Personally, the moment in Magritte's response to Fantômas that most interested me was at the end of the coup de theatre when he posited that Fantômas can only be captured by entering his dreams.
His notes were published in 1928, the year after he moved to France and became acquainted with André Breton and joined the surrealist group. André Breton defined the goal of the surrealists as, 'to resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality'.
