once more offer'd | |
The first conditions, which they did refuse | |
And cannot now accept. To grace him only, | |
That thought he could do more, a very little | |
I have yielded to; fresh embassies and suits, | |
Nor from the state nor private friends, hereafter | |
Will I lend ear to. [Shout within] Ha! what shout is this? | |
Shall I be tempted to infringe my vow | |
In the same time 'tis made? I will not. | |
Enter, in mourning habits, VIRGILIA, VOLUMNIA, VALERIA, | |
YOUNG MARCIUS, with attendants | |
My wife comes foremost, then the honour'd mould | |
Wherein this trunk was fram'd, and in her hand | |
The grandchild to her blood. But out, affection! | |
All bond and privilege of nature, break! | |
Let it be virtuous to be obstinate. | |
What is that curtsy worth? or those doves' eyes, | |
Which can make gods forsworn? I melt, and am not | |
Of stronger earth than others. My mother bows, | |
As if Olympus to a molehill should | |
In supplication nod; and my young boy | |
Hath an aspect of intercession which | |
Great nature cries 'Deny not.' Let the Volsces | |
Plough Rome and harrow Italy; I'll never | |
Be such a gosling to obey instinct, but stand | |
As if a man were author of himself | |
And knew no other kin. | |
VIRGILIA. My lord and husband! | |
CORIOLANUS. These eyes are not the same I wore in Rome. | |
VIRGILIA. The sorrow that delivers us thus chang'd | |
Makes you think so. | |
CORIOLANUS. Like a dull actor now | |
I have forgot my part and I am out, | |
Even to a full disgrace. Best of my flesh, | |
Forgive my tyranny; but do not say, | |
For that, 'Forgive our Romans.' O, a kiss | |
Long as my exile, sweet as my revenge! | |
Now, by the jealous queen of heaven, that kiss | |
I carried from thee, dear, and my true lip | |
Hath virgin'd it e'er since. You gods! I prate, | |
And the most noble mother of the world | |
Leave unsaluted. Sink, my knee, i' th' earth; [Kneels] | |
Of thy deep duty more impression show | |
Than that of common sons. | |
VOLUMNIA. O, stand up blest! | |
Whilst with no softer cushion than the flint | |
I kneel before thee, and unproperly | |
Show duty, as mistaken all this while | |
Between the child and parent. [Kneels] | |
CORIOLANUS. What's this? | |
Your knees to me, to your corrected son? | |
Then let the pebbles on the hungry beach | |
Fillip the stars; then let the mutinous winds | |
Strike the proud cedars 'gainst the fiery sun, | |
Murd'ring impossibility, to make | |
What cannot be slight work. | |
VOLUMNIA. Thou art my warrior; | |
I holp to frame thee. Do you know this lady? | |
CORIOLANUS. The noble sister of Publicola, | |
The moon of Rome, chaste as the icicle | |
That's curdied by the frost from purest snow, | |
And hangs on Dian's temple- dear Valeria! | |
VOLUMNIA. This is a poor epitome of yours, | |
Which by th' interpretation of full time | |
May show like all yourself. | |
CORIOLANUS. The god of soldiers, | |
With the consent of supreme Jove, inform | |
Thy thoughts with nobleness, that thou mayst prove | |
To shame unvulnerable, and stick i' th' wars | |
Like a great sea-mark, standing every flaw, | |
And saving those that eye thee! | |
VOLUMNIA. Your knee, sirrah. | |
CORIOLANUS. That's my brave boy. | |
VOLUMNIA. Even he, your wife, this lady, and myself, | |
Are suitors to you. | |
CORIOLANUS. I beseech you, peace! | |
Or, if you'd ask, remember this before: | |
The thing I have forsworn to grant may never | |
Be held by you denials. Do not bid me | |
Dismiss my soldiers, or capitulate | |
Again with Rome's mechanics. Tell me not | |
Wherein I seem unnatural; desire not | |
T'allay my rages and revenges with | |
Your colder reasons. | |
VOLUMNIA. O, no more, no more! | |
You have said you will not grant us any thing- | |
For we have nothing else to ask but that | |
Which you deny already; yet we will ask, | |
That, if you fail in our request, the blame | |
May hang upon your hardness; therefore hear us. | |
CORIOLANUS. Aufidius, and you Volsces, mark; for we'll | |
Hear nought from Rome in private. Your request? | |
VOLUMNIA. Should we be silent and not speak, our raiment | |
And state of bodies would bewray what life | |
We have led since thy exile. Think with thyself | |
How more unfortunate than all living women | |
Are we come hither; since that thy sight, which should | |
Make our eyes flow with joy, hearts dance with comforts, | |
Constrains them weep and shake with fear and sorrow, | |
Making the mother, wife, and child, to see | |
The son, the husband, and the father, tearing | |
His country's bowels out. And to poor we | |
Thine enmity's most capital: thou bar'st us | |
Our prayers to the gods, which is a comfort | |
That all but we enjoy. For how can we, | |
Alas, how can we for our country pray, | |
Whereto we are bound, together with thy victory, | |
Whereto we are bound? Alack, or we must lose | |
The country, our dear nurse, or else thy person, | |
Our comfort in the country. We must find | |
An evident calamity, though we had | |
Our wish, which side should win; for either thou | |
Must as a foreign recreant be led | |
With manacles through our streets, or else | |
Triumphantly tread on thy country's ruin, | |
And bear the palm for having bravely shed | |
Thy wife and children's blood. For myself, son, | |
I purpose not to wait on fortune till | |
These wars determine; if I can not persuade thee | |
Rather to show a noble grace to both parts | |
Than seek the end of one, thou shalt no sooner | |
March to assault thy country than to tread- | |
Trust to't, thou shalt not- on thy mother's womb | |
That brought thee to this world. | |
VIRGILIA. Ay, and mine, | |
That brought you forth this boy to keep your name | |
Living to time. | |
BOY. 'A shall not tread on me! | |
I'll run away till I am bigger, but then I'll fight. | |
CORIOLANUS. Not of a woman's tenderness to be | |
Requires nor child nor woman's face to see. | |
I have sat too long. [Rising] | |
VOLUMNIA. Nay, go not from us thus. | |
If it were so that our request did tend | |
To save the Romans, thereby to destroy | |
The Volsces whom you serve, you might condemn us | |
As poisonous of your honour. No, our suit | |
Is that you reconcile them: while the Volsces | |
May say 'This mercy we have show'd,' the Romans | |
'This we receiv'd,' and each in either side | |
Give the all-hail to thee, and cry 'Be blest | |
For making up this peace!' Thou know'st, great son, | |
The end of war's uncertain; but this certain, | |
That, if thou conquer Rome, the benefit | |
Which thou shalt thereby reap is such a name | |
Whose repetition will be dogg'd with curses; | |
Whose chronicle thus writ: 'The man was noble, | |
But with his last attempt he wip'd it out, | |
Destroy'd his country, and his name remains | |
To th' ensuing age abhorr'd.' Speak to me, son. | |
Thou hast affected the fine strains of honour, | |
To imitate the graces of the gods, | |
To tear with thunder the wide cheeks o' th' air, | |
And yet to charge thy sulphur with a bolt | |
That should but rive an oak. Why dost not speak? | |
Think'st thou it honourable for a noble man | |
Still to remember wrongs? Daughter, speak you: | |
He cares not for your weeping. Speak thou, boy; | |
Perhaps thy childishness will move him more | |
Than can our reasons. There's no man in the world | |
More bound to's mother, yet here he lets me prate | |
Like one i' th' stocks. Thou hast never in thy life | |
Show'd thy dear mother any courtesy, | |
When she, poor hen, fond of no second brood, | |
Has cluck'd thee to the wars, and safely home | |
Loaden with honour. Say my request's unjust, | |
And spurn me back; but if it he not so, | |
Thou art not honest, and the gods will plague thee, | |
That thou restrain'st from me the duty which | |
To a mother's part belongs. He turns away. | |
Down, ladies; let us shame him with our knees. | |
To his surname Coriolanus 'longs more pride | |
Than pity to our prayers. Down. An end; | |
This is the last. So we will home to Rome, | |
And die among our neighbours. Nay, behold's! | |
This boy, that cannot tell what he would have | |
But kneels and holds up hands for fellowship, | |
Does reason our petition with more strength | |
Than thou hast to deny't. Come, let us go. | |
This fellow had a Volscian to his mother; | |
His wife is in Corioli, and his child | |
Like him by chance. Yet give us our dispatch. | |
I am hush'd until our city be afire, | |
And then I'll speak a little. | |
[He holds her by the hand, silent] | |
CORIOLANUS. O mother, mother! | |
What have you done? Behold, the heavens do ope, | |
The gods look down, and this unnatural scene | |
They laugh at. O my mother, mother! O! | |
You have won a happy victory to Rome; | |
But for your son- believe it, O, believe it!- | |
Most dangerously you have with him prevail'd, | |
If not most mortal to him. But let it come. | |
Aufidius, though I cannot make true wars, | |
I'll frame convenient peace. Now, good Aufidius, | |
Were you in my stead, would you have heard | |
A mother less, or granted less, Aufidius? | |
AUFIDIUS. I was mov'd withal. | |
CORIOLANUS. I dare be sworn you were! | |
And, sir, it is no little thing to make | |
Mine eyes to sweat compassion. But, good sir, | |
What peace you'fl make, advise me. For my part, | |
I'll not to Rome, I'll back with you; and pray you | |
Stand to me in this cause. O mother! wife! | |
AUFIDIUS. [Aside] I am glad thou hast set thy mercy and thy | |
honour | |
At difference in thee. Out of that I'll work | |
Myself a former fortune. | |
CORIOLANUS. [To the ladies] Ay, by and by; | |
But we will drink together; and you shall bear | |
A better witness back than words, which we, | |
On like conditions, will have counter-seal'd. | |
Come, enter with us. Ladies, you deserve | |
To have a temple built you. All the swords | |
In Italy, and her confederate arms, | |
Could not have made this peace. Exeunt | |
SCENE IV. | |
Rome. A public place | |
Enter MENENIUS and SICINIUS | |
MENENIUS. See you yond coign o' th' Capitol, yond cornerstone? | |
SICINIUS. Why, what of that? | |
MENENIUS. If it be possible for you to displace it with your little | |
finger, there is some hope the ladies of Rome, especially his | |
mother, may prevail with him. But I say there is no hope in't; | |
our throats are sentenc'd, and stay upon execution. | |
SICINIUS. Is't possible that so short a time can alter the | |
condition of a man? | |
MENENIUS. There is differency between a grub and a butterfly; yet | |
your butterfly was a grub. This Marcius is grown from man to | |
dragon; he has wings, he's more than a creeping thing. | |
SICINIUS. He lov'd his mother dearly. | |
MENENIUS. So did he me; and he no more remembers his mother now | |
than an eight-year-old horse. The tartness of his face sours ripe | |
grapes; when he walks, he moves like an engine and the ground | |
shrinks before his treading. He is able to pierce a corslet with | |
his eye, talks like a knell, and his hum is a battery. He sits in | |
his state as a thing made for Alexander. What he bids be done is | |
finish'd with his bidding. He wants nothing of a god but | |
eternity, and a heaven to throne in. | |
SICINIUS. Yes- mercy, if you report him truly. | |
MENENIUS. I paint him in the character. Mark what mercy his mother | |
shall bring from him. There is no more mercy in him than there is | |
milk in a male tiger; that shall our poor city find. And all this | |
is 'long of you. | |
SICINIUS. The gods be good unto us! | |
MENENIUS. No, in such a case the gods will not be good unto us. | |
When we banish'd him we respected not them; and, he returning to | |
break our necks, they respect not us. | |
Enter a MESSENGER | |
MESSENGER. Sir, if you'd save your life, fly to your house. | |
The plebeians have got your fellow tribune | |
And hale him up and down; all swearing if | |
The Roman ladies bring not comfort home | |
They'll give him death by inches. | |
Enter another MESSENGER | |
SICINIUS. What's the news? | |
SECOND MESSENGER. Good news, good news! The ladies have prevail'd, | |
The Volscians are dislodg'd, and Marcius gone. | |
A merrier day did never yet greet Rome, | |
No, not th' expulsion of the Tarquins. | |
SICINIUS. Friend, | |
Art thou certain this is true? Is't most certain? | |
SECOND MESSENGER. As certain as I know the sun is fire. | |
Where have you lurk'd, that you make doubt of it? | |
Ne'er through an arch so hurried the blown tide | |
As the recomforted through th' gates. Why, hark you! | |
[Trumpets, hautboys, drums beat, all together] | |
The trumpets, sackbuts, psalteries, and fifes, | |
Tabors and cymbals, and the shouting Romans, | |
Make the sun dance. Hark you! [A shout within] | |
MENENIUS. This is good news. | |
I will go meet the ladies. This Volumnia | |
Is worth of consuls, senators, patricians, | |
A city full; of tribunes such as you, | |
A sea and land full. You have pray'd well to-day: | |
This morning for ten thousand of your throats | |
I'd not have given a doit. Hark, how they joy! | |
[Sound still with the shouts] | |
SICINIUS. First, the gods bless you for your tidings; next, | |
Accept my thankfulness. | |
SECOND MESSENGER. Sir, we have all | |
Great cause to give great thanks. | |
SICINIUS. They are near the city? | |
MESSENGER. Almost at point to enter. | |
SICINIUS. We'll meet them, | |
And help the joy. Exeunt | |
SCENE V. | |
Rome. A street near the gate | |
Enter two SENATORS With VOLUMNIA, VIRGILIA, VALERIA, passing over the stage, | |
'With other LORDS | |
FIRST SENATOR. Behold our patroness, the life of Rome! | |
Call all your tribes together, praise the gods, | |
And make triumphant fires; strew flowers before them. | |
Unshout the noise that banish'd Marcius, | |
Repeal him with the welcome of his mother; | |
ALL. Welcome, ladies, welcome! | |
[A flourish with drums and trumpets. Exeunt] | |
SCENE VI. | |
Corioli. A public place | |
Enter TULLUS AUFIDIUS with attendents | |
AUFIDIUS. Go tell the lords o' th' city I am here; | |
Deliver them this paper' having read it, | |
Bid them repair to th' market-place, where I, | |
Even in theirs and in the commons' ears, | |
Will vouch the truth of it. Him I accuse | |
The city ports by this hath enter'd and | |
Intends t' appear before the people, hoping | |
To purge himself with words. Dispatch. | |
Exeunt attendants | |
Enter three or four CONSPIRATORS of AUFIDIUS' faction | |
Most welcome! | |
FIRST CONSPIRATOR. How is it with our general? | |
AUFIDIUS. Even so | |
As with a man by his own alms empoison'd, | |
And with his charity slain. | |
SECOND CONSPIRATOR. Most noble sir, | |
If you do hold the same intent wherein | |
You wish'd us parties, we'll deliver you | |
Of your great danger. | |
AUFIDIUS. Sir, I cannot tell; | |
We must proceed as we do find the people. | |
THIRD CONSPIRATOR. The people will remain uncertain whilst | |
'Twixt you there's difference; but the fall of either | |
Makes the survivor heir of all. | |
AUFIDIUS. I know it; | |
And my pretext to strike at him admits | |
A good construction. I rais'd him, and I pawn'd | |
Mine honour for his truth; who being so heighten'd, | |
He watered his new plants with dews of flattery, | |
Seducing so my friends; and to this end | |
He bow'd his nature, never known before | |
But to be rough, unswayable, and free. | |
THIRD CONSPIRATOR. Sir, his stoutness | |
When he did stand for consul, which he lost | |
By lack of stooping- | |
AUFIDIUS. That I would have spoken of. | |
Being banish'd for't, he came unto my hearth, | |
Presented to my knife his throat. I took him; | |
Made him joint-servant with me; gave him way | |
In all his own desires; nay, let him choose | |
Out of my files, his projects to accomplish, | |
My best and freshest men; serv'd his designments | |
In mine own person; holp to reap the fame | |
Which he did end all his, and took some pride | |
To do myself this wrong. Till, at the last, | |
I seem'd his follower, not partner; and | |
He wag'd me with his countenance as if | |
I had been mercenary. | |
FIRST CONSPIRATOR. So he did, my lord. | |
The army marvell'd at it; and, in the last, | |
When he had carried Rome and that we look'd | |
For no less spoil than glory- | |
AUFIDIUS. There was it; | |
For which my sinews shall be stretch'd upon him. | |
At a few drops of women's rheum, which are | |
As cheap as lies, he sold the blood and labour | |
Of our great action; therefore shall he die, | |
And I'll renew me in his fall. But, hark! | |
[Drums and | |
trumpets sound, with great shouts of the people] | |
FIRST CONSPIRATOR. Your native town you enter'd like a post, | |
And had no welcomes home; but he returns | |
Splitting the air with noise. | |
SECOND CONSPIRATOR. And patient fools, | |
Whose children he hath slain, their base throats tear | |
With giving him glory. | |
THIRD CONSPIRATOR. Therefore, at your vantage, | |
Ere he express himself or move the people | |
With what he would say, let him feel your sword, | |
Which we will second. When he lies along, | |
After your way his tale pronounc'd shall bury | |
His reasons with his body. | |
AUFIDIUS. Say no more: | |
Here come the lords. | |
Enter the LORDS of the city | |
LORDS. You are most welcome home. | |
AUFIDIUS. I have not deserv'd it. | |
But, worthy lords, have you with heed perused | |
What I have written to you? | |
LORDS. We have. | |
FIRST LORD. And grieve to hear't. | |
What faults he made before the last, I think | |
Might have found easy fines; but there to end | |
Where he was to begin, and give away | |
The benefit of our levies, answering us | |
With our own charge, making a treaty where | |
There was a yielding- this admits no excuse. | |
AUFIDIUS. He approaches; you shall hear him. | |
Enter CORIOLANUS, marching with drum and colours; | |
the commoners being with him | |
CORIOLANUS. Hail, lords! I am return'd your soldier; | |
No more infected with my country's love | |
Than when I parted hence, but still subsisting | |
Under your great command. You are to know | |
That prosperously I have attempted, and | |
With bloody passage led your wars even to | |
The gates of Rome. Our spoils we have brought home | |
Doth more than counterpoise a full third part | |
The charges of the action. We have made peace | |
With no less honour to the Antiates | |
Than shame to th' Romans; and we here deliver, | |
Subscrib'd by th' consuls and patricians, | |
Together with the seal o' th' Senate, what | |
We have compounded on. | |
AUFIDIUS. Read it not, noble lords; | |
But tell the traitor in the highest degree | |
He hath abus'd your powers. | |
CORIOLANUS. Traitor! How now? | |
AUFIDIUS. Ay, traitor, Marcius. | |
CORIOLANUS. Marcius! | |
AUFIDIUS. Ay, Marcius, Caius Marcius! Dost thou think | |
I'll grace thee with that robbery, thy stol'n name | |
Coriolanus, in Corioli? | |
You lords and heads o' th' state, perfidiously | |
He has betray'd your business and given up, | |
For certain drops of salt, your city Rome- | |
I say your city- to his wife and mother; | |
Breaking his oath and resolution like | |
A twist of rotten silk; never admitting | |
Counsel o' th' war; but at his nurse's tears | |
He whin'd and roar'd away your victory, | |
That pages blush'd at him, and men of heart | |
Look'd wond'ring each at others. | |
CORIOLANUS. Hear'st thou, Mars? | |
AUFIDIUS. Name not the god, thou boy of tears- | |
CORIOLANUS. Ha! | |
AUFIDIUS. -no more. | |
CORIOLANUS. Measureless liar, thou hast made my heart | |
Too great for what contains it. 'Boy'! O slave! | |
Pardon me, lords, 'tis the first time that ever | |
I was forc'd to scold. Your judgments, my grave lords, | |
Must give this cur the lie; and his own notion- | |
Who wears my stripes impress'd upon him, that | |
Must bear my beating to his grave- shall join | |
To thrust the lie unto him. | |
FIRST LORD. Peace, both, and hear me speak. | |
CORIOLANUS. Cut me to pieces, Volsces; men and lads, | |
Stain all your edges on me. 'Boy'! False hound! | |
If you have writ your annals true, 'tis there | |
That, like an eagle in a dove-cote, I | |
Flutter'd your Volscians in Corioli. | |
Alone I did it. 'Boy'! | |
AUFIDIUS. Why, noble lords, | |
Will you be put in mind of his blind fortune, | |
Which was your shame, by this unholy braggart, | |
Fore your own eyes and ears? | |
CONSPIRATORS. Let him die for't. | |
ALL THE PEOPLE. Tear him to pieces. Do it presently. He kill'd my | |
son. My daughter. He kill'd my cousin Marcus. He kill'd my | |
father. | |
SECOND LORD. Peace, ho! No outrage- peace! | |
The man is noble, and his fame folds in | |
This orb o' th' earth. His last offences to us | |
Shall have judicious hearing. Stand, Aufidius, | |
And trouble not the peace. | |
CORIOLANUS. O that I had him, | |
With six Aufidiuses, or more- his tribe, | |
To use my lawful sword! | |
AUFIDIUS. Insolent villain! | |
CONSPIRATORS. Kill, kill, kill, kill, kill him! | |
[The CONSPIRATORS draw and kill CORIOLANUS,who falls. | |
AUFIDIUS stands on him] | |
LORDS. Hold, hold, hold, hold! | |
AUFIDIUS. My noble masters, hear me speak. | |
FIRST LORD. O Tullus! | |
SECOND LORD. Thou hast done a deed whereat valour will weep. | |
THIRD LORD. Tread not upon him. Masters all, be quiet; | |
Put up your swords. | |
AUFIDIUS. My lords, when you shall know- as in this rage, | |
Provok'd by him, you cannot- the great danger | |
Which this man's life did owe you, you'll rejoice | |
That he is thus cut off. Please it your honours | |
To call me to your Senate, I'll deliver | |
Myself your loyal servant, or endure | |
Your heaviest censure. | |
FIRST LORD. Bear from hence his body, | |
And mourn you for him. Let him be regarded | |
As the most noble corse that ever herald | |
Did follow to his um. | |
SECOND LORD. His own impatience | |
Takes from Aufidius a great part of blame. | |
Let's make the best of it. | |
AUFIDIUS. My rage is gone, | |
And I am struck with sorrow. Take him up. | |
Help, three o' th' chiefest soldiers; I'll be one. | |
Beat thou the drum, that it speak mournfully; | |
Trail your steel pikes. Though in this city he | |
Hath widowed and unchilded many a one, | |
Which to this hour bewail the injury, | |
Yet he shall have a noble memory. | |
Assist. Exeunt, bearing the body of CORIOLANUS | |
[A dead march sounded] | |
THE END | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
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1609 | |
CYMBELINE | |
by William Shakespeare | |
Dramatis Personae | |
CYMBELINE, King of Britain | |
CLOTEN, son to the Queen by a former husband | |
POSTHUMUS LEONATUS, a gentleman, husband to Imogen | |
BELARIUS, a banished lord, disguised under the name of Morgan | |
GUIDERIUS and ARVIRAGUS, sons to Cymbeline, disguised under the | |
names of POLYDORE and CADWAL, supposed sons to Belarius | |
PHILARIO, Italian, friend to Posthumus | |
IACHIMO, Italian, friend to Philario | |
A FRENCH GENTLEMAN, friend to Philario | |
CAIUS LUCIUS, General of the Roman Forces | |
A ROMAN CAPTAIN | |
TWO BRITISH CAPTAINS | |
PISANIO, servant to Posthumus | |
CORNELIUS, a physician | |
TWO LORDS of Cymbeline's court | |
TWO GENTLEMEN of the same | |
TWO GAOLERS | |
QUEEN, wife to Cymbeline | |
IMOGEN, daughter to Cymbeline by a former queen | |
HELEN, a lady attending on Imogen | |
APPARITIONS | |
Lords, Ladies, Roman Senators, Tribunes, a Soothsayer, a | |
Dutch Gentleman, a Spanish Gentleman, Musicians, Officers, | |
Captains, Soldiers, Messengers, and Attendants | |
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM | |
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS | |
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE | |
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE | |
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS | |
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED | |
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY | |
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>> | |
SCENE: | |
Britain; Italy | |
ACT I. SCENE I. | |
Britain. The garden of CYMBELINE'S palace | |
FIRST GENTLEMAN. You do not meet a man but frowns; our bloods | |
No more obey the heavens than our courtiers | |
Still seem as does the King's. | |
SECOND GENTLEMAN. But what's the matter? | |
FIRST GENTLEMAN. His daughter, and the heir of's kingdom, whom | |
He purpos'd to his wife's sole son- a widow | |
That late he married- hath referr'd herself | |
Unto a poor but worthy gentleman. She's wedded; | |
Her husband banish'd; she imprison'd. All | |
Is outward sorrow, though I think the King | |
Be touch'd at very heart. | |
SECOND GENTLEMAN. None but the King? | |
FIRST GENTLEMAN. He that hath lost her too. So is the Queen, | |
That most desir'd the match. But not a courtier, | |
Although they wear their faces to the bent | |
Of the King's looks, hath a heart that is not | |
Glad at the thing they scowl at. | |
SECOND GENTLEMAN. And why so? | |
FIRST GENTLEMAN. He that hath miss'd the Princess is a thing | |
Too bad for bad report; and he that hath her- | |
I mean that married her, alack, good man! | |
And therefore banish'd- is a creature such | |
As, to seek through the regions of the earth | |
For one his like, there would be something failing | |
In him that should compare. I do not think | |
So fair an outward and such stuff within | |
Endows a man but he. | |
SECOND GENTLEMAN. You speak him far. | |
FIRST GENTLEMAN. I do extend him, sir, within himself; | |
Crush him together rather than unfold | |
His measure duly. | |
SECOND GENTLEMAN. What's his name and birth? | |
FIRST GENTLEMAN. I cannot delve him to the root; his father | |
Was call'd Sicilius, who did join his honour | |
Against the Romans with Cassibelan, | |
But had his titles by Tenantius, whom | |
He serv'd with glory and admir'd success, | |
So gain'd the sur-addition Leonatus; | |
And had, besides this gentleman in question, | |
Two other sons, who, in the wars o' th' time, | |
Died with their swords in hand; for which their father, | |
Then old and fond of issue, took such sorrow | |
That he quit being; and his gentle lady, | |
Big of this gentleman, our theme, deceas'd | |
As he was born. The King he takes the babe | |
To his protection, calls him Posthumus Leonatus, | |
Breeds him and makes him of his bed-chamber, | |
Puts to him all the learnings that his time | |
Could make him the receiver of; which he took, | |
As we do air, fast as 'twas minist'red, | |
And in's spring became a harvest, liv'd in court- | |
Which rare it is to do- most prais'd, most lov'd, | |
A sample to the youngest; to th' more mature | |
A glass that feated them; and to the graver | |
A child that guided dotards. To his mistress, | |
For whom he now is banish'd- her own price | |
Proclaims how she esteem'd him and his virtue; | |
By her election may be truly read | |
What kind of man he is. | |
SECOND GENTLEMAN. I honour him | |
Even out of your report. But pray you tell me, | |
Is she sole child to th' King? | |
FIRST GENTLEMAN. His only child. | |
He had two sons- if this be worth your hearing, | |
Mark it- the eldest of them at three years old, | |
I' th' swathing clothes the other, from their nursery | |
Were stol'n; and to this hour no guess in knowledge | |
Which way they went. | |
SECOND GENTLEMAN. How long is this ago? | |
FIRST GENTLEMAN. Some twenty years. | |
SECOND GENTLEMAN. That a king's children should be so convey'd, | |
So slackly guarded, and the search so slow | |
That could not trace them! | |
FIRST GENTLEMAN. Howsoe'er 'tis strange, | |
Or that the negligence may well be laugh'd at, | |
Yet is it true, sir. | |
SECOND GENTLEMAN. I do well believe you. | |
FIRST GENTLEMAN. We must forbear; here comes the gentleman, | |
The Queen, and Princess. Exeunt | |
Enter the QUEEN, POSTHUMUS, and IMOGEN | |
QUEEN. No, be assur'd you shall not find me, daughter, | |
After the slander of most stepmothers, | |
Evil-ey'd unto you. You're my prisoner, but | |
Your gaoler shall deliver you the keys | |
That lock up your restraint. For you, Posthumus, | |
So soon as I can win th' offended King, | |
I will be known your advocate. Marry, yet | |
The fire of rage is in him, and 'twere good | |
You lean'd unto his sentence with what patience | |
Your wisdom may inform you. | |
POSTHUMUS. Please your Highness, | |
I will from hence to-day. | |
QUEEN. You know the peril. | |
I'll fetch a turn about the garden, pitying | |
The pangs of barr'd affections, though the King | |
Hath charg'd you should not speak together. Exit | |
IMOGEN. O dissembling courtesy! How fine this tyrant | |
Can tickle where she wounds! My dearest husband, | |
I something fear my father's wrath, but nothing- | |
Always reserv'd my holy duty- what | |
His rage can do on me. You must be gone; | |
And I shall here abide the hourly shot | |
Of angry eyes, not comforted to live | |
But that there is this jewel in the world | |
That I may see again. | |
POSTHUMUS. My queen! my mistress! | |
O lady, weep no more, lest I give cause | |
To be suspected of more tenderness | |
Than doth become a man. I will remain | |
The loyal'st husband that did e'er plight troth; | |
My residence in Rome at one Philario's, | |
Who to my father was a friend, to me | |
Known but by letter; thither write, my queen, | |
And with mine eyes I'll drink the words you send, | |
Though ink be made of gall. | |
Re-enter QUEEN | |
QUEEN. Be brief, I pray you. | |
If the King come, I shall incur I know not | |
How much of his displeasure. [Aside] Yet I'll move him | |
To walk this way. I never do him wrong | |
But he does buy my injuries, to be friends; | |
Pays dear for my offences. Exit | |
POSTHUMUS. Should we be taking leave | |
As long a term as yet we have to live, | |
The loathness to depart would grow. Adieu! | |
IMOGEN. Nay, stay a little. | |
Were you but riding forth to air yourself, | |
Such parting were too petty. Look here, love: | |
This diamond was my mother's; take it, heart; | |
But keep it till you woo another wife, | |
When Imogen is dead. | |
POSTHUMUS. How, how? Another? | |
You gentle gods, give me but this I have, | |
And sear up my embracements from a next | |
With bonds of death! Remain, remain thou here | |
[Puts on the ring] | |
While sense can keep it on. And, sweetest, fairest, | |
As I my poor self did exchange for you, | |
To your so infinite loss, so in our trifles | |
I still win of you. For my sake wear this; | |
It is a manacle of love; I'll place it | |
Upon this fairest prisoner. [Puts a bracelet on her arm] | |
IMOGEN. O the gods! | |
When shall we see again? | |
Enter CYMBELINE and LORDS | |
POSTHUMUS. Alack, the King! | |
CYMBELINE. Thou basest thing, avoid; hence from my sight | |
If after this command thou fraught the court | |
With thy unworthiness, thou diest. Away! | |
Thou'rt poison to my blood. | |
POSTHUMUS. The gods protect you, | |
And bless the good remainders of the court! | |
I am gone. Exit | |
IMOGEN. There cannot be a pinch in death | |
More sharp than this is. | |
CYMBELINE. O disloyal thing, | |
That shouldst repair my youth, thou heap'st | |
A year's age on me! | |
IMOGEN. I beseech you, sir, | |
Harm not yourself with your vexation. | |
I am senseless of your wrath; a touch more rare | |
Subdues all pangs, all fears. | |
CYMBELINE. Past grace? obedience? | |
IMOGEN. Past hope, and in despair; that way past grace. | |
CYMBELINE. That mightst have had the sole son of my queen! | |
IMOGEN. O blessed that I might not! I chose an eagle, | |
And did avoid a puttock. | |
CYMBELINE. Thou took'st a beggar, wouldst have made my throne | |
A seat for baseness. | |
IMOGEN. No; I rather added | |
A lustre to it. | |
CYMBELINE. O thou vile one! | |
IMOGEN. Sir, | |
It is your fault that I have lov'd Posthumus. | |
You bred him as my playfellow, and he is | |
A man worth any woman; overbuys me | |
Almost the sum he pays. | |
CYMBELINE. What, art thou mad? | |
IMOGEN. Almost, sir. Heaven restore me! Would I were | |
A neat-herd's daughter, and my Leonatus | |
Our neighbour shepherd's son! | |
Re-enter QUEEN | |
CYMBELINE. Thou foolish thing! | |
[To the QUEEN] They were again together. You have done | |
Not after our command. Away with her, | |
And pen her up. | |
QUEEN. Beseech your patience.- Peace, | |
Dear lady daughter, peace!- Sweet sovereign, | |
Leave us to ourselves, and make yourself some comfort | |
Out of your best advice. | |
CYMBELINE. Nay, let her languish | |
A drop of blood a day and, being aged, | |
Die of this folly. Exit, with LORDS | |
Enter PISANIO | |
QUEEN. Fie! you must give way. | |
Here is your servant. How now, sir! What news? | |
PISANIO. My lord your son drew on my master. | |
QUEEN. Ha! | |
No harm, I trust, is done? | |
PISANIO. There might have been, | |
But that my master rather play'd than fought, | |
And had no help of anger; they were parted | |
By gentlemen at hand. | |
QUEEN. I am very glad on't. | |
IMOGEN. Your son's my father's friend; he takes his part | |
To draw upon an exile! O brave sir! | |
I would they were in Afric both together; | |
Myself by with a needle, that I might prick | |
The goer-back. Why came you from your master? | |
PISANIO. On his command. He would not suffer me | |
To bring him to the haven; left these notes | |
Of what commands I should be subject to, | |
When't pleas'd you to employ me. | |
QUEEN. This hath been | |
Your faithful servant. I dare lay mine honour | |
He will remain so. | |
PISANIO. I humbly thank your Highness. | |
QUEEN. Pray walk awhile. | |
IMOGEN. About some half-hour hence, | |
Pray you speak with me. You shall at least | |
Go see my lord aboard. For this time leave me. Exeunt | |
SCENE II. | |
Britain. A public place | |
Enter CLOTEN and two LORDS | |
FIRST LORD. Sir, I would advise you to shift a shirt; the violence | |
of action hath made you reek as a sacrifice. Where air comes out, | |
air comes in; there's none abroad so wholesome as that you vent. | |
CLOTEN. If my shirt were bloody, then to shift it. Have I hurt him? | |
SECOND LORD. [Aside] No, faith; not so much as his patience. | |
FIRST LORD. Hurt him! His body's a passable carcass if he be not | |
hurt. It is a throughfare for steel if it be not hurt. | |
SECOND LORD. [Aside] His steel was in debt; it went o' th' back | |
side the town. | |
CLOTEN. The villain would not stand me. | |
SECOND LORD. [Aside] No; but he fled forward still, toward your | |
face. | |
FIRST LORD. Stand you? You have land enough of your own; but he | |
added to your having, gave you some ground. | |
SECOND LORD. [Aside] As many inches as you have oceans. | |
Puppies! | |
CLOTEN. I would they had not come between us. | |
SECOND LORD. [Aside] So would I, till you had measur'd how long a | |
fool you were upon the ground. | |
CLOTEN. And that she should love this fellow, and refuse me! | |
SECOND LORD. [Aside] If it be a sin to make a true election, she is | |
damn'd. | |
FIRST LORD. Sir, as I told you always, her beauty and her brain go | |
not together; she's a good sign, but I have seen small reflection | |
of her wit. | |
SECOND LORD. [Aside] She shines not upon fools, lest the reflection | |
should hurt her. | |
CLOTEN. Come, I'll to my chamber. Would there had been some hurt | |
done! | |
SECOND LORD. [Aside] I wish not so; unless it had been the fall of | |
an ass, which is no great hurt. | |
CLOTEN. You'll go with us? | |
FIRST LORD. I'll attend your lordship. | |
CLOTEN. Nay, come, let's go together. | |
SECOND LORD. Well, my lord. Exeunt | |
SCENE III. | |
Britain. CYMBELINE'S palace | |
Enter IMOGEN and PISANIO | |
IMOGEN. I would thou grew'st unto the shores o' th' haven, | |
And questioned'st every sail; if he should write, | |
And I not have it, 'twere a paper lost, | |
As offer'd mercy is. What was the last | |
That he spake to thee? | |
PISANIO. It was: his queen, his queen! | |
IMOGEN. Then wav'd his handkerchief? | |
PISANIO. And kiss'd it, madam. | |
IMOGEN. Senseless linen, happier therein than I! | |
And that was all? | |
PISANIO. No, madam; for so long | |
As he could make me with his eye, or care | |
Distinguish him from others, he did keep | |
The deck, with glove, or hat, or handkerchief, | |
Still waving, as the fits and stirs of's mind | |
Could best express how slow his soul sail'd on, | |
How swift his ship. | |
IMOGEN. Thou shouldst have made him | |
As little as a crow, or less, ere left | |
To after-eye him. | |
PISANIO. Madam, so I did. | |
IMOGEN. I would have broke mine eyestrings, crack'd them but | |
To look upon him, till the diminution | |
Of space had pointed him sharp as my needle; | |
Nay, followed him till he had melted from | |
The smallness of a gnat to air, and then | |
Have turn'd mine eye and wept. But, good Pisanio, | |
When shall we hear from him? | |
PISANIO. Be assur'd, madam, | |
With his next vantage. | |
IMOGEN. I did not take my leave of him, but had | |
Most pretty things to say. Ere I could tell him | |
How I would think on him at certain hours | |
Such thoughts and such; or I could make him swear | |
The shes of Italy should not betray | |
Mine interest and his honour; or have charg'd him, | |
At the sixth hour of morn, at noon, at midnight, | |
T' encounter me with orisons, for then | |
I am in heaven for him; or ere I could | |
Give him that parting kiss which I had set | |
Betwixt two charming words, comes in my father, | |
And like the tyrannous breathing of the north | |
Shakes all our buds from growing. | |
Enter a LADY | |
LADY. The Queen, madam, | |
Desires your Highness' company. | |
IMOGEN. Those things I bid you do, get them dispatch'd. | |
I will attend the Queen. | |
PISANIO. Madam, I shall. Exeunt | |
SCENE IV. | |
Rome. PHILARIO'S house | |
Enter PHILARIO, IACHIMO, a FRENCHMAN, a DUTCHMAN, and a SPANIARD | |
IACHIMO. Believe it, sir, I have seen him in Britain. He was then | |
of a crescent note, expected to prove so worthy as since he hath | |
been allowed the name of. But I could then have look'd on him | |
without the help of admiration, though the catalogue of his | |
endowments had been tabled by his side, and I to peruse him by | |
items. | |
PHILARIO. You speak of him when he was less furnish'd than now he | |
is with that which makes him both without and within. | |
FRENCHMAN. I have seen him in France; we had very many there could | |
behold the sun with as firm eyes as he. | |
IACHIMO. This matter of marrying his king's daughter, wherein he | |
must be weighed rather by her value than his own, words him, I | |
doubt not, a great deal from the matter. | |
FRENCHMAN. And then his banishment. | |
IACHIMO. Ay, and the approbation of those that weep this lamentable | |
divorce under her colours are wonderfully to extend him, be it | |
but to fortify her judgment, which else an easy battery might lay | |
flat, for taking a beggar, without less quality. But how comes it | |
he is to sojourn with you? How creeps acquaintance? | |
PHILARIO. His father and I were soldiers together, to whom I have | |
been often bound for no less than my life. | |
Enter POSTHUMUS | |
Here comes the Briton. Let him be so entertained amongst you as | |
suits with gentlemen of your knowing to a stranger of his | |
quality. I beseech you all be better known to this gentleman, | |
whom I commend to you as a noble friend of mine. How worthy he is | |
I will leave to appear hereafter, rather than story him in his | |
own hearing. | |
FRENCHMAN. Sir, we have known together in Orleans. | |
POSTHUMUS. Since when I have been debtor to you for courtesies, | |
which I will be ever to pay and yet pay still. | |
FRENCHMAN. Sir, you o'errate my poor kindness. I was glad I did | |
atone my countryman and you; it had been pity you should have | |
been put together with so mortal a purpose as then each bore, | |
upon importance of so slight and trivial a nature. | |
POSTHUMUS. By your pardon, sir. I was then a young traveller; | |
rather shunn'd to go even with what I heard than in my every | |
action to be guided by others' experiences; but upon my mended | |
judgment- if I offend not to say it is mended- my quarrel was not | |
altogether slight. | |
FRENCHMAN. Faith, yes, to be put to the arbitrement of swords, and | |
by such two that would by all likelihood have confounded one the | |
other or have fall'n both. | |
IACHIMO. Can we, with manners, ask what was the difference? | |
FRENCHMAN. Safely, I think. 'Twas a contention in public, which | |
may, without contradiction, suffer the report. It was much like | |
an argument that fell out last night, where each of us fell in | |
praise of our country mistresses; this gentleman at that time | |
vouching- and upon warrant of bloody affirmation- his to be more | |
fair, virtuous, wise, chaste, constant, qualified, and less | |
attemptable, than any the rarest of our ladies in France. | |
IACHIMO. That lady is not now living, or this gentleman's opinion, | |
by this, worn out. | |
POSTHUMUS. She holds her virtue still, and I my mind. | |
IACHIMO. You must not so far prefer her fore ours of Italy. | |
POSTHUMUS. Being so far provok'd as I was in France, I would abate | |
her nothing, though I profess myself her adorer, not her friend. | |
IACHIMO. As fair and as good- a kind of hand-in-hand comparison- | |
had been something too fair and too good for any lady in Britain. | |
If she went before others I have seen as that diamond of yours | |
outlustres many I have beheld, I could not but believe she | |
excelled many; but I have not seen the most precious diamond that | |
is, nor you the lady. | |
POSTHUMUS. I prais'd her as I rated her. So do I my stone. | |
IACHIMO. What do you esteem it at? | |
POSTHUMUS. More than the world enjoys. | |
IACHIMO. Either your unparagon'd mistress is dead, or she's | |
outpriz'd by a trifle. | |
POSTHUMUS. You are mistaken: the one may be sold or given, if there | |
were wealth enough for the purchase or merit for the gift; the | |
other is not a thing for sale, and only the gift of the gods. | |
IACHIMO. Which the gods have given you? | |
POSTHUMUS. Which by their graces I will keep. | |
IACHIMO. You may wear her in title yours; but you know strange fowl | |
light upon neighbouring ponds. Your ring may be stol'n too. So | |
your brace of unprizable estimations, the one is but frail and | |
the other casual; a cunning thief, or a that-way-accomplish'd | |
courtier, would hazard the winning both of first and last. | |
POSTHUMUS. Your Italy contains none so accomplish'd a courtier to | |
convince the honour of my mistress, if in the holding or loss of | |
that you term her frail. I do nothing doubt you have store of | |
thieves; notwithstanding, I fear not my ring. | |
PHILARIO. Let us leave here, gentlemen. | |
POSTHUMUS. Sir, with all my heart. This worthy signior, I thank | |
him, makes no stranger of me; we are familiar at first. | |
IACHIMO. With five times so much conversation I should get ground | |
of your fair mistress; make her go back even to the yielding, had | |
I admittance and opportunity to friend. | |
POSTHUMUS. No, no. | |
IACHIMO. I dare thereupon pawn the moiety of my estate to your | |
ring, which, in my opinion, o'ervalues it something. But I make | |
my wager rather against your confidence than her reputation; and, | |
to bar your offence herein too, I durst attempt it against any | |
lady in the world. | |
POSTHUMUS. You are a great deal abus'd in too bold a persuasion, | |
and I doubt not you sustain what y'are worthy of by your attempt. | |
IACHIMO. What's that? | |
POSTHUMUS. A repulse; though your attempt, as you call it, deserve | |
more- a punishment too. | |
PHILARIO. Gentlemen, enough of this. It came in too suddenly; let | |
it die as it was born, and I pray you be better acquainted. | |
IACHIMO. Would I had put my estate and my neighbour's on th' | |
approbation of what I have spoke! | |
POSTHUMUS. What lady would you choose to assail? | |
IACHIMO. Yours, whom in constancy you think stands so safe. I will | |
lay you ten thousand ducats to your ring that, commend me to the | |
court where your lady is, with no more advantage than the | |
opportunity of a second conference, and I will bring from thence | |
that honour of hers which you imagine so reserv'd. | |
POSTHUMUS. I will wage against your gold, gold to it. My ring I | |
hold dear as my finger; 'tis part of it. | |
IACHIMO. You are a friend, and therein the wiser. If you buy | |
ladies' flesh at a million a dram, you cannot preserve it from | |
tainting. But I see you have some religion in you, that you fear. | |
POSTHUMUS. This is but a custom in your tongue; you bear a graver | |
purpose, I hope. | |
IACHIMO. I am the master of my speeches, and would undergo what's | |
spoken, I swear. | |
POSTHUMUS. Will you? I Shall but lend my diamond till your return. | |
Let there be covenants drawn between's. My mistress exceeds in | |
goodness the hugeness of your unworthy thinking. I dare you to | |
this match: here's my ring. | |
PHILARIO. I will have it no lay. | |
IACHIMO. By the gods, it is one. If I bring you no sufficient | |
testimony that I have enjoy'd the dearest bodily part of your | |
mistress, my ten thousand ducats are yours; so is your diamond | |
too. If I come off, and leave her in such honour as you have | |
trust in, she your jewel, this your jewel, and my gold are yours- | |
provided I have your commendation for my more free entertainment. | |
POSTHUMUS. I embrace these conditions; let us have articles betwixt | |
us. Only, thus far you shall answer: if you make your voyage upon | |
her, and give me directly to understand you have prevail'd, I am | |
no further your enemy- she is not worth our debate; if she remain | |
unseduc'd, you not making it appear otherwise, for your ill | |
opinion and th' assault you have made to her chastity you shall | |
answer me with your sword. | |
IACHIMO. Your hand- a covenant! We will have these things set down | |
by lawful counsel, and straight away for Britain, lest the | |
bargain should catch cold and starve. I will fetch my gold and | |
have our two wagers recorded. | |
POSTHUMUS. Agreed. Exeunt POSTHUMUS and IACHIMO | |
FRENCHMAN. Will this hold, think you? | |
PHILARIO. Signior Iachimo will not from it. Pray let us follow 'em. | |
Exeunt | |
SCENE V. | |
Britain. CYMBELINE'S palace | |
Enter QUEEN, LADIES, and CORNELIUS | |
QUEEN. Whiles yet the dew's on ground, gather those flowers; | |
Make haste; who has the note of them? | |
LADY. I, madam. | |
QUEEN. Dispatch. Exeunt LADIES | |
Now, Master Doctor, have you brought those drugs? | |
CORNELIUS. Pleaseth your Highness, ay. Here they are, madam. | |
[Presenting a box] | |
But I beseech your Grace, without offence- | |
My conscience bids me ask- wherefore you have | |
Commanded of me these most poisonous compounds | |
Which are the movers of a languishing death, | |
But, though slow, deadly? | |
QUEEN. I wonder, Doctor, | |
Thou ask'st me such a question. Have I not been | |
Thy pupil long? Hast thou not learn'd me how | |
To make perfumes? distil? preserve? yea, so | |
That our great king himself doth woo me oft | |
For my confections? Having thus far proceeded- | |
Unless thou think'st me devilish- is't not meet | |
That I did amplify my judgment in | |
Other conclusions? I will try the forces | |
Of these thy compounds on such creatures as | |
We count not worth the hanging- but none human- | |
To try the vigour of them, and apply | |
Allayments to their act, and by them gather | |
Their several virtues and effects. | |
CORNELIUS. Your Highness | |
Shall from this practice but make hard your heart; | |
Besides, the seeing these effects will be | |
Both noisome and infectious. | |
QUEEN. O, content thee. | |
Enter PISANIO | |
[Aside] Here comes a flattering rascal; upon him | |
Will I first work. He's for his master, | |
An enemy to my son.- How now, Pisanio! | |
Doctor, your service for this time is ended; | |
Take your own way. | |
CORNELIUS. [Aside] I do suspect you, madam; | |
But you shall do no harm. | |
QUEEN. [To PISANIO] Hark thee, a word. | |
CORNELIUS. [Aside] I do not like her. She doth think she has | |
Strange ling'ring poisons. I do know her spirit, | |
And will not trust one of her malice with | |
A drug of such damn'd nature. Those she has | |
Will stupefy and dull the sense awhile, | |
Which first perchance she'll prove on cats and dogs, | |
Then afterward up higher; but there is | |
No danger in what show of death it makes, | |
More than the locking up the spirits a time, | |
To be more fresh, reviving. She is fool'd | |
With a most false effect; and I the truer | |
So to be false with her. | |
QUEEN. No further service, Doctor, | |
Until I send for thee. | |
CORNELIUS. I humbly take my leave. Exit | |
QUEEN. Weeps she still, say'st thou? Dost thou think in time | |
She will not quench, and let instructions enter | |
Where folly now possesses? Do thou work. | |
When thou shalt bring me word she loves my son, | |
I'll tell thee on the instant thou art then | |
As great as is thy master; greater, for | |
His fortunes all lie speechless, and his name | |
Is at last gasp. Return he cannot, nor | |
Continue where he is. To shift his being | |
Is to exchange one misery with another, | |
And every day that comes comes comes to | |
A day's work in him. What shalt thou expect | |
To be depender on a thing that leans, | |
Who cannot be new built, nor has no friends | |
So much as but to prop him? | |
[The QUEEN drops the box. PISANIO takes it up] | |
Thou tak'st up | |
Thou know'st not what; but take it for thy labour. | |
It is a thing I made, which hath the King | |
Five times redeem'd from death. I do not know | |
What is more cordial. Nay, I prithee take it; | |
It is an earnest of a further good | |
That I mean to thee. Tell thy mistress how | |
The case stands with her; do't as from thyself. | |
Think what a chance thou changest on; but think | |
Thou hast thy mistress still; to boot, my son, | |
Who shall take notice of thee. I'll move the King | |
To any shape of thy preferment, such | |
As thou'lt desire; and then myself, I chiefly, | |
That set thee on to this desert, am bound | |
To load thy merit richly. Call my women. | |
Think on my words. Exit PISANIO | |
A sly and constant knave, | |
Not to be shak'd; the agent for his master, | |
And the remembrancer of her to hold | |
The hand-fast to her lord. I have given him that | |
Which, if he take, shall quite unpeople her | |
Of leigers for her sweet; and which she after, | |
Except she bend her humour, shall be assur'd | |
To taste of too. | |
Re-enter PISANIO and LADIES | |
So, so. Well done, well done. | |
The violets, cowslips, and the primroses, | |
Bear to my closet. Fare thee well, Pisanio; | |
Think on my words. Exeunt QUEEN and LADIES | |
PISANIO. And shall do. | |
But when to my good lord I prove untrue | |
I'll choke myself- there's all I'll do for you. Exit | |
SCENE VI. | |
Britain. The palace | |
Enter IMOGEN alone | |
IMOGEN. A father cruel and a step-dame false; | |
A foolish suitor to a wedded lady | |
That hath her husband banish'd. O, that husband! | |
My supreme crown of grief! and those repeated | |
Vexations of it! Had I been thief-stol'n, | |
As my two brothers, happy! but most miserable | |
Is the desire that's glorious. Blessed be those, | |
How mean soe'er, that have their honest wills, | |
Which seasons comfort. Who may this be? Fie! | |
Enter PISANIO and IACHIMO | |
PISANIO. Madam, a noble gentleman of Rome | |
Comes from my lord with letters. | |
IACHIMO. Change you, madam? | |
The worthy Leonatus is in safety, | |
And greets your Highness dearly. [Presents a letter] | |
IMOGEN. Thanks, good sir. | |
You're kindly welcome. | |
IACHIMO. [Aside] All of her that is out of door most rich! | |
If she be furnish'd with a mind so rare, | |
She is alone th' Arabian bird, and I | |
Have lost the wager. Boldness be my friend! | |
Arm me, audacity, from head to foot! | |
Or, like the Parthian, I shall flying fight; | |
Rather, directly fly. | |
IMOGEN. [Reads] 'He is one of the noblest note, to whose | |
kindnesses I am most infinitely tied. Reflect upon him | |
accordingly, as you value your trust. LEONATUS.' | |
So far I read aloud; | |
But even the very middle of my heart | |
Is warm'd by th' rest and takes it thankfully. | |
You are as welcome, worthy sir, as I | |
Have words to bid you; and shall find it so | |
In all that I can do. | |
IACHIMO. Thanks, fairest lady. | |
What, are men mad? Hath nature given them eyes | |
To see this vaulted arch and the rich crop | |
Of sea and land, which can distinguish 'twixt | |
The fiery orbs above and the twinn'd stones | |
Upon the number'd beach, and can we not | |
Partition make with spectacles so precious | |
'Twixt fair and foul? | |
IMOGEN. What makes your admiration? | |
IACHIMO. It cannot be i' th' eye, for apes and monkeys, | |
'Twixt two such shes, would chatter this way and | |
Contemn with mows the other; nor i' th' judgment, | |
For idiots in this case of favour would | |
Be wisely definite; nor i' th' appetite; | |
Sluttery, to such neat excellence oppos'd, | |
Should make desire vomit emptiness, | |
Not so allur'd to feed. | |
IMOGEN. What is the matter, trow? | |
IACHIMO. The cloyed will- | |
That satiate yet unsatisfied desire, that tub | |
Both fill'd and running- ravening first the lamb, | |
Longs after for the garbage. | |
IMOGEN. What, dear sir, | |
Thus raps you? Are you well? | |
IACHIMO. Thanks, madam; well.- Beseech you, sir, | |
Desire my man's abode where I did leave him. | |
He's strange and peevish. | |
PISANIO. I was going, sir, | |
To give him welcome. Exit | |
IMOGEN. Continues well my lord? His health beseech you? | |
IACHIMO. Well, madam. | |
IMOGEN. Is he dispos'd to mirth? I hope he is. | |
IACHIMO. Exceeding pleasant; none a stranger there | |
So merry and so gamesome. He is call'd | |
The Britain reveller. | |
IMOGEN. When he was here | |
He did incline to sadness, and oft-times | |
Not knowing why. | |
IACHIMO. I never saw him sad. | |
There is a Frenchman his companion, one | |
An eminent monsieur that, it seems, much loves | |
A Gallian girl at home. He furnaces | |
The thick sighs from him; whiles the jolly Briton- | |
Your lord, I mean- laughs from's free lungs, cries 'O, | |
Can my sides hold, to think that man- who knows | |
By history, report, or his own proof, | |
What woman is, yea, what she cannot choose | |
But must be- will's free hours languish for | |
Assured bondage?' | |
IMOGEN. Will my lord say so? | |
IACHIMO. Ay, madam, with his eyes in flood with laughter. | |
It is a recreation to be by | |
And hear him mock the Frenchman. But heavens know | |
Some men are much to blame. | |
IMOGEN. Not he, I hope. | |
IACHIMO. Not he; but yet heaven's bounty towards him might | |
Be us'd more thankfully. In himself, 'tis much; | |
In you, which I account his, beyond all talents. | |
Whilst I am bound to wonder, I am bound | |
To pity too. | |
IMOGEN. What do you pity, sir? | |
IACHIMO. Two creatures heartily. | |
IMOGEN. Am I one, sir? | |
You look on me: what wreck discern you in me | |
Deserves your pity? | |
IACHIMO. Lamentable! What, | |
To hide me from the radiant sun and solace | |
I' th' dungeon by a snuff? | |
IMOGEN. I pray you, sir, | |
Deliver with more openness your answers | |
To my demands. Why do you pity me? | |
IACHIMO. That others do, | |
I was about to say, enjoy your- But | |
It is an office of the gods to venge it, | |
Not mine to speak on't. | |
IMOGEN. You do seem to know | |
Something of me, or what concerns me; pray you- | |
Since doubting things go ill often hurts more | |
Than to be sure they do; for certainties | |
Either are past remedies, or, timely knowing, | |
The remedy then born- discover to me | |
What both you spur and stop. | |
IACHIMO. Had I this cheek | |
To bathe my lips upon; this hand, whose touch, | |
Whose every touch, would force the feeler's soul | |
To th' oath of loyalty; this object, which | |
Takes prisoner the wild motion of mine eye, | |
Fixing it only here; should I, damn'd then, | |
Slaver with lips as common as the stairs | |
That mount the Capitol; join gripes with hands | |
Made hard with hourly falsehood- falsehood as | |
With labour; then by-peeping in an eye | |
Base and illustrious as the smoky light | |
That's fed with stinking tallow- it were fit | |
That all the plagues of hell should at one time | |
Encounter such revolt. | |
IMOGEN. My lord, I fear, | |
Has forgot Britain. | |
IACHIMO. And himself. Not I | |
Inclin'd to this intelligence pronounce | |
The beggary of his change; but 'tis your graces | |
That from my mutest conscience to my tongue | |
Charms this report out. | |
IMOGEN. Let me hear no more. | |
IACHIMO. O dearest soul, your cause doth strike my heart | |
With pity that doth make me sick! A lady | |
So fair, and fasten'd to an empery, | |
Would make the great'st king double, to be partner'd | |
With tomboys hir'd with that self exhibition | |
Which your own coffers yield! with diseas'd ventures | |
That play with all infirmities for gold | |
Which rottenness can lend nature! such boil'd stuff | |
As well might poison poison! Be reveng'd; | |
Or she that bore you was no queen, and you | |
Recoil from your great stock. | |
IMOGEN. Reveng'd? | |
How should I be reveng'd? If this be true- | |
As I have such a heart that both mine ears | |
Must not in haste abuse- if it be true, | |
How should I be reveng'd? | |
IACHIMO. Should he make me | |
Live like Diana's priest betwixt cold sheets, | |
Whiles he is vaulting variable ramps, | |
In your despite, upon your purse? Revenge it. | |
I dedicate myself to your sweet pleasure, | |
More noble than that runagate to your bed, | |
And will continue fast to your affection, | |
Still close as sure. | |
IMOGEN. What ho, Pisanio! | |
IACHIMO. Let me my service tender on your lips. | |
IMOGEN. Away! I do condemn mine ears that have | |
So long attended thee. If thou wert honourable, | |
Thou wouldst have told this tale for virtue, not | |
For such an end thou seek'st, as base as strange. | |
Thou wrong'st a gentleman who is as far | |
From thy report as thou from honour; and | |
Solicits here a lady that disdains | |
Thee and the devil alike.- What ho, Pisanio!- | |
The King my father shall be made acquainted | |
Of thy assault. If he shall think it fit | |
A saucy stranger in his court to mart | |
As in a Romish stew, and to expound | |
His beastly mind to us, he hath a court | |
He little cares for, and a daughter who | |
He not respects at all.- What ho, Pisanio! | |
IACHIMO. O happy Leonatus! I may say | |
The credit that thy lady hath of thee | |
Deserves thy trust, and thy most perfect goodness | |
Her assur'd credit. Blessed live you long, | |
A lady to the worthiest sir that ever | |
Country call'd his! and you his mistress, only | |
For the most worthiest fit! Give me your pardon. | |
I have spoke this to know if your affiance | |
Were deeply rooted, and shall make your lord | |
That which he is new o'er; and he is one | |
The truest manner'd, such a holy witch | |
That he enchants societies into him, | |
Half all men's hearts are his. | |
IMOGEN. You make amends. | |
IACHIMO. He sits 'mongst men like a descended god: | |
He hath a kind of honour sets him of | |
More than a mortal seeming. Be not angry, | |
Most mighty Princess, that I have adventur'd | |
To try your taking of a false report, which hath | |
Honour'd with confirmation your great judgment | |
In the election of a sir so rare, | |
Which you know cannot err. The love I bear him | |
Made me to fan you thus; but the gods made you, | |
Unlike all others, chaffless. Pray your pardon. | |
IMOGEN. All's well, sir; take my pow'r i' th' court for yours. | |
IACHIMO. My humble thanks. I had almost forgot | |
T' entreat your Grace but in a small request, | |
And yet of moment too, for it concerns | |
Your lord; myself and other noble friends | |
Are partners in the business. | |
IMOGEN. Pray what is't? | |
IACHIMO. Some dozen Romans of us, and your lord- | |
The best feather of our wing- have mingled sums | |
To buy a present for the Emperor; | |
Which I, the factor for the rest, have done | |
In France. 'Tis plate of rare device, and jewels | |
Of rich and exquisite form, their values great; | |
And I am something curious, being strange, | |
To have them in safe stowage. May it please you | |
To take them in protection? | |
IMOGEN. Willingly; | |
And pawn mine honour for their safety. Since | |
My lord hath interest in them, I will keep them | |
In my bedchamber. | |
IACHIMO. They are in a trunk, | |
Attended by my men. I will make bold | |
To send them to you only for this night; | |
I must aboard to-morrow. | |
IMOGEN. O, no, no. | |
IACHIMO. Yes, I beseech; or I shall short my word | |
By length'ning my return. From Gallia | |
I cross'd the seas on purpose and on promise | |
To see your Grace. | |
IMOGEN. I thank you for your pains. | |
But not away to-morrow! | |
IACHIMO. O, I must, madam. | |
Therefore I shall beseech you, if you please | |
To greet your lord with writing, do't to-night. | |
I have outstood my time, which is material | |
'To th' tender of our present. | |
IMOGEN. I will write. | |
Send your trunk to me; it shall safe be kept | |
And truly yielded you. You're very welcome. Exeunt | |
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ACT II. SCENE I. | |
Britain. Before CYMBELINE'S palace | |
Enter CLOTEN and the two LORDS | |
CLOTEN. Was there ever man had such luck! When I kiss'd the jack, | |
upon an up-cast to be hit away! I had a hundred pound on't; and | |
then a whoreson jackanapes must take me up for swearing, as if I | |
borrowed mine oaths of him, and might not spend them at my | |
pleasure. | |
FIRST LORD. What got he by that? You have broke his pate with your | |
bowl. | |
SECOND LORD. [Aside] If his wit had been like him that broke it, it | |
would have run all out. | |
CLOTEN. When a gentleman is dispos'd to swear, it is not for any | |
standers-by to curtail his oaths. Ha? | |
SECOND LORD. No, my lord; [Aside] nor crop the ears of them. | |
CLOTEN. Whoreson dog! I give him satisfaction? Would he had been | |
one of my rank! | |
SECOND LORD. [Aside] To have smell'd like a fool. | |
CLOTEN. I am not vex'd more at anything in th' earth. A pox on't! I | |
had rather not be so noble as I am; they dare not fight with me, | |
because of the Queen my mother. Every jackslave hath his bellyful | |
of fighting, and I must go up and down like a cock that nobody | |
can match. | |
SECOND LORD. [Aside] You are cock and capon too; and you crow, | |
cock, with your comb on. | |
CLOTEN. Sayest thou? | |
SECOND LORD. It is not fit your lordship should undertake every | |
companion that you give offence to. | |
CLOTEN. No, I know that; but it is fit I should commit offence to | |
my inferiors. | |
SECOND LORD. Ay, it is fit for your lordship only. | |
CLOTEN. Why, so I say. | |
FIRST LORD. Did you hear of a stranger that's come to court | |
to-night? | |
CLOTEN. A stranger, and I not known on't? | |
SECOND LORD. [Aside] He's a strange fellow himself, and knows it | |
not. | |
FIRST LORD. There's an Italian come, and, 'tis thought, one of | |
Leonatus' friends. | |
CLOTEN. Leonatus? A banish'd rascal; and he's another, whatsoever | |
he be. Who told you of this stranger? | |
FIRST LORD. One of your lordship's pages. | |
CLOTEN. Is it fit I went to look upon him? Is there no derogation | |
in't? | |
SECOND LORD. You cannot derogate, my lord. | |
CLOTEN. Not easily, I think. | |
SECOND LORD. [Aside] You are a fool granted; therefore your issues, | |
being foolish, do not derogate. | |
CLOTEN. Come, I'll go see this Italian. What I have lost to-day at | |
bowls I'll win to-night of him. Come, go. | |
SECOND LORD. I'll attend your lordship. | |
Exeunt CLOTEN and FIRST LORD | |
That such a crafty devil as is his mother | |
Should yield the world this ass! A woman that | |
Bears all down with her brain; and this her son | |
Cannot take two from twenty, for his heart, | |
And leave eighteen. Alas, poor princess, | |
Thou divine Imogen, what thou endur'st, | |
Betwixt a father by thy step-dame govern'd, | |
A mother hourly coining plots, a wooer | |
More hateful than the foul expulsion is | |
Of thy dear husband, than that horrid act | |
Of the divorce he'd make! The heavens hold firm | |
The walls of thy dear honour, keep unshak'd | |
That temple, thy fair mind, that thou mayst stand | |
T' enjoy thy banish'd lord and this great land! Exit | |
SCENE II. | |
Britain. IMOGEN'S bedchamber in CYMBELINE'S palace; a trunk in one corner | |
Enter IMOGEN in her bed, and a LADY attending | |
IMOGEN. Who's there? My woman? Helen? | |
LADY. Please you, madam. | |
IMOGEN. What hour is it? | |
LADY. Almost midnight, madam. | |
IMOGEN. I have read three hours then. Mine eyes are weak; | |
Fold down the leaf where I have left. To bed. | |
Take not away the taper, leave it burning; | |
And if thou canst awake by four o' th' clock, | |
I prithee call me. Sleep hath seiz'd me wholly. Exit LADY | |
To your protection I commend me, gods. | |
From fairies and the tempters of the night | |
Guard me, beseech ye! | |
[Sleeps. IACHIMO comes from the trunk] | |
IACHIMO. The crickets sing, and man's o'er-labour'd sense | |
Repairs itself by rest. Our Tarquin thus | |
Did softly press the rushes ere he waken'd | |
The chastity he wounded. Cytherea, | |
How bravely thou becom'st thy bed! fresh lily, | |
And whiter than the sheets! That I might touch! | |
But kiss; one kiss! Rubies unparagon'd, | |
How dearly they do't! 'Tis her breathing that | |
Perfumes the chamber thus. The flame o' th' taper | |
Bows toward her and would under-peep her lids | |
To see th' enclosed lights, now canopied | |
Under these windows white and azure, lac'd | |
With blue of heaven's own tinct. But my design | |
To note the chamber. I will write all down: | |
Such and such pictures; there the window; such | |
Th' adornment of her bed; the arras, figures- | |
Why, such and such; and the contents o' th' story. | |
Ah, but some natural notes about her body | |
Above ten thousand meaner movables | |
Would testify, t' enrich mine inventory. | |
O sleep, thou ape of death, lie dull upon her! | |
And be her sense but as a monument, | |
Thus in a chapel lying! Come off, come off; | |
[Taking off her bracelet] | |
As slippery as the Gordian knot was hard! | |
'Tis mine; and this will witness outwardly, | |
As strongly as the conscience does within, | |
To th' madding of her lord. On her left breast | |
A mole cinque-spotted, like the crimson drops | |
I' th' bottom of a cowslip. Here's a voucher | |
Stronger than ever law could make; this secret | |
Will force him think I have pick'd the lock and ta'en | |
The treasure of her honour. No more. To what end? | |
Why should I write this down that's riveted, | |
Screw'd to my memory? She hath been reading late | |
The tale of Tereus; here the leaf's turn'd down | |
Where Philomel gave up. I have enough. | |
To th' trunk again, and shut the spring of it. | |
Swift, swift, you dragons of the night, that dawning | |
May bare the raven's eye! I lodge in fear; | |
Though this a heavenly angel, hell is here. [Clock strikes] | |
One, two, three. Time, time! Exit into the trunk | |
SCENE III. | |
CYMBELINE'S palace. An ante-chamber adjoining IMOGEN'S apartments | |
Enter CLOTEN and LORDS | |
FIRST LORD. Your lordship is the most patient man in loss, the most | |
coldest that ever turn'd up ace. | |
CLOTEN. It would make any man cold to lose. | |
FIRST LORD. But not every man patient after the noble temper of | |
your lordship. You are most hot and furious when you win. | |
CLOTEN. Winning will put any man into courage. If I could get this | |
foolish Imogen, I should have gold enough. It's almost morning, | |
is't not? | |
FIRST LORD. Day, my lord. | |
CLOTEN. I would this music would come. I am advised to give her | |
music a mornings; they say it will penetrate. | |
Enter musicians | |
Come on, tune. If you can penetrate her with your fingering, so. | |
We'll try with tongue too. If none will do, let her remain; but | |
I'll never give o'er. First, a very excellent good-conceited | |
thing; after, a wonderful sweet air, with admirable rich words to | |
it- and then let her consider. | |
SONG | |
Hark, hark! the lark at heaven's gate sings, | |
And Phoebus 'gins arise, | |
His steeds to water at those springs | |
On chalic'd flow'rs that lies; | |
And winking Mary-buds begin | |
To ope their golden eyes. | |
With everything that pretty bin, | |
My lady sweet, arise; | |
Arise, arise! | |
So, get you gone. If this penetrate, I will consider your music | |
the better; if it do not, it is a vice in her ears which | |
horsehairs and calves' guts, nor the voice of unpaved eunuch to | |
boot, can never amend. Exeunt musicians | |
Enter CYMBELINE and QUEEN | |
SECOND LORD. Here comes the King. | |
CLOTEN. I am glad I was up so late, for that's the reason I was up | |
so early. He cannot choose but take this service I have done | |
fatherly.- Good morrow to your Majesty and to my gracious mother. | |
CYMBELINE. Attend you here the door of our stern daughter? | |
Will she not forth? | |
CLOTEN. I have assail'd her with musics, but she vouchsafes no | |
notice. | |
CYMBELINE. The exile of her minion is too new; | |
She hath not yet forgot him; some more time | |
Must wear the print of his remembrance out, | |
And then she's yours. | |
QUEEN. You are most bound to th' King, | |
Who lets go by no vantages that may | |
Prefer you to his daughter. Frame yourself | |
To orderly soliciting, and be friended | |
With aptness of the season; make denials | |
Increase your services; so seem as if | |
You were inspir'd to do those duties which | |
You tender to her; that you in all obey her, | |
Save when command to your dismission tends, | |
And therein you are senseless. | |
CLOTEN. Senseless? Not so. | |
Enter a MESSENGER | |
MESSENGER. So like you, sir, ambassadors from Rome; | |
The one is Caius Lucius. | |
CYMBELINE. A worthy fellow, | |
Albeit he comes on angry purpose now; | |
But that's no fault of his. We must receive him | |
According to the honour of his sender; | |
And towards himself, his goodness forespent on us, | |
We must extend our notice. Our dear son, | |
When you have given good morning to your mistress, | |
Attend the Queen and us; we shall have need | |
T' employ you towards this Roman. Come, our queen. | |
Exeunt all but CLOTEN | |
CLOTEN. If she be up, I'll speak with her; if not, | |
Let her lie still and dream. By your leave, ho! [Knocks] | |
I know her women are about her; what | |
If I do line one of their hands? 'Tis gold | |
Which buys admittance; oft it doth-yea, and makes | |
Diana's rangers false themselves, yield up | |
Their deer to th' stand o' th' stealer; and 'tis gold | |
Which makes the true man kill'd and saves the thief; | |
Nay, sometime hangs both thief and true man. What | |
Can it not do and undo? I will make | |
One of her women lawyer to me, for | |
I yet not understand the case myself. | |
By your leave. [Knocks] | |
Enter a LADY | |
LADY. Who's there that knocks? | |
CLOTEN. A gentleman. | |
LADY. No more? | |
CLOTEN. Yes, and a gentlewoman's son. | |
LADY. That's more | |
Than some whose tailors are as dear as yours | |
Can justly boast of. What's your lordship's pleasure? | |
CLOTEN. Your lady's person; is she ready? | |
LADY. Ay, | |
To keep her chamber. | |
CLOTEN. There is gold for you; sell me your good report. | |
LADY. How? My good name? or to report of you | |
What I shall think is good? The Princess! | |
Enter IMOGEN | |
CLOTEN. Good morrow, fairest sister. Your sweet hand. | |
Exit LADY | |
IMOGEN. Good morrow, sir. You lay out too much pains | |
For purchasing but trouble. The thanks I give | |
Is telling you that I am poor of thanks, | |
And scarce can spare them. | |
CLOTEN. Still I swear I love you. | |
IMOGEN. If you but said so, 'twere as deep with me. | |
If you swear still, your recompense is still | |
That I regard it not. | |
CLOTEN. This is no answer. | |
IMOGEN. But that you shall not say I yield, being silent, | |
I would not speak. I pray you spare me. Faith, | |
I shall unfold equal discourtesy | |
To your best kindness; one of your great knowing | |
Should learn, being taught, forbearance. | |
CLOTEN. To leave you in your madness 'twere my sin; | |
I will not. | |
IMOGEN. Fools are not mad folks. | |
CLOTEN. Do you call me fool? | |
IMOGEN. As I am mad, I do; | |
If you'll be patient, I'll no more be mad; | |
That cures us both. I am much sorry, sir, | |
You put me to forget a lady's manners | |
By being so verbal; and learn now, for all, | |
That I, which know my heart, do here pronounce, | |
By th' very truth of it, I care not for you, | |
And am so near the lack of charity | |
To accuse myself I hate you; which I had rather | |
You felt than make't my boast. | |
CLOTEN. You sin against | |
Obedience, which you owe your father. For | |
The contract you pretend with that base wretch, | |
One bred of alms and foster'd with cold dishes, | |
With scraps o' th' court- it is no contract, none. | |
And though it be allowed in meaner parties- | |
Yet who than he more mean?- to knit their souls- | |
On whom there is no more dependency | |
But brats and beggary- in self-figur'd knot, | |
Yet you are curb'd from that enlargement by | |
The consequence o' th' crown, and must not foil | |
The precious note of it with a base slave, | |
A hilding for a livery, a squire's cloth, | |
A pantler- not so eminent! | |
IMOGEN. Profane fellow! | |
Wert thou the son of Jupiter, and no more | |
But what thou art besides, thou wert too base | |
To be his groom. Thou wert dignified enough, | |
Even to the point of envy, if 'twere made | |
Comparative for your virtues to be styl'd | |
The under-hangman of his kingdom, and hated | |
For being preferr'd so well. | |
CLOTEN. The south fog rot him! | |
IMOGEN. He never can meet more mischance than come | |
To be but nam'd of thee. His mean'st garment | |
That ever hath but clipp'd his body is dearer | |
In my respect than all the hairs above thee, | |
Were they all made such men. How now, Pisanio! | |
Enter PISANIO | |
CLOTEN. 'His garments'! Now the devil- | |
IMOGEN. To Dorothy my woman hie thee presently. | |
CLOTEN. 'His garment'! | |
IMOGEN. I am sprited with a fool; | |
Frighted, and ang'red worse. Go bid my woman | |
Search for a jewel that too casually | |
Hath left mine arm. It was thy master's; shrew me, | |
If I would lose it for a revenue | |
Of any king's in Europe! I do think | |
I saw't this morning; confident I am | |
Last night 'twas on mine arm; I kiss'd it. | |
I hope it be not gone to tell my lord | |
That I kiss aught but he. | |
PISANIO. 'Twill not be lost. | |
IMOGEN. I hope so. Go and search. Exit PISANIO | |
CLOTEN. You have abus'd me. | |
'His meanest garment'! | |
IMOGEN. Ay, I said so, sir. | |
If you will make 't an action, call witness to 't. | |
CLOTEN. I will inform your father. | |
IMOGEN. Your mother too. | |
She's my good lady and will conceive, I hope, | |
But the worst of me. So I leave you, sir, | |
To th' worst of discontent. Exit | |
CLOTEN. I'll be reveng'd. | |
'His mean'st garment'! Well. Exit | |
SCENE IV. | |
Rome. PHILARIO'S house | |
Enter POSTHUMUS and PHILARIO | |
POSTHUMUS. Fear it not, sir; I would I were so sure | |
To win the King as I am bold her honour | |
Will remain hers. | |
PHILARIO. What means do you make to him? | |
POSTHUMUS. Not any; but abide the change of time, | |
Quake in the present winter's state, and wish | |
That warmer days would come. In these fear'd hopes | |
I barely gratify your love; they failing, | |
I must die much your debtor. | |
PHILARIO. Your very goodness and your company | |
O'erpays all I can do. By this your king | |
Hath heard of great Augustus. Caius Lucius | |
Will do's commission throughly; and I think | |
He'll grant the tribute, send th' arrearages, | |
Or look upon our Romans, whose remembrance | |
Is yet fresh in their grief. | |
POSTHUMUS. I do believe | |
Statist though I am none, nor like to be, | |
That this will prove a war; and you shall hear | |
The legions now in Gallia sooner landed | |
In our not-fearing Britain than have tidings | |
Of any penny tribute paid. Our countrymen | |
Are men more order'd than when Julius Caesar | |
Smil'd at their lack of skill, but found their courage | |
Worthy his frowning at. Their discipline, | |
Now mingled with their courages, will make known | |
To their approvers they are people such | |
That mend upon the world. | |
Enter IACHIMO | |
PHILARIO. See! Iachimo! | |
POSTHUMUS. The swiftest harts have posted you by land, | |
And winds of all the comers kiss'd your sails, | |
To make your vessel nimble. | |
PHILARIO. Welcome, sir. | |
POSTHUMUS. I hope the briefness of your answer made | |
The speediness of your return. | |
IACHIMO. Your lady | |
Is one of the fairest that I have look'd upon. | |
POSTHUMUS. And therewithal the best; or let her beauty | |
Look through a casement to allure false hearts, | |
And be false with them. | |
IACHIMO. Here are letters for you. | |
POSTHUMUS. Their tenour good, I trust. | |
IACHIMO. 'Tis very like. | |
PHILARIO. Was Caius Lucius in the Britain court | |
When you were there? | |
IACHIMO. He was expected then, | |
But not approach'd. | |
POSTHUMUS. All is well yet. | |
Sparkles this stone as it was wont, or is't not | |
Too dull for your good wearing? | |
IACHIMO. If I have lost it, | |
I should have lost the worth of it in gold. | |
I'll make a journey twice as far t' enjoy | |
A second night of such sweet shortness which | |
Was mine in Britain; for the ring is won. | |
POSTHUMUS. The stone's too hard to come by. | |
IACHIMO. Not a whit, | |
Your lady being so easy. | |
POSTHUMUS. Make not, sir, | |
Your loss your sport. I hope you know that we | |
Must not continue friends. | |
IACHIMO. Good sir, we must, | |
If you keep covenant. Had I not brought | |
The knowledge of your mistress home, I grant | |
We were to question farther; but I now | |
Profess myself the winner of her honour, | |
Together with your ring; and not the wronger | |
Of her or you, having proceeded but | |
By both your wills. | |
POSTHUMUS. If you can make't apparent | |
That you have tasted her in bed, my hand | |
And ring is yours. If not, the foul opinion | |
You had of her pure honour gains or loses | |
Your sword or mine, or masterless leaves both | |
To who shall find them. | |
IACHIMO. Sir, my circumstances, | |
Being so near the truth as I will make them, | |
Must first induce you to believe- whose strength | |
I will confirm with oath; which I doubt not | |
You'll give me leave to spare when you shall find | |
You need it not. | |
POSTHUMUS. Proceed. | |
IACHIMO. First, her bedchamber, | |
Where I confess I slept not, but profess | |
Had that was well worth watching-it was hang'd | |
With tapestry of silk and silver; the story, | |
Proud Cleopatra when she met her Roman | |
And Cydnus swell'd above the banks, or for | |
The press of boats or pride. A piece of work | |
So bravely done, so rich, that it did strive | |
In workmanship and value; which I wonder'd | |
Could be so rarely and exactly wrought, | |
Since the true life on't was- | |
POSTHUMUS. This is true; | |
And this you might have heard of here, by me | |
Or by some other. | |
IACHIMO. More particulars | |
Must justify my knowledge. | |
POSTHUMUS. So they must, | |
Or do your honour injury. | |
IACHIMO. The chimney | |
Is south the chamber, and the chimneypiece | |
Chaste Dian bathing. Never saw I figures | |
So likely to report themselves. The cutter | |
Was as another nature, dumb; outwent her, | |
Motion and breath left out. | |
POSTHUMUS. This is a thing | |
Which you might from relation likewise reap, | |
Being, as it is, much spoke of. | |
IACHIMO. The roof o' th' chamber | |
With golden cherubins is fretted; her andirons- | |
I had forgot them- were two winking Cupids | |
Of silver, each on one foot standing, nicely | |
Depending on their brands. | |
POSTHUMUS. This is her honour! | |
Let it be granted you have seen all this, and praise | |
Be given to your remembrance; the description | |
Of what is in her chamber nothing saves | |
The wager you have laid. | |
IACHIMO. Then, if you can, [Shows the bracelet] | |
Be pale. I beg but leave to air this jewel. See! | |
And now 'tis up again. It must be married | |
To that your diamond; I'll keep them. | |
POSTHUMUS. Jove! | |
Once more let me behold it. Is it that | |
Which I left with her? | |
IACHIMO. Sir- I thank her- that. | |
She stripp'd it from her arm; I see her yet; | |
Her pretty action did outsell her gift, | |
And yet enrich'd it too. She gave it me, and said | |
She priz'd it once. | |
POSTHUMUS. May be she pluck'd it of | |
To send it me. | |
IACHIMO. She writes so to you, doth she? | |
POSTHUMUS. O, no, no, no! 'tis true. Here, take this too; | |
[Gives the ring] | |
It is a basilisk unto mine eye, | |
Kills me to look on't. Let there be no honour | |
Where there is beauty; truth where semblance; love | |
Where there's another man. The vows of women | |
Of no more bondage be to where they are made | |
Than they are to their virtues, which is nothing. | |
O, above measure false! | |
PHILARIO. Have patience, sir, | |
And take your ring again; 'tis not yet won. | |
It may be probable she lost it, or | |
Who knows if one her women, being corrupted | |
Hath stol'n it from her? | |
POSTHUMUS. Very true; | |
And so I hope he came by't. Back my ring. | |
Render to me some corporal sign about her, | |
More evident than this; for this was stol'n. | |
IACHIMO. By Jupiter, I had it from her arm! | |
POSTHUMUS. Hark you, he swears; by Jupiter he swears. | |
'Tis true- nay, keep the ring, 'tis true. I am sure | |
She would not lose it. Her attendants are | |
All sworn and honourable- they induc'd to steal it! | |
And by a stranger! No, he hath enjoy'd her. | |
The cognizance of her incontinency | |
Is this: she hath bought the name of whore thus dearly. | |
There, take thy hire; and all the fiends of hell | |
Divide themselves between you! | |
PHILARIO. Sir, be patient; | |
This is not strong enough to be believ'd | |
Of one persuaded well of. | |
POSTHUMUS. Never talk on't; | |
She hath been colted by him. | |
IACHIMO. If you seek | |
For further satisfying, under her breast- | |
Worthy the pressing- lies a mole, right proud | |
Of that most delicate lodging. By my life, | |
I kiss'd it; and it gave me present hunger | |
To feed again, though full. You do remember | |
This stain upon her? | |
POSTHUMUS. Ay, and it doth confirm | |
Another stain, as big as hell can hold, | |
Were there no more but it. | |
IACHIMO. Will you hear more? | |
POSTHUMUS. Spare your arithmetic; never count the turns. | |
Once, and a million! | |
IACHIMO. I'll be sworn- | |
POSTHUMUS. No swearing. | |
If you will swear you have not done't, you lie; | |
And I will kill thee if thou dost deny | |
Thou'st made me cuckold. | |
IACHIMO. I'll deny nothing. | |
POSTHUMUS. O that I had her here to tear her limb-meal! | |
I will go there and do't, i' th' court, before | |
Her father. I'll do something- Exit | |
PHILARIO. Quite besides | |
The government of patience! You have won. | |
Let's follow him and pervert the present wrath | |
He hath against himself. | |
IACHIMO. With all my heart. Exeunt | |
SCENE V. | |
Rome. Another room in PHILARIO'S house | |
Enter POSTHUMUS | |
POSTHUMUS. Is there no way for men to be, but women | |
Must be half-workers? We are all bastards, | |
And that most venerable man which I | |
Did call my father was I know not where | |
When I was stamp'd. Some coiner with his tools | |
Made me a counterfeit; yet my mother seem'd | |
The Dian of that time. So doth my wife | |
The nonpareil of this. O, vengeance, vengeance! | |
Me of my lawful pleasure she restrain'd, | |
And pray'd me oft forbearance; did it with | |
A pudency so rosy, the sweet view on't | |
Might well have warm'd old Saturn; that I thought her | |
As chaste as unsunn'd snow. O, all the devils! | |
This yellow Iachimo in an hour- was't not? | |
Or less!- at first? Perchance he spoke not, but, | |
Like a full-acorn'd boar, a German one, | |
Cried 'O!' and mounted; found no opposition | |
But what he look'd for should oppose and she | |
Should from encounter guard. Could I find out | |
The woman's part in me! For there's no motion | |
That tends to vice in man but I affirm | |
It is the woman's part. Be it lying, note it, | |
The woman's; flattering, hers; deceiving, hers; | |
Lust and rank thoughts, hers, hers; revenges, hers; | |
Ambitions, covetings, change of prides, disdain, | |
Nice longing, slanders, mutability, | |
All faults that man may name, nay, that hell knows, | |
Why, hers, in part or all; but rather all; | |
For even to vice | |
They are not constant, but are changing still | |
One vice but of a minute old for one | |
Not half so old as that. I'll write against them, | |
Detest them, curse them. Yet 'tis greater skill | |
In a true hate to pray they have their will: | |
The very devils cannot plague them better. Exit | |
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ACT III. SCENE I. | |
Britain. A hall in CYMBELINE'S palace | |
Enter in state, CYMBELINE, QUEEN, CLOTEN, and LORDS at one door, | |
and at another CAIUS LUCIUS and attendants | |
CYMBELINE. Now say, what would Augustus Caesar with us? | |
LUCIUS. When Julius Caesar- whose remembrance yet | |
Lives in men's eyes, and will to ears and tongues | |
Be theme and hearing ever- was in this Britain, | |
And conquer'd it, Cassibelan, thine uncle, | |
Famous in Caesar's praises no whit less | |
Than in his feats deserving it, for him | |
And his succession granted Rome a tribute, | |
Yearly three thousand pounds, which by thee lately | |
Is left untender'd. | |
QUEEN. And, to kill the marvel, | |
Shall be so ever. | |
CLOTEN. There be many Caesars | |
Ere such another Julius. Britain is | |
A world by itself, and we will nothing pay | |
For wearing our own noses. | |
QUEEN. That opportunity, | |
Which then they had to take from 's, to resume | |
We have again. Remember, sir, my liege, | |
The kings your ancestors, together with | |
The natural bravery of your isle, which stands | |
As Neptune's park, ribb'd and pal'd in | |
With rocks unscalable and roaring waters, | |
With sands that will not bear your enemies' boats | |
But suck them up to th' top-mast. A kind of conquest | |
Caesar made here; but made not here his brag | |
Of 'came, and saw, and overcame.' With shame- | |
The first that ever touch'd him- he was carried | |
From off our coast, twice beaten; and his shipping- | |
Poor ignorant baubles!- on our terrible seas, | |
Like egg-shells mov'd upon their surges, crack'd | |
As easily 'gainst our rocks; for joy whereof | |
The fam'd Cassibelan, who was once at point- | |
O, giglot fortune!- to master Caesar's sword, | |
Made Lud's Town with rejoicing fires bright | |
And Britons strut with courage. | |
CLOTEN. Come, there's no more tribute to be paid. Our kingdom is | |
stronger than it was at that time; and, as I said, there is no | |
moe such Caesars. Other of them may have crook'd noses; but to | |
owe such straight arms, none. | |
CYMBELINE. Son, let your mother end. | |
CLOTEN. We have yet many among us can gripe as hard as Cassibelan. | |
I do not say I am one; but I have a hand. Why tribute? Why should | |
we pay tribute? If Caesar can hide the sun from us with a blanket, | |
or put the moon in his pocket, we will pay him tribute for light; | |
else, sir, no more tribute, pray you now. | |
CYMBELINE. You must know, | |
Till the injurious Romans did extort | |
This tribute from us, we were free. Caesar's ambition- | |
Which swell'd so much that it did almost stretch | |
The sides o' th' world- against all colour here | |
Did put the yoke upon's; which to shake of | |
Becomes a warlike people, whom we reckon | |
Ourselves to be. | |
CLOTEN. We do. | |
CYMBELINE. Say then to Caesar, | |
Our ancestor was that Mulmutius which | |
Ordain'd our laws- whose use the sword of Caesar | |
Hath too much mangled; whose repair and franchise | |
Shall, by the power we hold, be our good deed, | |
Though Rome be therefore angry. Mulmutius made our laws, | |
Who was the first of Britain which did put | |
His brows within a golden crown, and call'd | |
Himself a king. | |
LUCIUS. I am sorry, Cymbeline, | |
That I am to pronounce Augustus Caesar- | |
Caesar, that hath moe kings his servants than | |
Thyself domestic officers- thine enemy. | |
Receive it from me, then: war and confusion | |
In Caesar's name pronounce I 'gainst thee; look | |
For fury not to be resisted. Thus defied, | |
I thank thee for myself. | |
CYMBELINE. Thou art welcome, Caius. | |
Thy Caesar knighted me; my youth I spent | |
Much under him; of him I gather'd honour, | |
Which he to seek of me again, perforce, | |
Behoves me keep at utterance. I am perfect | |
That the Pannonians and Dalmatians for | |
Their liberties are now in arms, a precedent | |
Which not to read would show the Britons cold; | |
So Caesar shall not find them. | |
LUCIUS. Let proof speak. | |
CLOTEN. His majesty bids you welcome. Make pastime with us a day or | |
two, or longer. If you seek us afterwards in other terms, you | |
shall find us in our salt-water girdle. If you beat us out of it, | |
it is yours; if you fall in the adventure, our crows shall fare | |
the better for you; and there's an end. | |
LUCIUS. So, sir. | |
CYMBELINE. I know your master's pleasure, and he mine; | |
All the remain is, welcome. Exeunt | |
SCENE II. | |
Britain. Another room in CYMBELINE'S palace | |
Enter PISANIO reading of a letter | |
PISANIO. How? of adultery? Wherefore write you not | |
What monsters her accuse? Leonatus! | |
O master, what a strange infection | |
Is fall'n into thy ear! What false Italian- | |
As poisonous-tongu'd as handed- hath prevail'd | |
On thy too ready hearing? Disloyal? No. | |
She's punish'd for her truth, and undergoes, | |
More goddess-like than wife-like, such assaults | |
As would take in some virtue. O my master! | |
Thy mind to her is now as low as were | |
Thy fortunes. How? that I should murder her? | |
Upon the love, and truth, and vows, which I | |
Have made to thy command? I, her? Her blood? | |
If it be so to do good service, never | |
Let me be counted serviceable. How look I | |
That I should seem to lack humanity | |
So much as this fact comes to? [Reads] 'Do't. The letter | |
That I have sent her, by her own command | |
Shall give thee opportunity.' O damn'd paper, | |
Black as the ink that's on thee! Senseless bauble, | |
Art thou a fedary for this act, and look'st | |
So virgin-like without? Lo, here she comes. | |
Enter IMOGEN | |
I am ignorant in what I am commanded. | |
IMOGEN. How now, Pisanio! | |
PISANIO. Madam, here is a letter from my lord. | |
IMOGEN. Who? thy lord? That is my lord- Leonatus? | |
O, learn'd indeed were that astronomer | |
That knew the stars as I his characters- | |
He'd lay the future open. You good gods, | |
Let what is here contain'd relish of love, | |
Of my lord's health, of his content; yet not | |
That we two are asunder- let that grieve him! | |
Some griefs are med'cinable; that is one of them, | |
For it doth physic love- of his content, | |
All but in that. Good wax, thy leave. Blest be | |
You bees that make these locks of counsel! Lovers | |
And men in dangerous bonds pray not alike; | |
Though forfeiters you cast in prison, yet | |
You clasp young Cupid's tables. Good news, gods! | |
[Reads] | |
'Justice and your father's wrath, should he take me in his | |
dominion, could not be so cruel to me as you, O the dearest of | |
creatures, would even renew me with your eyes. Take notice that I | |
am in Cambria, at Milford Haven. What your own love will out of | |
this advise you, follow. So he wishes you all happiness that | |
remains loyal to his vow, and your increasing in love | |
LEONATUS POSTHUMUS.' | |
O for a horse with wings! Hear'st thou, Pisanio? | |
He is at Milford Haven. Read, and tell me | |
How far 'tis thither. If one of mean affairs | |
May plod it in a week, why may not I | |
Glide thither in a day? Then, true Pisanio- | |
Who long'st like me to see thy lord, who long'st- | |
O, let me 'bate!- but not like me, yet long'st, | |
But in a fainter kind- O, not like me, | |
For mine's beyond beyond!-say, and speak thick- | |
Love's counsellor should fill the bores of hearing | |
To th' smothering of the sense- how far it is | |
To this same blessed Milford. And by th' way | |
Tell me how Wales was made so happy as | |
T' inherit such a haven. But first of all, | |
How we may steal from hence; and for the gap | |
That we shall make in time from our hence-going | |
And our return, to excuse. But first, how get hence. | |
Why should excuse be born or ere begot? | |
We'll talk of that hereafter. Prithee speak, | |
How many score of miles may we well ride | |
'Twixt hour and hour? | |
PISANIO. One score 'twixt sun and sun, | |
Madam, 's enough for you, and too much too. | |
IMOGEN. Why, one that rode to's execution, man, | |
Could never go so slow. I have heard of riding wagers | |
Where horses have been nimbler than the sands | |
That run i' th' clock's behalf. But this is fool'ry. | |
Go bid my woman feign a sickness; say | |
She'll home to her father; and provide me presently | |
A riding suit, no costlier than would fit | |
A franklin's huswife. | |
PISANIO. Madam, you're best consider. | |
IMOGEN. I see before me, man. Nor here, nor here, | |
Nor what ensues, but have a fog in them | |
That I cannot look through. Away, I prithee; | |
Do as I bid thee. There's no more to say; | |
Accessible is none but Milford way. Exeunt | |
SCENE III. | |
Wales. A mountainous country with a cave | |
Enter from the cave BELARIUS, GUIDERIUS, and ARVIRAGUS | |
BELARIUS. A goodly day not to keep house with such | |
Whose roof's as low as ours! Stoop, boys; this gate | |
Instructs you how t' adore the heavens, and bows you | |
To a morning's holy office. The gates of monarchs | |
Are arch'd so high that giants may jet through | |
And keep their impious turbans on without | |
Good morrow to the sun. Hail, thou fair heaven! | |
We house i' th' rock, yet use thee not so hardly | |
As prouder livers do. | |
GUIDERIUS. Hail, heaven! | |
ARVIRAGUS. Hail, heaven! | |
BELARIUS. Now for our mountain sport. Up to yond hill, | |
Your legs are young; I'll tread these flats. Consider, | |
When you above perceive me like a crow, | |
That it is place which lessens and sets off; | |
And you may then revolve what tales I have told you | |
Of courts, of princes, of the tricks in war. | |
This service is not service so being done, | |
But being so allow'd. To apprehend thus | |
Draws us a profit from all things we see, | |
And often to our comfort shall we find | |
The sharded beetle in a safer hold | |
Than is the full-wing'd eagle. O, this life | |
Is nobler than attending for a check, | |
Richer than doing nothing for a bribe, | |
Prouder than rustling in unpaid-for silk: | |
Such gain the cap of him that makes him fine, | |
Yet keeps his book uncross'd. No life to ours! | |
GUIDERIUS. Out of your proof you speak. We, poor unfledg'd, | |
Have never wing'd from view o' th' nest, nor know not | |
What air's from home. Haply this life is best, | |
If quiet life be best; sweeter to you | |
That have a sharper known; well corresponding | |
With your stiff age. But unto us it is | |
A cell of ignorance, travelling abed, | |
A prison for a debtor that not dares | |
To stride a limit. | |
ARVIRAGUS. What should we speak of | |
When we are old as you? When we shall hear | |
The rain and wind beat dark December, how, | |
In this our pinching cave, shall we discourse. | |
The freezing hours away? We have seen nothing; | |
We are beastly: subtle as the fox for prey, | |
Like warlike as the wolf for what we eat. | |
Our valour is to chase what flies; our cage | |
We make a choir, as doth the prison'd bird, | |
And sing our bondage freely. | |
BELARIUS. How you speak! | |
Did you but know the city's usuries, | |
And felt them knowingly- the art o' th' court, | |
As hard to leave as keep, whose top to climb | |
Is certain falling, or so slipp'ry that | |
The fear's as bad as falling; the toil o' th' war, | |
A pain that only seems to seek out danger | |
I' th'name of fame and honour, which dies i' th'search, | |
And hath as oft a sland'rous epitaph | |
As record of fair act; nay, many times, | |
Doth ill deserve by doing well; what's worse- | |
Must curtsy at the censure. O, boys, this story | |
The world may read in me; my body's mark'd | |
With Roman swords, and my report was once | |
first with the best of note. Cymbeline lov'd me; | |
And when a soldier was the theme, my name | |
Was not far off. Then was I as a tree | |
Whose boughs did bend with fruit; but in one night | |
A storm, or robbery, call it what you will, | |
Shook down my mellow hangings, nay, my leaves, | |
And left me bare to weather. | |
GUIDERIUS. Uncertain favour! | |
BELARIUS. My fault being nothing- as I have told you oft- | |
But that two villains, whose false oaths prevail'd | |
Before my perfect honour, swore to Cymbeline | |
I was confederate with the Romans. So | |
Follow'd my banishment, and this twenty years | |
This rock and these demesnes have been my world, | |
Where I have liv'd at honest freedom, paid | |
More pious debts to heaven than in all | |
The fore-end of my time. But up to th' mountains! | |
This is not hunters' language. He that strikes | |
The venison first shall be the lord o' th' feast; | |
To him the other two shall minister; | |
And we will fear no poison, which attends | |
In place of greater state. I'll meet you in the valleys. | |
Exeunt GUIDERIUS and ARVIRAGUS | |
How hard it is to hide the sparks of nature! | |
These boys know little they are sons to th' King, | |
Nor Cymbeline dreams that they are alive. | |
They think they are mine; and though train'd up thus meanly | |
I' th' cave wherein they bow, their thoughts do hit | |
The roofs of palaces, and nature prompts them | |
In simple and low things to prince it much | |
Beyond the trick of others. This Polydore, | |
The heir of Cymbeline and Britain, who | |
The King his father call'd Guiderius- Jove! | |
When on my three-foot stool I sit and tell | |
The warlike feats I have done, his spirits fly out | |
Into my story; say 'Thus mine enemy fell, | |
And thus I set my foot on's neck'; even then | |
The princely blood flows in his cheek, he sweats, | |
Strains his young nerves, and puts himself in posture | |
That acts my words. The younger brother, Cadwal, | |
Once Arviragus, in as like a figure | |
Strikes life into my speech, and shows much more | |
His own conceiving. Hark, the game is rous'd! | |
O Cymbeline, heaven and my conscience knows | |
Thou didst unjustly banish me! Whereon, | |
At three and two years old, I stole these babes, | |
Thinking to bar thee of succession as | |
Thou refts me of my lands. Euriphile, | |
Thou wast their nurse; they took thee for their mother, | |
And every day do honour to her grave. | |
Myself, Belarius, that am Morgan call'd, | |
They take for natural father. The game is up. Exit | |
SCENE IV. | |
Wales, near Milford Haven | |
Enter PISANIO and IMOGEN | |
IMOGEN. Thou told'st me, whe |
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