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Semantic similarity chatbot (take 2).
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{ | |
"cells": [ | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"# Semantic similarity chatbot (2021 update)\n", | |
"\n", | |
"By [Allison Parrish](https://www.decontextualize.com/)\n", | |
"\n", | |
"![bot screenshot](http://static.decontextualize.com/snaps/semantic-similarity-chatbot.png)\n", | |
"\n", | |
"I teach [programming, arts and design](https://itp.nyu.edu/) and a perennial project idea is to make a chatbot that mimics someone or something—a famous author, a historical figure, or even the student's own e-mails or messaging logs. This notebook and the software described herein is intended to give those students some sample code to work with. (In particular, this material was inspired by conversations I had with [Utsav Chadha](https://itp.nyu.edu/thesis2018/#/student/utsav-chadha) and [Nouf Aljowaysir](https://itp.nyu.edu/thesis2018/#/student/nouf-aljowaysir) during the Spring 2018 semester at ITP.)\n", | |
"\n", | |
"## Quick note on language models\n", | |
"\n", | |
"The chatbot in this example is *not* powered by text generated with a large pretrained language model (like GPT-3 or models from e.g. [ParlAI](https://parl.ai/)). There are a few reasons for this. One reason is that these large pre-trained language models are (still) rather difficult to work with. The file size of the models is very large, and they commonly use a tremendous amount of computational resources simply to generate text from the model, to say nothing of training the model. Another reason is that [large pretrained language models have tremendous potential for harm](https://dl.acm.org/doi/10.1145/3442188.3445922) that can't easily be mitigated. In particular, the unmoderated outputs of these models tend to produce harmful text, particularly when the text concerns marginalized groups.\n", | |
"\n", | |
"The chatbot described here is not generative. Instead, it draws verbatim from a fixed vocabulary of conversational responses. Though the chatbot may produce unexpected (and potentially harmful) juxtapositions between input and response, you can be assured that the text itself does not vary from what is present in the chatbot's corpus.\n", | |
"\n", | |
"## The chatbot\n", | |
"\n", | |
"In the notebook, I'll show how the chatbot works and build an example chatbot using an example corpus. Even if you don't know anything about programming or natural language processing or machine learning or whatever, you can step through the cells in this notebook and play around with the chatbot itself at the very end. I'll also talk about how you can prepare your own corpus to use with the bot.\n", | |
"\n", | |
"The chatbot in this notebook won't pass a Turing test or push percentage points on any machine learning accuracy evaluations, but it's (a) easy to understand (b) works with any corpus (c) doesn't require training a new model or using an existing model and (d) uncannily faithful to whatever source material you give it while still being amusingly bizarre. From a technical perspective, you can think of it as a sort of low-rent version of [Talk to Books](https://books.google.com/talktobooks/), which (as I understand it) works along similar principles.\n", | |
"\n", | |
"So how does this chatbot work? To answer that question we have to think about how _conversations_ work.\n", | |
"\n", | |
"### Defining the conversation\n", | |
"\n", | |
"For the purposes of this chatbot, let's make a very simple \"toy\" definition of conversation. We'll say that a conversation consists of _two people taking turns at making utterances._ We'll call any individual utterance a _turn_. When one participant finishes their turn, the next participant can take their own turn; we'll call this second turn a _response_ to the first. The conversation continues this way, with each turn being a response to the previous turn, until it comes to an end (usually due to a mutual agreement reached by the participants, which in the case of our chatbot, means whenever the human gets sick of chatting and closes the browser tab).\n", | |
"\n", | |
"To illustrate, here's a simple conversation I just invented between two participants, A and B. The first column numbers the turns, the second column labels the participant, and the third column gives the text of the turn:\n", | |
"\n", | |
"| # | P | Text |\n", | |
"| --- | --- | --- |\n", | |
"| 1 | A | Hello. |\n", | |
"| 2 | B | Good to see you! |\n", | |
"| 3 | A | I'm reading a tutorial on semantic similarity and chatbots. It's quite interesting. |\n", | |
"| 4 | B | Thanks for letting me know. |\n", | |
"| 5 | A | Any time. Well, I gotta go. |\n", | |
"| 6 | B | Talk to you soon! |\n", | |
"| 7 | A | Goodbye. |\n", | |
"\n", | |
"This fascinating conversation has seven turns. Turn 2 is the response to turn 1, turn 3 is the response to turn 2, etc.\n", | |
"\n", | |
"> _Note:_ I said this was a \"toy\" definition for a reason—conversations are actually _way_ more complicated than this. If you're interested in how conversations actually work, check out [conversation analysis](https://en.wikipedia.org/wiki/Conversation_analysis), a whole subfield of linguistics devoted to this kind of thing.\n", | |
"\n", | |
"### Taking a turn\n", | |
"\n", | |
"At a certain basic level, the job of a chatbot at any moment in a conversation is to produce a conversational turn that seems to plausibly be in response to the turn that preceded it. There are a number of different ways to solve this problem. Our strategy is going to be the following:\n", | |
"\n", | |
"1. Make a database of conversations and the turns that constitute them;\n", | |
"2. Assign a _vector_ to each turn that corresponds to its meaning (more on this in a second);\n", | |
"3. When asked to respond to a conversational turn from the user, display the _response_ to the turn in the database most similar in meaning to the user's turn.\n", | |
"\n", | |
"For example, take the conversation that I invented earlier. Imagine putting all of these turns into the database and assigning each turn a vector representing its meaning. Our chatbot now has a database of six possible responses (not counting the first turn, since it began the conversation and wasn't in response to any other turn). If the user typed in something like...\n", | |
"\n", | |
" > Howdy!\n", | |
" \n", | |
"... our chatbot would then search its database for the turn closest in meaning to `Howdy!` Maybe that turn is turn #1 (`Hello.`). The chatbot would then display the turn that happened _in response_ to turn #1 (i.e., turn #2, `Good to see you!`). If the user typed in...\n", | |
"\n", | |
" > Thank you for the great conversation!\n", | |
" \n", | |
"... our chatbot would find the turn in its database closest in meaning, maybe turn #4 (`Thanks for letting me know.`), and then print out its associated response (turn #5, `Any time. Well, I gotta go.`). The final transcript of this imaginary (and admittedly a little contrived) conversation, with the human's turn labelled with `H` and the bot as `B`:\n", | |
"\n", | |
" H: Howdy!\n", | |
" B: Hello.\n", | |
" H: Thank you for the great conversation!\n", | |
" B: Any time. Well, I gotta go!\n", | |
" \n", | |
"Perfectly plausible!\n", | |
"\n", | |
"So you can think of this semantic similarity chatbot as a kind of search engine. When you type something into the chat, the chatbot _searches its database for the most appropriate response_.\n", | |
"\n", | |
"### Word vectors\n", | |
"\n", | |
"\"This is all well and good,\" you say. \"But how do you make a computer program that knows how similar in meaning two sentences are? How do you even _measure_ similarity in meaning?\" Figuring out a way to measure similarity in meaning is one of the classic problems in computational linguistics, and it's still very much an open problem. But there are certain easy-to-use techniques that are \"good enough\" for our purposes. In particular, we're going to use _word vectors_.\n", | |
"\n", | |
"[I've written a more detailed introduction to word vectors here](https://github.com/aparrish/rwet/blob/master/understanding-word-vectors.ipynb), if you want the whole story. But the short version is this: using machine learning techniques and a lot of data, it's possible to assign each word a sequence of numbers (i.e., a vector) that encodes the word's meaning. (Actually, it's encoding the word's _distribution_, or all of the other words that the word is usually seen alongside. But it turns out that this is a good substitute for representing a word's meaning.)\n", | |
"\n", | |
"A word vector looks a lot like the Cartesian X, Y coordinates you likely studied in school, except that they usually have many hundreds of dimensions, not just two. (More dimensions means more information about the word's distribution.) For example, here's the vector for the word \"cheese\" using the fifty-dimensional pre-trained vectors from GloVe:\n", | |
"\n", | |
" -0.053903 -0.30871 -1.3285 -0.43342 0.31779 1.5224 -0.6965 -0.037086 -0.83784 0.074107 -0.30532 -0.1783 1.2337 0.085473 0.17362 -0.19001 0.36907 0.49454 -0.024311 -1.0535 0.5237 -1.1489 0.95093 1.1538 -0.52286 -0.14931 -0.97614 1.3912 0.79875 -0.72134 1.5411 -0.15928 -0.30472 1.7265 0.13124 -0.054023 -0.74212 1.675 1.9502 -0.53274 1.1359 0.20027 0.02245 -0.39379 1.0609 1.585 0.17889 0.43556 0.68161 0.066202\n", | |
"\n", | |
"Experts have made [large databases of word vectors available for people to download and use](https://nlp.stanford.edu/projects/glove/), so that you don't have to train them yourself. (Though [you can train them yourself if you want to](https://radimrehurek.com/gensim/models/word2vec.html).)\n", | |
"\n", | |
"### Sentence vectors\n", | |
"\n", | |
"Importantly, two words with similar meanings will also have similar vectors (meaning, more or less, that all of the numbers in the vectors are similar in value). So you can tell if two words are synonymous by checking the similarity between their vectors.\n", | |
"\n", | |
"But what about the meaning of *entire sentences*? This is a little bit more difficult, and there are a number of different and sophisticated solutions (including Google's [Universal Sentence Encoder](https://www.tensorflow.org/hub/modules/google/universal-sentence-encoder/2) and [doc2vec](https://radimrehurek.com/gensim/models/doc2vec.html)). It turns out, though, that you can get a pretty good vector for a sentence simply by _averaging together the vectors for the words in the sentence_. We'll call such vectors _sentence vectors_ or _summary vectors_.\n", | |
"\n", | |
"Intuitively, this makes sense: finding the average is a time-tested method in statistics of characterizing a data set. It's apparently no different with word vectors. This method has the additional benefits of being fast and easy to explain.\n", | |
"\n", | |
"## Writing the code\n", | |
"\n", | |
"Given all of the preceeding, we can identify the working parts we need in order to make a chatbot:\n", | |
"\n", | |
"* Pre-trained word vectors\n", | |
"* A corpus of conversations\n", | |
"* Some code to parse conversations into turns and map each turn to its response\n", | |
"* Some code that can average the word vectors in some text to produce a sentence vector\n", | |
"* A database that will allow us to store sentence vectors and look them up by similarity\n", | |
"* Some code to take an incoming conversational turn, turn it into a sentence vector, and then look up the most similar vector in the database\n", | |
"\n", | |
"I've written a little library called [semanticsimilaritychatbot](https://github.com/aparrish/semanticsimilaritychatbot/) that takes care of most of these items for you! But we do need to load in a database of word vectors first.\n", | |
"\n", | |
"### Pre-trained word vectors\n", | |
"\n", | |
"We're going to use [spaCy](https://spacy.io), a wonderful Python library for natural language processing, both to tokenize text (i.e., turn text into a list of words) and for its database of word vectors. To install spaCy, run the cell below:\n" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": null, | |
"metadata": {}, | |
"outputs": [], | |
"source": [ | |
"import sys\n", | |
"!{sys.executable} -m pip install spacy" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"It turns out that spaCy requires a \"model\" file, which is a bundle of statistical information that allows the library to parse text into words and parts of speech. While spaCy comes with a model when you install it, that model does _not_ include word vectors, so you'll need to download a model that does include them. For English, I recommend `en_core_web_md`, which you can download and install by running the cell below. (The model file is fairly large and might take a while to download.)" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": null, | |
"metadata": {}, | |
"outputs": [], | |
"source": [ | |
"!{sys.executable} -m spacy download en_core_web_md" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"The code in the following cell loads spacy and the model you just downloaded:" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 24, | |
"metadata": {}, | |
"outputs": [], | |
"source": [ | |
"import spacy, en_core_web_md\n", | |
"nlp = en_core_web_md.load(disable=['tagger', 'parser', 'ner', 'lemmatizer'])" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"The `disable` parameter instructs spaCy to skip certain parts of the natural language parsing process that we don't need, since we're just looking up word vectors." | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"You can look up the word vector for a particular word using spaCy right out the box like so:" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 25, | |
"metadata": {}, | |
"outputs": [ | |
{ | |
"data": { | |
"text/plain": [ | |
"array([-5.5252e-01, 1.8894e-01, 6.8737e-01, -1.9789e-01, 7.0575e-02,\n", | |
" 1.0075e+00, 5.1789e-02, -1.5603e-01, 3.1941e-01, 1.1702e+00,\n", | |
" -4.7248e-01, 4.2867e-01, -4.2025e-01, 2.4803e-01, 6.8194e-01,\n", | |
" -6.7488e-01, 9.2401e-02, 1.3089e+00, -3.6278e-02, 2.0098e-01,\n", | |
" 7.6005e-01, -6.6718e-02, -7.7794e-02, 2.3844e-01, -2.4351e-01,\n", | |
" -5.4164e-01, -3.3540e-01, 2.9805e-01, 3.5269e-01, -8.0594e-01,\n", | |
" -4.3611e-01, 6.1535e-01, 3.4212e-01, -3.3603e-01, 3.3282e-01,\n", | |
" 3.8065e-01, 5.7427e-02, 9.9918e-02, 1.2525e-01, 1.1039e+00,\n", | |
" 3.6678e-02, 3.0490e-01, -1.4942e-01, 3.2912e-01, 2.3300e-01,\n", | |
" 4.3395e-01, 1.5666e-01, 2.2778e-01, -2.5830e-02, 2.4334e-01,\n", | |
" -5.8136e-02, -1.3486e-01, 2.4521e-01, -3.3459e-01, 4.2839e-01,\n", | |
" -4.8181e-01, 1.3403e-01, 2.6049e-01, 8.9933e-02, -9.3770e-02,\n", | |
" 3.7672e-01, -2.9558e-02, 4.3841e-01, 6.1212e-01, -2.5720e-01,\n", | |
" -7.8506e-01, 2.3880e-01, 1.3399e-01, -7.9315e-02, 7.0582e-01,\n", | |
" 3.9968e-01, 6.7779e-01, -2.0474e-03, 1.9785e-02, -4.2059e-01,\n", | |
" -5.3858e-01, -5.2155e-02, 1.7252e-01, 2.7547e-01, -4.4482e-01,\n", | |
" 2.3595e-01, -2.3445e-01, 3.0103e-01, -5.5096e-01, -3.1159e-02,\n", | |
" -3.4433e-01, 1.2386e+00, 1.0317e+00, -2.2728e-01, -9.5207e-03,\n", | |
" -2.5432e-01, -2.9792e-01, 2.5934e-01, -1.0421e-01, -3.3876e-01,\n", | |
" 4.2470e-01, 5.8335e-04, 1.3093e-01, 2.8786e-01, 2.3474e-01,\n", | |
" 2.5905e-02, -6.4359e-01, 6.1330e-02, 6.3842e-01, 1.4705e-01,\n", | |
" -6.1594e-01, 2.5097e-01, -4.4872e-01, 8.6825e-01, 9.9555e-02,\n", | |
" -4.4734e-02, -7.4239e-01, -5.9147e-01, -5.4929e-01, 3.8108e-01,\n", | |
" 5.5177e-02, -1.0487e-01, -1.2838e-01, 6.0521e-03, 2.8743e-01,\n", | |
" 2.1592e-01, 7.2871e-02, -3.1644e-01, -4.3321e-01, 1.8682e-01,\n", | |
" 6.7274e-02, 2.8115e-01, -4.6222e-02, -9.6803e-02, 5.6091e-01,\n", | |
" -6.7762e-01, -1.6645e-01, 1.5553e-01, 5.2301e-01, -3.0058e-01,\n", | |
" -3.7291e-01, 8.7895e-02, -1.7963e-01, -4.4193e-01, -4.4607e-01,\n", | |
" -2.4122e+00, 3.3738e-01, 6.2416e-01, 4.2787e-01, -2.5386e-01,\n", | |
" -6.1683e-01, -7.0097e-01, 4.9303e-01, 3.6916e-01, -9.7499e-02,\n", | |
" 6.1411e-01, -4.7572e-03, 4.3916e-01, -2.1551e-01, -5.6745e-01,\n", | |
" -4.0278e-01, 2.9459e-01, -3.0850e-01, 1.0103e-01, 7.9741e-02,\n", | |
" -6.3811e-01, 2.4781e-01, -4.4546e-01, 1.0828e-01, -2.3624e-01,\n", | |
" -5.0838e-01, -1.7001e-01, -7.8735e-01, 3.4073e-01, -3.1830e-01,\n", | |
" 4.5286e-01, -9.5118e-02, 2.0772e-01, -8.0183e-02, -3.7982e-01,\n", | |
" -4.9949e-01, 4.0759e-02, -3.7724e-01, -8.9705e-02, -6.8187e-01,\n", | |
" 2.2106e-01, -3.9931e-01, 3.2329e-01, -3.6180e-01, -7.2093e-01,\n", | |
" -6.3404e-01, 4.3125e-01, -4.9743e-01, -1.7395e-01, -3.8779e-01,\n", | |
" -3.2556e-01, 1.4423e-01, -8.3401e-02, -2.2994e-01, 2.7793e-01,\n", | |
" 4.9112e-01, 6.4511e-01, -7.8945e-02, 1.1171e-01, 3.7264e-01,\n", | |
" 1.3070e-01, -6.1607e-02, -4.3501e-01, 2.8999e-02, 5.6224e-01,\n", | |
" 5.8012e-02, 4.7078e-02, 4.2770e-01, 7.3245e-01, -2.1150e-02,\n", | |
" 1.1988e-01, 7.8823e-02, -1.9106e-01, 3.5278e-02, -3.1102e-01,\n", | |
" 1.3209e-01, -2.8606e-01, -1.5649e-01, -6.4339e-01, 4.4599e-01,\n", | |
" -3.0912e-01, 4.4520e-01, -3.6774e-01, 2.7327e-01, 6.7833e-01,\n", | |
" -8.3830e-02, -4.5120e-01, 1.0754e-01, -4.5908e-01, 1.5095e-01,\n", | |
" -4.5856e-01, 3.4465e-01, 7.8013e-02, -2.8319e-01, -2.8149e-02,\n", | |
" 2.4404e-01, -7.1345e-01, 5.2834e-02, -2.8085e-01, 2.5344e-02,\n", | |
" 4.2979e-02, 1.5663e-01, -7.4647e-01, -1.1301e+00, 4.4135e-01,\n", | |
" 3.1444e-01, -1.0018e-01, -5.3526e-01, -9.0601e-01, -6.4954e-01,\n", | |
" 4.2664e-02, -7.9927e-02, 3.2905e-01, -3.0797e-01, -1.9190e-02,\n", | |
" 4.2765e-01, 3.1460e-01, 2.9051e-01, -2.7386e-01, 6.8483e-01,\n", | |
" 1.9395e-02, -3.2884e-01, -4.8239e-01, -1.5747e-01, -1.6036e-01,\n", | |
" 4.9164e-01, -7.0352e-01, -3.5591e-01, -7.4887e-01, -5.2827e-01,\n", | |
" 4.4983e-02, 5.9247e-02, 4.6224e-01, 8.9697e-02, -7.5618e-01,\n", | |
" 6.3682e-01, 9.0680e-02, 6.8830e-02, 1.8296e-01, 1.0754e-01,\n", | |
" 6.7811e-01, -1.4716e-01, 1.7029e-01, -5.2630e-01, 1.9268e-01,\n", | |
" 9.3130e-01, 8.0363e-01, 6.1324e-01, -3.0494e-01, 2.0236e-01,\n", | |
" 5.8520e-01, 2.6484e-01, -4.5863e-01, 2.1035e-03, -5.6990e-01,\n", | |
" -4.9092e-01, 4.2511e-01, -1.0954e+00, 1.7124e-01, 2.2495e-01],\n", | |
" dtype=float32)" | |
] | |
}, | |
"execution_count": 25, | |
"metadata": {}, | |
"output_type": "execute_result" | |
} | |
], | |
"source": [ | |
"nlp.vocab['cheese'].vector # replace cheese with whatever word you want!" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"It might not look much, but that list of three hundred numbers is spaCy's idea of what \"cheese\" means." | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"### Implementing the bot\n", | |
"\n", | |
"Now we can actually make the bot! We'll be using [semanticsimilaritychatbot](https://github.com/aparrish/semanticsimilaritychatbot/), a library I wrote for implementing semantic similarity chatbots. The code is pretty simple, and you're welcome to peruse it! Install it with the cell below:" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": null, | |
"metadata": {}, | |
"outputs": [], | |
"source": [ | |
"!{sys.executable} -m pip install https://github.com/aparrish/semanticsimilaritychatbot/archive/master.zip" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"The following cells create a new chatbot object and initialize it with the spaCy language model that we loaded above." | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 6, | |
"metadata": {}, | |
"outputs": [], | |
"source": [ | |
"from semanticsimilaritychatbot import SemanticSimilarityChatbot" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 7, | |
"metadata": {}, | |
"outputs": [], | |
"source": [ | |
"bot = SemanticSimilarityChatbot(nlp, 300)" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"### Conversational corpus format\n", | |
"\n", | |
"To make the bot, we need a corpus of conversations. The code below loads in conversations that have this format:\n", | |
"\n", | |
" turn1\n", | |
" turn2\n", | |
" turn3\n", | |
" turn4\n", | |
" \n", | |
" turn1\n", | |
" turn2\n", | |
" turn3\n", | |
" \n", | |
" turn1\n", | |
" turn2\n", | |
" ...\n", | |
" \n", | |
"... where each turn is on a separate line, and conversations are separated by blank lines. This repository includes two example files in this format: [cornell_movielines_plaintext_10k.txt](./cornell_movielines_plaintext_10k.txt), which has a subset of the [Cornell Movie Dialog Corpus](https://www.cs.cornell.edu/~cristian/Cornell_Movie-Dialogs_Corpus.html), and [gutenberg_conversations.txt](./gutenberg_conversations.txt), which has a number of conversations extracted from dialog in books included with [Project Gutenberg](http://www.gutenberg.org/). (Note that both of these corpora may have offensive or harmful content! They're fun to play around with, but be cautious when using them in production.) Or, you can make your own.\n", | |
"\n", | |
"Download one of these corpora and put the text file in the same folder as this notebook. Make sure to put the name of the file you're working with in the call to `open` below, and then run the cell. It may take a little while to load the corpus." | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 8, | |
"metadata": {}, | |
"outputs": [ | |
{ | |
"name": "stdout", | |
"output_type": "stream", | |
"text": [ | |
"0\n", | |
"2000\n", | |
"4000\n", | |
"6000\n", | |
"8000\n", | |
"10000\n", | |
"12000\n", | |
"14000\n", | |
"16000\n", | |
"18000\n", | |
"20000\n", | |
"22000\n", | |
"24000\n", | |
"26000\n", | |
"28000\n", | |
"30000\n", | |
"32000\n", | |
"34000\n", | |
"36000\n", | |
"38000\n", | |
"40000\n", | |
"42000\n", | |
"44000\n", | |
"46000\n" | |
] | |
} | |
], | |
"source": [ | |
"lastline = None\n", | |
"for i, line in enumerate(open(\"cornell_movielines_plaintext_10k.txt\")):\n", | |
" if i % 2000 == 0:\n", | |
" print(i)\n", | |
" line = line.strip()\n", | |
" # empty lines mean \"end of conversation\"\n", | |
" if line == \"\":\n", | |
" lastline = None\n", | |
" continue\n", | |
" if lastline is not None:\n", | |
" bot.add_pair(lastline, line)\n", | |
" lastline = line" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"Once the corpus has been loaded, you need to build the index:" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 9, | |
"metadata": {}, | |
"outputs": [], | |
"source": [ | |
"bot.build(100)" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"Great! With the index built, you can now \"converse\" with the bot. The bot's `.response_for()` method returns a string from the corpus that followed a conversational turn similar to the string you pass in:" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 16, | |
"metadata": {}, | |
"outputs": [ | |
{ | |
"data": { | |
"text/plain": [ | |
"'An alternative literary venue!'" | |
] | |
}, | |
"execution_count": 16, | |
"metadata": {}, | |
"output_type": "execute_result" | |
} | |
], | |
"source": [ | |
"bot.response_for(\"Oh my god! What's that?\")" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"### Interacting with the bot\n", | |
"\n", | |
"The code below makes it possible to have interactive conversations with the bot, embedded right in the notebook. First, install `ipywidgets`:" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": null, | |
"metadata": {}, | |
"outputs": [], | |
"source": [ | |
"!{sys.executable} -m pip install ipywidgets" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"Then run the cell below. Type in the text entry box at the bottom, and the conversation will display above. If you want to start the conversation over, re-run the cell." | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 22, | |
"metadata": {}, | |
"outputs": [ | |
{ | |
"data": { | |
"application/vnd.jupyter.widget-view+json": { | |
"model_id": "d866cf0497a04eca9f8e93c19668d181", | |
"version_major": 2, | |
"version_minor": 0 | |
}, | |
"text/plain": [ | |
"HTML(value='🤖: Hello.', layout=Layout(height='24em'))" | |
] | |
}, | |
"metadata": {}, | |
"output_type": "display_data" | |
}, | |
{ | |
"data": { | |
"application/vnd.jupyter.widget-view+json": { | |
"model_id": "085b0ecd1d844ec4ad8b9b2cb089fd68", | |
"version_major": 2, | |
"version_minor": 0 | |
}, | |
"text/plain": [ | |
"interactive(children=(Text(value='', continuous_update=False, description='s'), Output()), _dom_classes=('widg…" | |
] | |
}, | |
"metadata": {}, | |
"output_type": "display_data" | |
} | |
], | |
"source": [ | |
"import ipywidgets as widgets\n", | |
"history = [\"🤖: Hello.\"]\n", | |
"out = widgets.HTML(value=history[0], layout={'height': '24em'})\n", | |
"input_widget = widgets.Text(continuous_update=False)\n", | |
"def chat(s='Hello'):\n", | |
" if s != '':\n", | |
" resp = bot.response_for(s)\n", | |
" history.append(\"👤: \" + s)\n", | |
" history.append(\"🤖: \" + resp)\n", | |
" out.value = \"<br>\".join(history[-10:])\n", | |
" input_widget.value = ''\n", | |
"w = widgets.interactive(chat, s=input_widget)\n", | |
"display(out, w)" | |
] | |
}, | |
{ | |
"cell_type": "markdown", | |
"metadata": {}, | |
"source": [ | |
"### Bot history\n", | |
"\n", | |
"The code above puts the conversational turns into a list called `history`. You display the history like so:" | |
] | |
}, | |
{ | |
"cell_type": "code", | |
"execution_count": 23, | |
"metadata": {}, | |
"outputs": [ | |
{ | |
"name": "stdout", | |
"output_type": "stream", | |
"text": [ | |
"🤖: Hello.\n", | |
"👤: Let's begin.\n", | |
"🤖: Wait!... Look!\n", | |
"👤: What? What is it?\n", | |
"🤖: Something's coming.\n", | |
"👤: You're right. I can smell it.\n", | |
"🤖: Pain causes it?\n", | |
"👤: Sometimes. But sometimes it appears on its own. Like magic.\n", | |
"🤖: Use 'em and lose 'em.\n", | |
"👤: You can say that again.\n", | |
"🤖: Well I don't have that skill and if I had to guess I would say that in no way did she believe me.\n" | |
] | |
} | |
], | |
"source": [ | |
"print(\"\\n\".join(history))" | |
] | |
} | |
], | |
"metadata": { | |
"kernelspec": { | |
"display_name": "Python 3", | |
"language": "python", | |
"name": "python3" | |
}, | |
"language_info": { | |
"codemirror_mode": { | |
"name": "ipython", | |
"version": 3 | |
}, | |
"file_extension": ".py", | |
"mimetype": "text/x-python", | |
"name": "python", | |
"nbconvert_exporter": "python", | |
"pygments_lexer": "ipython3", | |
"version": "3.7.0" | |
} | |
}, | |
"nbformat": 4, | |
"nbformat_minor": 4 | |
} |
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Your old files -- ? | |
And Dillinger's instructions to divert them -- it's all there - look, even his home phone number, when he logged on. | |
Oh, that is beautiful. You've got the goods... | |
Do you like my dad? | |
Of course. | |
The last few days, um... I've been thinking... had a lot of spare time. I want to tell you... I'm starting to understand why you left me. I've been resenting you for it, maybe, but ... I want to apologize, for all of it. For shutting you out, for not being there. I... Anyway, I hope you can forgive me. | |
There's nothing to forgive. | |
It would mean a lot to me... if you and I could be friends. If I could have you back in my life... in some small way. It would be important. | |
Of course, Nick... | |
So? Tell me: how come they call you "Freb" anyways -- ? | |
C'mon, man ... | |
We're partners here -- | |
How you guys doing? | |
I'm alright, I'm dealing. | |
Miss Schmidt. | |
You're not locking her up? | |
Did you pull me out? | |
Yeah. | |
Did I say thanks? | |
No. | |
Just wondering. | |
I hate hospitals. You're so... so goddamn useless... | |
They're not his neighbor, like you are. He is a husband, a father, he risked his <u>life</u> for <u>their</u> country. The same as you. | |
Those aren't the facts that matter. | |
Fucking Mariners. | |
Fucking Tigers. They got no pitching except for a bunch of green kids straight out of Double A or Southern Cal. How was the party? | |
What party? | |
The birthday party. | |
Oh, Anna's. It was great, man. Anna was so pretty. She looked like a princess, like one of those girls in a fairy tale, you know, like Snow White. | |
...Ed? | |
Huh? | |
Russians exploded an A-bomb. | |
Yeah. | |
Jesus... | |
Now, being a barber is a lot like being a barman or a soda-jerk; there's not much to it once you've learned the basic moves. For the kids there's the Butch, or the Heinie... | |
You drive. | |
What? | |
Switch! You drive! | |
-- where? - | |
-- make the left -- toward the bridge -- | |
That's Julie ... and that's Tricia. She, uh, reminds me a little bit of you ... | |
Oh yeah ... she really is ... wholesome. | |
We understand. | |
All the girls drink - but I'm the one that gets caught. That's the story of my life. I always get the fuzzy end of the lollipop. | |
What!? | |
Have a good day, gentlemen. | |
Plenty of room for two people. | |
It'll just be me. | |
Student? | |
No. You said three-fifty? | |
Plus first and last month deposit. | |
Will you lease month-to-month? | |
Not for three-fifty. | |
How about for five hundred? | |
You got to sit on Eldridge... | |
Man, El-Rage is El-Rage. You know him. | |
Yeah, I do, but he's gotta cool it... | |
So how can I help you...? | |
I wanna go back to work and put on a happy show. The best show anybody's ever seen! | |
Do you wanna tour the clubs? | |
No clubs. I wanna reach the TOP! Carnegie Hall...! | |
How you doin'? | |
I'm doing fine. | |
Stop it! | |
It's you, Norman. Your fear of drowning. You have to face it. | |
They made me go with them. | |
Sure they did.... | |
You know why...with my parents. | |
Well you can't blame them in a way. | |
I can take care of myself. You know that. | |
I know...I know. | |
It's hard for me to advise you since you personify something that I truly think is dangerous. | |
Uh-huh. | |
I agree with you -- you're not qualified. So get qualified. You can insist on being better prepared. You don't have to just leave it as... 'I don't write. I'm not schooled. I don't understand the news I'm reading. But at least I'm upset about it, folks.' | |
Dorothy! | |
You wicked old witch! Uncle Henry, Auntie Em, don't let 'em take Toto! Don't let her take him -- please! | |
-- I hope you like Miss Shawn -- | |
-- what, who? Oh she's very nice, yes -- I mean normally --- | |
-- cause she's going to be very, very expensive. | |
Can't we go into this later, sweetheart? | |
The next morning I was taken to the Ludovico Medical Facility, outside the town centre, and I felt a malenky bit sad having to say goodbye to the old Staja, as you always will when you leave a place you've like gotten used to. Chief Guard briskly leads the way for Alex and escort. They move into reception hall where the Doctor stands. | |
Right. Halt the prisoner. Good morning, sir, I'm Chief Officer Barnes. I've got 655321 on a transfer from Parkmoor to the Ludovico Centre, sir! | |
You have to get out of here. If Tran catches you he'll... he's acting crazy. He's doing way too much playback and he's getting completely paranoid. He's such a control freak, he's even paying Max to follow me around. | |
Max Pelcher? You're kidding? | |
Yeah, for about a month now. Lenny, just stay away from Tran, okay? And stay away from me. Stop trying to rescue me. Those days are over. I'm a big girl now. Stop trying to save me, okay, because I don't need saving... Just... give up on me. | |
Can't do it. | |
You know one of the ways movies still have Squid beat? Because they always say "The End." You always know when it's over. It's over! Now please leave. I have to go on again in a couple of minutes. | |
Who are these guys? | |
Mostly people in the casino business. A few drug dealers. | |
And the girls? | |
Just girls. What are you drinking? | |
Vodka. Straight. On the rocks. | |
Good call. Help yourself. | |
That's easy to say from over here. | |
Give me a stick, pretty boy! I'll knock your fucking teeth out and pass all over your ass. | |
He was quite a man. Did he know before the end you two had succeeded? | |
Yes, he knew. Just.. | |
..not in time to save him. | |
No. After you've lived with <i>Chimera</i> for twenty hours, nothing can save you. Not even...<i>Bellerophon.</i> | |
Put it in the middle of the room! | |
When did you make this, Walter? | |
Oh, Pufferball likes his little tum- tum rubbed, doesn't he now? | |
Wow, I've never seen him like this. He doesn't usually like guys. | |
See you later. | |
Thanks | |
What about your work back home...? | |
They need doctors in New Orleans too. Michael - think what I could do with the money! | |
Hey, boss. Wondered where you'd gotten to. | |
I just... wanted to be put on my own for a while. Clear my head. | |
Didn't feel like whoopin' it up with the rest of us blue collars, huh? | |
You all right? | |
A White! A Great White, I found a tooth buried in the hull. He must've attacked... I knew it... Gardner's dead in there. I didn't see the mate... | |
No shark did that to a boat! | |
Such enthusiasm. Have I told you lately how proud I am of you? | |
Seriously? I'm doing all right? | |
You're taking this bull of an empire by the horns, but you're still keeping your small town values. You're not letting all this "stuff" spoil you. | |
Yes. | |
What? | |
Billy Prince is asking you to prom. | |
Why? | |
I don't know. | |
The poem! I knew he liked the poem! Billy Prince is asking me to the prom. | |
That's what I'm saying. | |
That's for sure. At the airport - that's where it was. At the airport, there in one of those gift shops... Anyway, you better take a break. | |
Thanks. You are just a wonderful person. | |
I told you boys I'm no escape artist, but for the first time, I like the odds. Because now I got me a decoy. | |
What's the decoy? | |
Price. When I go I want you to give me five minutes. Exactly five minutes to get Dunbar out of that water tank. Then you throw Price out into the compound, nice and loud. He'll draw every light from every goon tower. It's our only chance to cut through. What do you say, Barracks' Chief? | |
Shoot! | |
The missing piece of the jigsaw. I tried to get you to give it to me as Peter; I tried to steal it from you as Dr. Darling. As myself I'll be a bit less subtle. With this ring my plan will be complete. | |
How Wagnerian ... Do you mean to say you've waited all these years because you couldn't create a chip on your own? That would have amused Peter. | |
Speaking of Peter, there's more good news: You won't even have to change your last name. You'll always be Mrs. Peel. | |
What are my choices? | |
Choices? | |
I'll never marry you. | |
Thank you, Brother; Sister, how are you? | |
Please make way, please -- | |
Lombard, this is not a Jewish name, is it? | |
I hope its not too significant. | |
What if it is? | |
Well, I would have to point out that we could have dealt with that question when you called this morning, Mrs Spitz. I wouldnt like to think Id kept you waiting for nothing. | |
I was sorry to hear about your wife. | |
Yes ... I got the money. | |
The President would like to know if that was the last payment. | |
I'll bet he would. | |
Is it? | |
In Richard Nixon's long history of underhanded dealings, he has never gotten better value for his money. If I were to open my mouth, all the dominoes would fall. | |
Look over there. It's Cameron. | |
Who? | |
Cameron. You remember Cameron. | |
No, I don't. | |
What's he doing here? | |
That's not him. | |
Yes, it is. It's him. Cameron, Cameron, come on over.Yo! | |
No plans for the weekend, Linda? | |
No, MR. Danvers. | |
Can't have you moping around the campus. Why don't you come home with us for dinner? | |
I'd love to. | |
Natalie? Natalie who? | |
Why? | |
Well, you are in pretty good shape, Herr Rick. | |
How long can I afford to stay closed? | |
Oh, two weeks, maybe three. | |
Maybe I won't have to. A bribe has worked before. In the meantime, everybody stays on salary. | |
Oh, thank you, Herr Rick. Sacha will be happy to hear it. I owe him money. | |
I find these initial meetings to be much easier without the concerned relatives in attendance. | |
Am I supposed to say 'thank you'? | |
Thanks are hardly necessary. | |
Aw, shucks, ma'am. T'weren't nothin'. | |
I'm glad to see you haven't lost your sense of humor. | |
It ain't for lack of trying. | |
So it seems. May we be serious for a moment? | |
Why, Doctor! We've only just met! | |
You know how to work this thing? | |
No idea. | |
Well, press something! | |
Wait! | |
Hey! -- Where you going?! | |
You're going to your ship, I'm going to mine. Science Vessel. I've got 300 years of catch-up learning to do. | |
You mean this is -- goodbye? | |
Why does it have to be goodbye? | |
Well, I... As they say in your century -- I don't even have your phone number. How will I find you? | |
Don't worry. I'll find <u>you</u>. See you around the galaxy... | |
Do you swear that the testimony you are about to give before this committee of the United States House of Representatives will be the truth, the whole truth, and nothing but the truth, so help you god? | |
I do. | |
Be seated and state your full name and place of residence for the record. | |
Peter Kenneth Appleton. Hollywood, California. | |
The chair notes that you are appearing without the benefit of counsel today, Mr. Appleton. We certainly hope this means that you intend to be fully forthcoming with this committee? | |
I'll do my best, Mr. Chairman. | |
Now, we're informed that you have a statement you'd like to read, is that correct? | |
A statement? | |
Yeah, I stripped down a motion tracker and hardwired it through to the helmet pick-ups, too. That's also on the display. | |
Sounds great. | |
No. Invite us? No, he simply... | |
Then we cannot go. | |
Because...? | |
Because we cannot <u>pay</u>... | |
Then these are all new owners? | |
That's right. | |
But that means that most of the valley's been sold in the last few months. | |
If that's what it says. | |
Can I check one of these volumes out? | |
Sir, this is not a lending library, it's the Hall of Records. | |
Well, then, how about a ruler? | |
A ruler? | |
The print's pretty fine. I forgot my glasses. I'd like to be able to read across. | |
As my wife testified, we were considering it. | |
Actually, she said you had decided. Decided <u>not</u> not come forward. | |
So, Mr. Johnson -- | |
Tor! | |
Tor. Have you ever thought about becoming an actor? | |
Mm, not good-lookink enough. | |
I think you're quite handsome. | |
No. With hair, yah. But I must shave head for wrestlink. It scare da crowds. Dey like that. | |
Inhale the smoke and hold it. | |
What is this, like freebase? | |
Not like. It is. | |
When my money moves, I go with it. | |
I trust Mr. Johnson filled you in on the revisions. | |
Are you crazy, Ray? | |
You heard Kelly say "Sam." That was Lombardo on the phone. And you saw the girls... | |
Ray. The conversation on this tape is totally unintelligible. What we have here, is you on the Van Ryan property, without a proper warrant, shooting a porn flick... | |
I don't believe I'm hearing this. A month ago you were pulling these two apart at the courthouse. They were acting. They were all acting, from the beginning. And we bought it, hook, line and sinker... And now they're home free with six million of Sandra Van Ryan's money. | |
Why do you cry? | |
You mean people? I don't know. We just cry. You know. When it hurts. | |
Pain causes it? | |
Uh-unh, no, it's different... It's when there's nothing wrong with you but you hurt anyway. You get it? | |
No. | |
Want to get a drink? | |
Sure. Why not. | |
Poor George . . . Sit down. | |
Sit down? What are . . . | |
If you're going to help a man, you want to know something about him, don't you? | |
Well, naturally. Of course. | |
Well, keep your eyes open. See the town? | |
After that, who cares? | |
That does it come here. | |
Hello. Can I help you? | |
Does this dog here belong to you? | |
Do you have a cigarette? | |
I don't smoke. | |
Yes, you do. | |
I quit. | |
Hey everybody. How's it hangin'? | |
In fact, he's just informed me that he personally plans on cancelling Christmas this year. | |
Isn't that a Z140? Alleviated titanium. Neuro charged assault model? | |
Uh.. | |
You know you could hurt someone with this puppy..good thing it's not loaded.. | |
You just have to control it. We're not apes. | |
Thank you very much for that. | |
Mr Disraeli. Ma'am. | |
Your Royal Highness. What a pleasure to see you here. | |
Have you met Mr Lyle? He's in sugar...? | |
I don't think I've had that pleasure. | |
Why...? Andy, why...? | |
I used to think you were original. | |
No! You're playing with my mind! | |
I'm trying to play with your body! | |
I knew it--you're seducing me! | |
Of course I'm seducing you for Godsakes, and I'm doing a damn poor job of it-- Aren't I pretty? | |
I think you're real cute. | |
Cute?! I hate cute! Baby ducks are cute! I wanta be exotic and mysterious! | |
You're exotic and mysterious and cute--that's why I better leave. | |
We can work this out, can't we? | |
This isn't all that bad. We can give you a lot of legitimate jobs. Put you on the rotation at Long Beach as a dock worker. | |
I'm taking her to the airport a few minutes from now. She's going to East St. Louis--to visit an aunt. | |
Tell her to have a nice trip. | |
Thanks. | |
Jake -- | |
What do I always tell you guys? Don't spend it all. Sooner or later we're going to run into some bad luck. Save some. Put it away, so when shit like this happens, you're not desperate. That's it. The gig's up. | |
If you were truly a copycat, wouldn't you want to emulate everything about the killer that you could? | |
Meaning? | |
He's already gotta be a part of Sid's life. What do you know about this Derek? | |
Solid alibis. He was with Sidney when she was attacked. | |
Billy had alibis too. | |
Look at me, Hildy -- | |
I'm looking at you -- you murderer! | |
If it was my own mother, I'd carry on! You know I would. For the paper! | |
Louie, where'd it happen? I'm going out! | |
Baaa, got no time to go to the movies. Love and Hate too busy fighting for possession of my soul. | |
Where's Elias come from? | |
'Lias come naturally. | |
She changed the codes. | |
What's wrong? | |
It would take hours to re-route the system, and even if I did, I shouldn't. | |
No, you don't! He does not work well with others. | |
What do you mean? What's he do? | |
He's a freelance bio-exorcist. Claims to get rid of the living. But he's a troublemaker. He's pushy. He's been sleazing around that cemetery for 500 years. | |
Our cemetery? | |
Yeah. He still tries popping up all over the place. But he can't join the party unless you call on him. Get the Deetzes out by yourselves! I gotta go. | |
Benjamin -- I would like to know what you're doing here. | |
Here? In Berkeley? | |
Yes. | |
Well, I have this very pleasant room on Carter Street -- and I've been getting to some classes -- | |
But you're not enrolled. | |
No. I just sit in. They don't seem to mind. They've been very congenial about it. | |
<u>Oh my God</u>! | |
<u>I know</u>! We just have to <u>pray</u> that the other closets are bigger than this one. | |
Captain...? | |
We have to follow them back... repair whatever damage they've done to that time-line. | |
Perfect example. | |
You have to put blinders on sometimes. Most times. | |
I don't know why I asked you to come. | |
Talk to him about it. He'll understand if you tell him how you feel. | |
I can't be a burden, especially now. I know I'll get used to things. I guess I wanted to know what someone who's lived here thinks. Upstate, it was a completely different environment. I don't know if David told you, but I teach fifth grade, or did. | |
He mentioned it. | |
That's a lie! | |
It's not a lie! Nickels and dimes! To stuff into their own pockets! You can read all about it in the newspapers there! | |
That's a lie! Listendon't believe what he says . . . | |
Let go of me! This man had no intention of jumping off of the top of a building! He was paid to say so! Do you deny that? | |
That's got nothing to do with it! | |
Were you paid for itor weren't you? | |
Yes! I was paid! But the | |
And what about the suicide note? You didn't write that, either! | |
What difference does that make? | |
Did you write itor didn't you? | |
No, I didn't write it, but | |
Ah, you bet your life you didn't! You look in your papers, ladies and gentlemen, and you'll find Miss Mitchell's signed confession that she was the one that wrote it! | |
Listen, folks, it's a fact that I didn't write the letter, but this whole thing started | |
There! You see? He admits it! You're a fake, John Doe! And for what you've done to all these good peoplethey ought to run you out of the countryand I hope they do it! | |
I'm fool enough to believe that one of these days somebody will. Somebody who wants me as I am will maybe walk into the place where I'm working and take me out of there. | |
Maybe they will. | |
Well, I figure if you take a state policeman, shoot up his car, take his gun and lock him in the trunk, it's best to just get on out of the state if you can. | |
Just asking. | |
If I could fly like you I'd have everything I want. If I could fly at all. I can't fly. I can't fly like that. Nobody can. Whatever it is, you've got it! | |
Not anymore. | |
So, you're scared--so what? You ever get a good look at me in the back seat, I'm goddamn terrified. | |
Being on the street's a little different than sitting in an office all day, isn't it? | |
Enjoying yourself? | |
You know I am. | |
This isn't a game, Parker! | |
Tell him. | |
Oh! | |
Oh, is that what it is? | |
Uh-- APRIL I-i-it has an o-organic quality, you know. | |
Right. | |
It's almost...almost, uhhh, entirely wholly interdependent, if you know what I mean. I-I... I can't put it into words. The important thing is-is-is it-it breathes. | |
When we go inside, you let me handle everything, you hear? This is my man, you dig? My informant. You know what an informant is? | |
Stooly. | |
What? | |
Stool pigeon. | |
Yeah, somethin' like that. OK, now this is a nasty ass place. When you go into a place like this, the most important thing is control. You got to maintain control. You following me? You lose it, you get hurt. Now, you're my responsibility and I don't want you hurt. You understand? OK, let's go. | |
You American? | |
No. | |
Not English. | |
I just turned 25. I was 24 for a whole year. | |
You are precious. Please, call me Gale. | |
Rose Rose has runned away! | |
She took off in the night! | |
She took off on the bicycle, man. | |
I must've left the original in the copy machine. | |
"The second rule of fight club... Is this yours? | |
Hmm? | |
You don't get paid to abuse the copy machine. | |
"Abuse" the copy machine. There's an image. | |
Pretend you're me. You find this. What would you do? | |
Said he'd heard you were up in town. Wondered if I knew where you was staying. Wanted to look you up. Old time's sake. | |
That's nice. What'd you tell him? | |
Nowt. | |
Good lad. | |
And that's all? | |
Oh no. Now for the Fire. Strings in unison - ostinato on all - like this. | |
It flatters me you remember, old one. It's been what... two hundred years? | |
It's not been long enough. What witchcraft is this? | |
What about us? Don't forget to mention us. | |
We're like his handlers. He can't function without us. | |
What about Jeremiah? | |
Nah. Just you. | |
Where you off to -- ? | |
Thought I'd go for a ride - | |
What's in there? | |
Nothing. | |
If I could be of any help... | |
I'm sorry, Mr. Gillis, but I just don't think it's any good. I found it flat and banal. | |
Exactly what kind of material do you recommend? James Joyce? Dostoosvsky? | |
Oh my God, what is he doing? | |
He's shutting off the air!!! | |
John! | |
Holly, we have to stop meeting like this. So that's what it was. A fucking robbery. So why nuke the building, Hans? | |
What does Burbage care of that? He is readying the Curtain for Kit Marlowe. | |
You have opened the playhouses? | |
I have, Master Shakespeare. | |
But the plague | |
Yes, I know. But he was always hanging around the house. | |
Yeah. | |
He was alive over a hundred years ago. He was Indian. Dots, not feathers... | |
Really don't wanna be captured, el- tee. Heard some bad things. | |
Fuck. Basher-Basher, this is Ground Crew Six requesting emergency extraction. Stand by for a PRC fix... | |
I don't know if you'd call it a boat... | |
Something with an engine? Not oars? | |
Step into my office. | |
We're here on the sofa bed... | |
Charlie... | |
...to record how much we love each other. Sitting beside me is the cutest majorette in the history of the world. And she would Like to say something. | |
Why do you think I'm sending him home? | |
He killed the dolphin. | |
Get out of here before this really goes up. | |
Hide the gun. Throw it away. Anything. Listen, I gotta borrow your car...I think we should take a ride...away from here for the night...you know what I mean? | |
Ok...but go to a movie first or something...not good to be driving around right away. You know you can't do much for him now...it's out of your hands. | |
It's funny to look back. I was brought up on goat's milk, I had a ration of vodka in the army, and now champagne. | |
From goats to grapes. That's drinking in the right direction. | |
Well? You have all the answers. How is that possible? | |
You didn't beat me that day. I beat <i>myself</i>. | |
Who are you trying to convince? | |
I will prove it to you. Come swim with me now, Vincent. Now--tonight. | |
Me again. Hi. Listen Gaddafi doesn't foam at the mouth or anything. When you speak to him he's not at all nuts. He seems like a leader -- very impressive, self-control...that's what's so strange. | |
Right and we have the '81 pilot on the way in -- Nobody else will have him. | |
You're welcome. Sow how does it feel to...I know you gotta go -- Me too. We're very busy here. | |
I forgive you. | |
Me? | |
I forgive you. | |
You can't forgive me. After what I've done. I've fucked up bigtime. I've been bad. Real bad. | |
I forgive you. | |
Please. Please don't forgive me. I've always hated you for that. | |
Oh, it wasn't my secret, Richard. Victor wanted it that way. Not even our closest friends knew about our marriage. That was his way of protecting me. I knew so much about his work, and if the Gestapo found out I was his wife it would be dangerous for me and for those working with me. | |
When did you first find out he was alive? | |
Just before you and I were to leave Paris together. A friend came and told me that Victor was alive. They were hiding him in a freight car on the outskirts of Paris. He was sick, he needed me. I wanted to tell you, but I, I didn't care. I knew, I knew you wouldn't have left Paris, and the Gestapo would have caught you. So I... well, well, you know the rest. | |
Huh. But it's still a story without an ending. What about now? | |
Now? I don't know. I know that I'll never have the strength to leave you again. | |
And Laszlo? | |
Oh, you'll help him now, Richard, won't you? You'll see that he gets out? Then he'll have his work, all that he's been living for. | |
All except one. He won't have you. | |
Am actually laying my hand on the twenty-five foot gorilla.Ladies and gentlemen! I am touching the beast! | |
Take your filthy paws off him -you ignorant pig! | |
You're very handy, I can tell. I bet you like to read a lot, too. | |
Print is dead. | |
That's very fascinating to me. I read a lot myself. Some people think I'm too intellectual. But I think reading is a fabulous way to spend your spare time. I also play racketball. Do you ever play? | |
Is that a game? | |
It's a great game! You should play sometime. I bet you'd be good. You seem very athletic. Do you have any hobbies? | |
I collect spores, molds and fungus. | |
Oh, that's very - unusual. | |
I think it's the food of the future. | |
Remind me not to go to lunch with you. | |
I think one of us should fuck Josh... | |
Go ahead... | |
No, really... | |
God, you're really obsessed... | |
I am not -- I just think it'd be funny to see what he'd do... | |
I thought we decided that Josh was way too cool to be interested in sex, and that he's the only decent person left in the world and we would never want to bring him down to our level and all that... | |
Yeah, but maybe one of us should at least try... | |
No matter what happened it would be a big disaster... Let's just try and keep everything the way it is. | |
I need to get my suitcase out of the garage. | |
What for? | |
I'm going back home with Harry. | |
I've heard some foolish things in my life. | |
Harry is coming to pick me up. | |
Have you lost your mind? Have you thought about your wife and child, not to mention your sick father? And I need your help to move his bed from under the leak in the ceiling. | |
I'm busy. | |
Don't make me raise my hand to you. You have to see for yourself that you are going in the wrong direction. | |
Can't I be myself without you jumping in with your right and wrong? The world is not black and white. Show me one perfect person. If you can't, don't ask me to be. | |
I do have a right to ask you to be a little bit better than me and your father because we gave you a better head start. You have no right to complain to us about your not having enough. You sit right there with your no manners self. | |
Holy Mary, Mother of God. | |
This is great, we got cable. | |
Or you can let him knock himself out. You personally'd be sending him to his grave. | |
An eternal damnation. | |
How are you, baby? | |
Fine. How are you? | |
Great, great, fantastic. Fantastic. Incredible. Incredible, really incredible. | |
What? | |
I'm gonna open the shop, baby, I'm gonna open the shop. I'm getting it together. | |
How? | |
Right now -- I'm at the epitome of my life. Right now I feel so good I'm afraid something's gonna happen. | |
You're not going to launch anything until... | |
In six hours, every living thing in this system will be dead or dying. | |
Can we just rent it from you? | |
Sir, this is a mortuary, not a rental house. | |
I was just wondering... Nick... You're going hunting... If I could use this place to stay, because... | |
Sure. Are you kidding? Sure. | |
I'd want to pay you... and I was thinking -- | |
Linda... Hey, Linda... | |
I would want to pay you, Nick... and I was thinking -- | |
Linda, Linda...! | |
What? | |
Will you marry me? | |
Okay. | |
Would you? | |
What are you writing in that book? | |
It's my bird book. | |
No. | |
Yo, I'm gone. | |
I'll see ya there. | |
Don't stop, nurse--I think I'm going to faint. | |
You <U>are</U> a lunatic! | |
Even Cupid's becoming modern, using medicine balls instead of darts. | |
"I am Joe's Lungs." It's written in first person. "Without me, Joe could not take in oxygen to feed his red blood cells." There's a whole series -- "I am Joe's Prostate." | |
"I get cancer, and I kill Joe." | |
If I were married to him, I sure wouldn't walk out. | |
Never mind the condition of your body and your spirit! Look after your things, your things! | |
They stopped. | |
Wha... | |
Oh, Jesus, they've stopped. | |
What are you doing? | |
Have you ever heard of anyone taking a shower with his shoes on? What a nut. | |
This is what it means right here. | |
Small brains make your balls itch? | |
I'm sorry... Oh my gosh, are you George McCord?! | |
...What? What did you call me? George... McCord. You're my favorite actor on... | |
Listen to me, both of you. This Is no good. This is trouble we Don't need. For the first time in Our lives we got a chance to stop Wandering and finally be a Family. Do this and you throw it All away. You saw what happened To Fred White. | |
Come on, we're not about pickin' Fights. Just gonna keep a little Order, that's all. | |
Yeah? | |
Like you said, just gotta know How to handle 'em. Old Fred Wasn't up to it. We know that We're doin', Wyatt. | |
All right, say you're right, say You don't get yourself killed. There's something else. It's too late for Virge, he Already rolled his bone. But it's Not too late for you, Morg. | |
What're you talkin' about? | |
That ' s completely adorable! | |
It gets worse -- you still have your freshman yearbook? | |
Hors d'oeuvres or something? | |
Yes, great! It's a beautiful house. | |
Thank you. I understand you're an interior decorator. | |
Yes. | |
I so wish I'd known. | |
Well, whoever did this is amazing. | |
I did it. | |
You're just stalling now. | |
You'd like to think that, wouldn't you? You've beaten my giant, which means you're exceptionally strong. So, you could have put the poison in your own goblet, trusting on your strength to save you. So I can clearly not choose the wine in front of you. But, you've also bested my Spaniard which means you must have studied. And in studying, you must have learned that man is mortal so you would have put the poison as far from yourself as possible, so I can clearly not choose the wine in front of me. | |
Can I ask you a question? | |
Sure. | |
When I die. Is it gonna hurt? | |
I...I don't know. | |
Okay, I'm here. Now why did you-- | |
Ted, do you love him? | |
Goddamnit, Joanna. What the-- | |
Ted, do you love him? | |
My brother's a priest, man. | |
No wonder you're such a chickenshit. Now shut up. There ain't no bat. | |
You know this guy, don't you? | |
I've never seen him before in my life. I'm just trying to help you out. | |
By stealing my car? | |
I would've come back for you. | |
Yeah. | |
Yeah. | |
Leapin' Jesus! | |
The struts are loose, the hydraulics are leaking, and the electrical system's shorting out in the cockpit. | |
Well which of those three ya want fixed? | |
All of 'em. | |
He'll keep calling. | |
Max! Dammit! <u>Answer!</u> | |
I was faking it. I've been feeling caged for sometime. Funny, huh? | |
No, it's not... Fuck fuck fuck fuck. | |
Goddammit, Hardy, you can't just leave -- | |
Watch me. | |
You said you owed Styles and now you're gonna turn your back on him? | |
So there I was, hanging from the edge of a bridge, when my mom said, "Son, you got into Harvard!" It took three of them to pull me back! Frida keeps eating. | |
Well, whattdaya think? | |
That's great. Highly original. | |
What about the others? | |
They'll be there when we get there. Might even have a fire started. | |
What're we going to do in the mean time? | |
I dunno. We'll think of something. | |
Oh, Ben - I miss you so when I'm out... How are you feeling? | |
Tired... And I'm getting tired of being so tired. Other than that, I'm doing very well. | |
No headaches? | |
No, it's been a good day - better than yours, from what I've been told. | |
You heard? | |
I may be a shut-in, but I do not lack for news. I'm sorry you had to go through all that. | |
Oh, it wasn't all that bad, darling. We were fortunate that Mr. Gardiner turned out to be so reasonable. | |
Reasonable? Good, I'd like to meet a reasonable man. Why don't you ask this Gardiner to join us for dinner? | |
Do you feel well enough for that? | |
Hah!... Tell me the truth, Eve - if I wait until I feel better, will I ever meet the man? | |
I hope you noticed how coolly I behaved under the threat of discovery. | |
Do Justice and the FBI know what we know, and why the hell haven't they done anything about it? | |
They know, but they focused on the burglary--if it didn't deal with the break-in, they didn't pursue it. | |
Why didn't they?--who told them not to? | |
Someone with authority I'd imagine, wouldn't you? Don't you know what you're onto? Come on. | |
Mitchell knew then. | |
Of course--my God, you think something this big just happens? The break-in and the cover up, of course Mitchell knew, but no more than Ehrlichman. | |
Haldeman too? | |
You get nothing from me about Haldeman? | |
What are you doing? | |
In order to lower and raise the shields as quickly as possible, we're going to forego the tractor beam and fly her in manually. | |
What are you looking to read? | |
Anything interesting. | |
Shit, don't these packrat hillbillies throw anything away? | |
Shhhh... you hear that? | |
He's right about the ear, it's hacked off. | |
Let me say this out loud, just to get it straight in my mind. According to you, Mr. Blonde was gonna kill you. Then when we came back, kill us, grab the diamonds, and scram. That's your story? I'm correct about that, right? | |
Are you a friend of Mitch's? | |
No, not really. | |
What's the matter? | |
Nothing... just tired. | |
Where are you sending Batboy this time? | |
Here. Get a good seat. | |
I'm sorry I'm late, but something happened. | |
You're forgiven if you don't make dates with anybody except me for the rest of the voyage. | |
I must say you're persistent-- --it's kind of flattering. | |
Sure, I guess. | |
Don't rush ever'body, honey. | |
Pardon the hour, sir. But you told me to come to you immediately if I felt I was being mistreated in any way. | |
Didn't take long. | |
Which guy in Toledo are you talking about? | |
I'll tell you...the guy...with...just talk to me later about it, ok? | |
You talkin' to me about Ramada Inn? | |
I have to talk to you in a second about that, Lance, ok? | |
I'd call that a yes. Do I get a hint? | |
You want a hint? I'll give you a hint. You are the lowest, most despicable, most reprehensible form of reptilian swine-- | |
There's no such thing. | |
What? | |
Reptilian swine. There's no such thing. Reptiles aren't swine. | |
Who cares?! You hired an actor?? | |
I don't know what you're talking about. Who told you that? | |
No one had to tell me. He's starring in the local play. | |
I don't know what you're fucking talking about. | |
Friday night, at the party - what'd you fight about? | |
Stuff. | |
What kind of stuff? | |
Just stuff. I don't fucking remember. | |
The other guy? | |
I told you I don't remember. | |
After that she left the party to go to him. | |
How should I know?... | |
Ran like hell to go to him... | |
Fuck you, man! - I'm sick of all your fucking cop questions... | |
What is it? | |
Ship's log. | |
They are not my clients. | |
You're a lawyer and you're here-- | |
--I met one of the defendants, Mr. Barker, at a social occasion once-- --I have nothing more to say. | |
A Miami social occasion? Mr. Rafferty told me the Cubans were from Miami. | |
Barker's wife called me at three this morning; her husband apparently had told her to call if he hadn't called her by then. | |
It was really nice of you to come, since you'd only met him once. | |
Are you implying you don't believe me? | |
I have nothing more to say. | |
You don't mind getting on people's nerves, do you? | |
Not exactly the kind of lunch Hobbes would have laid on you, Rog, but it's all I got, and... ...all I got I share with you. Go ahead. Take all you want. | |
You touch my spleen, Rollo. And here all the time I was thinking -- if I ever bothered to think about the good old days -- well, at least there's Rollo. He's in VD and he's happy. | |
I'm still a VD man under the skin, Rog. You know me. I'm a down-to-earth kinda guy, right? | |
Well, at least you still talk the same. | |
So who changes? | |
But you gave up your private practice. Suddenly you're into pure research and you... you're what, a parasitologist? | |
That was my father's idea... private practice. He wanted to set me up -- I couldn't say no. But he's dead now. And me, I'm still a snoop, I gotta do research. Look at that beautiful stuff... ...lookit it! | |
To put it simply, I should say that our general belief was in moderation. We preach the virtue of avoiding excesses of every kind, even including the excess of virtue itself. | |
That's intelligent. | |
We find, in the Valley, it makes for better happiness among the natives. We rule with moderate strictness and in return we are satisfied with moderate obedience. As a result, our people are moderately honest and moderately chaste and somewhat more than moderately happy. | |
How about law and order? You have no soldiers or police? | |
Oh, good heavens, no! | |
How do you deal with incorrigibles? Criminals? | |
Why, we have no crime here. What makes a criminal? Lack, usually. Avariciousness, envy, the desire to possess something owned by another. There can be no crime where there is a sufficiency of everything. | |
You have no disputes over women? | |
Only very rarely. You see, it would not be considered good manners to take a woman that another man wanted. | |
Suppose somebody wanted her so badly that he didn't give a hang if it was good manners or not? | |
Well, in that event, it would be good manners on the part of the other man to let him have her. | |
That's very convenient. I think I'd like that. | |
You'd be surprised, my dear Conway, how a little courtesy all around helps to smooth out the most complicated problems. | |
Hey, don't I get an encore? | |
Why, you crazy Toon... I've been out there riskin' my neck for you. I come back here and you're singin' and dancin'. | |
But that's my calling, my purpose, my raison d'etre. Toons are supposed to make people laugh... and believe me, those people needed a laugh. | |
And when they're done laughin' , they're gonna call the cops. That guy Angelo would rat on you for a nickel! | |
Angelo? He's a pal, a chum... | |
An arsonist and a kidnapper. He just got outta prison. | |
Well... I still don't think he'd turn me in. | |
Just because you got 'em to laugh? | |
A laugh can be a powerful thing, Eddie. Sometimes it's the only weapon we have in life. | |
I think I prefer the Smith and Wesson variety. | |
I've met some cynical and miserable humans in my time. But you, Edward Valiant, are positively funereal! | |
Well, right now it's gonna be your funereal. | |
Jesus. She's got guns. | |
She's Cuban. | |
All right. Kawakita, cover the rear. | |
Oh shit. | |
I'm in the picture on Wendy's wall. Niagara Falls. Family trip. Little Wendy foreground. Me background. What are the odds on that one? | |
Uh, yeah, that's...wow. | |
I couldn't tell her...it's, it's too major...Jesus, I'm starting to believe in God and what's worse I think I like the guy. The lightning bolt was just a test, right? Wendy and I--we're meant to be. I'm right, right? I have to see her... | |
Say Hi for me. | |
Well, Normie - you won't have to worry about this one being finished for a lonnnnng time. How are the hands...? | |
The guy I told you about - Aaron...? He says I can learn to control them. That I could lose the gloves at some point. | |
I've walked across a stage a number of times, without exciting any particular response... | |
That's what I mean... | |
I think we should see the sun rise at the Canyon Trailer Park. | |
Are you speaking to me in a code? | |
No, Sam, I'm speaking plainly and I mean just exactly what I say. | |
In that case, we should go to the Canyon Trailer Park. | |
The lions were totally covered in this guy's blood... I think they ate his face off, tore open his rib cage, pulled his legs off... it was a wild scene. | |
Things like that get a lot bloodier than ya think. | |
Do you want to fuck now? | |
Maybe another drink first. More tequila? | |
OK... whatever. | |
Why do my eyes hurt? | |
You've never used them before. | |
It didn't go off. | |
Oh, God... | |
It didn't go off. | |
Boiler, we're alive. My heart. | |
I see here that this guy has made deposits into his own account for the last four months. Each one in the amount of $100,000. He then puts in deposits into his girlfriends account. | |
So ? | |
He already had a balance of $600,000. | |
He probably has a history of this shit. | |
Yeah, maybe.... Let's start the background checks. Let's see where they live and what kind of security systems.... | |
Matthew lives on the Upper West Side, kinda posh for a temp don't you think ? | |
Any priors ? Any police record ? | |
Checking..... Hah ! He has a shit load of unpaid parking tickets... | |
Parking tickets ? That's it ? | |
Yeah, but we're talking 43. | |
A real criminal.... I still think that's our in... What about her ? | |
Checking........ | |
What is this? | |
An Oldsmobile Silhouette. | |
I reserved a Cadillac. | |
Yeah, well, this one's the Cadillac of minivans. | |
You're kidding me, right? | |
Hey, you want La Tierra Rent-A-Car just over there, but I think all they got are Rabbit convertibles. | |
Aft thrusters, Mr. Sulu. | |
Aft thrusters, sir. | |
Attacks repulsed, as I was saying. This is only for this war, Captain. Viet Cong -- 54; North Vietnamese regular forces -- 15; South Vietnamese -- 28 -- regular forces and otherwise. Americain -- 6. Of course, they were, perhaps, mistakes, Captain. | |
Of course. I -- Once we make our repairs, we could send word, we could have you evacuated from here. | |
Captain? | |
You'll get blown outta here some day. | |
We will never 'evacuate', Captain -- this is our home. Indochina is ours; it has been so for a hundred and twenty-one years, there is something to say for that. | |
The Vietnamese think it's theirs -- I guess the Americans do, too. | |
But we civilized it. A place belongs to those who bring light to it, don't you agree. | |
I always thought the French came here to get the rubber. | |
And when is the countdown supposed to expire? | |
Fifty six minutes, forty five seconds. | |
Well done. Brave girl. You've probably never shaken hands with a ghost before, am I right? | |
Captain Spenser. Elliott. I ... What the Hell is going on? | |
Hell is precisely what is going on, Joey. And we have to stop it. I because of a special obligation, you because you're the only person who can help. And because you know what is right, and just, and true. Will you walk with me a while? | |
Listen, son, you know as well as me this kind of hitmen: they come from nowhere, get the contract and disappear. They're lonely, worse than wolves. | |
May we have this wolf's name and address? | |
These guys have no place. They change virtually everyday. And his name... It's a surname. | |
What the hell is this Marcie? | |
THAT'S NOT MINE. | |
Otho, I can<u>not</u> <u>live</u> with these cheap domestic floor tiles. | |
Be brave! Otho take care! Onward! | |
Listen to me, you thankless little prick. We're your parents, so don't you dare talk to me disrespectfully. What the hell is it, this captain? Because I'll see him in a rowboat... | |
It has nothing to do with him. | |
Well, what does it have to do with? Us? | |
No. Look, it's me okay? Can't it just be about me? For once? | |
I could have given you the world. | |
Not interested. | |
<u>Adam</u>! <u>Adam</u>! | |
As flies the lizard Serpent fell; As goblin vizard, At the spell Of pale wizard, Sinks to hell; The buried, dead, and slain... Rise again. | |
Well -- I could try. Do you wash your hair every day? | |
Isn't that bad for it? | |
No it keeps the skin peeling. You've got to keep the follicles open. You lose hair and the skin grows over the follicle and that's how you lose it. | |
You walk out that door and you lose your share of the money. | |
Yeah, whatever. | |
I mean it! | |
Adios. | |
See -- this is the nicest room. | |
Wow, Kev...it's perfect. | |
Chief says -- how many? | |
Thousands. | |
Why? | |
Tell me something. What the hell kind of name is Dignan? | |
I'm not really sure. I think it's Irish. Or maybe -- | |
I guess what I'm trying to say is what the hell kind of person is this Dignan? | |
What do you mean what kind of person? He's a good person. | |
Sure, sure. He's a great person, and I'd call bullshit on anybody who said differently. But I wonder if the kid has the goods up here. | |
I don't think you're giving him enough credit. I know sometimes he doesn't think an idea through. He gets too excited. But -- | |
As far as I can tell he hasn't thought his life through. He'd be fine cutting my grass or parking my car. But business? You I can work with. You I could groom. Dignan's not going to make it. | |
I always though London was the place to be: capital of the world, the most spectacular city on earth. | |
The place to want to be is America. Every English child dreams of it. I dreamt it. | |
I think America suits you. | |
How much more? | |
I don't know if I should talk about this. | |
Well, I'd ask Guy - we were friendly, you know - heart attack, wasn't it? | |
If you buy what you read in the paper. | |
You have other information? | |
I didn't say that. All I know is he died suddenly just before the Warren Report came out. | |
Why did Guy beat you, Jack? | |
Well, I guess now that Guy's dead, it don't really matter... it was about the people hanging around the office that summer. I wasn't really part of the operation, you know. I was handling the private-eye work for Guy when that came in - not much did - but that's why I was there... it was a nuthouse. There were all these Cubans coming and going. They all looked alike to me. | |
Such a shame .. She's a really sweet kid .. | |
She's a doll. But I wish he hadn't brought her out here. | |
He looks familiar. | |
That would be Thibadeaux. The cop I work for every now and then. Catching thieves. The really good ones--the ones who imitate me. | |
Okay, let me start from the top. A few days ago I was on this munitions dealer named Lafontaine. Now, after the shit blew up last night... | |
I'm not interested, Carter. You're no longer on this assignment. | |
What?! | |
And your buddy, Mr. Lee, is on his way back to China. Now, get out. Before I file obstruction of justice charges against you. | |
You know the kids aren't really in danger. This is about Rachel, and you're right, I'm disappointed in her learning curve, and... | |
<u>Slugs</u>. Have faster learning curves. <u>Trees</u>, even. | |
I took some of your Vicodin. | |
I know. Why? | |
I like how it feels not to feel. | |
Run for your lives, boys! It's That great two-gun dog-catcher From Kansas! | |
McMasters, isn't it? Listen, you Seen a black stallion with- | |
Look, I got a rule. I don't talk To lawmen. Dog-catchers neither. | |
I'm not a lawman, I'm just a Private citizen getting' my Property back | |
Well in that case, I saw your Horse. Billy Clanton was takin' Him up to the Cut to show him Off. The boys're all up there Right now, branding. And in a Mood. Still want your property Back, Mr. Private Citizen? | |
Does it have any favorites? | |
It likes all the sappy stuff: 'Cumbaya,' 'Everything is Beautiful,' 'It's a Small World' -- but it loves Jackie Wilson. | |
No fighting. It wasn't Bob's fault. | |
Easy, Dignan. It's OK. | |
Grace told me you have a country house in Connecticut. Sounds like a beautiful place. | |
It is. It's lovely. | |
Ever think of moving there full time? | |
We did at one point. When we thought we'd have more children. And we after tried. We tried everything, but... wasn't meant to be. | |
Miles. | |
Hey, Evelyn, it's your favorite client. | |
How's the trip? | |
Good, good. Drinking some good wines and kicking back, you know. So what's happening? Still no word? | |
Actually there is word. I spoke to Keith Kurtzman this morning. | |
And? | |
And... they're passing. Conundrum's passing. He said they really liked it. They really wanted to do it, but they just couldn't figure out how to market it. He said it was a tough call. | |
Huh. | |
I'm sorry, Miles. So I don't know where that leaves us. I'm not sure how much more mileage I can get out of continuing to submit it. I think it's one of those unfortunate cases in the business right now -- a fabulous book with no home. The whole industry's gotten gutless. It's not about the quality of the books. It's about the marketing. | |
It's her choice -- She's human -- | |
Oh, as opposed to -- ? | |
Brad, I really fuckin' hate McDonald's, man. Ever since they started in with the chicken, everything went downhill. | |
You want to work at Carl's? | |
Oh, man, if you could swing something there, I'd do anything for you. I want to work with you guys. | |
I can probably get you in there. Just let me talk to Dennis Taylor. | |
All right!! | |
Soon as we leave here. Stop home and pick up what we need and go do it. | |
Give me a minute, talk to Buddy. | |
You got two minutes, that's all. Make up your mind. | |
I wasn't asking permission. | |
Nice town that you've got here. | |
You want to see it better, we could go out on the roof. | |
...wouldn't that be dangerous? | |
...not if you've got something to hold on to. | |
So we on tomorrow night? | |
Maybe Thursday. I hear the harpist at the Sheraton's got appendicitis. | |
I believe in you a hundred percent, Vince, but that's the second time we've been at that intersection. | |
Not so loud. | |
Do I really feel like... I am...? | |
Yes. Yes. | |
I'm glad. | |
Chief, Mikkelson. | |
Go, Mickey. | |
The truck is registered to Dennis James Rooney, white male, twenty-two. He has an Agua Dulce address. | |
Contact the landlord. I want to know employment, friends, family, anything we can find out about this guy. | |
Murders and rapes in the cities. People bomb planes... can the police stop them? <u>No</u>. But feed one little cow to a crocodile... | |
You're to wait right here until the police show, you're under full house arrest. | |
Thank you, Officer Fuckmeat. | |
Is that really your idea of how to run a newspaper? | |
I don't know how to run a newspaper, Mr. Thatcher. I just try everything I can think of. | |
"Enemy Armada Off Jersey Coast." You know you haven't the slightest proof that this - this armada - is off the Jersey Coast. | |
Can you prove it isn't? | |
What is this, David? | |
You're one of us, now -- aren't you? | |
I want a huge cookie. And like, a lamb kebob. Simultaneously. | |
God, Spermy. Must you always feed? | |
Twenty days work, oh boy! | |
Be glad to get my han' on some cotton. That's the kin' a pickin' I understan'. | |
No it's not the only issue. There's another issue, for the jury. What about entrapment? | |
What about entrapment? | |
You see, Karl, growing up, only knew that sex was wrong and that people who did it should be killed for it. He couldn't really read but, well, neither could his mother. But, his father made sure that his mother knew what the Bible said. And she made sure Karl knew. You know he slept in a hole in the ground under a toolshed, right? | |
I knew he slept in a toolshed. | |
His mother told him that he was their punishment. Hers and his father's; from God, for having sex-- | |
Before they were married? | |
I don't think so. Just period, I think. She told him... God gave them the ugliest creation he could think of. Karl has an entire book -- a notebook. On every page it says "Franklin Chapter 1 Verse number 1." He wrote that a few years ago after he'd learned to write. His father's name was Franklin. | |
That's really strange. What does it mean? | |
One of his Daddy's Bible lessons I imagine. Y'all pull up a chair. I'll go out and talk to him. | |
Yes. | |
One of my men is down. I want to know what happened to him. | |
-- It's starting to look like she doesn't support the film or you, Viktor. If you can't handle her, I will. | |
Not now. She's emotional. Her mother dies today. Scene forty-two of "Good For Nothing". It's not a good time. | |
...Probably sounds a little grand coming from someone who's writing a wrestling picture for Wallace Beery. | |
Beery! You got no beef there! He's good. Hell of an actor though, for my money, you can't beat Jack Oakie. A stitch, Oakie. Funny stuff, funny stuff. But don't get me wrong Beery, a wrestling picture, that could be a pip. Wrestled some myself back in school. I guess you know the basic moves. | |
Nope, never watched any. I'm not that interested in the act itself | |
Okay, but hell, you should know what it is. I can show you in about thirty seconds. | |
Your parents didn't have a <u>bigger</u> one? | |
It was <u>free</u>--I recall that was the chief selling point for you. | |
No offense, sweetheart: fuck you. | |
You know, Nick, you've been something of a total asshole the past few days. | |
Pardon me, I've had a few things on my mind--like putting this safari together. | |
Like how weirded-out you are with this pregnancy thing. | |
Let's just leave it at: it was one hell of a surprise. | |
You don't want it though. | |
Your body, your call. | |
Why is there no "our" here? | |
Could we take this up later--like indoors, without half the world listening? | |
You feel no need to get married or anything. | |
Anna-- | |
--fine, later, fine. | |
No. | |
I would like to pick you up now. May I do that? | |
Now when I say "understand" I want the whole group to say, "Yes, sir!" Understand? | |
Yes, sir! | |
Louder! | |
Yes, sir!! | |
I don't believe what I'm seeing! Where've you been all your lives, at an orgy? Listening to Mick Jagger and bad mouthing your country, I'll bet. | |
Why, Victor? Why? What were you thinking? | |
There was something at work in my soul which I do not understand. | |
What of my soul? Do I have one? Or was that a part you left out? Who were these people of which I am comprised? Good people? Bad people? | |
Materials. Nothing more. | |
You're wrong. Do you know I knew how to play this? | |
Then they do need me, don't they. They really need me... | |
We're gonna get out of here, Nick. We're gonna get out of this... | |
We? What "we"... | |
Ooo, the little lady's upset. Well I say -- get back in the kitchen! | |
No! YOU get in the kitchen. I'm gonna make you dry my dishes! | |
Well, it's Iraq. I'm not sure, but I'm guessing that has something to do with them being here. | |
What are they doing in the middle of nowhere? | |
I'm Batman? I remember my life as Bruce Wayne. But all this. It's like the life of a stranger. | |
Perhaps the fall... | |
There's one other thing. I feel.. | |
What? | |
...Afraid. | |
Bruce. Son. Listen to me. You are a kind man. A strong man. But in truth you are not the most sane man. | |
...A bat. | |
What? | |
I remember a bat. A monster. A demon. Chasing me. Oh my God, Alfred. | |
No demons, son. Your monsters are here. Until you fact that, I fear you will spend your life fleeing them. | |
How's it hanging, Miles? | |
You know me. I love it up here. How about you? | |
Busy night for a Tuesday. We had a busload of retired folks in on a wine tour. Usually they're not too rowdy, but tonight there was something going on. Full moon or something. What can I get you? | |
Highliner. | |
Glass or bottle? | |
Bottle. | |
You got it. | |
Say, is Maya working? | |
Maya? Haven't seen her. I think she's off tonight. Say, where's your buddy? | |
Rachel, Jamie. Thank God! | |
What's going on? | |
Not a big one. I mean, it was like a turkey baster. | |
Oh, Jesus. | |
Sir, we're being hailed. | |
On screen. | |
Wait, Sooze, I, I have to talk to you, 'cause I, there's something I figured out. | |
God, you smell like whiskey. | |
No, no, I have to talk to you. | |
Is that a threat? | |
Looks like they've got you strapped in pretty good. | |
uh uh. | |
Are you feeling okay? | |
uh uh. | |
Ouch.. | |
What's wrong? | |
That girl looks just like my old girlfriend Gina. | |
Do you still love her? | |
Yeah. I really blew it. I still think about her. | |
Well, have you asked her to come back? | |
She's lying. | |
You didn't have sexual relations with him? | |
Listen. I feel pretty strange here. Because Mark really likes you, and he's my friend. | |
He's my friend, too. | |
Sylvia Plath. | |
M'hm... | |
Interesting poetess whose tragic suicide was misinterpreted as romantic, by the college-girl mentality. | |
Oh, yeah. | |
Oh, sorry. | |
Right. Well, I don't know, I mean, uh, some of her poems seem - neat, you know. | |
Neat? | |
Neat, yeah. | |
Uh, I hate to tell yuh, this is nineteen seventy-five, you know that "neat" went out, I would say, at the turn of the century. Who-who are-who are those photos on the wall? | |
Oh... oh, well, you see now now, uh, that's my dad, that's Father-and that's my... brother, Duane. | |
Duane? | |
Yeah, right, Duane-and over there is Grammy Hall, and that's Sadie. | |
Well, who's Sadie? | |
Sadie? Oh, well, Sadie... Sadie met Grammy through, uh, through Grammy's brother George. Uh, George was real sweet, you know, he had that thing. What is that thing where you, uh, where you, uh, fall asleep in the middle of a sentence, you know-what is it? Uh... | |
Uh, narcolepsy. | |
Narcolepsy, right, right. Right. So, anyway, so... George, uh, went to the union, see, to get his free turkey, be-because, uh, the union always gave George this big turkey at Christmas time because he was... shell-shocked, you know what I mean, in the First World War. Anyway, so, so... George is standing in line, oh, just a sec... uh, getting his free turkey, but the thing is, he falls asleep and he never wakes up. So, so... so, he's dead ... he's dead. Yeah. Oh, dear. Well, terrible, huh, wouldn't you say? I mean, that's pretty unfortunate. | |
Your father knew it too. But he was never sure how much was pretense. | |
How do you know what my father thought - - | |
Your father loved me. He wanted to marry me. But he was afraid of hurting the gentle, delicate Cathy. You spoiled his life you've ruined mine | |
You were father's secretary - I never thought - - | |
Didn't you? But now -- what are you thinking now? | |
Who...who kills me? | |
You have nothing to fear, William. | |
We're in the wrong place. We're wasting time. | |
This <i>is</i> the most likely location-- | |
Don't ever stop fucking me! | |
Sooner... or later... I'll have to stop. | |
Oh Gawd, oh yes, it's never been better. Never BETTER!! | |
But you didn't tell me! | |
We didn't tell you what? | |
That she's a nun! That chick you're looking for -- she's a nun! | |
Don't you condescend to tell me how or why to honor Independence Day, and don't tell me I'm overreacting when I'm trying to bust the guy responsible for half the filthy junk coming into this city! | |
You're about an inch away from insubordination! | |
Well... seeing how you just suspended me, what's to stop me from calling you a crazy bastard, you old fart? | |
Till the last firework fizzles out tonight, detective, you sit a desk. And, after that, I'll decide if you keep your shield. | |
Why don't you get that tub of shit Sam to... | |
...help you? | |
Look, I'm sorry. I'll make it up to you. Whatever you want. Please! | |
How often is your wife called to help delivery? | |
It was slow. Now it seems like everyone is having births at home. | |
But what does *that* prove? | |
Look at 'em! Same yella han'bill-- 800 pickers wanted. Awright, this man wants 800 men. So he prints up 5,000 a them han'bills an' maybe 20,000 people sees 'em. An' maybe two-three thousan' starts movin, wes' account a this han'bill. Two- three thousan' folks that's crazy with worry headin' out for 800 jobs! Does that make sense? | |
Where's the boy? | |
Upstairs. He's quite docile. | |
I know the feeling. It won't last. He's a long way ahead of where I was at his age. | |
Respectfully, sir... there'll never be another one like you. | |
You know, I've thought about that, actually. | |
No, man, I mean it. You're a good writer. I remember those things you'd write during honors English. Funny shit. | |
The extras are in their places. Now we need the star. Wouldn't you like to get in the pool? | |
You first. | |
Oh no. I never swim. | |
You just gonna let him go? | |
We'll get a tail put on him. | |
You gonna do it? You gonna do it? | |
Yeah, uh, just a minute | |
Come on, doit. Doit. Fill me up. Come on, fill me up | |
Yeah, just -- | |
Do it! | |
No harm in your coming to see us. | |
Not interested. | |
Won't I ever see you again? | |
A bad mother. By any standards. I've thought about it, you know, from your side, since then. I know just how bad I was. | |
Uh-huh. | |
I wonder did you ever think about it from my side. | |
Never. | |
No, I guess not. It was pretty lousy of me, I guess, to be a child at the same time you were. Not to stop being a child just because I had a child. I guess I was a real stinker not to be a grown-up when you needed a grown-up. | |
She's in the elevator heading toward Ethan. | |
How much longer before you can reach him? | |
Five and a half minutes. He's breached the hot zone.. | |
No. | |
No wonder you jumped in the river. | |
I jumped in the river to save you so I could get my wings. | |
Jimmy, you've got -- | |
I've got what I want. Turn around baby, look at me. Look at your man. | |
Who gives a fuck! I'm a businessman. You gonna do me, then do me and shut you're face! | |
You don't even remember... | |
I never forget anything, dickhead. That building was a sweep-and- clear; the bitch was a nuisance with her goddamned petition. It got a little rowdy... end of story. | |
Rowdy. Let me fill in some gaps for you. | |
Oh shit, look who it is. The human vacuum. | |
Scumbag. What are you doing? | |
Nothing. Just hanging out with Silent Bob and his cousin. | |
He's your cousin? | |
Check this out, he's from Russia. | |
No way. | |
I swear to God. Silent Bob, am I lying? | |
Oh, Miss Brown? | |
Yeah? | |
But she said she wanted to go out with you? | |
Yes -- sort of... | |
That's nice. | |
What? | |
Well, you know, anybody saying they want to go out with you is... pretty great... isn't it... | |
It was sort of sweet actually -- I mean, I know she's an actress and all that, so she can deliver a line -- but she said that she might be as famous as can be -- but also... that she was just a girl, standing in front of a boy, asking him to love her. | |
...he stuck a fishhook in it. | |
She <u>realizes</u> -- it was not the fire which <u>hurt</u> him...that the <u>true</u> hurt was her. Was her... | |
...yes. | |
...her unbridled sexuality. That he... | |
...yes. | |
Has been wounded by <u>her</u> heat...by her <u>infidelities</u>... | |
Might wanna fasten your seat belt, Jack... | |
What the hell is happening to me?! | |
What do you want? This is a private area! Get lost! | |
You ain't got nothin' I ain't seen. | |
Then stop trying to memorize it. Hit the road. | |
Yes. It's for your protection, sweetheart. You're the one with the -- the... | |
-- the coin? | |
You better not miss, friend. | |
I don't rattle, kid. But just for that I'm gonna beat you flat. | |
I wish I could. | |
You fucking asshole. I haven't got it. I haven't got it, John. I'll pay you tomorrow. I'm coming in here with the sales, I'll pay you tomorrow. I haven't got it, when I pay, the gas...I get back the hotel, I'll bring it in tomorrow. | |
Can't do it. | |
I'll give you thirty on them now, I'll bring the rest tomorrow. I've got it at the hotel. John? We do that, for chrissake? | |
No. | |
I'm asking you. As a favor to me? John. John: my daughter... | |
I can't do it, Shelly... | |
It's cold. | |
It's vichyssoise, sir. | |
Vichyssoise. Supposed to be cold, right? | |
Life is good. | |
Life is good. | |
Have you seen him? | |
Who? | |
William - he asked me to meet him here. | |
Oh, honey -- tell me we haven't' progressed to full-on hallucinations. | |
You're Ro'tin, aren't you...? There's something in the voice. Would you be his friend Gal'na? I helped your mother bathe you when you were a child. She still speaks of you. | |
You've brought the Federation into the middle of a blood feud, Admiral. The children have returned to expel their elders... just as they were once expelled. Except Ru'afo's need for revenge has now escalated to parricide. | |
Hello? | |
Hey Murph. | |
Roc. You okay? | |
Yeah. Anybody call for me? | |
No. You sure you're okay? | |
I'm fuckin' fine. Catch you on the flip side. | |
Don't run away. | |
Why should I? I know you're not a cop, so what is it tonight? Another two-fifty to watch you sleep? | |
Told you you wouldn't be able to see through that gate. | |
Gate's open. I had a butcher's at the house. | |
Who'd you butcher at the house? | |
Butcher's hook. Look. I don't much reckon those minders of his. | |
Huh? | |
He's brought in the heavy mob. | |
What? | |
Extra muscle. Bodyguards. | |
Has he? | |
They look a right load of wallies. Patrolling back and forth outside the gate, all ponced up like the fuckin' Household Cavalry. Watch it. | |
That's it. | |
You are good to me Sam. | |
Don't mention it. See you later. | |
This is fun... | |
Captain, shall we attempt to return fire? | |
Sorry, Miss Schaefer, but I've given up writing on spec. | |
I tell you this is half sold. | |
As a matter of fact. I've given up writing altogether. | |
Certainly. | |
I am happy to say that this bag is officially empty. | |
Hood residence. | |
Charles, what time is it? | |
Is this Charles? | |
What time is it? | |
Um, ten-o-five. Why? Where are you? | |
I'm, uh, in the midst of a moral dilemma. And I was wondering, because I know you're a very moral person, and -- | |
And? | |
Shit. I can't really talk about it. I guess I better get to the train. | |
Right. | |
What are you doing at home on a Friday night? | |
I have plans. | |
Where have you been? | |
I'm sorry, I been real busy. | |
You were busy? You know, I really was waiting for you to call me. | |
Sorry. I'm sorry. Give me another crack at it. Let me take you out. | |
You should have called. I have an "O- chem" lab due tomorrow and it's impossible. It's not an excuse dummy. I want to go out with you. But look: | |
Well, what are they? | |
I'm sorry... I don't know how to ask the questions. | |
All I'm saying is, you have to allow for things to happen to people, most of all to yourself. Otherwise, what's the use? | |
No use. | |
--I'm sure-- | |
--I'm not sure, it still feels thin-- | |
... she's very upset... | |
What about, tonight? | |
That, and... I'll be done in a minute. | |
Jon, where are we? | |
Veidt¹s complex. | |
Sure. But ya got a deck a cards? I wanna play some Klob. | |
Come on, Charlie. We got business. | |
Couple hands. No harm in it. | |
You have to follow me? | |
I dunno. I -- | |
Nuts. He made it. | |
Tough guy, huh? | |
How's David? | |
How's David? How's David? He's terrific, Carl. | |
Helena -- | |
We watched his father get dragged away by federal agents. I don't even know how to begin to tell him where you are or when you're coming back... Or if you're coming back. | |
Well, I'm hearin' the Swede's been dispatched, he's flying so -- | |
Well, uh -- damn, alright, so he's headed in, does that -- where does that leave us? | |
You look much taller on television, Mr. President. | |
... Oh, really... | |
I watched her grow up. Just like you. I know how her mind worked. She kept snooping around because she was worried about you. What you'd gotten yourself into. So stop blaming me. And blame yourself. | |
I do. Every day. | |
Erin knows, doesn't she? | |
Been a while since I stocked a wire store. Not many mobs playing that anymore. | |
All we need is the bookie setup for now. We'll worry about the telegraph office later. | |
All right, I'll rent ya everything I got in the warehouse for two grand. That'll give ya phones, cages, blackboards and ticker gear. You supply the guys to move 'em. If you want a counter and bar, that's another grand. I don't know where the hell I'm gonna get 'em though. | |
C'mon, you can do better than that. We ain't no heel grifters. | |
You want the stuff tomorrow or don't ya? It's gonna take hours just to clean it up. Besides, Gondorff's still a hot item. Where am I gonna be if he gets hit? | |
Just give us what ya can, Benny. We'll send a truck down. | |
Good - I've got to dash - Say that I said hello to ELLEN for me would you... | |
Yes - of course. | |
Well, don't we look better this morning? That was a hard night, wasn't it? | |
Where am I? | |
Lennox Hospital. | |
I'm awake? | |
You look awake to me. Here. Drink some of this. | |
Where's Sarah? Where did she go? She was here ... | |
No. No. You haven't had any visitors. | |
That's a lie. My family was here. | |
I'm sorry. | |
Last night! They were as real as you are! | |
This Simon. Did you sleep with him? | |
No. | |
How are you?.... Oh, I'm Mrs. Jorgensen now.... No, she isn't here. Is it about her father? Well, can I take the message? | |
Give it to me. | |
Oh, here she is. | |
Catherine, you are very dear to me. We have cried many times together. When my husband died, I would have gone insane if it were not for you. I ask you to come to my house, because I can make you happy. Please come to my house. | |
These are the worst years. I tell you. It's gonna happen to you. I'm afraida look inna mirror. I'm afraid I'm gonna see an old lady with white hair, like the old ladies inna park, little bundles inna black shawl, waiting for the coffin. I'm fifty- six years old. What am I to do with myself? I have strength in my hands. I wanna cook. I wanna clean. I wanna make dinner for my children. Am I an old dog to lie in fronta the fire til my eyes close? These are the terrible years, Theresa! Terrible years! | |
Catherine, my sister... | |
You got that? | |
No, I don't get that! | |
You think you are a director? You are a fucking little, small Russian piece of shit. And I hate you. I fucking hate you. | |
Get in the skiff, Pearl, goodness, goodness, hurry! | |
That's Daddy! | |
Get the cops, somebody. | |
Come on, fellas. | |
Was she one of your teachers? | |
No. But it's weird. She seemed to recognize me. | |
Do you know who that is? | |
Senator Geary, I speak to you as a businessman who has made a large investment in your state. I have made that state my home; plan to raise my children here. The license fee from the Gambling Commission costs one thousand dollars; why would I ever consider paying more? | |
I'm going to squeeze you, Corleone, because I don't like you; I don't like the kind of man you are. I despise your masquerade, and the dishonest way you pose yourself and your fucking family. | |
Do you know him? | |
*No*! I don't want to know him! He's doing *missionary* work--in *India*! I wrote him *weeks* ago, but he's either too holy or too busy to answer. Maybe he got killed in the war! | |
Don't ever trust them. They never tell the truth or honor their commitments. Vietnamese are like Russians. Both are dogs. | |
Mr. Chairman, there is an old saying: The enemy of my enemy is my friend. | |
That has the added virtue of being true. | |
I remember him! Here, Gabriel... here kitty... Gabriel... Is he still yours? | |
I think he's yours, now. | |
He's dead, Claudia, dead. | |
The one good lesson he taught me, Louis. Never drink from the dead. | |
What's this? | |
Open it. | |
The crews of the previous Enterprises were also carbon units. In what way is the life form in your vessel different? | |
Carbon units are not true life forms... Do those images repre- sent how Enterprise has evolved into its present form? | |
Yes. | |
Carbon units have clearly retarded Enterprise's proper evolvement. | |
What is Enterprise's proper evolvement? | |
Enterprise should not require the presence of carbon units. | |
Sorry. | |
This is a very special, very old CB 275... | |
Oh. | |
You know who it once belonged to? | |
No. | |
Waldnit von Schnechter. Prewar. | |
No kidding. | |
Baron Kurtz. | |
Must be some mistake. | |
No, you idiot. I said "Is it a receptacle tip?" Not, is Luis a despicable twit. Is it a receptacle tip? Get off me. | |
Is it a what? | |
Pull out. | |
I'm ignoring you. | |
Pull out, goddamnit! | |
What do you want, Courtney? | |
You're a liar! | |
No, it's the truth. | |
So you're telling me the truth <u>this</u> time? Is that it! | |
Remember that guy in the cell next to you who hung himself? | |
Yes. | |
Remember that shoe you lost... | |
Uh, yeah. Cut to the chase. | |
Well, I guess you got what you came for. | |
Nicole... | |
Later for it. | |
30 minutes ago you said we had him. What in hell's goin' on out there? | |
He had help. | |
Help from whom? Christ. | |
Hey, I can get you three hundred cash for two hours. | |
What? | |
Who's your favorite basketball player? | |
Magic Johnson. | |
And not Larry Bird? Who's your favorite movie star? | |
Eddie Murphy. | |
Oh, that tears it, Mister. I'm gonna bust you up but good. I'm gonna bust you into a million pieces and then ... and then bust those pieces up, and then ... and then spread them all around. That's what I'm gonna do. You don't know what you're dealing with, Mister. I'm crazy. I'm psycho crazy. | |
Yeah, I know. You're TNT. Just like dynamite. When you go off somebody gets hurt. All right. Let's do this. | |
We didn't do nothing, Eddie. | |
You gon tell me you didn't ginsu those punks and steal their ride? | |
That's all we did, steal their ride. | |
Get that car the hell away from here, now! I spend a lot of money to keep the cops cool. But this is the kinda shit that pisses everybody off. | |
It's not safe here. The whole country's crawling with Bandits and Germans and God knows what. It's madness. I can't allow it. You're not, this is natural - it's shock. For all of us. Hana - | |
I need morphine. A lot. And a pistol. | |
And what if he really is a spy? | |
He can't even move. | |
If anything happened to you I'd never forgive myself. | |
Well, get in there. | |
This whole area is lousy with V.C. -- We don't stand a chance. Lemme turn around and we'll be in Hau Fat in six minutes. | |
Holy shit. | |
What? | |
Mitch? Why are they doing this? The birds. | |
I don't know, honey. | |
Why are they trying to kill people? | |
I wish I could say. But if I could answer that, I could also tell you why people are trying to kill people. | |
You're a mug, Clive. We did our bit in the Last Lot. | |
If King and Country call, Mac, you go as soon as I will. | |
Boyd you idiot, the shit's coming down! | |
What does that mean? | |
You got us into this mess. | |
Oh I did? I think it was your little rat fuck brother who decided to play Hamburger Helper with the hooker's head. | |
Would you, shush?! These phones aren't secure! | |
Lighten up Adam. Show some character. | |
Don't talk to me about character. | |
Watch the tone fella. | |
The pursuit of non-violence. Very difficult. | |
Non-violence means co-operation when it is possible. Resistance, when it is not. | |
That musta messed 'em up pretty bad. | |
What happened to 'em after that, Willie? | |
Hi. | |
Hey there ...YOU WITH THE STARS IN YOUR EYES... | |
What's the matter with him? | |
--amazing coincidence! Of all places in the world--to choose Willet Creek for his boys' camp! | |
Joe--I'm getting leery of this guy. We keep calling him dumb--and he keeps winding up in our hair! I'm telling you--when he finds out there's a dam going up where he wants his camp, he's gonna start asking questions six ways from Sunday-- | |
Be quiet, Chick--I'm trying to think-- This Deficiency Bill is going to be read in the Senate tomorrow. | |
Tomorrow! Joe--he'll hear the section on Willet Dam. He can't be there! | |
I know that. | |
Listen--tomorrow I take him to see monuments--if I have to hit him over the head with a couple! | |
That won't work, Chick. This boy's honest, not stupid. | |
Susan! | |
My daughter isn't here to carry out assignments like that for *anybody*. | |
Well, then--this is too much for *my* lame brain. I'm calling Jim Taylor. | |
Jim's methods won't do in Washington. | |
Joe--listen--all Susan has to do is turn those big eyes on him--he'll fall all over himself--just keep him out of there *one afternoon*--while they read that bill-- | |
My wife, Mr. Creasy. | |
Lisa Martin Ramos, Mr. Creasy. | |
I mean, Jesus Christ, Bob. You didn't have some vicious lunatic screaming, "I'm going to remember you!" | |
That's true. That would give me nightmares. | |
Bob, I've got nightmares. | |
And what makes you think he's in this territory? | |
Yesterday, one of our patrols picked up a man claims he was a prisoner with Scar till only two days ago... He talks crazy but I brought him along...Says he lives here...keeps mentioning a rocking chair. | |
Shit, we made him get his moms to give permission before he could sign up. | |
Just a kid. | |
Yeah, well, cops kick the shit out of kids too. | |
Sister Paul was in her eighties? Did she climb up here often? | |
No, only when she felt like it. She brought me up here last winter and the next day she died. | |
No wonder... wait... Agnes... Agnes how do you feel about babies? | |
Oh, they frighten me, I'm afraid I'll drop them. They have a soft spot on their heads and if you drop them so they land on their heads they become stupid. I was dropped on my head, that's why I don't understand things. | |
Like what? | |
Numbers... you can spend your whole life counting and never reach the end. | |
I don't understand them either. Do you suppose I was dropped on my head? | |
I hope not. It's a terrible thing to be dropped on your head. | |
Oh, I've got to give up smoking. Agnes ... wait a minute... Agnes slow down. | |
Ssh. I'm on a stakeout. | |
Oh. | |
That's where he's going. | |
It should be noted, sir, that the collapse of the Veridian star would produce a shock wave similar to the one we observed at Amargosa. | |
And destroy every planet in the system. | |
Where's the radio? | |
Right through the kitchen you'll see the basement stairs. Brady, you know how to use a gun? | |
In that case, maybe she can help. | |
Yes! I'll help you all you need! I hate dope! | |
...Milo? | |
Hmm? | |
I always felt if a -- boy I liked ever found out -- he'd run. He'd think I was unclean. | |
No, no. Never. | |
Comrades, why should we lie to each other? It's wonderful. | |
Let's be honest. Have we anything like it in Russia? | |
All this nothing? It doesn't get to Jake like it gets to me. He says he don't mind being nothing but a big fish in a small pond. More like a little fish in a dried up watering hole. | |
You could leave him. | |
I don't know how. | |
Walk away. | |
It's not that easy. Maybe you can take chances; maybe you can wander around like some stray wherever you please. I can't. I don't want to be alone. I need to know I'm going to be taken care of. | |
You need a meal ticket is what you mean. Some guy you can latch onto just long enough for him to get you out of here. | |
Is that so bad? It's not like I wouldn't try to make him happy. For awhile, anyway. I mean, I would ... do things for him. I guess I'm no good that way. I guess I tried to sucker you along like that. Do you hate me for it? I wouldn't blame you if you did. But maybe it's like you said: You just got to do whatever it takes to get out. | |
Is it a poem? | |
No, it's the recipe for spaghetti "Frutti del mare". You see I was right in getting you out here. You're a world champion, my friend! | |
You weren't disappointed in her, then. | |
In Jenny? 'Course not. How could I be. 'Course I wasn't. | |
She was twenty-one when she came to me. ... Straight from leaving you. | |
Footloose and fancy free. | |
She was happy here. However the two of you might have parted. Don't think she wasn't. | |
I'll do the standard research and have them in by midnight, pending any unforseen problems. | |
Good. Nice to see you, Bruce. Johnny. | |
The rest of the jewelry is in the top drawer. | |
It's yours, Joe. I gave it to you. | |
And I'd take it in a second, Norma -- only it's a little too dressy for sitting behind the copy desk in Dayton, Ohio. | |
These are nothing. You can have anything you want if you'll only stay. What is it you want -- money? | |
Norma, you'd be throwing it away. I don't qualify for the job, not any more. | |
You can't do this! Max! Max! ... I can't face life without you, and I'm not afraid to die, you know. | |
That's between you and yourself, Norma. | |
You think I made that up about the gun... | |
Make it seem you have this comfortable, mysterious life and you don't give a shit whether she's a part of it. Oh, and bring up India, Talia has this obsession... Whoa, Donald, play hard to get, not hard to want...Let Talia know that your goofy act is just something you do for the kids.... | |
It is? I don't know about this, Wichita. Am I even right for Talia? ] What About Wendy? I mean, you and ] Wendy--how are you and Wendy... ] ] WICHITA ] Complicated. Extremely. ] ] Wichita and Donald drift closer toward the head-setted Wendy, ] who stands to the side of the searchers like a commandant. ] ] WENDY ] Now remember, people, let's keep ] away from the mountain. Repeat... ] ] There you are. Could you possibly ] do one thing and help keep the ] campers away from.... ] ] WICHITA ] ] Hey everybody, we're climbing the ] mountain! ] | |
Beaumont Livingston. | |
Livingston, huh? | |
On his prior, he served nine months, and he's working on four years' probation. | |
You don't say. | |
Do you know what he's on probation for? | |
Haven't a clue. | |
Possession of unregistered machine guns. | |
Will they consider this a violation of his probation? | |
They do consider this a violation of his probation. Your boy's looking at ten years, plus the concealed weapon. | |
Man, he won't like that. Beaumont don't got a doin' time disposition. | |
I need your name and address. | |
Ordell Robbie. O-R-D-E-L-L. R-O-B-B- I-E. 1436 Florence Boulevard. Compton 90222. | |
House or apartment? | |
House. | |
Now I need you to count your money. | |
Poor little orphan, and her Miss Gulch troubles. Gosh all hemlock - you know, she ought to have somebody to play with. | |
I know, but we all got to work out our own problems, Henry. | |
Yes. | |
Oh, I hope we got them in time. | |
Yes. | |
He reminds me of you before you got old and ugly. | |
No, he takes after his mother... | |
You took this picture? | |
Took 'em all. | |
I put a frozen dinner in the oven, a Manhandler. It'll be ready at a quarter of. I threw a little salad together. It's in the fridge. I also bought some apple juice, Red Cheek. Don't drink it all. Oh, and Jake, your lawyer called. | |
He did? When? | |
While you were in the shower. | |
Why didn't you call me? | |
He didn't give me a chance. Look, honey, don't get upset, but he's not taking your case. | |
What? What do you mean? | |
He said you didn't have one. | |
What's he talking about? | |
I don't know. That's all he said. He wasn't very friendly. Oh, yeah. He said your buddies backed down. They chickened out, he said. | |
I don't believe this. | |
Baby, I'm sorry. I feel terrible. I'd stay and talk but I'm so late. Look, don't be upset. We'll talk when I get home. See you around midnight. Bye. And don't brood. Watch T.V. or something. | |
Let me handle this part. Do you mind? Why did you go to Carlos' hideout? | |
He wanted me to go with him on a mission, to pose as him wife. | |
And you agreed? | |
Yes. | |
Why? | |
Slow down, baby. | |
What did you say? | |
Nothing. I said nothing. | |
Alice? You gotta make him do the start-up with Teddy and me. | |
"Make" him? | |
You know what I mean. | |
So I'm not as tall as you expected? | |
I always hoped I would hit two meters. | |
With a full head of hair. | |
There is that. | |
Your Ranger's on the garbage pile, Happy! He's done for! | |
Shut up! You've *got* the man pilloried! Do you have to dance around him like a cannibal--! | |
How long you have this detail? | |
Me and Smoltz came on dogwatch September 16. | |
To the best of your recollection, were you sober when you performed the tests? | |
Objection. | |
The Discount Mart. Can we get Ice Cream after? | |
You bet. | |
I don't think you should have given up the piano. I will make sure you are properly taught, with music written on to sheets and... | |
I don't want to learn. | |
You don't want to learn. | |
No. | |
And what does this do to our bargain? I cannot afford the piano if you mean me to pay. | |
No, no payment. I have given it back. I don't want it. | |
Well, I doubt I want it very much myself. | |
It was more to your wife that I gave it. | |
Well, thank you, I expect she will appreciate it. | |
Hi, everybody. Am I late? | |
Not at all. We're just finishing lunch. | |
How do you do? | |
How do you do, Mrs. Ryan? I'd heard you were beautiful, and so you are. Am I intruding here? | |
Not at all. | |
I couldn't help overhearing that you were about to get married again. | |
Fuck it! | |
You know what? Go with him. Just go with him. | |
In the limo!!! | |
They'll shoot us! | |
We run they'll shoot us anyway. If we keep driving they might think we friendlies; Iraqis. Or even if they know we're Americans they might get scared, think we're part of a detachment and keep on going. | |
They're not going to-- | |
It's the only way. We drive! | |
Is this great fabric or what? | |
You ever wonder why you get beat up a lot? | |
Never really thought about it. | |
SYSTEM MALFUNCTION! | |
OUR SEMI-CONDUCTORS ARE DOWN! | |
None? Very well. You rumbled me. I confess: I intend to commandeer one of these ships, pick up a crew in Tortuga, and go on the account, do a little honest pirating. | |
I said, no lies. | |
You should have been next. After Lewton, you should've been next. That's the only pattern. You should be dead. | |
You're the fuckin' devil. | |
But I saved him. I intervened. Just like the plane. That's the design. | |
There's no snow in Vegas, 'kay? They don't know it, they don't want it, they got laws against the stuff. They got Egypt down there, right, they got Monte Carlo, Hawaii, they got ancient Rome, but where's the Winter Castle, right? Where's the Swiss miss Chalet? Where's the Big Fucking Igloo? | |
We understand you, Mr. Bangs. | |
Capades? They don't do it. Mittens? Outlawed. Why? | |
We're aware of your position. | |
Because down there this is money. Up here this is heat. You wanted Vegas quality, I brought it to you. You wanted Vegas press, I gave it to you. But guys, please, guys... I can't get you Vegas profits... till one of ya does some spirit dance and does something about this snow. | |
Keep away the cats! Thou art like one of these fellows that, when he enters the confines of a tavern claps me his sword upon the table and says, "God send me no need of thee." and by the operation of the second cup draws him on the drawer, when indeed there is no need. | |
Am I like Such a fellow? | |
Thou art as hot a Jack in thy mood as any in Verona. | |
By my head here come the Capulets. | |
By my heel, I care not. | |
Why didn't it imitate Fuchs? Isn't that its number -- to get more recruits. | |
Wasn't enough time. Generator was out, what...? Thirty minutes. Takes the bastards an hour, maybe two to absorb somebody. | |
What's she trying to do? Why doesn't she turn him in? | |
Smart girl. | |
Smart? She'll be arrested! | |
That'll get her out of there, won't it? | |
Yeah -- fishing village -- helicopters over there. Hueys, lots of 'em. | |
First Air Cavalry. They're the ones gonna get us into the River. | |
We are not at war! You and I and Jaeger are AWOL. We have no authority-- | |
He tried to kill us. If not just now, then in the helicopter. That's all the authority I need. | |
Besides my father, I mean. | |
There's no call for that, Sam. Fella made himself a pile of enemies over the years. | |
And Buddy was one of them. | |
We got that dedication tomorrow. This is a hell of a time to be draggin' up old business. | |
People have worked this whole big thing up around my father. If it's built on a crime, they deserve to know. Now I understand why you might want to believe he couldn't do it. | |
And I understand why you might want to think he could. | |
She's my date tonight. What do you want her to do--bring the poor old jaguars back to life with a bicycle pump? Bugger off! Ask Paul what he thinks. Your mother looks beautiful--right? Kid? Doesn't your mother look nice? Paul? | |
I don't care what she wears. | |
Something's made you sore. | |
Don't worry about it. | |
You bet I'll worry about it. I said something wrong? | |
It's my father's birthday--that's all. That's all. Who cares about that? | |
I had not the slightest inkling. Why didn't you say so? | |
She doesn't care! She's not married any more! She's going to have fun! I hope you have so much fun you can hardly stand it. Dr. Woodly--I hope you make up even better jokes about my father than the ones you've said so far. | |
Kid--kid-- | |
And I wish you'd quit touching me all the time. It drives me nuts! | |
What's this? | |
Don't! | |
You sure misunderstood something-- and we'd better get it straight. | |
Explain it to them. I'm bugging out of here. | |
Ya did good. I ain't seen the Boss so happy in weeks. | |
Look at this boy. He hardly eats. Like that fella killed Caesar. | |
Well? | |
Why not? | |
We'll move in Sunday. | |
Isn't Puff doing spectacularly, honey? | |
Hmmmph. | |
Gabby, what is it? | |
Hmmph. Hmmph. Nathan, we have to talk, you and I. | |
Fine. | |
Not in front of the boy. | |
Very well. | |
I know you liked Keaton I know you think he was a good man. | |
I know he was good. | |
He was a corrupt cop, Verbal. | |
Here's the plan. You gonna call over there and say you have a very urgent message for Mr. William Jones. | |
What urgent message? | |
If you shut up I'll tell you. The urgent message is...Drop everything! Craig is in trouble. Come quick, don't call. | |
That ain't gonna work. | |
It was raining and her hair didn't look like that... damped out, I guess. | |
Tell me all about her. | |
She arrived kind of late, wet and hungry and she was very tired and went right to bed and left early. | |
How early? | |
Very early. Dawn. | |
Of which morning? | |
The following morning. Sunday. | |
No one met her? | |
No. | |
Or arrived with her. | |
No. | |
She didn't call anyone? Even locally? | |
No. | |
You didn't spend the whole night with her did you? | |
No! Of all... | |
How do you know she didn't make a call? | |
She was tired. She said she had a long drive ahead of her, in the morning... Yes, now I'm remembering very clearly because I'm picturing. When you make a picture of the moment in your mind, you can remember every detail. She was sitting back there, no she was standing up, with some sandwich still in her hand, and she said she had to drive a long way. | |
Back where? | |
What do you mean? | |
You said she was sitting "back there," or standing rather... | |
Oh. My private parlor. She had an awful hunger... so I made her some supper. And then she went to bed and left in the morning. I didn't even see her leave. | |
How did she pay you? | |
What? | |
Cash or check? For the cabin... | |
Cash. | |
And when she left, she never came back. | |
Why should she? I'm sorry, I have work to do, Mr... if you don't mind... | |
I do mind. If it don't jell, it ain't aspic! This ain't jelling. | |
I don't know what you expect me to know about... people come and go... | |
She isn't still here, is she? | |
Not at all! | |
Suppose I wanted to search the cabins, all twelve... would I need a warrant? | |
Look, if you won't believe me, go ahead. You can help me make beds if you like. Come on. | |
Quite an office -- name on the door -- rug on the floor -- the whole schmear. | |
Yeah. | |
Just like that, eh? | |
Just like that. | |
Do you know, Eve - sometimes I think you keep things from me. | |
No. | |
I used to. With my old man. He taught me how to hunt and trap. Trapping's a lot harder than most people think. We used to go after Raccoons mostly. They'd get into our garbage, our fields. When an animal can't live peacefully with those around it, it has to be destroyed. But they're crafty little devils. You see the trick is, you can put your trap down, but no Raccoon is going come near it unless you lay down the scent. You ever smell Raccoon scent? Smells like shit, but to a male Raccoon it smells just like pussy. He'll walk right up to that trap, even though it don't look nothing like a Raccoon and stick his Goddam head right in it. You know why? Cause he can't help himself. The scent drives him. So, if you want to catch a Raccoon all you gotta do is figure out where he is -- lay down the scent -- and sooner or later he'll walk right into the trap. | |
What if he doesn't bite? What if he's an exceptionally bright Raccoon? | |
Well then, you just gotta find out where he is -- and once you're sure where he is -- you shoot the fucker. | |
Claire, when did you... | |
I just... | |
Claire, Bob Bar... | |
Is that funny? | |
It wasn't supposed to be, it just struck me that way. | |
Why? | |
Nothing. It's just that... I picked the easiest piece I could remember. I think I first played it when I was 8 years old and I played it better then. | |
It doesn't matter. It was the feeling I was affected by. | |
I didn't have any. | |
You had no inner feeling? | |
None. | |
Then I must have been supplying it. | |
INT. LONG'S CAR - NIGHT. | |
Climb up! | |
Lady Van Tassel... | |
I know. Hold on. | |
Okay. Now we're going to buy you some clothes. | |
Honest? | |
Imagine a room full of women. Nubile, blonde, wet with desire, Schwartz. A harem, if you will. Me in leather. A harness, if you like. I am the object of this desire, and all eyes are on me as I speak. Ladies, I begin. I am the love god, Eros. I intoxicate you. My spunk is to you manna from heaven... | |
Dr. Lester, it's been really fascinating, but I'm afraid I have to get home to my wife now. | |
Wife, huh? I'd love to meet her, Craig. | |
Yessir. | |
Shall we say dinner on Friday. Just the two of us? You can come too if you like, Schwartz. | |
That's sounds fine, sir. Gotta run. | |
Honest, Toby. I just axed him for a quarter for the jukebox. | |
Stay out of this, Jenny. We got man's business to take care of. I ain't never taken no drugs, mister, and ... | |
So, are you a cheerleader? | |
No, not at all. BRAD You're pretty enough to be one. | |
Gee, thanks. | |
It's so great to be able to talk to a girl and not have to ask "What's your major?" I hate that. | |
Shouldnt we grab some dinner first? Maybe a bottle of wine...? | |
Its ten thirty, Jack. By eleven youre gonna be sprawled out on the bed snoring your head off. We dont have time for wining and dining. | |
Whatever you say...honey. | |
You're gonna pay for that, Pebbles. What?! | |
You gave us names? What are you, the "face" of the Fantastic Four now? | |
Don't worry about the schools. We'll take care of the schools. | |
I don't want them left back. | |
They won't be left back. They'll stay in their grade. | |
That's important. | |
Hey-Ho... ! Maybe we're not alone in this thing after all. | |
Who is that... ? | |
Anyway, the state is giving a hundred thousand dollars in his name to every school that has a Special Needs class. | |
Oh, this is fantastic. So all we have to do is kill this Moffit guy and we get all the money! | |
No. No. That's not it. We don't kill him. We don't kill anybody. But I like the way you're thinking. You're focused and you're trying to follow. No, what we need to do is start a fake Special Needs class. | |
We start our own class? | |
Maybe someday. Aloha cold weather, aloha hot weather. | |
Well, there's certainly nothing wrong with that meal! | |
Thank you. | |
What do you mean, old and ugly? | |
You got me beat on both accounts. | |
The hell I do. | |
My goodness. A wedding. My goodness. | |
Wow. Congratulations. | |
Oliver's pet, I'm sure it would be the first thing he'd grab if we ever had a fire. | |
I know how it is. My Dad collects miniature canon. | |
Now could you leave me alone? | |
Yeah. Oh, one more thing. Tammy. You know, all this election stuff. 'Cause, you know, everyone is saying it's so weird that you're running against me, and, well, it is kind of weird, and you haven't really told me why you're doing it and didn't tell me in advance or anything. But that's okay, you know. l respect your privacy. I just want you to know that no matter who wins, if it's you or me, there's no hard feelings. We're still brother and sister. Okay? Cause... and I hope you feel the same. | |
Sure, Paul. No hard feelings. | |
Okay. Great. I feel good. | |
Specifically, Humpback Whales. | |
That's crazy! Who would send a probe hundreds of light years to talk to a whale? | |
No... it can't end like that... | |
But it has. There is no more to tell. | |
But you talk about passion, about longing, about things I'll never know in my life! It's still inside you, in every syllable you speak! And then you tell me it ends like that? Just empty? | |
It's over, I'm telling you... | |
You need a new passion, Louis, a new reason to feel... what a story you've told, you don't understand yourself. | |
Land reform is underway in Amdo. The large estates are being confiscated and redistributed. Landlords are being punished. | |
A beggar can be called a landlord if he disapproves of the Chinese. | |
Wait a minute. I know that voice. You're Carjack Malone. | |
Not anymore. | |
Oh my, isn't that pretty! What is it? | |
Plumbing. Everything modern. I'm going to run pipes all through the village | |
What'd you say? | |
Where is the subway station, please. | |
It's definitely weak but I have a feeling if we do enough of it we'll be okay. | |
I want to get high off this; Bateman, not sprinkle it on my fucking All-Bran. | |
How did you know I was here? | |
I thought you wouldn't want to spend Christmas Day alone in here. | |
Computer, this is Captain Standard. What conditions are you talking about? | |
I have intercepted a transmission of unknown origin. | |
A transmission? | |
A voice transmission. | |
I'm half Irish. | |
I don't fuck with those crazy, off- the-boat fuckin Irish. You heard of the Westies?. | |
I was told by this guy at the White House that Hunt was investigating Teddy Kennedy. | |
How senior? | |
You asking me to disclose my source? | |
That boy always does great. He's a corporal or a squad leader or something, just wrote me from some place called Kwang Due? | |
I don't know if you don't know -- | |
You've been coming out here every summer for the last three years, young lady, and you still haven't learned how. | |
I'll take some lessons this time. I promise. | |
They let you out? | |
Just what the hell do you think you're doing? | |
Hello. | |
Hello, Jennifer, it's Sam - | |
Well, <u>that</u> ain't very butch, is it? | |
It's a <u>beret</u>... | |
The lights come up, you pull the switch. | |
I pull. | |
You don't do that, we're on the wrong track. You... | |
Bud? | |
Sorry ... I had to help my folks and then I couldn't find my hat ... | |
Oh. | |
Maybe you should call her. | |
No no no. I just underestimated her... her temper, I guess. Why are we even talking about this? | |
My dad's down there! | |
He's dead! We've got to get the fuck out of here! | |
He just had two. | |
Give me two more. | |
Now listen to what I've got to say. I took up this profession when I was ten years old. In those days there weren't these modern machines. The films were silent. The projectors were run by hand, like this, with a crank. And you wound the crank all day long. It was really rough going! If you got tired and slowed down' boom! Everything would go up in flames! | |
Then why don't you want to teach it to me too? Now that there's no more cranking, and it's easier? | |
Because I don't want to, Toto! This is not a job for you. It's like being a slave. You're always alone. You see the same film over and over again, because you have nothing else to do. And you start talking to Greta Garbo and Tyrone Power like a nut! You work on holidays, on Christmas, on Easter. Only on Good Friday are you free. But if they hadn't put Jesus Christ on a cross...You'd work Good Fridays too! | |
Then why don't you change jobs? | |
Because I'm an idiot. How many other guys in town know how to be a projectionist? None! Only a jerk like me could do it. Besides I wasn't lucky. When I was a kid there was the war! When I grew up, another war! Now it's all different. Times have changed. And you want to be a dope like me? Huh? Answer me! | |
No... | |
Good for you, Toto. Good for you... I'm only saying this for your own good... Cooped up in here you die of heat in the summer and of cold in the winter. You breathe in smoke, gas fumes, and earn practically nothing. | |
But don't you like anything about what you do? | |
With time...you get used to it. Besides, when you hear from up here that there's a full house and that people are laughing, having fun... Then you're happy too. So I've been wasting my breath? You pretend to agree with me, but as soon as my back is turned, you do what you want! Get out of here! I don't want to lay eyes on you again! This is the last straw! Your mother's right, you're crazy!! But how'd he do it? The little bastard! By watching, he's learned! It's incredible! I'm letting the box office know you're not to set foot even into the theatre! There are no more tickets for you! And I'm also talking to Father Adelfio! You won't be an altar boy any more either!!! You little runt! | |
Alfredo, go fuck yourself!!! | |
Jesus God... | |
What is it? | |
Come on -- it's no use! | |
We can get out through the Lab Section. | |
You guessed wrong. | |
You only think I guessed wrong -- -- that's what's so funny! I switched glasses when your back was turned. You fool. | |
Dr. Cullers? | |
Kent, Kent for Chrissakes. You must be Eleanor. | |
Ellie. Pulsar? | |
1919+21. Found a glitch in the timing; probably a starquake. | |
Nice. Where? | |
We've got to get that valve turned off. Their oxygen Is almost gone... | |
Listen, I'll go in, create a distraction. have this... may be able to hold them back long enough for the aliens to escape. | |
It's suicide. | |
I'm just a glorified extra, Fred. I'm a dead man anyway. If I'm going to die, I'd rather go out a hero than a coward. | |
Maybe you're the plucky comic relief, you ever think of that? | |
Hello. | |
Scottie, what happened? She's not home, yet. | |
No, she's all right. She's still here. But I'll get her home soon. | |
What happened? | |
She... went into the Bay. | |
I'm a man. | |
We've got to do something to make this boy's voice change. I wonder if we couldn't get bull balls somewhere, and fry 'em up. Still miss your mother? | |
No. | |
You're free to go to her, if you want. If you'd rather be a woman and run with the women, just say the word. | |
I am one lucky guy. | |
Your body chemistry and your exposure to the elements would normally lead to irritability, depression, anxiety, periods of self-reproach. It's almost like schizophrenia. Different sides of your personality might come to life, speak out, act out. | |
But all that's behind me. I'm fine now. | |
Doyle, you're awful. You shouldn't be that way. | |
I ain't sayin' it's right. I'm just tellin' the truth. What was he in the nuthouse for? | |
He's just mentally retarded, I guess. | |
He had of went nuts and did somethin'. They don't put you in there for just bein' a retard. They's retards all over the place that ain't in the nuthouse. Do you know, Frank? | |
About a dozen. | |
A dozen? I got half of 'em elected. I still got the South and Goldwater and his boys. I'll take my chances with the Senate. | |
Mr. Kent! Superman was here! | |
What! | |
Sphinx brand. When I got out of weapons design, I wanted to move into a more . . . humanitarian area. I was thinking: what would do some good in the world? And I thought: why not a genetically-altered tobacco, that no only doesn't cause cancer -- but cleans out your lungs as you smoke it? In fact I think I'll have one now. Care to join me? | |
Thanks, no. But it's a wonderful product. Now Adrian -- your old colleague Dr. Manhattan has just left the planet amid rumors -- | |
No. No. Cut. -- Justine, we agreed. No questions about the Watchmen. | |
Oh sweetheart, just a quick one. | |
No. We laid out very careful ground rules -- | |
I wrote sixty-three songs this year. They're all about Joe, and I'm going to play every single one of them tonight. | |
I just saw Joe. He's here. | |
Well, you don't have to be so dramatic about it. | |
Is it snowing? | |
Yeah, just started. | |
Where's your coat and hat? | |
Left them at the office. | |
I'm sorry, sir. General Schmuck is asleep and he isn't taking calls until eight-thirty. | |
What is your name, young lady? | |
Ceida Pietraszkiewicz. | |
What did you say? | |
Ceida Pietraszkiewicz...P...I...E... T...R...A...S...Z...K...I...E...W... I...C...Z. | |
Now look here, Miss Pietraszkiewicz, this is Air Command Headquarters calling. | |
Why is it every grave I open holds a new mystery inside? | |
The skull is gone. | |
Yes. I did notice that, thank you. | |
I'm pinned to the panel. | |
Time to go. | |
I can't eject. | |
We want you to come with us so we can talk some more about your experiences. | |
Come where? | |
My office. | |
For how long? | |
Well, that depends... | |
I thank you very much for the invitation, but I'm quite busy today. Perhaps I could see you tomorrow. | |
Whose car? | |
My car! My car! Tan Ciera! | |
Don't go in! Wait for back-up! | |
I got it. Tatum get me a beer. They're in the fridge in the garage. | |
What am I? The beer wench? | |
Hey, guess who's here? It's that chick from INSIDE STORY? | |
Jack, I'm as conniving as they come, but a sneak attack is just wrong. | |
He's right. And things are happening too fast. It smells like the Bay of Pigs all over again. | |
Oh yeah, what's that? | |
An alternative literary venue! | |
I ain't sure poetry will go down too well here. | |
No, it's the whole idea behind it. How did they get this place? | |
Squatted it. | |
Right and not just the bar, Lubosh and his mates took the whole freakin' building. | |
So? DOUG Well, there's tons of empty buildings - why don't we get one? | |
Say goodnight to Sam for me. | |
I will. | |
There's still nobody in the world who can play "As Time Goes By" like Sam. | |
He hasn't played it in a long time. | |
We're into the second perimeter. They'll be coming out to blast us shortly. I was wondering if you had some kind of a plan or are we going to try to blast our way in? | |
Check your data banks for all the information you have on Imperial procedures. Both of you will have to learn... | |
We're going to get in by studying Imperial procedures? I don't like it. | |
All right then, we'll use your plan. | |
How are you, Benjamin? | |
Fine, thank you. The bathroom is down at the end of the hall. | |
I must be destroyed. | |
Can you get us in there, past security? | |
It would explain the suction- like appendages. | |
Like a leech. | |
What I learned at the dream clinic, that's what I'm trying to prove. Rod didn't kill Tina, and he didn't hang himself. It's this guy -- he's after us in our dreams. | |
But that's just not reality, Nancy! | |
Not right now. | |
Not right now? Okay, when? | |
Right after you change your wardrobe, your personality and drop about thirty pounds. | |
Quite a mouth on a girl so young... ...but my guess is talking is not what it does best. | |
Only way you're ever gonna find out is reincarnation... Fact is, you are gonna pay me, and I am gonna provide you with a service. | |
I actually know how this works. | |
You're gonna pay me fifty thousand dollars... | |
Jesus, last night it was some guy honking his car horn. I mean, the city can't close down. You know, what-whatta yuh gonna do, h-have 'em shut down the airport, too? No more flights so we can have sex? | |
I'm too tense. I need a Valium. My analyst says I should live in the country and not in New York. | |
Well, I can't li- We can't have this discussion all the time. The country makes me nervous. There's... You got crickets and it-it's quiet... there's no place to walk after dinner, and... uh, there's the screens with the dead moths behind them, and... uh, yuh got the-the Manson family possibly, yuh got Dick and Terry- | |
Okay, okay, my analyst just thinks I'm too tense. Where's the goddamn Valium? | |
And if you're wrong? | |
I never doubted for a second that I was. Will you come to the trial, Elizabeth? | |
I don't think so, Jim... | |
Stay where you are. | |
Or what? You've gone round the bend -- | |
West had a partner. Someone who knew how to get things done. | |
It must have stopped moving. I'm not getting anything. | |
Let me go first; you stay behind me. | |
Well where is she?! | |
Could you, like, tell her we're ready to score? | |
If it doesn't make any difference, why not just say it? | |
I was going to tell him ... but in my own time. In my own time... . | |
What are you doing. | |
I got a bad feeling, man. I don't want to go in naked. | |
You gonna shank him in the shower? | |
Is it so unrealistic to think Ruiz, who doesn't even want us here, is throwing us to the wolves? As an apology? And I don't even know what we're dropping off or picking up -- | |
We're getting ahead of ourselves. We haven't gotten any sleep. Let's just keep our mouthes shut and not make any mistakes. Now hurry up and get your shit on so we're not late and make things worse. | |
This is hot! | |
Nya-nya-nya! | |
Alright. Let me write a letter. | |
Good man. Now can I have my arms back? | |
Gabe...your arm? | |
Yeah? | |
If you're not using your arm, can I borrow it? | |
Sure, just give it back when you're done. | |
Starfleet has been apprised of our situation, Captain. | |
Tractor beam remains constant... | |
Bullshit. You ain't got no way out! | |
Oh, yeah? | |
Yeah! | |
How much ya wanna bet? | |
Ten bucks. | |
You're on. Let's go! An' keep it quiet. | |
He's begging for a meeting, chief. He wants to go overseas for awhile. | |
Well, no place where they speak English. That way he can always say he was misquoted. | |
I love it. I just love, love, love, love it. | |
Are you guys gonna fill this place with kids? You sure got room for them. | |
We're in no hurry. I think we'll take some time to enjoy each other, enjoy our freedom before we surrender ourselves to kids. | |
Take your time. I wish I had. | |
We will. | |
So where to on the honeymoon? | |
There are soldiers. | |
Where? | |
On the street. | |
Wow! | |
Wendy! | |
Spock: Condition report! | |
No data, Admiral. Computers are non-functional. | |
His mother? | |
What? | |
I don't know. Nothing. | |
They said one of two things could happen. One, they fight and are defeated and leave to return again with full forces hundreds or even thousands of years later. | |
What's two? | |
They win. | |
Are you ready? | |
I surrender... | |
Hello. Gerald Lambeau, M.I.T. | |
Fuck do you want? | |
I've spoken with the judge and he's agreed to release you under my supervision. | |
Really? | |
Yes. Under two conditions. | |
What're those? | |
That you meet with me twice a week-- | |
Who's side are you on? | |
I'm sorry, I can't help it. It's too funny. | |
This is the biggest Beta demo in like the history of software. You'd be my partner. | |
You can't pre-empt Yoga, that's our biggest show. | |
Brian! You wanna be a big deal, don't you? That's your dream in life. | |
Nothing, sir. | |
What the hell is going on here? | |
That's the dumbest walk I ever saw! | |
No, no seriously! There's a study done on this, you walk this way, the muggers are gonna single you out. | |
And die laughing, because you're walking so stupid! | |
Hey. This is my business. Do I tell you your business. | |
Okay. Let's just see if a mugger gets me. | |
Lotte? Is that you? | |
Yes, yes, sweetheart, yes! | |
What happened to them? | |
If you don't mind a suggestion, you might try a saliva test. | |
You're going to miss the Top Ten. | |
Coming. | |
She told me that tonight we were going to open new doors. I asked her to stop -- to take off the handcuffs, but she wouldn't listen. | |
What did she say? | |
What are these? | |
Mixed hard bondage. Rape films. Sick shit. Buy five, get one free. | |
May I please have another little kiss? | |
Walter! Jeez! | |
Sorry... | |
Cease fire. Look sharp. | |
Power levels quite low, sir. | |
Mr. Scott, can you get the mains back on line? | |
So what are these Spanish guys like? | |
I wouldn't know. | |
What? You've been over here seven months and you ain't tapped anything? | |
Just not my type, I guess. | |
Shoot, Italian boys love them some black women. They can't get enough of me. | |
He's paying out in stacks of 25. | |
I can see. | |
Where were you, Jason? In the car. | |
Conklin up front. | |
I'll get the book. | |
No. There's nothing new. | |
You're sure? We should still -- we should write it down. | |
Two years we're scribbling in a notebook -- | |
-- it hasn't been two years -- | |
-- it's always bad and it's never anything but bits and pieces anyway! You ever think that maybe it's just making it worse? You don't wonder that? | |
What's so funny, cadet Cowan? | |
I... I don't know, air. This guy. Mr. "Best of the best of the best... " I don't know. It's just still find it a little... humorous. I'm sorry. Sir. | |
You get some sleep, Howard. I'll take it from here. | |
Yeah, probably a good idea. | |
<u>Ow</u>. Shit. | |
Just gotta pull it a little tighter. | |
Who taught you be be a nurse? | |
Father's a surgeon. I can even stitch in a pinch, wouldn't be a bad idea here. | |
No thanks. | |
Keep it dry. No swimming. | |
Thank you. | |
Pigeons... . | |
There's a hawk around. They're scared tonight. | |
May I get the check? | |
The ships are gaining... | |
Kevin, come on, the bus to Stifler's is gonna be here soon. | |
I'm not going. | |
Keep that chum line going -- we've got five good miles. Don't break it. | |
Who's driving the boat? | |
Nobody. We're drifting with the current. | |
I'm not sure why I came here. I had kind of decided not to talk to you after... you know. | |
I know. | |
I love you, Miss Kubelik. | |
Seven -- -- queen. | |
I've never been in a place like this before. | |
This is Metropolis after hours! This is what you'll be writing about. C'mon, let's dance. | |
Ah, Mothershead. How are you feeling today? | |
Fine. | |
Good. Excellent. Now then, Mrs. Mothershead, I want you to come into this room with me. Inside there is a man with a rather... unfortunate appearance. | |
I've heard. | |
Yes... Well, I want you to clear up a little mess, a breakfast tray was spilt. And bring up another breakfast. When you've done that, you and I shall give the man a bath. But, Mothershead, I'm counting on your many years of experience to get you through this, Above all, do not scream, do not cry out, or in any way show this man that you are frightened of him... | |
Sir, you don't have to worry about me. I'm not the sort to cry out. Shall we go in? | |
Yes... Yes, let's go in. | |
I don't think the people who live around here would like that very much... | |
Do you think they like the fact that tourism has dropped ninety-eight percent in the last ten years? | |
No, but... | |
And do you think they like the fact that half the country thinks Crystal Lake is filled with corpses? | |
That's not true... | |
We're not talking about truth, we're talking about perception. And the perception is that Crystal Lake means inbred psychopaths running around the hills with axes and hockey masks chopping up teenagers. That, my dear, is what we call an _image problem_. | |
Maybe not this time, but somebody's going to get dead around you. | |
No. | |
Will you take me home now? | |
I'm sorry I took you in there. | |
I think I'd better go home now please. | |
But, Elaine -- | |
Where is the car? | |
I just want to tell you something. | |
What happened? | |
I don't know. | |
I heard you calling and I ran after you, but you kept disappearing and I couldn't keep up. | |
You were behind me? Running after me? | |
What? | |
Don't walk behind me. | |
Listen to me good, Evan... | |
I'll do whatever you want. You don't want me to ever see Kayleigh again, fine. Just let Crockett go. Besides, you kill him now and they'll stick you in juvy for sure. And I know you'd never leave your sister alone with your father. | |
Oh my poor baby. | |
Oh. Mom. It's Brad. | |
I know. | |
Relax, Pooch, it's just a ticker, it's not personal. | |
Let's face it, we all knew it would happen sooner or later. The guy who can build a mousetrap that's better than we are ... | |
That's enough, I think. Happy hunting. Oh, and Clarice - next time you will tell me why you ran away. Shall I summarize? | |
Yes, Doctor. Please. | |
Frida, this is a bad time. We're having sex and George actually answered the phone. | |
There is a man's arm in my bed. | |
Let him go. | |
That son of a bitch... Don't get me wrong, he's a fine writer. | |
Great scott - Scotty - Dr Everett Scott. | |
You know this earth - this person. | |
I most certainly do. He happens to be an old friend of mine. | |
Don't you think it kind of defeats the purpose? | |
What? | |
The mirror. You can't see yourself in it. | |
I don't want to. | |
She'll come draggin' her tail back home. | |
She'll not be back. I reckon I'd be safe in promisin' you that. | |
Maybe she's just run off on a spree. | |
What'dya tell that soldier, soldier? You tell him we was rebels? | |
He's my contact for Chrissake! There's two crates. Can you get me into the hospital? | |
Oh, what, what do you do? | |
I'm an architect. | |
It's such a great song. | |
It's a classic. | |
It's not enough snow, not for tracking the bastards. No advantage there, kid. | |
Don't worry, Mr. Twombley, I know where those suckers are. Rain or shine, snow or no snow. I know deer. We'll kill us a buck today. Guaranteed. Before ten. | |
Guaranteed, eh? | |
Yep. Right about now the does are holing up in the brush piles. The bucks are right behind them and we're right behind the bucks. This gun gets fired before ten o'clock. Whether it kills a deer or not is more less up to you. I'll put you inside 30, 35 yards of a buck the first four hours of the season. That's what you're paying me for, ain't it? | |
Damn straight! | |
Yeah, um, then...are you alone? | |
Uh huh. | |
Can I join you? | |
Elena!...But when... | |
I got back today. You can't imagine the excuses I had to make up to be here... | |
Good morning, Dad. | |
Hi, honey. | |
Oh. Just not at school... | |
Yeah -- | |
Or anywhere where people might see us. | |
Belinda's a very jealous person. | |
That would be the reason. | |
Hey, whatsa matter with a bank account, anyway? | |
And let me tell you, Long John. When you become a guy with a bank account, they got you. Yes sir, they got you! | |
Who's got him? | |
The heelots! | |
Who? | |
We did it. | |
Now, was that so terrible? --------------------------------------------------------------------------- 64. | |
What do you think? | |
I think the photographer's probably a voyeur. | |
I'm the photographer. | |
Oh -- Well, they're different. | |
That's not an answer. | |
It's not my taste. | |
Tastes can change. | |
Excuse me, sir... | |
Is this a contract violation, Mr. Cobb? | |
No sir...I just wanted to know if you needed a hand? | |
You are not threatening me anymore! | |
I'm not - | |
Yes, James is very sweet. Why don't you get out your violin, Donna? | |
Sweet? God, he's gorgeous. | |
James is very sweet and very gorgeous. | |
"What is unusual about Miss Carpenter is that she likes to dress her men up as grooms before she devours them. She has already disemboweled six in a row by leaving them at the altar."... I can't ready anymore. | |
"And her ritual feast continues as she prepares to make a sacrifice out of the seventh fiance. So all bets are on and we hope that this boomerang bride isn't honeymooning with Las Vegas odds makers because many predict that this girl is out of there before the race... before the rice hits the ground" Holy moly. | |
The poor thing. Six years? | |
...And she's with someone else. | |
The poor thing. I'll make some coffee. | |
Does it say what the clitoris is? | |
All it says is that it's above the vulva... But where the hell is the vulva? | |
Isn't that in Arizona or something? | |
<u>Jake</u>... | |
He <u>can't</u> help you now, honey! | |
Can I see him? | |
Absolutely. Be good for you to talk to him. | |
It's all about who you know. | |
Look, we're not suckers. Everyone else is out there doing the same thing. | |
He's right. | |
I've got to get her out of here. | |
-- go ahead. | |
-- well aren't you -- | |
-- what? -- I'll see you later... | |
-- okay -- -- I'll see you later. Your house. | |
He was part of the Seminole Nation, got pushed down into the Everglades in pioneer days. African people who run off from the slaveholders hooked up with them, married up, had children. When the Spanish give up Florida, the U.S.Army come down to move all them Indian peoples off to Oklahoma-- | |
The Trail of Tears. | |
They teaching that now? Good. Only a couple of 'em held out--this man, John Horse, and his friend Wild Cat, and a fella name of Osceola. Army put all of them in prison and Osceola died, but them other two escaped and put together a fighting band and held out another ten, fifteen years. Beat Zach Taylor and a thousand troops at Lake Okeechobee. | |
So they stayed in Florida? | |
They got tired of fighting, went to the Indian Territories for a while. But the slave-raiders were on 'em even there, and one night they packed up and nearly the whole band rode down to Mexico. Crossed at Eagle Pass. | |
Alfred has supported me my whole life. Now I'm going to pay him back. I'm going to liberate him from his dismal life of servitude. | |
What are you talking about? | |
Servants, Masters, it's ridiculous. Alfred is the sweetest, most noble man alive and he's subjugated all his life and dreams to someone else. | |
Alfred and Bruce are like family. | |
Paying someone to prepare your meals and do your laundry and clean your dishes, you call that family? | |
Alfred's happy here. | |
Happy. You honestly don't know, do you? You can't even see what's in front of your own eyes. | |
The kids are sleeping. | |
I promise I just gotta pick up one thing. | |
All right, just don't make any noise. | |
Get that fucking thing away from me! | |
You're...such a wimp. | |
Are you okay? | |
Get away from me, freak! | |
Roger? | |
Rockin'! | |
Scotty? | |
I don't mention that Anna's a vegetarian, did I? | |
I have some parsnip stew from last week. If I just peel the skin off, it'll be perfect. | |
Excuse me. | |
One of them is the doctor, whose weapons are compassion, unselfishness, peacefulness-- maudlin concern. | |
Huh. | |
He and his love are like a retiarius. Do you know what a retiarius is? | |
He's a kind of gladiator who fights with a knife and a net and doesn't wear anything but a jockstrap. | |
How do you know that? | |
You told me. | |
When? | |
When we were up in the tree so long--with the bats. | |
Oh. I'd forgotten. | |
Fourteen times you told me. I counted. | |
Really? | |
You'd get this funny look in your eyes, and I'd say to myself, "Oh, Jesus--he's going to tell me what a retiarius is again." | |
Sorry. | |
Go. | |
Hey! Would you? | |
It was fifteen seconds. | |
I don't think so. | |
Are you always this much fun? | |
You can have any woman in the city. What do you really want? | |
You know. | |
I don't believe you. There has to be more. | |
All right. | |
But there isn't a B-2 bomber. | |
Where'd you go to school, Kid. Wellesly? | |
Dartmouth | |
Then show a little spunk. There <u>Is</u> no B-2 Bomber, General Scott, the best of your knowledge, is not in Seattle to talk with Boeing... | |
And then there is copper, which is the only pipe I use. It costs money. But it costs money because it saves money. | |
And what did they say? | |
The man understood me. The woman wanted to be cheap, but the man saw that I was right. | |
You have such a head for knowing. You know everything. | |
I brought you something. | |
I'm working with you because of that memo... | |
Mission... statement... | |
Come on, come on! | |
Hurry up! | |
Tell me about him. | |
Tell you what? | |
You will command the tankers to sail toward a 50-mile area in the middle of the Atlantic Ocean. | |
And do what? | |
No, you've done a perfect job. | |
So, what do you say, Let? | |
What was I saying? | |
About us going someplace warm... Someplace Grace'll have to wear shorts or bathing suits or summer dresses... | |
Why? | |
Well, this guy I've met runs a hotel. Brother. Loads of contacts. Does a nice little sideline in punting British passports to foreigners. Get you a good price. | |
Why would I want to sell my passport? | |
It was just an idea. | |
Peter... | |
I've got be here for the police when they come. Then I've got to practise. In case you forgot I'm in the middle of a match right now. | |
You're always in the middle of a match. | |
I want to be the best I can. | |
She lived alone. | |
She must have known someone. | |
Hello, Mr.Kastle. | |
Hello, Violet. How's my favorite 'bowlerina' doing? | |
132, 154. | |
You keep that up Carmelita and one day you'll be a champion just like Mr. Skinner here. What do you think, Theo? Think Carmelita's got the stuff? | |
It's beautiful. | |
Just a little--You know. | |
Mother? Is that you? | |
Of course. Isn't it wonderful? The bandages came of this afternoon. Come and join the fun. Everybody's here. | |
Is Mr Helpmann here? | |
Yes he is - he wants to talk to you. | |
I want to talk to him. | |
Goodnight John. Sleep well. | |
You too, my friend. Goodnight. | |
I've been watching you. You couldn't see me, but I could see you. It was like peeking through a slit in the curtain before the play began. You would be a very good audience. I can see that. | |
If you were the lady who gave me a ring, my mother says I have to give it back to you. | |
Return it to me? Indeed you may not. I gave it to you as a present. | |
Dont stop asking questions, okay? | |
Okay. | |
What about the mob, Dave? How do they figure in this? | |
They're Agency, too. Don't you get it? CIA and Mafia together. Trying to whack out the Beard. Mutual interests. They been doing it for years. There's more to this than you dream. FBI fucking hates the CIA. Navy Intelligence got something to do with it too. Check out "Alan Pope" in Miami. Jack Youngblood. Bill Harvey. Colonel Roselli. The shooter, I hear, was a Dallas cop - the bagman at Ruby's club. I heard he shot his own partner. Got that? Check out the rich fucks in Dallas. H.L. Hunt. He's dirty. That's all I know. But the Agency always runs the show. Check out something called "Mongoose" Operation Mongoose. Government, Pentagon stuff, they're in charge, but who the fuck pulls whose chain who the fuck knows, fun 'n' games man - check out Southeast Asia - that's the next big number - the heroin trail. "Oh, what a deadly web we weave when we practice to deceive." | |
I thought I'd made it clear, I'm not just putting this mission together -- I'm leading it myself. | |
I take it back, about the flowers. We're all gonna die. | |
Donald Segretti? | |
That's right. | |
Only a week? | |
They're having a farewell party the last night. Before the Mask goes back to Taiwan. | |
That's when we'll do it. And we'll need every single day. | |
This is dumb, let's find that chick. | |
Yeah, heh heh, enough'a this crap. | |
Organize a search party. I want a complete sweep of the entire city and subway system. | |
You don't have the authority to do that. | |
It's Will Graham. Is Molly there, Mr. Swenson? | |
Well, how you doin', Mr. Graham?! You sure are in the center of a storm. Burning up lots of taxpayer's dollars, too, I bet. On the news they said he was a white man. He isn't really, is he? | |
Sure he is. Blond. Probably Scandinavian, too... | |
You going back down to Florida after? | |
Yes. Is Molly there? | |
My grandboy's been eatin' a ton of breakfast every day. Been out riding. Must be the good air. You oughta see that little booger eat. I'll bet he's gained ten pounds. Molly's out in the motor home... | |
I know... 'Out in the good air...' | |
What's that? | |
Tell her I called. | |
David Kessler, this is Gerald Bringsly. | |
Hello. | |
Gerald is the man you murdered in the subway. We thought it best you didn't see him as he's a fresh kill and still pretty messy. | |
This is a real nice place you got here. | |
Well it oughta be, with all the work I put into it. | |
When do you need her by? | |
Two weeks. | |
Well, I could probably get you laid in two weeks, but to locate a non-mutant wife from Pasadena...that could take some time. | |
That's what I was afraid of. | |
What happened to Emma will never go away. It's part of you now and it always will be. But you have to learn to live with it... | |
I live with it every minute of every day. | |
I know that -- | |
You don't know that. You couldn't possibly. If I'd only done this, or that, if I'd arrived ten minutes earlier, or later. If we'd taken a different path or I hadn't fought the man for the ring. You have no idea what it is to relive every moment of that night -- consider every action you made -- and every one of them wrong. | |
It wasn't your fault, Alex. | |
Wasn't it?... I have a dream almost every night now. The Lady and the Tiger, you remember that story? In the dream I'm alone in a huge chamber with a thousand doors. Behind every door, save one, is a tiger. I have to make the decision. Which door conceals Emma? And I just stand there... looking at the doors... | |
Do you find her? | |
Well it all depends on how much money you want to spend. A standard visit would run you about fifty pounds. That would include myself and an assistant. | |
And what would you do? | |
Well, we could bring in special equipment, monitors, sound devices, things like that. | |
Is this all the display space we can get? | |
I tried to get more, but this is the limit. The De Vries line has the same area. | |
Follow me close. Gentlemen, gooday. A word with one of you? | |
OH, and but one word with one of us? Couple it with something. Make it a word and a...a blow. | |
You shall find me apt enough to that, sir. And you will give me occasion. | |
Could you not take some occasion without giving? | |
Mercutio! Thou art consortest with Romeo? | |
Consort? What does thou make us minstrels? An thou make minstrels of us look to hear nothing of discords. Here's my fiddlestick. Here's that shall make you dance! Zounds, Consort! | |
Scotty -- what's left? | |
Just the batteries, sir. I can have auxiliary power in a few minutes -- | |
We don't have minutes. Can you give me phaser power? | |
A few shots, sir. | |
Did you tell them that I flooded the school? | |
I didn't say shit. | |
That's not what I heard. Now they think I did it. | |
Well, if you're innocent, then you have nothing to worry about. | |
You know what? I think that you did it. | |
Finder's keepers. | |
Here I come, ready or not. | |
I hope you don't mind me asking you a few questions, Mr. Cluett. | |
Of course, yes. Just what would you like to know, Inspector? | |
Where were you at twelve o'clock last night? | |
That's very simple. I was home. | |
Doc, these are my friends. We're superheroes, and we need your help. | |
Well, I give to the United Way, and I feel that sort of covers -- | |
I've always been a collector at heart. When I see something I want, I have to have it. | |
And you have a reputation as someone who gets what she wants. | |
Why do you think she hasn't suggested that? It's the most obvious solution: Escape. She knows she can't leave here -- | |
Get out -- | |
Oh, this one you love? What about the first one, the one you fucked and then put into a rocket and blasted into space? You didn't love her? | |
That was my choice, nothing to do with you. I took a chance, and it didn't work out. | |
Bluebell came in? | |
I sent Bobo ten grand of my own money, like it was the winnings from my bets. I hoped that would cover me. It didn't. | |
I'm serious. That's why I switched from orbiting to planetary installations. | |
Is that a fact. | |
Uh-huh. Used to get it pretty bad. I'd wake up in a cold sweat and want to claw open a vacuum hatch. | |
How long you been out here for now, anyway? Three months? | |
Four. | |
And before that? | |
Six month stint on Datus. | |
Only six? | |
What is this? 'Twenty Questions'? | |
Just curious. There's a lot of talk goes around. | |
I'm not a loser. | |
Oh, you're both? In 1985 you were flying for TWA and got busted for carrying drugs. You were carrying them for a pilot husband of yours. He did time and you got off. But that ended your career with the big airlines. Cut to thirteen years later. You're forty-four years of age. You're flying for the shittiest little shuttle-fucking piece of shit Mexican airline that there is. Where you make a whopping twelve-thousand dollars a year. That ain't a hulluva lot to show for a twenty year career. And to top it off, you're going to jail. Now true, the judge, even with your prior, will probably only give you a year or two. But this doesn't seem like the time of life you got years to throw away. Now, we don't like trying losers like they're criminals. But in the absence of a criminal, we will try you. Now, wasn't this money given to you by an American living in Mexico by the name of Cedric Walker? | |
I thought the plan was we'd evacuate them after we got through. | |
Maybe plans changed... | |
Plans don't change... | |
Does he know you know? | |
He suspects I know something. I think he was sort of -- explaining himself to me, in case I do. We have to go in tonight. I'm two hours from a Beta version. But I've gotta go home for an hour. | |
Why?! | |
She called to apologize. I said I was pulling an all-nighter. She said then come home just to say Hi. Which I always do when we fight, it's suspicious if I don't. | |
Please don't go. | |
At this point the worst thing I could do is anything out of the ordinary. | |
You just can't leave that stuff with that lu-... | |
...-natic. | |
That's why I didn't give it... | |
...to him. | |
What? | |
You got Elvis?! | |
Sometimes the prey bites back. | |
Go! | |
Stop. | |
Hang... | |
...on! | |
Estimating Genesis 2.9 hours, present speed. | |
Can we hold speed, Mr. Scott? | |
What's with the touching, why was he touching you? | |
He wasn't touching me he was just...gesturing... | |
He was caressing. | |
Phil for God sake. | |
God? No I didn't think you'd want to invoke God Rose, because he saw even more than I did. ROSE Look Phil, if you want the rights of a husband, you're gonna have to ask me something but if not, you're gonna have to get accustomed to the rights of what you are. | |
Oh...what's that? | |
Right now? An intimate border with...mechanical skills. | |
What are we going to do? | |
This is government business now. You ought to go home and get some rest, Father. | |
MOTHAFUCKAH! | |
That's the same guy who did this painting. | |
I know that. Don't let him get away. | |
I can't -- | |
You've got to -- don't you understand -- they want me with them and they'll fix it so I have to go -- | |
No they won't. | |
She must've been a bigger fool than me if she ran out on a guy like you... | |
She was killed, Penny. | |
Oh, my. | |
Don't go to pieces. I haven't got time tonight. | |
Do uh... Sorry. Can you follow me? Do you understand what I'm saying? | |
Yes. | |
Good. Or should I speak slower? | |
Yes. | |
Do you follow or should I speak slower? | |
Yes. | |
Burned out. I need a vacation. | |
Too much glamor, huh. What's in the bag - - Monte Carlo? Apes in Kenya? | |
Kinda'. | |
It's what I do. I yell "Geronimo" and jump out of a relationship. | |
I have the potential to smack the crap out of you if you don't get out of my way. | |
Can you at least start wearing a bra? | |
Who's robbin' who here, Gabriel... | |
Get in there and watch 'em. Watch their every fuckin' move. | |
I have a wonderful new play! | |
Put his feet in. | |
It's a comedy. | |
Cut his nose off. | |
A new comedy. By Will Shakespeare! | |
And his ears. | |
And a share. We will be partners, Mr. Fennyman! | |
Partners! | |
It's a crowd-tickler--mistaken identities, a shipwreck, a pirate king, a bit with a dog, and love triumphant. | |
No it isn't .. It's Californian .. | |
Even better. | |
People want to believe in the system. That's the beauty of it... | |
Beauty? The precogs don't even always agree with each other! | |
Unknown! What do you mean? | |
It is none of the 678 dialects spoken by technological man. | |
Yeah, right... | |
Oh, like you haven't been in worse places. | |
And a level five shithole is better than a level six. Your logic's inescapable. | |
Looks like they've been having a hell of a party, here, Captain. | |
ON THE BRIDGE! WE'RE COMING IN. | |
Yes, yes... Let's talk about that.... your roots... Your father is from Haiti, isn't he? | |
Yup. | |
Hmmmm. Interesting. And when you grew up were there any primitives hanging in your home? | |
We don't hang them at home, y'know just in the streets.. | |
I see.. And... How do you respond to being called hmmm... yes, "the pickaninny of the art world." | |
Who said that? | |
Why, that's from Time Magazine. | |
No, he said I was the Eddie Murphy of the art world. He said the Eddie Murphy. | |
Is it true that your mother resides in a mental institution? | |
Okay. We'll see you later then. | |
Yeah. Bye. | |
Those people were already dead. | |
Before the bomb went off? | |
That's what I'm saying. | |
Morning, girls. Good morning Major. | |
Good morning. | |
He said he heard hammering. | |
Who? | |
You have? | |
Secrets are a virtual prerequisite in this house, don't you think? | |
Sergeant Lucas. May I come in? | |
You are in. | |
Those rat fucks! All of them were all laughing at me man! | |
You sure you killed them? | |
Mr. Bernstein, Mr. Thatcher - | |
How are you, Mr. Thatcher? | |
Okay, so... help me with this one, Joe... Is it disgusting for someone to put his dick into someone's mouth? Or, is it disgusting for someone to take a dick into <u>their</u> mouth? | |
Great, Lisa. Thank you. | |
Anyway... if you need me... | |
I got your number, Mister Man. | |
...when I... | |
...what has she done to harm you...? | |
Wait a second! You used to sleep with Caitlin Bree? While I was dating her? | |
All the time. That girl was like a rabbit. | |
I... I don't believe this... | |
I thought we were going to talk. Last night. | |
Oh. Well. I... | |
Call the Palmdale City Attorney for a telephonic search warrant. When you get the warrant, have Mikkelson and Dreyer search his house. | |
Yes, sir. | |
God, I am starving, but I can't eat this... | |
That's more food than these people eat in a week. They're starving, too... | |
Kill him. | |
That will teach you not to bother me any more, you son of a bitch. | |
Rose, you must know who the fellow is. | |
Well, he might be that man who followed me home from the store the other day. But I don't know who he is, Buddy, I really don't. | |
I can't hold on much longer! | |
Slink! Hang on! | |
What's 'practically'? Is it Fat Sam? You said you had pictures of him.... | |
I have pictures of him. Dealing... | |
So let's go! We run the pictures. | |
He's not the story! There's a source behind him. | |
Who? | |
Well, there we're in a gray area. | |
How gray? | |
I'd say charcoal. | |
I'm going to bite out your eyeballs, you know that? | |
Frank, you animal, I love it. I'll have the story by Thursday night, I swear to God. I hope. | |
I'm sick, Tom. I need a cure. Vitamin B cocktail, followed by an amp of glucose and a drop of adrenaline. Not as good as beer, but all I got. | |
Come on, Frank. There's blood spilling in the streets. | |
Where are we? | |
Where do you think, my idiot friend? We're in a nice filthy cemetery. Does this make you happy? Is this fitting and proper enough? | |
That's a terrible thing to say. | |
So what? It's a free country. Thanks, Lib. | |
It was ten days till the wedding. The King still lived, but Buttercup's nightmares were growing steadily worse. | |
See? Didn't I tell you she'd never marry that rotten Humperdinck? | |
-- yes, you're very smart. Shut-Up. | |
I haven't been sleeping. I haven't been clear or felt like myself. I'm in trouble. Some son of a bitch is burning my bridges behind my back... But the tiredness -- boy... Not just sleepy. | |
But sick -- nauseous -- where everything looks distorted and everything inside just aches -- when you can barely get up the will to complain. | |
Yeah... | |
What is this that you have cancelled your car? Who am I that I should wait like a fool at the door? And here on a whim, you cancel your car. Have you forgotten there is a performance? Do you know the time? Or, are we all mad? Am I your manager?... Have we a contract? Have we obligations? Am I blind? ...Or is that the time? | |
I'm cancelling the engagement. | |
Oh! | |
No. | |
I'll lead them away. | |
Why don't you get some rest? | |
I've got to work. | |
You can't work if you can't think. You get in bed. It's all right. I'll stay here with you. It's all right. Come on... | |
You're going to stay here...? | |
Yes. | |
I could try to read this or I could eat my lunch while it's till hot. We're doing well? | |
Yes. | |
Better this month than last? | |
Yes. | |
Any reason to think next month will be worse? | |
The war could end. | |
Target disruptors. Destroy them. | |
Disruptors are off-line, sir. | |
Who was that? | |
A chemist. Part of a chemical warfare unit out of Saigon. He said he knows me and that I'll know him when I see him. | |
How? | |
I have no idea. I was right. There were experiments. I knew it. I knew it. My God. | |
How do you know he's telling the truth? | |
Oh dear, why is life so complicated? Sometimes I really wish I could be someone else. | |
That's a good idea, sire. | |
What do you mean? | |
Let someone else pretend to be you, and see if... | |
... if she can find me? -- That's a brilliant idea! If she's really been sent by God she'll discover the trap, and if she's an assassin she'll kill the wrong man! Bring her up! | |
You're going to say it, aren't you? | |
Tell him you love him. With all your heart. | |
I'm taking my next book to Viking. | |
Tell him you've loved him for nine years, but you were afraid to realize it. | |
I'm moving this book to Viking. | |
Tell him you're afraid of love. Afraid of needing. | |
Needing. | |
To belong to someone. | |
The fuck is wrong with you? | |
I gotta go to the bathroom. | |
What are we going to do? | |
Get the body of our army up to Greene's vanguard as fast as we can. All the damned fool has to do is hit the British rearguard and then hold for us. | |
Hi, Marty. | |
Uh, hi.... | |
What'd you say, Captain? | |
I teach English at Addley High School in Addley, Pennsylvania. | |
Yep. Everything settled. | |
Good. Well, I'll be seeing you. | |
I'm glad they didn't hold you downtown. | |
They didn't have a leg to stand on. There's no case against me. It's a clumsy thing to have happen, but nothing to worry about. | |
Well, any time I can do anything for you -- | |
Thanks. | |
How'd ya like hearin' ya name on TV? | |
I don't know -- I was shocked. Why did you do that? | |
Ya puttin' me on, right? | |
Absolutely -- What time should I expect you? | |
'Bout seven. | |
I'll be waiting. | |
I need your help, Joyce. | |
Where's Ich? | |
Unavailable. | |
That why you dumped him? | |
No! I just couldn't see myself with some boring egg head who spends his summer picking apart cockroaches. I wanted to have some adventure, some fun... | |
Where are you going? | |
I'm going home. | |
Fella named Spencer sent us--said they was work pickin' peaches. | |
Want to work, do you? | |
Sure do. | |
Pull up behind that car. Okay for this one. Take 'em through. | |
What's the matter? What's happened? | |
Little trouble up ahead, but you'll get through. Just follow the line. | |
Oh no, I, I...eh...I couldn't. | |
You couldn't? | |
Well I'm sort of involved. | |
Sort of? | |
Let's just say I...eh...I'm involved. | |
Where I come from, involvement...generally calls for a substantial piece of jewelry. | |
Oh, well, I don't wear a lot of jewelry. | |
All right, so you don't like jewelry but...eh...you do like...eh...good music. Liszt, one of my favorites. | |
Lizt was my parents' favorite, they were Hungarian. | |
Hungarian. Famous for their beautiful music...and beautiful women. | |
You look a like you could use a friend. You know, I'll never forget my first day at camp. Boy, I was so nervous that I... | |
Hey--whaddya say, we need another muskrat to join our Sunshine circle. Scurry up! Isn't Fun great! | |
We've got <u>minutes</u> until it hits, not hours...Victor, that storm's <u>deadly</u> -- the radiation's lethal. We need to abort. | |
Get a grip. Reed. We didn't come all this way to lose our nerve at the first little glitch. Just close the shields... | |
Ben's still out there -- | |
So reel him in. But we came here to do a <u>job</u>. So let's do it. <u>Quickly</u>. | |
Want me to drive? | |
No, I'm good. | |
Sure Ronald? You're ready alright. | |
Absolutely. | |
Oh no. | |
It's <u>your</u> turn, darling. | |
I think we'd better have a look. | |
... have a look. | |
My hand. | |
It's just a scratch. You won't die. She turns away from him. | |
Edie... | |
Get away from me. | |
Edie, I need you to love me. Tell me you love me. | |
I didn't say I didn't love you. I said stay away from me. | |
Edie, Edie, I... | |
We've got minutes until it hits, not hours... Victor, that storm's deadly -- the radiation's lethal. We need to abort. | |
Get a grip. Reed. We didn't come all this way to lose our nerve at the first little glitch. Just close the shields... | |
Ben's still out there -- | |
So reel him in. But we came here to do a job. So let's do it. Quickly. | |
Your daughter is much too hard to impress, Ruth. Mind your step. | |
So this is the ship they say is unsinkable. | |
It is unsinkable. God himself couldn't sink this ship. | |
Quiet. Would I get the loans? | |
This time I imagine you would, yes. Hmm... With all this in mind, Mr. Kross, I can't logically make a formal bid on your company, can I? | |
You'd be initiating a financial battle you'd ultimately lose, Mr. Harris. | |
You're very right. I think the best thing we could all do is go home. | |
... What I'm curious about are the wilderness years. You're out there all alone, no money, mocked by the skeptics. It must have taken tremendous faith. | |
I'd say logic more than faith. The odds were on my side. | |
And what would you have done if the odds had gone against you? | |
I guess I would've felt sorry for the universe. | |
Spoken like a true believer. | |
What about you? Doesn't all of this shake your faith at all? | |
How do you mean? | |
Well it's been a while, but I don't recall the Bible saying too much about alien civilizations. | |
'My father's house has many mansions.' | |
Very smooth. It's Palmer, right? Where I came from a palmer was a person who cheated at cards. Really though... the Bible describes a God who watches over one tiny world a few thousand years old. I look out there and see a universe of hundreds of billions of galaxies, each with hundreds of billions of stars... I mean burn me for a heretic, but your God seems awfully small. | |
This is amazing! Your dream told you where this was? | |
Only it was more like, you know, sleep- walking. All I know is I woke up on the cellar floor next to it. | |
Of course I recognised him! | |
You did? | |
I know a cheat when I see one. The man was a cheat. | |
No.... | |
First time for everything is the best. After that you know too much and it's never quite the same. | |
You must get bored easily. | |
Uh... Everything okay? | |
Honey, this is Mr. Lewis. Carolyn Lewis's father. Mr. Lewis, this is my wife, Lily. | |
What was that bang? | |
We must have a blow-out. | |
Oh... | |
Where are you going? | |
Out - I may be some time | |
I thought all good generals were quick to recognize opportunities. | |
Sneaking around with your brother? | |
Without him. He'd be weeping if he overheard that. Well? The idea of you as my adopted brother is very... exciting. | |
I'm not fit for the job and as a matter of fact I'm not taking the job. | |
Why do you keep playing at being so humble? It's a little embarrassing. | |
Why do you play at being drunk? | |
How do you know I am playing? Well, the clown is always harmless. Isn't that right? And how did you ever get to know me so well? The last we spent any time together I was fourteen. I think you know me better than my father. He's going to die, isn't he? | |
I don't believe that. He's got the best doctor in the world and a will of iron. You know we're preparing for a full-blown invasion of Germany. | |
Of course I know -- who do you think is paying for it? The Emperor himself, didn't you know? Why do you think Commodus came rushing up to the front? Burning patriotism? Filial love? He wants to be sure when he takes over there's enough cash left in the treasury to... play Emperor. Watch out for him, Narcissus; he's inexperienced, but... be careful. | |
Are any of them inhabited? | |
Veridian III is uninhabited, but Veridian IV supports a pre-industrial humanoid society. | |
Population? | |
Approximately two hundred thirty million. | |
I have come to beg for the life of William Wallace. | |
You fancy him. | |
I respect him. At worst he was a worthy enemy. Show mercy... Oh thou great king... and win the respect of your own people. | |
Said as much myself, Doc. Can't place him, though. To look at him, you'd think the cheese slid off his cracker. Well, morning's half-over. I'm off. | |
Thank you, Mr. Lawson. | |
Don't mention it. Whoever-you-are. | |
Your boyfriend fucked me, smoked my dope, then shopped me. What do you think of that? I can't get a job now. You bastard. You're no different from Matt. A pair of vicious little shits, that's what you are. | |
Look Bella, I don't know anything about this. You should talk to Matt. | |
You're all scumbags. | |
That's where we get rid of the traces of him although we never truly succeeded. | |
I've been looking for him. Do you know where he is? | |
He's probably leaving some more of me around the place before he goes. | |
Joel, I'm not a concept. I want you to just keep that in your head. Too many guys think I'm a concept or I complete them or I'm going to make them alive, but I'm just a fucked-up girl who is looking for my own peace of mind. Don't assign me yours. | |
I remember that speech really well. | |
I had you pegged, didn't I? | |
You had the whole human race pegged. | |
Probably. | |
I still thought you were going to save me. Even after that. | |
I know. | |
It would be different, if we could just give it another go around. | |
Remember me. Try your best. Maybe we can. | |
Is that the question of compassion or science? | |
It's a question. | |
She got the child labor stuff from me. | |
Dad? | |
What? | |
You wouldn't ever hurt Mummy and me, would you? | |
What do you mean? | |
Well, I'll miss riding home with you. I was looking forward to it. | |
I'll be glad to avoid the crush. | |
I enjoy crushing into you. | |
Huh huh huh. That was cool. | |
No it wasn't! | |
Uh,...Oh yeah. | |
Worf, prepare a spread of photon torpedoes. We'll have to hit them the instant they begin to cloak. | |
Aye, sir. | |
We're only going to get one shot at this. Target their primary reactor. With any luck, their warp core should implode. | |
Why did you do that? | |
To make a point. I don't know her, and I was ready to splatter her brains all over the sidewalk. I don't particularly like you, so imagine what I'll do if you try anything... | |
Peter, let go of the chair! | |
What? | |
Uh, if you could, just, uh, support, uh, a small airfield... | |
It's been sometime since, uh, I received any, uh, of that kind of, uh... attention. A couple of... years. | |
We're caught in some kind of energy wake from the vortex... | |
Worf... torpedo... now! | |
Listen to me, Fettes, I'm one part befuddled with drink, one part over-heels in love with MacFarlane, and one part fey. You're a lowlander, Fettes, and you have no way of knowing what we Highlanders call the second sight. | |
I've heard of it. | |
It's a gift to my people -- and I see MacFarlane and Gray-- the pit yawns for them and the flames -- and I would have you away from them and safe out of the torment.-- | |
Where are we goin', John? | |
Somewheres. I don't know yet. | |
What? Say again, Ma-... | |
...-son. | |
What we gave Brynner on the dam was a phony! | |
We've got the real thing! | |
Where are you now... | |
...Mason? | |
I'm at mile marker... | |
I can't take a girl like that out on twenty bucks. | |
Fine, thirty. | |
Now that's just gross. | |
GO, GO, GO! | |
Do you wish him to be amongst us? | |
Yes... | |
Will you come to him on your knees? | |
Yes... | |
Be ready. | |
We dealt directly with the representative of the Grand Duchess. I am sure if we call him he will give you a very clear picture. | |
I will not repeat your mistake. I will have no dealings with the Grand Duchess nor her representative. | |
Fine. Fine. | |
So I can go. | |
Sure. Looking good. | |
Shouldn't you have used a toggle bolt? | |
I think I know how to have a spice rack. | |
Goodbye, Muffin. | |
No, you're the muffin. | |
Say, Claudia, wouldn't you like to climb up with me and take a look over there? | |
At what? | |
At the ruins. They're very ancient, you know. | |
It went great in Mississippi, Mike. | |
Good. | |
Listen, Jim -- and if you wisecrack while I'm talking I'll crown you with the inkwell. | |
All right, wise guy. Go ahead. Spill it. | |
Jim, there's a little hokey-pokey wax museum opening up down on 14th Street. | |
Now don't that call for an extra! | |
I asked you to keep your trap shut! | |
Well, you can't blame a guy for getting a little breathless with a scoop like that. | |
All right, you poor baboon, you can guess the rest of it! | |
No kiddin'. What's your idea? | |
Just this -- I got a look at that dump a little while ago and if they haven't got a wax figure of Joan Gale in that line-up, then I'm crazy. | |
We'll grant that. | |
What! | |
About the Gale girl, I mean. Where do we go from there? What of it? | |
Listen, Jo-jo. Does this mean anything to you? Joan Gale's body swiped from the morgue -- Did you ever hear of such a thing as a death mask? | |
I used to be married to one. | |
And it came to life and divorced you. I know all about that. Now my idea is this: Somebody swipes the girl's body, takes impression, makes a mold, produces wax figure ... Bingo! ... Peddles it to this old skate down there! | |
Work that up into a comic strip and syndicate it. | |
Let it go. | |
Come down to earth. Do you think they would dare do anything like that? Don't you think they'd know that figure would be recognized? Shake your head real hard -- you'll be all right. | |
All right, Master Mind. But there's something cockeyed about that joint and I'm going to find out what it is. | |
Oh, by the way, another pet theory of yours just blew up. | |
What do you mean? | |
That dear, innocent Judge Ramsey that you were so sure got bumped off for knowing too much has been located in South America. | |
No kiddin'? | |
Almost certain. | |
Almost! I'll still bet I'm right, and let you write your own ticket. | |
Emma actually likes chalk dust -- says it smells like me. | |
How romantic... | |
So whatsa deal? | |
They jet's comin' out. But don't let 'em off the ground. | |
What if we gotta kill a whole lot of people? | |
Don't let 'em off the ground. | |
Listen. | |
You see what you get when you fuck wit me, white boy? You're gonna walk in my goddamn house, my house! Gonna come in here and tell me! Talkin' smack, in my house, in front of my employees. Shit! Your ass must be crazy. I don't think that white boy's got good sense. Hey, Marty. He must of thought it was white boy day. It ain't white boy day, is it? | |
Naw, man, it ain't white boy day. | |
Shit, man, you done fucked up again. Next time you bogart your way into a nigger's crib, an' get all his face, make sure you do it on white boy day. | |
How're we doin', then? | |
He should've have killed the virus in the incubation area..Nyah's exited the elevator on the same level as the lab. | |
What can we do' mate? | |
Hope he kills all the bugs before the yellow dot gets to the red one. | |
Have you any idea what these things cost over here? | |
Please go on, Mr. Bartholomew -- what happened then? | |
Scobie was able to travel, but Carson Dyle was clearly dying, so they -- | |
What's ya sister like to do? | |
Ice skate. | |
I didn't want no turkey anyway. | |
Yeah, I know that, but this is me and we're old friends. I haven't got the money so what are you gonna do about it? | |
Give it back. | |
Try and take it. | |
You were in my dream just now. I didn't recognize you. | |
Well, you look pretty different, too. | |
I mean in my dream -- I didn't realize it was you. Then...I woke up and I...I thought you were gone. | |
I remember you...like this. I feel I've known you before. I feel I've always known you. | |
...his number. | |
I'll look it up for you. | |
Well, look, is there a car here I can use? | |
Is that the good new, Sir, or -- | |
You're just about the only pilots in the Army with actual combat experience, so you're volunteering for a mission I've been ordered to put together. Do you know what top secret is? | |
Well sure, Colonel -- | |
Top secret means you help me pick the other pilots, train, and go -- without knowing where you're going until it's too late. | |
Yes. | |
I thought so. | |
This is incredible - | |
WHO ELSE...? | |
You have been lonely? | |
I am lonely, Yuri. | |
I read one of your articles regarding the disappearance of a girl. I'm that girl's fianc. | |
Oh... I'm sorry I have to rush but I've got to write a story about this thing that just happened... Tell me exactly how it all turned out. | |
Now listen, if I had any information, I wouldn't have come here to ask you. But I see that you, too, lack any information ... | |
Well, I called Erica's beeper. There's just no answer. | |
What are you? Her pimp? She said she might go get a drink first. | |
Well, I mean, she always answers her beeper. | |
Pal, she's a big girl, you know? I'm sure she's alright. | |
Yeah? Well, what'd she say? | |
About what? | |
About where she went. I mean, what bar? | |
She didn't say. Maybe she's at the bar at the hotel. | |
The bar at the hotel? She told you that? What did she say exactly? | |
Well, Dad, she said she wanted to suck my cock. | |
The Fire. | |
What time? | |
Common time. | |
You know, Scotty, it amazes me. | |
And what would that be, sir? | |
Sulu. When did he find the time for a family? | |
It's like you always said- if something's important enough, you make the time. | |
Bank branch! | |
All of you! | |
You're a monster. | |
Why? Because we live at another species' expense? Your people farm cattle and veal, don't they? Fattening them up with steroids? It's called evolution, Doctor. Survival of the fittest. | |
These people will pay you ten thousand before and ten thousand after. They want someone they can be sure of, an honest dealer. That's the point. Not all dealers are honest. Mr Reynolds will never suspect you. | |
Reynolds? You've done your research. | |
How long have you been running this place? | |
How long is a piece of string? Too God damn long, that's how long. | |
I like to think that I'm a pretty astute observer of the human scene. | |
No doubt, brother - I figured as much back there in the restaurant. That's why I invited you out here for this advanced tutorial. | |
Are you okay. | |
Something Grady told me today about the people that lived here last. Girl went crazy - saw her boyfriend killed in the house across the street... | |
Magnesium of some type... or some kind of strange alloy. And those poor dumb bastards had to go and blow the hell out of it. | |
So what do you make of it? | |
You know damn well what we both make of it. | |
No chance it could have been some new kind of test craft? | |
You finish the reading for E-con? | |
Yeah. | |
What'd it say? | |
Basically broke down how I'm gonna make mad loot in the NBA, me being such a limited commodity and all. | |
Whatever, big head. | |
I want you to stay, Mariette. You've <u>got</u> to stay. You can't go now! | |
I <u>must</u> go. | |
I'm crazy about you! | |
I know it. | |
<u>I</u> <u>love</u> <u>you</u>. | |
I <u>believe</u> you. | |
Then why do you want to go? | |
Because I want to make it tough for you. | |
Oh? And what should I say? | |
Just...say...no. | |
Just say no? | |
An accident wasn't good enough... | |
Good enough for one - two would look suspicious... killed while attempting escape... now that's convincing for both. | |
He was convicted in a court of law. Your testimony put him away. It doesn't matter what I think. | |
During the trial, you did all those stories about me. You called me a liar. | |
I think you falsely identified him. Yes. | |
Have you talked to Cotton? | |
Many times. | |
Has his story changed? | |
Not one word. He admits to having sex with your mother but that's all. | |
He's lying. She wouldn't have touched him. He raped her, then butchered her. Her blood was all over his coat. | |
He was drunk that night. He left his coat at your house, after your mother seduced him... | |
I saw him leaving wearing it. | |
But couldn't it have been someone else you saw wearing that coat? The same person who planted it in Cotton's car, framing him? The same person who really killed your mother? | |
Her name's Hannah. | |
Is that Jango? | |
No, this is Jack. Jango was hit by a UPS truck. Can you believe it? | |
Aramis! Athos! He looks exactly like... exactly like... | |
I will answer all your questions. But first soap, water, and a razor. | |
Oh, my God. | |
You're not even on this anymore... What do you care? | |
Jeff! Wake the fuck up! Everybody is on the line here. If they can catch you in a lie, they can paint everything with that brush. Do you understand? Everything you say! | |
Someone better tell Mac. | |
Why bother? | |
I'm lost. Goodbye. | |
No! | |
God, it's so like your father. Why can't people take responsibility for their actions anymore? I can almost forgive him for killing Simone -- but denying her existence. I can never forgive that. | |
Because obviously she existed, right? | |
I know it as surely as you're sitting here, sweetheart. She was the most vital woman I ever met. | |
So you did meet her? | |
Of course. What are you suggesting? | |
I mean really meet her -- in the flesh. | |
So, he didn't fire you? | |
No way, he even gave me back pay. | |
Grace? Is everything all right? Can we talk? | |
About what? | |
Well... So you tried riding again? | |
Yeah. Does that mean I'm cured?! | |
Honey, nobody's trying to cure you -- | |
... You worried everything all right now and we'll have to go home? | |
What are you talking about? | |
You... not wanting to go home because you hate daddy so much. | |
Grace, I don't hate your father. | |
I can't remember the last time you made him dinner. | |
I was just trying to say thank you to Diane and Frank and -- | |
Tom? | |
Number twenty-two's thighs are just great. Who's he? | |
Jose Galindo. He hit .314 at Lynchburg last year. | |
Three-fourteen? Hmmm... Look't those thighs, Jackson | |
Yes! Yes! The boy! One boy! | |
And what, exactly, is your relationship to Mrs. Ryan? | |
Neighbor! Doctor! I live across the hall. | |
And you come into Mrs. Ryan's apartment as often as you please, looking into various health matters? | |
Yes! Please! You've got to get out right now! | |
You couldn't come up with something a little more discreet? | |
Old tricks are the best tricks eh? | |
I'm not going. | |
Why not? | |
One reason... I want to stay the only one left alive. | |
Doesn't speak a word of English. And he won't speak Japanese either. No papers. The Japanese embassy is very interested. | |
Why? | |
He's wanted in Japan. They want him first. Then we can have him. | |
What? | |
Who are they? | |
Jill Haynes, Jill Haynes, I've told you about Jill a hundred times, Lester, you never remember anything I say. | |
Does she know about us? | |
Jesus, she's my best friend. | |
Who's the guy, George's boyfriend? | |
I don't know. Why don't you ask him? | |
C'mon, Jackie, I'm only trying -- George -- | |
What? Steve seemed to put up with Warren. | |
I don't want someone who'll put up with him. I want someone who will enjoy him, the way I do. Do you know what he told my friend Tucker? He said he would've popped the question a lot earlier if Warren wasn't in my life. Well he is in my life and I'm goddamn lucky to have him. The hell with Steve. | |
My God... | |
Alex, it's just the zoo. | |
Here, I'll take it. It's my job. | |
NO... It's all right. I got it. Don't worry about it. | |
So, so, but it was when I was younger, so-- | |
You know, I saw your father this week about his sinus... | |
Mm-hm. | |
...and, uh, he complained of chest pains. | |
Well, this guy's the real hypochondriac of the family. I mean, he's, you know, he's-- | |
You mentioned on the phone that you'd had some dizziness. | |
Yes, a little dizziness, and I think, I think I'm developing a hearing loss in my right ear ...or my left ear, my, my left...oh, n-n-n-no. No, I'm sorry. It was my right, my right, my right or my left ear. | |
It died for your sins. | |
This little corpse is intended as a lesson? | |
There's a certain amount of information there. | |
Lest we forget how cruel you are. | |
I lied. | |
About what? | |
I can't wait either. | |
How do you like your coffee? Black? | |
Black, black... | |
She's too upset. | |
What about? | |
Hollis' death. I tried to keep it from her, I didn't want her upset before I could make plans for her to leave. | |
You mean she just found out? | |
Yes. | |
That's not what it looks like, Mrs. Mulwray. | |
What does it look like? | |
Like she knows about Hollis' death. Like she knows more than you want her to tell. | |
You're insane. | |
A blue shirt, perhaps? | |
Blue? Let's offset his mood. Find a striped one, and brighten it with a great blaze of tie. | |
Very well, Your Highness. | |
That was your People magazine with the letters cut out, wasn't it? | |
Yes, but I lent it... | |
And those were your scissors found sticking out of Mrs. Sterner's stomach, weren't they? | |
Yes... but... I didn't... | |
Mrs. Ackerman, do you recycle? | |
No... I don't have room in my kitchen... | |
Who you gonna call? | |
I was gonna call that girl from last night. Take her to a movie tonight. | |
Are you kidding? | |
Listen, Angie, I wanna tell you, you were very impolite last night. I introduced you to the girl, you just turned and walked off. Now, why did you do that? | |
You got me mad, that's why. Hey, Joe, show Marty that picture. | |
Jean Michel, this is Mary Boone. She's got the great new gallery. | |
Yeah, I met her already. | |
I'm sorry -- | |
-- she's not dead! Just have to get her heart pumping aqain! | |
You knew a second ago. <u>Who</u> started it? | |
-- A man. | |
It's just, and I've never done this before, Maxine, but it's just that I feel something for you. I've never felt this before for anyone, not even my wife. My future is with you, Maxine. | |
You might want to check those tarot cards one more time. | |
Dementia praecox Oh-h-h! | |
We got to think fast before those lying reporters get hold of this. What'll we tell 'em? | |
Tell 'em the party is through in this State on account of you. | |
Ah, Fred -- Hello... this is Hartman -- | |
And you can tell 'em as an afterthought that I want your resignation now! | |
Sssh. Wait, Fred. What?... Where?... Where? Holy Moses! | |
What is it? | |
They got him! Wait a minute -- hold the wire. They got Earl Williams surrounded -- the Riot Squad has -- in his house. | |
Tell 'em to hold the wire. | |
I did. Hold the wire. | |
Cover up that transmitter! | |
You really like that bitch don't you? I gotta tell you, I was pretty convinced that the whole thing before was blowing her off for her cut. You know how it is, get her to do some shit for you, throw her a bang to keep her happy. But, if you're into her... That's cool. | |
That's what I like about you, Lupus. You're a free thinker. Don't let the King tell you different. | |
I've got the grands for two nights, Charlie. You can't just -- | |
It's all there. Both nights. | |
Have you seen my wallet? | |
It might be in the kitchen. | |
Yeah, I know - Picasso. <u>Guernica</u>, right? That's what everybody says - although personally, I don't see the resemblance. What are you drinking? | |
Uhh - martini? | |
Olive or eyeball? | |
Olive. - Where exactly am I? | |
Dark Town. Land of nightmares. I'm Bull. | |
Stu Miley. | |
Yeah, I've seen a few of your dreams. You're quite a celebrity down here. | |
The old man? He's gonna tell you who killed Leo? | |
Go catch Jimmy, Ray. Really. He's gettin' away. Go ahead, go get him. I'm late. | |
Hey. Hey, those are my sunglasses you're wearing. | |
Grandpa traded with me. Goodbye. | |
I just thought I'd surprise you. What's the matter? | |
I found Lisa Henderson. | |
Did you? What's she doing? | |
"Lifeforms tiny little lifeforms. Where are the lifeforms-" | |
Commander. | |
Sorry, sir. There is too much interference in the planet's ionosphere for an accurate reading. | |
Hi | |
Hi, how'd your day go? | |
Oh not to bad, kinda like the Walt Disney version of the Ho Chi Minh story, but other than that it was terrific. | |
All right, just a few questions. | |
I'd like to ask you about your hobbies. | |
Look, they need a machine to fly. | |
Brave young heroes. Be nice to them, my dear. Blow them a kiss. | |
We're going to tell them what we've found. What we've learned. Turn over a body infected with the gestating organism. | |
In hope of what? Learning that it's true?! That we are nothing more than digestives for the creation of a new race of alien lifeforms?! | |
Let me remind you who is the new race. And who is the old. What could be gained by withholding anything from them; By pretending to ignorance? Our knowledge may forestall their plans to step up the timetable. To start Colonization early. | |
And if it doesn't? By cooperating now we're but beggars to our demise! Our ignorance was in cooperating with the Colonists at all. | |
Cooperation is our only chance of saving ourselves. | |
Didn't you recognize him, dopey. That's Old Man Doyle. | |
Doyle. Joey Doyle's... .? ... .You're his... . | |
How's it feel? | |
How ya think, it hurts like a son-of- a-bitch. | |
Harold? | |
Maude???! | |
May I present her Royal Highness Princess Anastasia! | |
Oh good! We haven't seen an Anastasia in several days! | |
This make of gun throws a shell backwards, high, and to the right. The chaise is only about four feet from the wall. | |
So the shell ought to have gone over? | |
Unless the gun was slanted up. | |
So the wound and the shell give you the same answer. | |
Right. A clean deduction from observed facts. They've got to be simple once in a while, Inspector. | |
I've always looked forward to it. All right, let's get him out of here and tidy up. | |
No, I mean I can check it for you. | |
Oh, sorry. | |
Let's get us a photo and description. We'll have an APB out while we stake out the restaurant. | |
That is a problem. There is no description of Juntao. No known photograph. | |
Are you tellin' me nobody knows what he looks like? Come on, there must be witnesses somewhere. | |
Juntao's standing orders were to kill everyone. There were never witnesses. | |
Look at you, cutey! What are we doing? | |
This kid, Joe Early, is going to beat the shit out of me. | |
It wasn't business. It was pleasure. | |
Just dinner and dance, right? | |
Are you taking me to them? | |
Yes. I don't know what else to do -- with him following us. Why do you keep running from your -- | |
Because he's my friend -- and I don't want to be killed by him -- or anyone. | |
He's good, isn't he? | |
Will he find us and kill us? Yes... or one of the others. You know there's only one place to go now... | |
They won't believe us. | |
I'd rather take my chances with them... than with Francis. | |
They won't listen. | |
You think Sandmen will? There's no other way for me, | |
We'll convince them. | |
Excuse me. | |
Yes. | |
Bad news. | |
What? | |
We've got a security camera in this bit of the shop. | |
So? | |
So, I saw you put that book down your trousers. | |
What book? | |
The one down your trousers. | |
I haven't got a book down my trousers. | |
Right -- well, then we have something of an impasse. I tell you what -- I'll call the police -- and, what can I say? -- If I'm wrong about the whole book-down-the-trousers scenario, I really apologize. | |
Okay -- what if I did have a book down my trousers? | |
Well, ideally, when I went back to the desk, you'd remove the Cadogan guide to Bali from your trousers, and either wipe it and put it back, or buy it. See you in a sec. | |
And... and... and he said... he asked me if I was married. And, I could see he had a gun in his hand. | |
Where was the girl? | |
What? What? | |
Where was the prostitute? Where was she? | |
<u>Stop</u>... | |
That's what I said. | |
How are you getting on with these fine people? | |
Like dykes and dogs. | |
Same trees. They took Elly Kedward out to the same kind of trees. | |
--I look and look in the tree, all I ever see, he's always there watching, that stupid owl, over and over-- | |
--Cotter, where can I get on-line? | |
--anywhere, anywhere, all up and live, all the time--fucking owl-- | |
Cole, you're scaring me. | |
They scare me too sometimes. | |
They? | |
Dead people. | |
Dead people? | |
Ghosts. | |
It doesn't go like that. | |
Who asked you? | |
If you do it like that it'll open in the fire. Then you'll get burned and DIE. | |
But... this disease... is progressive... degenerative... | |
That's terrible news... | |
He carries a gun. | |
Then you should carry a gun. | |
I get why you're angry. It's no snap to explain why I was like that, but let's not try to do it on the run... | |
... so Mom. Truly no grudges -- truly. A little odd that you didn't come to see me when you heard I was hurt, but the important thing I want you to know is your son is happy. I'm working again. I'll make do -- I don't want a thing. Wouldn't take it if it was offered. I'll drop you a note from wherever I land and then it's up to you. I hope we patch things up but know that if we don't, I wish you both the very best... I can't hear you. You heard me, though, right? Good -- take good care. 'Bye. | |
The doctor said she should be all right...She's in shock.... | |
But it went away...We would have known.... | |
I'm leaving! Are you coming? | |
All right, all right! Hope you figure this out, folks. | |
He had a heart attack, hon, but he's okay, he's at the hospital... | |
Oh Christ! | |
Your Majesty knows my affection for him is deep and genuine, and goes far beyond my official role as Ambassador. But I would be remiss in my feelings for you, and in my responsibility to the Emperor, if I did not say that it is entirely possible that the Emperor will view your refutation of the terms of the Treaty of Tilsit, as the first step in the exchange of a French alliance for an English one -- with all the dangers that might entail. | |
I have given a great deal of thought to that possibility, and I am prepared to face it. If it should come to war, and I presume that is what you are alluding to, I would rather have war with the Emperor than my own people. | |
You brought your kids? | |
I kind of said that maybe they could do something. Help. I'm sorry. They really wanted to come. I really wanted to come and they wanted to be with me. I don't think they'll be too much trouble. | |
I'll find something that won't kill them. | |
Or wound. Let them keep their eyes and fingers. | |
You're a good mother. | |
I think, therefore I am. | |
Very good, Pris. Now show him why. | |
Why don't you want to go to your high school reunion? | |
It's in Michigan. Honestly, what do I have in common with those people? Or with anyone? | |
And when you turned her toward the door, where did you expect her to go, without a car? | |
Again. I think we covered this. I told her I was going to call a cab. | |
My pocketbook. | |
What's in it? | |
Beauty products. | |
Aren't you hot in that? | |
I'm stifling, but it's so pretty. The Kirbys. | |
Is that another Christmas present? | |
Yes. | |
Did I give it to you? | |
Yes. | |
Shhh. Hold it down! I'll take you guys down, but ya gotta come right back up! 'Kay? | |
'Kay, Mac! | |
Shhh... Remember this is a privilege, so I don't want none of you goons fuckin' up. Kay? | |
'Kay, Mac! | |
'Kay, let's see... Cheswick first ... then Billy... Martini... Scanlon... Sefelt... Fredrickson... Taber an' the Chief... 'Kay | |
'Kay! | |
Shhh! | |
That's what I'm sayin'. You shouldn't even think like that. It's crazy. | |
I tell you one thing. Ok, I'll never be big enough to fight Louis, but I know Joey, I know... | |
You know? | |
Yeah. Do me a favor. | |
Sure. What is it? | |
Hit me in the face. | |
You want me to do what? | |
You heard me, I said hit me. | |
C'mon, Jack. You had a few drinks. | |
Go ahead. I ain't drunk. Take your best shot. On the jaw. | |
Jack, I got no gloves. | |
Here's your glove. | |
She came to us on the Day of the Dead. | |
El Dia De Los Muertos...A celebration in her country. | |
Her dance has pleased me. | |
Listen. | |
What is it? | |
Listen. | |
Tower, Air Force One has been boarded. | |
Romeo Tango Zulu, copy One the television, graphics of the First Family against the Presidential Seal. | |
No, you... have to be. | |
I'm sorry, I'm not. I'm just another guy. Morpheus is the one that matters. | |
No, Neo. That's not true. It can't be true. | |
Why? | |
Because... | |
They're from good stock on their mother's side. | |
Thank you. | |
Don't spend it all in one place. | |
I knew you'd come through. Jesse observes the transaction Booth and Earl start to leave. | |
Well, Mr. Green. | |
Hi, Sherry. | |
How'd you get in here. | |
Curtis, it's three in the morning. I'm really not in the mood for one of your practical jokes. | |
It's not a joke. I've got the stiff sitting in the morgue right now -- look, just come up and see him, okay? Five minutes, that's all I ask. | |
I thought you promised to give me some distance? | |
This is purely professional curiosity, Karen, I swear. | |
Can you feel it, Poppy? The presence of the moment? Can you feel the weight of its significance? | |
Oh yes, Icky. I can feel it. | |
This is what my entire life has been directed at, this moment, this threshold. | |
Okay, arms up, lean forward. | |
I want outta here, you understand? I'm ready to get out! So you go back there... you go back and you tell them to let me out! | |
Frances, I'm warning you... | |
No, I'm warning you! Who do you think you are, God? You bumble around with your folders... ...and your pencils... ...and your god-damn buttons... ...all your badges of authority! But you have no authority! You're nothing! You're a zero! | |
I'll send a cop back for you. | |
Hey. C'mon, you can't leave me like this. Some freak'll come by and stab me! | |
Yeah? | |
Kenny. It's over. | |
God... you're so beautiful! I can't believe no other man has ever taken you away from me... | |
They tried... but I didn't let them. | |
Have you been here long? | |
No, just a minute or two .. I knocked on your door - no one home, so I followed the music .. | |
I'm sorry. I'll get my things. | |
No problem. I'm not in a hurry. | |
You're not going in. That's exactly what he wants. As long as you're on Hypnocyl, it's the only way he can get to you. | |
Don't you think I know that? I don't have any choice. | |
Bullshit. Getting yourself killed won't do the kids any good. Besides, we do have a choice. | |
Assuming your mysterious nun in right. | |
I've heard crazier things this week. | |
All right. Whoever she is, I'll admit she seems to know more about Krueger than I do. | |
The question is, what happened to Freddy's body? | |
They burned him to death in his boiler room, but they were smart enough to hide the remains. | |
Who would know where they were hidden? | |
There's only one man...and its time for him to talk. | |
Then a repressor protein that blocks the operating cells. | |
Wouldn't obstruct replication, but it does give rise to an error in replication, so that the newly formed DNA strand carries a mutation and you're got a virus again... but all this is academic -- you are made as good as we could make you. | |
But not to last. | |
Put it this way. Rolls Royces are made to last -- as least they were. But I'm afraid you're a Ferrari. A high strung racing car -- built to win, not to last. | |
Or how about a game of pinochle? No, you're not a pinochle man. You're a chess player. I haven't played since I was a kid. Let's see -- -- a pawn moves this way, doesn't it? And a bishop this way? And the queen -- every which way, doesn't it? | |
Suppose you just sit down and keep your mouth shut. | |
I went to school with a guy named Price. But that was in Boston. You're from Cleveland, aren't you. | |
Yes, I'm from Cleveland. | |
I thought that's what you said. You're from Cleveland. And you were with the Thirty-sixth Bomb Group? | |
Thirty-fifth. | |
Three hundred and sixty-fifth Bomb Squadron? Out of Chelveston? | |
Are you questioning me? | |
Just getting acquainted. Trying to make one friend in this barracks. | |
Don't bother, Sefton. I don't like you. I never did and I never will. | |
A lot of people say that and the first thing you know is they get married and live happily ever after. I wonder what they're trying to pull out there? | |
Why don't you call him? | |
For what? He left. Not me. | |
You know, Bienstock, there's something funny about those two new girls. | |
Funny? In what way? | |
I don't know - but I can feel it right here. That's one good thing about ulcers - it's like a burglar alarm going off inside you. | |
Imagine -- somewhere in the world there's a man who's allowed to kiss her. | |
Yes, she is fairly fabulous. | |
Do you hear buzzing Fish? | |
Buzzing? | |
Yeah. I got some kind of buzzing. Like a zzzzzzzzzzzzzzzz thing just chipping away in the back of my skull. | |
I don't hear it. | |
Yeah, well, it's a nasty problem. | |
Have another drink. | |
It's not our job to get involved in your personal life, but when it interferes with the training here-- | |
I'm sorry, Sergeant Major. There wasn't anything I could do. Shadow gets crazy-- | |
My keys. | |
What's that? | |
Please tell me. | |
No. | |
Need help? | |
I got it. I got it. | |
You sure? I can help you. | |
Ah Mom, you're embarrass'n me. | |
Nobody's looking. | |
Go in the house. | |
What's the scoop, ace? | |
I can get power to this module and sub-bay if I remote these busses. I've gotta get past the mains, which are a total melt-down. | |
Have you ever wanted to go to The Court? | |
Are you kidding, Josie? It's lame. All they do is stand around and get drunk. It's lame. | |
It is? | |
Yes, it's lame. | |
Yeah, it sounds lame. Why would we want to go there, and stand around? | |
Exactly. | |
That was seriously warped, Veronica. | |
Uh-huh. | |
No. Go ahead. | |
Thanks. Appreciate it. | |
Who is Merlin? | |
Speak of the devil!... | |
In the language of the Nathadians, "Nin" stands for "man", "jetti" stands for "animal". Ninjetti - man and animal, together as one. Now, put your hands inside the flame. | |
Yeah, right. | |
It will not harm you. | |
What kind of spaceship is this, anyway? | |
A spaceship with a missing man. | |
Wait for the firemen! | |
It'll be too late. | |
You can't go in there, Ray! You'll never make it! | |
I'm going in for him. He'd do the same for me. | |
Do you know if it's a boy or a girl? | |
No. | |
Have you had any before? | |
No. | |
Are you scared? | |
Not really. Maybe a little. | |
Oh, yeah. "The Philosophy of Time Travel". What is this? | |
She wrote it. There are chapters in this book that describe the stuff I've been seeing. It can't just be a coincidence. Will you come see her with me? | |
Five minutes, not a second more. And I don't want to hear a word about "us". | |
No problem. | |
Push that button for me, will you? | |
Don't! | |
They found the drop car up on Mulholland. I want you two to go work it. | |
What? Now I'm working the drop car? Who's handling the scene here? | |
Cole and Munoz. I'm uh... letting them run with the ball for a while. | |
Nick?... I just want to say how sorry I am about Sal and about Merle. How... I know you loved them and I know it's not the same. I mean now. | |
Naw, it's... I mean... | |
Maybe... I don't know, if you want to talk -- | |
Naw, it's... This guy wants his money. | |
Will you relax. There's nobody back there. | |
Mace, the guy had a knife. To my throat. In my living room. Relaxing might be right out, okay?! | |
You better keep a low profile for a while. | |
No shit. You got someplace in mind? | |
And just where are you from? | |
Italy! | |
Let's do it. | |
I'm your soldier. | |
I was sorry to hear about your son. | |
I lost another a year ago, Thomas. He was only fifteen. | |
I've had no sons to lose, nor daughters. I lose the sons of other men. | |
Hey, Eve! | |
Have you ever heard the saying, "He hasn't got enough sense to come in out of the rain?" | |
Yep. You know, my father -- who is a scientist -- says that everything is a miracle. Everything. Until recently I wasn 't sure what he meant by that. | |
Yeah? No kidding. Listen, you still want to go girl hunting tonight? | |
I certainly do! | |
Okay. But you know, this business of finding you a wife -- it's kind of ridiculous, don't you think? | |
No it's not! | |
Yes it is. A girlfriend maybe. But a wife? I mean... | |
Then just help me find a girlfriend! That's all I ask. I'll give you every single card I've got left! | |
Hey, screw you! Okay? You think I'm just somebody you can buy off! Listen, let me tell you something-- | |
Would you do it just because you're my friend? My very best friend. | |
Well...yeah. Okay. | |
Objection, your Honor! The fact that the witness is currently a patient is immaterial! | |
Sustained. | |
This place is a maze. | |
I'm one of the few who know every inch it, now that John is gone. | |
We had a deal!! | |
I don't know what yer talkin' about. You musta talked to someone else -- | |
Yeah!! I talked to Andy Kaufman! | |
I don't know nothin' about no Kaufman. He's been ridin' my coattails, smearing my reputation. Been usin' my good name, to get places. | |
We'd like to get in touch with him. It's very important. | |
Who's that? | |
Deeds! Who do you think I'm talking about? | |
Oh, yes - Deeds. Fine fellow. Very democratic. You won't have no trouble at all. Talk to anybody. | |
I'll be okay. | |
Listen, I'm just as nervous as you are. | |
Really? | |
Really. | |
And another thing. Your attitude toward Anglos. If you're gonna be a leader ... | |
What attitude? | |
You lump them all together -- Anglo workers and Anglo bosses. | |
He's a guest in my house, isn't he? | |
Sure. But you want the truth? You're even suspicious of him. | |
Maybe. I think he's got a few things to learn about our people. | |
Oh, Hannah! | |
It's, uh, you never know-- | |
He's such a loser! | |
He's not a loser at all! | |
Oh, he's such a loser! | |
He's the headmaster of Daisy's school. | |
Oh, perfect! He reminds me of Ichabod Crane. His Adam's apple keeps jumping up and down whenever he gets excited. HANNAH Listen. He's a lot better than your ex-husband. He's got a good job. Would you light those, please? He's-he's-he's not a dope addict or anything. | |
Well? | |
I'm sorry. I have to bring you to a cell. | |
Are you crazy?! | |
I know, I know, I'm sorry but the Sheriff is just berserk right now. C'mon. | |
So what are you going to do with your share? | |
Oh, I don't care about the money. | |
Four billion dollars. | |
Seen one billion, seen them all. | |
That's because you grew up rich. | |
A flaw in your research, my dear. I grew up chewing shoe leather for breakfast. | |
What's that? | |
Nothing. Just the cyclist. He's passed us. | |
For when the time comes.. | |
For when the..Uh, yeah, thanks, a little gold piece of...gold. Uh... | |
And I...I..want you to know our secrets.. | |
You did help a little. | |
Who drove the ice cream... | |
...truck that kept Elvis cool? | |
Who had to put a gun to your head? | |
Who put the big hurt on... | |
...that Army nut job to save your narrow butt? | |
You, Arlo. | |
Hello. | |
You. | |
Right. You damn skippy. And now that I am both jobless... | |
...and-and-and truckless in the service of my country... | |
...I feel that my government owes me a little restitution. | |
Us. Owes us. | |
I'll handle this from here, sweet Owes us a little restitution. | |
We aren't allowed to wear jewelry in here, Mom. | |
Just think, pretty soon, we'll be doing all these wedding preparations for you. Of course, if that's what you still want. Ruthie told me some silly story about a crush on some boy here. | |
All right, Hollywood...Now tell me about this Hollywood Pezzonovanta who won't let you work. | |
He owns the studio. Just a month ago he bought the movie rights to this book, a best seller. And the main character is a guy just like me. I wouldn't even have to act, just be myself. | |
You need an ambulance. | |
Too late. Why are you here? Did you cone... up here for a reading? | |
O'Connell! I am going to kill you for this! | |
Sounds familiar. | |
We'd like some help in getting rid of the people who moved in here. Barbara and I worked very hard on this house. | |
We probably wouldn't mind sharing the house with people who were -- | |
What did it smell like? | |
It was very specific. | |
All right... | |
In the bathroom in my mother's room, the toilet was next to an old wooden table. It smelled like that wood. | |
So... smell... is... Smell is the sense that triggers the most powerful memories. And a memory can trigger a smell. | |
I wasn't thinking about my mother's bathroom. | |
What happened after you smelled it? | |
I looked at Theo. She had a look on her face. | |
Like she smelled it too? | |
Yes. | |
And then what happened? | |
I got more scared. | |
This isn't going to be a problem, is it? | |
Not at all. | |
Bootleg copies of the Frank Capra classic, 'It's A Wonderful Life.' | |
That's some cold shit. | |
Go home, Cliff, wherever that might be. | |
Shana Gillroy's apartment. Remember her? The model who went to Harvard? Well, I better get going! Bye, Adam. Nice coat! | |
Are you talking? | |
I was just thinking about my mom. She wouldn't leave him. I remember one time she made us dinner wearing sunglasses. I mean it was dark outside and in. But we never talked about it. | |
Sun glasses? | |
To hide a black eye. | |
Why wouldn't she leave? | |
I think she was terrified of living with him...but maybe even more terrified of life without him. | |
I would have killed him. | |
Everything would have been better if you had. You'd have liked your grandmother. And there'd be a girl out there that'd have her mother. I remember reading about her in the paper. They couldn't find her father and her mother was dead. I still feel guilty about that. | |
Do you ever wish you had done it? | |
Sorry we had to meet here. But I'm pressed for time. | |
Well there's a couple -- | |
I read your report. I had to go along with it -- the idea of this being a wild goose chase, Tom being nowhere around -- | |
Well as a matter of -- | |
I've been up country, you know my summer place, my camp. I don't even have a telephone there. This morning they sent a messenger out, that you'd been trying to call me. | |
Yeah. | |
I'm on my way to Chicago. Very important meeting tonight. Well -- any new developments? | |
Yeah, two things Pete, that -- | |
You said Trask was arranging laboratory work. Police laboratory. Anything from that? | |
Yeah. It wasn't Tom. | |
I'm sorry. I don't understand. | |
It wasn't Tom that broke in the room. | |
It has to be Tom. You said he ripped up his own pictures, he -- | |
Not Tom. Whoever it was left a kind of souvenir, I told you, in her clothing. Semen. The laboratory got a blood group reading from that. The man was blood type 0; Tom was an AB. | |
Some mistake perhaps that -- | |
No. No mistake Pete. It doesn't prove who it was -- but proves it wasn't Tom. | |
You must be discouraged. | |
Not too bad. This brings back that Dumper in the picture. | |
That who? | |
Dumper, the man Bree Daniel mentioned and Arlyn Page knew and Jane McKenna knew. | |
You said he was no possible connection with Tom. The Page girl told you that, not Tom. | |
Someone's been doing all these things. | |
You were hired to look for Tom, not someone. | |
Pete, I've got a chance to buy Jane McKenna's black book. | |
What? | |
Call-girls generally keep a book, you know, a list of their clients. Sometimes, if a girl retires, she'll even sell it worth good money. Jane McKenna had a black book; when she died it was stolen. I've been after it a long time. | |
You were hired to look for Tom. | |
I'm meeting a man tomorrow night. He wants to meet me on East-River Drive -- he wants five hundred dollars for the book. Can you get that for me Pete? | |
You're nice. Listen, I'm taking applications -- how'd you like to be my palace slave? | |
Wearing your jewels to bed, princess? | |
I'm worried about you, man. You better learn to have a pop once in a while or you're gonna fall off the wagon. You're being a fanatic and that ain't healthy. | |
Am I? | |
Bet your ass you are. Now I don't want to hear anymore of your happy horseshit. You gotta learn how to bend a little or believe me... you're gonna break. | |
And look at that; both partners go down together. Kastle shoves the sculpture onto the floor, stands up, and crushes it under his heel. He goes over and puts his arm around Buzz. | |
Simple math, Buzz. Two plus two does not equal three. | |
Miles, I've always been on the square with you. | |
I'm sure you have Buzz. | |
Wish me luck. | |
Okay. | |
Thanks, sweetheart. | |
Count it. | |
Huh? | |
Count it. | |
Jack... | |
Count the fucking money, Frank. | |
Something I can do for you? | |
The Master wants to know if you are free for lunch. I tell him you will be having other plans, but he insists I ask. | |
Got a lawn this afternoon, but I'm free until then. | |
Expect nothing fancy. | |
Tell me. | |
They think they have convinced me. They think I am on their side. They have allowed me to leave Kumbum and come to Lhasa believing that I will try to turn you to their ways. If I do not succeed, I am to eliminate you. | |
You, kill me? | |
Eliminate you. | |
Just giving you the gift of a clean windshield. Only cost you a dollar. | |
I don't want my windshield cleaned. | |
You just think you don't want your windshield cleaned. | |
No, I know I don't want it cleaned. Get out of here. | |
Don't be like that. Think of me as the Moses of dirty windshields leading you through the desert of dead bugs. | |
Now let's forget everything except that we're together. | |
That's right. | |
I have personally vouched for you in this matter, Captain. | |
You have personally - | |
No ... | |
But Kader told me that you weren't in favor of the strike. | |
No, and neither were my men. | |
Why? | |
Because they told us that we mustn't use weapons, now, when the time is right. | |
That's true ... Wars aren't won with terrorism, neither wars nor revolutions. Terrorism is a beginning but afterward, all the people must act ... This is the reason for the strike, and its necessity: to mobilize all Algerians, count them and measure their strength ... | |
To show them to the UN, right? | |
Yes ... yes. The problem also involves the UN. I don't know what it's worth, but this way, we'll give the UN the possibility of evaluating our strength. | |
Val, we're going to have to forget about the truck... | |
Yeah, Heather, we got you. | |
I tried Cheerios this morning. He didn't even get up. Maybe they took out the wrong teeth. | |
He's just feeling sorry for himself. This is it, pal. Hear me? Two bucks a can. | |
I am a bastard. I'm a big Hun Nazi son of a bitch. And I still got your bamboo fishing rod. | |
Oh, yeh? | |
Hid it from my mom. Caught a mess a sea runs. Damn thing's still in my closet. | |
All right, man, just settle down. We'll get outta here, Claude. We'll get outta here real soon. | |
How the fuck are we gonna do that, Ray?! | |
I'm sorry nobody could come. | |
The rest of the gang had to get out the morning edition - but they'll be down later. | |
Now Hank, are you sure they're coming? It will be lonesome without them. Smythe, take this crowd in there and give them a drink. And find out what the boys in the back room want! | |
I would like to change your name. | |
To what? | |
You're now Mantan. | |
Mantan? I don't even care as long as I'm dancing. Which reminds me, I need some new kicks. | |
My name is Frank Wheatley. What's your name? | |
Karl's my name. | |
wait, rewind. Do you really think she hooked-up with our Rob? They're so--different. | |
Sometimes opposites attract. | |
Sir, the CPU is on-line. | |
Okay, stand by in operations. Let's go. | |
Can I look at the pictures? | |
It's a mess, right now. That's my project when I get back. | |
Chris may be at the club -- or somewhere -- I don't see that it's important -- | |
You should have told them he'd disappeared. | |
Tina, you are too slick. | |
How else was I going to get you here? I haven't seen you in a week. | |
I've been working hard, getting paid. | |
Where's the ice cream? The Häagen- Dazs butter pecan? | |
Shit! I forgot. | |
Your memory is really getting bad. | |
I just forgot. | |
Started in Kansas City. Couple of housewives. | |
Couple of days ago we see the same M.O. out in Los Feliz. | |
Doctor. Ear, nose and throat man,. | |
All of which he's now missin'. | |
Well, some of his throat was there. | |
Physician, heal thyself. | |
Good luck with no fuckin' head. | |
Anyway. | |
Hollywood precinct finds another stiff yesterday. Not too far from here. This one's better looking than the doc. | |
Female caucasian, thirty years old. Nice tits. No head. You ever see Mundt with anyone meets that description? | |
But, you know, with the head still on. | |
I hear you got money to spend. I hear you're interested in... interesting things. | |
Yeah. | |
Do you work for the San Francisco Police Department, or do you have any other affiliation with any law enforcement agency? | |
No. | |
What you got in mind? | |
I want to meet Ratan. | |
What is that? A kind of chair? I never heard of no Ratan. | |
I was told that there were certain things that only Ratan could provide. | |
You're talking about real excitement? | |
Yeah. I heard you and Ratan just came from Mexico. And that you had a film of a girl being, ah you know... | |
Who told you about this? | |
Rucker. | |
I don't know no Ratan, but I may be able to help you out. It's not me, of course. Just helping out a friend. It'll cost you five hundred bucks for a single screening. | |
Is this with a girl named Kristen? | |
Um-hm. You got the five hundred? | |
Well... | |
Take it or leave it. | |
Okay. | |
Meet me here today at seven o'clock. With the money. Then we'll go see the film. | |
Good. | |
We have to send someone to look for him! | |
You go if you like, but we're not waiting for you. MOVE IT OUT!! | |
I thought I should check out the damage first. My gear is busted up pretty bad. | |
Lieutenant Toejam's going to help you in a minute. Can you check your ECM? | |
Get a higher arc on the ball, Jamie. And for Chrissake, square your shoulders to the basket. | |
Like you know anything about it. | |
We got to get movin'. | |
What for? | |
Because there's a man I want to see. | |
He can wait. Let's stay here until morning. | |
Mrs. Silvera? | |
Mrs. Silvera. | |
Speak English? | |
English? | |
I'm sorry, I don't know who you mean. | |
He got off on six. | |
We have four rooms and six suites on six. There's a man in almost every one of them. | |
I want more. | |
What have you done? | |
So tell me... what happened here? | |
Two brothers, prospectors, lived here. Up until a few years back. | |
Well, why don't you share them with us? | |
I don't...I don't want to bother everyone. | |
That's the point. I'd like to be bothered. | |
I don't see how you could know about these things unless Elliot's been talking to you. | |
No, he hasn't. If I offended you, I'm sorry. | |
No... I don't think so, man. | |
Be easy, Sailor. There's two employees. I take one in the back to open the safe, you keep the other'n covered... You ain't plannin' on raisin' a fam'ly in Big Tuna, are ya? | |
Whattaya mean family? | |
Well... I mean like Lula bein' in a family way. | |
Lula tell you she's pregnant? | |
Did your -- doctor say it's okay for you to go back to work? | |
Ehhh, you know those guys. If he had his way, I'd be stuck in the hospital, running tests all day. And anyway, I've found a new guy who's gonna be able to instantly remove the cancer. | |
Really? | |
Yeah! He's a psychic surgeon in the Philippines, and he's amazing! He rubs you and sucks the disease right out! | |
Jack Daniel's okay? It's gonna have to be. | |
Fine. | |
Ice? | |
Please. | |
Come, now, you must not talk that way.... You have to adjust yourselves.... We must be brave. | |
Brave... that's right. | |
I saw him go in -- and he didn't come out! | |
But we don't know for sure it's the same guy. | |
I've got a weak signal over there. | |
Split up. Find him. | |
You really think I'm attractive? | |
For a butt-head? Yes. | |
Thanks. | |
Uh, what's next? | |
I bet you can't guess what happened? | |
What? | |
Some guys from Ninth Avenue jumped Fanucci today; slit his throat from ear to ear. | |
No, I didn't know. Is he dead? | |
Nah. Those guys aren't murderers. They wanted to scare him, that's all. Make him look bad. | |
In Sicily, when you attack a man, you had better finish him. | |
I wish they had. He takes fifty dollars a week from my father's cash drawer. But you can't kill a man like Fanucci. | |
Why? | |
Because he's what we say... "connected"... You wait, see what happens to those guys from Ninth Avenue. | |
I'll show you it works. | |
What the hell is going on here? | |
Why don't I just wait three weeks and tell her I was cleaning out my wallet and found her number... | |
...then ask where you met her... | |
Yeah, I'll tell her I don't remember and then I'll ask what she looks like. Then I'll ask if we fucked. How's that, Tee? Is that "the money"? | |
They get hair all over the place. | |
They're Yorkies and they don't shed. | |
I designed it myself. What'll it be... a face job or a full-body job? | |
Just the face. | |
Fine... Holly will get you ready. You're in good hands, believe me. | |
I know where he'll go. | |
Where? | |
Somewhere where there are no police, and plenty to eat. | |
You're going to be late at the Doyles, Annie. | |
Huh? | |
Look, he's temperamental. | |
Yeah, what if I am? What about it? | |
Hi. | |
Hi. | |
I'm Mike. | |
Hi, Mike. I'm Lorraine. | |
Like the quiche? | |
Yes. Like the quiche. | |
I like quiche. | |
I thought real men don't like quiche. | |
My reputation seems to have preceded me. | |
Why? You're not a real man? | |
Not lately. | |
How big do the bears get? | |
Big but... a bear couldn't do that to a moose or man in <u>water</u>. On <u>land</u> maybe. But... | |
And they're sure he didn't get tangled under the outboard somehow? | |
Hank <u>says</u> he's sure. | |
None for me, then? | |
Sorry. | |
I know. | |
Talk to me. | |
We're going to New Jersey? | |
Maybe. | |
Hiya, Mr. Corleone, I'm Sam Roth. Welcome to the Capri; my brother's upstairs. You wanta take a rest before you see him, or can I get you something, anything at all? | |
No, I'm fine. | |
What! | |
You forgot to say 'Simon says." | |
I certainly didn't mean you. Of course you are a gentleman, an officer and a gentleman. | |
You wrong me, general; I am an officer and a horse-shoer. | |
That the big one, huh? | |
You damn right that's the big one. | |
Don't see why I can't ride, too! I'm second in command, damn it! | |
The colt's still too small. | |
I'm small... and I can make myself smaller still... Small as a bee! Small as dust...! Want to see me do it? | |
We've no time for tricks this day, Honeythorn Gump. | |
Tricks, is it? Why I'll trick ye! Ungrateful whelp! I'll sour your milk and bird droppings'll fall from the sky wherever ye walk. | |
Save your mischief for the Black Baron. | |
Aye! That too. | |
You'll need more than bird droppings for Blackheart. | |
I'll drop a cow on the knave! | |
Drop a mountain on him and we won't need our troops. | |
Do it on your own time, Paddy. | |
What? | |
Whatever it is she does for you. | |
I can't believe we came all this way and he's gone. | |
You gave it your best shot. You tried. | |
We lost him?... | |
No, Salvatore. You'd better go. It's my father. | |
Good, this way we can finally talk. I'll convince him this time. | |
He won't be convinced, Salvatore. He has other plans for me. | |
Who? | |
The son of one of his colleagues. Don't act that way. We'll talk about it later. Wait for me Thursday at the Cinema Paradiso. I'll be coming with the five o'clock bus. | |
What are you doing? | |
I'm going back to... I need to... I don't know. | |
Are you firing me? | |
No. No... I won't be here for a while. The store will be closed in the interim. | |
...don't talk. | |
It's pleasant down that way, too. | |
It's you. | |
It's me? | |
The one in the street. I chased after you. | |
A new world record! That's great! It gives me something to beat tomorrow! You ever been to Tahiti? | |
No. | |
I'll take you there. We'll live in the sun. You'll cook fresh fish and we'll make love under the coconut trees. | |
You're him! You're Corvis! We fried your ass. You're dead, man! | |
Good thing in a situation like this. | |
Hey! Good to see you guys! Nothing classes up the place like a cleancut young couple. | |
We have to talk. | |
Good luck. You can't even think in here. | |
...Where're we goin'? | |
That-a-boy. Hospital. | |
I don' need a hospital... I feel fine. | |
Too fine, Badalato. The bad news is, you're gonna live. | |
Leonard, Dutton, Erlich. They don't matter. I want the King. | |
We're getting there. Because in his so-called construction job, Tommy makes a daily delivery to a place called "The Hole." | |
The strip joint? | |
I believe they call it a connoisseur's club. Owned by DELT. | |
How long have you been in Alaska? | |
I don't remember. Is that what you wanted to ask me? | |
You okay? | |
I'm fine. Nice TV. | |
You're not my daddy. | |
You gonna bust my horns, or you want spaghetti | |
I want spaghettis. | |
What time is it? | |
Eleven o'clock... I'll be back later. | |
Why? | |
Come here. | |
Feeling a little better, I see. | |
Yes, yes--the air-- --I'm getting plenty of air. Miss Marsh--Mrs. Rosson. | |
Okay, look -- I think we got off on the wrong foot here -- | |
That's all you got, lady. Two wrong feet. In fucking ugly shoes. | |
I'm your future husband, remember? | |
I have no future husband. | |
I don't understand. Not a week ago your father gave us his blessing. | |
But why? Eight million people would die, the land irradiated for a hundred years. A cloud of radiation the size of Europe... | |
Because an explosion like that would kill all the other pipelines. There would be only one way to get the oil out of the Caspian and pump it to the world... | |
The King pipeline. | |
Elektra would control it all. | |
Besides, every wholesome thing he might desire, he has at Charenton. A library, filled with the world's great books, music lessons, watercolor exercises -- | |
What is the impact of all these amenities upon his psyche? | |
He no longer roars or spits. He no longer taunts the guards or molests his fellow wards -- | |
And his writing? | |
The message is for Job. | |
I'm going to answer it. | |
Chasing around. | |
Chasing what? | |
Money. | |
No, I'll kill you. . | |
Listen Fred. You did this for four years on the show. You can do it now... Put your hands on the controls.. | |
She's one of a kind. | |
Try one in a million! | |
Well, what should we do? | |
This will last you one year after which you have the option to renew if... you like at a membership discount. | |
But now it's free, right? | |
Yeah. | |
But why did you tell her? | |
How could I not? She had to know. | |
And did you lose her? Did she go? | |
Where would she have gone? She was a child, and beautiful, heartbreaking merciless child. And I had made her that... | |
This isn't fair, you know. Do you always get what you want? | |
No, almost never. | |
But, you're in love with someone who doesn't exist. You come here, you meet this guy, who should laugh in your face, and instead you leave with him! Betty, you are one-of-a-kind... | |
The fifth room is your broadcast room. | |
Good. I'd like to book a massage. | |
Of course. | |
It's called "The Philosophy of Time Travel". | |
What does time travel have to do with philosophy? | |
Guess who wrote it? | |
Abby. What's the matter? | |
I... I'm sorry, Meurice. I gotta talk to you... Can I come in? | |
You afraid of violence? | |
I am not John Wayne. There is no "S" on his chest. We get down if the play calls for it. But we are into business and making money. | |
Do you remember the legend of the young man? | |
"A faithful heart makes wishes come true." | |
Make a wish, Lo. | |
Hey, hey, aren't you afraid you'll burn out a tonsil? | |
Tonsil? Me? No! Me burn a tonsil? "My tonsils won't burn As life's corners I . . . | |
All right, let it go. | |
. . . turn." | |
Ahhh...works...Ryuji... travel...just business...She's.. Fine Arts, University of Tokyo.. | |
Is that all? | |
Oh, you were right. They've all been here before... met just last week. | |
He ran a great risk, helping us today. If he opposes his fate, his death will be terribly painful. | |
Let us wish him peace. | |
Get out to the pipeline. Find the insider who switched the pin. If your instincts are right, Renard will be back. He hasnt completed the job. The pipeline is still going forward, and we have Elektra to thank for that. | |
The worm on the hook again. | |
You were bleeding inside, honey. Remember that bruise you had? | |
You called the doctor, huh? | |
Well, no, Roy. Your mother found you. | |
Oh, yeah? Thanks. How long do they say I'm in here? | |
Bruno spoke to me already. We could talk about it. | |
I'm here. | |
OK. I'll be at your studio Thursday three o'clock. | |
Where's ... what's-his-name -- Fred -- | |
-- You know his name is Frank. | |
Is he here? | |
You know I don't live with him. | |
Go to him. Go to his studio, or writers workshop or artists colony, Esselin retreat, nudist camp -- | |
Are you finished? | |
In a couple of days this whole thing -- | |
Who's looking for you? | |
Go now. | |
You coming? You don't even believe in Asgaard. | |
I thought I might do a bit of business on the way. | |
You're wasting your time. | |
Listen. I've been in this dump for sixteen years and I haven't made a single convert... | |
There was Thorbjorn Vifilsson's wife. You converted HER. | |
Thorbjorn Vifilsson's wife became a Buddhist, not a Christian. | |
Same thing, isn't it? | |
No, it is NOT. | |
You were listening outside the parlor window. | |
It's not in the river, is it Harry? | |
Answer me! | |
Ben never told you he throwed it in the river? Did he? | |
This is your money? | |
If I were to tell you "no it isn't..." | |
Rheya... | |
I want you inside me right now. | |
I don't understand, where are you taking me? | |
You'll see. | |
I just want to know what the hell he's doing in his room that's so interesting he doesn't come down for dinner. | |
Maybe he's building a bomb...just like-! | |
I duped these prints off him. Can you run an I.D.? | |
No problem, amigo. | |
What about the A.I., Dix? Sense/Net hasn't even been able to trace it. | |
Those guys couldn't even find their own dicks with tweezers and a magnifying glass. Tell you what, Bro. I'll make you a deal. I help you nail this A.I., you gotta do me one favour. | |
What? | |
When we're done, erase this friggin' tape. | |
Nothing, I guess... have you ever made it with a guy? | |
Have you ever made it with a girl? | |
I asked you first. | |
Yeah... I've made it with a girl... | |
Jessie, Jessie, copy? | |
I copy. | |
Jessie, girl this is insane. Weather stat called in wind gusts up to 50 knots for tonight. | |
If you can't make it back, I'll hold up at the Douglas Shaft. Stop worryin'. You sound like a mother hen. | |
Rooster! Forget the hen stuff. Be safe, honey. Over. | |
Send the file. I'll have the estimate tonight. | |
I'm worried about you, Robert. | |
What'd he look like? | |
Maybe six feet. Lanky. I didn't get a good look. He was far away. But I saw him. I saw him as sure as you're standing there. | |
What Job? | |
Doesn't matter. Then put him away. | |
Sir? | |
Private clinic. Best of care. Total privacy. We'll pay all costs. | |
Bit expensive, sir. | |
It's the least we can do. After all, it's our responsibility. | |
Crimefighter's rule number two. | |
I'm afraid to ask. | |
Be ready for anything. | |
You don't remember me, do you? | |
It couldn't have been out at Glades, if that's what you're thinking. I was never out there. | |
No, that's not what I'm thinking. | |
Mulwray was murdered and moved because somebody didn't want his body found in the ocean. | |
And why's that? | |
He found out somebody was dumping water there. That's what they were trying to cover up by moving him. | |
E11ie - Diedre died at five o'clock this morning. Obviously, there are 1egal matters. Your discretion will be - | |
Hello...? Who is this...? | |
Who is this...? | |
Rowan Mayfair. Who's calling...? | |
I wish to speak to Ellie Mayfair. | |
So...what did you think of the tape. | |
I think you gave me the wrong one. | |
What do you mean? | |
It was blank. Nothing on it. You gave me the wrong one. | |
It has its virtues. It hasn't fallen down yet.... | |
Watch me, Grandma.... | |
I am the Princess of Wales. | |
Wife of Edward, the king's son? | |
Brrr. It's colder than New Hampshire in here. | |
I'm sure you kept warm. | |
Leaving them here when we could just as well take them. We got plenty of room in the wagon. And -- and -- they cook and drive the mules. They don't bother anybody. | |
Finished, son? | |
There's only two of them now. | |
A child can experience abuse worse than Charlie's. And grow up to be someone who would never, ever hurt another living thing. | |
You're sure of that? | |
Yes. I am. | |
Reduce magnification. Factor 4, Mr. Sulu. | |
We're already two settings below that, sir. | |
Adjust parallel course, Navigator. Bring us in to one hundred kilometers distance. | |
Maybe it's happy there. | |
Oh the way out of the crab house? We asked Michael if we could see the ring? | |
He said you told him. It'd be safer with you. | |
An so it is. | |
Five hours. We both just know. Do you think I deserve to wear white? | |
We all deserve to wear white. | |
Since I've been stationed here? A fistfight now and then-- | |
We had a kid pass out in the men's room. The town isn't much. | |
You paid for my flowers? They're beautiful. Max, you gonna introduce us? | |
Mom, Vincent. Vincent, my mother, Ida Rilke. | |
The skeletal structure is completely normal. Same for the major organs - heart, liver, spleen, kidneys. | |
And the lungs are the same as ours. Must mean a similar atmosphere -- similar pressure. How old do you think he is? | |
Oh, I'd say forty-five. | |
He told me this morning when I examined him. He's seventy-eight. | |
I don't believe it. | |
Their life expectancy is a hundred and thirty. | |
How does he explain that? | |
He says their medicine is that much more advanced. He was very nice about it. But he made me feel like a third-class witch doctor. | |
Now, if you'll excuse me, I really must... | |
Wait. Stop. You don't seem to understand. You're not really comprehending any of this. I killed him. I did it, Carnes. I'm Patrick Bateman. I chopped Owen's fucking head off. I tortured dozens of girls. The whole message I left on your machine was true. | |
Excuse me. I really must he going. | |
No! Listen, don't you know who I am? I'm not Davis, I'm Patrick Bateman! I talk to you on the phone all the time! Don't you recognize me? You're my lawyer. | |
Have they analyzed the one that was killed? | |
Not yet. They're working on it now. | |
We're saved! | |
What is it? | |
A phone message. Only-- | |
Only what? | |
Only, it's in Italian... | |
Those specimens are worth millions to the bio-weapons division. Now, if you're smart we can both come out of this heroes. Set up for life. | |
You just try getting a dangerous organism past ICC quarantine. Section 22350 of the Commerce Code. | |
You've been doing your homework. Look, they can't impound it if they don't know about it. | |
But they will know about it, Burke. From me. Just like they'll know how you were responsible for the deaths of one hundred and fifty-seven colonists here -- | |
Now, wait a second -- | |
You sent them to that ship. I just checked the colony log... directive dates six-twelve-seventy-nine. Signed Burke, Carter J. | |
How did you know? | |
I found the body of the Seer in the stream. | |
The order of seating at the Upper Servant's table is arranged personally by the Queen herself. | |
That's a tautology lad. If you say the Queen arranges something, you've no need to say she's done it personally. That's understood. | |
I don't believe it -- even the British can't be that stupid! | |
Panditji -- please, help me. | |
Hi, Tommy. How are you? | |
Jake, sit down for a minute. | |
Just for that no hint today. | |
Why are you doing this? You must have some idea of the pain you're causing people. | |
Pain? Pain is just a state of mind. It's something you learn to live with. I have. | |
So, you feeling anything? | |
What do you mean? | |
I thought you might be able to make a connection. | |
Me? No, no, no, no... Are you? | |
Now Buzz, what could Andy possibly get that is worse than you?! | |
Well, that's why I'm here. She wants to come back, but she's afraid you're gonna whack her out. | |
Yeah, they're gonna kidnap my kid. What do you want? | |
You wanna dance? | |
I've been thinking about that since you brought it up before. | |
And? | |
No... ... I don't get this place. They make me buy an outfit but they let you wear a house dress. I don't get it. | |
Where does the river lead? | |
It empties into a sea some miles from here. That's where the cave is. | |
I need a ride. | |
I need a ride out of here. | |
Oh, Jesus... | |
Please. I don't want to scare you. | |
It's a little late for that. | |
I've got a situation here and -- | |
Get the fuck away from my car. | |
I'll give you ten thousand dollars to drive me to Paris. | |
Great. You know what? I'll give you ten gazillion dollars to get the fuck away from me before I start screaming my head off. | |
You don't want the police any more than I do. | |
I like the freak show. | |
I know, I know, let's go on the "sit on the bench and rest" ride. | |
No further questions. Thank you Mrs. Phillips. | |
No questions. | |
been known to give a few people second thoughts about the job. | |
I'm intrigued. | |
I don't suppose they eh told you anything in Denver about the tragedy we had up here during the winter of 1970? | |
Suites are for expense accounts. Aren't you being extravagant? | |
Max is paying for it. He and Lloyd had a terrific row but Lloyd insisted... well. Can I fix you a drink? | |
No, we don't mind. | |
Good. | |
Sound good to you, Danny? | |
Buffy, what are you doing here? | |
I thought we were meeting here. | |
I'm here with Jenny. | |
Uh...my dad's the manager. | |
Really? Cool. Tell him his subs are great. | |
Ah, he's always too heavy on the vinegar. If you really want a good one, you gotta let me make it. | |
You've always said you felt goodness in them - that the witches brought you and Rowan together. Isn't that right...? They're reaching out to you, Rowan! | |
But it doesn't make sense. They - they used Lasher... they conspired with him. | |
Who can say the hope of redemption dies with our last breath...? They must see what the legacy has wrought - Diedre, withered inside herself Carlotta, killing and stunting her own flesh and blood... surely they sense the child you carry - and the life it might lead in Lashers grasp... Maybe, in death, they feel remorse for the evil they embraced in life...?! | |
No, I just ran it! Why are you running it again? | |
Well it's a good thing that I did. | |
I don't see the connection. | |
Come on! Six major earthquakes in the last three years? The space shuttle in orbit for every one of them? | |
Testing some top secret seismic weapon. | |
Not testing. <u>Using</u>. Nukes are passe. This is the weapon of the future. | |
This is Bandit I. Over. | |
Where the hell are you? | |
Smokey was on our tail. We had to take a detour to ditch the motherfu... | |
You're not going to print this silly thing, are you? | |
No? Why not? | |
Maybe Cotton Weary is telling the truth. Maybe he was having an affair with your mom. | |
So you think my mom was a slut too? | |
I didn't say that, Sid. But you know there were rumors. Your dad was always out of town on business. Maybe your mom was a very unhappy woman. | |
If they were having an affair how come that Cotton couldn't prove it in court? | |
You can't prove a rumor. That's why it's a rumor. | |
Created by that little tabloid twit Gale Weathers. | |
It goes further back, Sid. There's been talk about other men. | |
And you believe it? | |
Well... you can only hear that Richard Gere-gerbil story so many times before you have to start believing it. | |
5,000 gold crowns. | |
That's not a lot. | |
It is all his majesty can afford. He has even donated his very own personal savings. His majesty will greatly appreciate a gesture of good will in this delicate negotiation between our two families. | |
I know... but the English want her very badly, and I have to tell you that they are proving much more generous. | |
May I, without offending you, inquire how generous? | |
20,000 gold crowns. | |
Let's get out of here, this place makes me sick. | |
We have to do something fun tonight this is my last weekend of freedom before I start my stupid job. | |
I know a party we could go to... | |
What? Where?! | |
It's a surprise. | |
I don't believe you. | |
If I promise you there's really a party with a lot of guys, do you promise you'll go? | |
You're very kind... | |
And you're very brilliant, and you must be a good man, or you could never have created such a wondrous, loving creature as Misery Chastain. Like a baby. All done. | |
Oh, wait a minute, Miss Packard. | |
We're neighbors now. You can call me Sarah. | |
You know the story, Gale. Man falsely accused, sent to prison, proved innocent, released back into the real world and never trusted again. Want the exclusive? | |
Did you do it? | |
Wait up. You know the guy who did the Weismuller through the window -- | |
-- Cavello. Ronnie Cavello. | |
Morning. | |
Morning. | |
You people looking for work? | |
Mister, we're lookin' even under boards for work. | |
Can you pick peaches? | |
We can pick anything. | |
Well, there's plenty of work for you about forty miles north, this road just outside Pixley. Turn east on 32 and look for Hooper's ranch. Tell 'em Spencer sent you. | |
Cherry Bail Bonds. | |
Let me speak to Max Cherry. | |
Bravo! Bravo! Magnifico! | |
Cris, you made it. Thanks a lot. | |
My pleasure. I'm always happy to assist in a little larceny. | |
I warned you about playing that shit when I'm in the car. | |
That was my CD. Don't you ever touch a Chinese man's CD. | |
Did you see the way those girls drove off? I did you a favor. | |
Those girls drove off because of you. | |
All I did was invite them for a drink. | |
You invited them to get naked and sacrifice a small goat. | |
I said that? Which word was "goat?" | |
Where? Here? | |
Here. | |
There? | |
Here. | |
Here. | |
Feel anything? | |
No. | |
I'm sorry, but I need your help. You contain information. I need to know how to get it. Can you just tell me who Leo Crow is? Can you tell me if -- | |
Is it now? | |
What? | |
Is it now? | |
Can I have some of your water? | |
Get on with it, counselor! | |
Your honor, ladies and gentlemen of the -- audience. I don't think it's fair to call my clients frauds. Okay, the blackout was a big problem for everybody. I was stuck in an elevator for about three hours and I had to go to the bathroom the whole time, but I don't blame them because once I turned into a dog and they helped me. Thank you. | |
As they age they contribute to a sum that is the kindling from which all future life comes. To feel it, to know it, is to be in touch with the will of every living thing. | |
I do not think I like the sound of that. | |
It does not feel nearly as frightening as it sounds. But the consequences of such feelings can be very frightening. For it gives you great strength. The strength of _knowledge_. The ability to stand between the giving of what has always been to what will always be. | |
I feel hardly nothing. | |
You have not been fully trained. But you will learn. And you will be good, I can feel that. You have apt- itude. This is why our friend is so concerned. | |
But why be so concerned about me? | |
This power is divided amongst you, me, and others like cuts in a pie. But the cuts are not equal. Some, like you and he, have more. Much more. | |
And you? | |
I am a small player. But if by helping you I can keep that monster from being the last, then perhaps my life has meant something. | |
I am not ready for this. | |
You must be. You have responsibilities. You must learn the rules. You can never attract attention to yourself, never show the side that will draw others to you. You will always know when you are in the presence of another. Beware. But more importantly Conor MacLeod, will be your battle against time. In the coming years you will see kingdoms rise then rot like wheat. People will become a transitory, pathetic lot. The only constant you will know will be the others and the tradition their greed and quest represent. But life without morality, without the ability to truly taste the sweetness of wine and love, is no life at all. That is how the others exist. Nothing more than walking corpses living only to slaughter each other in an insane quest to be the last. Keep your soul sewed to the earth. Do not become one of them. | |
Of course. | |
You are young, inexperienced. You do not know what time can do. How it can sap all pity, all love. | |
That is not me. | |
With the proper tools, Conor, a naive man can be much more dangerous than an evil one. | |
Sir, I have an opinion on this matter. | |
I'd love to hear it. | |
Seems to me, Cap'n, this mission is a serious misallocation of valuable military resources. Miller Go on. | |
Whatzername--the "psychic" Anna hired. | |
Domini. Domini Von Teer. | |
It's only a short drive, Mr. Webster. | |
Oh -- it's you again. What do you want? | |
With the presidential election coming up, I thought I could be of some help, sir. | |
I'd rather see you on the side of the opposition. | |
I'll be there, too! | |
...What was that back there? | |
Back where? | |
Sign. | |
I don't know. Motel... Abby-- | |
Ray. Did you mean that, what you said before, or were you just being a gentleman? | |
Abby, I like you, but it's no point starting anything now. | |
Yeah. | |
I mean, I ain't a marriage counselor-- | |
Yeah. | |
See, according to this, they were supposed to line the ponds so this shit couldn't seep into the ground. But guess what -- | |
They skipped that step. | |
I guess it was a little too inconvenient. So for fourteen years, this stuff flowed into the groundwater, free as you please. | |
Jesus. I don't even wanna ask what you did to make this Melendez guy talk. | |
We can monitor the cloud's approach and observe the tests from here. | |
Is it safe? | |
Sounds swell... I'm really touched. And my getting married's not gonna change a thing between me and my pals. We're still gonna go bowling on Tuesdays, play cards on Fridays and wear women's clothes on Sunday night. I love you guys... I always will. | |
Let's have a toast. | |
What do you mean? | |
Rio isn't the capital of Brazil. It was the wrong answer. Sorry, we lose. | |
Thanks, and goodbye. | |
What'll I do if something comes up? | |
Settle it yourself. What have I got a lawyer for? | |
Is Julia going with you? | |
No. | |
I'm selling this place. I want out of this hell hole! | |
Could I, like...oh, wow...like,uh... | |
Buy it from me? | |
Yeah! Yeah, that's it! | |
I'll give it to ya, no money down. The neighborhood has gone to hell anyway. | |
"Your field dressing saved his life." That's three I owe you. | |
You don't owe me a goddamned thing, Vincent, and you know it. You stepped in front of a bullet for me. I owe you a heavy debt. | |
I know. | |
You better get some sleep, alright? | |
Tell me something first. The package: what was it? | |
I don't know. Nobody knows, except a bunch of people who are too dead to tell us. There's probably a couple of guys back at the Company who know, but I don't think they plan to tell me anytime soon. | |
What happened to it? | |
Gone. Destroyed. | |
I guess that's for the best. | |
I lied to Lecter. I'll need some kind of peace offering... Can I get the drawings from his cell? | |
Good idea. Meantime, try to get a feel for Catherine Martin. Her apartment, her friends... how he might've stalked her. I'm going to the other two clinics, Minnesota and Ohio. Now's the hardest part, Starling. Use your anger, don't let it keep you from thinking. Just keep your eyes on Catherine. We've got less than 30 hours. | |
Mr. Crawford... can those cops down there handle Dr. Lecter? | |
They'll use their best men. But they better be paying attention... | |
I'm so glad to see you, Sara. | |
I believe you. Did that nice doctor let you out? Or is this you improvising again, Grady? | |
I'm through improvising. | |
Terry told me about Wonder Boys. Is it true? Did you lose it all? | |
I lost it all. | |
Oh, Grady. You're such a putz. | |
I know. | |
And you're old. | |
This is my territory now. You are my responsibility. | |
This concrete? This is still America. | |
What do you hear? | |
Yes, appears to have been a glitch or two. | |
What calibers you got there, Sheriff? | |
Nine millimeter. Couple of .45 ACP's. | |
<u>Are</u> you okay? | |
Um... y'know... Yeah. | |
I must say you look very good, Mr. Chairman. | |
Looks can be deceiving ... | |
We know you've taken a great risk in inviting us here. | |
What do you expect, mugging me from behind? | |
I <u>tapped</u> you. | |
Well you <u>shouldn't</u> have. How did you even know where I was. | |
Wild guess. | |
I don't like to be scared, Myra, I have a thing about fright, don't ever scare me. | |
Kevin told me you were upset. | |
Really? I never realized he was so psychic, how could he detect that, did he tell you there's somebody else? | |
Well... he didn't have to tell me that part. | |
I am eternally in your debt. | |
And I in yours. | |
Doctor... Can I impart to you his cruelest trick? | |
Of course. | |
Once... long ago... in the folly of youth... he made me love him. | |
Ray...what are you doing? | |
Oh...it's not working right. You're home early. Did I scare you? | |
Never do that again. | |
Hey -- I didn't know you were here. It's okay. We got the refrigerator in. Come see. | |
Hey, Dignan. How's it going? | |
Not bad. | |
Come on in. What you been up to? | |
Not a whole lot, Bob. | |
Where did you find those? | |
Margarita found them while cleaning your room. | |
Those are my letters! | |
Don't you raise your voice at me. Go to your room, now. | |
There's nothing to worry about, it's going to be easy. | |
There is no such thing as easy in my experience and, if you think this is going to be easy, you're a dick. It may be easier than most but it's not going to be easy. | |
You okay? | |
It is cocktail hour yet? | |
Listen very carefully, I'm telling the truth... this is the game. This was all the game. | |
Bullshit. They killed him. Feingold, Fisher, whoever... they shot him... | |
No, now wait... think about it. What did you see... ? | |
I saw them kill him! | |
What did you <u>really see</u>? This whole time... special effects, squibs, like in the movies. Please, you've got to believe me... He's got a gun, with real bullets! | |
Stop talking to them! | |
Okay... okay... I put it down. Now open that door. Mister Fisher's right on the other side of that door. He's an actor... | |
Stop talking... | |
Nicholas... | |
Shut up! | |
Let me show you... | |
You should feel good about this. | |
I feel like a traitor. | |
What is it? | |
Something's coming. | |
Now quit, Bobby. You said you're goin' a help me pick a song. | |
You said. | |
Well, lemme sing the one I picked an' see what you think... "When there's a fire in your heart/Break the glass/Sound the alarm..." | |
You... you... YOU -- | |
We still gonna spend Christmas together? | |
Hello. | |
Hey, Pete... How ya doin'? | |
Who is this? | |
You know who it is. | |
Yes you are. A guy. Guy. Quite a guy. Oh my. Look at that--I rhymed. Yikes. Bikes! | |
Are you in special ed? | |
That's why I love stock-car racin'. That Dale Ernhart's real good. | |
Now you know Will, and I know, what you need to be doing. You have a gift. | |
I could work the pit maybe, but I could never drive like Dale Ernhart-- | |
--you have a quality-- something you were born with, that you have no control over- and you are, in a sense, hiding that by becoming a janitor. And I'm not saying that's wrong. I'm friends with the janitor that works in my building. He's been to my house for dinner. As a matter of fact I did some free consultation for "Mike" -- that's not his real name. That's in my book. | |
Yeah, I read your book. "Mike" had the same problems as "Chad" the stockbroker. | |
Yes. The pressures you feel, and again, I am neither labeling nor judging them, are keeping you from fulfilling your potential -- you're in a rut. So stop the Tom Foolery -- the Shenanigan's, Will. | |
You're right. I know. | |
Will, your not getting off that easy. | |
No, but, I mean you know...I do other things. That no one knows about. | |
Like what, Will? | |
I go places, I interact. | |
What places? | |
Certain, clubs. Like, Paradise. It's not bad. | |
George, she's beautiful, right? She's nice, she's decent, she's the kind of girl you'd like to marry, right? And there's nothing in the world you'd like more than to take her to that dance, right? | |
Well... yeah... | |
Okay, then! | |
Where is he?! | |
I don't know! | |
No. Why don't you cover it up Walter... | |
Why not? | |
Why don't you cover it up, Walter! | |
I really shouldn't have any more. I'm a little tipsy already. | |
I'm trying to get you to stay for dinner. We're going to have a lot of roast left over. | |
I couldn't possibly. I have to get back. | |
Cheers. | |
Cheers. | |
How long? | |
Thirty minutes to break the code... Two hours for the five mechanicals. The seventh lock...that's out of my hands. | |
If out plan works...the FBI will get rid of it for us. | |
All right. Take him to my place. He can crash on the sofa. | |
The one in your office? It's the best one for naps. | |
I don't think it really matters, Hannah. We could probably stand him up in the garage with the snow shovels at this point. | |
You are such a great person Lloyd. I'm a good person, but you are a great person. | |
Hang in there, man. | |
Yes. | |
See you tomorrow. | |
See you. Bye. Bye Diane. | |
You have been given a higher form of happiness. The happiness you feel by serving others, by inspiring them to -- | |
Yes, but it's not all I feel. | |
Patience, Kal-El. You begin to sound like an Earthling. SUPERMAN Mother, you speak only of honor, of sacrifice, of responsibility -- | |
Because that is your heritage. Those are the values we lived by on Krypton. | |
But you had more than that, and I know it. You and my father -- you had each other. Can I never have what you had? | |
...Just a second here, I'll give you a receipt on the, uh... Whoa, Nellie... Oh, by the way, we didn't talk about this, I, uh, I think I'm gonna call the place Tolliver's, after me, you know, I didn't think you were much interested in, uh-- | |
That'll be fine. | |
Yeah, good. Lemme just, uh... | |
... So it crashes, and this guy, whoever he is, gets thrown out, or walks out, and ends up freezing. | |
I just can't believe this voodoo bullshit. You believe this voodoo bullshit, Blair? | |
What happened? You got fired, huh? | |
Yeah, Morgan. I got fired. | |
How fuckin' retarded do you have to be to get shit-canned from that job? How hard is it to push a fuckin' broom? | |
Did you tell Sandy? | |
Tell Sandy? What? | |
My business is heroin, I have poppy fields, laboratories in Narseilles and Sicily, ready to go into production. My importing methods are as safe as these things can be, about five per cent loss. The risk is nothing, the profits enormous. | |
Why do you come to me? Why do I deserve your generosity? | |
I need two million dollars in cash...more important, I need a friend who has people in high places; a friend who can guarantee that if one of my employees be arrested, they would get only light sentences. Be my friend. | |
What percentages for my family? | |
Thirty per cent. In the first year your share would be four million dollars; then it would go up. | |
And what is the percentage of the Tattaglia family? | |
You can see her? | |
Yes. | |
Don't worry, James, I'll figure something out. | |
I'm not worried. You're not worried, are you. Professor Tripp? | |
I'm a little worried, James. | |
Don't be. I don't care if they expel me. I probably should be expelled. | |
Well, let's see if we can keep that from happening. | |
It's all right, it won't bite you. Under civil code 1294.67b you are entitled to be notified that your status and certification are being reviewed. This is the notice. | |
Do you want to come in? | |
No thanks. Plenty of time for that when we're a little further along. | |
Mr. Gilroy -- | |
Can I get my life back? | |
Maybe. | |
Twenty, forty, sixty, eighty, nine. Twenty, forty, sixty, eighty, a thousand. It's all there. Wow. A hundred and twenty-eight thousand dollars. | |
Jesus Christ, I'm getting a boner just looking at it. | |
Pretty girl. | |
If you like 'em like that. | |
You got types? | |
Only you, darling... lanky brunettes with wicked jaws. | |
Who is she? | |
I was hoping I wouldn't have to tell you. Dorothy is really my daughter. You see, it was Spring in Venice, and I was so young. I didn't know what I was doing. We were all like that on my father's side. | |
By the way, how is your father's side? | |
Much better, thanks. | |
How many drinks have you had? | |
Six Martinis. | |
Six Martinis. You're not going to have anything on me. | |
Why would you put a fallout shelter under a porno shop? | |
None of this stuff was here in 1962. The Valley was mostly small homes and fruit orchards. | |
Well, we've come a long way, haven't we? I want to go home. | |
Yeah. Maybe he'll call. | |
The Penny Saver sucks. | |
Yeah, but it sucks for free. | |
What happened? | |
Buffy was on the uneven parallels -- she was really good; coach said she could have been in the Olympics -- but she was doing a routine, spinning, and the beam broke. | |
You're kidding. | |
Snapped. Buffy was, you know, on the upswing, and I swear to God she went across the room. Perm over heels. | |
Oh, my God! Ouch! No wonder you quit. | |
Well, that's the thing. She landed on her feet. Didn't even sprain a toe. And I go up to her and she turns and looks at me and she's like this -- | |
Patkin was a tribute to baseball... | |
...and one helluva guy. | |
May I see your license? | |
Why? | |
Please. | |
I felt he did not like me. | |
That should decide it or you -- | |
I will let him go. He is dead to me as he is to all my mother's people. I turn my hand against him. | |
What's the Coroner got to say? | |
Something like a razor was the weapon, but nothing found on the scene. | |
There is no relevant precedent. | |
Arline decision. Supreme Court. | |
Arline? | |
Did he get fresh? | |
Of course not. As a matter of fact, it was just the other way around. You see he needs help. | |
What for? | |
And talk about elegant - you should see the yacht - candlelight - mint sauce and cranberries. | |
Hey... Karen. How ya' doin'? | |
What're you doing here? | |
I wanted to come by, apologize for coming into your house like I did last night. | |
Lemme get this straight, you broke in again to apologize for breaking in before? | |
No, no... you left the patio door open. You gotta stop doin' that, all the nice things you got around here. | |
Yeah, well make sure you lock it on the way out. | |
Rough day on the set? | |
I spent all day crawling out of a grave. The costumer kept bitching 'cause I was ripping my nylons - | |
Ripped nylons work. Makes the shot more real. | |
...That's what we finally decided. | |
Like in "Bride of the Mutant", when you played the whole end with that torn top. | |
Actually, we just wanna watch TV... | |
Shut up Beavis! Uh, yeah. We'll do your wife. | |
Nnnnaah...We need to watch TV DAMMIT!!! | |
If it's real enough, he'll believe it, because deep down he'll want to. | |
C! Shit, I'm sorry! | |
Your little jack-in-the-box gun. That might be useful. | |
Well... it's the only one I have. It's gotten me out of quite a few tight spots... | |
I don't believe in fairy tales and hokum, Mister O'Connell, but I do believe that one of the most famous books in history is buried out there, The Book Of The Living. It's what first interested me in Egypt as a child. It's why I came here, sort of a life's pursuit. | |
And the fact that they say it's made out of pure gold, makes no nevermind to you, right? | |
Just an admirer... | |
Nothing's more dangerous, especially for an old man. | |
He's falling for her. Look at him. | |
He using her. | |
You're wrong. Look at his face. | |
One cannot love and kill. | |
I love. I kill. | |
"...your wife." | |
Tell him I'm no fool. A prison's still a prison, even with Chinese silk and chandeliers. | |
"By the time you read this, we'll be long gone; bound for England or points beyond..." | |
Tell him -- if he uncovers our whereabouts -- you'll slit your wrists with a razor, and I'll plunge a hat- pin through my heart. | |
You'd do that, rather than forsake our love? | |
No. But tell him I would. | |
Love... | |
Yes! But "love" isn't the operative word here, PEACE is! | |
Three? I count two. | |
Three. | |
Patel? Fuck you. Fuckin' Shiva handed him a million dollars, told him "sign the deal," he wouldn't sign. And Vishnu, too. Into the bargain. Fuck that, John. You know your business, I know mine. Your business is being an asshole, and I find out whose fucking cousin you are, I'm going to go to him and figure out a way to have your ass... fuck you--I'll wait for the new leads. | |
Oh! | |
Hey, sorry... He's my friend, too. And that ticket is not going to waste. | |
Can't do it. There're telegraph inspectors all over the place. I got 750 grand coming in from the coast, and I'm not gonna blow it for a lousy 14 gees. We'll get somebody else to do our betting. | |
I could come up with 750 grand in a day if I had a reason to. | |
But who says you will. I got a guy I can depend on. He's liquidating everything he has for this. You wouldn't even give Carver his money back. | |
I need more proof, that's all. Anybody can get lucky once. | |
On a 6-1 shot? The hell with ya. We'll keep the deal we got. | |
If it works again tomorrow, I'll have a half million in cash here by noon the next day. We split 60-40. | |
We were getting 50 from our guy. | |
With 20% coming off the top for me laying your bet. Either way you end up with 40. | |
Jesus. Oil? | |
Uranium. Test holes. Somebody came in from the Nebraska side, and did some shotgun testin'. They're gettin' ready to suck this baby dry. | |
1868... | |
What? | |
That's what we're doing here. National interest. National security. Only this time it's not gold. It's uranium. | |
We're standin' on broken treaty ground, Ray. This ain't supposed to be here. It'll poison the water. | |
Leo knew about it. Tried to tell Jimmy, get the Warriors involved. | |
So they took care of Leo. | |
Listen to the water... the river keeps goin' down then rising again. | |
You ain't gettin' in no trouble, I hope. | |
No trouble. | |
Cuz once in a while soil need a change. Corn take up a lot of nitrate in the fertilizer. So next crop what ya do is plant ya some soy beans. That give off a lot of nitrate. Change keeps it all growin' and growin' strong. Sting a bit? | |
Itches. | |
Means ya healin'. So all this farmin' make me think on Matthew. Matthew 13. The parable of the sower? Man toss seed on rock, on the wayside, some fell in thorns... you know the story? | |
Uh-uh. | |
This is cute. | |
Yeah, real cute. The storm is fake, but the lightening is real. | |
Okay Mr Inventor, how do we avoid it ? | |
You don't. It's random, there no trick. | |
Great... | |
Well, not much longer to go. | |
What is it, 97 days? | |
Till this opens, not our wedding. | |
Hope I make it through both. | |
You will. I'll see to it. | |
That won't happen again. We're different. | |
How can I tell? You've seen both of me. I only know what you're like here. You're all I know. There is no "You" from before. | |
I know. They cut the hardline. This line is not a viable exit. | |
Are they any agent? | |
Yes. | |
Goddamnit! | |
You have to focus. There is a phone. Wells and Lake. You can make it. | |
I think it's rather extraordinary. | |
Extraordinarily morbid, maybe. | |
Leave him alone, Ma--Al's just billy- goatin' around-- | |
Sure! I was just aimin' to meet up with a couple girls I know. | |
It's nice that they're still friends. | |
Oh, sure. That was a long time ago. See, she's not a man-hater at all. She's very supportive of men... | |
Someone should give you a raise. | |
Actually, sir, you could be that someone. | |
It would take a minute or so. You won't last that long out there. | |
Peter, you couldn't even fix our TV! | |
The date stamp on the picture is last <u>month</u>. Is that where you and Rachel conduct business. | |
It's not real... That's not me. | |
Oh, please-- | |
It's not a real picture, Stacy, it's been doctored-up. | |
I think you should leave now, Robert. | |
Stacy-- | |
Leave this house. | |
You take the test? | |
Aye. | |
Clear? | |
Aye. | |
That's nice. | |
I'm sorry, Tommy. | |
Have you got any gear on you? | |
No, I'm clean. | |
Well, sub us, then, mate. I'm expecting a rent cheque. | |
I'm an artist, Alura. My work comes first. Other people come second. | |
How can you create beauty...with a selfish heart? The spiky insect-creature flies closer and closer around the little girl's head, buzzing angrily. Her look of delight turns to fear. She tries to shoo the creature away. It flies off toward the thin membrane that encloses the city. | |
You take care of Paulie? | |
You won't see Paulie anymore. He's sick for good this winter. | |
Don't concern yourself, Martin. This boy needs treatment. We're taking care of it. Sorry for the disturbance. | |
Jason's not in his coffin! Hawes is! Dig it up! You gotta dig it up!! | |
Me? Why would he be interested in me? | |
I told him about your car. | |
Why would you do that? | |
He was beating the crap out of me! I had to tell him something! | |
So we understand each other? | |
What you do is no business of mine. Live and let live, I say. | |
I hope this has nothing to do with your refusing to sit for me today? | |
No. I -- | |
Fairlane, you gonna find out who killed the lead singer of Black Vomit? | |
Tell me, Dr. Watson, what makes you think he's not just another piece of shit overdose. | |
Let's go. | |
Wait!... Look! | |
Hello, David. I am Dr. Hirsch and this is a countryman of yours, Mr. Collins. | |
Where am I? | |
You're in a hospital in London. | |
London? Where's Jack? I had a strange dream. | |
I should think so after your recent traumatic experiences. | |
The guy I was with. Is he all right? How did I get to London? | |
Now, David, I want you to prepare yourself; your friend is dead. | |
Please don't make this personal -- | |
Oh, I think you already have. | |
Victor, we <u>can't do anything</u> until the research is ready. | |
How much did you say it was, Tom? | |
You know how much it is, Nick. | |
And that does include the amp? | |
You know it doesn't include the amp. | |
By pulling my hair?! | |
I was all out of dynamite! | |
I'm fine, babe. | |
Give him a minute, Clair. | |
Hey. Thanks, buddy. | |
Anytime, sport. | |
Yeah, thanks pal. | |
What do you want? | |
I want to speak with you. | |
Go away, unless you got my money. | |
It's me, Peerless. | |
Why? | |
Because I'm sure you're dying to beat me. | |
I don't want to be in any competition... I dive because I like to, not to beat a record... don't you have to be very mad at somebody to want to beat him? | |
No. All you need is to want to be the best. | |
You're the best, Enzo! | |
That's too easy! Every time I beat a record there's always some dumbshit asking me: "D'you know that French guy, Mayol? He's supposed to be very good! Too bad he doesn't compete." So, you're going to come with me to Taormina! First, because you're my friend and second, because you don't have one reason to keep on spoiling my pleasure. ... I'll see you there... | |
I'd like to walk home with you, and... | |
Yes, of course, and we'll <u>collect</u> them. I won't be a minute... | |
We know what you're up to, Gekko, and let me tell you this from here, you suck eggs, mister, over my dead body you ain't gonna break up Bluestar. | |
You guys must know something nobody else knows. If those are my plans, it's the first I've heard of it. | |
Peter -- are you all right? | |
I think I sprained my pride. Where'd he go? | |
Out of the window, I guess -- I didn't see him. | |
What?... | |
I feel like I've been wandering in the desert for as long as I can remember. With nothing but emptiness around me, wind and sun... And suddenly, out of the blue, somehow I've found the oasis. | |
Oh, you're both so naive. | |
Look young lady, I grew up through the depression. I fought in the second World War. Six days a week I get up and deal with the public, the bank and the bill collectors. And on the seventh day, when God rests, I don't have to listen to my daughter calling me a fool! | |
You're a good liar. | |
Almost as good as you. | |
I always win, Jack. One way or another. Pity I didn't keep that drawing. It's going to be worth a lot more by morning. | |
Ellen Straub. | |
It's a pleasure. You're from the city, right? | |
Do I look like it that much? | |
Village gossip. You're a real attraction here. | |
...Well, I've got a large family. | |
How many kids do you have? | |
Uh, I'm very proud to say that we have eight children. | |
Eight children! | |
No, no, no, no, please, please, please, please, no, please. | |
That's amazing. | |
There was nothing to it. It was my pleasure. | |
That feels so great. | |
Good... | |
Um... that's very relaxing. | |
Now, I want you to lie down and drift off to slumberland. | |
Don't know. | |
Dominick said they're in the motel? | |
Yeah, either that or in the fuckin' bank. I don't know. They're all over the joint. | |
Those bastards! That's proof enough right there of what we're up against. The whole goddamn Federal Government, Bill! | |
Well, they offered you the carrot, and you turned it down... you know what's coming next, don't you, boss? | |
If you want an answer to that question I can always put one of my men on the job. Good afternoon, Mr. Cross. | |
Mr. Gittes! You're dealing with a disturbed woman who's lost her husband. I don't want her taken advantage of. Sit down. | |
What for? | |
You may think you know what you're dealing with, but believe me, you don't. | |
That's not true. Some of us have great stories... pretty stories that take place at lakes with boats and friends and noodle salad. Just not anybody in this car. But lots of people -- that's their story -- good times and noodle salad... and that's what makes it hard. Not that you had it bad but being that pissed that so many had it good. | |
No. | |
...once-in-a-lifetime. | |
We've arranged for a private airplane to take us flying over Isla Sorna. And we want you to be our guide. | |
What are you watching? | |
Ohhh, nothing. | |
It doesn't make sense. She didn't know me three months ago. | |
Maybe it wasn't her that paid him. Maybe the money was for somethin' else. How the fuck do I know? I'm just an old city cowboy tryin' not to fall outta his saddle. | |
Sweet and what? Maybe you'd better pay for this first. | |
Sure,. | |
Why don't you call me up tonight? | |
Mike. I want you to know that I'm pregnant. | |
You're aware, are you not, that it costs a great deal to house your husband at Charenton... | |
I pay his stipend every month, far more dutifully than I should. | |
That barely covers the cost of his room. There's nary a penny left over for appropriate treatments. Opiates to quell his temper. Restraints to chasten him when he misbehaves. | |
What was the name of that kid at Anzio, the one who got his face burned off? | |
Vecchio. | |
Yeah, Vecchio, I couldn't remember his name, he was a good kid, remember how he used to walk on his hands and sing that song about the man on flying trapeze? | |
Yeah. | |
You know why I'm such a good officer? Because of my mother. Have I ever told you about her? | |
Bits and pieces. | |
She's the best poker player you ever saw. My father used to go to these Saturday night games and lose his shirt. Finally, my mother gave him an ultimatum, either she gets a regular seat at the table or she locks him in every Saturday night. He squawked and so did his buddies but after a while they gave in and from the first night she sat down, she never lost. She could read those cocky bastards like they were playing open hands. And he bluffs? He had sixteen levels of bullshit. Her eyes, the tone of her voice, her bets, her jokes, the way she sipped her coffee, she was a master. She won more money on shit hands than anyone in the history of the game. Every Saturday night, my father would lose two, three hundred bucks and she'd win it all back and then some. And I'd stand there, glued to her shoulder, from the time I was five years old, watching every hand, every move, studying how she did it. That's why I'm such a good officer, I can look at a man's face and tell you exactly what he's holding, and if it's a shit hand, I know just what cards to deal him. | |
And what about your own hand? | |
No problem. A pair of deuces? Less? So what? I bluff. It used to tear me apart when I'd get one of my men killed, but what was I supposed to do? Break down in front of the ones who were standing there waiting for me to tell them what to do? Of course not, so I bluffed, and after a while, I started to fall for my own bluff. It was great, it made everything so much easier. Sarge Is that why your hand's been shaking? | |
It could be worse. You know the first thing they teach you at O.C.S.? Lie to your men. | |
Oh, yeah? | |
Not in so many words, but they tell you you can have all the firepower in the world and if your men don't have good morale, it's not worth a damn. So if you're scared or empty or half-a-step from a Section Eight, do you tell your men? Of course not. You bluff, you lie. | |
And how do you bluff yourself? | |
Simple, numbers. Every time you kill one of your men, you tell yourself you just saved the lives of two, three, ten, a hundred others. We lost, what, thirty-one on the cliffs? I'll bet we saved ten times that number by putting out those guns. That's over three hundred men. Maybe five hundred. A thousand. Then thousand. Any number you want. See? It's simple. It lets you always choose mission over men. | |
Except this time, the mission IS a man. | |
That's the rub. I liked Wade. Who's Ryan? If they're both standing in front of me and I have to shoot one or the other, how do I choose? Look at my hand, there it goes again. | |
John, I've got to tell you, I think you're about used up. | |
I think you're right, Keith. | |
You want me to take over? | |
Rob, hi, so sorry I missed your call. In LA on business. You know how it gets. | |
Yeah, sure... | |
Good. Great. Yeah... Wow. Rob Gordon. Seems like a 100 million years ago now. | |
Yeah. A billion. Right... How are you? | |
Fantastic but I'm a little busy right now. Listen. Do you want to come to dinner Saturday? I'm having some friends over and I need a spare man. Are you a spare man? | |
Uh...yes, at the moment. | |
Great. Gotta go. See you then. | |
What for? | |
Because I took some sleeping pills. But I'm all right now -- so let's go. | |
Why did you take sleeping pills? | |
It's great that people are interested, but if anyone's going to buy anything, I'll handle it for you. Everything goes through the gallery, even if they come to your studio. | |
Sure. | |
Pixilated. | |
Uh-huh. | |
You know what the bloody time is! It's two o'clock in the bloody morning! | |
I know. | |
Well? | |
You watch him, Al, I s...s...stutter! | |
Temple, I caught your act the other night and - | |
Did you now? On which bounce? | |
- and I just had to drop by and tell you how great I thought you were. | |
Cheers. What time is it, Al? | |
And you were a student also. | |
Yes. | |
At college. | |
Yes. | |
What was your major? | |
Why are you asking me all this? | |
Because I'm interested, Mrs. Robinson. Now what was your major subject at college? | |
Art. | |
Art? | |
Why fucking not! I deserve it. | |
Dorothy -- what if I'm just not built that way? | |
I think we made a mistake here. | |
Those are my clothes. | |
Certainly not mine. Come on. | |
'Sides, car's right outside. I'll be seein' ya, Jer. | |
Pete... | |
... no... | |
He's better off this way. | |
Nobody's better off this wav! | |
You don't get it, do you? We're shit. D'Amour. | |
Here's to music. And absent friends. | |
And absent bridegrooms! | |
And the bride. | |
Hey? | |
H'm? | |
I-I-I'm gonna buy you these books, I think, because I-I think you should read them. You know, instead of that cat book. | |
That's, uh... that's pretty serious stuff there. | |
Yeah, 'cause I-I'm, you know, I'm, I'm obsessed with-with, uh, with death, I think. Big- | |
Yeah? | |
big subject with me, yeah. | |
Yeah? | |
Was it my fault? Did I know that coal mine was going to have another cave-in? I meant to be with you on our honeymoon, Hildy -- honest I did. | |
All I know is that instead of two weeks in Atlantic City with my bridegroom, I spent two weeks in a coal mine with John Kruptzky -- age sixty-three -- getting food and air out of a tube! You don't deny that. Do you? | |
Deny it! I'm proud of it! We beat the whole country on that story. | |
Well, suppose we did? That isn't what I got married for. What's the good of -- Look, Walter, I came up here to tell you that you'll have to stop phoning me a dozen times a day -- sending twenty telegrams -- all the rest of it, because I'm -- | |
Let's not fight, Hildy. Tell you what. You come back to work on the paper and if we find we can't get along in a friendly way, we'll get married again. | |
What?!! | |
I haven't any hard feelings. | |
Walter, you're wonderful in a loathesome sort of way. Now, would you mind keeping quiet long enough for me to tell you what I came up here for? | |
Sure, come on. We'll have some lunch and you can tell me everything. | |
I have a lunch date. I just want -- | |
You can break it, can't you? | |
No, I can't. | |
Sure you can. Come on. | |
Don't tell me what to do! We're divorced -- I'm a free woman. You're not my husband and you're not my boss! And what's more, you're not going to be my boss. | |
What do you mean by that? | |
Just what I said. That's what I -- | |
You mean you're not coming back to work here? | |
That's the first time you've been right today. That's what I -- | |
You've had a better offer, eh? | |
You bet I've got a better offer. | |
Well, go on and take it. Work for somebody else! That's the gratitude I get for -- | |
I know, Walter, but I -- | |
What were you when you came here five years ago? A little college girl from a School of Journalism! I took a little doll-faced mugg -- | |
You wouldn't have taken me if I hadn't been doll-faced! | |
Why should I? I thought it would be a novelty to have a face around here a man could look at without shuddering. | |
Listen, Walter -- | |
I made a great reporter out of you, Hildy, but you won't be half as good on any other paper, and you know it. You need me and I need you -- and the paper needs both of us. | |
Well, the paper'll have to learn to do without me. And so will you. It just didn't work out, Walter. | |
It would have worked if you'd been satisfied with just being editor and reporter. But no! You had to marry me and spoil everything. | |
I wasn't satisfied! I suppose I proposed to you! | |
Well, you practically did! Making goo-goo eyes at me for two years till I broke down. And I still claim I was tight the night I proposed. If you'd been a gentleman you'd have forgotten all about it. But not you! | |
You -- you -- | |
We're going to need lots of good luck, aren't we? | |
Nobody ever had too much. | |
I'm stranded out here. | |
Hop in. | |
I beg you. You can't do this to me. | |
I had three other offers. I only signed on to this picture out of... loyalty. | |
Then show some. They'll shut me down! | |
It wasn't working anyhow. The scene with the thousand geese -- I don't understand this film. I don't think anyone will understand it. I already put out a press release -- citing "creative differences". | |
Damn it, Nuwanda. You idiot. | |
I couldn't stop myself. | |
Excellent. | |
Where are the women? | |
They should be here any minute. | |
Ten here. | |
Thirty-three here. Totals one-ninety. Not enough. | |
I got twenty or so in my purse. Give me what you've got. | |
Boy, that was some air-raid. | |
Air-raid? | |
Didn't you feel the house rock? You must have seen all those shell bursts. | |
I heard you. But I got to arrange a legal defense first. I got to get you to testify in court, get it on public record. | |
Then hold it off the air until you got that. But I want to go to New York. And I want to go on the record. Right now! | |
What do I do? I don't know her name. | |
The Naming of Names is not necessary. Just concentrate on her face. Your Shadow will do the rest. | |
Did you see what I meant about the window? | |
Kind of. Except we've already got the keys. | |
That's true. But what if they change the locks? | |
Would they do that? | |
Who knows? That's why I filed it down. | |
Howdy! | |
Howdy to you. | |
We got to get out of here. Do you understand? We got to get out of here right now! | |
No. It stops now. It stops here. | |
What do you mean? Look. We can make still make it work. | |
So what's it going to be, Coogan's or U Vayvudoo? | |
I don't care. I'm not staying out late Doug. | |
If she comes over here, Max, my brain is going to turn into guacamole. | |
I'll handle it. I'll handle it. Hi. | |
Out in the woods. Three bodies. Decomposed. Mutilated. Beyond recognition. | |
I don't know anything about it. | |
Of course you don't know anything about it. If you knew anything about it, I wouldn't have to send you over there to cover it. | |
Cover it? | |
Well? | |
But there's no -- | |
Animals involved? I know, but you need a change. And besides, we're short. | |
I don't know. | |
Don't know what? | |
Well, I've got this story, it's really good, I'm working on, that is good, I feel it could be big, it this, eh, and it's, you know, it's incredible. Am I right, did you say beyond recognition'? | |
But, hey, some good news. This last one put me way ahead of schedule. We've actually got some time to kill. Jazz? You like jazz? | |
I'm...what? Sorry? | |
Jazz. Music. | |
I listen to classical. | |
Friend of mine told me about this great place in South Central. Says it's like the birthplace of West Coast bebop. Bird. Dexter Gordon. Thelonious Monk. Chet Baker. I'll buy you a drink. Expand your horizons... | |
Get Mercer to run the medical, dental, legal bills, laundry and dry cleaning receipts, extermin- ators, mailmen, grocery and drugstore deliveries, handymen, plumbers... | |
It's mostly done, they got nobody in common, the three of them... No mutual friends -- the Landlady says nobody was ever there, she never saw her with anybody. | |
Wait. Don't. | |
I don't like things that make you cry. | |
I just want to look ... | |
What are you looking for exactly? | |
The books themselves or maybe some pages he ripped out. | |
She wants it to come. | |
Yes and so do I, but there are too few of us here to carry it. TOO - HEAVY | |
We could go down and get our blood tests tomorrow. | |
Tomorrow? | |
Or this afternoon. It's a good day for it. | |
Benjamin -- I haven't even said I'll marry you yet. | |
We'll need our Birth Certificates. I happen to have mine with me. Where's yours? | |
What's so funny? | |
If the unintended consequences of a series of genetic mistakes and science gone haywire can be called invention, then yes, I invented precrime. | |
You don't seem all that proud. | |
I'm not. I was trying to heal them, not turn them into... something else. | |
Heal who? | |
The innocents we now use to stop the guilty. | |
You're talking about the precogs... | |
You think the three in the tank come from a test tube? They're merely the ones who survived. | |
No, we won't. No matter how it begins, it will end in death. Because it always does. Isn't that always how it ends, Harold--in death? | |
There has to be a threat of some sort, nobility of some sort, glamour of some sort, sport of some sort. These elements are lacking. | |
Kill me, Peter, do it, now. | |
No. Not yet. | |
Do it. If that's what all this carnage is about, then do it. Have enough guts to do it. | |
Don't talk to me about courage. I know death, what it's like to kill. You're not a killer -- you watched Daryll Lee kill that cop and you didn't make a peep, because you were paralyzed with fear. You chocked. I know something <u>else</u> about you. | |
I still ain't sure what my daddy looks like. | |
Like you, sweetheart. You and your daddy got the same mouth, eyes, ears, and nose. Only difference is your color hair is like mine. | |
My daddy ain't never killed nobody, has he, mama? | |
Course he ain't never killed nobody. Why'd you say that, Pace? | |
Heard grandpa Santos and grandmama talkin'. | |
And? | |
Grandmama said how Sailor murdered a man. | |
Wrong, baby. Your daddy never committed no murder. Musta been you didn't hear grandmama proper. He made some mistakes, is all. Your daddy ain't always been so lucky... We're almost at the depot, honey. Sit back a minute. | |
What? | |
When did you join the force? You know, the police force, the place you work... | |
Nineteen eighty four. What fucking difference does it make? | |
Did you start out area six? | |
Yeah... | |
Sshh. | |
I want my money back. Excuse me. | |
He doesn't deserve this! You don't know him. It isn't fair! | |
He thought he could take my place. It is now my privilege to give an unambiguous account of why I don't think he's man enough to do that. | |
He peed on the Dude's rug-- | |
YOU'RE OUT OF YOUR ELEMENT! This Chinaman is not the issue, Dude. | |
Schulz, you're off your nut! | |
Give me the radio. | |
We have no radio. | |
All right, gentlemen, I will find it myself. Now let's see. | |
C'mon. Let's go to the ho--- | |
He's in there! Or are you out for a stroll in the garden ...?! where are you, goddamnit...?! | |
Here is the six month's increase in advance. You needn't speak to her about it, she's a proud woman. See me again in another six months. But of course, you'll let her keep her dog. | |
Like hell! And who the hell are you to give me orders. Watch your manners or you'll be on your Sicilian ass in the street there. | |
Objection! | |
And you would come here, and on a slip of memory four years ago, you'd ruin their lives. | |
I don't want a criminal for a boyfriend. | |
There was a message, wasn't there? | |
It's probably easier for you to eat the rice. | |
Marion! What did you tell the police? | |
Nothing about you. | |
Then what? | |
Give up being a croupier, Jack. Or I'll shop you. All you have to do is keep your word. It's that simple. | |
How do you do, Miss Daniels? Acknowledge a what? | |
A delivery, Mother. Miss Daniels brought some birds from San Francisco. | |
This is our oil from our estates? | |
I've been overseeing production myself for the past three years, you'll be surprised at how wonderful our oil has become. | |
Don't stop... do no stop. | |
Shit, shit, shit what time is it. Hello. I'll be downstairs in ten minutes. | |
Henry, the pen -- | |
What? | |
But don't you see? The pen is mightier than the sword. | |
Do you realize what I can create with a single strand of Superman's hair! | |
A toupee that flies? | |
. . . I look at you, Lenny, and I know how the Romans felt when the barbarians arrived at their city gate. | |
But why the hair? | |
That hair contains a sample of Superman's genetic material. The building blocks of his body. With my genius and enough nuclear power to mutate those genes, I will create a being with all his powers . . . but with absolute allegiance to me! | |
You okay? huh? Jimmy? | |
And the book says: "We may by through with the past, but the past ain't through with us." | |
C'mon, Jimmy, snap up, snap up -- | |
In my sleep, Burt. | |
I'll get it back next time. | |
How come it bumps up and down when there's no road? | |
The wind does that. Ever been to the Bahamas before? | |
You can put it anywhere. | |
Even there? | |
It would feel so yummy. | |
You are a marked man. | |
How so. | |
The Americans, and the UN they have you as a war criminal. You are on a list. | |
I am on a list! What list? | |
When the Europeans left, their soldiers gathered lists. | |
... think that maybe my supervisors referred me here because of certain issues which I assure you I have spent a good deal of time working very hard to correct-- | |
Your supervisors have no idea why you're here. | |
They don't? | |
They don't. Now, son. If you get the job, you're going to be working with some very particular people who like to do things in some very particular ways. Here's a little piece of advice: Don't use this so much. | |
What'd you want? | |
There's something I think we need to talk about. | |
What? | |
My end was only one. | |
Then you'll have to come up with another grand somewhere. | |
Hi. Hey. | |
Kat. | |
Ah. Yes, of course ... um ... err ... | |
Does wood sink in water? | |
No, no, It floats. Throw her in the pond Tie weights on her. To the pond. | |
Wait. Wait ... tell me, what also floats on water? | |
Bread? No, no, no. Apples .... gravy ... very small rocks ... | |
Have you seen him? | |
No. | |
oh. | |
Atley Jackson came to see me ... | |
Atley Jackson. How is that one? How's the leg... ? | |
Your theory is interesting Father but I don't think we have time to go into it right now! | |
Time is of no importance, Mr. President. Only life is important. | |
That's exactly what we are going to try and do: Protect the lives of some 200 billion of our fellow citizens! General? You may fire when ready. | |
There's Times Square. | |
You can almost spit on it, can't you? | |
Why don't you try? | |
Treasure hunter? | |
Old bullets. He uhm-- makes art with them. | |
Why? | |
Got to be somewhere. | |
Try and go, then. | |
...He must have heard the name from those T.V.'s in the hall that were blaring all the time. I remember GUEVARA was in town at the time. Must've heard it from there I guess...but that's funny, isn't it? | |
Ummmmmmmmmmmmm. | |
Of all people. Now say the truth. Do I look like Che Guevara. C'mon. | |
Sir? This telegram came for you. Actually, it isn't for you. It's for somebody named Thompson, but it says 'care of Raoul Duke'. Does that make sense? | |
Yes... It makes sense. | |
Hello, Ed. | |
Ann. Will you come in? | |
Hands off your hip, Cole. | |
You're not scared, are you? | |
Pick your fights, cousin. You taught me that. | |
-- He came up behind me and I was wiping a dish and he just... lifted up my skirt, and, you know, right there... | |
Didn't you have any panties on? | |
-- He reached up and tore them. | |
What did you do? | |
Well... I just kept wiping that dish. Maybe it doesn't sound very sexy but it was. | |
No, it sounds very sexy -- did you just stay by the sink all that time? | |
No, he picked me up and carried me out to the sundeck -- God, it was hot. The wood on the sundeck, everything. | |
John, when your Dad says 'come', you should mind him. | |
He ain't my Dad. | |
See ya later. | |
What? Oh, come on. You're not gonna suck my cock? | |
And I want to try to make it up to you. | |
How? | |
The financials are pretty thorough, so the only thing we don't know is your fee. | |
...My fee? Wade, what the heck're you talkin' about? | |
Ann? | |
Yes? | |
Graham Dalton. | |
It's okay, everybody does that. | |
I just don't want it to get too heavy. I feel really overloaded. I have this theory of convergence, that good things always happen with bad things. But I know you have to deal with them at the same time, but I just, I mean I don't know why they have to happen at the same time, I mean, I don't know why, I just wish I could work out... Am I just babbling? Do you know what I mean? | |
No. | |
I just can't have any social life right now. | |
Don't worry about it. We're just having coffee. We'll be anti- social. | |
Be friends? | |
Yeah. With potential. | |
Friends with potential. | |
See what happens when I don't have my orange juice? The human body is only a workable, fairly fragile machine when you treat it with the same respect you'd show to ---- . . . gee . . . | |
Take it easy. Take a deep breath. | |
I'm fine. . . . . . What was I talking about? Before? | |
Oh, baby, I can't believe you're back. | |
Home sweet home, huh? Actually, I was expecting something a little swankier. How much loot does old Stu rake in, anyway? | |
Iraqis. | |
Oh, God! | |
Two vehicles. They're not supposed to be here. | |
Oh, Jesus! | |
They're not...I had the pictures. They're not supposed to be here! | |
He's going to die. He won't take his medicine. He eats dairy. He probably still smokes when I'm not around. I asked him to come live with us. Alex offered to share his room, unsolicited.... But he didn't want to be any trouble. | |
Then he couldn't be bitter about living alone. | |
Why deprive him of his greatest pleasure? | |
Howard, they've disappeared again. | |
Oh dear. | |
Level five, Detention block A-23, cell 2187. She's still alive... | |
Send feed-back into the control sensors in that Detention block. | |
Vampira! You will come under my spell! You will be my slave of love. | |
Hey Bela, how do you do that? | |
You must be double-jointed, and you must be Hungarian. Vampira, look at me! Stare into my eyes. | |
For who? | |
Earl Williams. The reprieve. | |
Nicholas! What are you doing up? | |
I...ahhh...umm...I'm thirsty. | |
There's water in your bathroom. | |
I want juice! | |
Don't wake up Vada. | |
I won't. | |
They were just tasting the berries. | |
Yeah? ... Well, I gave 'em a taste of American lead ... and I don't see 'em coming back for seconds! | |
Yeah baby. | |
You made every day like kindergarten. | |
Keri, you all right? | |
We've got to get these kids out of here... | |
I'll make sure there's no kids left in the dorms... | |
You ain't doin' so good, Snake. You need help. You should talk to Hershe. She hates Cuervo. They used to be partners, but they split up. | |
Who? | |
Hershe. She lives downtown with Mojo Dellasandro in the big boat. Down that way. | |
Gallagher and myself just came over here to do a little work on a story - | |
Baloney! Joe! Bring me a special! | |
Turned Czech huh? | |
Yeah, maybe. | |
Do you need help? | |
I think so. | |
Mary... | |
Yes? | |
Order me a pastrami for after? | |
Cole slaw, ice tea? | |
Thanks. | |
Welcome, Howard. | |
Leland... | |
Laura didn't wash her hands before dinner. And look at this. | |
Chris! Tell me some good news. | |
Tell me some bad news? | |
I don't want to ruin your day. | |
That bad? | |
Your too good for this town, Buddy. | |
So I hear. | |
Huh? | |
I had a visit from the British Embassy. They think I'm a stray soccer hooligan. | |
They ain't the only ones. | |
Paternity test results. Christ Dewey, you're never going to believe who Milton's kid is. | |
Who is it? | |
I-I couldn't think where to invite you without taking risks. | |
I promised myself I wouldn't let this happen till you were living alone. I was so torn when you called. | |
Sixteen years ago. | |
Whatta you mean? | |
Mean? | |
You stopped smoking sixteen years ago, is that what you said? Oh, I-I don't understand. Are you joking, or what? | |
Fact of the matter, Muley, after what them dusters done to the land, the tenant system don't work no more. It don't even break even, much less show a profit. One man on a tractor can handle twelve or fourteen of these places. You just pay him a wage and take *all* the crop. | |
But we couldn't *do* on any less'n what our share is now. The chillun ain't gettin' enough to eat as it is, and they're so ragged we'd be shamed if ever'body else's chillun wasn't the same way. | |
I can't help that. All I know is I got my orders. They told me to tell you you got to get off, and that's what I'm telling you. | |
You think Darcy is gonna be at Nasa tonight? | |
Yeah probably. | |
I'm sorry. | |
What?! But all our paperwork's there. My school records, Jack's football records... | |
Let me explain something... | |
No. Wait! Did I say Promise! Cross-my heart and hope-to-die, stick-a-needle-in my-eye we'll never miss a payment?! | |
Uh, yes. Yes you did. | |
What is this thing? A fighter? | |
Don't look at me, Buckaroo Banzai. I failed flight school. | |
What's happening? | |
It's starting to let go! | |
That's good -- you're doing fine. | |
Well, I'm coming to it. It seems the Professor had to have a gun to re- enact the crime with -- and who do you suppose supplied it? Nobody else but that great thinker, Sheriff Hartman! | |
No kidding, Hildy. Say, this isn't a rib? | |
No, this is on the level, Walter. I'm not good enough to make this one up. The Sheriff gave his gun to the Professor, the Professor gave it to Earl, and Earl gave it right back to the Professor -- right in the stomach! Who? No, Egelhoffer wasn't hurt badly. They took him to the County Hospital where they're afraid he'll recover. | |
That's great work, Hildy... Huh? Oh, will you stop worrying about the money? I'll see you get it in fifteen minutes. | |
It better be fifteen minutes, because Bruce is waiting downstairs in a taxicab and that meter's clicking away to beat the band. | |
Hold on a minute. | |
Love this car! Is it new? | |
Yes! And you don't even know where you're going! | |
I can see that. | |
You're looking great, baby. | |
What're you doing later? | |
Whatever you say. | |
We have this political thing tonight. Could you comb me out at the house? | |
Your pen palls dead, lady. | |
If you say that, if you keep saying that, they will kill you. If they think you're not you, they will kill you. Don't you see? I know what you're doing, but it won't work! | |
Nick died for me.... | |
I won't let him hurt you! He just wants what you know! | |
...maybe I die for Nick... | |
Just tell him what you know, Nick! That's all they want! And we'll get out of this! | |
There's nothing between Will and me. | |
Yet. Nothing yet. | |
The opening's still too small, we'll never get through! | |
For chrissake give me a hand! | |
STAY WITH HIM! TIGHTEN YOUR TURN! | |
Bogey at three o'clock high! Nose on! | |
Thanks, Melvin. | |
Welcome. | |
What happened to the two Clays, Willie? | |
Out. | |
When they coming in? | |
Wednesday next. Frank looks across the room at Jack. | |
Hey... Cy... what now you a righteous Panther man, you too uppity to drink with us? | |
You know that's bullshit. | |
B-but... we saw... your neck... | |
Nah, it's phony baloney -- I faked the whole thing. It didn't hurt at all. It was just a yoga move. I tucked my head in. | |
Nothing worse than lower-class boors with upper-class morals. | |
Would you settle for a boar? | |
A <u>boar</u>? Those incompetent louts couldn't catch a piglet, much less a boar. | |
Well, you're not going to run out on me right away, are you? | |
I don't know. | |
What? | |
Go out and plug the cord back in. | |
What? Who pulled it out?! | |
With an "o". Harold with an "o". | |
What -- you want me to retype it? | |
It's not erasing. He's off the screen. | |
Where? | |
I don't know. He's not on the map. | |
It's okay. These are police. <u>What</u> do you want? | |
I want D.A. bureau men to tail Dudley Smith twenty-four hours a day; I want you to get a judge to authorize a wire tap on his home phone; I want authorization to check his bank records and I want it all in an hour. | |
On what evidence? | |
None. Call it a hunch. | |
Absolutely not. Dudley Smith is a highly decorated member of this city's police department and I won't smear his name without -- | |
Without what, his smearing yours first? What's he got on you, Loew? Pictures of you and an out of work actor with your pants down? | |
Do you have any proof? | |
The proof had his throat slit. So far you're not denying it. | |
I'm not going to dignify youwith answers. If you'll excuse me, I've got a Jack Vincennes press conference to prepare for. | |
This way, Edith. Harold is out by the garage. He has a new car and he has been tuning it up. He's very mechanical. | |
What kind of a car is it? | |
Patel? Ravidam Patel? How am I going to make a living on thses deadbeat wogs? Where did you get this, from the morgue? | |
If you don't want it, give it back. | |
I don't "want" it, if you catch my drift. | |
I'm giving you three leads. You... | |
What's the fucking point in any case...? What's the point. I got to argue with you, I got to knock heads with the cops, I'm busting my balls, sell you dirt to fucking deadbeats money in the mattress, I come back you can't even manage to keep the contracts safe, I have to go back and close them again...What the fuck am I wasting my time, fuck this shit. I'm going out and reclose last week's... | |
The word from Murray is: leave them alone. If we need a new signature he'll go out himself, he'll be the president, just come in, from out of town... | |
Okay, okay, okay, gimme this shit. Fine. | |
Elaborate on 'they,' okay? | |
There are all kinds of groups, all kinds of initials. But they're all part of two warring factions. One: families that have held wealth for centuries. They want one thing. Stability. Group Two: the boat rockers. Eisenhower's military industrial complex. They want instability. It's a trillion dollar a year business. When there isn't a hot war, they make a cold one. | |
Cold War's over, Jerry. | |
So now they feed us terrorists. <u>To create fear</u>. How much do you think an airport security system goes for? Then multiply it by every airport in the country. | |
And you think Group One is at war with Group Two. | |
Latest casualty? Ernest Harriman. You heard of him? | |
Sure. One of the richest men in America until he died a few days ago. | |
His obituary was in every paper. But not one of them said he was murdered. | |
Murdered? | |
Right here in Manhattan. | |
It said in the paper he drowned in a swimming pool. <u>In Newport</u>. | |
Nobody dies in Newport. They couldn't even kill Sunny von Bulow there. Harriman drowned, but it wasn't in Newport. | |
Where then? | |
I don't know. He just came in and asked to use the bathroom. | |
What time was this? | |
Um... I don't know. What time did hockey end? | |
Good idea, and don't forget to give her a good-night kiss. | |
There's something going on in this house. I'm not crazy. | |
And the bookstore? Have you been working there long? | |
It's just a summer job. Something to help pay the bills while I finish my dissertation. | |
Your dissertation? What subject do you study? | |
American literature. What else? | |
What else. Of course, what else? And what are you writing about for your thesis? | |
Visions of Utopia in Nineteenth-Century American Fiction. | |
Wow. You don't fool around, do you? | |
Of course I fool around. But not so much when it comes to my work, it's true. Have you ever read Pierre, or the Ambiguities? | |
Melville, huh? It's been a while. | |
That's the subject of my last chapter. | |
Not an easy book. | |
Which explains why this hasn't been the easiest summer of my life. | |
What happened? | |
I quit. Hit my dinger and hung 'em up. | |
This is not good. | |
I'll do it tomorrow. | |
Crony indeed! | |
You can get out. | |
Fine. What do I do? | |
It's simple. You pick up the painting, you pay for it with this debit card. | |
I feel so bad for her. I mean, she's in jail! And she's innocent. But I'm the only one who believes her. Donovan totally thinks she's guilty. | |
That's because men are big, fat retards who don't -- Oh, my God... | |
Frankie. | |
You wanted to see me, Charlie? | |
Yeah, come on in. | |
Little slow tonight. | |
Mondays. | |
Well, hello. | |
Surprise. | |
Damn him! I should have killed him on the front -- I let you talk me out of that. | |
You would have had a full scale revolt on your hands. | |
What have I got now? It's exactly as if there were two emperors. Because of this the people have two minds. He is their champion. | |
Francesca? | |
Yes! Hi. | |
Am I interrupting anything? | |
No. I was just... No. | |
I'm sorry I didn't call sooner, but I just read your note. I stuffed it into my pocket. The light was fading and I had to get my shot. | |
The light was fading. Huh-huh. | |
I would love to come for dinner. | |
Wonderful. Uh... | |
Listen, I have to shoot Cedar Bridge until a little after sunset. I want a few night shots. Would you like to come with me? If you're interested... | |
Oh, sure. Great. | |
I'll pick you up. | |
No. I'll drive myself. I have a few errands. I'll meet you there. | |
Okay. See you later. | |
Yeah. See you later. | |
Uh, well... not exactly. You see, I exaggerated a little there. | |
You mean he's not a criminal? | |
Saavik, you know anything about a neutron energy surge? | |
Sir? | |
Mr. Chekov, anything unusual? | |
Aren't you a bit late? - the party started half an hour ago. | |
Yes, I know. It's the backlog, everybody complains. Was it all right otherwise? | |
Yes, it was ... very nice ... thank you. | |
Do you mind if I use your bathroom? | |
Who killed him? | |
Little Bill. The... the Bar T boys caught him and Little Bill... | |
He hanged him? Shot him down? | |
N-no. He... he beat him up. He was making him... answer questions... and beating him up... and then... Ned just died. Little Bill didn't mean to kill him... he said he was sorry an' all... but he said it was a good example anyhow. | |
Good example! Good example of what I'd like to know? He didn't even kill nobody... he couldn't do it no more. | |
They got... a sign on him says he was a killer. | |
A sign on him? | |
In front of Greely's. It says, "This here is what happens to..." | |
They got a sign on him in front of Greely's? | |
Wait. Lost it. | |
How? | |
I dunno. Might be a glitch. | |
It's me doctor Rosenpenis. I just have to take another peek at Alan Stanwyk's file. What have they done with this place? | |
Nothing. They're still there. | |
Right. Fine. | |
Mom, would you say you understand Dad? | |
Of course. | |
What I mean is, do you really know what's going on in his head? | |
Yes. | |
How is that possible? I mean, you try to ask him a question and suddenly it's another one of his stories. You can't honestly say you know him. | |
Yes, Will, I do. And don't presume things you don't know. | |
Not compared to that "Cobblepot" person you're promoting... | |
Scared of Oswald, are you? Why, if his parents hadn't eighty- sixed him you two might've been roomies, at prep school! | |
"Oswald" is linked to the Red Triangle Gang. I can't prove it but we both know it's true. | |
Wayne, I'll not stand for mud- slinging in this office. If my assistant were here, she'd already have escorted you out, to -- | |
There's only one thing that will stop the Martians! We've held back pre- viously because of the danger of radiation to civilians. Now there's no choice. The United Nations has voted authority to the United States. The White House will confirm an order to use the Atom bomb. | |
Then our first target will be the initial landing place outside Los Angeles. | |
I'll request the scientists from Pacific-Tech to monitor the drop. We'll clear the area all around. After that we'll hit them all over the world. I'll have long-range bombers alerted, loaded and standing by. | |
Lifted him from a carnival in Belfast. Held him hostage for three days. | |
You knew my Jody? | |
Are you listening? | |
What is this place? | |
Must be the music room. | |
When is mommy coming back? | |
Soon. I told you before, very soon. | |
Will she pick me up after school? | |
No. If I'm not here, you go home with Thelma and Kim. | |
What if she forgets? | |
I'll call Thelma and remind her, okay? Don't worry. | |
Dumbfuck Glenn was right, there's about five million worth in there, wouldn't you say, Richard? | |
Five point two. | |
I've got to leave? | |
-- yes, honey, you've got to get out of here. | |
Why? | |
Lester's on his way. | |
Keep the change on that. | |
Naw... I got it, Mr. Lazarus. You wanna tip me, best do it in butter beans. Momma say she need a bag 'a yours, none of that store-bought junk. That's what she said. | |
How is he? | |
Nice. | |
Arterial silk. | |
Hey, you know Henry Kissinger -- he's down from Harvard. On my staff, foreign policy whiz ... | |
No, but I liked your book on nuclear weapons. We have similar views on the balance of power ... | |
Well, that's wonderful. So get me this "crisis" thing, Dick; I'll be glad to take a look at it. | |
Set entry grid. | |
Neutronize. System shut. | |
It's a stunt. Humans don't write. | |
Dear, you're a scientist. Don't you believe your own eyes? | |
Where did you learn to do this? | |
Why not you? I'm letting you go first. Do it. | |
This is crazy. | |
Alright, go crazy. Let 'er rip. | |
Where do you want it? In the face? | |
Surprise me. | |
Congratulations, Mrs. Peel. You have been a worthy opponent. You have tracked us down. You are within an ace of winning. | |
This isn't a game. | |
Quite right, but we still make the rules. | |
Rules are made to be broken. | |
People, too. | |
Then who wins? | |
You and I. Together. But first you must confront your greatest enemy. Who could that be, Mrs. Peel? The answer is obvious ... | |
Perhaps he senses your hesitance at being touched. | |
But see, he stopped before I got that feeling, that's why it seems weird to me. I mean, I'm sure he wishes I would initiate things once in awhile, and I would except it never occurs to me, I'm always thinking about something else and then the few times that I have felt like starting something I was by myself. | |
Did you do anything? | |
You held sway over them. They feared you. You wanted it to happen. | |
Louis, I swear I did not. | |
I understand you only too well. You let them do it, as I let Lestat turn a child into a demon. As I let her rip Lestat's heart to pieces! Well I am no longer that passive fool that has spun evil from evil till the web traps the one who made it. Your melancholy spirit of this century! I know what I must do. And i warn you - you saved me tonight, so I return the favour - do not go near your cell in the Theatre Des Vampires again. | |
We've got another one. | |
That's no surprise. | |
But it's a different m.o. | |
Then what do you need me for? | |
She was killed somewhere else and dumped outdoors in an empty lot. Where it says "no dumping." Her legs pulled apart in a kind of sexual pose. It's all different but it seems so -- the same. Artificial and <u>posed</u>... Something's wrong with it. | |
You're saying it's the same man, but he's changed his style? That doesn't happen. These men are robotic; the murder is like a ritual. The method itself is part of the pleasure... | |
Didn't you hear me, Book? Pull! You never had your hands on a teat before? | |
Not one this big. | |
I know where they're going. | |
Figured you did. | |
Thank you. | |
You're not wimping out on us, Goodspeed. | |
I join the F.B.I. I ask for fieldwork. They say, "Bill, you're too fucking= smart for field work." Every year I put in for a transfer and every year I= sit in that goddamn lab like the fucking Maytag repairman in the= commercial. Then the call finally comes, and it's a whole fuckin, city at= stake? Oh Jesus... | |
'See ya. | |
'Bye, Jocko. | |
What are you going here? Have I not told you -- | |
Would you grudge me a glass with my old crony, Meg? | |
Tyler's kiss was a bonfire on the back of my hand. | |
Look at your hand. | |
Guided meditation worked for cancer, it could work for this. | |
Oh, yes! Yes! | |
Oh, baby! | |
Make me a woman! Yes! Make me a woman! | |
Is that all right with you? | |
Today I consider myself the luckiest man on the face of the earth. | |
Besides, Daddy's still trying to figure out how to get his new television set working. | |
I had it, a minute ago... | |
...the ark sank, the sun set, the ark sank again. | |
Father, I'm right here. | |
...the ark sank, the sun set, the ark sank again... | |
Mother .... you couldn't do that. You couldn't go to her. | |
I didn't say I would. But we've got to have money. | |
Did it ever occur to you that Chris might work? | |
Shush! | |
I see... | |
I am sorry, Duncan... | |
I must do it myself. I must kill them both. Lancelot and Guenevere. Will you ride with me, Merlin? | |
I cannot. I must not. Here I must stay. | |
No, damn you -- | |
Oh my God. | |
Well--let's dig up the preacher, kid. | |
Huh? | |
You know, we're getting married. | |
Take me home, Diz. | |
We'd love to transition a gay guy into the group. | |
We're very evolved. | |
Shuttle en route. | |
Position, Bird of Prey? | |
Closing. | |
He's good. | |
You haven't seen anything yet. | |
Wait. | |
Yes? | |
Aren't you going to tell me who you are? | |
Oh, Faith. My name's Faith. | |
It's a pleasure to meet you, Faith. | |
I wanna hear about it. | |
Oh Jesus Christ. | |
Question withdrawn, you may step down. | |
You're implying th... | |
I said. No further questions. | |
Congratulations. | |
Uh-huh. So what are you doing here? | |
Looking for someone. | |
Who? | |
Hollis Mulwray. You seen him? | |
Oh yes. | |
I'd like to talk to him. | |
You're welcome to try. There he is. | |
I don't like being handled. | |
Sit on it! <u>Now</u> look. | |
Just don't physically... Fantastic tip -- fantastic. | |
Yes, Im fine. Its just this god awful football phone! Who has a phone like this anyway?! | |
Uh huh... | |
I'm in, too. | |
Cleo! | |
Kansas is right. We're like sisters -- we're closer than sisters. And you don't turn your back on family. | |
Have you been talking to Holly or Lee about us? About our-our personal life? | |
Me? Of course not. HANNAH There's things Holly wrote about in her script about us that are so...personal they could only have come from you. | |
Oh, cut it out, will ya? | |
Charlie, twenty-eight bucks is nothing. The only way to do it is through your uncle...think about it will you? | |
NO!!! What do you think I am, crazy??? | |
No, I just want to help myself, that's all. | |
Come on. | |
I'll show you how to tell what's going on. If things go south, you unplug me. | |
What is it with you? Why is it so important? It's a buzz, right? Like getting high. | |
On a good run... yeah. | |
So you're a wire junkie. | |
Fuck you. | |
Or shitty!! Otis!! | |
... an action that will at last, once and for all, show that what I knew and what I did with regard to the Watergate break-in and cover-up were just as I have described them to you from the very beginning ... | |
He's completely lost touch with reality. | |
I had no knowledge of the cover-up until John Dean told me about it on March twenty-first. And I did not intend that payment to Hunt or anyone else be made ... | |
It's just an innocent question. Besides I just wanted to clarify your intentions. | |
Whaddya mean? | |
Well I just wanted to make sure you know, fully and completely, that you're never gonna get any from me, at least in this lifetime. | |
You mean they'll replace you with someone who won't perform abortions. | |
Well, we can only guess about that, Edna. They *are* against the law. | |
It must be great with a wife like that. | |
Each day is better than the next. Have you ever been, you know... in love with someone? | |
Nah. | |
Never? | |
Well once. Mary. | |
What are you doing? | |
He doesn't answer. | |
Trade for what? | |
The money. Fuck. I gotta think... | |
What the fuck! | |
You said it looked like a car accident. | |
What the fuck! | |
I'll pay for it. | |
This is the personnel file on the programmer, Lindenmeyer. There might be something in it you can use. | |
She wasn't part of the deal, Cox. | |
Fine you want to stay here? | |
Maroon? Whaddaya want? | |
Have you got the will? | |
Maybe. Why? | |
Meet me at my studio at nine o'clock. If you've got the will maybe we can stop this thing. | |
Stop what? | |
The machine works. And Vic's gone Mister Hyde on us -- | |
Really? With a name like Von Doom? Never saw that one coming. | |
And... | |
And I gave 'em directions out there, up by the old farm row... I figured what's the harm. Stupid kids probably going out to piss up a rope and got themselves turned around backasswards and got lost as shit. | |
Is that all... think real hard. | |
Yeah, they weren't here but a few minutes, didn't really have time to get as up close and personal as I do with most of the assholes that wander through here. | |
How's about you give me those same directions. | |
Yeah, yeah, sure. You don't have to get all True Grit all over my ass... I'll give'm to ya... you can knock yourself silly for all I care. | |
Enough talk, write. | |
Ray, maybe this isn't ... | |
No, this is great. You'll love this. He's a singer. | |
Marcia's living with a singer? | |
Yeah. You know, piano bars. plays the piano and sings. That's how they met. | |
This place is a trip. | |
Buddhist monastery. Fifteenth century. | |
Damn! Leeches. | |
No, I didn't think she was. Let me get the picture here. Let me guess. She was an absolutely clean girl, a model daughter, she never had rebellious or impure thoughts, she didn't fuck around... | |
If I was you, Mr. Mast, I'd watch my language. | |
Hey, I'm a private detective, Van Dorn, you want to hire a choir boy you can go back to Grand Rapids. I've been to that scumbag town. It's full of them. | |
Who's paying you? | |
You are. | |
That's right. | |
As I was saying, I'll pick up the thread. There's a number of ways I can go. There's not much you can do here. Stay if you want. Maybe it'd be better if you went back home. Go through Kristen's personal stuff. Ask around, maybe she knew somebody out here. Look, I do this a lot. I work at a minimum rate of $750.00 a week. It may seem like a lot of money to you, but it ain't. You could hire cheaper. | |
And better? | |
I suppose. But I'll tell you, Jake, I'm like a little animal. When I get my teeth into something I never let go. If your daughter's here, I'll track her down. | |
Have you seen Katharine? | |
What? | |
It's Geoffrey under this. | |
I haven't, no. Sorry. | |
Who's that man? | |
He's not anybody. Just a fellow I used to know. | |
I thought you'd given up that sort of friend. | |
This is the first time I've seen him in years. I didn't want him to think I was high-hatting him. | |
I don't like him. | |
Don't worry. You won't see him again. What happened? Did you change your mind about going? | |
No. I just came back for a second. I wanted to get those bonds. | |
What bonds? | |
The government bonds. The ones you took from the office safe. | |
Oh yes. Why, you told me to sell them a long time ago. | |
I'd never tell you to sell those. I bought them for my daughter. | |
Don't you remember.... | |
Now see here, Julia. You're counting a little too much on my being absent-minded. You've been taking a little here and there for some time, and I haven't said anything about it. But this is fifty thousand dollars! | |
Do you realize that you're accusing me of .... | |
No one else had the combination of that safe. You took them. What did you do with them? | |
What if I did take them? I'm sick and tired of seeing you hand out thousands of dollars to that family of yours.... | |
That's my business. | |
supporting that gang of loafers! There's not one of them that cares a damn for you. A wife who threw you out the first time your foot slipped. They wouldn't raise a hand to help you. And I've given my whole life for you. If you kicked off tomorrow, where'd I be? Out in the gutter! Sure I took those bonds. Who has a better right -- ? | |
No, wait! I like your tits. I love your tits. I want to fuck you. | |
Good. Now we're getting somewhere. Not a chance. | |
I write for you sometimes. | |
Not because you have to. | |
She disappeared... shit! | |
You were too far behind. | |
She finished my solitaire game and turned on the radio...she likes rock and roll. Angry rock and roll. | |
How do you know it's a she? | |
I saw her in the water. Beside me. She was filling the bathtub. | |
What does she look like? | |
Pretty. She's a blond. | |
Do you have any idea who she is? | |
Um...I'd rather not say...just yet. | |
Fine. | |
What do you think I should do? | |
If I go across to Santa Rosa I'll come onto the freeway much earlier. | |
Yeah, and the freeway's well-lighted, isn't it, Mitch? | |
If I smell one drop of Scotch on your breath, my friend -- | |
You can trust me. | |
I'm afraid so, you want her? | |
But you know, that was just a dream. Doesn't really count. | |
It wasn't me. | |
Look here - if it wasn't you, and it wasn't you, and it wasn't me... | |
I'm sorry, really I am, but my train leaves in ten minutes. | |
All right, I'll give ya a break. Down that hall there, there's an unmarked door on the left. Go on in there and wait at the window. I'll take this... ...in the back and run it through right away. We'll have you outta there in a couple minutes. | |
Thank you. You don't know how much I appreciate this. | |
Think nothin' of it. | |
That's enough, Edie. | |
I don't know what you came here for, but we won't have any part of it. | |
Edie, please. | |
What's wrong with making friends? | |
You don't go through all the hardships of an ocean voyage to make "friends". | |
Where did you get that sweater? | |
Great, isn't it? | |
It's really Fifties. You sort of clash with the world. | |
Hey! What's the fun of being a teenager if you can't dress weird? And we're going to have fun tonight, right? | |
Right. I promised my mother. | |
Is this slow enough for you? | |
Charlie, how are you? | |
I'm fine Peggy Sue. And how are you? Are we talking on the phone? Are we pen pals? | |
Seriously. What's it like to be eighteen? | |
Look what they put her on... | |
No, that is code-word material, that's what <u>that</u> is.... | |
What did I say? | |
Dude in uniform get in your face, you do not shoot your mouth off. | |
I need your truck. | |
No, no, no. You don't need my truck. You need somebody else's truck... | |
...and a shitload of ice. | |
Look, if I don't get this stuff to McGruder, it's goodbye, Andy's Ice Cream, goodbye, Jerome, goodbye, Mon-... | |
...-tana. | |
Wait, wait. You don't believe the dead guy, do... | |
...ya? | |
Yeah, I believe him. He was my friend. | |
For cryin' out loud. | |
Hey, listen! Do you know what I think? I... | |
...think he was a wacko. And I think that G.I. ninja's a bigger wacko. And I think you're the biggest wack-... | |
...-o of all, wantin' to be a part of this wacko shit! | |
I need your help. | |
You are seriously mistaken if you think you are going anywhere in my... | |
...truck. | |
Then you drive me to McGrud-... | |
...-er. | |
Look...I got two tons of the world's nastiest ice cream sittin' in a truck that should've been retired ten years ago. That shit will be worthless by noon. | |
And if that Elvis shit... | |
...is as dangerous as you seem to think it is, I'm gettin' my ass as far away from you and it as possible. | |
Peace. | |
All right. | |
Wait, wait, wait. Hold up. Hold up. Look. | |
You want cash? | |
You want cash? | |
I got, like, uh.... | |
I got, uh.... | |
I got fifty bucks. I'll get more. | |
I'll rent the truck from you. You can stay here, you can go. Whatever you want. | |
No. | |
All right, then how about this? | |
Hey, you're gonna piss me-- What the hell are you supposed to be... | |
...doing?! | |
I need your truck! | |
You are not takin' my truck! | |
Glenlivet, right, Gino? | |
I'll have whatever Violet's drinking. | |
You just worry about your end, kid. | |
If we ever get to it. | |
How was the beach? | |
Fine. | |
Surf conditions okay? | |
A little mushy. | |
A little mushy! You think the taxpayers would like it, Utah, if they knew they were paying a federal agent to surf and pick up girls? | |
Babes. | |
What? | |
The correct term is babes, sir. Uh, this type of undercover operation is entirely dependent on picking up the idiom of the speech. Otherwise penetration is not possible, sir. Of the social infrastructure, I mean. | |
We're only on the fucking list for Marie's gig at the Pulaski Pub, that's all! All three of us. | |
That's fucking great, Barry. We can spend fifteen bucks on a cab to save five each. Fantastic, Barry! | |
We can take your car. | |
It's not my car, now is it? It's Laura's car, and thus Laura has it. So it's an ass-bumping double- transferring bus ride through bumblefuck or a fat wad on a cab. Wow. Fucking great. | |
I thought he was carrying something. | |
But not a knife? | |
I got this picture of a silver handled gun tucked in his pants. Like on t.v. | |
What? | |
I say, why don't you go to the Stardust Ballroom? It's loaded with tomatoes. | |
Hey, listen, listen. | |
What? | |
Gimme a kiss. | |
Really? | |
Yeah, why not, because we're just gonna go home later, right? | |
Yeah. | |
And-and uh, there's gonna be all that tension. You know, we never kissed before and I'll never know when to make the right move or anything. So we'll kiss now we'll get it over with and then we'll go eat. Okay? | |
Oh, all right. | |
And we'll digest our food better. | |
Okay. | |
Okay? | |
Yeah. | |
Your place? | |
Yeah. Oh, it's great. Of course it doesn't compare with this coliseum of yours here, but 'twill serve m'lady, 'twill serve. The architecture has a little feeling of Missouri Gothic - and the furniture sort of leans toward Oklahoma Renaissance - with a tiny touch of Grand Rapids. | |
Don't you think it's silly of us to think of living there when we have this whole big house | |
When 'we' . . .? You mean, you'd like to have me live here in your house? | |
The representative of the police wants to know if there is anything wrong with your tonsils. | |
No! | |
<u>Niente!</u> | |
That's just what I tried to tell him. Well, one word led to another. He really was a very charming fellow. So we talked for about ten minutes. | |
Doctor V. L. Pemberton. I knew it. He's a scientist all right. Inventor of the Pemberton Condensed Steam Engine. I'm telling you, Artemus, Loveless is our man. | |
Whoa, Jim. Maybe. But we can't arrest this little pillar of society on maybe. | |
All right. How about this? We put a watch on this Pemberton, somebody tries to grab him... | |
Then we've got our proof. Excellent. And where do we find this fortunate scientist? | |
He'll be a minute, hon. You want some coffee? | |
No thank you. | |
You sure? I just made it. | |
No, thank you. I'm good. Thanks. | |
I'm not accusing. I'm asking. Do you...do you find me too...too giving? Too-too-too competent? Too-too, I don't know, disgustingly perfect or something? | |
No. | |
Why did you hold his collar? | |
What? | |
What? What? That boy, that little boy, you were holding his collar, gripping his collar, what for? | |
Would you let me pass? | |
Is he next? Do you drag him into your little room? Where is it? Is this it? | |
Don't do this. | |
I've watched you - on verandahs, at Garden Parties, at the Races - how can you stand there? How can you ever smile? As if your life hadn't capsized? | |
You know why? He tries to hold her. She resists | |
Dance with me. | |
No. | |
Dance with me. I want to touch you. I want the things which are mine. Which belong to me. | |
Do you think you're the only one who feels anything? Is that what you think? | |
Sorry I'm late. Richard called. | |
Oh, how is he? | |
Fine. They're all having a good time. How many more shots do you have? | |
Couple. Want to help? | |
What's going on? | |
Rain. | |
Real rain? | |
Yeah ... You don't have rain either? | |
That must've been Twombley. Jesus. I bet that was Twombley. | |
You want me to follow them to Littleton? | |
Let's get to the top and talk to Jack first. He'll know what happened. He fucking better. If this coulda been avoided, I'll put that kid's ass in a sling. | |
So I've heard. | |
Who's your pilot? | |
Tom Kazansky. | |
No shit. The Iceman.... | |
Mister to you. | |
He was very good. Better than some people would think. | |
Why did he kill himself? | |
Why, what'd you hear? | |
Well, guess if it was trickeration he'd just do me, huh? Then again...I am worth twice as much alive. Didn't know? Johns ain't a cop. Oh, he's got that shiny badge an' all, but nah -- he's just a merc and I'm just a payday. That's why he won't kill me. The creed is greed. | |
Frederico! | |
Ciao bello. Don't you want to fuck every woman you see. Just once. | |
Damn. Just when it was about to get interesting. | |
It's okay. She scrambled the transmission. Luther, continue feeding the GPS her position. | |
You don't have watches? | |
Dude, you didn't say anything about watches. | |
What do you think this is kid? Lick Barney the Dinosaur's pussy fucking kiddie hour? Huh? This is real life with consequences you take to the grave! | |
Who was that at the door? | |
A visitor. | |
A man like Mr. Christian, a great man... all his money, all his power... a man who attained everything there was to attain... | |
Why did he buy a film of some poor, lost girl getting butchered? | |
Isn't it incredibly obvious? | |
Enlighten me. | |
Because he could. He did it because he could. What other reason were you looking for? | |
I'm opening the side door. She'll step out. But before she gets in your vehicle I want to see the first installment put down in plain view. If it isn't there I'm shooting her in the back. | |
Are you trying to panic the women? | |
That's how it is. You see her approaching you toss out installment one. | |
I'm tying it up in a bundle now. Where is she? | |
Home. We go home. We ride like hell to get there, and we kill anything or anyone that comes between us and our homes. And when we get there we stay there and God help any fool who tries to get me to leave my farm again. | |
Best damn plan I heard all war. | |
They don't have the package. | |
You think? | |
You said it yourself: Gregor's not dead. If they had the package, they'd have killed him. | |
Then V'ger must withdraw its orbiting devices. | |
V'ger will comply if the carbon units disclose the information. | |
How many people do you think heard that thing last night? | |
It plays in 50 states. | |
What?! | |
Nobody else is going to know it was us. | |
You're right. You better hope so. | |
What did that cost? | |
You want sophistication, it don't come cheap. | |
Doesn't. | |
It makes me sad. | |
Can --? | |
Makes me sad it was her. Instead of me. I shoulda froze. | |
Come on, Terry, we got a ride! | |
Jesus, what a rude person... | |
Well I'm touched. You're serious, aren't you? | |
Yes. Fifty dollars an hour, right? | |
Yeah. | |
Oh, thank you Lord! I'm so glad to see you! I need to confess... I haven't been confessed since Easter... or been to Mass... Will you hear me now? | |
I will hear you... but not now, not here. | |
Who are you? | |
Pierre Cauchon, Bishop of Beauvais. As you were captured in my diocese, the duty of conducting the trial falls upon me. | |
Trial? What trial?? | |
Your trial, Jeanne. On a charge of heresy. | |
But... the King -- my king -- didn't he pay my ransom? | |
It seems that the English care more about you than the French. | |
The English?? | |
Yes. They paid your ransom... tomorrow you will be transferred to their great castle at Rouen. | |
Boy, look at all those stars. Bet You can see every star there is. Practical touch 'em. Kinda makes You think, you know? I mean you Look up and you think God made All that but he still remembered To make a little speck like me. Kinda flattering really. Hey, Wyatt, you believe in God? No, Come on, really, do you? | |
Maybe, yeah. Hell, I don't know. | |
Well what do you think happens When you die? | |
Got me. Somethin'. Nothin'. I Don't know. | |
I read this book, book on Spiritualism... | |
You serious about having him over? | |
I haven't made up my mind. | |
Pittsburgh? | |
Mostly. That's where he started his empire building. He was a good man. Notorious as an eccentric, but that was something he cultivated. He wanted to be legendary. | |
He succeeded. | |
We were married forty-five years. Hard even for me to imagine. We had our troubles. There were plenty of places for him to be other than here, but he was always loyal to me, and I to him. I loved him deeply. | |
You don't have any idea how lucky you are! | |
A lifelong problem, I'm afraid. | |
No, dammit! I mean me! That Rembrandt...that Rembrandt! | |
You really liked it? | |
At the end of every chapter -- | |
Someone you have to get back to? | |
No. | |
Even now. | |
No... | |
He looks after me. He's a gentleman too. | |
Wait'll we get back to Missouri, start telling those gals about how little Jesse James charged the whole Union Army by himself! | |
You ride like a Comanche. | |
Look--why would the Republicans do it? --my God, McGovern is self- destructing before our eyes--just like Muskie did, Humphrey, the bunch of 'em. Why would the burglars have put the tape around the door instead of up and down unless they wanted to get caught? Why did they take a walkie- talkie and then turn it off, unless they wanted to get caught? Why would they use McCord--the only direct contact to the Republicans? | |
You saying the Democrats bugged themselves? | |
The FBI thinks it's possible--the Democrats need a campaign issue, corruption's always a good one. Get off the story, Ben--or put some people on McGovern's finances; fair is fair, even in our business. | |
What are you doing? | |
Counting the gray hairs in your head. | |
Counting the what? What does that have to do with the price of butter? | |
I was just trying to make conversation. | |
Where is Skip? | |
He is in his pigeon cage. | |
I'm sorry he got those birds. | |
You know the man next door is near death. | |
...I'd like to be alone for a while. | |
Are you sad, Bill? | |
Yes, I am. There's a research lib- rary on the fourth floor. Why don't you go down and read some magazines? | |
You're not thinking of going some- where, are you, Bill? | |
Joe, could I ask you to take a walk? Buy a tie or something. I know I'll be seeing you. | |
Of course. | |
I don't see no sign of guts in you. | |
No. No chains either. | |
You ain't man enough to wear them! | |
But you're dog enough. Maybe they'll let you sleep outside the box near your master. | |
Big deal paper hanger! Hell, anyone who can write can pass fifty-sixty dollar checks. Like breakin' open a piggy bank. | |
You've been having bad luck with masters, haven't you? Your last one left you when the cops came... and now Luke. You should complain to the S.P.C.A. | |
You phony creep! | |
Take it easy! Everything's okay! | |
Que es lo que quieren de me, hijueputas campesinos? | |
Mom, there's an amusement park right on the beach! | |
That's the boardwalk, Sam. | |
Can we go now, huh? LUCY Maybe later. Grandpa's expecting us. | |
Just give me a receipt. Hey, Sal, you okay? | |
Okay, Sonny. | |
All right. | |
Look what you made me do! | |
What's wrong with you?! | |
I'm not that sure. Yeah, I think -- | |
-- yes, Teton Sioux. Father's side. | |
Mr. Morton's with American Express... he's... I can tell Jim what you do...? | |
Sure. | |
Ray is director of all European sales and services for American Ex... But I'm saying you haven't had a meal until you've tasted...I was at the Lingks' last...as a matter of fact, what was that service feature you were talking about...? | |
Which... | |
"Home Cooking"...what did you call it, you said it...it was a tag phrase that you had,,, | |
Uh... | |
Home... | |
Home cooking... | |
The monthly interview...? | |
Oh! For the magazine... | |
Yes. Is this something that I can talk ab... | |
Well, it isn't coming out until the February iss...sure. Sure, go ahead, Ricky. | |
Yeah. | |
Why? | |
Because that's where the fire is? | |
You said ... one shot. | |
Did I? My mistake. | |
You know, one time by mistake I went into a white church down in Row County and to this day I don't know how'n the devil I got outta that church alive. | |
They probly thought you was crazy. | |
I guess so -- but I went home and did me some praying to the Lord. I said, Lord, I went into this white church down in Row and all I want you to tell me is how I ever got outta there in one piece. | |
What did the Lord tell you, Ike? | |
He said, I don't know, Ike -- you doin' better'n me, I been tryin' to git in there for 200 years and ain't make it yet! | |
And I'd like to point out that I've been on prescription <u>medication</u>, the side-effects of which... | |
I'm doing my job, Too. Would you give me a... do you think you could call off your Dogs for a minute. | |
But for Catherine Martin, it all comes down to you and Lecter. You're the one he talks to. | |
He's already offered to help... What would happen if we just showed our cards - asked him for Bill? | |
He offered to help, Starling, not to snitch. That wouldn't give him enough chance to show off. Remember, Lecter looks mainly for fun. Never forget fun. | |
But if he knew we have so little time - | |
If we act too anxious, he'll make us wait. He'll let the Senator keep hoping, day after day, until Catherine finally washes up. That'd be the most fun of all. | |
I think he means it, this time. I think he'll deal. | |
What would it take? | |
Transfer to a new prison. With a view of trees, he said, or even water... Can we swing that? | |
State to federal jurisdiction... We can do it - eventually - but we'll never get all the clearances in time. Can you convince him a deal's already in place? | |
You'll back me up with some paperwork? Then I'll try. But wouldn't this have more weight coming from the Senator herself? | |
She doesn't know what we're up to. And we can't afford to let her find out. | |
Listen, try a place with some sun. Swimming pools. Palm trees. Girls in little French bathing suits. | |
Thanks for the ride. | |
How well do you know her? | |
Just met her on the boat--supposed to play bridge with her yesterday--but she wouldn't--so we played poker instead. | |
Who with? | |
A Mr. Summers and a man called Lother. | |
Oh, you infant! How much did you lose? | |
Lose?--I won a little-- | |
That was the come-on--promise me you won't play with them again-- | |
What do you know about them? | |
Too much--Remember--I warned you about me-- I used to be Lee Lother's girl-- | |
You can live that down, can't you? | |
He's a con man--crooked as a tree--and I was part of the racket--helped him! Now--if you have an appointment elsewhere--I'll excuse you! | |
Mom and Dad? That's...crazy. They never said... | |
Oh sure. That's just the sorta thing parents tell their kids: "Goodnight honey. Don't forget ot say your prayers. Oh, by the way, your father and I torched some maniac last night." | |
I'll bet you have some good ideas. | |
Hey, you're getting a better class of people in your office these days, Boss. | |
Get in... now! | |
Wait, I want to say good-bye. | |
Hello? | |
Hello, mom? | |
Theodore? Where are you? Are you alright? | |
I found dad. | |
He's dead, isn't he. Buzz Fazeli might just as well have died before you were born. | |
Mom, you know I had to do it. I just did it a little too late. | |
You sure you're OK Teddy? You're not bowling are you? | |
I gotta go. Love ya mom. | |
...stupid things. | |
Watch it, partner, watch it! | |
The worst was Blue. | |
PARRTYY! | |
We're friends of Beckett's. | |
It's me, you dork. | |
You can send me the address too. | |
Well...dammit, if I'm doing this, how the hell am I gonna watch? | |
I'll save you a seat. | |
That was a really shitty thing to do. | |
I'm sick of looking at her mother- fucking face. | |
Oh Jesus... | |
He killed her...he killed her... | |
What happened? What's Earl doing here? | |
He found us, he shot her...he killed her... | |
Booth, listen to me...Booth! | |
He killed her... | |
Ah! You sly rogue, I see that will influence you. | |
The place seems more a farm than an inn-yard. | |
The people are great farmers, as well as inn-keepers. | |
A franc for your thoughts. | |
In America they'd bring only a penny. I guess that's about all they're worth. | |
I'm willing to be overcharged. Tell me. | |
And I was wondering. | |
Yes? | |
Why I'm so lucky. Why I should find you waiting for me to come along. | |
Why there is no other man in my life? | |
Uh huh. | |
That's easy. There was. He's dead. | |
I'm sorry for asking. I forgot we said "no questions." | |
Well, only one answer can take care of all our questions. | |
We had a lead to Wonderland Weather but we got there too late. Someone tipped them off ... | |
Too late anyway. Today's escapade was only for starters. This is no ordinary weather. It's manmade. A kind of weather bomb. | |
Impossible. | |
Hey, Squirt! You want to stow this gear or you want me to use it for ballast? It ain't good for much but bait. | |
I'll see ya. Tell Dorothy hello. | |
It's okay Mom. I'm allright. | |
You don't look alright. | |
Yeah... cop hit me... | |
I saw. I saw that big one hit that police man. Saw 'em drag you off too. They take you to jail? | |
Yeah. | |
Lord, never thought I'd live to see my boy in prison. | |
Mom! It wasn't like that. It was bullsh... They were just harassing us. No charges were filed. It's alright. | |
Maybe. | |
Then again, your dad's got his own memories and he's got his own life now...I think this is a secret just between you and your mom. | |
A secret, I like that. | |
This is it I guess. | |
Well, I've come this far...the least I can do is knock on the door. | |
You want me to come with? | |
I should do this myself. | |
Okay...take your time...I'll...I'll go for a walk around. | |
Okay. | |
No, I love you, really. | |
Then tell me, what will happen? Tell me! | |
Look, I love you Katka but I'm twelve years older, I could never marry you, it'd be stupid, you know that! | |
The commission concluded that the aviator in question failed to execute a proper approach to the carrier. | |
That aside for the moment, I'm struck by the tenor, the ill-spirit of your report... the degrading remarks by other aviators... innuendo about her performance in unrelated situations... even a reference to her sexual activity the weekend prior. In my seven years on this committee, I've never seen a downed aviator treated like this. Never. I'm deeply disturbed by this report, Mr. Hayes. Not just what it bodes for women in the military -- but for your own confirmation as well. | |
I have your samples ready. | |
Have you forgotten? I don't need any samples where I'm going. | |
No, but you might need them when you get back. | |
Why, doctor...how wonderful for you. | |
Wonderful? It's terrible! Terrible, terrible, terrible, terrible, terrible! | |
Oh shit! Sometimes there's things in my head... man. Grass does that to me, fucks me all up like a crazy Indian... | |
Do you believe that stuff about... knowing you're gonna die? | |
Yeah, those are the guys that live. I really don't think Death gives a shit, it's like a giant garbage can, I think it takes whatever it can get... you never know where it's gonna come from anyway... so why spin your wheels? | |
And take Jiri with you? | |
What for? | |
Insurance! | |
You really think I'm stupid, don't you, Gittes? | |
I don't think about it one way or the other. But if you want, give me a day or two, and I'll get back to you. Now I'd like to go home. | |
I want the rest of the pictures. | |
What pictures? | |
This broad hired you, Gittes, not Evelyn Mulwray. | |
Yeah? | |
Yeah. Somebody wanted to shake down Mulwray, she hired you, and that's how you happen to know Mulwray was murdered. | |
I heard it was an accident. | |
C'mon, you think you're dealing with a bunch of assholes? Mulwray had salt water in his goddam lungs! Now how did he get that... in a fresh water reservoir? | |
How do you know it's not drugs? | |
Maxie knows I don't go near drugs. I did a minute in Quentin for possession with intent. And it ain't now cause he woulda told me. | |
You strapped? | |
'Strapped?' | |
It means you got a gun? | |
I know what 'strapped' means, motherfucker. What the fuck you think this shit is? '21 Jump Street?' Cool out, they're coming back. Just throw up your screw face and don't speak unless spoken to. | |
Homer... doesn't King Kong think the woman is his *mother*? | |
Uh, sure--that's what Kong thinks, all right. | |
That's why Kong loves her! | |
Whenever George tells someone how steadfast I am, he always makes me sound boring. | |
Solid and genuine is not boring. Michael can be completely insane... | |
Come on, get up. That horse is carrying too much of a load. | |
Who won? | |
Well, you got the first down--there's one more to go. Come on, we're ready to start right now. Come on. Just keep stiff. | |
I was never stiffer in my life. | |
All right, folks, get on your mark. When you hear the pistol shot-- | |
Mommy, if your real name's Jackie and I call you mommy; and Rachel's real name's Rachel...Then when I see her do I say hi Stepmommy? And if my name's Ben, how come you don't call me son? | |
Thursday's fine... | |
Whoooooah! Oh! Bo! There's gotta be a less painful way to get my attention. | |
Merry Christmas, Sheriff. | |
It's for you. Frida. | |
Tell her I'm eating. | |
Pooch, can you move it? | |
I don't know... | |
Well, I'll be - ! | |
I'll be another! | |
Suave. goddam are you suave, you fucker. You want some beer? | |
Certainly Frank. Darling, get some glasses. We'll have some beer with Frank. Won't you sit down? | |
Sit down, Miss Juspeczyk. As I mentioned, the people in this file are all close associates of Dr. Manhattan. They have something else in common as well. They've all developed a fairly . . . exotic form of lymphatic cancer. | |
What are you saying? That Jon is radioactive? | |
Okay, I designed the float, you know. And, what's gonna happen here is that this is going to look like a glistening lake beneath the swan. | |
Uh, Gladys? | |
What! | |
We need more bars! | |
This is -- what? | |
Enid ate a whole pan! | |
I swear to God she can't do anything by herself. | |
You're gonna pay for that, Pebbles. What?! | |
You gave us <u>names</u>? What are you, the "face" of the Fantastic Four now? | |
What'll they do to him? | |
Don't ask me. | |
Wong? | |
Fuck you, wrong. I'm right! What the fuck do you know about it anyway? You're still listening to Jerry- fucking-Vale. | |
Not wrong, dumb ass, Wong! You know, like the Chinese name? | |
Close call. | |
What are you doing here? | |
I understand your impatience, but if you want this trial to be acknowledged as legal we must follow correct procedure and... | |
To hell with procedure! We paid a bloody fortune for this slut, and we can do whatever the hell we like with her, whether the church likes it or not -- is that clear? | |
But if this trial seems fixed, I fear you'll have the very opposite result to the one you want... | |
We want her burned as a witch! | |
But in order to do so, the church must first prove her heresy, or else you'll be burning a martyr... | |
Well then? Start proving... or else the church will have another martyr! | |
Hey, Willie -- I think you better get out now. | |
Stark naked? You wish... If you're trying to seduce me, Dr. Jones, this is a very primitive approach. | |
Me seduce you? Honey, you're the one who took your clothes off. I just came over to remind you that you never know what else might be in the water. | |
Somehow I feel safer in here. | |
It comes here from Cable Junction. | |
Untangle it and let's go -- We don't need a blackout on the island. | |
Now you're talking. Let's get out of here before we do find something. | |
Aft thrusters - | |
Thank you. Lieutenant, one quarter impulse power... | |
Captain, may I remind you that regulations specify thrusters only while in space dock? | |
Guess who? It's your old friend, Lex. | |
Luthor, I suspect if you had actually planted a bomb you'd be far away from here by now. | |
Silly me. How do I ever think I can fool the super guy. You're right, no bomb. I just knew you were too busy with the world peace bit to make a social call. I confess . . . I tricked you. Hey, you look great! | |
A weapon. | |
It would appear so. | |
The fastest in the world. | |
I know where to find him... He lies out on the marsh, raven-fodder; his horn torn from his head. | |
Weird and tiny huh? | |
Hi | |
Well, why don't you use your divine influence and get us out of this? | |
I beg your pardon, General Solo, but that just wouldn't be proper. | |
Proper?! | |
It's against my programming to impersonate a deity. | |
This is to replace the bike I lost. I'll get you the rest. | |
Keep it. | |
Of course, Dick Grayson, ward of the fabulously wealthy Bruce Wayne. Why would you need a few hundred dollars? | |
Hey, what's your problem? | |
I guess, the truth is I'm just not comfortable with the idle rich. Even when they try to act like heroes. | |
Excellent detective work, sir. You should have the honor of going first. | |
Oh, thank you. | |
My pleasure. | |
All right, now, tell me about Johnnie. | |
Johnnie? | |
It sounded like he and Caesar don't like each other. | |
Like each other? They hate each other. | |
Why? | |
It started way before I was around. I think basically it's because he thinks Johnnie is a complete idiot. But Johnnie runs Chicago because Gino is his father. | |
Who is Gino? | |
And then. . . let's see, I uh--music business briefly. | |
Oh? | |
Yeah. Roadie for Metallica. Speed of Sound Tour. | |
Uh-huh. | |
Bunch of assholes. And then, you know, little of this, little of that. My career's, uh, slowed down a bit lately. | |
What do you do for fun? | |
Oh, you know, the usual. Bowl. Drive around. The occasional acid flashback. | |
When? | |
Last night, this morning. | |
Okay? | |
Unbelievably handsome. You look fantastic in a suit. | |
In there. Charlie Penny owns the place. We knew no one would ever find it. I'm not even sure I can find it again. | |
How do we get in? | |
They used to keep a spare key. | |
Not just kids - - for everyone. We're going to open next year. Unless the lawyers kill me first. I don't care for lawyers. You? | |
I, uh, don't really know any. We - - | |
Well, I'm afraid I do. There's one, a particular pebble in my shoe. He represents my investors. He says they insist on outside opinions. | |
What kind of opinions? | |
Not to put a fine point on it, your kind. Let's face it, in your particular field, you're the top minds. If I could just get you two to sign off on the park - - you know, give a wee testimonial - - I could get back on schedule - - - -schedule. | |
It's what the natives are calling the lions- -two lions have been causing trouble- | |
-what's the surprise in that, this is Africa? | |
It hasn't been that simple so far. | |
What have they done besides kill Starling? How many have they killed? | |
Why didn't you bury those people? | |
Anyone lookin' to pick up our trail, would see it as a sign of our passing... | |
You knew them. | |
Harry, you know everything. | |
You got to know everything, do everything, and be everything. | |
I'm fine. Have you seen Peter? | |
He's gone. He told me what happened. He just left for the airport. | |
Larry, did you rent a car? | |
He knew about NASA. What if he made the call to shut us down -- | |
Ben, think about all the people we can help if this works -- | |
Maybe you should think about yourself for once. You always let this guy push you round -- | |
We got what we wanted. That's enough. | |
I know, I know. I'm just worried about what he wants... Speaking of which... | |
Like this? | |
Uh huh. Okay, enough practice. | |
Close your eyes. | |
But then I won't be able to see anything. | |
Listen, Elaine -- it seems to me that there isn't a bar in here. I mean -- as far as I know. | |
Of course there is. Look -- The Veranda Room -- right there. | |
You're our best and only friend. | |
Thank you. | |
He took pains to hide his actions because he knew they were morally wrong. He was not acting on mad impulse. He was sane and acting out a pattern he carefully followed every time. | |
What pattern was that? | |
The same as the first time... | |
I'm afraid the word brings up the most unpleasant connatations in this day and age... | |
Yes... I... | |
You can call me Sister. | |
... Thank you. | |
You must have tons of questions. You may smoke if you want to. Just don't tell any of the Sisters. | |
All right, all right, so we can say he is good. | |
Better than good, he is a fucking liability. | |
Where did he get a hundred grand? | |
Got any spare change? How 'bout a spare twenty? | |
Look, I don't have time for you, get out of my way!! | |
Alright, how 'bout all your fuckin' money? | |
Hi. Mister Kent. Guess who Mom's having dinner with tonight? Superman! | |
Actually, that's why I stopped by. He's realy sorry, he wanted to make it, but then he...ran into a problem. | |
The power allows us to manifest our fears, right? What if we feared the power to go away? | |
You mean forget? | |
It would erase all our knowledge of it. All of our power. | |
You got the message Lecktor called... | |
I arranged for him to have a phone. I have to call him in a few minutes. | |
From the lip wound, which happened seven hours before he got burned, we've narrowed it down to those cities within the seven-hour driving radius that also would've caught the 'Tattler' early Tuesday morning. | |
What's it narrow down to? | |
Milwaukee, Madison, Dubuque, Peoria, St. Louis, Indianapolis, Cincinnati, Toledo and Detroit. | |
That's narrow? | |
When are you coming back? | |
When I'm done. | |
Yeah. | |
What time do you get off? | |
Man, it's so hot. | |
Gettin' up, Carr. | |
I brought a pork chop, maybe we could hang it around your neck for luck. | |
No thank you, but maybe later you can chew the bark off my big fat log. | |
Needs salt. | |
Is Newsday a real interview, or just some cute guy you're setting me up w... | |
... I don't send you men, anymore. You don't know what to do with them. | |
I strongly suspect that Ugarte left the letters of transit with Mr. Blaine. I would suggest you search the cafe immediately and thoroughly. | |
If Rick has the letters, he's much too smart to let you find them there. | |
You give him credit for too much cleverness. My impression was that he's just another blundering American. | |
But we mustn't underestimate American blundering. I was with them when they "blundered" into Berlin in 1918. | |
And they're leaving the country tomorrow night. | |
Bastard. | |
I don't have all the pieces yet, but I'm close. I'll know tomorrow. | |
I'm calling the police. Right now. | |
You can't do that. | |
Don't tell me I can't -- | |
They're trying to kill me! | |
Riuji? | |
I told you, I work for him. | |
They do to! | |
They do not! | |
Goin' home... to the land o' the free and the home of the real hot- dogs! On the TITANIC!! We're ridin' in high style now! We're practically goddamned royalty, ragazzo mio!! | |
You see? Is my destinio!! Like I told you. I go to l'America!! To be a millionaire!! Capito?? I go to America!! | |
... plastic. | |
Wow, that is one moving story. Take it easy on my heart strings. Now I really feel guilty complaining about you shooting me up with your poison. | |
Poison? I'm surprised at you. You lack vision, Mr. O'Brien. | |
You're lacking a few things too: ethics, morals, common decency and, oh yeah, deodorant. | |
Robert? | |
What? | |
I could spend some time with you tomorrow morning, before Carl comes back, I mean, if you'd like to. | |
Of course I'd like to. | |
You can't get away from me, Albert. | |
I know. | |
I'm an attorney. I'm with Moss, Brice & Fromeyer. | |
That sounds pretty interesting... | |
Misha! Misha! | |
What is it? | |
A telegram from Moscow! It must have been here all day! | |
Stop the car! | |
Let us out! | |
Aren't you ever in school? | |
There's other things to be learned. | |
Izzat so? | |
The Mayor's outside. | |
What's his name? | |
Mr. Bailey. | |
You don't aim to cause any trouble But? | |
But we strongly suspect something will happen to screw up this splendid organization of yours if you don't get that sky pilot out of our tent. | |
Your tent? | |
That's it! Oh, that son of a bitch, he's different, goddamn it! You see what this tells us, huh? Our killer doesn't love fire! | |
What? | |
I got it after we talked to Ronald. Torches. Want to fry the whole goddamn world. But the fires that killed those guys never really burned up much. -- The burns were all lit in outlets surrounded by double firebreaks in the walls. And he made his burns backdrafts. | |
But he killed these guys. | |
But he could have killed everybody there. The firebreaks kept it from spreading in the wall. The backdraft blew out the flame. That's it. That's the reason. | |
What reason? | |
Why backdrafts. Whoever fried Seagrave and Cosgrove went to a helluva lot of trouble to make sure they died by fire, but also made sure the fire blew itself out. | |
That's why the sealant on the doors... So what have we got, a torch with a conscience? | |
No, we have a stone killer trying to make a point. | |
Are you going public with this? | |
No. Do that and I guarantee you'll scare him off. I don't want him running away. | |
Reed. I was ready for the next step, you weren't, ergo, I walked. | |
I think it was a little more complicated than -- | |
I just wanted to share an apartment. What was so complicated about that? | |
Can I go get those mangos now? | |
I'll go with you in a while -- judt hold tight awhile -- | |
That gives you an idea of what I'm up against! | |
We're up against a lot more than that with that nutty slogan you invented: 'Reform the Reds With a Rope'. | |
I should've had that dog bite me. I would've gotten rabies! Could've went to the hospital, had a pretty nurse! | |
Hey, hey! Whoo! Okay. | |
Go, go, go, go, go. Oh, shit. | |
Oh, shit. | |
Come on, old Pete. | |
Come on! | |
Come on, old Pete. | |
God, man! | |
I'm goin'. I'm goin', baby. I'm goin', I'm goin'. | |
Oh... | |
...easy, easy, easy. | |
Left, left, left! | |
Get over! Get over! | |
Come on. | |
Oh, shit. Come on, old... | |
...Pete! Come on. | |
Come on, old Pete. Oh. | |
I know the likeli-... | |
...-hood of you knowin' any prayers is slim... | |
...Night Shift, but you might... | |
...wanna give it a try! | |
Come on, old... | |
...Pete. Come on. | |
Come on. | |
Come on. | |
Come on... | |
...you crazy bastard. | |
All right, you got it, you got it! | |
Are these me considered armed and dangerous? | |
Well, not armed. If they had guns, they'd have used them. But dangerous? Oh yeah. | |
X22. Read. | |
Go ahead, Ray. | |
I have a pick-up truck. No plates. Subject -- Indian -- entering suspect's house. Over. | |
Okay, Ray. I'm coming in. If he starts to leave the area, move in. And hold him. Over. | |
You know, I don't know him very well - but he's not gay ... and he's not going back to prison ... One time when he was in prison, they gang-banged him; 13 years old and eight guys gave it to him ... So Sal isn't goin' back to prison, no way. | |
I'm sorry. | |
You know ... I like you people ... I really do. | |
We like you, too. | |
You know - I had a job once. I used to work in a bank. I had been training ... I used to have a boss ... Mr. Don Frio ... he wore a toupee ... I wonder if you'd hire me if I came in here and asked you for a job ... | |
Would I hire you? | |
Yeah. | |
Why not? | |
I don't think so. | |
You're fuckin' A we can do this. | |
Not with me. Not with people. | |
Why else? | |
Come on, say it. You know... | |
What looks good? | |
Hmmmm... Well, the scampi sounds good... | |
You like shrimp? I like shrimp. | |
Nick, let's go hunting. Bag Cavello. | |
Charlie... | |
What was I sayin'? | |
Rock whores. | |
You ain't seen nothin' like these rock whores. They ass be young man. They got that fine young pussy. Bitches want the rock they be a freak for you. They give you hips, lips, and fingertips. | |
Three ways? | |
Yup. You still got the Spencer rifle? | |
Yeah, an' I could still hit a bird in the eye flyin'. | |
Then get your men off the wall! You breach that house, we're gonna have a bloodbath! I <u>know</u> this guy, Captain -- I can talk to him. | |
Order your men to stand down. | |
What's the point of my setup? It's not funny unless you repeat exactly what you said. | |
I'm not trying to be funny. | |
Look we gave you what you asked for. It checks out didn't it?! What more do you want from us! | |
I told you not to try anything smart! I guess you're too much of a maverick to follow a simple order! And that's just too bad for all of you now, isn't it? | |
Look you said it doesn't matter to you anyway! Why do you want to kill more innocent people! Why! | |
There it is. The Beryllium sphere. | |
Must be some sort of mining facility. | |
Are you trying to be funny? | |
I'm totally serious! | |
I don't know what they teach at Harvard, but I think I'm pretty good enough the way I am ! | |
Johnny, please. Calm yourself. | |
Well, that's what you're saying ! You're saying that I'm not good enough the way I am now ! | |
Well, I guess I'll see her at the convention later. | |
Yes, of course. I'll see that she gets the flowers. | |
Who are you talking to? | |
To the shark. | |
I came here to see that you stay alive. The people need a living breathing alternative to Commodus, a hero. | |
You mean a symbol of someone who doesn't exist. | |
But you do exist. Narcissus: hero of the battle of the Danube. | |
Get outta here. Could I speak to you privately? | |
Oh, sure. | |
How long have you been standing there? | |
I don't like the way Drew spoken to you. But I feel better about it now because of the way you spoke back. | |
No. | |
Why not? | |
Ms. Mitchell. So nice to finally meet you in person. | |
The President and I were delighted that we could accommodate you. Now if you're all cleared? You can follow me then. | |
Miss Noguchi! You're wanted in admin. | |
Thanks. | |
I am a doctor - a good doctor. I could make her walk, but she won't - she won't -- | |
Here, have another glass, MacFarlane. I'll take you home and we'll be friends again -- now that you know that you're Knox's man and my friend -- aye, forever. | |
You don't understand, I can get us information... | |
Listen, this is the time when the big boys have to go to work, okay Honey? | |
Where do you come off to make a remark like that? | |
Who could love a man who keeps jumping through burning hoops, like a trained poodle? | |
BREAK LEFT! BREAK LEFT! CHAFF! FLARES! | |
BREAKING LEFT! | |
I've come to take you back to the land of the living. | |
What a stupid idea. | |
Why? | |
What's the point of being dead in the land of the living? | |
I'll ask the Gods to give you life again! | |
Okay? | |
Okay, I gotta tell you. I've discovered some things. Anyway I have to show you some pictures and tell you some things about them. The first picture is this. | |
Parker, tell me what's going on so I can return as quickly as possible to Boston and my whores and cigars, not necessarily in that order. | |
Two weeks ago, we managed to arrange to have the Army hang one of the local farmers. | |
Good. | |
Unfortunately not, sir. A gang of local thugs managed to rescue him from the gallows. Not only has this inspired resistance from the other farmers, the redoubtable Mr. Alan Pinkerton was seriously injured during the incident. | |
Leaving you in charge of operations until he recovers. | |
Yes sir. | |
Just perfect. | |
A further impediment is that the Army garrison has been ordered to move on from Liberty. We will no longer have that particular stick with which to threaten the farmers. | |
You see the Army leaving and you see the loss of a tool. I see a power void to be filled. As we have the most power, we may move with impunity. | |
I see. I'll get together four patrols of our detectives for action tonight. | |
I'll teach these podunks what happens when they challenge the righteousness of progress. | |
Find anything interesting? | |
Why do I feel like the other man, here? | |
Come on, Bruce. This is what I do for a living. | |
I'd say this goes a little beyond taking your work home. | |
What do you want me to say? That I'm not attracted to him? | |
I came here before. | |
When was that? | |
When I was here? When I ran away. I used to run away a lot but they always took me back. | |
Who? | |
Mom and Dad. I used to be in my crib and I'd listen to them fight. | |
You remember that far back? Boy, I can't even remember yesterday. | |
Invite me in, Pike. | |
Wait a minute. What's wrong with you, man? | |
I'm fine. | |
You look like shit, Benny. | |
Where can I get a hold of you? | |
YOU can't. I'll get a hold of you. | |
Lemme write it down for you. | |
Oh, I hate to think of her in there. We've got to get her out. | |
Don't cry now. We haven't got the oil-can with us and you've been squeaking enough as it is. | |
Dad -- eleven o'clock!! | |
What happens at eleven o'clock? | |
I, you know, they should be insured. | |
What do you care...? | |
Bud... | |
If I let you go, there'll be ten more lawyers to take your place tomorrow. They just won't come on the bus, that's all. | |
He won't let me in my own house! | |
Mr Rothstein. Mr Rothstein, I'm sorry. We've got some complaints about - about the noise. | |
I'm just trying to get in my house! | |
I understand. | |
He won't let me go in my house! | |
Sir... Kay needed a sword. His was stolen. I saw Excalibur, and... I took it. | |
You freed it, son? | |
I did, Father. I beg your forgiveness. | |
Thigh man? Mr. "K" was a hell raiser. | |
What is the Dead Poets Society? | |
I'm sorry. I shouldn't have said... | |
Kyle... | |
Where'd he go?? | |
I don't <u>know</u>. | |
You crying? | |
I'm just sad Ben -- I mean it was... you were, but, you know. I just don't know... | |
Whatever that means Elena -- And you complain about me not communicating... I thought it was -- | |
No, I didn't mean to sound negative. It was -- But Ben. What is going to happen with us? Have you -- | |
You have to bring this up now? What? Did I do something here? Is that it? Is it something I did? | |
I wasn't accusing you, Ben. It's just that we've got to be honest. Not just with ourselves, but with the children. | |
Hell, I know. I -- I guess if you want to accuse me, you've got -- Oh hell! I've got to pick up Paul. I almost forgot. | |
Would you mind if I'm on top? | |
Oh, either way works for me. | |
I ain't cheated you, Pilgrim. This is research, damn it! That girl could have told us something. | |
Research, my ass. I suppose these are the 'extra expenses' I've been paying for? And in the middle of the morning, too. | |
Caesar, ignore them. | |
Ignore that?! The sooner we leave this disgusting place the better. | |
At least stay for the running of the animals. You are paying for it you know... | |
Is that something you're "feeling?" | |
I don't know. I wish I could just see him... one more time, then, maybe... I would know. | |
Then, let's go see him! | |
How's that? | |
Well done, James. | |
Good work, Ostreicher. | |
Thanks coach. | |
You're a killer, Ozzy! | |
-- Thanks, coach -- | |
Well, there are certain sections of New York, Major, that I wouldn't advise you to try to invade. | |
Aha. Who do you think will win the war? | |
I haven't the slightest idea. | |
That's what I want to know! By whom? Whom???? | |
Get a hold of yourself, Vera. Nobody else ever will. | |
When I'm ready to compare notes, I'll let you know. | |
Your call. Have a good night. | |
I want to give you an Oscar. | |
You've been watching the film. | |
Tell me about the girl. | |
What girl? | |
The young girl. Who pulled her? | |
I don't know. | |
Was it Albert? | |
Shouldn't think so. | |
Is it one of Kinnear's films? | |
Yeah. | |
Who set it up? Eric? | |
Yeah. | |
Then he must have pulled her. | |
Expect so. | |
Did my brother Frank find out? | |
Your brother? What you talking about? | |
I'll set it up for tomorrow night. You'll meet me at his place at eleven o'clock... Don't drive there... Take a bus... Make sure no one follows you... His address is easy to remember... It's 2224 Deep Dell Place... It's a white stucco job on the south side of the street... I'll be upstairs with Andy... The back door will be open... That leads into the kitchen - go through the kitchen to the living room - there's a bar there... At eleven fifteen, I'll ask Andy to fix me a drink... When he does, you can crack him in the head... Okay? | |
Okay... | |
Lemme call him now. Make sure he's not already busy tomorrow night. | |
Okay. | |
I tried to reach you twice - | |
What do you do for that hundred a week. Fall out of bed? | |
Jimmy, I'm on my way inside right now to talk to Hunsecker. I can promise you - | |
Joan, call a cop! We'll arrest this kid for larceny! | |
... And there's no truth that 10% of that money will go into your Swiss bank account? | |
No sir! I swear! This is not true!! | |
You disappoint me, Number Three. | |
Why? | |
Good question. You took the bait. | |
Halloween is coming, soon. You will have Top Dollar if you watch for me at the Showtime, tomorrow night. | |
I should be trying to stop you. | |
Edicon system made these. Ages, photographs. We use it to find missing children. | |
He's not that old yet. You've lost confidence in me. | |
No, but he's going to be by tomorrow. He's aging. 'Bout the entire twenty years lost while being frozen in forty-eight hours. In that time he'll be an old man. Could be a year, an hour, or all at once. Called NPA Syndrome. Natural Pro- gression of Aging. It affects each individual differently. I'm sure it's painful. | |
Thomas Edison knew how to make the light bulb. He had the energy source. He had the vacuum. But he didn't have the filament. He tried metal after metal but nothing would hold to power. | |
... until he found tungsten. | |
What do I think? I don't want my answer to be influenced by what I want, so I'm going to have to say I don't know. | |
Yes. I do not know, either. What do you want, George? | |
I want money. | |
Yes. Money. Which is what, George? | |
Freedom. | |
Power? | |
Yeah, maybe. | |
Family. | |
Sure. | |
Beautiful girls? | |
Keep them coming. | |
Keep them coming? Ah, yes. Ha ha. You are right. But money. | |
Money. | |
And Diego? | |
Diego is my brother. | |
You're wastin' your time, Roy. | |
Look Joyce, I need your key to the files, not advice, okay? This is a complex case. | |
This is our Colorado Lounge. | |
Oh, it's beautiful. My God, this place is fantastic, isn't it hon? | |
What are you looking at him for? Any objections, Sefton? | |
Take it. | |
Where'd you get this? | |
Comes up the Mississippi. I can get more. A lot more. I was thinking about going into business for myself, but under the circumstances, I'd be willing to take on a partner. | |
Where did the parasites come from? | |
They seem native to the planet. It's got an atmosphere and a dense gravity. It's dead now, but once it must have been fertile. | |
I -- I may be wrong, but I suspect the Secretary of War. | |
Don't bother me - I'm thinking -- What was that? | |
I said - I suspect the Secretary of War. | |
THIS IS TREASON!! What a fool I was to listen to your siren song and fall a helpless victim under the insidious spell of your irresistible charms -- | |
But - | |
You satisfied your selfish whims, while nations tottered, dynasties rocked and the world plunged headlong into a chasm of chaos and oblivion -- Not bad, eh? | |
It's a bedroom where a man is always at his peak and doesn't have to take any time outs. | |
And all the angels are built like Lieutenant Dish. | |
Thank you. | |
You never got back to me. ...I called to say we'd like to take you out for a meal?... Kind of a professional welcome. | |
For very long? | |
I don't see anyone for very long, Mr. Gittes. It's difficult for me. Now I think you know all you need to about me. I didn't want publicity. I didn't want to go into any of this, then or now. Is this all? | |
Bonjour? Monsieur? Allo... | |
Yes, I'm here... | |
You call about Monsieur Kane? John Michael Kane? | |
Yes. Is he there? | |
You are a friend of his? | |
Yes. | |
I have some very bad news for you, sir. I'm terrible sorry to have to tell you this, but Monsieur Kane has passed away almost two weeks ago... | |
Whadaya doin', there's no one there! | |
I saw 'em! I saw 'em. | |
Ted was a good worker. But, ah... ... after his wife left him and he was taking care of the kid on his own, things started to change. Look, I know he had problems, I understand that. I've got problems, everybody's got problems. But I've got a shop to run, I can't let that kind of thing get in the way... I guess I felt that Ted was letting his duties at home interfere with his responsibilities in the office. | |
Thank you. I have no further questions. | |
It says here that some form of genetic damage has apparently prevented the Son'a from procreating... | |
No children? | |
If that's true, they're a dying race. | |
Wait a minute! How'd you know Dieter was coming here? | |
I asked him. | |
Oh. | |
Apparently taking uzis away from sixth graders isn't as popular as we thought it'd be. Representative Taylor is working on a compromise. | |
Put together a score sheet. I'll make some calls. | |
See Threepio... do you copy? | |
I read you sir. | |
You're back. What happened? Never mind. What's going on? | |
I'm afraid we're not plugged in at the moment, sir. We've had some problems. | |
Are you safe? | |
For the moment. We're in the main hangar. Artoo is trying to plug into the system now. | |
Good. We're right above you. Stand by. | |
There were three strawberries. | |
One. | |
Ok, you guys get out, and wait here for me. | |
Why? | |
I gotta get the stuff. | |
Can't we come with you? | |
Nobody sees where I get the stuff. That's good business. I'll be back in thirty minutes. | |
You think this'll cheer Dad up? | |
Of course, he'll love it. You're a terrific artist. | |
Well done, Mozart. Really quite fine. | |
Baron! | |
And... and how were you grown? Inside your mother? | |
Yes... | |
Are you sure? | |
Mother and Father said so... you know? | |
Shu Lien... The things we touch have no permanence. My master would say... there is nothing we can hold on to in this world. Only by letting go can we truly possess what is real. | |
Not everything is an illusion. My hand... wasn't that real? | |
Your hand, rough and callused from machete practice... All this time, I've never had the courage to touch it. | |
Hey. I'll take this stuff. | |
You going to tell dad? | |
Would it matter? And what's that? | |
You know, it's the whip -- the one uncle Frank got me from Mexico. | |
It's not packed with explosives, is it? | |
No! | |
Play with the whip. | |
We must sound the retreat! | |
Not yet! | |
Mainly I work out of Boston. | |
Boston, huh? Did you get your degree up there? | |
Yes yes, I did get my degree up there. | |
Harvard? | |
You bet. | |
Did you study under Kim Greene? | |
Among others. | |
Kim and I are close friends! | |
Well, I'll tell her I ran into you. | |
You mean him. | |
You're my friend, aren't you? | |
Yes. | |
Okay, no monkey business then. | |
Well -- what is it? | |
What's the difference? I'm going to write that story -- and you know it! | |
Are you mad! Why are you doing this! We're so close, the town is going to be ours. Don't throw away your future Bud! | |
I can stay with the brokerage firm. And you're doing fine. We can survive without Gordon Gekko. | |
I'm not looking to just survive. I've been doing that all my life. | |
What the hell's that supposed to mean? | |
Uh-huh. | |
We called his house; his little boy said he hadn't been there. | |
And his wife? | |
She's visiting relatives in Florida. Now his boss, this guy Gustafson, he's also disappeared. Nobody at his office knows where he is. | |
Geez. Looks like this thing goes higher than we thought. You call his home? | |
His wife's in the hospital, has been for a couple months. The big C. | |
Oh, my. | |
And this Shep Proudfoot character, he's a little darling. He's now wanted for assault and parole violation. He clobbered a neighbor of his last night and another person who could be one of your perps, and he's at large. | |
Boy, this thing is really... geez. | |
Well, they're all out on the wire. Well, you know... | |
Yah. Well, I just can't thank you enough, Detective Sibert, this cooperation has been outstanding. | |
What're you going to do today? | |
Turn in the car. Clean my desk, explain things to our sons, then maybe get shit-faced and punch your boss. | |
I'll give notice. | |
Don't rush into it -- we may need the income. | |
What about Childs? | |
Forget about Childs. He's over. | |
I'll be home in a little while, Harry. Don't wait up. | |
You two have a lot of catching up to do, I guess. | |
You bet. | |
Goodnight, son. 'Night, Delly. | |
Hey, Gallagher! | |
Yeah? | |
How about my breakfast? How do you expect me to ring a curtain down on an empty stomach? | |
It'll be ready in a minute. | |
Never mind that. If you can't get my breakfast ready - and can't get here on time in the morning - then you can go get yourself another job. | |
Sorry, boss | |
Don't be sorry. Just get the breakfast, that's all. | |
I don't think we will take the risk for seven hundred quid. | |
Tom, go and throw those guns off a bridge. | |
Madmartigan! What did you do this time? | |
Nothing you wouldn't have done it my place! | |
I didn't do anything wrong. I didn't mean... | |
Beth. | |
Who was that? | |
No one. | |
I heard voices. | |
What the - | |
We've fired on the Chancellor's ship - | |
What the hell are you doing? | |
It's cool, I'm just looking. | |
It's too much machine for you. | |
Yeah? | |
Weapons. Misdemeanor two. | |
What'the fuck is that? | |
It's bad isn't it? | |
We should get you to the doctor. | |
You think so? | |
Yeah, look at that thing. | |
He's gone sweetheart. He's gone! | |
Get away, get away!! | |
Z! Over here! | |
Barbatus? | |
I got your check in the mall. | |
Yes. As I said, I was very grateful. | |
From Vince? What a guy. Doo-lang, doo- lang. | |
At least he's not a cop. At least he can afford a decent gift. | |
I used to buy.you,..stuff. On your birthday . When we were seeing each other. | |
Yeah, like what? Quilted coat hangers, that your mother picked out? Lottery tickets? A travel iron? | |
So I don't shop. | |
'Cause you're always out, arresting people. Making trouble. I don't know why I went out with you in the first place, it was embarrassing! I couldn't hold my head up, I used to tell people you were a security guard! | |
Oh, yeah? Well, how do you think I felt? You were singing in bowling alleys back then. I told people you were a hooker! | |
Way to go, amigo ! | |
I'm gonna need a squad leader. | |
Can you imagine what this man would have been had he ever been loved? | |
... because people have got to know whether or not their President is a crook. Well, I am not a crook. I have never made a dime from public service ... | |
Oh God, I'm going to throw up. | |
What did you get? | |
I don't know. The first available flight out of Germany. | |
Good. | |
You won't interfere with the basic rugged concept of my personality, will you, girl? | |
Eh, don't take out me lines. | |
I need you for an assignment the Chief's given me the go-ahead on. A duty few men are fit for, but you were born for. You'll be working out of Homicide. | |
Homicide? A detective? | |
Jesus, Lindsey-- | |
Bud, something really important is happening here. | |
Look. I'm just trying to hold this situation together. I can't allow you to cause this kind of hysteria-- | |
Who's hysterical? Nobody's hysterical! | |
What has happened, madam, to annoy your ladyship? | |
Oh, I am grateful to you, sir. I am the wife of Captain O'Reilly hastening to join him at Dublin. My chair was stopped by a highwayman; this great oaf of a servant-man fell down on his knees, armed as he was, and though there were thirty people in the next field, working, when the ruffian attacked, not one of them would help but, on the contrary, wished him "good luck." | |
Sartorius wants to destroy it. | |
Well. He doesn't think it's God, but for different reasons than me. He's thinking: If I can figure out how to make it stop, than I am smarter than it is, and therefore it cannot be God. | |
He has a point. | |
He does have a point. That's just not the way I'd like to see it proven. | |
You feel sorry for Solaris, or for me? | |
It's a violent response to something we haven't figured out. Don't let the cowardly demeanor fool you: He is ruthless. Unblinking in his prejudice. | |
It was obvious from the way he first looked at me. | |
Yes. | |
Why? | |
I'm willin, to go on a little faith, here. | |
You will not believe it. | |
Try me. | |
Cereal, man, you owe me a pack. | |
It was him, man! | |
You're psyched. You need to lay off of that shit. | |
I'm gonna hit you! | |
I've got to go to town and pick up the trailer and all that other stuff, but I'll be back around ten. If you're still up, we can talk, okay? | |
Sure. | |
Good boy. Where's is it? | |
What? | |
Our little toy. You usually have it up and running by now. | |
Do I really want to know what you're talking about? | |
Doc... | |
Lily. | |
Doc. | |
This boat doesn't go anywhere. Just toots around the Inland Sea. | |
Must be a pick-up, a rendezvous. | |
Then where's the chip. | |
The great Bill Parrish at a loss for words? The man from whose lips fall 'rapture' and 'passion' and 'obses- sion'...all those admonitions about being 'deliberately happy', what there is no sense 'living your life without...', all the sparks and energy you give off, the rosy advice you dispense in round, pear-shaped tones -- | |
What the hell is this? Who are you? | |
Just think of millenniums multiplied by aeons compounded by infinity, I've been around that long, but it's only recently that your affairs here have piqued my interest. Call it boredom, the natural curiosity of me, the most lasting and significant element in existence has come to see you. | |
Bensinger -- of the Tribune. | |
Open this door! | |
Nero. | |
Strickland. | |
Commissioner Strickland. | |
Sure. Whatever. See, since you shitcanned my career, I don't even have to call you sir. One of life's small pleasures. | |
Aren't you peddling your wares a little far from your usual gutter? | |
I was invited here by a close friend, Mr. Fumitsu, see he's right over there. | |
Don't touch it. And for Godsakes, try not to sweat. They can sense chemical changes... | |
Try not to sweat? | |
Look. I'm a little worried about this -- this whole thing with my mother, he admitted to the Professor. I mean, I don't know if I can do it -- I mean, hitting on my own mother, that's pretty heavy. | |
Nobody said anything about hitting her! You're just going to take a few liberties with her. | |
That's exactly what I said! I mean, a guy and his mother -- that's illegal, isn't it? | |
Look, Marty, she's not your mother yet. And if you don't go through with this, she may never be. I know it's hard, but there are some things we must do in life that are unpleasant. Some choices must be made that are difficult. Nonetheless, we must make them. Besides, this may be more than a simple question of your own existence, he added. The fate of the entire space-time continuum may rest on your shoulders . Marty tried to smile at him. | |
That's just what I needed to hear. | |
It'll be fine, Marty. You'll be fine. Good luck. He stuck his hand out and Marty shook it. But there was still a question that was nagging at him... | |
Professor, if something does go wrong tonight... if I don't get my parents back together... when do you think I'd cease to exist? | |
I'm dropping the case. | |
No -- you're not. | |
What? | |
Who fixed your ducts? | |
Even Data? | |
Data's positronic net contains classified information on the Enterprise. Command codes, security protocols... | |
You see, five minutes ago you said you loved me and now you hate me... but I prefer this! | |
I hate you because you depart without kissing me. That's all. | |
Not there - that's the emergency brake. | |
Now you've done it! | |
Done what? | |
Tore off one of my chests. | |
You'd better go fix it. | |
You better come help me. | |
You sure you don't want to drive with me? | |
How will I get back to Baltimore Saturday? Oh God, I forgot my present for your stepmother -- I took it inside by accident. | |
I'll wait. | |
Don't be silly. I'll just be ten minutes behind you. | |
Can we expect the same kid of panic here as in Russia? | |
More than likely. | |
--bullshit-- | |
--she wasn't a witch--we embrace nature, not evil-- | |
I don't understand. It wants us to play the game. It's been taunting us ... | |
Put in a quarter. | |
It can turn itself on, Alex! It doesn't need a quarter. | |
Yes it does. Don't you see? We have to play by the rules. That's what it wants. | |
John, I think you could get with the program a little. The police are here now. It's their problem. Tell these guys where the detonators are so no one else gets hurt. Hey, I'm putting my life on the line for you buddy... | |
Don't you think I know that! Put Hans on! Hans, listen to me, that shithead doesn't know what kind of scum you are, but I do -- | |
I have scruples. Next. | |
Paperwork on the Detroit thing. It's a full dossier. Very comprehensive. | |
There's an exterior alarm system. There's also another one in the hall that leads to the bedroom with a motion detector. The control panel is in the bedroom. | |
I can handle the exterior alarm, but the one in the bedroom is a problem. | |
Curt Cobain. | |
Shotgun. Suicide. Next? | |
Where are you going? | |
We'll meet you at the inn. | |
Can't I come, too? | |
No. | |
Hey man. | |
We're casting for an explicit sex action feature... | |
I know. Word's out on the street -- word's also out you ain't really hiring anyone. | |
That's not true, Mr...? | |
Jim Sullivan. Sometimes they call me Jism Jim. | |
That's not true, Jim. In fact, I think you're very close to the type we're looking for. | |
What makes you think he'll do it? | |
He seems like he thrives on danger | |
No kidding. He's a criminal. I heard he lit a state trooper on fire. He just got out of Alcatraz... | |
They always let felons sit in on Honors Biology? | |
I'm serious, man, he's whacked. He sold his own liver on the black market so he could buy new speakers. | |
Forget his reputation. Do you think we've got a plan or not? | |
Did she actually say she'd go out with you? | |
That's what I just said | |
It's gonna be tough, but the back entrance looks like our best bet. | |
I wanted to ask you, how were you able to pinpoint the exact location of Santa's workshop? We've been trying to gain that piece of surveillance for years. | |
Listen to me woman. I said all the whites are leaving. The French, the Italians, even the Belgian UN soldiers. | |
But who is left? | |
I don't know. Colonel Oliver says the UN has three hundred soldiers for the whole country. Black soldiers, Pakistanis. | |
We have a lock on the Event Horizon's navigation beacon. It's in the upper ionosphere, we're in for some chop. | |
Bring us in tight. Starck, get on the horn, see if anyone's listening... | |
But that's tomorrow. | |
Tomorrow. Jesus...it hasn't happened. It doesn't have to happen. | |
There. Now, that's the best we can do without any pins. | |
Yeah -- | |
It's okay - I'll help. Please. | |
The mines, the wires, there's a trick. Some explode if you stretch the wires, some if you cut them. | |
What do I do? | |
There's a mine here, but the others are far enough away, I think at least to give me a chance. I have to work out which one to cut before I fall over. | |
So I follow the wires? | |
You get Hardy. | |
I follow the wires. | |
It's like a secret society. | |
That's one way of looking at it. | |
Cool. | |
I don't know, Newt. That's the truth. | |
Isn't that how babies come? I mean people babies...they grow inside you? | |
No, it's different, honey. | |
Did you ever have a baby? | |
Yes. A little girl. | |
Where is she? | |
Gone. | |
You mean dead. | |
Hello, Benjamin. | |
No. | |
No what? | |
No. | |
Well, all right then, be that way. Here, swallow this. | |
No. | |
This is a gangster bar, we're here undercover. | |
I knew you were lying. | |
I'm sorry. | |
Damn it, why are you ruining my night? I'm just starting to have fun. Well fine then, go ahead, pull your badge and do your thing. | |
No, we're here for information, to find out where a man named Ricky Tan is. We must tread softly and keep our ears open. | |
Tread softly? Who taught you how to roost a bar? | |
Carter, you don't understand. These men are Fu-Cang-Long Triads. Part of the most deadly gang in China. | |
Man, are you crazy? You think that scares me? I'm from L.A. We invented gangs. We were having gang wars before anybody even thought about it. We get royalties from other gangs. Now gimme your badge and gun and I'll show you how it's done. | |
No. You are a civilian. In China, I am Michael Jackson, and you are Toto. | |
You mean Tito. We had Toto for dinner last night. | |
What is this?! | |
... It's Harcourt. | |
Harcourt is dead. | |
No he's not. Not if he overdosed on the drug. Massive amounts trigger a... a change. Your body functions seize up, you appear to be dead, but it's really a state of incubation. When you emerge you're... | |
Tell me about it... | |
The most important thing is that you're home! We was gonna have cold eatin' tonight, 'cause of the heat, but now, I'm goin' to cook! | |
Well, let's get to it, Miss Rebecca,'cause I been waitin' too long a time for your good cookin'! | |
In English. Sami doesn't speak French. | |
Where are you from? | |
All right, knock it off. | |
All you are is a professional ass-kisser. | |
And so, in a blazing fury, Charles runs Lancelot Trelawney through with his sword . . . leaving Deborah free to accept Charles's proposal of marriage! | |
and HERBERT exchange a glance. HONORA smiles at Juliet. | |
I've heard your mother on 3YA. The Woman's Session has lots of lively debate. | |
Well, actually, Mummy's left that programme now . . she's far too busy with The Marriage Guidance Council. | |
All right, since I got you on the phone, let's talk about your character. | |
What character? I'm Candy, the chick who gets killed second. I'm only in two scenes! | |
You're not happy with your part. | |
I'm not happy that I'm 35 playing a 21 year old. I'm not happy that I have to die naked! And I'm not happy that my character is too stupid not to have a gun in the house after her boyfriend's been cut into McNuggets. | |
Um hmm... umhmm great, so let's run the lines. | |
Huh, fine. | |
Page 22, Candy's big moment. | |
Page 22.. Ring ring. Hello? | |
Hello. | |
Who's this? | |
Who's this? | |
This is Candy. Hang on, let me get some clothes. See! I don't' understand why I have to start the scene in the shower! The whole shower things been done, 'Vertigo' hello! And I mean, my boyfriend just died, why am I showering? | |
Why don't we just read the scene? Candy, is that like candy cane or candy apple? | |
Whatever. Come on, who is this? I think you have the wrong number. | |
But you know my favorite name? | |
I'm hanging up right now. | |
It's Sarah. | |
Roman that's not the line. | |
It is in my script. | |
Has there been another goddamn rewrite? How the fuck are we supposed to learn our lines when there's a new script every 15 minutes? | |
It's not just a new script, it's a new movie. | |
What? What movie? | |
My movie. | |
Why you gotta talk 'bout my moms? | |
Nobody talkin' 'bout ya moms. | |
If you miss me, you'll blow out the hull. You'll die too. | |
What makes you think I'll miss? | |
I can't move my arm. | |
You've got good days and bad days. | |
You'll never guess who I'm with... you ran into him on the lot. | |
It was more in passing. | |
You're so far off! Hal... Hal Sinclair... your co- star. Remember now?... No, I don't think he's put on weight. Anyway, you think he's right for "Eternity Forever"?... not the right type?... a different direction... I'll try to talk her into it. | |
Look, Harlin. | |
Darrell. | |
Darrell. I'll get you your money. I just have to get something out of the trunk. | |
How? | |
We don't know. | |
Well, honey, I don't guess I give a shit. I ain't here half the time anyway. If you want a retard livin' in the garage, I don't guess I care. I've got a good tool box and socket set out there I don't want stol'd. I guess I could take it home with me. | |
He's real honest. He wouldn't steal nothin'. | |
Now son, I wadn't talkin' to you, was I? Was I? | |
No sir. | |
No sir's right. I'm talkin' to your mama. This is your mama's decision, not yours. I'm lettin' it go on because she asked me, not you. Now is this the kind of retard that drools and rubs shit in his hair and all that, 'cause I have trouble eatin' around that kind of thing. Just like I am about antique furniture and midgets. I can't so much as drink a glass of water around a midget or a piece of antique furniture. Same thing with a droolin' retard. | |
I like your friend, Joyce. You're lucky. | |
Guess I'm on a roll. | |
She's such a long way home for you. | |
Time, I've got plenty of. | |
Well, actually I wanted to ask about this girl. I have her picture here. | |
Pull out your cock. | |
What? | |
Cops aren't allowed to do that either. A judge ruled that that was entrapment. Don't ask me why. I guess he figured the sight of a Vice Officer's dong would make a girl unable to stop herself. | |
Merle? | |
Right here. | |
It's orders! You remember... when they tell you to do something and then you do it. John Wayne is dead, man. | |
You take pictures and split. I'm going in. | |
You show them Crawfords how to play ball. | |
Make 'em throw strikes. | |
Which one is me? The horse? | |
Get out of here. | |
Hey, hey, you start touching me there, I'm gonna start movin'! Word up, mother... | |
Shut up! | |
You a cop or something? | |
Or somethin'. | |
How can you call it a good thing? A graveyard for pets killed in the road! Built and maintained by broken- hearted children! | |
Well, but Missus Creed! It ain't quite that way, deah! | |
You wanna do somethin' with me? | |
Not really. | |
Hey! | |
Wha'? | |
So. Is it true that Gene Simmons had a cow's tongue grafted onto his real one? Y'know, to make it so long? | |
I dunno. I think he had the piece of skin under his tongue removed so he could stick it out farther. I'm not too up on Gene trivia. | |
Your man is the drummer, Peter Criss, right? | |
Peter Criss is my inspiration, man. If I paid a hundred bucks for a KISS show and all I saw was his solo, I'd consider it... money... Hey, how'd you know that? | |
I have all your notebook doodles memorized, Jam... Here. | |
... here's your mail, call Mrs. Doneghy ... | |
... yes. Get her on the phone ... | |
... that was a Dr. David Gruber's office ... | |
Gruber... | |
Mickey told him to call. 'He's some very hotshot surgeon at Mass. Commonwealth. He wants to meet with you at seven tonight re testimony in the case of Deborah Ann Kaye. You meet him at the hospital.' | |
Well? | |
I don't want to see the dress. | |
But you said -- | |
I don't want to see the dress. | |
It's on the table where I left it! What the hell are you doing?! Hurry up! | |
I'm on my way. | |
Look at this! | |
What about it! | |
Because nothing else matters. That's the great thing about love. Every time we argue, every time something goes wrong, and I know that I'm not perfect either, things just work out better in the end. Cause you're my baby and I love you. | |
What am I going to do with you? | |
Don't be cruel to a heart that's true. | |
Listen, I got tickets for the Oilers and the Rams next week in the Astrodome. Ever sat on the fifty yard line? | |
I don't follow baseball. | |
Risky business, isn't it? | |
...You're young, Mathilda... You still have a chance to get out. You can't give up this chance. You have to protect it. There's a lot of things to do in life, a lot of other jobs... | |
There are just two things I'm interested in: love and death. For the moment, I have none of the two! | |
There's a lot of carbon scoring here. It looks like you boys have seen a lot of action... | |
Indeed, sir, sometimes I'm amazed we're in as good shape as we are, what with the rebellion and all... | |
Well, Charlie, just why do you think your cat didn't kill the Contreras girl? | |
You know -- not scared enough. Nothing to scare it. | |
If a leopard didn't do it, who did? | |
Have you thought about what I said? | |
Jesus Adam, can we not get into this now please? | |
I got a migraine like a little monkey kicking in the side of my skull, Mike Tyson with a fucking sledge hammer trying to crack... | |
I got you. | |
Where's the bathroom? | |
Oh, Paul, can I read each chapter when you finish? I can fill in the "n"s. Will she be her old self, now that Ian has dug her out, or will she have amnesia...? | |
...have to wait. | |
Will she still love him with that special perfect love? | |
Have to wait. | |
Not even a hint? | |
Yeah, and I'm Buck Rogers. | |
His name is Mundt. Karl Mundt. | |
Also known as Madman Mundt. | |
He's a little funny in the head. | |
Do you know Gilbert and Sullivan? | |
No, sir. I haven't had a chance to meet all the new crew members since I've been back... | |
They're composers, Worf, from the nineteenth century. Data was rehearsing a part in H.M.S. Pinafore before he left... "A British tar is a soaring soul, As free as a mountain bird, His energetic first should be ready to resist A dictatorial word..." | |
I don't know. I'm beginning to feel guilty. | |
What about? | |
All I ever do is play. I should be doing something to get my own shop open. | |
Why don't you see Lester? | |
Your husband? | |
Yes. | |
What about? | |
The shop. I think you're a good investment, and I don't mind telling him. | |
Hey, listen, baby, I'm a star. | |
You made me a composite of 183 of the most vicious people who ever lived. What do you think I'm doing? | |
I'm begging you...please don't kill me! Please! | |
Don't worry. Through me, you will live forever... | |
I got all my signatures. One hundred and fifty-eight -- way more than I need! | |
Hey, that's super | |
Here they are. | |
You can put those in my box. I'll look at them tomorrow. | |
Could you approve them now? I'd like to kick off my campaign right away, you know, in the morning. | |
Right | |
What? | |
No, Philip, I don't want you coming back here. And if you want to talk to me -- <u>call</u>. | |
This is my house. | |
[Reina Rosas.] | |
[Si.] | |
[How do you contact 'the Boss'?] | |
It could breathe in air and exhale cyanide gas. | |
Disrupt our brain waves, interfere with our ability to think. | |
I may not be an explorer, or an adventurer, or a treasure hunter, or a gunfighter! Mister O'Connell But I'm proud of what I am. | |
And what is that? | |
We'll cover ourselves with this. They can mimic us- we Goddam mimic them! | |
Peter- | |
It worked before... | |
The scent won't last... | |
That's why we should do it now. | |
Whoa, whoa, what are you doing? I want to know what's in here. | |
There's absolutely no reason to think this is going to have any impact on you. I'm embarrassed to have -- | |
How is the "date night" idea going over with Eve? | |
Like gangbusters, doc. Okay, I missed the last one. | |
You missed the last three, including her birthday. Your wife's gripe sheet. | |
I've been working night and day. I haven't had time. | |
You're supposed to make time. When was the last time you told her you love her? When was the last time you two had sex? | |
How are you, Travis? I read about you in the papers. | |
Oh, I got over that. It was nothing, really. The papers always blow these things up. A little stiffness. That'll go away. I just sleep more, that's all. | |
Well of course I exist. | |
But how do you know you exist? | |
It is intuitively obvious. | |
Intuition is no proof. What concrete evidence do you have of your own existence? | |
Hmm... Well, I think, therefore I am. | |
That's good. Very good. Now then, how do you know that anything else exists? | |
My sensory apparatus reveals it to me. | |
Right! | |
This is fun. | |
All right now, here's the big question: how do you know that the evidence your sensory apparatus reveals to you is correct? | |
... I was dreaming ... | |
Something good? | |
We were back in high school. You wanted to join the sky diving team, but I wouldn't let you. | |
Must've been after we got engaged. | |
Actually -- in this dream -- I was your mother. | |
So you had a nightmare. | |
Totally -- you were being very, very bad. You went up in the plane and jumped out. You had a parachute, but it didn't open. | |
Were you there to catch me? | |
No. | |
How come? | |
I don't know ... Maybe because you've never needed my help. | |
You're very late. | |
Sorry. | |
Please don't do it again. | |
I said I was sorry. | |
I can't move my patients around to accommodate one person. | |
Mama, can I put the candles ... | |
Hush... not a word about the cake, hear? | |
Ok Sarge, what's your status? | |
wHAT'S My status?! I've lost three men and your worthless fuck! After I kill this asshole I'm coming your Yllo! | |
But I didn't see... | |
I'm a very patient man. | |
That's great. Good for you. | |
Who have you been talking to, Jerry? Who else knows what you know? | |
Could you be a little more specific? | |
This is it. A golden opportunity. Patrick can ask Katarina to the party. | |
In that case, we'll need to make it a school-wide blow out. | |
Will Bogey get bent? | |
Are you kidding? He'll piss himself with joy. He's the ultimate kiss ass. | |
Right... | |
Okay, great! So let's reset! | |
... And now I have a federal judge ordering me to bus my kids halfway 'cross town to go to school with some nigger kids. I think, Mr. President, you're forgetting who put you where you are. | |
The American people put me where I am. | |
Herb, it's too much. It's all out of hand. | |
Do you know what kind of opportunity you have here? You gotta <u>strike</u>. I'm talking mansions. Lamborghinis. Champagne for mouthwash when you brush your teeth! | |
I don't want to be rich. It's just a trap! | |
Being rich is <u>not a trap</u>. That is a dirty lie perpetuated by rich people to keep the failures from killing them. | |
Herb. <u>I have to go</u>. | |
Why? | |
I got the ring. <i></i> Tonight's the night, Herb. Tonight's the night. | |
What is it you want from me? | |
Nothing. Do nothing. Don't get between us. | |
I'm a great believer in doing nothing. | |
So we understand each other? | |
Don't worry about me. If you're taking on Emmett, the last place I want to be is between you. | |
Treason. Against whom? | |
Against thy king, thou vile fool! Hast thou anything to say? | |
Never, in my whole life, did I swear allegiance to your king -- | |
It matters not, he is thy king! | |
-- while many who serve him have taken and broken his oath many times. I cannot commit treason, if I have never been his subject! | |
Confess, and you may receive a quick death. Deny, and you must be purified by pain. Do you confess? ...DO YOU CONFESS?! | |
I do not confess. | |
Then on the morrow, thou shalt receive they purification... And in the end, I promise you'll beg for the axe. | |
Merde. | |
He says - | |
What lesson do get outta that story, Lula? | |
It's just another case, Sailor. | |
What's that, peanut? | |
One person thinks he's doin' somethin' good and ever'body else gets upset about it. | |
It's like farming. I am basically chewing up large tracts of expensively landscaped scenery with overpriced sticks, and George Clair has obviously, in the mere two years since he joined the firm, he has obviously been taking secret lessons with a golf pro, and I assume the entirety of his disposable income has been devoted to humiliating me on the golf course. And the guy talks - incessantly -- throughout the entirety of the miserable 18 holes - on topics that are the supposed domain of my department -- | |
Ben-- | |
Yeah? | |
You're boring me. I have a husband. I don't particularly feel the need for another. | |
You have a point there. That's a very good point. We're having an affair. Right. An explicitly sexual relationship. Your needs. My needs. You're absolutely right. | |
You should probably get dressed. The boys will be home soon. | |
Gotcha. | |
What about the schools? | |
Yeah. What about the kids' school? | |
Every one of these songs will remind you of me in a slightly different way... | |
All in one tape? | |
I also put side two of London Calling on there... | |
You the magician? | |
No. | |
Oh. What do you do? | |
Jesus Christ, I'm gonna have a stroke. | |
Easy. | |
Welcome home. | |
Do you know how much I missed you? | |
Who's that? | |
Whadda you care? | |
Whadda ya mean, whadda I care? Who is she? What's a matter? You afraid I'm gonna take her on you? | |
No, I'm not afraid. Why? You wanna meet her? | |
Yeah -- | |
Cause I'll go right over there and bring her here. | |
Go 'head. | |
You sure you wanna meet her? Don't make me go over there, you change your mind and you make me look bad, cause she's really a knockout. She's 15, this kid -- a great piece of ass. | |
How do you know? You know her that good? | |
No, I see her around the pool. I know her. I know her like that -- not like that. | |
Nah, not now... I wanna wait. I don't feel right... | |
Time travel. I always thought it was one of those myths... like Santa's reindeer. | |
What would we be working on in the future that would make us want to come back? | |
Maybe we didn't want to come back. | |
Oh. That's, uh, my room. Vanessa lets me have a room for all my old stuff. | |
Wow, you get a whole room in your own house? She's got you on a long leash there, Mark. | |
Shut up. | |
Buffy, this is crazy. What do these guys want? | |
Andy, start breaking up some chairs. You'll need weapons. | |
Give it more morphine! | |
We'll kill it with too much, we'll put it into respiratory arrest! I'm almost done. Damn it, I need another adhesive, something pliable I can -- | |
You back this mission, and I'll sign over a fair percentage of any applications or -- | |
The number's <u>seventy-five</u>. And it's applications <u>and</u> patents. | |
Thanks, man! | |
I'll be in the car, okay? | |
Good. Why don't you join us? | |
Why, thank you, ma'am... Whew. Man, I tell you, that place up there is somethin' else! Well, ya boys been practicin' up for the big game? I figured as much... | |
Jesus, you'd like to kill me, too. | |
I wouldn't like to, but I will, if I have to. | |
Nothin' personal, huh? The man that kills me, I want him to do it because he hates my guts. Not because it's a job. Okay, let's go ... but you gotta walk in backwards. | |
Well you didn't have to blow us both out of the water. Jesus Christ, just because she found out about you, why'd you have to take me down with you? | |
I don't know what you're talking about. | |
I'm talking about the letter, asshole. | |
What? | |
My back. I can't move. I need my chiropractor. | |
Your back? Did you fall? | |
And after that? | |
I never saw you together like that again. So I figured I was imagining things. | |
Who was that? | |
Grayson - Anne's lawyer. | |
What did he want? | |
Gallagher, that guy just dropped by to give us a great opening for the third act. | |
No nuns, got it. | |
And no boys, promise me, oh those LA people are all so corrupt you'll end up pregnant and on drugs...and don't come running to me when you wake up in the city morgue with a tag on your toe having been beaten up into an unrecognizable pulp by some surfer...and DON'T make eye contact, it communicates an implied vulnerability. | |
No one has mentioned the part of the plan about us getting caught and going to prison. | |
We're leaving. Raymond get the bag. | |
Good of you to stop by. | |
We millionaires yet? | |
What the hell is this doing here? | |
It's those files you asked for. | |
I didn't mean for you to leave them in the middle of the floor. Jesus. Look at me. What do I have this afternoon? | |
Nothing you can't show up for with a stain. | |
Bring the light! | |
What're they doing? What're <u>we</u> -- | |
Leave the sled, let's go, go, go! | |
Let's go. We're takin' her home! Move it! Get the cars! | |
Koontz! I need you guys! | |
We'll call SWAT. We'll get the locals. Throw it! | |
No, I need'm now! | |
Not for me .. | |
What d'you mean, I just opened it for you? This is <u>French</u> champagne. | |
Thank you, Captain Kirk. The evening has been most... edifying. | |
We must do this again soon. | |
I never know when you're telling me the truth. | |
I told you you wouldn't like him. | |
He's coming over here! | |
Well, that-that's good. It just, uh...it just seems to me that-that six months or a year, if-if you spent it more productively... | |
Well-well, like what? | |
Your kind of mistakes are going to land me back in Huntsville. | |
I wouldn't worry Doc. I can always get you out... I'll screw every prison official in Texas if I have to. | |
Texas is a big state. | |
I can handle it. | |
I'll bet you can. | |
You'd do the same for me, wouldn't you, Doc? If I was caught, wouldn't you? | |
What the -- | |
Betcha' didn't predict that. | |
Got your ticket? | |
No. They must have sent it to my beach house by mistake. | |
This is a mistake. We better forget it. | |
You're damn right! Jesus! Peggy! You sure know how to spoil a mood. | |
Whoa there... | |
Are you ok? | |
Your eyes... | |
I don't need them anymore. Where we're going, we won't need eyes to see. | |
What are you talking about? | |
Do you know what a singularity is, Miller? Does your mind truly fathom what a black hole is? It is NOTHING. Absolute and eternal NOTHING. And if God is Everything, then I have seen the Devil. It's a liberating experience. | |
English? | |
That's right. | |
And then we run out of food and oxygen. | |
The water will still recycle. | |
What are you going to do, Sam? | |
I don't know. When I met my wife, it was so clear. I just <u>knew</u>. | |
Oh, fuck off. You should stay where you belong. | |
Get out. Get out of here, Goddammit. | |
Don't stop. | |
"O, no, it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark whose worth's unknown, although his height be taken." | |
This is better than sex any day. This is romance! | |
Oops! I dropped it! | |
NO!!! | |
Hey, I was only kidding! | |
Hello! | |
Hello. | |
Don't ever wear my stuff, don't ever wear my stuff. Never. | |
Okay, I won't wear your stuff... Why can't I wear your stuff? | |
Jacques, help me get her home. NOW! | |
What do you think I am -- a crook? | |
Yes --- and that's putting it mildly! No certified check -- no story -- Get me? | |
All right. The check will be certified. Want my fingerprints? | |
No thanks, I've still got those. Well, I'll step into some working clothes and hop over to the Press Room for the background on this yarn. It'll be kind of fun to see the boys again, too. Remember, Bruce, it must be certified. | |
Mom, I mean dad... | |
Uh huh... | |
That's not the right soap. We use the kind in the green and yellow box. | |
C'mon, there's not much difference-- | |
We use the green and yellow. | |
Well, I'm sorry to see a good reporter go blooey Let me know when you're quitting. | |
I'm not quitting! | |
No? | |
No! | |
'For he's only a bird in a gilded cage, a beautiful sight to see' Tweet, tweet - ha, ha | |
Frances, you're a movie star now. If you give them what they want, you can get anything. | |
I don't have what they want, Harry. Harry, will you tell me something? How can I keep making movies when people in the streets are starving? | |
Some people starve, kid. Until we can do something about it, they might as well see a movie. Makes 'em feel better. | |
But I don't want to be like that. I want to do something... | |
What're you gonna do, waste your talent? Why not use it to make something worthwhile. You can do that, you know? | |
Yeah, if I don't make too big an ass of myself. | |
What is that? | |
This? I'm testing a new spirit gum, to see how it holds. | |
And people are actually fooled by that? | |
My disguises have helped me solve many a difficult case. I spent three years on the stage, you know. Remind me sometime to regale you with my Lear. | |
What good is this? | |
To discover what might have been taken from those who died, it will help to know what was there that could be taken in the first place. | |
Is anything wrong? | |
No! No -- we're just on our way downstairs! | |
Come with us. | |
Where are you going? | |
I ain't your brother, I ain't None of your damn brothers. Move! | |
All right, run 'em off. | |
...What kinda dog is this again? | |
Bullmastiff. | |
The owner was suppose to pick him up three weeks ago. | |
We're not responsible for animals left over thirty days -- We board it ain't a animal shelter, Y'know... Adrian, I want you to clean all those cat cages downstairs, they're a mess. | |
With what? | |
Evil. He was evil. Come on. | |
So that's all you do?... | |
Shhhh...don't tell no one. Job security. | |
Inflamed joints -- Walkin' in an' out of a freezer carryin' meat plays hell on the joints. | |
Maybe ya should see a doctor. | |
I don't need a doctor, I need a different job. | |
Maybe another job is the best thing. | |
Do me a favor -- Talk to Gazzo. Tell him I'm a friend an' would do a good job... Tell him I ain't bothered by nothin' an' would be a great collector... Bustin' bones don't bother me -- Tell him I'm a good worker. | |
Gazzo's gotta come to you. | |
I'm askin' ya to go to him -- As a favor. | |
Gazzo's gotta come to you -- Hey, Paulie, it's a bad job -- Do what you do now. | |
Beg pardon? | |
You heard me, Jesse. You know how crazy I get! | |
What terrific story? | |
Kent's been invited to his high-school class reunion. | |
Whoopee. | |
The ship is sustaining structural damage. | |
Guys, we're sustaining structural damage!... | |
Don't be such a baby. | |
I can't take him. | |
Well, the widow Curtis will bring you riches, position, land, even half-grown children. You won't have to do anything at all! You shan't have to do another thing to prove yourself. | |
You know very well who it is that I love. | |
Is that the truth? Well, we can't carry on like animals any longer. | |
Say, take it easy! Take it easy! Listen, my boy. No use you hanging around here. Just buy the Tribune tonight and read all about it. You can rewrite it for your last edition. | |
Couldn't make the last edition. It'd take me four hours to translate your story into English. | |
Oh, is that so? | |
I'm afraid. | |
The partner who spotted the lesion, Walter Kenton, used to work for Benton, Myers, in D.C. There's a paralegal there, Maria Torres. She's had lesions on and off for three years. She says it was common knowledge around the office that her lesions were caused by AIDS. | |
They didn't fire her? | |
No. They didn't fire her. | |
Well, well, well - got your uniform, eh? | |
Yes, sir. | |
Looks good. How much did it cost? | |
I don't know. Mr. Sampson bought it for me. | |
Why did you tell them my book was being published? | |
You said you had it all lined up. | |
No, I didn't. What I said was that my agent had heard there was some interest at Conundrum... | |
Yeah, Conundrum. | |
...and that one of the editors was passing it up to a senior editor. She was supposed to hear something this week, but now it's next week, and... It's always like this. It's always a fucking waiting game. I've been through it too many times already. | |
I don't know. Senior editor? Sounds like you're in to me. | |
It's a long shot, all right? And Conundrum is just a small specialty press anyway. I'm not getting my hopes up. I've stopped caring. That's it. I've stopped caring. | |
I'll keep lover boy here entertained. You know the first thing I'll do when she gets here. I think I'll make her suck my dick, and I'll come all in her face. I mean it ain't nuttin' new. She's done it before. But I want you as a audience. Marty, what the fuck are you doin'? | |
I'm tryin' to find my jacket. | |
Look in the hamper. Linda's been dumpin' everybody's stray clothes there lately. | |
Settle down, Alex... | |
No. I can't go out there! I won't say that ridiculous catch phrase one more time. I won't. I can't! | |
He's got one! | |
On Clark Street! | |
A couple blocks! About six! | |
We work there! | |
You'd love it! | |
I have taken care of Mary. I've spoken to her. She's going back to school. | |
Then it is decided. Leo and Durk and I will make our plans. | |
I love this hotel. I stay here every time I visit my parents. | |
How come you don't stay with them? | |
Because I love them, but they drive me crazy. You know how parents are? | |
No. I don't. | |
We're fighters for Truth, Justice, and the American Way. | |
You better get some fresh air. | |
So young, so pretty. What monster could have done such a thing? | |
Bill -- Bill -- Bill is out there... | |
How long? | |
Too long! Too long. Now for the life of me, I haven't been able to figger this out. Either dem Koreans are geniuses or we Blacks are dumb. | |
C'mon, Dennis, this is stupid. I thought we were gonna go to the movies. | |
Mars?! Whattaya think, dude? Out here on the edge, no one around, it's perfect, right? | |
You're not helping. | |
Julien, what you're doing right now is a very normal psychological reaction to stress. You're projecting your anger onto us. | |
Wait...don't leave me in here... | |
It's for your own protection. | |
But, then, I don't have a choice. | |
Och, you do, Fergie. | |
Of course. I forgot. | |
Come on, Fergie. A rehearsal. | |
Perfect fit. | |
Should be. It's yours. | |
So how are you? | |
I'm okay. | |
You didn't answer my question. What are you doing? | |
Oh, nothing much. You know... | |
Well... | |
...just some stuff. A little of this, a little of that, that's all. | |
Yeah? Is that an embarrassing question? Should I have not asked it? | |
Probably not. | |
Are you, are you out of work or something? | |
No, well...I've been trying to write. | |
Have you? | |
Yeah. | |
Well, that's interesting. Wh-what kind of stuff? | |
Oh...well, you-you're not interested in this. | |
No, you can tell me. | |
Come on. | |
No, I am. I am. | |
Oh, no, millions of people come up to you and say, "Hey, I have something I just wrote," right? | |
Nobody ever said it. | |
Really? | |
This is it. Yeah. This is really-- HOLLY Well, wo-would you be willing to-to read it? Something...that I wrote? | |
Well, yes, I would if, uh, if it would mean anything to you. I don't know why it would. | |
No, the reason I ask is-- | |
You've always hated my taste in the past. | |
No, I haven't. | |
You have. | |
I haven't. No, the reason why I ask is I think it might make a great, uh, television script, and, you know, you're so active in television, so-- | |
I'm not anymore. I haven't, I haven't been in television for a year. | |
You're kidding me. | |
I've done no television whatsoever. No. | |
Yes! yes! er, on the whole, yes, Majesty. | |
But this is absurd! | |
And a hundred thousand if I go to jail. | |
We're partners, Baby, sorta. I ain't gonna screw you. You haven't told me where I put it for you. | |
Whew! - where that come from? | |
Found it. Growing in a garden. | |
Sheeit, beats burning hutches anyway... | |
PLACES, EVERYONE! ROLL CAMERA! | |
Rolling. | |
You're doing calligraphy? | |
I'll write your name. Just for fun. | |
Will...I... | |
What is it? | |
There's a guy down the hall. Complaining about the noise. Says he can't sleep. | |
What? | |
Would you like to sit on my lap? | |
No thank you. | |
Are you sure? | |
I'm sure. Thank you all the same. | |
That's okay... doesn't matter. | |
Do you want me to sit on your lap? | |
Barnett. Barnett on the wire. | |
Your friend? | |
You're hot! | |
So are you! | |
I mean, you feel a little feverish. | |
I've never felt better in my life. When do you get off work? | |
My shift ends at four, but I couldn't -- | |
Meet me at 4:01, top of the run. That'll give you a minute to freshen up. | |
I did. Is that door locked? | |
It's locked. | |
Make sure. | |
I was a victim of circumstance. | |
They should have warned you about that one. | |
She's kinky for flight suits--said that she'd never seen so many zippers--played with them all night. The noise alone kept me up. | |
What'd you do? | |
Pulled left, rolled out, underneath. | |
You all right? | |
I keep feeling like I'm forgetting something. | |
This your work? | |
Yes. | |
I thought you were going back to the apartment. | |
You said you wanted these. | |
Well, it bothered me somewhat. And I got quiet. And now she's quiet and we're both pouting a little, you know. And I decide I'm not going to propose. The mood is not right. Why be impulsive? Now at this point I know she knows that I was going to propose and didn't. And she knows I know. So the entire sixty mile ride back to the airport, we don't speak. And we're both good at that. We fly to Honolulu in silence. We check into the Pro Bowl hotel -- | |
How sad -- | |
But wait... | |
Here, don't panic. | |
I'm sorry ... I don't like people touching my blue blanket. It's not important. It's a minor compulsion. I can deal with it if I want to. It's just that I've had it ever since I was a baby and ... and ... I find it very comforting. | |
They come here. They all come here. How do they find me? | |
Mr. Bialystock ... | |
Yes, Prince Mishkin, what can we do for you? | |
Ah, Mr Bean ... | |
Excuse me. | |
Listen, you clowns, there's somebody else out there trying to buy your airline, if you want to be Pac-manned and gobbled by Atilla the Hun be my guest! | |
We'll take our chances. Nice to see you again, Mr. Gekko. | |
Well, it's quite a place, your "ashram" -- is that right? | |
That's right. The word only means "community." But it could stand for "village"... or the world. | |
He must have driven through a pool of blood. If the police stop you again, they may impound the car while they have the blood analyzed. Vaughan kneels beside him and inspects the smears of blood. | |
You're right, Ballard. There's an all- night car-wash in the airport service area. | |
Who me? ...No, I don't know, not me...all I know is... | |
Our friend, Groppi, went to his mother's house. And when he was there...at night... | |
Who are you? | |
I'm wit' Carlos. | |
Oh no. | |
No. Hi baby. | |
Jeez, she used to say I was the lucky one. | |
Let's hope so, Billy. Let's sure hope so. | |
I hope you find this comfortable. This was Baron Victor's room. | |
It seems fine. | |
You'll fine the keys to all the rooms in my cas... all the rooms in your castle on this ring. I'll leave it on the table here. | |
Does that include the key to the laboratory? | |
Okay. We got a lot happening here. Here comes the good part... Okay... | |
Somebody's getting comfortable. | |
Yes. | |
Take the test again. | |
He's busting the shaft! Start the pump! | |
Where...? | |
The bilge pumps. There -- | |
Hello, Hildy. I thought you were gone. | |
I thought so, too. | |
I made a trip to the hospital last night, borrowed some equipment. | |
For your miracle cure? | |
I'm feelin' dis'! | |
It will take a lot of courage and backbone on the part of the CNS to get this on the air. In fact, I would understand fully if the subject matter is deemed too risque, too controversial. | |
Don't worry about that, that's my department. Now who do we cast? We need a star. Can Whoopi sing or dance? | |
I don't know if Whoopi is the way to go. | |
Are these our two stars, sitting here in front of my nose? Which one is Mantan again? | |
From now on, you'll respond only to the name "Jay." You'll dress in appropriate attire specially sanctioned by the INS Special Services. You're not to stand out in any way. Understand? | |
Yes, sir. | |
I was just saying, I'm going to cable Downing Street, see if I can't stir up a few shillings - Katharine's mother and the PM's wife are best - | |
Darling, for goodness' sake! | |
Well, she is! | |
I've never had a pedicure before. | |
Well? | |
Red. What else? | |
Oh, my God! | |
Where are you hurt, son? | |
So you have an extra bathing suit, huh? | |
You want to come? | |
It's just that one of the few things I'm not confused about is what I was saying downstairs, that... | |
Then you should stay here. | |
It's better when you let me say it. | |
...EGGzactly. I'm putting on my coat -- We are late. We are seriously late. Which means Mister Ben we've got to get you dressed -- | |
No! | |
Well. If I didn't come to see the play, I wouldn't have anywhere else to go. | |
There are other plays... | |
Not with you in them. Not by Mr. Richards... | |
You know, Talby, you really ought to eat with the rest of us. You spend too much time up here. | |
I like it up here. | |
Must get lonely being up here so much. | |
I don't like to go below since Commander Powell died. I feel enclosed down there. If it were big enough, I'd sleep up here... | |
...Should spend some time below, see more of the rest of the ship... | |
...You see, I can watch things up here, Doolittle. I love to watch things, just stare at the planets and meteors and asteroids, gas clusters... | |
You'll have plenty of time for that, you know. Figure it this way: twenty years in space and we've only aged three, so there'll be plenty of time to stare around... | |
You know, Doollttle, if we're going into the Veil Nebula, we may actually find a strange and beautiful thing: the Phoenix Asteroids. They should be passing through there about now... | |
Phoenix Asteroids? Never heard of 'em. | |
They are a body of asteroids that make a complete circuit of the universe once every 12.3 trillion years. The Phoenix Asteroids... From what I've heard, Doolittle, they glow... glow with all the colors of the rainbow. Nobody knows why. They just glow as they drift around the universe. Imagine all the sights they've seen in the time they've been travelling -- the birth and death of stars, things we'll never see. The universe is alive, Doolittle. I thought it was all empty, but it isn't. In between the stars, it's seething with light and gasses and dust. There are little pebbles drifting around, planets no one on Earth has ever seen... No one but the Phoenix Asteroids... | |
Sustained. | |
Sustain all objections, but face the truth! | |
He wouldn't take it on the helicopters. He'd transport it through pipelines that connect Chemco to the waterfront... | |
What! | |
They were probably topping off a docked tanker while he stalled for time--without anyone being the wiser... | |
Forget the money. You've got to get these people out of here. This is no place to be sitting with women and kids. | |
Your next water ain't for three days. | |
Something happened to them, mon. | |
Come on, Spicoli. Why don't you just put your shirts back on? See the sign? | |
...No...I don't hate you. Do you want talk...do you really want to talk to me and say things and get things figured out, Jimmy? | |
Yeah. | |
The question isn't wether or not you cheated on me, the question is how many times have you cheated on me? | |
Will that help? | |
Yeah. | |
What is it, Eddie? | |
Nothin'. Want another drink? | |
What do you want to tell me? | |
Well, I, uh, I'll be leaving town for a little while. | |
For how long? | |
Oh, I don't know. | |
A week? A year? | |
More like a week. Look, I'll be back. | |
Sure. Let's go home. | |
The butler said I could stay. I told him it was important. | |
Oh, yeah? | |
They'll know who I am. | |
We'll change your appearance. | |
God... Of course. I'm sorry -- I mean, I'm... Brian -- I've got to go. The man's a lunatic, but I know exactly where he's going next. | |
God bless you, Maggie. | |
What are you so crazy about the movies for? | |
It was my favorite night at the orphanage--movie night. We'd race into the dining hall. Of course everyone wanted to sit in front, so we'd be packed in so tight you could feel the kid next to you breathing. | |
At least you were never lonely. | |
I didn't say that. Growing up in an orphanage, you're always lonely. You're just never alone. | |
Brilliant idea... but to be really effective, why not send a whole army of virgins? | |
That'll put fire in my soldiers! | |
According to my father's tapes, this is the spot where General Kenobi lives, but the instruments just don't match up with the landscape... There is no doubt about it, we're lost... | |
If you don't mind my saying so, sir, I don't see how anyone could live in this forsaken place. | |
Well, I don't know what to do now. We'll just have to head inland and see if we can't find a settlement. | |
Who paid you to see me off? | |
I can't Jack. How can I? | |
Yes you can. | |
Nigga, you got knock the fuck out. | |
Yeah, pops! | |
That's not good enough. | |
Christ, what... | |
Do me a favour. You don't really expect me to fix Kinnear on your say-so? Just because they tried to get me on you last night, don't think you can pull the same trick. Stroll on. | |
Jack, you're wrong. | |
Good afternoon, Mr Brumby. Carter exits. | |
Jack... | |
All right, are we gonna have a problem? | |
There's no problem. I was just hoping you could give me some insight into the evolution of the market economy in the early colonies. My contention is that prior to the Revolutionary War the economic modalities especially of the southern colonies could most aptly be characterized as agrarian pre- capitalist and... | |
Oh, it's great. You step into this little booth and there's this window between you and this naked woman, and she puts on this little show for like ten bucks. | |
What kind of show? | |
Think of the weirdest, craziest shit you'd like to see chicks do. These chicks do it all. They insert things into any opening in their body... any opening. He's led a very sheltered life. | |
Can we talk about this later? | |
The jizz-mopper's job is to clean up the booths afterward, because practically everybody shoots a load against the window, and I don't know if you know or not, but cum leaves streaks if you don't clean it right away. | |
How'd it go, son? | |
She misses me. | |
Hallelujah. | |
Oh...and who is it!? | |
I didn't say anything. | |
So long, cactus! | |
Adios, bridge! | |
Yeah. | |
What are you doin' here? | |
We call it abuildin' time, Arletta. | |
I ain't askin' what you'll do after you get out, because I'm gonna be dead and it don't matter. | |
Can you spare me some cutter, me brother? Can you spare some cutter, me brother? Alex, without looking at him, reaches in his pocket and gives him some money. | |
Oh, thankyou, your honour. The Tramp takes a second look at Alex. | |
Jamey Mack! Be the hokey fly! Holy Mother of God! All the Holy Angels and blessed saints in Heaven preserve us. Alex breaks away but the Tramp toddles alongside him. | |
I never forget a face! I never forget any face, be God! | |
Leave me alone, brother. I've never seen you before. Tramp shouts to other Meths drinkers and Tramps. | |
This is the poisonous young swine that near done me in. Him and his friends beat me and kicked me and thumped me. Alex breaks away again. | |
Stop him! Stop him! A leg is stuck out and Alex goes down. The tramp swarm all over him. | |
They laughed at me blood and me moans. This murderous young pig is a prize specimen of the cowardly brutal young. He is in our midst and at our mercy. Give it to him. That's it. Old Tramps begin to beat at Alex. | |
Then there was like a sea of dirty, smelly old men trying to get at your humble Narrator, with their feeble rookers and horny old claws. It was Old Age having a go at Youth and I daren't do a single solitary thing, O my brothers, it being better to be hit at like that, than want to be sick and feel that horrible pain. The Tramp crowd round Alex, shouting. | |
Iíve taken the liberty and had Inspector Thompsonís office searched, as I believe you instructed. All clear now, sir. They found several more traps and things were filed under pretty strange categories... Poor man. | |
Good. | |
You wonít regret this, sir. | |
Fine. | |
What's wrong with your shoulder? | |
Hit me again. | |
Listen, kid, why don't you go home before Johnny... . | |
Don't make me come there. Answer me. | |
I love you. | |
Listen, now that I owe you twenty-five hundred bucks plus, how about loaning me twenty for cab fare? | |
So you can call me "naive," Mister LaPlante. | |
Hey, you could call me "Bernie," forget the "Mister LaPlante" stuff. You are naive. | |
I read the probation report. It's not good. I think you're going... going to prison, Mister... Bernie. I know that scares you but.. | |
TAXI! HEY, TAXI! Well, at least I'm gonna get my goddamn million bucks. TAXI FOR CHRISSAKE! | |
What if it isn't over? | |
Maybe you should tell me your dream. | |
I am not. | |
How much can you bench? | |
I don't know. | |
Ze girl?... She seems like a very nice girl. She *plays*, monsieur, like a very nice girl. Ztinks. Very nice girl. However, ztinks. | |
I don't understand. | |
Is not so hard to understand. Her playing, very polite. | |
Did she make mistakes? | |
Yes. | |
Why? | |
Holy shit! | |
Hey, Mikey, he likes it! Ready for more? | |
Hell yes! | |
I know, I know, it's just... | |
Looks like 'Rest Home' for this marriage. | |
What do you mean "he didn't talk?" You sat there for an hour? | |
No, he just sat there and counted the seconds until the session was over. It was pretty impressive, actually. | |
Why would he do that? | |
To show me he doesn't have to talk to me if he doesn't want to. | |
Oh, what is this? Some kind of staring contest between two kids from the "old neighborhood?" | |
I won't talk first. | |
Yes, yes I saw the whole thing. How could you be interested in that puny little girl? | |
But she is real, it wasn't just a concussion. | |
Forget her, you're mine. I saw you first. | |
Yeah! Oohhhh! Get it! | |
Ooh, honey, I'm ready! Now! Now! | |
Oohhhhh! Yeah! Yeah! | |
When were you all planning to tell me? A year from now? After the election... What's going on here? Dave hesitates. | |
They asked me to help. | |
I'm sure they did. 'State of Emergency.' 'National Security.' You ever hear of the Constitution? | |
Who, me? Nooo. I never... I don't know anything about that stuff, Mr. M. Besides, that's Tracy Flick's thing. She's always working so hard and -- | |
Yeah, no, she's a go-getter, all right. | |
And she's super-nice | |
Yeah. But one person assured of victory kind of undermines the whole idea of a democracy, doesn't it? That's more like a... well, like a dictatorship, like we studied. | |
Paul, what's your favorite fruit? | |
Huh? Oh. Uh... pears | |
takes a piece of chalk from the lip of the blackboard. | |
Okay, let's say | |
No, wait -- apples. Apples. | |
You might tell a fellow things, 'specially if the fellow's your brother, seems to me. | |
Like what? | |
Have you ever had a nocturnal emission? | |
Huh? | |
That's the name for when you wake up and find this little pool of sticky stuff, like after a sexy dream. | |
I say something funny? | |
No. But I mean... just the idea that Mr. Lombardo would... | |
Way I hear it, he was pretty tight with the kids, one of the guys... | |
Yeah, but... | |
Why did he shoot her? | |
He was watching a ball game on television. | |
What? | |
His wife changed the channel. | |
So long, Cookie. The department store is all yours. What's left of it. | |
So long, Sefton. | |
Implants bothering you? | |
It's nothing. I'm just tired. | |
Unless what? | |
She's cheating on him. | |
I've caused you some trouble. | |
Mother... ...what is the phrase... "she isn't herself today"... I think that's it. | |
You shouldn't have bothered. I really don't have that much of an appetite. | |
Have you made a deal with him? Did you put him on to her? | |
Look you better put that blade away and get your head straight. I have to put the car in the lot. | |
What're you writing, Lois? | |
an Ode to Spring. are there one or two "T's" in bloodletting? | |
Two. | |
'And the people on the street, the little man who runs the corner newsstand, the old lady sunning herself on the stoop the kids playing stick ball -- none of them will ever forget the night of senseless bloodletting that turned a friendly block part into a nightmare.' | |
He can't respond to the Allegations. I don't care <u>how</u> many girlscouts are picketing the ... look, look, look, we're coming home with <u>Gold</u>. Eh? Tell him to hold firm for <u>two hours</u>... coming home with Gold. | |
Did we ever use those costumes for the Border Patrol? Those guys in the Leopard-Skin <u>Hats</u>? Here's my idea.... | |
I like stories. | |
Then I'll tell you a story a lovely story. Do you know the story of Rapunzel? | |
Mommy read it to ne. | |
Do you know the story of "The Headless Horseman?" | |
Everything's gonna work out. The kids and I...we're going to love each other. | |
Rache, it may take time. | |
What's eight, ten years? Hell, you'll still be ambulatory. I think. | |
Miss Bracken, I'm Lieutenant Exley. | |
I know who you are. You're the policeman Bud told me about. | |
Really? What did White say? | |
He said you were smart. He also said you were competing with your dead father. How did he put it? Trying to measure up to a ghost. | |
Betty, it's imperative we get Janet out of Flavors' fast fingers and Brad out of that hell-hole before they both disappear forever. If only I could place that name -- McKinley? | |
He was a President. | |
President? Past Presidents! Betty, this is beginning to add up. | |
Really. What'll I pin this on? | |
Faith, Betty. But make sure it's your own. | |
I like your hat. | |
Huh? Oh... yeah. S'okay? Uhm... how're... business things going. | |
Let's not talk about it, it's too depressing. Come on, I'll show you Thunder. | |
Please, we hardly know each other. | |
Thunder's a horse. Come on. | |
Hey... ! | |
Little more juice's all it needs... | |
Maybe I could jump out of the window. Do you think they'd see me? | |
Come here, you little fool! | |
Porno? You're tellin' me that you can get porno on that thing? | |
Oh yeah. Take a look. | |
For now. Alright. you better be. And Sandy better not be involved with this, I can tell you. Be prepared to come in for further interrogation on this later. | |
Yes sir. | |
So, uh, I -- I'm not really busy Friday. I just said that -- y'know. | |
I know. | |
So if, uh, you wanted to do somethin'... | |
You're going to be fine. | |
You're not going to let me die, are you!? Don't let me die! | |
No shit. You know how he makes his money? | |
He sells guns. | |
You ever see him sell guns? | |
No. | |
Then how do you know he sells guns? | |
He told me. Besides, why else would an A.T.F. man be after him? | |
How can you help us? | |
Short of wearing a wire, I'll do everything I can to help you throw his ass in jail. And in exchange for my help, I need permission to leave the country and immunity. | |
It's okay. I want the rush. | |
No. Look. | |
I'm not going with you. | |
What? What are you talking about? | |
There's only room on that pod for seven. That's you and the others. I'm counting on you to get them out of there. | |
I'm investigating the death of Fredrica Bimmel. Who are you, please? | |
Jack Gordon. | |
Mr. Gordon, did you know Fredrica when she worked for Mrs. Lippman? | |
No. Wait... Was she a great, fat person? I may have seen her, I'm not sure... | |
Yeah, this is Ronny. | |
I'm calling for your brother Johnny. He's getting married and he wants you to come. | |
But dreams don't pay the bills, do they? Same old Reed, the hopeless optimist. Still reaching for the stars, with the world on your back. | |
You remember in school we talked about working together. That's what I was about to explain... | |
No harm, no foul? | |
I guess. | |
I apologize for that scene with my husband. You must have overheard. | |
An occupational hazard, I'm afraid. | |
I bet. Going into people's homes. | |
It's a living. | |
We're not stupid, Reynolds. | |
The fuck do you have goin' on with Sam Albert? | |
This guy's carrying the <u>flag</u> for the damn terrorism bill. You think this is the best time to piss him off? | |
You have any idea what kind of position this-- | |
He's carrying the damn <u>flag</u>. | |
This is a nice car. | |
Yeah. It's my sister's. | |
It's the squid! Stop it! | |
Stop what? What are you -- ? | |
Clemenza. You take care of Paulie. I don't ever want to see him again. Understood? | |
Understood. | |
Okay, now you can move your men into the Mall, replace Tessio's people. Mike, tomorrow you take a couple of Clemenza's people and go to Luca's apartment and wait for him to show. That crazy bastard might be going after Sollozzo right now if he's heard the news. | |
What's an A.I. | |
An Artificial Intelligence. A computer system that's developed the capacity for sentient thought. They're dangerous and totally unpredictable. | |
Thank you, Comrade. | |
Have you any money? | |
They're moving away. | |
They're just trying to see if they can stir something up ... we're safe. | |
Where have I heard that before? | |
Oh, well, I-if it's inconvenient, eh, we can't do it now... that's fine, too. W-w-w-we'll do it another time. | |
Hey- | |
Maybe if you're on the Coast, we'll get together and... and we'll meet there. | |
Good, you brought your violin. I want you to play. | |
It's a machine gun. I thought I'd kill myself. | |
Are you lovesick? | |
Suicidal. It's much less codependent. | |
Will champagne help? | |
Not enough. | |
Who are they? Stay on them, will you. How can we find out...Wait. The glasses. | |
What glasses. | |
The drinks...Stay on them. | |
So then she just stops calling. | |
I wasn't going to call her. Not after the way she was. | |
Any messages, Carmen? | |
We've signed up 15,000 Palantine volunteers in New York so far. The organizational problems are becoming just staggering. | |
I know what you mean. I've got the same problems. I just can't get things organized. Little things, I mean. Like my room, my possessions. I should get one of those signs that says, "One of these days I'm gonna get organezizied" | |
Good luck, Richard. | |
Someone down here? | |
No problem. | |
I made that paella you liked. It's on the stove. | |
With grenadine, right? | |
When I was twenty. | |
Oooh, very sophisticated. Having fun? | |
I'm sorry, darling, have you seen my coffee mug...? | |
Try the car. | |
You see? You have someone to live for. | |
No, I don't. I'm alone. We all are. Especially here. The world's unjust. The respect fools get. The disrespect I get. | |
What is it you want? Respect? I have respect for you, just for making this call. One philosopher said "Sadness is a sin against the richness of the world." Think about it. Feel it. | |
You don't even know me. I want real respect. | |
Here... Here... | |
What is it? | |
Little presents, nothing much... I knew it, I just knew it! Look here! | |
What is it? | |
New York. 1986. Viktor Yurilivich. | |
Yes...he's my friend. | |
Okay. You're a Czech national and you're a Russian national. How do you know one another? | |
Jacques, my friend, how are you? | |
Enzo... | |
You tried to pin three stone murders on Dunbar -- | |
How many murders did you cover up? One? Five? Maybe an even ten. | |
Can I go to jail for punching a guy who's been shot? | |
Burke! Open the door! | |
Look! | |
Hmm. You know that's really a shitty middle name! | |
I know, it sucks! | |
Nice guy. Who's he? | |
Who's it, you mean. | |
Yes. What's the detective hoping to find in San Remo? | |
He's being thorough, that's all. I'm learning about my son, Tom, now he's missing. I'm learning a great deal about him. I hope you can fill in some more blanks for me. Marge has been good enough to do that, about Mongibello. | |
I'll try my best, sir. Obviously I'll do anything to help Dickie. | |
I liked being with you last night. | |
Same here. | |
Sure! | |
Give me a break, will you. How often do I ask you for something? | |
Okay, Okay, but I want it right back. It belongs to my father. | |
No problem, is it at your place? | |
Yeah. | |
Come on, Sugar - time to change for dinner. | |
Run along, Daphne - I'll catch up with you. | |
Okay. | |
My wife. | |
How do you do? What did you say?.... He is?.... Where is he? Very well. He's back in town.... Wynant. Thank heaven. He's waiting for me now. Forgive me, Mrs. Charles... but I've been so upset. It's no joke working for a man like that. I must be off. Goodbye.... Goodbye, | |
S'long. | |
So this is the young man? | |
How do you do, sir? | |
Hullo. | |
Missus. Very pleased to meet you. | |
This will all soon be but a happy memory because Roberts' ship "Revenge" is anchored at the far end. And I, as you know, am Roberts. | |
But how is that possible, since he's been marauding twenty years and you only left me five years ago? | |
I myself am often surprised at life's little quirks. --------------------------------------------------------------------------- 59. | |
Shall I tell ye the little story of Right-Hand-Left-Hand -- the tale of Good and Evil? | |
It was with this left hand that old brother Cain struck the blow that laid his brother low -- | |
Them kids is yours? | |
My flesh and blood! | |
Where's your Missus? | |
Anthony, Daddy's busy. | |
This is my boy, and my wife. Mr. John Ola of Miami. | |
I'm sorry, Michael. Senator Geary's here, and Mr. and Mrs. Barrett wanted to thank you before they left. Won't you join us, Mr. Ola? | |
Mr. Ola's just leaving, Kay. Please tell the Senator I won't be a minute. | |
I did? | |
Yeah, you did! | |
Yeeeehaaawww!! This is totally fuckin' curly, man! Thank you God! | |
Whoa, easy, Trip, this is radio, not "Taxi Driver." Now listen up cause this next part is crucial. Stay on the line so we can get your full name, information, and... | |
Yes. | |
Really want to know? | |
And then they took their children. | |
Their children? | |
Good to see you, Jorge. You are a man of your word. | |
Actually, I've got some news. That fifty thousand I promised you, I couldn't get it. | |
Give or take. | |
We're not gonna make it, are we? | |
You're not playing by the rules Ben. Don't you want her to live? | |
I swear to God if you lay one hand on her! | |
No! You listen to me, if you're not where I want you in fifteen minutes I'll hollow her out. Do you understand? | |
No, one cannot simply ignore it. | |
I am afraid, then, I have to ask you both, Joseph as my brother, and Junot as my good friend, whether or not you know anything about this, or whether you saw anything at all during the trip which might make you suspect some truth to it. | |
Betty. | |
Yeah ... Betty. You don't rush it. I don't rush it. We play it close, just like in the movies. | |
I think he's been fired. | |
It doesn't say th... | |
He's said some things over the past few weeks. Look, this is why I came up with the idea of you offering him a job. | |
Has he sent the challenge yet? | |
Not yet, but I believe he intends to. | |
Time is money, George. We need extra beer today. | |
Business is good at the hotel? | |
Very good. | |
I am always glad to see you Paul. | |
Oh no! Oh, I'm so sorry. Truly! | |
Well, they didn't think too much of 'em in Paree. | |
Yeah, we're closed. So go away. | |
Actually we have something for you. | |
Hi everyone, door was open. Veronica, you missed it! Pauline and Whitney James were up there doing there suicide rap when the cops come in and announce that Martha Dumptruck tried to buy the farm. She gave the ticket girl at the Colfax theatre a suicide note then bellyflopped in front of a car. | |
Is she dead? | |
That's the punchline. She's still alive, in stable condition. Another case of a geek trying to imitate the popular people of the school and failing miserably. Is that pate? | |
Gimme a second here... Tidwell... Arizona contract... new glass cabinet... | |
You okay? | |
I'm fine. What's up? | |
I came here to let you go. _ 27. | |
What? You and Madox? Or you and Katharine Clifton? | |
What? | |
What's the... | |
Where have you been...? | |
You leave now. Take ticket somewhere else. Next customer in line...! | |
You first generation, xenophobic, money-theistic, hot pastrami sandwich making... | |
Get out! | |
Excellent work, Joe. I thank you. | |
It was good working with you, Andrew. You're welcome. Hey. Shouldn't you put that thing back on? | |
Are you here to help me? | |
What do you need? | |
Listen, uh... Hank and I think it best if you stay on shore. | |
I beg your pardon? | |
Whatever's out there <u>did</u> flip over a canoe-- | |
I am <u>not</u> staying on shore. | |
It's too dangerous for-- | |
I didn't fly up here to roast marshmallows-- | |
You flew up here because your boss-- | |
I am going out on that boat and why are you picking on me, is this some kind of-- | |
That will do, Herr Mozart! | |
Just let me tell you how it begins. | |
Have I ever steered you wrong? | |
Cuff'em. Let's see what these two love birds say once they're sitting in separate cages. | |
Look. | |
No. | |
Falling. | |
No. Please, Dorothy. Why are you in so much trouble? | |
Look at all this - publicity expenditure ... catering ... all completely fictional ... back as far as June 93 ... | |
I don't think you really understand what you're looking at ... | |
What was that all about? I thought everything must go! | |
Oh yeah right, like I'm gonna let some asshole with a goatee own Goofy Gus. | |
Bobby Peru grab you now... Hold you tight... Feel everythin' in you now... Stay quiet... Say "fuck me" and then I'll leave. | |
No way... GET OUT!!! | |
Say it!... I'LL TEAR YOUR FUCKIN' HEART OUT, GIRL... Say "fuck me" soft - then I'll leave. Say "fuck me"... Whisper it... Then I'll leave... Say it... Say it - Say it - Say it... | |
Did you bring along something to read? | |
Damn... | |
Come on, baby. Lighten up a little, will ya? | |
I get scared really easy, okay. | |
You gotta go with it. Scary movies are great foreplay. | |
...of the West. | |
B-B-B-B-B-But if we do that, we'll have to kill her to get it! | |
Did you always know this was the life you wanted? | |
I fell in love. After that, I never thought about being anything but a rancher's wife. I never saw it like I was losing some other life, just felt like I was gaining one. I know that's not a popular opinion nowadays and I ain't saying it's the right one. We all have to find the life meant for us. | |
Frank's a good man. | |
They don't come better. But I don't deny there are times I wonder about things I won't have. Maybe one day I'll get to see Egypt. Maybe not. But I know if you try too many different lives, you can wind up with no life at all... | |
Sounds like something Tom would say. | |
Yes, it does. | |
So, you live around here. | |
Not too far. My folks bought a place over on Elm Street. | |
Nice tie, Lt. Anus, sir. | |
You think you're so hot just because you can get into any club. You think you're so hot, just because you have sex with great- looking women. You think you're so hot just because you broke the Ensenada tape piracy ring... | |
You gotta admit those are all pretty great reasons... | |
Get the fuck out of here, honey... What do we got? | |
Ach! Here you are, Doctor Zinnowitz. | |
Have I kept you waiting? | |
Waiting -- I'm waiting for news from Manchester. | |
No news yet? | |
No. No word. | |
Everything depends on the Manchester merger. | |
I know -- I know. | |
I saw Gerstenkorn at lunch -- and as your lawyer I made it my business to broach the matter --- | |
You got a sniper out there, gonna shoot me? | |
Only if you try to grab me. We could've shot you from the wall. | |
Well, the first week of camp has swhooshed on by and I thought this a perfect time to finally pow-wow. I think we should discuss-- | |
We need more ritalin. Can't we just grind it into the munchkins' food? | |
Don't bet on it. Last time I had a pap smear the guy needed leather gloves and an oyster shucker. | |
So maybe I could find a nice gentleman to take you to the movies. | |
Knock it off, Pollyanna, just 'cause you're in love doesn't mean everyone else has to be. | |
Love? Come on, I wouldn't call it love. | |
Oh no? I ain't seen you beaming like this since you broke ninety on the Blue Monster. | |
I give ya enough chain so's you can get about the house. Get you to the kitchen. You need the bathroom, it'll reach. | |
What do you want? | |
We got everything we need. Plenty of food. Ya medicine still got a few good swallows in it... | |
WHAT DO YOU WANT FROM ME?! WHATEVER YOU GONNA DO TO ME, JUST DO IT! AND LET ME GO! | |
God saw to it to put you in my path. And I aim to cure ya of your wickedness. | |
Good morning... If you show me where things are, I'll make us some coffee... | |
No! Don't go back into the house... It's too nice outside. | |
My sister's coming by to pick me up for brunch. Why don't you come, too? | |
I have work to do at the plant. | |
I'll get my purse. | |
I'll get it. Stay right here. You look very good in the sun... | |
The kids are in here! | |
Where's the office? | |
Help me, goddamnit, we can get the disks later! | |
Really? | |
Yeah. I want you to have this picture, so you won't forget what I look like. And so you'll remember to call me over the summer. | |
But he isn't us. He's your own kind. | |
He's a gorilla. | |
Shut it up! Shut the little bastard up! | |
Chuck him out the door! Like a little hors d'oeuvre. | |
So she knew about his heart? | |
Had to. I also interviewed three women who were in past relationships with Marsh. There's no evidence that he had anything but straight sex prior to meeting Miss Lawson. | |
What about the will? | |
That's the best part. She gets it all -- everything. | |
See you later. | |
Bye. | |
[Then what do you have to lose?] | |
[It's a moral issue. On one hand you're cleaning up the bad guys, but in another way we are feeding the problem that produces bad guys.] | |
And roosters. | |
No, Dr. Hartdegen, they are not just chickens and roosters. They are science. Perhaps they aren't "inspiring" to you. Perhaps they don't "challenge" you -- | |
No, sir -- | |
Animal husbandry is science, Dr. Hartdegen. I have been breeding these fowl for fourteen years. I have filled a library with information on their feeding patterns, social behavior and breeding. Empirical, exacting, quantifiable records. | |
Sir -- | |
GET OUT OF THERE!! GET OUT!! Put your hands up, on your head. GO ON!! Get down on your knees - DO IT!! What are you doing? Who are you? What's your name?. WHAT'S YOUR NAME? | |
Jeffrey. | |
Jeffrey. Jeffrey what? | |
Jeffrey nothing. | |
You tell me!! Let me see that wallet. Jeffrey Beaumont. What're you doing in my apartment, Jeffrey Beaumont? | |
I wanted to see you. | |
What? Are you kidding me? Who sent you here? | |
Nobody. | |
Shit. You better tell me something. | |
I was. an experiment. Just to see if I could do it. | |
An experiment? Hey, I've seen you before. | |
I sprayed your apartment. I took your key. I really didn't mean to do anything but see you. | |
Tell me what you saw tonight. TELL ME. | |
. I saw you come in, talk on the phone. get undressed. | |
The phone. What did you hear on the phone . Tell me. Word for word. | |
You said hello. to Frank. You wanted to talk to someone?. Don?. and little Donny. You said something about Momma loves you. and something about a Meadow Lane. something in an hour. I don't remember any more. | |
Maltz. Prisoners are at beam coordinates. Standby... | |
You should take the Vulcan, too. | |
No. | |
But, why? | |
Because you wish it. | |
I didn't mean it like that, Grace. Why does it always come out wrong? | |
I know you mean well. | |
Where is he? Where is Rob? | |
I don't know. Maybe in literature. That's his section. | |
You got that? | |
Why did you change your mind about bringing us along? | |
Why do you think? | |
I don't know. I thought I did. Now I'm not sure. I thought it had something to do with me. | |
Oh, it did. It had a great deal to do with you. | |
What for? | |
For coming onto my property... With a gun. | |
No, you're not either. | |
Yeah? Why not? | |
Cause I can't allow it. | |
You stole her purse! While you were saving her? | |
What's the big deal? You decided to pretend you were me. A little moment of weakness, right? So I sorta swiped her purse. I got feet of clay too, bUddy. | |
And she thinks you're blackmailing me? | |
Right. | |
The war is over. This is a time in when nations are redefining themselves. | |
So, Tibet, too, needs to define itself. | |
Yes. As a free country. But our attempts have proven futile. We continue to be badly outmaneuvered by the Chinese. | |
Can India help us? | |
India is a newly independent nation. They are struggling. India is in no position to help us. | |
Britain? | |
Britain chooses not to. | |
And, America? | |
America, we shall see. | |
Ask the Chinese mission to leave our country. Immediately. | |
Why? Why are you doing this? | |
Doing what? Messy up your day? Well, fuck lady there are some bigger issues at hand... than your fucking have a nice fucking day bumper sticker shit! | |
Where's Bill? | |
Well, Bill... he's a good guy, he's been great help to me... a real blessing... I couldn't have asked for a better specimen. I mean you don't know what a dry spell I've had, total block... ...total block... but Bill he's OK. | |
So what about "Michael" then... Mr. Brooks Brothers... Mr. BMW. You still seeing him? | |
No, I haven't seen him in a few weeks. | |
What happened? | |
Bud, why are you doing this? It's not part of you life any more. | |
I'll tell you what happened... you woke up one day and realized the guy never made you laugh. | |
You're right, Bud. It was just that simple. Aren't you clever? You should get your own show... Ask Dr. Bud, advice to the lovelorn from three hundred fathoms. | |
Mr. Fettes and I have professional matters to discuss. | |
Medicine? That'll keep. Sit down. | |
Did you love your husband, before you married? | |
I did not know him before I married him. I loved his brother, but then, I married his brother, too. He is dead now. | |
Hmm. | |
The land has stayed in the family. We work together. The nobleman is not too bad. | |
Does he treat you fairly? | |
Will you have a glass of sherry? | |
Thank you. No. | |
Hurry! | |
Faster! Don't we have another gun? | |
Jesus. What a bunch of useless zombies. | |
Who? Us?! | |
The audience! | |
That doesn't make him a child rapist. There's something else. This girl's had some problems. Wrecked a couple of her mom's cars. Ran away... | |
Where's this coming from? | |
I worked Juvenile in Dade County for three years. We had a missing persons on Kelly Van Ryan for two weeks... Maybe a year ago... The family kept it out of the papers. | |
Any history of epilepsy in your family? | |
No. | |
Diabetes? | |
No. | |
Was there any trigger event? A trauma, shock or... You haven't shown him any of the films you make, have you? The horror stuff? | |
No... | |
Hey, Boone. | |
Have a drink? | |
You're not really going over to have a beer with that old guy, are you? | |
Well, I've got a million questions about the area, and--- | |
---and you'll end up doing a free consultation on his arthritis or urinary problems and--- | |
Did you see his shirt? | |
Do you want me to tell you what it was like, reading that review at the newstand with trucks rumbling past and street vendors facing Mecca? | |
What was it like? | |
I said, `I'm dead'. He killed me. | |
Luck, Jim. Don't forget. | |
Have some cigars. | |
No thanks, I don't smoke. | |
Go on--Give 'em to your friends. | |
No--thanks, very much, Mr. Stark. | |
There's no point appealing to Colonel Blake. They've got him bewitched. | |
No. The only thing to do is write General Hammond. But it's hard to find a place around here for a private discussion. | |
I have a tent to myself. | |
People will talk. | |
I don't mind. If we give them something to talk about. | |
I'm sorry. Nothing under Pearson. | |
You're sure? This is... Just a complete disaster. | |
What was it? | |
Hello, Charlie. | |
Hello, sir. How are things at the hat store? | |
Fine, thanks. Come on in. I want to talk to you. | |
You know what this is? | |
Yeah, that's why I walked down here. | |
Your friend lives in a fine building. | |
Oh yes, the very best. | |
I'll take this instead. | |
Nice one, huh? Winter's coming. Three dollars?... I guess that's what I marked it... | |
Where? Where? | |
Thirty meters or so. Moving slow, but straight toward Elsie. | |
Can you confirm visually or just radar? | |
Radar, he's underwater. But he's definitely coming. | |
Okay. Lead him in. Okay, everybody up on the trucks. We aim for the stomach or side... there's little chance the darts will pierce his hide. <u>Everybody</u> <u>up</u> <u>on</u> <u>the</u> <u>trucks</u>. | |
Watch out, you're on my hair! | |
Sorry. Move your hand to the left. There you go. Gorgeous. | |
Go! Just go! | |
Get the contracts and I'm sure you'll do very well. In fact the worse things get the better you'll do. It was a "pleasure." | |
The contracts? That's the easy part. Finding the money to buy the company, that's hard. | |
Don't be defensive, Kathryn, this isn't an inquisition. | |
I didn't think I was being defensive. I was just... | |
He should have been in restraints. It was bad judgment on your part, plain and simple. why not just cop to it? | |
Okay, it was bad judgment. But I have the strangest feeling about him -- I've seen him somewhere and... | |
Two policemen were already in the hospital and now we have an orderly with a broken arm and a Security Officer with a fractured skull. | |
I said it was bad judgment! What else do you want me to say? | |
You see what I mean? You're being defensive. Isn't she being defensive, Bob? | |
You got these cops outta here. They're comin' in too close. | |
Come on. I want you to see something. | |
You want me to give up, huh? Look, Sal's in back with the girls. Anything happens to me - one move - and Sal gives it to them. Boom boom. How do I know you won't jump me? | |
I don't forget about Sal and the boom boom room. I want you to see this. | |
I didn't mean it! I didn't know what I was signing! You tricked me...! | |
Silence her! Take her away...! | |
'Continentals', Congress' paper money. It was worthless to start with, but as you see, counter feiters have made them even less than worthless. Can you tell which one is fake? | |
I... they look both the same. | |
The one with 'Philadelphia' spelled correctly is the counterfeit. | |
Jews don't celebrate Christmas, Tom. | |
Never mind that now. I also need some artillery, you know, a couple of sawn-off shotguns. | |
Bloody hell, Tom! This is a bit heavy. This is London, not the Lebanon' Who do you think I am? | |
I think you're Nick the Greek. | |
Morgue...? | |
That's right Trevor. The timing was impeccable wasn't it? It's been eight months two weeks and three days but we finally found the body. Just need you to ID it for us. | |
...my... home? | |
Yes, John. | |
You did this for me? | |
Yes. | |
Please... please thank the governing committee for me. I will do my utmost to merit their kindness. | |
You want me to move the television set in here? You play gin rummy? | |
I'm not very good at it. | |
I am. Let me get the cards. | |
You don't have to entertain me. | |
Yeah, right. You want to try again? | |
Naw, you'd just call your pals back to bail you out one more time. | |
They saved your ass, convict. | |
One thing's for sure, Jack. That's how you'll tell the story. | |
Uh, Helen, I wanted to talk to you a second about Sean... | |
Stephen, I'm kinda busy here, can we talk about this later? | |
What's your name? | |
Captain Morton. | |
Report! | |
Two ships decloaking, sir! Romulan! | |
Computers talk to other computers, right? | |
Somehow your twisted little mind should be able to figure out how to tap into the main computer at the Aerospace Center and reach Vulcan. | |
Hey Taylor, you don't know it but I saved your ass today. I killed a shit-eating dog. | |
That reminds me, I gotta take a shit. | |
You gonna wipe your ass dis time? | |
Yeah if you let me have your shirt. | |
Kate, you're still there? I thought you'd be on your way home by now. | |
You miss me?... | |
Uh, yeah. Sure. Honey, did you forget the guys are coming over tonight? | |
No, why? | |
Well, there's nothing here to eat. | |
I suppose you'd like the top down. | |
If that's okay? | |
Nothing would please me more. | |
I must say, you look more your old self -- | |
You mean my other self ... | |
Either way ... may I ask: why you dress in that fashion? | |
I should have thought that was obvious ... I'm in mourning. | |
We can monitor the cloud's approach and observe the tests from here. | |
Is it safe? | |
All set? | |
Fuck! | |
Take your time. | |
Please, Ryan. | |
No, he's absolutely right. You're absolutely right, Ryan. Dog talk must be banned. Canine conversations are completely discouraged... it's really good of you to join us. Can I get you a drink? | |
Why are Mickey and Mallory being moved to an asylum? And who made the decision? | |
The prison board made the decision. A board of which I belong. We're the who. The why is simple. Mickey and Mallory are mentally ill and need to be under a doctor's care, where hopefully they'll receive the help they need. | |
Mickey and Mallory were deemed competent in a mental examination before their trial. I'm confused. What's changed? | |
Well, since that time, they've killed one person during their trail. And since their incarceration, they've killed one psychologist along with several guards and inmates. | |
When they were found competent before, they had already killed fifty people. Other than the fact they're a disciplinary problem, which frankly shouldn't surprise anyone, I still don't see where this situation is any different then it was before. So, I ask you again, Mr. McClusky, what's changed? | |
What's changed, Mr. Gayle, is our minds. We felt they were competent a year ago. A year has passed, sir, a year where they were under close observation, day in and day out, and their behaviour has led us to believe we were wrong. | |
Who is we? | |
The prison board and the doctors who examined them. | |
Were any of the doctors who made the first evaluation on the Knoxs mental state asked to re-examine them? | |
Using the same doctors is not common practice. | |
I take it by your answer it was a whole new team? | |
Now that you bring it up, yes. They were different men. I hadn't really thought that much about it. Since many psychiatric opinions are, by a rule, sought out for this kind of situation. What do you think normally happens? The Knoxs are assigned a family psychologist that takes care of them throughout the rest of their lives? The state doesn't work like that. | |
Always a mood killer. | |
Still sweet. | |
Partially... | |
It's the political 'cost of doing business', George. | |
What's with Mike? | |
He got a little jealous. | |
I'm sorry, I didn't. | |
It's okay. Don't worry about it. | |
"Good morrow, cousin." | |
"Is the day so young?" | |
Boy, this is good! | |
I'm sorry that I became so upset. | |
No, I'm sorry. I'm really backward in certain areas. | |
It's only that I really enjoy your company and... | |
You do? | |
Yes, and... | |
You really enjoy my company? | |
Yes. Please don't talk with food in your mouth, Lila. Please. You're so pretty and it only mars your... I'm sorry. I'm being critical. | |
Gentlemen, this isn't -- | |
Really, Dr. McCoy; you cannot ban the acquisition of knowledge because you distrust the moral implications of what you learn. Logic suggests -- | |
Bobbyyyy! Tequila por favor! Double shots. Make it Tres Generaciones, huh. Nothin' but the best for my good friend Lenny, the finest cop that ever got thrown off the vice squad. Hey, nice tie. | |
Thanks, Max. | |
D'you always have to dress like a fuckin' pimp? | |
This tie cost more than your entire wardrobe. | |
That's not sayin' much. | |
It's the one thing that stands between me and the jungle. | |
New orbit commencing... Coming up on sector three... | |
Short range scan. | |
As before... Metallic mass... Verifying triminium photon tube... No new data. | |
Check for trace radiation. Infrared enhancement. | |
... Radiation residual... Level is minimal... | |
Yo, showtime, showtime! | |
What's going on? | |
Hey... big boys don't cry, remember? | |
Hi, lady. | |
Hi, tough guy. I guess it worked, huh? | |
'Course is worked. You're never wrong, are you? How d'you feel. | |
I've been better. Next time it's your turn, okay? | |
Forget the stars. Look here, at the Earth, our mother, our womb. She deserves our loyalty and protection. And yet you spoil her lands, poison her oceans, blacken her skies. You're killing her. | |
Your intentions are noble, but no diesel fuel for heat. No coolants to preserve food. Millions would die of cold and hunger alone. | |
Acceptable losses in a battle to save the planet. | |
People come first, Dr. Isley. | |
"A Rock Island and Pacific Railroad depot was robbed two nights ago just outside St. Louis, Missouri. The brave and daring James-Younger Gang was heavily outnumbered by Pinkerton detectives, but the city lawmen were no match for the guns of the West." | |
It is a nice piece of writing. | |
"The gang made off with thirty-five thousand dollars and also destroyed the Thaxton Switch construction, meaning that for a few months honest farmers will be able to sleep without fearing the railroad is coming to steal their land!" Who wrote this!? I'll see him hanged every Tuesday for a month! | |
Oh, that's the best part. | |
What's up? | |
Well I'm sorry. Before... | |
Mhm. | |
And I'm sorry that I did that. | |
It's alright. | |
I wanted to ask you because you're a doctor, right? | |
Yeah. | |
I don't like the way I am sometimes. Can you help me? WALTER Barry, I'm a dentist, what kind of help do you think I can give you? | |
I know that. Maybe you know other doctors? | |
Like a psychiatrist? | |
I don't have anyone to talk to things about and I understand it's confidential with a doctor - I'm embarrassed about that and I don't want my sisters to know? | |
You want a number for a psychiatrist, I can get you one, that's not a problem. but what exactly is wrong? | |
I don't know if there's anything wrong with me because I don't know how other people are.....Sometimes I cry a lot.....for no reason. | |
Where do you live, Miss Hankshaw? | |
I'm staying with the Countess. | |
I know, but where do you reside when you aren't visiting New York? | |
I don't. | |
You don't? | |
Well, no, I don't reside anywhere in particular. I just keep moving. | |
It's not? | |
That's Frankie Zammito. The Under boss of the Chicago Mafia. | |
All you all right? | |
I'm fine.... | |
You know why I like the track? | |
You're a compulsive gambler? | |
You said that last year, Dad. | |
The land and the King are one, my son. If he stutters we falter. He's getting batter, and so are we. | |
Just a minute, you! | |
Yeah? | |
You're a writer, you said. | |
Why? | |
Magda, Puffy barks at everybody. | |
That's because there's a lot of bad people out there. Hey, Puffy tried to warn you about that Steve guy you was seeing -- he was a fucking asswipe -- but you had to find out for yourself, didn't you? | |
Okay, you win. Now try to get some sleep, huh. | |
These THINGS... they want to take me -- | |
What things? | |
Did you really steal a crippled kid's bicycle to make your deliveries, or is that just some bullshit story? | |
I didn't steal it, and he wasn't crippled. | |
Cover. It was suppose to be abandoned buildings, y'know. No one was suppose to get hurt. The night you busted us...We were checking to make sure there weren't any vagrants around. Scare them away. | |
Who is he? | |
Alex Swan. My brother. The other two are called Taylor and Leveau. | |
Taylor's dead. | |
How old are you? | |
Older. | |
Thirty? | |
Well... | |
I'm twenty-eight | |
Oh. | |
Older than thirty? | |
All this, this is a woman's version of what you would like. | |
It was a long time ago. | |
I... I don't know. There... there wasn't time... | |
I suppose you'd find out soon enough that you have assets you presently don't seem aware of, wouldn't you? The waste processing licenses at that abandoned shipyard of yours, you'd certainly find out about that. | |
I see it. | |
Pull it. | |
What happened to your hair? | |
Nothing. It got messed up. | |
Franny? | |
Hmm? | |
I just want to say... I know you had your own dreams. I'm sorry I couldn't give them to you. I love you so much. | |
It's in the watch. He lead us on that chase while Dieter brought the chip into Hong Kong. | |
And Dieter? | |
He must not know. GRUNER just made the switch back. | |
I would imagine that the great satisfaction in all of this will be killing the American. | |
I hadn't thought about it. Understand me, Gregor -- I take no pleasure in killing. It doesn't bother me one bit, but I don't get off on it. | |
A means to an end, is that it? | |
That's it. | |
Then I guess we're set. | |
There is one other thing... | |
What's that? | |
Did he ever tell you you were beautiful? | |
All the time. | |
Are you sure about this? | |
Hey, believe me -1 know I've got a great chance of making a fool of myself, here. | |
Why do it? | |
I saw this show once. It was about logging. I was home sick, there was nothing else on. Do you know how they break up really bad log jams? You know, when they're really tangled... ? | |
Cream rinse? | |
Dynamite. | |
So? | |
So maybe this is my dynamite. | |
Dynamite is dangerous. | |
Hello, Bill. | |
Hello. Would you like to join me, Quince and Allison for a nightcap? | |
Um -- not right now. | |
What's happening to you? What happened to your face? | |
I don't know. | |
What do you mean?... You've been acting strange lately... Like the other night. | |
What night? | |
Last time I saw you. | |
I don't remember... What happened that night? | |
You sure weren't acting like the Pete Dayton I've always known. | |
Whatiya mean? | |
You were acting like a different person. | |
God! I've never seen anything like that in my whole life! Did you see that guy's nose? | |
Lynette, just keep your mouth shut until we get to the motel. Will you do that for me, please. | |
Well, excuse me for livin'! | |
I'm back. | |
I'm at the airport. | |
Good. Get to a phone. | |
All systems go! | |
This guy is messing with the wrong teenagers! | |
Oh. What about? | |
...of possibly working together. | |
Well, hey, that's, that's nice. Uh. Oh, listen, this is, uh, Alvy Singer. Do you know Alvy? Uh... and... uh... Tony Lacey. | |
No, I don't-I don't know, but I-I know your work. I'm a big fan of yours. | |
I ride with you, Indy? | |
Nope, you got a little surprise over there, Shorty. | |
Ah, good. Now turn to your left. | |
She talk about the boys? | |
She says she can't get them new coats because you haven't sent the alimony for three months. | |
She told you that? Did she tell you about the $2,000 I'm still paying for the orthodontist? I'll bet she didn't mention that. | |
She said you were a son of a bitch and she regrets the day she set eyes on you. | |
I thought you said she didn't say much. | |
She didn't. That's about all she said. Put your hand up. Good. I think she still loves you. Take a breath and let it out. | |
Where you been? | |
Well I had to go to Utah...but now I'm here and I'll be right back. | |
Sign here and here. Hey, ain't you the folks workin' on that whole hulabaloo from last night? | |
Yeah. | |
Terrible tragedy. One of those Section Eight boys worked in here. Pike. Heard he got out okay. | |
Beautiful! | |
Hello, Alan. | |
Boy, I sit up there grindin' away all day, and you guys are down here disintegrating things and having fun. | |
Max, sit down. You're in no shape to kill anybody. | |
I want to cut his throat. | |
It's already been cut. | |
Then I'll cut his balls off. | |
Grandma made me the cutest outfit. I can't wait to show it to you. | |
A pre-wedding luau? | |
What do you think? | |
What are they? | |
Berry spoons. | |
Spoons! Honestly Wrigley, I'm surprised at you. What is this? Some Martha Stewart suggestion? Those are the most cockamamie things I've ever -- | |
Miles -- why so angry? | |
I'm out here for you! You don't know what it's like to be me out here for you. It is an up-at-dawn pride-swallowing seige that I will never fully tell you about! Okay?! Help me help you help me help you. | |
You're hanging by a very thin thread, dude. And I dig that about you. | |
Yessiree, Bob. | |
Get the hell out of here. I don't want you bringing our food. Send a real waiter. | |
Sal, that might be fine, you own this, but rarely do I see any Italian Americans eating in here. All I've ever seen is Black folks. So since we spend much money here, we do have some say. | |
You a troublemaker? | |
You need a glass? | |
Not at all. | |
Good for you. | |
You have decided to leave, Moncho. | |
Yes! | |
I can't do anything to make you stay? These people annoy you, isn't that it? | |
Listen up, huh? Even if you blow this deal, how big could it be? | |
You're right. Easy come, easy go. | |
Assume away! | |
Well, it's very easy. You simply raise more money than you really need. | |
What do you mean? | |
You've done it yourself, only you did it on a very small scale. | |
What did I do? | |
You raised two thousand more than you needed to produce your last play. | |
So what? What did it get me? I'm wearing a cardboard belt. | |
Ahhhhhh! But that's where you made your error. You didn't go all the way. You see, if you were really a bold criminal, you could have raised a million. | |
But the play only cost $60,000 to produce. | |
Exactly. And how long did it run? | |
One night. | |
Where shall we put it? In the back? | |
No room there. We'll have to set it between us. | |
All right... Box of dynamite... box of thermite... three shotguns... box of flares... two flare guns... thirty cans gasoline... and a case of alcohol. | |
Let's load 'em. | |
Well... | |
No tips. I won't give you any tips of any kind. | |
I'll go. | |
Pardon me? | |
I'll go. | |
You will? Excellent, alright, this is great. You will, really? | |
I got my rhyming dictionary in -- | |
It doesn't have to rhyme! | |
This is a mistake. I haven't done anything. | |
No. But you will. It's very important that you live. | |
Well, it wasn't me. Mister Dudley had to clean it and he knows that he's in charge of all the messes so why would he make more work for himself and... You said the Good Doctor was with you. | |
I don't know what to think anymore. | |
Just think about one thing right now: What color? | |
Jesus, Sanchez... what do you think you're doin'? That's flatfoot data. You're not supposed to have access to that. | |
This is the guy that killed my partner. | |
You startin' a fan club or some- thin'? | |
Says here one of our boys brought him down. You ever heard of a badge named Wade? | |
That was beautiful. | |
I laughed, I cried. | |
Fuck!! | |
Huh... that's strange. | |
No- | |
Who are you? What is your name? | |
I don't know, [I tell you]. | |
Romeo! Romeo! | |
Romeo! humours! madman! passion! lover! I conjure thee by Rosaline's bright eyes, By her high forehead and her scarlet lip, By her fine foot, straight leg and quivering thigh! O, Romeo that she were An open ass, and thou a poperin pear! Romeo, good night: I'll to my truckle-bed; This field-bed is too cold for me to sleep. | |
The family paid the ransom and he was returned two days later. His father still hasn't gotten up the nerve to ask him if they fucked him up the ass. | |
And now every mother with money in Mexico City wants bigger and better bodyguards. My own wife included. | |
If she pisses you off, you get another one. | |
Do you know what she told me last night? | |
Who is it? | |
Will, Bowman just broke the code. It was a James Beard cook book. You need to know what it says right now. | |
What'd it say? | |
I'll tell you in a second. Now listen to me: everything is okay, I'm taking care of it, so stay on the phone when I tell you. | |
Tell me now. | |
It says: 'Graham home, 3860 DeSoto Highway, Marathon, Florida. Save yourself. Kill them all. It's your home address, Will. The bastard gave him your home address. | |
Get me a plane... | |
Wait, Will... | |
Get me a plane! | |
I'll pick you up in... | |
I won't be here. | |
-- I'll get in the back -- | |
-- oh no, honey, I'll do that... | |
-- there's not much room -- | |
That's fine -- | |
Did he...? | |
Yep. | |
The word I'm getting is the Times review is gonna be a love letter. | |
That'd be a first. | |
And my contacts at Time and Newsweek tell me they're both raves. And don't laugh--for the first time, I think you've got a shot at some prizes. | |
Great. | |
I thought you'd be thrilled. You're being taken seriously. | |
I'm delighted the critics are liking it, and I hope the people like it, too. But it's not why I wrote the book. | |
It's nothing -- it's just some hormonal thing... don't worry about it... | |
I've got some important news to tell you, but it can wait till later if you're not feeling... | |
What? | |
Well... as you know, Maxine and I have been seeing a lot of each other, and we decided it might be a good idea for all of us if she came back here to live at the end of the Summer, just so we can all get to know each other and to make sure this is what we want. | |
Objection! | |
And you would come here, and on a slip of memory four years ago, you'd ruin their lives. | |
Go ahead. | |
Too fast. Too many moving parts. | |
Switek? | |
Stand up, John. Let them see you. | |
Oh no, I couldn't. | |
It's for you, John. It's all for you. Go ahead, let them see you. | |
Do you like it, being pregnant? | |
I do. | |
I loved it. It sounds peculiar, but I loved every minute of it. I did. Eddie was travelling a lot, so he was gone, but I felt like I always had a piece of him with me. A little part of his soul inside me. I could feel it. It was alive and kicking. | |
We had a chance to walk out of Zammito's house. | |
We all agreed to it. You had no way of knowing Bastaldi was setting us up. | |
I just want to live long enough to get back to Paris. Just long enough to kill Bastaldi. | |
What? | |
X... | |
They just pushed up the schedule on Skywire apps. How fast are you going? | |
"There is no second place." Plus every time I get jammed-up, Gary has an inspiration. Is it like that with your counselor? | |
Mine's not the CEO. He barely remembers to take a shower. | |
Right, right. But does he ever just, like, hand you code? | |
Maybe once. I re-wrote it, anyway. | |
You're compulsive. | |
Mmm-more like -- I have a little trouble. Trusting people. | |
Why's that? | |
Long story. Not that interesting. | |
Satisfied? | |
Open the bag, dump everything on the table. | |
Yep, it's the CRM-114 code, all right. | |
Very interesting. | |
The store was busy. | |
You got wine. That's great. | |
Would you mind if we just called it an early night? | |
You go ahead and relax. I'll cook. | |
I think I should go home. | |
Are you OK? | |
Big restaurant interview tomorrow. | |
What are you carrying, Willy? | |
Er, fertilizer. | |
You went out six hours ago to buy a money counter and you come back carrying two bags of fertilizer. Alarm bells are ringing, Willy. | |
We need fertilizer, Winston. | |
We also need a fucking money counter, William! We have to get the money out by Thursday and I'll be buggered if I am counting it . . . and if you have to get your sodding fertilizer, couldn't you be a little more subtle? | |
What do you mean? | |
I mean we grow copious amounts of ganja, and you don't look like your average hort-er-fucking-culturalist, that's what I mean, Willy. | |
Should I? | |
His file listed you as a known associate. Now spill. | |
Oh, yeah. That was a long time ago. Before your day. The last few years he's been muscle for hire. But I heard he's disappeared. | |
More. | |
More's gonna cost you. | |
And you struck him right here in our house? | |
Yes, I'm sorry, I struck him right here in your house. And I'll strike anybody in anybody's house that calls me a Cinderella Man. | |
I can't see it. | |
It should be just up ahead. Hold on ... there! There it is! | |
--Yes. Actually we just bought that little Frank Lloyd Wright on Pine Avenue... Debi's a social worker and I mow down insurance claims at Aetna-- | |
We haven't seen each other since high school. | |
What are you going to do? | |
I don't know, Thel...This whole thing has happened so...Pow, like that. | |
I mean, what are you going to do about Billy? | |
I'm gonna keep him, why? | |
Look, this is nothing personal, but I don't think you can do it. | |
Thelma, I've lost my wife, I'm not losing my child. | |
All right...Okay...But let's get something straight, right now. I mean, I'm sorry about what happened between you and Joanna, but it's not my problem, understand? | |
All the failures, all the fatalism. | |
Washed away. | |
One more out. | |
John Book, I would appreciate it if, during the time you are with us, you would have as little to do with Samuel as possible. | |
Nobody meant any harm. The boy was curious. I unloaded the gun - | |
It's not the gun. Don't you understand... It's you. What you stand for. That is not for Samuel. | |
Why not try it for a few weeks? | |
Stop. Ernie thought I was good too -- he couldn't help. My agent has a hot prospect -- the number two station in Portland. The general manager says he wants to be every bit as good as the networks. Personally, I think he should aim higher. | |
Tell me the God's honest truth -- are you leaving because of me? Because if you are... | |
Ernie told this story. How he used to write obits and when the people in town called him up with death notices, he cried. He was till that way when they promoted him out of obits. He says you're lucky if you can get out while you could still cry. I should have quit this place three years ago. | |
You're just trying to say all great stuff so I'll feel even worse that you're not around. | |
I made my bones on the street, you know. I did Riglioni in his own house. I was made in the Family, okay. | |
And who bailed you out when a hit was put on you, you sorry sack of shit. Who put you up ? Who gave you a job ? | |
You did. | |
That's right. Now who needs to trust who ? Trust me, when you're ready to work the controls, I'll put you in the hot seat. | |
Those people are trying to kill us! | |
I know, Dad! | |
It's a new experience for me. | |
It happens to me all the time. | |
We don't think so. I mean, we just want the singing when I come out. | |
Okay great. What will that be? | |
We're just going to have the leader of the band sing alone with his guitar. Acoustic. | |
What song? | |
"You Send Me." | |
Oh I know that. How does it go... | |
You know, Darling you...you send me...Darling you ...You mend me. Honey, sing it for Judge Tower. | |
I told her that I have no idea what Adam was talking about in that letter. | |
Did she believe you? | |
I have no idea. | |
You can tell when people believe you. It's obvious. | |
Well I don't have that skill and if I had to guess I would say that in no way did she believe me. | |
Who's on the phone? | |
I'll explain later. I'm sort of on hold. | |
Elaine, it's Wednesday. | |
Is it Wednesday? It's Wednesday. How embarrassing. I don't know what I was thinking. With all the excitement lately... Am I interrupting something? Are you expecting company? | |
As a matter-of-fact I am. | |
When is she coming over? | |
About now. Would you like a drink? | |
I suppose I could stay, just until she arrives. | |
Jake? | |
How did you find me? | |
I called every L.A. hotel. The Holiday Inn gave this as a referral number. Your office said you had no business in New York, so I figured you had come out here. What's happening, Jake? What are you doing? Nobody's heard from you. Anne's worried sick. We didn't know if you were dead or alive. | |
Colson doesn't know about it; he's pure as a virgin on this one. It's just not clear the burglars knew what they were looking for. They were heading to McGovern's office later that night. | |
Jesus! Did Mitchell know? | |
Mitchell's out of his mind now. Martha just put her head through a plate-glass window. | |
Jesus! Through a window? | |
What was she like? | |
Who? | |
Catherine Tramell. | |
She said what you said she'd say. | |
No wonder they lost America. How could you sneak around in the bushes wearing that? What's to eat? | |
Whatever you make yourself. | |
Good evening, Your Highness. | |
Good evening, Louis. You seem to be very crowded tonight. Can you manage a table near the floor? | |
Certainly, Your Highness, this way please... Count d'Algout made the reservation this afternoon. | |
Count d'Algout... | |
It is only a small table but it will be no trouble to put in some extra chairs. | |
What have you done with him? | |
I put him to bed. He's not there? | |
You asked to see me, ma'am? | |
I want you to help my little girl. | |
I'm only a student. | |
Georgina told me how kind you were to her. It gave me hope you might intercede for us with Dr. MacFarlane. | |
I don't know that I can do that, Mrs. Marsh. | |
Did he tell you about Georgina? | |
You've got some on your face. | |
If these sidewalks were kept in condition - instead of the money going to some cheap grafter - | |
Hey, girls -- I was on television... | |
What about Howard? | |
This is great, Puff. You're doing fine. | |
I'm loving this. It's such a treat to be out and about. What a wonderful invention a city is. The immense buildings of glass and steel glinting in the afternoon sun, the smartly dressed women in their best summer frocks, the colorful street vendors. | |
Hey. | |
Come over here. | |
See! That shimmering area. | |
Yes, sir. It's getting larger as we close in. | |
Ernie Goose? Cynthia? | |
That's the Loch Ness Monster. And... Kay-- that's... 444-Eyes? | |
What? | |
The costumes. Am I right? | |
What are ya thinkin'? | |
Joe Profaci. Carlo Gambino. Vinnie Mangano. Joe Bananas. They all gotta die. | |
You can't fuck with them. They're heads of families! | |
They're friends of our enemy. | |
Take one of 'em out, and they'll all line up against us. | |
Not if they all die at once. | |
Karl, why don't you and Melinda go take a walk. It's nice out. | |
All right then. | |
I've been in love with you for years. Remember how you used to visit your sister in the newsroom? And put your fingerprints on my lens. | |
Remember? I was trying desperately to get you're attention. | |
You were? You mean we could've been... you-know-what... all this time? | |
You bet your ass. | |
Why didn't you tell me? | |
You're supposed to guess. | |
Come on out, now. He won't hurt you. Back to your old tricks, eh, Tanner? | |
No, Mr. Charles. | |
How did you get in here? | |
I had a key. I worked here... till they closed the shop. | |
You worked here? | |
Yes, sir. Julia Wolf got me a job as bookkeeper. | |
Well, that's a hot one. You a bookkeeper! When were you ever a bookkeeper? | |
That time you sent me up last ... I learned book-keeping at Sing Sing. I figured it might be an in for me somewhere's. | |
Somewhere's where they might go out and leave the safe open? | |
Honest, Mr, Charles. I never touched that safe. Them bonds that were missing... Julia took them. | |
Trying to put it off on her? | |
Mr. Charles - she did - that's why he got sore at her and killed her. Listen, Mr. Charles -- I did do a little chiseling. I come to bring it back and fix up the books. I didn't want him to find out and come after me - | |
You can save that and tell it to the police. They'll be here in a minute. | |
Police! | |
If Chet sees you, he'll kill you, don't you know that? | |
I don't care. I love you, Chris. You deserve better than Chet and I'm it. Please accept these. | |
Knox, you're crazy. | |
Lins, stay away from that guy. I mean it. | |
Yeah. The dude's in bad shape... you see his hands? | |
All right. I'm satisfied with the evidence we have right now. I feel vindicated. John Hammond will too. Do you have enough to publish? | |
They will come after me. But I can collect some stool samples, for DNA with that, Nick's tapes, and the rest of you to back me up, it should stand when we get back. | |
Then the only thing left to do is make sure we do get back. I'll call the mainland on the satellite phone and have them send the boat right now. This expedition is over. | |
Muggers?! Doug, are you all right? What happened? | |
No! Spies or something. And Harry from work...Get down! | |
I don't want to hit you in the stomach! | |
You're not gonna hurt me. Just hit me in the stomach. | |
Look, Marty, I'm just not a fighter... | |
I'm sorry. It just...It seems silly. Like kissing a girl. | |
Clever observation. Go back to Wichita. Oh that's right, you can't. | |
It's so pretty. | |
Yeah. | |
I didn't think it was going to be this big, did you? | |
No. | |
You're nuts, goin' back there! | |
Shut up. | |
Take your gun! | |
Doesn't work. | |
What? | |
Doesn't... | |
...work! It's not even load-... | |
...-ed. | |
You mean to tell me you hijacked me with an empty gun?! | |
Good Lord. | |
I can just hear the editorial wee- wee-weeing when Looseleaf and I start flying in pacqualinincheewa root. I can hear the Alice-sit-by- the-fires now: "We discovered it in the Amazon Rain Forest. Now we cure you with it. Now we lower our eyes with becoming modesty as we receive heartfelt thanks." | |
Hey, Kip, what's up? | |
What do you say, Toby?, | |
I'm cool - | |
They're coming right in. | |
Such a simple idea and it's working. What does that tell you? | |
That it's about to go wrong. | |
What took you so long? | |
Couldn't find my toothbrush. | |
Senator Kane. | |
This meeting is adjourned. | |
This committee owes an apology! | |
The committee is adjourned until further notice. | |
My name is Sidney Winch, and - | |
Good for you, Miss Winch. You now have exactly 30 seconds to get this rust bucket out of here. | |
I know my rights. These are international waters. The British Navy abandoned that boat, and I'm claiming it. Under international law, I have the right to salvage what's on that wreck. | |
Fifteen seconds. Perhaps you should consider hiring an attorney. | |
I was an attorney! | |
Hmmm. I suppose this is a step above that profession. Ten seconds. Are you leaving? | |
No. | |
You leave me no alternative. | |
How is he? | |
Couple of fractures, lacerations. They say he's gonna be all right. | |
... I have to go, honey. Phillip and I are going down together to kill the shark. | |
... Okay. | |
What are you doing? | |
If you don't take it, we'll be swimming in a minute. | |
Some sort of to-do up at the fort, eh? You two weren't invited? | |
No ... somone has to make sure this dock stays off-limits to civilians. | |
This must be some important boat. | |
I thought Steve had talked to you? | |
Oh, pardon me. I obviously didn't convey my hesitation to take his story at face-value. No, YOU talk to me. But -- do me a favor? -- none of this DEMONS crap. | |
This business is about taking risks. | |
Calculated risks. But Boss, this one don't calculate. | |
There are four auto graveyards like this one in the other boroughs, handling about a thousand vehicles a month. Those that aren't claimed are auctioned here once a month. | |
Just for mistakes of parking? | |
You know I haven't been able to get near an airplane since the war. And even if I could, they wouldn't hire me because of my war record. | |
Your <u>war</u> <u>record</u>? You're the only one keeping that alive. For everyone else it's ancient history. | |
You expect me to believe that? | |
I'm sorry, too. I... I get these ideas in my head, you know, and I have nothing to do all day but sit around and concoct these intricate scenarios. And then I want to believe it so I don't think I've wasted the whole day. Last week I was convinced you were having an affair with Cynthia, I don't know why. | |
I don't, either. I mean, Cynthia, of all people. She's so... | |
Loud. | |
Yeah. Jeez, give me some credit. | |
I didn't say it was rational, I just said I was convinced. | |
Isn't therapy helping at all? | |
I don't know. Sometimes I feel stupid babbling about my little problems while children are starving in the world. | |
Quitting your therapy won't feed the children of Ethiopia. | |
I know. | |
Rhah! What's going on. Rodriguez's hole just got... | |
Okay, here it is - one, we got gooks in the fuckin' perimeter. | |
Hey, Ted. Wanna go shopping? | |
Shopping, really? I should tell my friend. | |
Don't worry. He found the chocolate room. | |
Hi ho, Silver. | |
... Love is shown through actions not just words. | |
What's that? That's not a fortune... You will be rich... That's a fortune. What you have is a statement. | |
What it is -- is the truth. | |
I don't follow. | |
Madam has slept well? | |
Oh, yes, Suzette. | |
Madam will dress now, it is late. | |
Five minutes, Suzette, come back in five minutes. I'll ring. | |
Yes, madam Suzette knows all about it. | |
Sherman, set the Wayback Machine for...oh, 1973. Kevin Flynn is one of the brightest young software engineers at ICOM. He's so bright that he starts going in there at night, and sets up a private memory file, and begins writing a program for a video game he is inventing, called... ...Space Paranoids. | |
You invented Space Paranoids? | |
Yepper. And Vice Squad, and Meltdown... whole slew of 'em. I was this close to starting my own little enterprise. But: enter Ed Dillinger. Another software engineer -- not so young, not so bright, but very, very sneaky. One night, our boy Flynn goes to his terminal, tries to read up his file, and ... nothing. A big blank. We now take you to three months later. Ed Dillinger presents ICOM with five video games he has "invented" -- the slime didn't even change the names -- and he gets a big fat promotion. Thus begins his meteoric rise to...what is he now, Executive V.P.? | |
Senior exec. | |
Oh my. Meanwhile, kids are putting eight million quarters a week in Space Paranoids machines and I'm not seeing one dime. | |
I still don't get why you're trying to break into the system. | |
Because somewhere... in one of those memories ... is the evidence. If I got in far enough, I could reconstruct it. | |
Good evening -- I'm sorry, Jabez -- I'm a little late. | |
No, you're not. | |
Where's everybody? | |
I dunno -- I can't figure it out. I've invited them all. Why don't they come? | |
That's straight through the central core... up toward the top of the city... Once you've got her, avoid the main transports, they'll shut down immediately. Your only chance is through the service shafts. There are no sensors there... All right now, get going, you don't have time. I hope you can remember everything. | |
We'll be back before you are, old man. | |
May the Force be with you. | |
[Lionheart, what happened?] | |
Something came up, Murman, my man. | |
There's never been a great white where we live. It's warm water... They don't like it.... | |
Your brother's dead...Your father's dead.... | |
Don't get hysterical, Norman. | |
I'm telling you, Harry's lost it. He's saying there's a deathwish out for each of us. | |
Look, the ships are clearing out. They're taking us topside in a matter of minutes. Someone can check him out there, if it's that imprtant. | |
All I'm saying is, someone should keep an eye on him. | |
Just worry about yourself. | |
Holdin' my penis... | |
<u>Parry</u>! Close your pants... | |
What have you done? Did you...kill someone? | |
No! I...don't think so. I stole a car and they chased me. I hit a tree. | |
See -- you can drive after all! | |
Yeah, sort of, I guess. I...I'm sorry I locked you up. I thought...I thought... I think maybe I am crazy! | |
My skip-trace turned up two Cecil Stipes. One's in Butte, Montana. Other's at Riverhead Veterans Psychiatric. | |
I'll take odds on Cecil Number Two. | |
So what'd this guy do? Snitch off a dealer? | |
Want you to remember this moment, Riddick. The way it coulda gone and didn't. | |
Say that again. | |
Here's the deal. You work without the chains, without the bit -- without the shivs. You help us get off this rock.... | |
For what? The honor of goin' back to some asshole of a cell? | |
Truth is, Riddick, I'm tired of this head-up shit. I wanna be free of you as much as you wanna be free of me. | |
And furthermore... Tell him, Harold. | |
Uh... We must never act like apes, son. For you see, The ape is our closest biological relative -- specifically the pygmy chimp. A single chromosome separates us. But you know what truly separates us from the apes, what makes us better than apes? | |
Next week we work the park. | |
I gotta get back on top. Get off the sleaze detail. | |
You will, one day at a time. I'll be old and grey when it happens... | |
Oh, let me go and have a bit of peril? | |
No. It's unhealthy. | |
... I Bet you're gay. | |
No, I'm not. | |
All done. | |
Honey this is Father Dyer. | |
Hi Father. | |
Obviously. | |
Without Raziel we'll never find Tir Asleen. We'd better go. | |
Well. Word gets around. | |
...what <u>hindered</u> you...? | |
It wasn't my day. | |
Perhaps you did not have the <u>support</u> you required. | |
It's a poor workman who blames his tools. | |
Or, perhaps... | |
...how are things at the Hospital? | |
It's a growth business. | |
What have they got you doing? | |
Orderly. | |
I would have figured you an R.N. by now, or, maybe Med School. | |
I prefer to stay in the Less Frivolous professions. | |
You lasted eight years, as Orderly, in Dr. Lechter's prison ward. | |
Yes, I presumed it was about him. | |
...you... | |
I'm struck by your phraseology. I did not <u>last</u> with him. I was privileged to enjoy his company during that time. | |
I'm looking for... | |
He said, and these were his words, he <u>valued</u> our time together, because I was civil. | |
Did you ever think, did you think, after he escaped, he would come after you? | |
He told me, he preferred to Eat the Rude. Or: "natural composting." Do you think he'd come after <u>you</u>...? | |
You're not allowed to do this! I could arrest you for this. | |
Still doesn't make it right. | |
Think we can make it? | |
We make it, or we go back empty handed. | |
It's Santa Muerte. Death worship. The religion of La Hermanidad. There's a curse on you. | |
It's a little late. | |
Did you think I didn't kn-kn-know that? | |
I thought you... | |
I know more than you give me c-c- credit, that's for sure. Don't you see, it don't m-m-matter who you are? All that matters is what you g-g-gave us. And you can't take that away now. You're wrong, Peter Appleton. You do belong here. | |
You see Max Cherry in the dress department. We're about to be handed half-a-million dollars -- Man, look at me when I'm talking to you! And you don't think nothing of him being there! | |
Do Max Cherry and Jackie Brown know each other? | |
Hell, yes, they know each other. He bonded her out of county. | |
How am I supposed to know that? | |
You know the motherfucker's a bail bondsman, don't ya? You know every last one of them motherfuckers is crooked as hell? | |
Why should I think anything's weird, if I don't know nothin' about them knowing each other? | |
Man, I don't want to hear your fuckin' excuses! | |
And I'm overwhelmed. And I want to do it justice. And I hope we can spend time together. And I'm gushing. It's my worst quality. | |
Not at all. | |
Oh my god. I've been so rude. I'm Skye Davidson. Has anyone ever told you, you look like Peter Sellers? | |
No, never. | |
Daddy, you home now... that's all I want -- I don't want nothin' else... | |
Come here, son... | |
"God is Great," yes? | |
I'm born-again. | |
Where did you learn it? | |
Taiwan. | |
Not that I would know, but you look like you're really good at it. | |
Thank you. | |
I've always wanted to learn something like that. | |
You should. It's very important, that the body release the energy that builds in it. | |
Who? Me? | |
Who do you think! | |
C'mon... | |
Ah... | |
Talk to me. | |
Peter... | |
What's going on...? | |
A remembrance. A closure. | |
In the Pacific Ocean. | |
It is an island. American territory. | |
Where is Alsace? | |
I do not know, Holiness. | |
This is way too fucked up for words. | |
I know the words... fucking psycho fucking bullshit, that's the words. | |
You never did answer my question. | |
Still playing? | |
That's not an answer. What is it you want? | |
You know what I want. | |
Maybe I just want to hear you say it. | |
Did you love her? | |
Huh? | |
Kay Connell. Did you love her? | |
He always has to make the big entrance. | |
By Grabthar's Hammer, this is true. 159 NT. LIVING ROOM - SOMEWHERE - NIGHT 159 | |
Take a drink, Kid. | |
Oh Ch-ch-christ... it don't... it don't seem... real... How he's... DEAD... how he ain't gonna breathe no more... n-n-never. Or the other one neither... On account of... of just... pullin' a trigger. | |
But I do have a theory... | |
I thought you might. | |
An anti-matter discharge directly ahead=8A it might disrupt the field long enough for us to break away. | |
A photon torpedo? | |
Aye. | |
Load torpedo bays, prepare to fire on my command. | |
And she's a stinking fucking actress, for fuck's sake. | |
Skye! I'm so glad you're able to make it...it's our sixth, actually. You read the book again? Well, no, the ending to chapter six...it's just that it's not filmic. We tried it in an earlier draft, but, it just wasn't filmic... Well, sure, we can absolutely look at that again. If you're coming from Laurel, you want to take Sunset west, we're just past Will Rogers State Park. Three blocks west of that, you want to hang right. It's about three quarters of a mile up a big white thing on the left. | |
I can talk it over; possibly I can get the money. When are you meeting the man? | |
Tomorrow evening, nine. East River Drive and 73rd Street. | |
Suppose I meet you there a half hour before. | |
Just send me a money order. | |
No, I'd -- like to be in on it. | |
Painless, you mustn't talk that way. It's a lot of crap. Cover for what? | |
Homosexuality. | |
Shouldn't you be in your room, Jacob? | |
It's lonely in there, in my room. | |
My name is... | |
Why do we have to race for heaven's sake?! | |
I want to get into the light, that's all. Please... | |
Perfect for a child. | |
Yeah. | |
Die, dickweeds! | |
The rabbit is in the administration system. | |
Was this supposed to be your room? | |
Our room. I don't want to see him and he's not going to come knocking on your door. | |
...this is your sweater, right? | |
Where are you going? | |
I have to leave now. | |
Don't tell me you started a tech firm here before us. | |
No, no. Nothing like that. I work in a bank. | |
Really? Wish we had met eight hours ago. | |
My parents are having friends from college over. They're really nice... They have this gorgeous son who wants to be a forest ranger. | |
Can I come? I'll start a fire... | |
You look like you're something on the lanes. | |
Theo's bowled on the tour. | |
Oh, a professional man. What'll you have? | |
The only alternative was to take her out to the desert and feed her remains to the lizards. But, it seemed a bit heavy for the thing we were trying to protect: My attorney. | |
We have to cut her loose. She's got two hundred dollars. And we can always call the cops up there in Montana, where she lives, and turn her in. | |
What?... What kind of goddamn monster are you? | |
It just occurred to me, that she has no witnesses. Anything that she says about us is completely worthless. | |
Us? | |
But I had this feeling I ought to make the effort. To test myself. And I flunked. | |
What did you have to test, for God's sake... the dental Don Juan of Detroit? | |
Don Juanism is just a cover... I've been reading up on it. I'm a fake, I'm a fraud, I've been living a lie! | |
I feel very good in here. | |
Sure you do. This ward is air tight, I have a little extra oxygen pumped in, keeps my spirits up. | |
Yes. I like that very much. | |
I can't. | |
Why not? | |
Why not? | |
We want to talk to you. | |
What about? | |
We'll discuss that in the board room. | |
His profession? | |
Well, he worked around. | |
And his age? | |
I don't know. Forty-eight, I guess. | |
Any other family? | |
No. Just me. Me an' her. | |
Well, I guess that's all till tomorrow. | |
Okay, thanks very much. | |
Look, don't take this the wrong way, but don't you think you might be out of your league here? | |
No, see -- that's exactly what those arrogant PG&E fucks want me to think -- that because they got all this money and power, we don't stand a chance in hell against them. But you know what? They're wrong. | |
Nice place. | |
He rents it for the summer. Bodhi always gets some slick place and throws it open to every surf burnout around. Most a these guys can't keep a job. When the swell comes, they're gone, they have to ride. | |
Two Cuba Libres with beer and mescal on the side. Who's Lacerda, he's waiting for us in a room on the twelfth floor? | |
Lacerda? | |
What? | |
Did I get my package in the mail? | |
I dunno. | |
Whaddaya mean, you don't know? | |
I don't know! | |
Oh no, Hannah! | |
What? | |
Look! Janie! | |
I've never seen anything like this, maybe Segal, but nothing with such... dichotomy... It's very good, Walter - | |
Honest? | |
I'd kill ya. | |
From what I hear you couldn't hit a bull in the ass with a slingshot | |
Don't try me. | |
Throw it. C'mon, right in the chest. | |
No way. | |
C'mon, Meat. You can't hit me 'cause you're starting to think about it already, you're starting to think how embarrassing it'll be to miss, how all these people would laugh. C'mon, Rook--show me that million dollar arm 'cause I'm getting a good idea about the five cent head-- | |
When? | |
Just now. They want you to come down to his school. | |
Slower! Nobody can row at that speed! | |
Sorry. | |
What about medical? | |
Of course, medical! _ 42. | |
"You can't know the horrible disappointment I feel..." | |
I know this part, keep reading. | |
She can't still be angry at this, it's gotta get better. | |
It does, it does if it's the version signed 'I still can't help loving you'. Read that. | |
Just her name. | |
Just knowing a person like that exists, knowing that for a minute that she felt that and wrote 'I still can't help loving you'. That's gotta be a good thing, right? That's gotta be a good thing. | |
Well, who'd you get married to? | |
Aw, it's a long story! | |
I told you, there is no way out. He won't let you go. | |
'HE'? Whom do you mean- | |
He was out when I was there. If he's back he probably isn't even in bed yet. | |
He wasn't out when you were there. He just wasn't answering the door in the dead of night... like some people do. This fellow lives like a hermit... | |
It was very dark. | |
Yes it was. | |
What are you doing? | |
Can you loan me a 20? | |
Sure. Why? | |
I'm going to the store. | |
I think you're overreacting. | |
You are female? | |
As you see. | |
Then you can't come in. | |
I have an appointment. | |
No women. Not in Boodles. Not since 1922. | |
Really -- what happened in 1922? | |
...thats our war room. We did seven major deals last year, three of them hostile. | |
Seven. Really. | |
Well, girl. You tested negative for all sexually transmitted diseases and infections. | |
Yes! | |
You're clean. | |
Oh my God. I can't tell you how nervous I've been. I couldn't sleep last night. | |
Now you gotta be careful. | |
It's my wife. | |
What? | |
I think you should sleep closer. I meant for safety. | |
I'd be safer sleeping with that snake. | |
The bullet is moving through the medulla oblongata, killing off his sense of touch. He feels no pain. He can push himself harder, longer than any normal man. | |
That which does not kill me makes me stronger. | |
Now Robert is dead. He got his revenge. | |
Hes not through yet. Renard doesnt blow up five million dollars unless he knows theres more coming in. Hes working for someone. Someone who wants to stop the pipeline. And they hired the perfect killer. One with a vendetta against King...and you. | |
I wonder how that... | |
Turn it down! | |
I get to the restaurant and he's not there. I waited for forty- five minutes. When I called his office, his secretary said they thought I had cancelled. I had cancelled! Then I get back to my office and <u>Aranson</u> is waiting for me and he knows <u>everything</u>. | |
Oh, honey. | |
<u>Everything</u> -- that I've been talking to other people behind his back -- that's what he called me -- a back-stabber and a deceiver. To him and to the company. He called me a traitor in front of everybody and told me if I wanted to be a VP over at Lowenthal I might as well pack up and go -- only <u>Lowenthal never</u> <u>showed up for our lunch</u>! It's like everybody got an anonymous poison-pen letter or some -- Do you smell smoke? | |
Me, rich? Come on! | |
There's plenty of money in this house. Piles of it. | |
Mama... | |
I'm not hungry. You two just enjoy yourselves. After all, this is a celebration. | |
...Dad? | |
It's okay, Scotty. | |
Where're you going? | |
Be back in a minute. If Stan calls you, just tell him I went to Embers. Oh, geez - | |
I had the craziest dream last night? Walter and Kimmy had asked your boss to... | |
Look, I came down here to face everybody. I didn't want to slink away like some coward... | |
But the Scotch salmon was so fucking good, you decided to stay for brunch! | |
She hasn't told anybody, what am I supposed to do? | |
Get married, apparently. | |
Jamie ... | |
Shoot him! | |
One of the two men was Hubley, right? What about the other one? Did you know him? | |
Yeah... I seen him around. High- roller dude named Strader. Joshua Strader. Runs a club on the west side. Encounters. | |
Yeah, I heard of it. | |
That's all I know. You want anything more, you ask somebody else. | |
Eric! Are you here? | |
Eric! | |
Are you afraid of his reaction? Of his finding you silly for thinking of such things? | |
No. I don't know. I haven't told him about the garbage thing because I'm pissed off at him right now. He's letting some old college buddy stay at our house for a couple of days, and he didn't even ask me about it. I mean, I would've said yes, I just wish he would've asked. | |
What upsets you about that? | |
I guess I'm upset because I can't really justify being upset, I mean, it's his house, really, he pays the mortgage. | |
But he asked you to quit your job, and you do have housework. | |
Yeah, I know. | |
This unexpected visit notwithstanding, how are things with John? | |
Fine, I guess. Except right now I'm going through this where I don't want him to touch me. | |
You knew what I'd do. | |
Yes, but listen. Christ, I didn't kill him. | |
Mr. President, this is St... | |
Hi, How are ya? <u>Listen</u> to this, willya... | |
I have to go home. Chet might call. | |
It's just for a little while. You promised. | |
This is private property. The public footpath is back to the left of the bridge. | |
How are you, Rhian? | |
Give me a little credit for doing this face-to-face! What I went through knowing I was going to do this to my mentor! Can you get past yourself for a second? | |
You'll lose. | |
You wanted smaller. | |
I'm over it. Now I want all my clients and yours too. | |
Jerry -- | |
-- and I'll get 'em. | |
You'll always be my hero, Jerry. Always always always. We're bringing other elements in, we're focusing on endorsements -- it's not about handholding anymore. We're no longer babysitters -- | |
You lost twenty-five dollars once before that, too, near Christmas time -- I remember that real well now. December 9th, to be exact. | |
You got a real good memory, Star. | |
I remember when I just saw you. Skinny Winnifred. Jesus, you were skinny. | |
What do you have to buy? | |
Feed, mostly. Thought we'd get something for the kids. | |
Okay by me - I'd sure like to see that Opryland. | |
What? | |
Grand Old Opera -- | |
I hate that music. | |
I know that, Star. | |
So it's true, then? | |
What? | |
You like me better like this. | |
Yes. | |
I think she's after Glenn. The girl still with you? | |
They don't stay the night, Jack, 'less you pay for it. | |
You tell your sister about it? | |
Just hung up. | |
How long you talk to her? | |
Two hours. | |
How long were you with the girl? | |
Forty-five minutes. | |
You didn't tell your sister about Ripley, did you? 'Cause I don't wanna go through that again. | |
Forget about my sister. If Karen Sisco's tailing Glenn, we're fucked. Tomorrow night at the fights we all get picked up. | |
Let's drive by where we're meeting and have a look. Maybe take a look at Ripley's place while we're at it. | |
Are you an FBI man? | |
No -- I'm afraid not. | |
Beautiful day, isn't it? | |
Yes, yes, it is. | |
Starling, Clarice M., good morning. | |
Good morning, Mr. Crawford. | |
Your instructors tell me you're doing well. Top quarter of the class. | |
I hope so. They haven't posted anything. | |
A job's come up and I thought about you. Not really a job, more of - an interesting errand. Walk me to my car, Starling. | |
Last time Billy-Boy did this, the guy's neck broke... ... just like that. Sad in a way. Why is it we don't truly appreciate our arms and legs till we've lost the use of them? | |
Alright! Alright... put me down... | |
You like it? | |
Yeah, it's good. | |
That one is my favorite. Chicken puff with shark fin. | |
I'm really sorry I couldn't make it to your birthday party last month. | |
That's okay. Your Mom said you had a big date. Heck, I'd probably skip my own birthday party for a date. | |
No, no, we have to get out of here right now. | |
Not without Jamie. | |
Look. | |
... It's easy. You go down. You come up. ... Right, Johana? | |
Congratulations, Enzo. | |
Don't you agree, Jacques? | |
Yeah, but he was in silhouette. | |
How about in the house? | |
They were wearing ski masks. I told you all of this. | |
Did you see his hair color? | |
No, Why? | |
But I gave it to you! | |
Well what am I gonna do with it? | |
I don't know. But I gave it to you...to help YOU...not him. | |
You really want to help me? | |
You think we'll go for that last place? | |
Maybe, or you gotta know now. | |
Holy cow, I don't gotta know nothing. | |
Don't. | |
I'm sorry. | |
What's the gun for, General Ripper? | |
Please don't take any notice of this weapon, Major. I love all weapons, and as of late, I've just taken to keeping a loaded weapon nearby at all times. | |
Sort of like a new hobby, huh, General? | |
That's right, Major. | |
Veronica. And Jesse James. Quelle surprise. Hear about Veronica's affection for regurgitation? | |
We both said a lot of things we didn't mean, last night. | |
Did we? How the hell'd you get in here? | |
You see! There hasn't been a true word - | |
I think we'll have to send our friend Wheeler a cable, Mr. Bernstein. Of course, we'll have to make it shorter than his, because he's working on an expense account and we're not. Let me see - Mike! | |
How well do you know this place? | |
We're on sublevel six. We'll pass some labs and then we'll hit the stairwell-- | |
Are the labs in operation? | |
I don't see why they wouldn't be. | |
Good... | |
You look beautiful. | |
Okay... Hold on... | |
How much...? | |
And, to hold it together, I need two days. There <u>is</u> no B-2 Bomber: here's what you do ahout that: whoever is leaking stuff to that geek at the Post, lets it slip, "Geez, I hope this doesn't screw up the B-2 Program..." "What B-2 Program, and why should it screw it up?" "If the president moves to deploy the B-2 before it is fully tested." "Deploy the B-2, <u>Why</u>?" "In the Crisis." | |
You have my word... | |
Get out of here, then. Now. | |
Is Valentine here? | |
What do you think? | |
But it can't be! We can't be out of gas! I filled it myself yesterday! Wasn't it full when you drove to Brewster this morning? | |
I guess I didn't look. You know I don't pay attention to those things... | |
Incredible. | |
...reconcile with Emily. | |
Are you there to not reconcile with her? | |
Oh, yes. | |
Yes, indeedy. | |
What'll I tell Fran? | |
Who gives a fuck? Tall her he ran away with a broad. What do you care about her. | |
It's got a bottom. | |
Guess we know what the next stop is. | |
Hi. How's she doing? | |
I am glad to see you. | |
It's you...Irena...my friend! | |
Don't cry, Amy. | |
She's dead! I know what it is now when people say somebody died. I know what they mean! And I'm afraid. She's dead; she's dead! | |
Hello Lucy, had a busy night? Puts money in machine. | |
We've been working hard too. Takes glass. | |
Pardon me. Luce. He raises glass to breast, pulls red handle between her legs. Milk spurts into glass. Dim joins the others. Alex looks at a party of tourists. | |
There was some sophistos from the TV studios around the corner, laughing an govoreeting. The Devotchka was smecking away, and not caring about the wicked world one bit. Then the disc on the stereo twanged off and out, and in the short silence before the next one came on, she suddenly came with a burst of singing, and it was like for a moment, O my brothers, some great bird had flown into the milkbar and I felt all the malenky little hairs on my plott standing endwise, athe shivers crawling up like slow malenky lizards and then down again. Because I knew what she sang. It was a bit from the glorious 9th, by Ludwig van. Dim makes a lip-trump followed by a dog howl, followed by two fingers pronging twice in the air, followed by a clowny guffaw. Alex brings his stick down smartly on Dim's legs. | |
What did you do that for? | |
For being a bastard with no manners and not a dook of an idea how to comport yourself publicwise, O my Brother. | |
I don't like you should do what you done. And I'm not your brother no more and wouldn't want to be. | |
Watch that... Do watch that, O Dim, if to continue to be on live thou dost wish. | |
Yarbles, great bolshy yarblockos to you I'll meet you with chain, or nozh or britva, any time, not having you aiming tolchocks at me reasonless. It stands to reason, I won't have it. | |
A nozh scrap any time you say. Dim weakens. | |
Doobidoob... a bit tired maybe, everybody is. A long night for growing malchicks... best not to say more. Bedways is rigthways now, so best we go homeways and get a bit of spatchka. Right, right. | |
Her fucking head was caved in. | |
So I didn't fucking do it! | |
She's got bondage burns on her wrists. There's blow all over the room, Moore looks like he went at it with a mountain lion. This room looks like the Manson Family stayed here a month. Micheal goes down, we all go down. | |
We can still take the offer, Rod. | |
No. | |
Are you mad at me? | |
Listen to me. The one thing in life that I definitely don't regret...is the choice. I made to be your mother. | |
I need a handle, man. I don't have an identity until I have a handle. | |
You know, you're right about that. Check it, Friday. | |
She doesn't want me here. With you. In this house. | |
Believe me, my old man'd rupture his spleen if he knew we was down here. All he talks about is the medal he deserves for building us a life as far from this 'hood as possible. | |
He probably thinks he's saving you from something. I'm sure that's what my mother thinks. | |
I'm sure I can make your mother like me. But then do I gotta worry 'bout your father? | |
Ann Taylor would have paid a lot more, but I wouldn't trade this experience for the world. Sometimes the first time you understand anything is when you have to explain it to someone younger-- You think I'm a big dork don't you? | |
I think your passion is terrific. | |
I think your condescension is even better. | |
Hey, you going to watch or you going to do? | |
Watch and see. | |
What?! | |
You want a convertible or hardtop? | |
You going to work all day? | |
I'm sorry, baby. This thing is just kicking my ass. I thought we had it with this one... | |
So you came by to see how the other half lives, huh? Well, here we are, What do you think? Pretty fucking pathetic huh? Kind of like one of those documentaries on educational TV? | |
It's nice here. It's different. | |
Yeah, totally. So, uh, what do they interview you about? | |
I see. So this wasn't simply a chance meeting. You came here with a purpose. | |
I told you, my car broke down. | |
Nice jugs. | |
They can't be real. | |
I can understand that. We'll take a walk around town, meet you at the train at four o'clock. Congratulations, Mr. Deeds. You're one of the richest men in the country. We'll see you later. Goodbye and thank you. | |
See you later, kid. | |
Fine. | |
All right. I'm gonna wander over and look at some shoes... | |
You'd fuck your uncle! | |
YOU'D fuck your uncle! | |
<b>Shut your fucking face, Unclefucka!! You're an asslicking, Ball sucking Unclefucka!! You're an Unclefucka, yes it's true Nobody fucks Uncles quite like you-</b> | |
<b>SHUT YOUR FUCKING FACE!! UNCLEFUCKA!!! YOU'RE the one that fucked your Uncle, UNCLEFUCKA!!! You don't eat, or sleep or mow the lawn You just fuck your Uncle all day long!</b> | |
Oh man, it smells like butterscotch. | |
Hell's yeah. She was so clean. | |
Oh man, that's the best. | |
You could tell she took care of herself. She had all these powders and creams in her bathroom. | |
Let me smell it again. | |
Oh my God! I'm here with the... | |
Yes, Professor Oldman's group. Forgive me. I didn't mean to frighten you. | |
...I was young. I was young... confused... We didn't handle it the right way... | |
She sued you for back payments of child support? | |
She did not sue me. We had a dispute over money... I settled it, she dropped the complaint... Any other questions? | |
It's a birthday present for my cousin. Put your finger in. | |
Cindy the manicurist. | |
I like the way you handled that. Well, how does it feel to be an executive? | |
Fine. And I want you to know I'll work very hard to justify your confidence in me -- SHELDRAKE Sure you will. Say, Baxter, about the apartment - now that you got a raise, don't you think we can afford a second key? | |
Well -- I guess so. | |
You know my secretary -- Miss Olsen -- | |
Oh, yes. Very attractive. Is she -- the lucky one? | |
No, you don't understand. She's a busybody -- always poking her nose into things -- and with that key passing back and forth -- why take chances? | |
Yes, sir. You can't be too careful. | |
It's just not working like this. We gotta do something. It'd be one thing if these girls were hardened criminals, but Jesus, Hal, this is makin' us look bad. I don't know... maybe they're not movin'. Maybe that little creep lied. | |
He's got nothin' to gain by lyin'. Nothin' at all. He already got all their money. I just don't know what we're dealin' with here. Anyway, it went out again last night on Nationwide Teletype. Let's just wait it out a little longer. She said she was gonna call back. Let's just sit tight. | |
We don't have a whole lotta choice, do we? I can't figure out if they're real smart or just really, really lucky. | |
It don't matter. Brains will only get you so far and luck always runs out. | |
Would you like to try it on? | |
'Scume me. | |
C'mon, c'mon, let's hurry this up. | |
So, what now? | |
I'll take the lead and handle the physical threats. You watch the elapsed time and look for exits. | |
Got it. | |
Yeah, there's a good girl. Have you had a look at this hoof? She was limping badly. I think there might be a stone in it. | |
Yeah, yeah, I did. | |
Good man. And is she all right? | |
Yeah. | |
Good. She's a good girl. Aren't you? Yeah, she's a lovely girl. And you know the Queen's riding tomorrow? | |
Yeah. | |
Are you all right, Barney? | |
You look beautiful. | |
Thank you. Seventy-six, eighty-- | |
Mariette! | |
Yes, Gaston? | |
You have been robbed--for years. And not a hundred thousand francs, but millions. And you know who did it? Adolph. | |
<u>Adolph</u>? | |
Adolph J. Giron. | |
And you expect me to believe that? | |
Naturally not. But I expect the police to believe it. | |
So you see what I'm <u>saying</u>...the movie is about <u>purity</u>... | |
I've always seen that. | |
We <u>don't</u> show her breasts, we just show your <u>reaction</u>... | |
Listen to me. I don't want sex. Just give me the address and then you go. | |
Look, man, I don't give a shit if you want sex or not, but you're payin' for my time. | |
And of course the Beck's, with the... | |
It could have been a squirt gun. | |
You've been good this week. | |
Your Prime Ministers, support the proposal that you return to Lhasa. On the opposite hand, some officials urge you not to return. They believe you should leave now, for India. | |
If I were to go into exile, could we expect any serious assistance, from India, suppose? | |
Jennifer-Jenzen-Executive-V.P.- Paragon-Pictures. | |
Very good. Well, I think I can say with complete honesty: I've never heard of any of you. | |
Smasheroo. Smasheroo. | |
Oh, I'd better hurry back. I don't want to miss one minute of it. | |
Off the record. No cameras. | |
Forget it. | |
When we go through the next gate you'll have 30 seconds to take out the tower guard. | |
What? | |
Have the car running at the north- west checkpoint. Bob and I'll -- | |
Dignan, I -- | |
No, I can't tell you! | |
What?! | |
No! Please! Please, please, please, please, don't ask me! | |
How long was I out? | |
Three days. I was worried about you. How are you feeling? | |
Solid. | |
No, Will, this isn't the alcohol talking. It's the truth. | |
I can't believe this is happening. | |
Shit happens. | |
Well, Mommy, get me to the big apple cause I'm gonna rock that town like a hurricane. | |
You're already there... | |
I don't know. | |
You don't know. | |
She wouldn't tell me! | |
But you were such good <i>friends...</i> | |
Quick, let me have that money. I'm broke and I'll need it for tips. | |
Oh, no--You're not gonna give my hard-earned money away. | |
Lina Moebius. And you are...? | |
Daniel Balint. | |
Balint? | |
It's German. | |
What part of Germany are you people from? | |
From the Rhineland originally. | |
Are you with the FBI, Mr. Balint?... Or any other law enforcement agency? | |
I was going to ask you the same thing. | |
That's sick. | |
Welcome to Beverly Hills. Wife-swapping Capital of the World. | |
What did I tell you? | |
What are you doing? | |
You've worked with Elliot? | |
I was in the fish-market play. What happened to him? | |
There was a review. | |
I think I remember. | |
So does Elliot. | |
Not one of Steven's finer moments. | |
Oh. You know him. | |
A little. | |
And he has finer moments now and then. | |
He has -- something. A funny little quality I find -- | |
Endearing. | |
Engaging. | |
Elliot wants to kill him with a railroad spike. | |
A little drastic maybe? | |
Say it again. | |
What? | |
You know what. | |
Alla puttanesca. | |
One more time. | |
Where will you go now? | |
It will end tonight. | |
Must you fight him? | |
He will not stop until it is over. | |
But I might be able to sneak into the office if they're not around. Then I could open the disks here in my room. | |
I thought they locked you in your room. | |
I can get into the crawlspace from my closet and climb all over the house. | |
Can you get into the office? | |
I can get into the den. The office is right across the hall. | |
Not have it. | |
No. There's no way. I mean, don't you think there's no way? | |
Well, no, I don't see any way. And I know how hard it is for you to -- to lose this chance. | |
No you don't. And fuck you for saying you do. And fuck you for "saying... ...for saying there's just no way. Because there could be a way, Grady. | |
Saddam, would you let me do my job please! | |
Hey relax, guy. Let's see what the kid wants. | |
Cobb's right. I mustn't talk to anybody. | |
Miss Dawson on the phone, sir. | |
Who? Miss Dawson? | |
Yes, sir. | |
Fine. I'll talk to her. Give me the phone, quick. She's the only one I'm going to talk to from now on. | |
Morning everybody. | |
Show your tatoos to that coxswain last night, did you Epps? | |
Showed him a hell of a lot more than that. | |
I bet you did. | |
I feel better. Do you? | |
Yeah, I do. | |
Poor Mother was completely taken in. | |
Do you think Bloody Bill's trying to get into her draws? | |
Too right . . . but he doesn't have a show! Nobody gets into Mother's draws except Daddy! | |
...and who was Benjamin Franklin again? | |
The pilgrim who used penicillin to kill Godzilla. | |
I didn't know that. | |
Welcome to public school, my friend. | |
Hey, teach, how'd you get so smart? | |
When you live in the basement of the school, you breathe in a lot of chalk dust. It writes out all the answers on your brain. Now how about a slushee? | |
A. Slushee. Don't tell me. Abraham Slushee. Third president of the United States. | |
And he invented fire. | |
Have they located my daughter yet? | |
Well, I was going to wait until after the inquest... | |
What fire and music? | |
You wouldn't understand. How was Miss Caswell? | |
Don't you think you should put them in water? | |
Why? | |
...because if you don't, they die... | |
Why did you leave? | |
They left. I had to go with them. | |
Why didn't you tell me? | |
He used to puke in his sleep. | |
Bastard. | |
You all right? | |
It was my fault. I slipped. | |
Will you do that? Then I want you to get out of the room. | |
Why? | |
Don't worry about it. Just go across the street and watch. You'll know when it's safe to go back. | |
What are they gonna do -- beat us? | |
Maybe. | |
That Sword has served me through many an evil time, Ben Harper. | |
What religion do you profess, Preacher? | |
The religion the Almighty and me worked out betwixt us. | |
I'll bet. | |
Salvation is a last-minute business, boy. | |
Keep talkin', Preacher. | |
If you was to let that money serve the Lord's purposes, He might feel kindly turned towards you. | |
Keep talkin', Preacher. | |
32 feet, six inches! | |
I'm lookin', I'm lookin'! | |
Could you stop, please. You're giving me a headache. | |
A headache? | |
Yeah, a headache. My head hurts. You're making me uncomfortable. | |
I'm making you uncomfortable. Baking away in a desert in the middle of nowhere facing three-hundred-thousand screaming Iraqis with nerve gas scud missiles, that doesn't bother you. But me making a little noise is driving you out of your skull. | |
Yes. Yes. That's exactly it. Yes. | |
Okay. | |
They... they shot me. | |
They shot us all, kid. | |
What day is it? | |
Same day as before. I think. | |
"Vase with twelve Sunflowers." | |
Whatever! He never told me about the Van Gogh or any of the other paintings. | |
So how we lookin'? | |
Good. This thing's on track, looks like it's gonna get done. | |
Fuckin' thrilled t'hear it. So the scout, the sitdown, y'musta felt it from 'em then huh? | |
Cold blood Sid, dead eyes, y'know? | |
What color underwear am I wearing? | |
Pink. | |
I'm surprised you still are. Should'a told me you had an A.I. running probes at you. | |
I need its matrix coordinates, Dixie. I've got to nail that thing where it lives. | |
Who got you into this? | |
A guy who calls himself Armitage. | |
Never heard of him. | |
Nobody has. | |
So what happened ? | |
He was working A.R.V.N. patrols and had one a them little cocky gook asshole Lieutenants -- anyhow, the Lieutenant took his new Playboy one day, sat on the end of the dock, and wouldn't give it back. | |
Yeah -- typical A.R.V.N. | |
Then went too far -- he sat there and starts mutilating the centerfold. Poking pins in her an' all that. Sergeant says, don't do her like that. You leave your shitty little hands off that girl. Gook Lieutenant says Fuck you in Vietnamese -- Sergeant says, don't do that again. You'll wish you hadn't. Then he stood up, flicked his iron to rock and roll and gave the little zero a long burst through the Playboy mag. Man, it blew him clean off the dock -- Hell, just the magazine was floatin' there all full of holes. | |
My domain is here, inside this metal skin. And I would pledge to you all that I still own: muscle, bone, blood and the heart that pumps it. | |
And a great heart it is. Sir Lancelot, you will be my champion. | |
I'll take it out of their skulls. | |
I don't want to see you killed. I want to live with you. Live with you. Any place it's safe to walk the streets without... . | |
I'll take it out of their skulls. | |
Oh, please. I know what's coming, now. "Let me help you..." | |
Do anything you want to me. I give myself to you. Only put the knife down. Isn't this what you always wanted? I know it's what we all want, to love and to loved. I could love you. You could work together in some safe place, learn to really understand you, help you, give you some peace of mind, some happiness... | |
Back in the driver's seat again, Doctor? That old dream -- study us to see what makes us sick. So you can find a cure -- they'd name it after you? Death is the only cure for people like me. | |
God, Spiderman looks different. | |
He was just born, remember? This is the first one. You know that guy, Dr. Gene Scott? He said that the story of Spiderman is the story of Christ, just disguised. Well, I thought about that even before I heard him say it. Hold on, let me show you my favorite comic book cover of all time. | |
That's a fucking great, man! Fucking great! Congratulations. | |
Yeah, both of us. | |
You know about the guy who invented it? I hear all kinds of things. Supposedly, he was born in a mental institution. They say he only sleeps one hour a night. You know about this guy? Tyler Durden? | |
At first it was real strange. Hell, Japan is a long ways from Alabama. Really got under my skin, though. Almost didn't come back. | |
Why did you? | |
I don't know. 'Guess I belong here more than there. | |
'Been up north? | |
Yeah. Knocked around for a couple of months after the Army. You been there? | |
No. | |
Well, it ain't that good up there neither. Might as well make it here. 'Course I ain't really makin' it now. | |
Floris, you're very nice, but I'm afraid Im in love with somebody else. | |
I'm afraid I... have no idea what you are saying... you bastard! | |
Sure. You make art and you want people to see it. | |
Wait, what happened to the tree? | |
YOU'LL FIND A RAMBLING ROSE AND A PICKET FENCE | |
TENDERNESS AND INNOCENCE IN DENTON` | |
Outside hacker? What the fuck are you talking about? | |
That's got to our secret agent man! Do we have an address? | |
Get the backslash, the colon, keys kids don't use but geeks do. What would Milo want in here, anyway? | |
They know. 'Just they don't trust me with it. So we'll get the evidence, first, ask questions later. | |
I appreciate your concern, but she has to rest, so you can go on home. | |
Oh, sure. | |
Well, what'd you think? | |
I think we're on the right track. | |
Who're you calling? | |
I'm calling your office so you can send out a man to trail him. I want to see where he goes. | |
Trail him! Trail who? | |
Nunheim! | |
First you're gonna shut up. Then you're gonna turn yourself in. | |
Don't be naive. The law doesn't apply to people like him! Or us -- | |
Wrong on both counts. | |
I'm just practicing my lying. | |
Still needs work. | |
You're right. I'll never be as good a liar as you. | |
MOMMY! | |
Mommy's here. | |
Baby wants to fuck. | |
Paraffin came up positive. And bullet holes are usually a big clue. | |
I can't find the second one, sir. | |
Look under the body. | |
Got it. | |
Motherhood is a very natural instinct for me. I'd like to have a baby myself. Wouldn't you? | |
Tonight? | |
O.K. How long do you think before I can come back? | |
Probably a year... | |
Oh, it's a fire hydrant. | |
Yes. It's Asta's Christmas present. | |
Think about what's going to happen to your valuables when that trunk flies open at 75 miles per? | |
You won't live to see it. | |
It's going to be some fucking snowstorm. | |
Pull over! Pull over someplace. | |
Morpheus, I don't think this is a good idea. | |
Why? | |
I told you I don't believe in this stuff. No matter what she says I'm not going to believe it, so what's the point? | |
What do you believe in? | |
What do I believe it? Are you kidding me? What do you think? I'm still trying to deal with the fact that everything I believed was real, wasn't. The whole world, my entire life was a lie. I don't know anything anymore, Morpheus. | |
That's why we're here. | |
Why? So I can hear some old lady tell me, what? That I'm this guy that everybody's been waiting for? The one that's supposed to save the world? Come on. How do I respond to that? I can't. It's ridiculous. I mean who am I? I'm nobody, I'm just a guy. What did I do, Morpheus? Why me? | |
Faith is beyond the reach of whys and why nots. These things are not a matter of cause and effect, Neo. I do not believe things with my mind. I believe them with my heart. In my gut. | |
And you still believe I'm the One? | |
Yes I do. | |
Yeah? What about the other five guys? The five before me? What about them? | |
Be that as it may. U is for Unconditional Election. God has chosen a certain number of people to be saved, The Elect, and He has chosen them from the beginning of time. L is for Limited Atonement. Only a limited number will be atoned, will go to Heaven. | |
Fuck. | |
I can stop if you want. | |
No, please go on. | |
I was always too shy to admit how much I liked you. | |
Come on, I was hamburger. You were porterhouse. | |
Maybe on the outside. But inside, deep down, I've always been dripping with special sauces. Are you hungry? | |
You don't think--? | |
Looks like he's taking a trip--see the baggage? The only time they ever picked me up, McKinney walked through the room while they were grilling--let's see how good his memory is. | |
Are you gonna lock the store? | |
I don't know. You going to lock the video store? | |
Look who you're asking here. How're we gonna block off the street? | |
We're not playing in the street. | |
Then where're we gonna play? | |
This is insane. Let the heroes handle it. I'd better get you home...I should check on my warehouse to make sure it hasn't been hit... | |
Your warehouse? Go on ahead--to your "warehouse." I'll be okay... | |
Are you sure? | |
I'm sure. | |
Hi ya, Rebecca... | |
Tired. | |
Somebody told me Nathan was back. How is he? | |
Why don't you pay him a visit, Mr. Howard? He'll tell you all about it. | |
Are you makin' fun of me --? This is RIDICULOUS! | |
Those are my terms. | |
They're IMPOSSIBLE!! Jesus! I mean -- "two guaranteed guest shots for Tony Clifton"??! Who is this TONY CLIFTON?! | |
He's a Vegas entertainer. I used to do impressions of him. We sorta... got in a fight over that. | |
What brings you out to the sticks? | |
Had a package to deliver. | |
You? Personally? | |
I had it on the island with me. | |
Must be a story there. | |
Look at how cute I am! | |
What a little hosebag. | |
Please don't mess me up with bandages, Mrs. Brenner. | |
Shhhh. Shhhh. | |
Please. | |
Are you expecting anyone? | |
No. Wait here. | |
Hey, what's going on? | |
Nothing. What you want? | |
Are you going to take me to see Mom? | |
Take your car. | |
'Take your car?' | |
Yeah, and hurry up. | |
What's wrong with me? | |
Your distraught. It'll help... | |
We do. | |
Is there shrimp on it? | |
Yes. | |
If you could pick the shrimp off, as well as anything that touches the shrimp... | |
I'm not sure if that will leave much on the plate. | |
Well, let's see what we get. | |
Lois, what are you doing? | |
When was the last time you heard me sneeze? | |
Uh. . . | |
Well, you never will again! Thanks to Vitamin C! I'm reading a book that says the foundation of a sound body structure is one thousand milligrams of Vitamin C every day. | |
One thousand?? That's an awful lot of oranges. You know there are pill, Lois. I've seen them. | |
Oh sure. The American answer to everything. Pills. No, this is -- -- natural. | |
Federal Bureau of Investigation, Special Agent Chet Desmond. I'd like to ask you a few questions about Teresa Banks. Jack said you knew her. How well? | |
She only worked here a month. Nice girl. Never seemed to get here on time though. Ask me she had a little problem with -- | |
This has nothing to do with any of that -- | |
Oh. You maybe have more than one enemy who owns a car-crusher -- ? | |
All my enemies own car crushers. It's like a pre-requisite ... Owwww... | |
Easy ... Take it easy ... We're almost there... | |
Some Indian tracker you turned out to be, Tom. | |
You pay me to find you Bluecoats. There they are. | |
So she was distraught that her husband was dead? | |
Oh, yes. Mrs. Windham is the most sweet, wonderful woman I know. I have loved her since the day she hired me. She could never do something this awful. I know this because we are very close. | |
Famous story even. Straight burn. Just an engine and truck first on scene. What did you feel, Brian, when you first got there? | |
What? | |
You gotta tell a story too, Brian. It's fair. C'mon, don't think too hard -- | |
I... I thought it was great. I loved it. It was nothing to these guys... medium deal. | |
Right. Light smoke, low roll. Couple'a civilians hollering -- medium deal. So young fireman Adcox and Captain McCaffrey, they head up stairs, get out on the fire escape -- McCaffrey does the ballsy jump across... what were you feeling, Brian? C'mon, you promised. Be honest. Okay... Guard! | |
-- I wanted to be him. Right then I wanted to be him more than anything... | |
Very good, Brian. -- About your report here. The way to a torch's heart is through his tools. That's how you know him. It's the way he talks to the fire. And to you if you listen. | |
The outlets. | |
That's a probie answer. You're smarter than that, Brian. | |
Trychticholorate. | |
Good. -- So our two heroes, Adcox and McCaffrey, they go back inside. Only there's another fire in there nobody sees. And it took your dad, didn't it Brian? Did you see him burn? | |
Yeah, just a nip. I feel like hell, all the carryings-on next door. | |
That's okay, I assure you. It's just that I was trying to work | |
What kind of work do you do, Barton, if you don't mind my asking? | |
Well, I'm a writer, actually. | |
You don't say. That's a tough racket. My hat's off to anyone who can make a go of it. Damned interesting work, I'd imagine. | |
Can be. Not easy, but | |
Damned difficult, I'd imagine. | |
You were right. Del wasn't lying. | |
Well, you were right about what that bartender said. | |
Called him. We set an ap... | |
Don't do this. | |
Looks like the curse is still at work. | |
The claws are sharp... I must have cut myself. Better move these crates to the secure storage area where they'll be safe. | |
Why not, Mrs. Bundy? | |
Because there are 8,650 species of birds in the world today, Mr. Carter. It's estimated that five billion, seven hundred and fifty million birds live in the United States alone. The five continents of the world... | |
We lost cousins, friends. We will wash this in blood. | |
If you want to keep your head on your shoulders, you'll do as I say. | |
Billy's right. Whenever he touches me, I just can't relax. | |
You have a few intimacy issues as a result of your mother's untimely death. It's no big deal. You'll thaw out. | |
But he's been so patient with me, Tatum. You know, with all the sex stuff. How many guys would put up with a girlfriend who's sexually anorexic? | |
Billy and his penis don't deserve you. | |
Hi everybody. | |
Hey. Thanks for one nice intro... uh. | |
Guy... You probably don't remember me do you? I was on the show in '82. Episode 31? Got killed by the lava monster before the first commercial? "Crewman #6?" | |
Nonono. Marylin -- I'm your husband. I'd be entitled to Rex's money. No matter what happened to you. | |
That's true. | |
She's all your's Fish. Anything you want. Happy bachelor party. | |
I can't. | |
Captain, we need further Warp simulation on the flow sensors... | |
Engineer, we need Warp speed now! | |
What I need to <u>say</u>... | |
<u>Yes</u>... | |
About <u>conflict</u>... | |
That's why you didn't want to take the <u>Mill</u> out...you've... | |
...the, the, the symbol of the fire... | |
The <u>Firehouse</u>... | |
I... | |
But but but but but it's better <u>without</u>... | |
<u>How</u>...? | |
Wait wait wait wait wait he gets a second chance, do you see? And <u>you</u> get a second chance! | |
No, I don't... | |
He doesn't go back to the <u>mill</u>, he gets a second chance to go back to the <u>firehouse</u>... | |
That girl, she works at the casino -- | |
-- I don't care about her. Of course, I was angry. But not with you. The book is yours not mine. I was wrong, what I said about it. I hurt you, didn't I? | |
You're entitled to your opinion. | |
It's none of my business what you write. And your job, that's none of my business either. I love you. And I've done everything wrong. | |
You ok? | |
FINE. Are you? | |
Hurricane Hormone. it's flattened the whole school. Guess what? | |
What? | |
Mark invited me to the party. | |
What party? | |
Shh. Ben's party. Tonight. Haven't you heard? | |
No. | |
Remember when we froze your semen, you said that if it looked like you weren't coming back to try and make you a son so that a part of you would live forever? | |
Yes. | |
Well, after a few years, we got sort of impatient. Dr. Evil, I want you to meet your son. | |
My son? | |
Yes. Scott! | |
Where are we ? | |
No time. Get him up. | |
What guns? | |
The robbers in the bank. They got guns? | |
Yeah. A lot of guns. | |
Well, stay away from them. Don't get close. | |
Oh, yeah, I will... | |
- back to Nigeria. Yeah. | |
Listen... | |
...they're in Penthouse K. | |
They check in alone? | |
They checked in alone. | |
Are they out now? | |
Yes, don't worry. | |
All right. | |
I'm not going to get fucked like Gribbs. He's seventy years old and the fucking guy is going to die in prison. I don't need that. I don't care who it is. I'm warning everybody. Gribbs got twenty years just because he said hello to some fuck who was sneaking around selling junk behind his back. That's not going to happen to me. You understand? | |
Paulie. Why would I? I swear. | |
You're only home early because we got you a job, right? And I don't need any heat. You understand? | |
Nods. | |
And, if you hear about anybody else fucking around with that shit, you tell me. | |
Nods again. | |
Anybody! You understand? | |
I understand. | |
And video games after! | |
Home after. Will you come in and say "hi"? | |
Ten. | |
And four children? | |
I'll give you a hundred thousand francs for all of them. | |
Get <u>out</u> of here! | |
What're you doing with all this shit? | |
Ew! Oh, Buff! Relax! | |
Why don't you fucking relax? He's having verbal intercourse, Sooze. | |
Something wrong, Cobb? | |
Uh..Excuse me sir, it's the air recirculating system, sir... | |
What's wrong with it? | |
...I'd really have to show it to you. | |
All right... | |
Yeah. | |
Meet me at three. | |
What - what, Caesar's? | |
No, a... | |
...hundred yards further down the road. | |
Why? | |
Don't ask questions. Just be there. | |
No. I'm quite certain you can't. | |
Look, we have two choices. We can hike back down to the lagoon, where we can sit for two days, in the open, next to a heavily used water source while we're waiting for your boat to arrive, or we can head for the village, where we might find some shelter and we can call for help. | |
We'd never make it past the raptors. Trust me, I have some experience in this matter. | |
If we could just eat first. | |
Totally understood. Totally wrong of me to talk shop after the day you've had. Totally sorry. | |
Nooo. If I could just have a roll, I'd be okay. | |
What's goin' on, Elly? | |
I went to see a friend of mine. | |
Well, how's your friend? | |
She's still dead. | |
More. | |
Yes, cherie, of course you want more. And I'll show you how to get it. You drink from morals, my beauty, but from me? Never again. | |
Can I get you something to drink? | |
Coffee'd be nice. | |
Sounds good. Kim, would you get Heather and me a coffee? How you like it, Hon? | |
Black's fine. | |
Me too. | |
What'll you have? | |
The usual, Barry. | |
I'll have, like, a beer. Like a Budweiser, or something. | |
I suppose you'd never be like Luther and let a woman get to you... | |
I let women get to me. The quest for pussy is the meaning of life ... I got my own personal philosophy about 'em. Keep women separate from guns, money and business ... women are for spending money. They got nothing to do with helping you make it. | |
That ain't philosophy. That's common sense. | |
WHO ARE YOU? | |
How many times have you asked me that? How many times? | |
TELL ME, DAMN YOU! | |
You know who I am. | |
You're beautiful. | |
So are you! | |
Sorry. | |
Has Mr. Kessler said anything regarding the attack on the moors? | |
Switch?! That is your plan? It is ludicrous! | |
I have it all worked out. | |
Physical resemblance is but one small thing! Louis has an arrogance, a manner -- | |
Those can be adopted -- | |
And people close to him, who -- | |
Do you think I have not considered that? I have a plan -- and you may rest assured that it is brilliant! | |
It is not just our lives you risk with this conceit of yours! It is Phillippe's as well! | |
Yes, and he has a choice! | |
Please. Don't do anything. | |
Then don't let me get cornered, Max. You don't have the trunk space. | |
I can't believe this. | |
Believe it. | |
These aren't half bad, Fletcher. You might have a second career coming. | |
What are they? | |
I can't believe this, I haven't gotten more than my hand in six weeks and now this shit. Why not Mars, Cap, Mars has women... | |
Smith's right. Neptune? There's nothing out there. If something happens, we'll be on our own. | |
For food and clothes, and all that grows, etc, etc. Dear Lord, thank you. | |
Thank you, Roger. | |
But I thought you'd be cool if... | |
I want you guys to adopt the Buglet. I wanted everything to be perfect. Not shitty and broken like everyone else's family. Listen, once I have the baby, Vanessa is going to finally be happy, and everything will be all right. Believe me on this one! | |
A baby is not going to fix everything. Besides, I don't know if I'm ready to be a father. | |
But you're old! | |
I... How do you think of me, Juno? Why are you here? | |
I don't know. I just liked being your friend. I sort of liked becoming furniture in your weird life. | |
This... ...this is what my life has become. Stuff in boxes. Stuff underground. Is that so appealing to you? | |
Yeah, I guess... Is this my fault? Is Vanessa mad at you because of me? | |
That's not the point. We're just not in love anymore. | |
Yeah, but didn't you love Vanessa when you married her? If you love someone once, you can love them again, I know it. My friend Leah has gone out with the same guy, like, four times. You're just not trying. | |
What about transportation? | |
You can use my car. | |
Five years ago, my father was Chief Inspector working a big international smuggling case. | |
Ask me if I give a shit. | |
Who cares? Chicks are for fags. | |
I think she wants me to come over to put me into the right position to check out her delicates, what ever that means. | |
Oh yeah, buddy, you're gonna get "some". | |
Some what? | |
You know... She's gonna be all over you like a barrel of monkeys, with her tight shirt and short skirt... Eeeww, it's so faggy I can't even talk about it. | |
Come on, Lloyd. You must know someone I can talk to. | |
Sure I do. On one condition. | |
You can't marry my mom. | |
It's really not up to you, Harry. But we just want you to feel like you're part of the decision. | |
Shut up! | |
Alright, if you really want to go down this road, well girl's like chocolate. | |
She's not my bride, she's my fare. She's looking for this Vito Cornelius. According to the phone guide he lives here. | |
That's me. But I don't know who she is... where did you find her? | |
She dropped in on me... holding this. | |
I've been knocking. The door was open. Is everything all right in here? | |
Who are you? | |
I've come to help your family. | |
Matthew, you don't have to-- . | |
Stay back! I'm okay. | |
That's good... | |
I think he's lying to us. I could see it in his eyes. | |
They'll probably have a big net for us when we show up. | |
Have you evacuated anyone? | |
Only that floor. | |
Is the hostage injured? | |
Don't know. She keeps screaming to stay out. He keeps screaming to stay out. We decided to stay out. | |
Well, there's a good amount of agreement on that. | |
Sit up, smile, Zozo, don't attract attention to yourself. | |
Boss, some of those men are my neighbors, they know I'm Tutsi. | |
Are you sure these are the coordinates? | |
Captain, this is the garden spot of Ceti Alpha VI -- | |
I can hardly see -- | |
Hey, c'mon, what's the matter? | |
I ain't ever gonna fight Joe Louis, that's what's the matter. | |
What're you talking about? He's a heavyweight. You're a middleweight. | |
So, we're stupid now? | |
You know, just because you're having full-on wiggans doesn't mean you have to drag us into it. This isn't just any dance. It happens ot be the last dance of our last year. | |
Except for Prom. | |
Right. | |
My mother stood on this very spot. | |
I'm afraid your feet won't fit in there. | |
That's 'cause I was cursed with the Sultenfuss Bear Claws. My hands fit. | |
Big deal. | |
Whatup Lenny? | |
Jesus, Mace! | |
I can call them... I can call my dad. | |
But you won't. | |
Good afternoon, Mrs...? | |
Spitz. We spoke on the telephone. My husband... My daughter, Deborah, whose house this is. My son-in-law, Carlos... The gentleman is a business partner of his. | |
Oh, I'm terribly sorry. | |
My fault. | |
You're not hurt, are you? | |
I don't think so. | |
I wish you'd make sure. | |
Why? | |
Because usually, when people find out who I am, they get themselves a wheel chair and a shyster lawyer, and sue me for a quarter of a million dollars. | |
Well, don't worry. I won't sue you - no matter who you are. | |
Thank you. | |
Who are you? | |
Now, really - | |
You wanted to see me! | |
You're not from Alaska! Where'd you learn to dance like that?! And there are no starving people, are there?! | |
Why are you suddenly so mad at me? | |
Don't change the subject! I want you to tell me the truth about yourself. | |
I've never lied to you. I've maybe let you believe things that you wanted to believe, but I've never lied. | |
You think I'm some sort of sap?! Don't you?! | |
No. I admire you. I...I fell in love with you the first time I saw you. I did. I think that you are the most-- | |
I want to know exactly who you are and what you're really up to! | |
All right. Let me tell you the whole thing. In 1962-- | |
I got Clawsen on hold-- | |
--his dialing finger must be falling off-- | |
--what do you think?-- | |
--he went to her apartment and he told her-- | |
I'm quite serious. Look at all the charity and clinic work we do. Up until thirty years ago, the concept of vaccine was unheard of. | |
You're saying all disease will eventually be eradicated? | |
I'm convinced. Not by treating symptoms, but by diving nature's most jealously-guarded secrets. | |
Do you foresee this happening in our lifetimes? | |
No. But someday. | |
Thank goodness. We'd be out of work. | |
Lock the door behind you. | |
Where is he? | |
Where he always is. | |
What the hell happened? | |
He busted the back window with his feet, and fled on foot. We pursued him into this warehouse - but he's - gone, south - maybe a couple of miles if he's fast - | |
Why didn't you call for back-up! What were you thinking, Jesus!!! | |
It happened too fast. He was in the back, quiet and calm and boom! He was out - and gone. We...we fanned out...Stanton must have let his guard down! | |
It's just money. You should be glad you're alive. | |
It might be best if we didn't talk. | |
All I mean is... someone like you... | |
How many times have you done this? I'm interested. | |
What? | |
Scams, con games. How many? | |
I don't know. A lot. | |
Whatever kind of nickel-and-dime shit you did before, this is more than just me. Your friends raided pension plans, and payrolls... they took just over six-hundred million. You ruined people's lives. | |
Whoa! Hold it! Pipe down! Come on, now--that's enough of that. | |
If you thought as much of being honest-- as you do of being smart--! | |
What do you want ? | |
If you're B.L. Willard, 4th Recon Group, we'd like you to come with us. | |
Whose orders ? | |
Just what I needed too. | |
You? | |
Just this once, Bob. I feel like celebrating. Just think of it, Bob - a cruiser sent to Shanghai just to take you back to England. You know what it means. Here you are. Don't bother about those cables now. I want you to drink with me. Gentlemen, I give you Robert Conway - England's new Foreign Secretary. | |
We're being attacked! KILL! Kill! Kill! | |
Not now, Sven... | |
I must KILL! Kill! | |
It's no good going berserk against a dragon! | |
Told you so. Alright. We tried. Let's go home. | |
Mother! No. | |
You expect me to spend the rest of the war sitting at home staring at a ring? And you'll meet some French girl who can speak your own language. No thank you! | |
Please yourself. | |
I know what I have to know. | |
Just so I know you know, when I talk to people in confidence, it stays that way. | |
How did a radical journalist from Ramparts Magazine end up at CBS? | |
Vindication. How would you like to get some? A chance to prove that, though your facts weren't entirely straight, your theory was correct. | |
The real story on Miss Carpenter. | |
All the gory details. | |
Don't you ever get bored around here? | |
Sometimes. The other day, though, an old boy was plowing in the field over there, found some old Spanish coins. | |
Remember that thing a few years back? That thing with the cab? | |
What thing? | |
Cabbie drove around all night. Three people got killed. | |
Oh, right. The guy flipped out or something? Killed some people, then put a gun to his own head? | |
They found him dead in his own cab down by the Port Authority. | |
So? It was a random thing. | |
I never bought that. | |
Oh? | |
Cabbie had no criminal record, no history of mental illness. Suddenly, he just wigs out and pops three people, then himself? Plus the victims weren't random solid citizens. They were all lowlives. Wiseguys. I've always wondered if there was someone else in the cab. | |
Please don't. | |
It's not a bother. | |
I insist. Don't touch them. | |
Joe, that's coming a long way in twenty years since I met you practising law down there in Main Street. | |
Jim--if what you say about the future is remotely possible--why not do as I say--drop things like this dam? | |
We can't drop it now, Joe. We bought the land around this Dam and we're holding it in dummy names. If we drop it or delay it--we are going to bring about investigations, and investigations will show that we own that land and are trying to sell it to the State under phoney names. No, Joe, in my judgment the only thing to do is push this Dam through--and get it over with. | |
Well, then appoint Miller--if you're sure he'll take orders. | |
Don't worry about Horace--he'll take orders. Come on-- | |
The girl, Lestat - | |
I know. Let her alone. | |
Now you know what I know. | |
Sir? | |
Okay, give it back. | |
Come and get it. | |
Uhh, no, we haven't picked a date yet... well, once he dumps her we will. He's out pricing banners... I don't expect him back. | |
"Banners?" | |
You know, flags and shit... he said "for a livelier look" or something. | |
Anyway. How much they offer you? | |
Twenty grand. And of course I still keep the rug. | |
Just for making the hand-off? | |
Yeah. | |
She has good days and bad...I don't know.... | |
She's a tough lady.... | |
I wish there was something I could do.... | |
She's had a lot to deal with...She needs time.... | |
Would you talk to her? She's got it in her head that the shark came for him. She still blames it for my father's death.... | |
Oh, boy.... | |
My God, Austin, what have you done? | |
That's not your mother, that's a man! | |
Be careful, Julie. | |
I've got to see. | |
Your phone. | |
Oh. Yes? Just a minute. If you don't mind -- this is sort of personal | |
All right. Have a nice Christmas. | |
I should have torn that door off its hinges. Should have scrogged her ears off. Should have broken the bed. What do you want? Well? | |
I--I was wondering--is there anything you shouldn't eat--because of jungle fever? | |
I could eat a raw baby crocodile. The way to get your wife back is in bed. Do such a job on her that she'll be lucky if she can crawl around on all fours. We're starving. Do you mind? | |
Well? | |
Well what? | |
You got your F-14, you got Top Gun, you got your MiGs....You're our new Top Gun instructor...Now what? | |
Oh...I'll think of something... What are you doing here? | |
I live here, remember? | |
Right on the flight line? | |
Bob, can't you get them to wait for us? They're leaving us farther behind every day. | |
There's nothing that would suit them better than to lose us, but we must go on. Come on. | |
He's gone, too. | |
What about the other agents? Ella? Tee? | |
Elle's up in Portland-- three of her charges left visibly at a Trailblazers game. Shots got a lot to mop up. Tee says his Shanghai quadrasectionals haven't been around since morning. | |
So? | |
It's your radiator hose. It's busted. | |
I know it's busted. What did I just tell you? | |
Well, you know so much why don't you just fix it yourself? | |
If I could do you think I'd be standing here wasting my time. Can you fix it, or do I have to go somewhere else? | |
Somewhere else? Mister, somewhere else is fifty miles from here. Only other gas station down in town closed 3 years ago when the mine got shut... | |
Okay, I'm stuck. You happy? Now can you fix it, or not? | |
Yeah, I can fix it. | |
Great! | |
Gotta run over to the yard and see if I can find a hose like this one, or close enough. Gonna take time. | |
How much time? | |
Time. | |
Aw, this can't be happening to me.... | |
They been nose-open for her ever since we left. They go off blood. | |
And I see what you mean. You nearly poked my eyes out. | |
Exactly. Replaces the baton, gives Steve the case. | |
Don't worry, Helmuth, it'll be our secret. | |
I'm candy... | |
Excuse me, baby, but if i don't get some action tonight, I'm gonna bust. You interested? | |
Hey, what kind of talk is that? | |
Oh ... You're a schoolteacher... | |
No, I go to a school to learn how to do hair. It's a government program. But really I want to be a model - and I am definitely not sellin'. | |
Goodbye. | |
I got this apartment with a guy. | |
The one you were telling me about? | |
No, this one was worse... I had to have the place sprayed when he left. Twice... He was two guys before the last one -- not counting a little office thing in there, which I'm trusting you with, 'cause if it gets out, I'm on the street... | |
See you. | |
Probably not. | |
Yeah. Probably not. | |
Now, what's this? | |
Give it to me! | |
Mexico? You going to Mexico? | |
I'm leaving. You never have to see me again. Just please, give me the ticket! | |
This means something to you? Jenny means something to me. | |
ARE YOU CRAZY, YOU COULD <u>SUFFOCATE</u> IN THERE!!! | |
Nope. I got my warm t-shirt. | |
Well, is it fair? Should I keep going? | |
You better. Oh, Paul, when Ian realized that the reason they'd buried Misery alive was because the bee sting had put her in that temporary coma-- | |
But you told me to look in the paper! You told me I'd be perfect! | |
Nell, the first time I ever spoke with you in person was the night we met here. | |
Then who called me? | |
Guess the capital of Brazil -- | |
Rio, baby! | |
Calloway! | |
Oh, there you are. Come in here, there isn't much time. | |
Mr. Mintz. | |
Please, call me Alan. We try to cultivate a casual atmosphere around here... | |
I can see that, Alan. | |
My hero. | |
Nothing to it. | |
...Sorry, General, but we've got no choice! It'll only take a minute! Let me set up another meeting and I'll be back. | |
Three of us will never fit in there! | |
Oh, yes you will... | |
Sure. Too much birthday cake, right? | |
I guess... | |
Oh yeh? Where'd you get this from eh out yer nostril? | |
...Yer nostril? | |
Central Services don't take kindly to sabotage! | |
...sabotage! | |
It's not their fault. | |
No. It's your fault. | |
What'd you say your station...uh, your call letters were? | |
W...B...2...YXB. | |
I think we might of scared her. | |
Let's just go. | |
What the hell are you doing? | |
Just getting a feel for her. | |
It's a dangerous procedure. If I miss the timing, we could explode the tanks... But I'm willing to try it. | |
Yes, by all means. We must try it. | |
And... what does Jeanne think? | |
I don't think. I leave that to God. I'm nothing in all this, I'm just the messenger. | |
Did -- did you -- | |
It was the grenade you fucking idiot. Look at him! | |
You boss is having a full-on meltdown. Guy's fixing to pull the pin on fifty kilotons and we're all ringside! | |
What's the timer set for? | |
They tell me when you ring once the valet comes in; when you ring twice you get the waiter; and do you know what happens when you ring three times? A maid comes in -- a French maid. | |
Comrades, if we ring nine times... let's go in. | |
What are you doing -- | |
Sis. Let me take care of you for once. | |
But Johnny... you can't fly. | |
How much did you lose? | |
About twelve hundred. | |
I went for four. | |
It's a long trip and we'll get that sucker later. | |
Actually, I'm waiting for someone. | |
What a coincidence, I am someone! Mmm. Calvin Klein's Obsession. Now it's mine too. | |
I suppose we're both old men now. | |
You'll always be older than me, Father. | |
I can get you a job. | |
A job? | |
Yes, the money is good. | |
As a plumber?! | |
It's easy to learn. | |
A job?? As a plumber??? You think I come to America to work! | |
We started over, you can too. | |
You spent all the money while I was in prison? Now you tell me to get a job fixing toilets?!? | |
Good-bye, Arthur. Homer, I'll see you tomorrow? | |
Right. | |
Julian Cross worked for the water department? | |
Yes. No. | |
He did or he didn't? | |
He owned it. | |
Oh, hello Betty. | |
Hello Bill. | |
Don't worry. I can protect my virtue. I mean, c'mon, Wade, give me a break. | |
See you tomorrow, maybe. | |
You okay? | |
Yeah. | |
Really? | |
You know, I should, um, make a video of this place. You know, bring the camera in. | |
Oh, at least, sir. The land alone is worth a small fortune. | |
But I can't just drop everything and leave. I have responsibilities and obligations. | |
Do you have a hundred thousand of them, sir? | |
Jesus Christ. This is all I need. | |
You told me you wanted to meet him. Well,here he is. | |
Yes Brad. | |
I've got something to say. | |
Uh huh. | |
I really loved the skilful way You beat the other girls To the bride's bouquet. | |
Oh Brad. | |
That's the third time. I better call the office. Would you relax, please? | |
I am relaxed. | |
You know it's not often I... you know... | |
There's a first time for everything. | |
I suppose that's right. | |
You want something to drink? | |
I'm already way over my usual limit. You know, it's funny. I feel like I've known you for years. | |
Can I help you? | |
Yes -- I was looking for Anna Scott... | |
Does she know you're coming? | |
No, no. She doesn't. | |
I'm afraid I can't really let you through then, sir. | |
Oh right. I mean, I am a friend -- I'm not a lunatic but -- no, you basically... | |
... can't let you through. | |
And I know people. | |
Im sure you do... | |
...m...m...my, my, my, my goodness -- I can talk again! Oh -- oil my arms, please -- oil my elbows. | |
Oh... | |
I mean... tough break. | |
The important thing for the stability of our rule is to maintain the balance between good and evil. And I don't think any of you are ready for that responsibility yet. You need the wisdom that comes only with the passage of time. | |
So, Frank, am I going to live? | |
You're going to live. | |
I've been thinking about things. Meditating on my financial future. You guys gave me plenty of time to meditate on the future. Whatja do, stop for Chinese on the way over? There's plenty of food in my place. | |
I was tired. I needed a coffee. | |
What about Kanita? | |
Dead. | |
That's too bad. Get some money, a nice looking girl on your arm, and everyone wants to take a piece. Some kid I wouldn't let wash my Mercedes is in my house, shooting at me. Damn, I thought I could make it onto the balcony like Tiger. He's fat, that's why, falls faster. I'm trying to watch my weight, and look what happens. Am I shot, Frank? | |
No. | |
Boy can't shoot for shit, either. Goddamn that's hot. | |
I... uh guess congratulations are in order. | |
Well -- Marylin and Rex broke up and... | |
That's all right. Well, we'll be going. | |
Goodbye. | |
Goodbye. | |
Hey, darlin'. | |
Hey, Rona. Sorry I'm late. | |
I wouldn't know what to do if you were on time. | |
xxxxxx. | |
xxxxxx | |
Where do you live? | |
You're not a stalker or anything, right? | |
Well, I probably wouldn't say if I were, but no. | |
You can't be too careful. I've been stalked. I've been told I'm highly stalkable. I don't need that. | |
I'm not a stalker. | |
You know Wilmont? | |
Yeah. | |
Wilmont. Near the high school. | |
It is new, it is, isn't it, Sire? | |
Yes, indeed. | |
And German? | |
Oh, yes. Absolutely. German. Unquestionably! | |
So then you like it? You really like it, Your Majesty? | |
Of course I do. It's very good. Of course now and then - just now and then - it gets a touch elaborate. | |
What do you mean, Sire? | |
Well, I mean occasionally it seems to have, how shall one say? How shall one say, Director? | |
"Like a heartbeat/Like a love beat." Listen to the Di Franco twins there. Just the plumbing or something, fool. | |
Maybe there's a pipe underneath the floor. It leaked and stained. | |
You were right. | |
... I was right about what? | |
... It is much better down there. It's a better place. | |
Ed... | |
Okay. So how is Jessica? You talked to her lately? | |
Yeah, she's good, considering. That kid just takes everything in stride. | |
I love you, Danny. I love you more than anything else in the whole world, and I'd never do anything to hurt you, never... You know that, don't you, huh? | |
Yes, Dad. | |
Good. | |
I'm kidding. You know how sometimes you just become this "persona"? And you don't know how to quit? | |
No | |
Okay -- you're gonna need to learn how to lie. | |
You're doing great. | |
I don't know if I'm going to make it the whole way. | |
It doesn't matter. Go on. | |
Oh... this makes me sound irrational, which is probably right, but there was something about him saying this -- it was maybe the millionth time he'd told me about some preference of his. Well, I was so... tired of it. Seems like my whole life someone's been telling me... I'm just not getting it right. Can we rest for a second? | |
You do know that he's gonna blow up your house, kill your wife and kids -- | |
Good. I'll give him an extra 10 grand for his trouble. I hate that motherfucking house and -- | |
He's gonna kill you, man. Do you hear me, motherfucker? You. Dead. Get it? | |
I've been dodging bullets since I was fourteen. No one can kill me. I'm fucking blessed. I'm fucking Catholic. | |
Wish I could take the credit, but -- | |
-- guess we know where Mr. Price is now. | |
He must've beaten us all here! | |
I can go to the police. I have blood samples back at the hospital. I can show them. | |
Do it. You'll be dead before you can file the complaint. | |
That's ridiculous! No one's that powerful. | |
Lenny? You're an asshole. | |
Tell him next time he pulls any shit, you're gonna kick his fat ass. | |
Next time you pull any shit, I'm gonna kick your fat ass. | |
He's having absence [pronounced "absance"] seizures when he stares off into space like he does. He has them so often that that's why he hasn't learned to speak properly. | |
Who told you this? | |
You did, in the future. You figured it out because a part of you already knows this. That's how it works. [Beat] I'm just telling you something you already know, even if you haven't realized it. | |
They're gonna give on this in the next ten seconds or the deal's off! | |
I dunno what to say to you sweetheart, it is what it is. | |
Bullshit it is. I said, about as loud as I could say it, "no jail time for my guys." | |
Okay. My main man. Marvin Gaye. | |
Easy. Gunshot. Patricide. Next. | |
Where did you find this? | |
It was nailed to the cellar wall. | |
I see some faint lettering. It appears to be the...Runic alphabet? | |
Runic? | |
For what? Oh, I've see the way the other half lives. My sister, for instance. it looks terrific, but is that what I really want? Three kids, two cats, and fifteen needlepoint pillows? I'd go bananas after one week. Hell, I need this crazy existence of mine. Like I need the plague, right? That's what your thinking. | |
No. I'm just thinking that you smoke too much, if you don't mind my saying so. | |
There's no real proof that tobacco -- | |
Lois, you should see what the inside of your lungs look like. | |
Thank you. Now, repeat after me-- Spider-Man is a good guy. On the side of right, and niceness, and cute baby animals and all that. | |
Frmpph-yrr. | |
Fine. | |
They stand at the edge of the grave and make jokes. Do you know who I am, sprout? I am Torquil, Lord of the forest. My men follow no man but me, and I follow no man at all. | |
You will follow me. | |
And in the few seconds before I dice you to crow-food, tell me why I am going to follow you. | |
So your sons will speak of you to your grandsons, and your grandsons to their grandsons. | |
No...No. | |
How do you know she's dead. | |
Sod it, it's broken! | |
You haven't switched it on. | |
Oh - yes. Look you're putting me off, standing there! Go back to your office and I'll give you a knock when I've finished. | |
When can I see you? | |
I don't know. Garber's left orders here not to let you in the building. | |
You've been reading for hours. | |
I'm a slow reader, on account of the fact that I look at the word "dog" and see "god". | |
Hey, just so long as you see Him. | |
You saved my life. You could have run, but you didn't. You saved me. | |
You saved me. | |
I saved you because I love you, Nick. Why'd you save me? | |
Jesus, man... You okay? | |
That how you planned it? You take cut Suzie, get me to hang it on Kelly, then dump me in the ocean... | |
Come off it, man... It was an accident. | |
No, it reproduces asexually. That's why we must find the nest. If we don't, dozens will be born, each one capable of laying eggs of its own. Very quickly we could be looking at an enormous population. | |
So after we kill the creature we'll begin a search for the nest. | |
It may be too late by then. These eggs will hatch very quickly. | |
Hi. | |
Hi Ray. | |
You should never have gotten my brother and his friends involved ... | |
But I had to. It was the only way to get to you -- | |
Matt, I came here because in all honesty your son is just another piece of cattle to SMI. But to me -- | |
We decided to stay with you. | |
We ain't taking him to a hospital. | |
If we don't, he'll die. | |
And I'm very sad about that. But some fellas are lucky, and some ain't. | |
That fuckin did it! | |
Hey, Erin, I thought you were taking a sick day. | |
So did I. | |
Pop, I don't believe this shit. We runnin' welfare or somethin'? Every day you give dat bum-- | |
Da Mayor ain't no bum. | |
Give dat bum a dollar for sweeping our sidewalk. What do we pay Mookie for? He don't even work. I work harder than him and I'm your own son. | |
Who don't work? Let's see you carry six large pies up six flights of stairs. No elevator either and shit. | |
My name's McCall. I'm unarmed. | |
Okay, stop. | |
On the contrary. Gravity is foremost on my mind. Look, I'm trying to make an ascent here. Why don't you go pester Dr McCoy for a while? | |
I believe Dr McCoy is not in the best of moods. | |
A float! | |
That's it. Build him a float for the Thanksgiving Day parade! | |
Cute is not enough, Misty. You know that. | |
She sure can pick 'em! | |
Who's that? | |
The bartender at Darrow's. He was there Friday night. | |
Good. He's up next. | |
I'd like to believe that I'm not... but I've just never seen any proof. So I just choose not to bother with it. It's, like, I could spend my whole life thinking about it... debating it in my head. Weighing the pros and cons. And in the end, I still wouldn't have any proof. So... I don't even debate it any more. Because it's absurd. I don't want to be alone. So, does that make me, like, an atheist? | |
No. That makes you keep searching. | |
I can't believe a person could actually live like this. | |
So these dwarfs had a limited partnership in a small mining operation and then one day a beautiful princess came to live with them. | |
It's really not a bad place. It just needs a woman's touch. | |
So they bartered room and board in exchange for housekeeping services, which was a good deal for all of them because then they didn't have to withhold tax and social security, which I'm not saying is right but it's just a story, so I guess it's all right. I can finish this later if you're tired. | |
Ho-ly shit. | |
Couldn't have happened much more than a month ago. | |
Well Trevor? What have you got to say for yourself? Que pasa? | |
Allison we have GOT to talk about this medication you've got me on. | |
I'm all over it. | |
We ought to be getting you back, Mother. | |
Hold on a minute, dear. Here's us at Mount Rushmore. You remember, Truman--when Dad was still with us - that was quite a drive. You slept all the way there. | |
It looks so small. | |
Things always do--when you look back. | |
Finished what? | |
Learning language. | |
Which one? | |
All 900. | |
Helluva game! | |
One ball!! They come all the way here... I close the damn store... for one ball! | |
Hockey's hockey. At least we got to play. | |
Randal, twelve minutes is not a game! Jesus, it's barely a warm-up! | |
Bitch, bitch, bitch. You want something to drink? | |
Gatorade. | |
Maybe a power interruption crashed the system... | |
No, there's no evidence of a surge or spike of any kind. It's as if time just... stopped for seven years. | |
We just found another body. | |
Who's? | |
Tom Sisler. He was murdered at school. Two kids went into his office to fuck and they found him, with his tongue cut out and his foot jammed into his mouth. Killer also chopped off his pecker and stuffed it in his pencil holder. | |
Jesus. Any word from Brent? | |
Nope. The switchboard is lightning up downtown. Kids from other towns are starting to congregate in the parks and at the high school. It's turning into WOODSTOCK except there's no concert. | |
Call Brent on the horn. See where he is. What he wants us to do. I'll head over to the school. | |
Ok. | |
Daddy says Rose is calm as lettuce. Do you believe that, Doll? | |
No. | |
Rose, this is not a game! Our situation is precarious. You know the money's gone! | |
Of course I know it's gone. You remind me every day! | |
Your father left us nothing but a legacy of bad debts hidden by a good name. And that name is the only card we have to play. | |
When's the arraignment? | |
Next week. | |
Very nice. Sisters, have we learned our lesson? I won't hold this little episode against anyone. I'll try not to. | |
Mary Robert. | |
Don't. | |
What ? | |
Don't eat at the console. | |
What ? Are you my mother ? | |
It's my control board and I don't want it acting squirrelly because you dropped a few crumbs into the keyboard, no put the shit away. | |
Yes, sir Mom. | |
He will be waiting... | |
You must say that you went to take some of the roses to your father's grave... | |
At four. He will be there at four. | |
It doesn't matter. Your life is hard enough. | |
You're a liar. | |
You know I'm not. | |
YOU'RE A LIAR! | |
Look at me. | |
Oh, no! | |
What?! | |
Me and you are gonna have a talk. | |
Sez who? | |
Sez me. | |
I wasn't trying to be personal -- it's just that the fellows in the office were -- whether you wondering about you ever -- | |
Just tell 'em -- now and then. | |
This date -- is it just a date -- or is it something serious? | |
It used to be serious -- at least I was -- but he wasn't -- so the whole thing is more or less kaputt. | |
Well, in that case, couldn't you -- ? | |
I'm afraid not. I promised to have a drink with him -- he's been calling me all week -- | |
Oh, I understand. | |
Well what about the new Echo -- | |
Do not get ahead of yourself. | |
Can't you stop these things?! | |
Sorry! It's kind of a ride! | |
Let's get outta here! | |
You going to answer it? | |
Uh-uh. | |
Getting on to dinner, isn't it, pal? | |
I give that Trail Blazer five more minutes to show up-- --*five more minutes*! | |
Tell Frick and Frack that means them too. | |
I'll be alright. | |
So what you think of me? | |
You look good. | |
I look good, that's it. So what else do you do for these girls? | |
I buy them flowers. | |
How you treat them? | |
Good. I'm faithful to them. | |
More or less. | |
More or less... | |
That's all you meant? | |
What else? | |
So says her website. | |
She <u>is</u>--she's helped solve a bunch of murders: Arizona, New Mexico-- | |
Stearns, Harrington, you know who that is? | |
Should I? | |
A huge law firm. Okay? They put him in the firm, he's married, everything's superb. Franky, he's starting to talk like he comes from Dorsetshire, some fuckin' place, 'You must drop by with Pat and me...' Okay...? | |
Yes. | |
...and he's making a billion dollars every minute working for Stearns, Harrington, and he bought a dog, and everything is rosy. Then Mr. Stearns, he tried to fix a case. | |
The Big Boy did...? | |
That Frank was working on. Yeah. He thought Franky needed some help, so they bribed a juror. So Franky finds out. He comes to me in tears. He thinks that anybody who knows what a 'spinnaker' is got to be a saint. I told him ' Franky, wake up. These people are sharks. What do you think they got so rich from? Doing good?' He can't be comforted. He tells the boys at Stearns and Harrington they've disappointed him, he's going to the Judge to rat them out. | |
Huh. | |
Before he can get there here comes this Federal Marshal, and Franky's indicted for Jury tampering, they throw him in jail, he's gonna be disbarred, his life is over. Jimmy, gimme another drink. How are you? | |
Me, too. | |
Okay. Now, so he's in jail. He, finally, he gets to see the light, he calls up Harrington, he says he thinks he made a mistake. As if by magic, charges against him are dropped, he's released from jail. P.S. He's fired from the firm, his wife divorces him, he turns to drink and mopes around three and a half years. You like that story? | |
What is it? | |
I don't know. | |
Proceed inside. | |
A woman of property? | |
She had a cottage. One day, she was three months gone with child, so | |
And your relations? | |
On my mother's side the Ardens | |
No, your marriage bed. | |
Four years and a hundred miles away in Stratford. A cold bed too, since the twins were born. Banishment was a blessing. | |
So now you are free to love | |
yet cannot love nor write it. | |
Say, Bill... | |
Yeah. | |
Directory enquiries. Can I help you? | |
Yes. Im trying to reach a friend but I cant get through. The number is 01766 770 471. | |
01766 770 471. Let me check it for you, sir. | |
Will somebody please tell those chicks disco is dead. | |
Stellas. I hate stellas almost as much as I hate dogs. | |
Now there's a couple even remarking about your sign, and see how easily you forgot them? | |
What? | |
You thought no one has stopped here in weeks. Now, try to remember if this girl... | |
What? What are you thinking? | |
There're no cars on this street. | |
So where is he? | |
Guess he took off... You have his keys, right? | |
I may have been infatuated with her - - but I wouldn't perjure myself. | |
That's all Dr. Paley. | |
Yeah. | |
You better get over to Al's. Now. | |
Is there space here? | |
Yes. | |
Do you need anything else? | |
No, no thanks. | |
I'm a woman -- a lonely woman. I have few friends. | |
Yes? | |
I have not had a happy life --but that one thing - - that terror which brings me awake out of deep sleep - I want to avoid it. | |
I don't understand you. | |
I don't want to be buried alive. If I die I want to be sure - quite sure. | |
If you should fall sick we'll be careful. You need not worry. | |
No, I want more than that. I beg you General, make sure --drive a knife through my heart -- anything. | |
You ask that of me? You're afraid to live in your coffin. You know what that means? | |
That's superstition. That's something out of old tales -- about the dead who live - I'm talking of something else --cataleptic attacks -- apparent death that is not real. | |
Never fear -- when you are dead you will remain dead. I will see to it that you do not walk about again. I promise you that. There is another one here who can not die. I will watch you both. Never fear. | |
[I don't know him. I saw the opportunity and got lucky.] | |
[Lucky how?] | |
[That he used policemen. That you killed them, it made it a police matter. The Ramos family couldn't refuse our involvement.] | |
[And?] | |
[And I had my men ready.] | |
[You stole the drop.] | |
I like that one. | |
No, there. There's a good one. Do you like that? | |
Yes -- | |
<u>She</u> didn't try to conceal it. | |
So you are aware of the difference between a lesion and a bruise, is that correct? | |
I <u>know</u> the difference. That doesn't mean I'm always able to recognize the difference. | |
But didn't you avoid contact with Ms. Torres, after you found out she had AIDS? She says you acted repulsed by her and you avoided her, is that correct? | |
I felt, and still feel, nothing but the deepest sympathy and compassion for people like Maria, who have contracted this terrible disease through no fault of their own. | |
All right! | |
When do the girls get to the party? | |
Hey, Pete. Can't believe your tank's dry up at the mill. | |
No... hell, no. Just got in the truck, started drivin', looked down at the gauge and saw a big "E" starin' at me. | |
You know what that Big "E" stands for? Big Ed's Gas Farm. | |
Yep. You're right. That's why I'm here. | |
What'll it be? | |
Fill 'er up. | |
You got it. | |
I haven't got it yet. | |
Jack, listen -- we'll cut a deal -- | |
JACK? JACK? DO I LOOK LIKE A JACK? | |
Adlai can handle Zorin. He knows the inning and the score. | |
He better. Because nobody thinks he's up to this. Nobody. | |
Uh-oh -- John. Staring at what? | |
His horns. He files 'em. To "fit in." | |
His what??!! | |
Where's Sarah? Where are the boys? | |
Sit down, Jake. | |
Where are they? | |
Sit down! | |
No! What's going on? Where's my family? | |
It's over, Jake. It's all over. | |
Where have they gone? | |
Wake up! Stop playing with yourself. It's finished. | |
How d'ya like your room! | |
...Who is this? | |
Chet! | |
...Who? | |
Chet! From downstairs! | |
Stacy! I've got water in my ears. Do you have any Q-Tips? | |
God, I don't think so. Better look in the house. | |
So... To happy endings. | |
To happy endings. | |
Don't even say it. | |
You got to be fucking joking. | |
God damn it, I knew this witch-hunt was fucking bullshit. | |
Let me ask you a question: Do you think this guy's out of shape? | |
I don't know. I can't really tell from here. | |
He is. | |
Oh, no, Please, don't go out this way, Mr. Bailey. | |
I'm all right. | |
What'd I tell you? It doesn't catch fire! | |
Progress! It always arrives too late! | |
What did I tell ya 'bout dat noise? | |
What did I tell ya 'bout dem pictures? | |
What da fuck! Are you deaf? | |
No, are you? We want some Black people up on the Wall of Fame. | |
Turn that JUNGLE MUSIC off. We ain't in Africa. | |
General Greene is here. There are two other divisions here. | |
Colonel Hamilton. Anyone who served under Arnold, I want them shipped north. I don't want any troops here who served under Arnold. | |
Yeah, an' I'm tellin' ya, she's just an icy-hearted over-the-hump gal who never got enough of the old wham-bam to straighten 'er out... Okay, who wants a card? | |
Me. Hit me! | |
Killaine, this is Mr. Mitchell, Senior. Young Mitchell's father. He just flew in from Toronto. | |
How do you do, sir. | |
You're saying you want us to beat them to the crystal and save the world from financial disarray. | |
Something like that. | |
Well, forget about it. Hawk and I are going to Rio. We're hurt, we're tired, and a hero ain't nothing but a sandwich. Right, buddy?... | |
Hudson, God's given you a gift for cat burglary, you can t just... | |
Jeez. He goes on long enough. | |
I should be so lucky. | |
Did it hurt a lot? | |
You have no idea. | |
Ah, go chase yourself. I'll take my business elsewhere. And for future reference, you are no longer welcome at Ray's Boom-Boom Room. | |
There is no Boom-Boom Room. | |
When there is, you can forget about it. And I swear to God, you ever talk about my daddy again I'm gonna kick your bank-telling, loan-denying ass, you got me? | |
Oooh... | |
I think I liked you better when you kept your trap shut. | |
Are you suggesting I call him master??? | |
No, of course not. I just meant... | |
All right then! | |
Cabin B is ready. | |
Push on this side. Alice, this is Jack, Marcie and Ned. Push. | |
...the purpose of the exercise... is it because they are <u>expensive</u>... | |
They aren't expensive, you got them through your connections.... speaking of which: | |
Fine, thank you, but | |
Speaking of which, I want you also to get us tickets for the Opera... | |
...whatever is within my <u>power</u>... | |
...and that is what you need to expand. | |
I don't understand. | |
We are here on sufferance. I am here... | |
...why are we here in the <u>first</u> place...? | |
Because it is exclusive... because <u>everyone</u> will be here... | |
You lame Taylor? | |
What? | |
You lame or something? | |
Okay, we're on the last present now... | |
Last present! | |
It's a big one...It's a...it's a boardgame! Repeat! Battleship -- Battleship, the boardgame! | |
Judas E. Priest, who did you borrow that from? Adolphe Menjou? | |
Close, but no cigar. | |
Is there some reason why you're here? | |
Curiosity, I guess. | |
About what? How to improve your breast stroke? | |
Morning. | |
You're up late. | |
Guess I must've fallen back to sleep. Where's Epps? | |
Oh. | |
Josie, you rock my world. You're like the most amazing girl I've ever dated. You're so smart and fun and crazy! You rock my world. | |
You said that already. | |
We're gonna lead Albert by the nose to one conclusion. And then when he's pissed as hell, we're gonna drop the tape in his lap. How fast can you teach me what I need to know? | |
How fast can you learn? | |
You're home. | |
Yeah. | |
I'm coming over. | |
I'll call you back. | |
No you won't. | |
What do you mean? | |
I told you I get 'scared up here, so if you're not coming right now... I'm not kidding. | |
Okay. | |
Yeah, yeah -- 'bye. | |
I don't know who you are. I'd like to thank someone. | |
It doesn't matter who we are. Follow the tunnel to the end. | |
Will there be someone to tell us where to go from there...? | |
Say something it's too quiet. | |
Umm, Ummmmm | |
Just, hurry. | |
Danny?! Danny! | |
Mrs. Blankenship, have you seen the little boy who came in with me and -- | |
Wait you two. Dad and I have a surprise for you that will settle this. Can you guess what it is ? | |
Uh, no. | |
Interesting. | |
Now, my diminutive friend, what can I do for you? | |
The three of us cleaned up and took him to the post and put him under. Can't say I was much help. | |
And the ten thousand? | |
Widow's benefits. He figured it would make the disappearance look better, and that Mexican gal was just scrapin' by after Charley killed her man. They didn't get hooked up till late-- | |
That's so romantic. Have you responded? | |
No. | |
Well do you like him? | |
I don't know. | |
Cecile, we just made out in the middle of Central Park. You can trust me. | |
I do like him. I can't stop thinking about him. | |
I was thinking maybe you and me could go into town. | |
Were you now? | |
What do you say? | |
Not interested. | |
Hey, you guys are milking that job. | |
That's cause we love freezin' our butts off out here sooo much, boss. | |
Where is he? Did you lose him? | |
Shut up. | |
Come on, Doom. What would a company like that want with Toontown? | |
It wasn't Toontown they wanted. It was my idea of how to put the land to better use. | |
You have something most girls never have. | |
I have? | |
There's no name for it... But it's something that, that puts a person at ease. | |
Thank you. Again. | |
You're not going to go out again and drive up to that diner, are you? | |
No. | |
Then will you do me a favor? Will you have supper here? I was just about to, myself... nothing more than some sandwiches and a lot of milk, but I'd like it if you'd come up to the house and... I don't set a fancy table but... the kitchen's awful homey. | |
I'd like to. | |
All right, you get your dresses hanging out and... change those wet shoes, and I'll come for you soon as it's ready... ...with my trusty umbrella. | |
This isn't real? | |
What is real? How do you define real? If you're talking about your senses, what you feel, taste, smell, or see, then all you're talking about are electrical signals interpreted by your brain. | |
I'm sorry to be late, Natalie. | |
We haven't even begun tea yet. | |
You're just talking nonsense. | |
Let us put it to the test. Protect yourself with every scientific precaution you can think of. I'll go out on the cliff and build a votive fire to Hermes -- not that I believe in him any more than I do in Science. | |
Steven -- | |
-- anything, sweetheart, you need only speak -- | |
-- what...are...you...going...to -- | |
-- just what you wanted everyone here to believe in the first place: I'm going to murder you, Evelyn, with the greatest of pleasure -- | |
-- wit...nesses -- | |
-- witnesses to what? You're already dead, Evelyn! Happy Birthday, baby -- | |
Thank-you, Daryl. You had me going for quite a while there, sport. | |
What are you talking about? | |
I really did think I was still in reality. At least, until now. Beam me up, Scotty! | |
Hope their plumbing's the same. | |
It is. | |
Well... I'm game. | |
Me too. | |
How are we feeling tonight? | |
No. | |
No what? | |
No! | |
Benjamin, have you ever been severely beaten about the face and neck? | |
No. | |
I thought not. | |
I don't believe it. | |
Hello. | |
You've always been so good to Li Mu Bai and me. Please accept our thanks. | |
Please do not be such a stranger. You'll stay the night as my guest. Now, Shu Lien... tell me something. And forgive me for prying. Your father was a great friend to me, and I think of you as my own daughter. | |
Please, Sir Te, what is it? | |
Li Mu Bai giving up his sword and his warrior days... maybe he's trying to tell you something? | |
I don't know... | |
Don't be coy. I've always known about your feelings for each other. All these years, it's a shame... neither of you is brave enough to admit the truth to the other. You're both wasting precious time. | |
I beg your pardon. Li Mu Bai and I aren't cowards. | |
When it comes to emotions, even great heroes can be idiots. Tell me if Li Mu Bai is not more open the next time you see him. I'll give him an earful! | |
This is Barry. | |
This is Lena. | |
Hi. | |
I just wanted you to know, wherever you're going or whatever you're doing right now I want you to know that I wanted to kiss you just then. | |
Really? | |
Yeah. | |
So what do I do then? | |
Sounds like visitors. It's all right -- Frau Blucher will show them in. | |
So what's the problem? | |
There is no problem. | |
So why did you idiots bring me here? ... I'm in the middle of making a picture. | |
There. | |
That's all you're bringing? | |
I'm gonna finish packing tonight... I'll bring it over tomorrow sometime. | |
What time? | |
I dunno... | |
Make sure you're here by noon - we have tons of stuff to do... Oh yeah! I have to show you something else! | |
Go on! Whyn't you have your bugler sound the charge while you're at it?? | |
Sir? | |
Never mind...Your pa know you're out here? | |
Yes, sir...Troop's about ten miles back...The Colonel sent me looking for you... | |
Well you found me...Good work, son...Good work. | |
Okay, listen...what's your name, sweetie? | |
Nancy. | |
Well, Nancy, I'm Paula... remember? This is Sissy, and we're gonna be right out there all night so nothing can hurt you. Okay?... | |
I don't see my container. | |
You try anything, it goes in... | |
...the river. | |
It's a little late for matinee heroics, Mason. Just give me the con-... | |
...-tainer! | |
Where's Arlo? | |
Bring him up. | |
Still champions. | |
Panes is not on your team anymore. | |
Yeah, something like that, but as I say, they didn't have time to tell me very much. | |
Shep, no! I'll bet you have exciting things happen all the time down there. | |
But what you were doing? | |
Just putting up some tea. | |
Did you hear that strange music? | |
What? | |
Did you hear that strange music?? | |
What? | |
Did you hear that strange music? | |
That's a long story, my friend. You see, I don't like sitting on newspapers. I did once and all the headlines came off on my white pants. | |
Hey, whadda you tryin' to dokid me? | |
Oh, I wouldn't kid you . On the level, it actually happened. Nobody bought a paper that day. They followed me all over town and read the news from the seat of my pants. | |
What're you gonna do about the papers? Somebody's gotta pick 'em up. | |
It's okay with me. I'm not arguing. | |
Fresh guy, huh! What you need is a good sock on the nose. | |
Look here, partner. You may not like my nose. But I do. It's a good nose. The only one I've got. I always keep it out in the open where anybody can take a sock at it. If you decide to do it, make sure you don't miss. | |
Meanwhile, what happens to the country? | |
The bastard! If I'd called his shot on Cuba I would've won. He made me look soft. | |
It's Thanksgiving. | |
To you, to me it's Thursday. | |
Wouldn't it be awesome if we were about to say the exact same thing? | |
From your lips, to God's ears. | |
You go first. | |
Ladies first. I insist. | |
Well. The prom's coming up. | |
Yeah? | |
And I was wondering. | |
Yeah? | |
If you don't have...I mean... | |
Don't mention it. | |
Hell, you'd probably be half way to New York by now... | |
I'm serious, man. Don't mention it. Ever. | |
They stole it. | |
Who did? | |
I don't know. Santa Claus. I had my son's picture in it. Gabe's picture. It's the only one I had. | |
We better get an orthopedic man in here. Is Dr. Davis on call? | |
And what if he's wrong. If you were one hundred percent sure it was Peter you would've arrested him. If it is someone else then he's going to kill again tonight and you're sitting here ignoring the message. | |
We're going to work on the message. | |
This stinks! You want to know what I think? I think there have been five murders and you've got shit to go on. You need to blame someone and he's the easiest choice. | |
The most logical choice. | |
You don't have a shred of evidence! | |
Dad! | |
You've come along a dozen times, Stephen, give your brother a chance. We'll be back in a few minutes. How 'bout it, sport? | |
MAVERICK. | |
YEAH, COUGAR? | |
Korda escaped. | |
And you think he'll... | |
I should have known something like this was going to happen! | |
Man take it easy! You're sweating like crazy! | |
If your duty requires it. | |
You have a recent scar on the back of your hand. | |
And you have a new wedding ring on yours? <u>La Vita Nuova</u>?-- | |
You looked oddly at me, back on the landing. | |
Yes, it must be hard to be a policeman. Is it hard? Must one, then, be constantly suspicious? | |
Why did you look at me that way? | |
I saw a man in disheveled clothing, but <u>clean</u>. Just dressed--in the middle of the... | |
Hello... ? | |
Mrs. Mathews? It's Thomas. Do you remember, I was there a few weeks ago... asking about your daughter... | |
I remember. You just left... | |
I have to tell you something. It won't be easy for you to hear. It's about your daughter... Mary Anne... When I... when I was there with you, her diary, in your attic, in silverware. If you read it, you'll know what I'm telling you is true... | |
Hatchet has a colleague, a monster of a man: Barry the Baptist. | |
The Baptist got his name from drowning people for Hatchet. | |
I do not understand the final question... | |
You are half human. The Computer knows that. | |
The question is irrelevant. | |
Spock... The retraining of your mind has been in the Vulcan way, so you may not understand feelings. But as my son, you have them. They will surface. | |
As you wish, since you deem them of value. But I cannot wait here to find them. | |
Where must you go? | |
To Earth. To offer testimony. | |
You do this -- for friendship? | |
I do this because I was there, | |
Spock. Does the good of the many outweigh the good of the one...? | |
I would accept that as an axiom. | |
Then you stand here alive because of a mistake -- made by your flawed, feeling, human friends. They have sacrificed their futures because they believed that the good of the <u>one</u> -- you -- was more important to them. | |
Humans make illogical decisions... | |
... They do, indeed. | |
Where's the five? | |
In your other hand. | |
What do you think he's doing? | |
I don't know... But I'm sure he's not sleeping. | |
Thanks, Pal. You saved my life. | |
Okay, pete. | |
You guys! Seriously! You guys! | |
What Cartman?! | |
Kenny! I saw Kenny again! | |
Any one of them's ideal for home defense. Which'll it be? | |
All. | |
Don Corleone, I wish you let me know you was coming. We could have prepared something for you. | |
I didn't want you to know I was coming. You heard what happened in my home? | |
Michael, yes, we was all relieved... | |
In my home! In the same room where my wife was sleeping; where my children come in their pajamas, and play with their toys. | |
You drive a hard bargain, but I had a feeling you were my boy when I met you. | |
I'm not your boy. I don't like you. I got no choice but to do business with you. Let's just call this a nasty little marriage of convenience. | |
Don't say that. I had a marriage of convenience with Grace, and look where that's lead... Well, looks like we got ourselves a contract. | |
Give me the key, mother. | |
I don't even have it on me, so forget it. | |
You going to tell her? | |
You going to tell him? | |
He doesn't need to know all my business. | |
He's gonna find out. | |
So? What's he gonna do, arrest us? | |
I saw you on T.V... at his funeral. | |
Yeah, well... It's finally over. | |
Every day that goes by, I'm losing money. Every worker that is shot, costs me money - I have to get somebody else, I have to train them - | |
We're going to be making so much money, none of this is going to matter - | |
It's bad business. | |
Some of the boys went crazy, what're you going to do? You're right, it's bad business, but it's over with, it's done. Occasionally, sure, okay, you got to make an example. But that's good business. | |
Now, now Jeeves.[5] Was that nice? Was that being a gentleman, Jeeves? Was it, Jeeves? Your name is Jeeves, isn't it? | |
The name is Smythe. | |
Smythe! Well, well, well! With a Y , huh? Congratulations! What a small world. Brothers under livery. Shake! Now, as a Smith to a Smythe | |
Mrs. Schuyler is not at home. | |
I know, I know. I waited outside till she went out. She's a very nice lady, but we don't vibrate well together. | |
We don't have much time. | |
What? | |
Excuse me, I'm talking to you. | |
No, you talkin' at me. | |
The Sheriff says we shouldn't touch anything, | |
He can't hear with that rig on-- Mikey! | |
You smell that. You smell that? | |
What? | |
Napalm, boy -- nothing else in the world smells like that -- | |
They're gone. | |
Are you sure? | |
Yes. | |
But the thumb always works. Different ways to do it, though. Depends on how you feel. For instance, number one is a short, jerky movement That shows independence. You don't care if they stop or not. 'Cause you got some money in your pocket, see? | |
Clever. | |
Number two is a wider movementa smile goes with that onelike this. That means you got a couple of brand new stories about the farmer's daughter.[12] | |
You figured that all out yourself, huh? | |
Oh, that's nothing. Now take number three, for instance. That's a pip. It's the pathetic one. When you're brokeand hungryand everything looks black. It's a long movement like this with a follow through. | |
Amazing. | |
Hm? Yeah, but it's no good if you haven't got a long face with it. | |
My God... to think you... are all I have to learn from... | |
In the old world, they called it the dark gift, Louis. And I gave it to you. | |
You look way out there. Out past the date line. West becomes East, all things change. You cross the line...today becomes yesterday...or tomorrow, I forget which. | |
That's what I want. | |
Of course the line's just imaginary. You can cross it twenty times...nothing really changes. | |
Come in. | |
Skipper, uh, the crew is pretty much doing group boot over the side. | |
Well, that's all part of it. | |
We've got weather moving in from the west. | |
Look he figured it out ! | |
I can see your small business ! Look at it it's so small. | |
Hello. | |
Beautiful place... | |
Sure is. | |
Good morning, Cheeba. | |
Good morning to you, Mr. Delapot. | |
De-la-croix. | |
Y'know what I mean. Got a gig yet for Manray and I yet? | |
That "thing" gets me excited. | |
The things that get you excited. | |
According to Bembridge Scholars, inside the statue of Anubis was a secret compartment, perhaps containing The Book Of The Living. | |
What are those mirrors for? | |
Ancient Egyptian trick. You'll see. | |
I saw the cut-marks on the bones. Wasn't a natural die-off. | |
Quiet, please. Everyone. | |
That dam is a con job. | |
What dam? | |
The one your husband opposed. They're conning L.A. into building it, only the water won't go to L.A. It'll go here. | |
The Valley? | |
Everything you can see, everything around us. I was at the Hall of Records today. That bother you? | |
No. | |
In the last three months, Robert Knox has bought 7,000 acres, Emma Dill 12,000 acres, Clarence Speer 5,000 acres, and Jasper Lamar Crabb 25,000 acres. | |
Jasper Lamar Crabb? | |
Know him? | |
No, I think I'd remember. | |
Yeah. They've been blowing these farmers out of here and buying their land for peanuts. Have any idea what this land'll be worth with a steady water supply? About thirty million more than they paid. | |
And Hollis knew about it? | |
It's why he was killed. Jasper Lamar Crabb. Jasper Lamar Crabb. | |
Our first caller is Big Black from Brooklyn. Go 'head. | |
Microphone check, one, two. One, two. Yo Tavis, I be lovin' yo show but Mantan you is foul. Why you perpetrating? You a sellout. | |
Order, eh -- who does he think he is? | |
I am your king! | |
Well, I didn't vote for you. | |
You don't vote for kings. | |
Well, how did you become king, then? | |
The Lady of the Lake, her arm clad in the purest shimmering samite, held Excalibur aloft from the bosom of the water to signify by Divine Providence ... that I, Arthur, was to carry Excalibur ... That is why I am your king! | | OLD WOMAN | Is Frank in? He'd be able to deal with this one. | DENNIS Look, strange women lying on their backs in ponds handing out swords ... that's no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony. | |
Jesse? | |
Yeah whaddya want?. | |
I'm ashamed. I was bringing you to be killed. | |
Where? Sanctuary? Can you take me there? | |
Logan, I don't know where Sanctuary is. But if I take you to them, they'll kill you. | |
All right. But why? I didn't kill the Runner. | |
Yes, but they won't know that... or care. They're hunting you, Logan. Maybe me too, now... | |
That's nothing... there's a Sandman behind us, too and there'll be more soon. Take me to them. | |
I -- I can't. | |
Then -- why don't you leave me -- go to them -- explain | |
No. Not that either. | |
Is there something else I can do for you? | |
Well, I'd love to see inside your club. | |
You want to come inside? | |
Well, if you're not holding a meeting or anything. | |
Not too hard, is it? | |
Maybe we've been pretty dumb-- | |
There wasn't any motive...let's try out the act. | |
Can't we move any faster? | |
Tis a delicate operation, lad. Requires a bit of engineering... Next! | |
I'm tired. | |
Finish Strong! Are you <u>nuts</u>? Are you nuts? This's Pennies from <u>Heaven</u>... on his triumphal return home, Old Shoe, his Plane Forced Down...AND YET... | |
He's supposed to be flying in from Europe. | |
We'll deal with that when we come to it. <u>This</u> is producing. <u>This</u> is what they pay off on...come on, Pal, Boots and Saddles... | |
Did you say something? | |
No. So. Is it working out with Ian? | |
Rob. Don't be childish. | |
Why is that childish? Your living with the guy! I'm just asking how it's going. | |
I am not living with him. I've just been staying with him for a few days until I work out what I'm doing. Look, this has nothing to do with anyone else. You know that, don't you? I left because we weren't exactly getting along, and we weren't talking about it. And I suddenly realized that I like my job, and I like what my life is could be turning into, and that I'm getting to a point where I want to get my shit together and I can't really see that ever happening with you, and yeah, yeah, I sort of get interested in someone else, and that went further than it should have, so it seemed like a good time to go. But I have no idea what will happen with Ian in the long run. Probably nothing. | |
Well then why don't you quit it while you seem to not be ahead? | |
Watch the first step. | |
Surf's up. | |
and if that means negotiating... | |
You know my policy. We don't negotiate with terrorists. If we start now, all of America becomes a target. | |
But this is different, sir. You're the President. | |
It is high time you got out of Russia. | |
I must be stern with you. | |
The only reason I mentioned her at all is to say that I'm not going to talk about her anymore. I thought you'd appreciate that. | |
I do. Good for you, man. | |
I've decided to get out there. Go ahead. Play it out. | |
I fear I'll never see you again. | |
Of course you will. | |
But what if something happens to you? | |
Hear this now: I will come for you. | |
But how can you be sure? | |
This is true love. You think this happens every day? | |
Yeah, I just screwed up with the only man who ever really cared about me. | |
Didn't you tell me he left for the airport? | |
Yeah. Why are you asking? | |
I just saw him. He's with a bunch of guys who want to sneak into the city tonight. | |
And my compliments to you... | |
Alice? | |
Fun today. Like old times. | |
Danny, what the hell are you trying to do out there? | |
What do you mean? I'm just doing what we've always done. | |
No. You're trying to beat me. | |
We've always tried to beat each other. | |
Bullshit. We've played with each other, pushed each other. This is different. Like you want to prove that you're better than me. Who's that for -- Evelyn? | |
I'll hang on to these. We don't need them till we get to Gollie«s. Okay. Any questions? | |
Aren't we going a little hard? | |
What do you have in mind? | |
It's just a walk-in bank. You don't have to be Dillinger for this one. | |
Dillinger got killed. | |
Maybe we had a case of that here. Get me my kit. | |
You two are majorly demented. Anyone ever tell you that? | |
Nurse Humphries was checking my prostate this morning. I got an erection. | |
An erection, huh? Haven't had one of those in a while. | |
Tell me about it. Scared me at first. Then, before I could figure out what to do with it, it was gone. Imagine my disappointment. | |
Good things... | |
What are you sure about? | |
So, is this like a Japanese restaurant? | |
I'd better get in there. | |
That's a lot of people all at once. | |
It's okay. They pre-order. There's a choice of three entrees. | |
What are they? | |
Excuse me, Mr. Coccotti. Do you know Nick Cardella? | |
No. | |
Then where the hell do you get off talkin' that kind of talk? | |
I didn't mean - | |
Shut your mouth. Nick Cardella was provin' what his words was worth before you were in your daddy's nutsack. What sun do you walk under you can throw a shadow on Nick Cardella? Nick Cardella's a stand-up guy. | |
I agree. We play along for now, we might wind up learning something about how their world ticks. | |
Either that or feeding the worms. | |
Would we see the flash? | |
Through three miles of water? I don't know. | |
Who are you? | |
Wait! I'm a friend! | |
I was scared. | |
Why were you scared? | |
This is before the accident, Nicole. Do you understand what I'm asking? | |
Yes, I understand. | |
Why were you scared? | |
Dolores was driving too fast. | |
What can we do? | |
Take the reins. | |
And I'm gonna help put the razor blades in the candy apples. | |
I'll bet you are... you are a naughty little thing aren't ya. | |
I was just kidding. | |
I understand. No, I'm not. | |
You understand? Attorney! Right? Am I right? | |
That's right. | |
Oh, Buddy, they're gonna cut me all up! They're gonna cut my stummick all open, I'll die! | |
You won't die, Rose. | |
Buddy, I'm scared, I'm scared! | |
The Professor might have everyone else fooled, but I know who the real brains of the operation is. | |
You do. | |
That's what turns me on about you, Dwight. You're so smart. | |
And sexy. | |
Of course. So sexy. | |
Fine, Chief. | |
Gimme the keys. | |
NO, but I will lock you in. | |
What? | |
We'll be on the other side waiting for you. If you become food I don't want the only set of keys in the belly of one of those things. It's your funeral. | |
Thank you, thank you, thank you! I'll do that for you some time. That's very sweet. Say listen, what did you say your name was? | |
Dawson, sir. | |
Dawson, huh? Was I very drunk last night? | |
Drunk, sir? | |
What do you know about the Highlands? | |
I am a blank sheet. | |
Do you hunt? | |
Occasionally. | |
Dare say you can be taught. | |
To shoot perhaps, but not to kill. | |
If you hunt, you kill. | |
I still think he's responsible for the smear. | |
Not that I'm convinced, but you'll never prove it in a million years. Steve, you'll do what you want, but it can't hurt; he offers you an olive branch - so today like olives! | |
I guess you're right, but - | |
No, I'm not kidding you, <u>Philip</u>. | |
What next?! -- A strange bra under my pillow! | |
You're in the stomach! | |
You sure? | |
Don't hurt me! Don't hurt me! | |
I'm not going to hurt you. | |
Sure. Then we had a fight this morning. | |
At least you took care of business and got the important part in before she came down on you...Tell me a little about her. She got great tits? | |
. .. Spock's tube... | |
David -- | |
Aren't you glad we waited? | |
I don't know. It probably would've been the same. | |
Well, thanks a lot. | |
Listen, Arlo. | |
Hey! | |
Well, how about tonight? What would you like in the way of entertainment? | |
Entertainment? | |
Your uncle had a weakness for dark ones, tall and stately. How would you like yours? Dark or fair, tall or short, fat or thin, tough or tender? | |
What're you talking about? | |
Women! Ever heard of 'em? | |
Oh. | |
Name your poison and I'll supply it. | |
Some other time, Cobb. Some other time. | |
Okay, you're the boss. When your blood begins to boil, yell out. I'll be seeing you! | |
Yes. | |
She tried everything to get them, and nothing worked. She did her best to convince me that she was still in love with me, but that was all over long ago. For your sake, she pretended it wasn't, and I let her pretend. | |
What's everyone ordering? Then we can sort out the wine. | |
Exactement! | |
"You're still here?" | |
"I came back. I thought that's what you wanted." | |
This was a support group for men with testicular cancer. The big moosie slobbering all over me was Bob. | |
We're still men. | |
Yes. We're men. Men is what we are. | |
Six months ago, Bob's testicles were removed. Then hormone therapy. He developed bitch tits because his testosterone was too high and his body upped the estrogen. That was where my head fit -- into his huge, sweating tits that hung enormous, the way we think of God's as big. | |
They're gonna have to open my pec's again to drain the fluid. | |
Look, don't you wanna show them - Gus, Billy Prince, yourself--that you're not freaked out by the cool kids anymore? That you can go in there, be friends with them, and get your story? | |
Yes, desperately. | |
Plus, if you quit you're no better than me. | |
Better than I... | |
That's the spirit! | |
It's just the three cent. | |
It's terrific! | |
Hautman's blue-winged teal got the twenty-nine cent. People don't much use the three-cent. | |
Oh, for Pete's - a course they do! Every time they raise the darned postage, people need the little stamps! | |
Yah. | |
When they're stuck with a bunch a the old ones! | |
Yah, I guess. | |
That's terrific. | |
Well. You've been introduced to the symphonic range of... | |
... his snoring, yeah. He says it's worse than ever. That snaffle one...? | |
That was Melkonis... it ate Hunter... | |
I'll get you out of there. | |
No... don't... | |
But I can save you -- get you to the Autodoc! | |
No good... it's eaten too much of me... | |
What can I do? | |
Kill me... | |
Hey, that's great you guys got it all wrapped up, but you don't mind if we go through the routine? It gives us somethin' to do. | |
No, we don't mind. You mind Leon? | |
Eat something, would you? | |
Can't. | |
What do you mean you can't? | |
Can't eat through a canvas bag. | |
Jefferson City? | |
No, Leavenworth. | |
I've never been in there. They just jumped you out of the blue? | |
I had to get up anyway. | |
Me, I'm riding along, minding my own business. Four cowboys come by and we decide to ride together for a while, friendly as can be. I always figure you might as well approach life like everybody's your friend or nobody is... don't make much difference. We get out in the middle of that frying pan and suddenly everybody's pointing their gun but me. I guess they admired my horse. She's a great one, a sweet little bay. | |
Looks like that's not all they admired. | |
Yup. The whole rig. I don't care much about the rest, but I surely will miss that bay. Least they didn't kill me. That was right considerate, I thought. They were laughing when they left me. Thought it was real funny. I walked for a little while but there was no use, so I gave it up. Figured it was just bad luck. | |
Man, this is gonna delay everything. Spanky's gonna be pissed. | |
Spanky's gonna be pissed? Poor Spanky. Fuck Spanky! What the hell kind of a name is Spanky, anyway? You're responsible for this situation. I blame you for everything. If it wasn't for you, I'd be home having a hot meal right now. | |
If it wasn't for me, you'd be washing up on the beach at Coney Island right now. "I need all my thumbs and fingers for praying and doing good." | |
About that chest-cutter... | |
I'll try, d-d-dammit! You can't ask any more than that! | |
We don't want any more than that. Right now. | |
Yeah, they's good all right. | |
You got any money? | |
They give me fifty dollars when they turned me loose. I spent up some of it on ridin' the bus and eatin' french-fried potaters. | |
Well, I'm gonna pay you today for this comin' week, so you'll have some walkin' around money. When you get off this evenin' you better go buy some toothpaste and cleanin' up supplies to have back there. Some hard candy and some magazines. Somethin' to keep you busy at night. | |
All right then. | |
I'll let you off while it's still daylight. | |
I hope everything works out for you, and you find happiness in your new home. | |
Thank you. | |
Perhaps I'll see you in church. | |
How much do you owe? | |
Let it go. | |
Did they tell you to sleep with me? | |
I told you, all bets are off. | |
And then, there's Richard's Burrito. | |
What's that? | |
That's my own theory based on a Mexican food called the burrito. I had it once when my parents took me to Disneyland. | |
I know what a burrito is. | |
Well, I think time is like a burrito. Sometimes it just folds over on itself and one part touches the other. | |
What's inside? | |
You can till it with whatever you want. From illusions to memory, from experience to innocence, from happiness to the entire universes | |
So you think time travel is possible? For people? | |
Absolutely. People, dogs, elephants. | |
Listen, you've gotta keep this a secret. You can't tell a soul. Promise? | |
Okay. I promise. | |
This is serious. Nobody can know. Ah, I've returned from the future. I traveled back here 25 years. | |
You probably are crazy. Wait a minute. Is this some kind of joke? I know what you all, think of me. | |
I never knew you dreamed of working in a grocery store bank branch. Baby, we are living the great American Dream! | |
Mmm-hmmm... | |
Yeah, ya should've come along with us, Miss Ratched, an' gotten a little sun on your cheeks and maybe caught a fish or two. | |
Mr. McMurphy, you had no right to take these men out with you! | |
Yeah, that's kind of crazy, ain't it! | |
No, it was irresponsible! | |
What the hell does that mean? How much more do I have to do to prove how important this magazine is to me? | |
If this magazine is so important to you Annie, why are you in Montana? | |
Suppose you listen just for a minute - | |
Madame is waiting. | |
For me? Okay. | |
Why don't you go'on and ask her. She need to talk wit somebody with sense. Folks been ruttin' and beatin' on this gal all her days. And this is how I'm handling it. | |
THIS IS HOW YOU HANDLING IT? THIS IS HOW YOU HANDLING IT? | |
For what? | |
Who you think got your ass outta jail? | |
He's so spooked he'd turn over his momma, his daddy, his two-panny granny, and Anna and the King of Siam if he had anything on him. | |
This rabbit'll do anything not to do time, including wearing a wire. | |
What? | |
I said I don't have any. | |
Pearl-handled .25 Automatic, uh? No, it's a Belgian gun... 6.6 mm. | |
Correct, Inspector. A woman's gun. U.S. 125 caliber ammunition in it. It was on a table in there. | |
I hear a few weeks ago you smuggled sixteen Beaners up to West Virginia. | |
You know how rumors start. | |
It's just I've got those parent conferences, and I'm supposed to set up the math program by next week. And shopping for Ruth's dress and that, that engagement dinner. | |
You can get out of the dinner. | |
No, I can't. I've already convinced both Mom and Dad to come. | |
Come on, Letty. It'll get done. | |
What's wrong? | |
I don't know, doesn't make any Sense. I almost can't look at You. Like it hurts. | |
I know, me too. What should we do About it? | |
-- his life? | |
I don't know. | |
Well, I recommend knowing before speaking. The law leaves much room for interpretation -- but very little for self-doubt. | |
Mister D'Amour? | |
Yeah. It's French. | |
Listen, Willie. Do exactly what I tell you now. | |
What?! | |
Can you move your arm? | |
Just one arm! | |
Okay, I want you to lift your hand -- and pet the snake. | |
PET IT??!! | |
Yes, stroke it right along the maxillary and precaudal vertebrae. | |
THE WHAT?! | |
Pet it on the head! Go on, pet it! | |
Azrael can you repeat that? | |
Get him out of there! | |
Don't tell me you've made friends with that wandering flea circus? | |
Why not? She can guard the house. By the way, I gave her a name: Clara. | |
You tricked me... | |
Lucky, for you there's a bonus round. But poor Steve... I'm afraid... he's out. | |
Man, I rearranged his face with that right -- The people love what's happenin' tonight. | |
People nothin', you in a fight, my man, -- ya best believe what you hear... Knock that boy out soon an' let's go home. | |
Wicked pic in the Penny Saver, by the way. Super classy. Not like those other people with the fake woods in the background. Like I'm really going to fall for that, you know? | |
You found us in the Penny Saver? | |
What? She asked. | |
It's called tact, you fuckrag. | |
Sorry. | |
I have done this, you know. Been inside. | |
No. | |
I don't know what to do! I don't know what to do! Crap. Crap... | |
Well, what should we do? | |
I don't know! I just said that! | |
Sor-ry We have to do something. He can't wake up half done. | |
Shit! | |
It's been the same one for three months. | |
Forgive me. How are you? | |
Take a good look at him, Dad. Now please try to remember him... 'cause he's going to be your son- in-law. | |
Well?... what'll you do? | |
Nothing for a while. You forget, I'm a man of independent means. Or fairly independent. | |
Mmm. Why don't you go away for a while? | |
To forget? Don't be so motherly, Midge. I'm not going to crack up. | |
Have you had any dizzy spells this week? | |
I'm having one now. | |
I'm sorry, I'm just surprised to see you. I didn't think... What do you want? | |
I ordered lunch. | |
You ordered it here? | |
Well, I knew this is where my mouth would be. | |
Down boy. | |
What is it? | |
I'm not sure. As you know, the Kothoga lived outside civilization on the tepui for thousands of years. Species flourished in isolation when man and pollution rendered them extinct. This could be one of the last remaining samples of an unknown plant. | |
Whatever it is, it must be common on the tepui. John used it as packing material. | |
You're right. | |
I got you a seat in the seven hundred level. It's nose-bleed territory, but at least you won't get spit on. | |
How did you know that man you bumped was carrying a weapon? | |
Probably the army jacket. Those guys carry hunting knives and stuff for show. | |
You thought he was carrying a knife? | |
All my clothes -- | |
That's right -- worry about your clothes -- | |
Mrs. Sutphin, I'm Paul Stubbins, Chip's math teacher. | |
Nice to meet you, Mr. Stubbins. A little something I baked. | |
Oooohh! A fruit cake. Thank you, Mrs. Sutphin. Have a seat. | |
Bon Appetit! | |
What is that? | |
Real man' drink. | |
Point of fact, weren't Tim's hands registered as lethal weapons? | |
Yes, they were. | |
Thank. you, Master Control. | |
We might be capturing some military programs soon... that interest you? | |
Sure, I'd love to go up against some of these guys ... be a nice break from these accounting creampuffs you keep sending me. Which branch of the service? | |
Strategic Air Command. | |
What is going on? | |
Really. I don't know. | |
Yes, I'm right here. Could you call me back on a hard line? | |
Alright. | |
Area code 212-555-0199. | |
I'll call you then. | |
Relax, you need to chill the fuck out. | |
Highway to Hell, Highway to Hell. | |
For Christ sakes girl, take a breath. | |
I better be getting that. | |
Duty calls? | |
Just business. | |
I listened to him talk of eternal truth and thought of the Bhagavad Gita, the Indian holy book-- "I am become Shiva, Death-- the destroyer of worlds." Octavius was... | |
Bonkers. | |
Loonytunes. And yet... | |
Just drop me off here. | |
There was no blood, man. My brother says... all the bad things you done... they come back and haunt you... | |
God! How old are you? There ain't no bat. | |
Oh, to hell with the diet, a number eight, please. | |
A most perceptive choice, Madam, if I may say so. Monsieur? | |
How do we do it? | |
First we take off our clothes, then you get on top of me or I get on top of you... | |
I know how to do it. I mean, how do we do it in the hammock? | |
Goddamn it, Alabama, you gotta get the fuck outta there! How much longer before he's slappin' you around? Punchin' you in the stomach? How the fuck did you get hooked up with a douche-bag like this in the first place? | |
At the bus station. He said I'd be a perfect call girl. And that he knew an agency in California that, on his recommendation, would handle me. They have a very exclusive clientele: movie stars, big businessmen, total white-collar. And all the girls in the agency get a grand a night. At least five hundred. They drive Porsches, live in condos, have stockbrokers, carry beepers, you know, like Nancy Allen in "Dressed to Kill". And when I was ready he'd call 'em, give me a plane ticket, and send me on my way. He says he makes a nice finder's fee for finding them hot prospects. But no one's gonna pay a grand a night for a girl who doesn't know whether to shit or wind her watch. So what I'm doin' for Drexl now is just sorta learnin' the ropes. It seemed like a lotta fun, but I don't really like it much, till last night. You were only my third trick, but you didn't feel like a trick. Since it was a secret, I just pretended I was on a date. An, um, I guess I want a second date. | |
Thank you. I wanna see you again too. And again, and again, and again. Bama, I know we haven't known each other long, but my parents went together all throughout high school, and they still got a divorce. So, fuck it, you wanna marry me? | |
What? | |
Will you be my wife? | |
An experimental device, doctor. | |
Tearing of the middle meningeal artery... | |
Thank you. | |
Well. I can't stay. | |
WHO ARE YOU? | |
How many times have you asked me that? How many times? | |
TELL ME, DAMN YOU! | |
YOU KNOW WHO I AM. | |
Oh, hello. | |
Hello. I just met Amy and she pointed out where you live. | |
Now this is getting exciting. | |
Remember to roll his balls around a bit. | |
Oh no you can't. Get on with the painting. | |
It's all right, Finn. | |
Really? How delightful. May I ask when you marry? | |
Well - Well we haven't quite received my father's consent, Your Majesty. Not entirely. Not altogether. | |
I guess she's not good enough for you, is that it? | |
Look -- Elaine Robinson and I do not get along. | |
How do you know? You haven't seen her since high school. I guess your evenings, whatever you do with them, are just too valuable. | |
That has nothing to do with it -- | |
I guess I'll just tell Mr. Robinson that you're just too busy every evening -- doing God knows what -- | |
I'll let you in on a little secret, Roy. In two days this entire city will belong to me, and there's not a damn thing your little pals can do about it. It's the perfect time to switch teams... So what do you say? | |
You're nuts. | |
They always call the great ones nuts. | |
And the nuts always call themselves great. | |
Are you with me... or against me? | |
Against. | |
Too bad. PLUG HIM! | |
Why won't you tell me your name? | |
It's only our first date. | |
Don't worry about it. | |
You know, I'm feeling a lot of hostility from you. | |
Could be. | |
Well, Mr. Felson, maybe you could come out to my place some evening. We could play a few games of billiards. | |
Say, Bill. That business in Jackson County... did that really happen? I mean how they say it happened? | |
What business? | |
An' how there was two deputies up close pointin' rifles at you... had you dead to rights... an' how you pulled out a pistol an' blew them both away to hell... an' only took a scratch yourself. Uncle Pete told me he never seen nothin' like it, shootin' your way out of a scrape like that. | |
Well... I don't recollect. | |
You don't recollect! | |
A Mr. Paul Ganapolos, he's here alone. | |
Where from? | |
Des Moines. | |
What's he do? | |
Businessman. Owns a department store in Des Moines, I think. | |
Should we say a little prayer first? | |
Just open the door. | |
Beth. I didn't mean what I said. About -- | |
Yes you did. I'm a big girl. I can handle it. | |
I wonder what exactly was the point of the conversation you were about to get into? | |
And I wonder how many times Officer Davis there has found a dead man who wasn't really dead until Davis was in the car calling it in and eating a donut. | |
Drop it. | |
For now. | |
Is that really it? It doesn't seem very far. Will we be there soon? | |
I promise. We'll go on as soon as it's light. | |
All right, tycoons, let's stop spending our credit and start worrying about the job at hand. | |
Right. Fire up all systems. | |
Where you from Walter? | |
Vernon, Florida. | |
Never heard of it, any huntin'? | |
Turkey mostly. | |
Turkey's are real smart. Smarter than most people think... | |
You got the warrant? | |
We also got Bill Mulderig and Phil Klein. | |
Golly, Belle, that was a good idea -- we should do that every morning. | |
We will -- | |
Wear it, don't ever leave it in your purse. Dry fire it whenever you get the chance. And do your exercises. | |
I will... I promise. | |
Listen, I hope you never need a thing I've taught you. But you've got something... Jack sees it, I do too. If you ever need to, you can shoot. | |
Then what did she do? | |
Well...I'm not supposed to talk about it, but since I'm gonna write about it I might as well tell you. She was a spy against the Russians. | |
I am with you, my love. Like no other can ever be. | |
Nooo... NO! Stop! | |
Elizabeth, this is hardly appropriate -- | |
About the day we met. Do you remember? | |
You'll hit something! Can't you go higher? | |
No. The air's going to be full of Jets in a minute...And there they are! | |
There's no ransom if you don't have a fucking hostage. That's what ransom is. Those are the fucking rules. | |
Zere ARE no ROOLZ! | |
NO RULES! YOU CABBAGE-EATING SONS- OF- BITCHES-- | |
Dancin' on razor blades here... | |
I won't give him a chance to grab another ship -- or to slash another pilot's throat. | |
Do you expect Marcus to be well enough by morning for an audience? | |
That's difficult to say, general. | |
Perhaps, Master Galen, you may say. | |
I just put my car in the garage. I had a blow-out. I thought -- | |
Go on in. | |
Chart break-out on this one here...uh Whitewood-Young Industries...low P.E. Explosive earnings. 30% discount from book. Great cash flow. Coupla 5% holders. Strong management. | |
It's a dog, what else you got, sport, besides connections at the airport? | |
Momma told ya not to speak to strangers, huh? Hey! | |
Don't touch me. | |
I'm not gonna hurt you. I just wanna talk. | |
Go on. | |
At the end of the green there was a whitewashed stone house with a lovely pepper tree at the corner -- | |
-- and an old wooden hotel of the old California days, and a saloon... dark... low-ceilinged... with hanging oil lamps. | |
Yes?! But -- | |
It's all there. It's no dream. | |
So you killed your father. | |
He killed me! He killed me the day he refused to pay my ransom. | |
Yeah, two more chairs and they got a dining-room set. | |
Why are you so hostile? | |
'Cause I wanna watch the Knicks on television. | |
Is that Paul Goodman? No. And be nice to the host because he's publishing my book. Hi, Doug! Douglas Wyatt. "A Foul-Rag-and-Bone Shop-of- the-Heart." | |
Yes, sir. The State charges Doctors Zira and Cornelius with contempt of this Tribunal, malicious mischief and scientific heresy. | |
Be it so ordered. The Tribunal will examine all the evidence presented here and in due time render a verdict on the proposed indictment and on the disposition of the deviate in question. This hearing is adjourned. | |
Good evening, Baxter. | |
Hi, Doc. Had a late call? | |
Yeah. Some clown at Schrafft's 57th Street ate a club sandwich, and forgot to take out the toothpick. | |
Oh. 'Bye, Doc. | |
Say, Baxter -- the way you're belting that stuff, you must have a pair of cast-iron kidneys. | |
Oh, that's not me. It's just that once in a while, I have some people in for a drink. | |
As a matter of fact, you must be an iron man all around. From what I hear through the walls, you got something going for you every night. | |
I'm sorry if it gets noisy -- | |
Sometimes, there's a twi-night double-header. A nebbish like you! | |
Yeah. Well -- see you, Doc. | |
He doesn't trust you. | |
Sometimes I don't even trust me. | |
We split 50-50? | |
Not likely, convict. | |
You gonna let me keep any of it? | |
Depends on how things work out. I believe in the merit system. So far you haven't built up any points. | |
What are you talking about? | |
That I am not Rheya. That Rheya died. Killed herself. I'm different. | |
Promise you won't tell Brad. | |
Cross my heart and hope to die. | |
It doesn't have to be like this? | |
Oh God, please, <u>don't</u>! | |
In the direction you want to go. | |
You guys got any black capsules? | |
Um-hm. | |
Wait. Racism? You don't know anybody who's black! | |
Jill says nothing. | |
Where's your car? | |
A friend dropped me off. | |
Who? | |
Never mind. Where've you been? | |
A business meeting, I told you that. | |
Stay where you are! | |
Truman? It's me, Marlon. I need to talk to you. | |
Yes. | |
Chauncey, this is Mr. Dennis Watson of the State Department. | |
Hello, Dennis. | |
I uh... don't think we're quite at your pitch yet. | |
Tell me, and then you can sleep. | |
She's an NFL publicist... amazing sense of style... former athlete... volleyball... world class... really knows how to live every moment of her life, which is why I should take a nap now... | |
Oh death where is thy sting-a-ling? Grave where thy victory? | |
You survived it. It can't hurt you now. It's no good to dig it up. | |
Oh no, my friend. It's digging itself up. There is nothing in the here and now to take my mind off it. All my diversions have abandoned me. Parties. Reading. Painting. Work. Love. All gone to me now. | |
You were late. | |
I'm really sorry. | |
What am I going to do? | |
You want to go talk to him? | |
Yeah, but. I don't think it's going to do much good. Let's go. I'll try to talk to him later. | |
I'll have to pack a lot of clothes. | |
Yeah... | |
Okay. | |
Manhattans? This time of night? | |
We'd better seal off the lower maintenance level; at least trap it there. | |
At least it can't get up here now. | |
Control tower, reading, Sir. | |
Control, this is Enterprise requesting permission to depart. | |
Hey. Knock it off. I don't want to have to listen to this while we're out there... | |
What do you mean 'We...?' | |
It's my charter. My party. | |
All right, Commissioner. But when we're on my ship, I am Master, Mate and Pilot. And I want him... ...along for ballast. | |
You got it. | |
For Christ's sake, why? | |
To recover the mind set. | |
He was a politician. | |
Did you cry when he died? | |
Yes. | |
Why? | |
I don't know. He made me see the stars ... | |
How did he do that? All those kids ... Why do they hate me so much? | |
Is he wearing a green cardigan? | |
What exactly is a cardigan anyway? | |
You can go now, Manning. There is no way we can hold you legally responsible. | |
Thanks, Sheriff. | |
So, Jimmy, you know where this address is? | |
Yeah. I'll find it. It's in Harlem. | |
Harlem? What is it, a restaurant? | |
You don't know where you're going? | |
No. Just the cross streets. | |
Well, this is the corner. | |
Uh, Ma, you know, no one calls him that anymore. Jack. He goes by Jack. | |
I thought maybe held gotten over that. | |
Twenty years, Ma ... | |
Yes, yes. It's just that John is so much nicer. Jack sounds so ... crude. When I was a little girl, we had a pig on the farm named Jack. I guess I just can't help making the association. | |
How can I argue with the captain of the Enterprise? What was the name of that planet=8A Veridian III? | |
That's right. | |
I take it the odds are against us and the situation is grim? | |
You could say that. | |
Of course, if Spock were here, he'd say I was being an irrational, illogical human for wanting to go on a mission like that. | |
Thank you, handsome. | |
My pleasure. | |
Hi Vada. | |
Hi. | |
What are you doing. | |
Feeding my fish. | |
Is that the fish you won at the carnival? | |
Yes. | |
He's getting big. Vada, come here and sit down for a minute. | |
Let's move. | |
I'm done drinking. That's it. Just Church and grocery stores. Nothin' else. | |
Let's shoot this fucker! Where do I go? | |
You'll be fighting with the octopus. | |
Out <u>there</u>?! What happened to the stream? | |
This'll look a lot better. We have to match the stock footage of the octopus underwater. | |
Oh, for Christ's sake. | |
Where'd you learn that? | |
What? | |
That. | |
At birth. I don't know you -- | |
Harry D'Amour. | |
I know all the kids coming up. Got to stay ahead of the game. But I don't know you. | |
I'm in from New York. I came to see Swann. | |
What a tragedy. It was just a matter of time, of course, but it's not good for the business. | |
Was he taking a lot of risks? | |
You don't know the half of it. I'm Walter Wilder, by the way. | |
Not the Walter Wilder? | |
Oh! | |
Don't say that word. | |
That would be even worse -- it would be a compromise. | |
Success or nothing? | |
No -- not even success. My writing is not for making a living -- it's for living. Not for other people, it's for me. | |
Right there. | |
Oh fine. Well in view of all the ground that we to cover today, I suggest we go and have a quick look at your apartment and then get started straight away. | |
How many girlfriends did you have? | |
...I don't know. | |
Well... 1... 2... 10... 100... 1000? How many, approximately? | |
...Mathilda, I don't feel like talking about this. | |
Why? Did you have too many and you fear it may shock me? I won't get shocked. I'm used to this! My father was a true pig. He fucked the bitch I'd as mother all around the apartment. Whenever a door was closed, you could be sure they were making sex behind it! And my sister, if you didn't sleep with her, you're building's exception! | |
Stop, Mathilda! Don't talk like that! | |
Yes, but no -- we have personnel stationed at both ends of that hall, twenty-four hours a day. | |
What kind of personnel? | |
I answer to Grissom, punk. Not to you. | |
Why, Eckhardt. You should be thinking about the future. | |
Mike's gotta go. Nice to meet you. | |
Yeah, nice meetin' you. | |
What did you do with Captain Amazing? | |
Captain who? | |
Drink? | |
Whiskey. | |
Lisa Sherman? | |
Yeah. Who is she? | |
I don't know. Where did you hear that name. | |
I overheard daddy mentioning her to someone. I he thinks she's the killer. | |
What? | |
That's what he said. | |
Did he say anything else about her? | |
No but he got really weird. Like I've never seen him act. REALLY angry and super uptight. | |
I've never heard of her. Maybe something else was on his mind. | |
No. I think she lived her a long time ago. Like twenty-eight years ago. When dad was eighteen. | |
Not that I know of. | |
The envelope contains ten thousand dollars. The subject will be delivering the currency in a... | |
A Broadway shopping bag. | |
No wait! You don't understand! Buzz is out there! We've gotta help him!! | |
Toss 'im overboard! | |
No, no, no, wait! | |
So what's in the boxes? Heroin? Cocaine? | |
Worse. | |
You didn't bring any chocolate, did you? | |
What? | |
I love chocolate. I realized just yesterday how much I love it. I thought maybe, if they let you bring personal effects, you might have snuck some through, because... well, I've been thinking about it. | |
What did I tell you? Listen. | |
I don't hear anything. | |
Exactly. Cukor was too cheap to hire music. There's nothing but chin-wag. The cold dreary custard of English chin-wag. | |
It's a signal. If we resist, it won't just be death. There'll be torture as well. | |
We're not going to just surrender! | |
That we are. | |
I was blind. I couldn't see past the death of my son. I couldn't trust. | |
I too was blind. I knew about HER - and I did nothing. I trusted too much. | |
You couldn't have known she was listening the night I dictated that entry into my log. You were proud of her achievements as a Vulcan. | |
I was PREJUDUCED by those achievements. | |
Gorkon had to die before I understood how prejudiced I was... | |
Why should I be afraid? | |
Oh! 'Cause you won't exist! | |
So? | |
That thought doesn't terrify you? | |
Have I told you what this man did? * | |
Yes. | |
Then you shouldn't have to ask. | |
But even if you get your revenge, you won't remember it. You won't even know it's happened. | |
* So I'll take a picture, get a tattoo. * * The world doesn't disappear when you * close your eyes, does it? My actions * still have meaning, even if I can't * remember them. My wife deserves * vengeance, and it doesn't make any * difference whether I know about it. * | |
Tell me about her again. | |
Why? | |
Because you like to remember her. I want to see you enjoy yourself. | |
She was beautiful. Perfect to me - * | |
Hey, wait a minute, Mr. Doe! | |
. . . Tubby? | |
Yes, Spock. | |
Engine room reports auxiliary power restored. We can proceed at impulse power. | |
Best speed to Regula I. Kirk out. Scotty, I've got to ask: Any chance of getting the mains back on the line? | |
That reminds me of a film I saw once of a guy who got out of his car at Lion Country Safari to take a picture of a lion cub and got eaten by the lions. | |
Oh yeah, I heard about that. I always thought it was bullshit. | |
No... yeah, they ripped him to pieces while his family watched from the car. The wife is screaming, the kids are crying. Some dude in another car filmed the whole thing. | |
...The thousand dollars, of course, was only due in the event that you succeeded in bringing Dickie home. Naturally, I hope the trip has afforded you some pleasure despite the failure of its main objective you need no longer consider yourself obligated to us in any way... | |
You can't blame him. You could hardly expect this to go on forever. | |
I thought you might write again. Now that we're brothers... | |
I can't, how can I, in all decency? We've had a good run, haven't we? | |
What about Venice? Can we stick to that plan at least? | |
I don't think so, Tom. You can't stay on here without money. It's time we all moved on. Besides I'm sick of Mongi. Especially now with everything -- I really want to move to the North. I need to check out San Remo next week, find somewhere new to keep the boat. But it would be great, though, if you came with me. Our last trip before you leave. There's a jazz festival -- we could say goodbye in style. What do you think? A last trip? | |
Don't do that again! | |
Get away from me -- I could never even get married 'cause you couldn't live by yaself -- ya'd die by yaself! So instead I put you two together -- Did ya think of puttin' in a good word for me? -- You owe me! | |
Owe you what? | |
You owe me an' are supposed to treat me good! | |
Good? Good, Paulie?! I've been treatin' you like a baby. Since I can't remember it's so long -- I'm the only one who feeds you an' puts you in bed when ya can't stand up -- and it's you that made me feel like a loser -- That's what ya use to call me 'Loser' -- What kind of name is that? So can ya blame me for not remembering to talk about you when I'm with Rocky -- I don't owe you, Paulie, you owe me. | |
Yeah. The shit gets wacked. Fifteen minutes. | |
Yeah. Fifteen minutes to a half an hour. Hard and deep. | |
Me. I can only take it up to fifteen minutes. Cause I get bored. | |
Yeah I get bored. | |
I start thinking about what I'm gonna eat afterwards. | |
It's working. | |
Where is he? | |
Of all the people in the world, you're the only one I have anything to offer. That's why I came here. | |
Okay. | |
Well, technically your Zeda is a survivor. | |
He was in a concentration camp? | |
Well, no. But he had to escape the Nazis. | |
But I thought he came over to America before the war. | |
Well, he did. With his family. But his cousins, they had to stay and they were all killed. And if he'd stayed, he would have been killed. So in my book he's a survivor. | |
Even though it was only his cousins that were killed? | |
But that could've happened to him. Or to me, if I'd been alive. Or you. | |
What happened? | |
Workin' a saw mill. Here's to. | |
I write. | |
Oh yeah? What kind of write? | |
Well as a matter of fact, I write for the pictures. | |
"Please forgive me for butting into what seems such a happy occasion - but it's most important that I speak with you. Please" - it's underlined - "meet me in the Ladies' Room. Eve." | |
I understand she is now the understudy in there. | |
Pass me the empty bottle. I may find her... why, look. There's Rasputin. | |
Rogan, Laurel. You also have a Rogan, Lillian. She won't need it. Sell it. | |
Take it yourself. Take a date. | |
I don't have a date. I don't want a date. | |
Oh, impressive wingspan. Very good! | |
Oh, what?!...What?! These are plastic. He can't fly! | |
Mark in the Morning! Magic 96.7! Oh my God! I'm Karla. Karla Wilson. Jules, it's Mark in the Morning. | |
Well, Karla, what're you doin' at home over the long fourth weekend? | |
Well, I'm in school and -- | |
How'd you like to win a Magic 96.7 Quicky Getaway? | |
Yes! | |
Well then admit it, it's a work of genius. | |
I admit it. | |
I thought everything WAS arranged. | |
Well, there's a problem. | |
What problem? | |
How do you know so much about this junk, Plato? | |
I had to go to a head-shrinker. I only went twice though. My mother said it cost too much, so she went to Hawaii instead. | |
Say it anyway. Come on, how much do you love me? | |
"With you, my life began and with you shall it end..." | |
I don't know. But Johnny, how did your mother recover? She was dying. | |
We should talk alone. | |
I can't. I need my family around me now. | |
Well. I told my mother that we were to be married. And she got well. Right away. | |
Uh, Scooby, now I understand how you want to be a TV talk-show host and all, like Conan O'Brien, but did you know even he went to college? | |
He did? | |
Yeah. He went to Harward. | |
Oh. | |
You like this house, Max? | |
M'hm. | |
I even brought a road map to get us to the bathroom. | |
Whee, you shoulda told me it was Tony Lacey's party. | |
What difference does that make? | |
You knew the whole time, didn't you? When you put the blade in my hand, you knew something big was going to happen. Didn't you?! | |
Y... yes. I guess I did. | |
Look Jim. Far be it from me to tell you what to do, but there's-- | |
Are you going to preach now? Are we going to have a sermon? | |
I'm just explaining what you mean! You can't be an idealist all your life! Nobody thanks you for sticking your neck out! | |
That's right! | |
Man look at that get up ! | |
Looks like that cat paid off in spades. | |
Let's check out the scene. | |
Hold up. First, we have to decide who gets who, remember? No more competition? | |
Right. | |
Okay. Which one do you want? | |
Humped | |
Yes. | |
I can think of worse ways to go-- | |
What do we have here? A lovely new supply of Venom. I'll just take this to my laboratory for further study. | |
What exactly are you working on in there? What are those screams? | |
What are you lookin' at? | |
Nothing. | |
Don't look at me, Fuck. I shoot when I see the whites of the eyes. You like me? | |
Well, why not? | |
Our own intelligence capability -- to fix the leaks? | |
Get out of here, Jake. | |
All I did was kiss the girl. | |
That's what you said in Turley. You remember how that ended. | |
What's the matter, Paden? You afraid I couldn't get those two behind me? | |
I don't want you getting anyone in my place. | |
I wonder if you really like all these old records or if you only like the fact that nobody else likes them? | |
Who knows? | |
Dorota! | |
I didn't want to come, I didn't want to see all this, but I couldn't stop myself. | |
How are you doing? | |
Fine, no, not really, they arrested my cousin, but Jurek says they'll let him out. This is disgraceful. | |
Don't worry, it won't last long. | |
That's what I said, it's so - it's too absurd! | |
I'll see you...soon. | |
Ah-ah-ah! | |
Mother! | |
Look! Look! The front page! | |
Our son just called me a bitch. | |
You're not a bitch. | |
Wow. You look beautiful. | |
Yeah. Most important day of my life. Whatever. Listen, I chose you to be my Maid of Honor for a lot of reasons: I love you, youre my favorite, and only, half-sister, blah blah blah. But the main reason I picked you is because youve been so miserable for the past few years, I knew you wouldnt outshine me. But here it is, my big day. My big day. And something doesnt feel right. Maybe it was that pep talk you gave me last night, I dont know, but your misery just isnt working for me anymore. | |
Where are you? | |
I'm everywhere. | |
My future husband died in battle against the Sutherlands. | |
What are you saying? I'm standing here as real as you. | |
You cannot be real, Conor. You had the last rites. No man has been cut half as bad and lived. | |
But I did live. | |
Live? In less than a week you're prancing about the country like a squirrel. | |
So why the crazy talk? It's a miracle it is. Saint Andrew has smiled on me. On us. | |
Some think not. | |
Who? | |
There's rumor in the village. Some call it magic. | |
That's mad. Surely you don't take their word? | |
I don't know, Conor. It's not natural. Maybe something has touched you. | |
You're sounding like that mad woman, Widow Baggins. | |
Me father has taken back my hand. | |
...You-my point is, you pay the ransom- what eighty thousand bucks? - I mean, you give us half the ransom, forty thousand, you keep half. It's like robbing Peter to play Paul, it doesn't make any - | |
Okay, it's - see, it's not me payin' the ransom. The thing is, my wife, she's wealthy - her dad, he's real well off. Now, I'm in a bit of trouble - | |
What kind of trouble are you in, Jerry? | |
Well, that's, that's, I'm not go inta, inta - see, I just need money. Now, her dad's real wealthy - | |
So why don't you just ask him for the money? | |
Yeah. | |
This is Bryant. Are you alone? | |
Yeah. | |
She's not with you? | |
Who. | |
Don't you think they'd just love another song instead? | |
Now, Sueleen, you know that's not what we talked about right here in this very room. | |
So...what happened to you, Jimmy? I figure you'd be in some far off place somewhere, living on the edge like the good old days. | |
I gave all that up. I got tired of the lies. They wanted to stuff me in Levenworth to cover their asses on a botched assignment. It got so I didn't know who to trust anymore... ...some things never change, I guess. | |
Have you listened to his morning show, "Wake up with ballplayer"? | |
Not yet. I had a phlemless morning. I hear he's a pretty good ballplayer. | |
This game is pretty important to him. He made all-stars in high school, you know. | |
That must have made you proud. | |
Hey, I've got it, I may as well spend it, right? I've always wanted to live where I could dive for my dinner. | |
And where might that be? | |
I was thinking, Antigua, maybe. | |
I love Antigua. Maybe I'll come visit you. | |
I'd like that. | |
Boy, Mr. Lugosi, you must lead such an exciting life. When is your next picture coming out? | |
I have no next picture. | |
Ah, you gotta be jokin'! A great man like you... I'll bet you have dozens of 'em lined up. | |
Back in the old days, yes. But now -- no one give two fucks for Bela. | |
Berlin! | |
I've already got a team there. I doubt Bourne's in Naples to settle down and raise a family. | |
You don't know what you're getting into here. | |
And you do? From the moment he left Treadstone, he has killed and eluded every person that you sent to find him... | |
When did you start to feel this way? | |
About six months ago, I guess it is now. God, it seems like years. What a bore! I'm embarrassed by it. Before this happened -- when I'd hear people talk about this kind of thing -- I thought it was a bunch of bullshit. | |
I'm sorry. | |
Don't sweat it, baby. This one's a lay-up. | |
The name is Batty. Roy Batty. | |
Oh? | |
Name? | |
Gus Gorman. | |
How about some ammo? | |
It's loaded... I got some shells in here. | |
And where is it now? | |
In his office. I saw it this morning. | |
You take Japanese. | |
Oh, yes. | |
Lauren, right? | |
That's right. Lauren. | |
I'm Truman, Truman Burbank-- | |
--I'm not allowed to talk to you. | |
What are you? A man or a mouse? Are you a punk? Punking out on me? | |
No. | |
You getting scared because some people don't like what you are doing? | |
Yo, DeLa, they tried to lynch my black ass up in dat piece. | |
What is there to say? They know what John Bontecou is -- and if they didn't, they know now. | |
Yes, you made your feeling abun- dantly clear. Now they want to do the same with theirs. | |
What are their feelings? | |
If I read this Board right now, they want you to accept Bontecou's offer. | |
Over my dead body. | |
What the hell do you want?... Hey, Sue Ann, what's up? | |
We think we know where Betty is. | |
Ah, shit... Do I have to hear this now? | |
You believe they're shooting a Nike ad down there? Did I ever tell you my Nike story? | |
I gotta get back to Cushman. | |
Okay, I understand. I'll boil it down for ya. Fuck Nike. All they do is ignore me... | |
What do you mean "got" to the dog? | |
It was a life form that was able to imitate and reproduce, whatever it ate or absorbed, cell for cell. | |
Maybe he ought to go to beauty school. Anyway, see you tonight, doll, okay? | |
Fine. | |
You too, preacher? | |
I'm like you. I don't believe in vampires, but I believe in what I saw. | |
Good for you. Now, since we all believe we're dealing with vampires, what do we know about vampires? Crosses hurt vampires. Do you have a cross? | |
In the Winnebago. | |
In other words, no. | |
Do you think he's here? | |
Here? | |
In Costa Blanca. | |
Yes. | |
Look at me! I'm your baby! Get a load of that blonde one! Built like a brick Kremlin! | |
Hey -- Comrade! Over here! This is Harry Shapiro -- the Volga Boatman of Barrack four! | |
Lay off! The blonde is mine! | |
We... don't usually let people smoke in the house. We have a patio if you -- | |
Oh, no problem. It can wait. | |
You're not still writing that thank-you note? | |
I'm on the last page. How do you spell conscience? | |
C-o-n-s-c-i-e-n-c-e. I got Sean from the bakery to baby-sit so let's go out. | |
I still don't feel safe leaving Spencer with someone. How do you spell it again? | |
Spencer is okay. You'd better start finding something else to do with your free time. If you can't feel good about this break and step out a little... You ought to get Mr. Udall to send you over a psychiatrist. | |
I don't need one 'cause I know what's really going on here. I have to finish this letter or I'll go nuts. This can't be right -- con- science. | |
We better get back to the sub. Every second counts now. | |
Look! They follow the direction of her glance, are startled to see: | |
Sorry. | |
If it makes you feel better that took every ounce of self control I had. Trevor, I never date patients. | |
I understand... I won't- | |
No you don't understand. That's why I've been fighting to get you better. So you wouldn't be a patient anymore. | |
Why didn't you tell me sooner? I would have switched doctors! | |
Just get better okay? | |
Took it this morning. | |
He needs a haircut. | |
Yeah, right. | |
Ginger's mad, he says things all the time and Eddy's good at punching and spitting. | |
How about Ding Dong? | |
He's a big head and he fancies himself with it but you know it's all right 'cos he's one of the gang. | |
You're Pete Sothow's nephew, huh? Hell, I thought maybe you was someone come to kill me... ...for somethin' I done in the old days. | |
I could of... easy. | |
Yeah, I guess so. | |
Like I was sayin' you don't look like no meaner than hell cold-blooded damn killer. | |
Maybe I ain't. | |
Well, Uncle Pete said you was the goddamndest meanest sonofabitch ever lived an' if I ever wanted a partner for a killin', you was the worst one. Meanin' the best. On account of you're cold as snow an' don't have no weak nerve nor fear. | |
haka xuki. | |
haka xuki. What's that mean? | |
Cash. | |
What're you jaw-jackin' about? Girl's not cut. | |
No. She's not. | |
Yes, O'Reilly? | |
How you, Radar? | |
Now listen boss, if you're going to kick about that expense account | |
Do you call yourself a reporter? | |
Stop fooling around... I need to talk. | |
What's the matter? | |
I don't know... I just feel scared. | |
About what? | |
The wedding, my parents, your family, our friends, my job, the future, our relationship, the caterers, my gown, your tuxedo, our honeymoon, the apartment, my shower, your bachelor party... | |
I think the only think you've left out are our relations with the Soviet Union. Sweetheart, everything's gonna be all right. | |
Before or After I have my nervous breakfown? | |
C'mere. | |
Nice tent. | |
Hadn't even opened the thing since Cub scouts. | |
Never would've guessed. | |
So where the hell am I going to sleep? | |
If you're looking at me, look elsewhere. | |
I've got the Panasonic Portable DVD player. | |
Shit, Earl. It's Ted Holster. | |
You dumb son of a bitch, you said you saw Myers. | |
It's a real privilege, Sandman. | |
Thanks. I thought you'd be older. I expected a Red. | |
I am. | |
Your own work? | |
And I did it myself right on there. | |
Working the net isn't that different from ordinary undercover work. You go into the community, walk their walk, talk their talk, gain their confidence. | |
They're all criminals? | |
No, no, no, most of them -- I used to think all of them -- are just fantasists, guys who get off telling degrading stories. When I came across this fugitive chat room, listened in, I started to think some might actually be real, that they'd gone live. The challenge was to figure out which was which. Then I had my disagreement with Koessler. | |
"Gone live?" | |
Chat jargon for moving from fantasy to real victims: "I went live last month." | |
This is some serious shit. | |
Taking a Stryker saw, cutting off the top of someone's cranium, pulling the brain out -- what's that, a day in Spring? | |
You got a point there. | |
People end up in occupations for a reason. They may think not, but they do: occupations define us. | |
I was going to be a physician, I am a physician, but I kept drifting over to criminal psych. This seems to be the best of both. My parents still haven't forgiven me. | |
I was interested in two things: computers and crime. They sort of came together. | |
And one other thing. | |
What's that? | |
Sex. | |
Rick, hit the ball easier, son. You don't have to kill it. | |
Can't I just maim it a little? | |
Mrs. Mulwray, you don't want to run around like that. | |
Oh, Christ. Escobar, you don't know what's going on. Let her go. I'll explain it later. | |
Mrs. Mulwray, it's a very serious offense pointing that at an officer of the law. It's a felony. | |
Let her go. She didn't kill anybody. | |
I'm sorry, Mrs. Mulwray. | |
Lou, she will kill you. Let her go for now. You don't know. | |
Gittes, stay outta this. | |
A forlorn hope - but there is a chance. | |
It might give us time to search out some weakness in the Martians. | |
I believe we can get a lead from their anaemic blood. | |
Something the matter with the cuisine? | |
Well Mom, I'll tell ya, when two of your friends die the same day, you let me know what it does to your appetite. | |
You're just tired. Don't think I haven't noticed your not sleeping. That has to stop, honey. | |
Come on to bed, you don't have to brush your teeth. | |
I'll just be a second. So what happened tonight at the office? | |
I couldn't believe it. I go back to get this report I need, right, and the phone is ringing, so like a bonehead I answer it-- | |
Turkeys! Eat wind! | |
Yee-hah! | |
When you're here, in the city, where do you live? | |
Dark and large. With vines -- no, not vines. Not alive. | |
You tell Jayne Kennedy to fuck it? | |
If it came down to who eats who, damn skippy. | |
With that terrible mug of yours if Jayne Kennedy told you to eat her pussy, kiss her ass, lick her feet, chow on her shit, and suck her dog's dick, nigger, you'd aim to please. | |
Oh my goodness. | |
Nothing to do with Dad. It's me, actually. | |
Are we understood? | |
You watched the tape? Friedman and his people dont just provide little kids and videotapes, Mrs De Moraes. Theyre in the import-export business. They run hotels here in London which they probably use as ware- houses and ports of call for their merchandise. | |
Huh! Really? Hotels? | |
The hotels are useful capital investments. The kids liquid assets. My guess is they own hotels across the globe, and travel agencies specialising in flights from the third world to boot. | |
You and your husband never discussed her? | |
He... we did... he wouldn't tell me her name. We quarreled over her... of course. It came as a complete surprise to me. | |
A complete surprise? | |
Yes. | |
But I thought you'd hired a private investigator. | |
A private investigator? | |
Mr. Gittes. | |
Well yes. | |
Someone recommend you? | |
In a way. | |
Who? | |
Guy I work with. | |
What's his name? | |
My work keeps me young. | |
Which part, getting terrorists loose on bail or freeing convicted murderers on technicalities? | |
The worst serial killer in history - who? Gacy - right? Killed forty two people. Our government killed fifty thousand in Vietnam and lied about it every day. | |
Michael, you represent drug dealers, not civil libertarians. | |
We kidnapped Noriega out of Panama. Is that covered in your Constitution? Because it isn't in mine. | |
Noriega is a criminal. | |
Noriega was head of a sovereign nation who made the mistake of doing business with the U.S. Government. So, no, I don't have a problem waking up every day and fighting our government, fighting people like you, trying to keep this system a little bit honest. | |
Last I read your clients were chopping people up with chainsaws and delivering illegal narcotics into this country. | |
I hope when you were on the bench, Judge Wakefield, you didn't handle the presumption of innocence in the same fashion. | |
If I ever return to the bench, Counselor Adler, I hope I have the pleasure of hearing your arguments. | |
Well, what do you have for me today? | |
Your Majesty, Herr Mozart - | |
Yes, what about him? | |
He's here. | |
Ah-ha. Well. There it is. Good. | |
He didn't do it -- Nick! | |
What do you mean? | |
Mary Robert, I am so sorry about last night... | |
Now stop that. You didn't shoot at me. You were only trying to help, to give me experience. I tried to explain that to Reverend Mother, but -- I don't know if she understood. | |
Hi! | |
Yes? | |
I was wondering if you might help me. I...I seem to have lost my Congressional Medal of Honor somewhere around here. | |
We discussed that. And decided not to. | |
Why not? | |
Yes. It's a story. A story for a movie. | |
Read me some? | |
Nope. Legal problems, you gotta have a good attorney. | |
My attorney, she's just outta law school, about a couple of years older than my kid, for Chrissake. | |
You gotta kid? How old's your kid? | |
Nine. I think. Maybe ten. Yeah, ten. Nice kid. | |
You got a ten year old attorney, Bernie? | |
I can't afford no better. My ex, she attached my pay check for child support payments. You looking for Bernie LaPlante by any chance? | |
Yes... | |
Don't pull the green wire. Pull anything but the green wire. | |
Fuck you. | |
I'm serious. That's the wrong one. | |
Yeah...I remember my brother-in-law Gary, the wheel watcher. He finally got on the show and won seven thousand dollars! Plus some leather furniture. Do you think I saw any of that? His excuse was the government got it all. | |
Seven thousand... | |
He would have won more but he blew it at the end. Didn't know what Cash and Carry was. | |
Cash and what? | |
Cash and Carry, you know, FDR, World War two... | |
Never heard of it. | |
Oh, you would have done great. | |
I probably would have. I guess the clues damn near before everyone. | |
That's what everyone thinks. But according to him, when it's the real thing, it's quite an intimidatin' environment in which to concentrate. | |
..Ha...Little fella? I mean the man talks to invisible people - he sees invisible horses - and he's naked in the middle of Central Park. I should be surprised? I'm not surprised. I'm fucking outta my mind to even be here! | |
Who are you talking to Jack? | |
YOU'RE OUT OF YOUR FUCKING MIND!! | |
Bingo! | |
Listen, I told you not to fool with them. Now they're waiting for you. | |
I know. That's why I came back. | |
You scared? | |
I just don't want trouble. | |
He has a knife. | |
I saw it. Gee, look at that thing swing, will you? Do you think it never stops? | |
No. It's perpetual motion. | |
Oh, I bet some little guy comes in here at night and pushes it. Go- go-go! | |
The main thing is: how was Lecktor to reply. | |
That's probably in the part Lecktor tore out. At the top it says: 'I hope we can correspond.' And then the hole begins. It looks like Lecktor went over it with a felt tip pen and then folded it and pinched most of it away. | |
He doesn't have anything to cut with. | |
Babe, I'm on my way out to the woods to divvy up the product. Put this cash in your safety deposit box... It's ten thousand dollars. | |
You killed Mike. | |
Would you like to see the girl? | |
Soon. First, I must bless this house. | |
Well? | |
They come. They come and pushed me off. | |
I knew you'd make it! Where's your girl? Didn't she come? | |
Naw. That's over with. | |
Laura, do you love me? | |
Yes, I love you. I've told you, but it doesn't really matter. | |
Why? It does. | |
No, it doesn't... just kiss me. | |
It does matter. We're in love. | |
James, you don't know what you are talking about. Quit trying to hold on so tight. I'm gone... long gone like a turkey through the corn. | |
You're not a turkey. A turkey is one of the dumbest birds on earth. | |
Gobble, gobble, gobble. | |
Your back, it would seem perhaps you were injured in battle? | |
Five years past me clan fought another over some- thing I cannot even re- member. | |
Your marks would suggest great injury. | |
I was nearly killed. | |
But you lived. | |
I guess your father's not a union representative on that company. | |
What? How do you know about my father? | |
The most valuable commodity I know of is information. Wouldn't you agree on that? | |
Yes... | |
You look very deep when you do that. It's interesting. We're Complete opposites- I'd never just sit and wait for insparation. I'd skip my turn and swap some letters. | |
Ms. yin, and Mr. yang Aha! | |
I don't want any more of that Shit. | |
Wha? Me? | |
Just stay away from the garbage. Yon know what I mean. | |
Me? Why would I get into that shit? | |
I know what you did inside. You did what you had to do. I'm not talking about that. I'm talking from now on, outside. I'm talking right here. | |
Why would I get into that? | |
Are you alright? | |
Sometimes, when I feel weak, I have these...visions. | |
What do you mean? | |
I see things. My worst fears. You need to know something, Peter. I was possessed once. Like Birdson. It took Father Lareaux six days to pull me out of it. | |
We'll hear sirens soon. | |
Then we'll be safe? | |
Yeah. | |
I love you. | |
Right. That's why you tried to kill me. | |
Nooo! I would never do anything to hurt you. I want you to come back to me. | |
Bullshit. | |
What's your business in Port Royal, 'Mr. Smith'? | |
And no lies! | |
"Victory at Sea," Al ... Henry. The Pacific Theatre. Christ, you can almost feel the waves breaking over the decks. | |
I'm afraid we have another problem, Mr. President. | |
Let me out of her! Right now! | |
Answer the question-- | |
Better. | |
Arnie called this morning while you were sleepin'. They miss you pretty bad down at the garage. I told 'im you still had a "fever". | |
Okay. Thanks. | |
Nice to know they can't seem to get along without ya. | |
Yeah. | |
You really don't remember the other night, do you? | |
What night is that? | |
The night before you showed up in the slammer... | |
Piss off, Dave! | |
Tough guy, huh? Are you going to be all right on your own? | |
I'm not on my own, am I? | |
That fucker's dead -- | |
No, we are. | |
Superman? Has something happened to him? | |
Everyone's saying he's . . . dead. But I know that isn't true. I feel it in my heart. I think he just needs help. | |
You know him so well. But I'm sure he'll manage . . . wherever he is. | |
Did you kill anyone? | |
I don't like to talk about that. | |
It's nothing to be ashamed of, in the service of one's country. That's something to be proud of. | |
Proud? Any jerk with a gun can kill someone. | |
Quite true. Hand-to-hand combat is the true test. Did you ever slay anyone hand-to-hand? | |
No. I could have, though. | |
Yes, I believe you could. How free is your schedule this afternoon? | |
Full up. I got the hedges to do here, then another lawn out by La Cienega. | |
What is we say phooey to the hedges? Could you spare an hour after lunch? To sit for me? | |
Can't today. | |
I'll pay our going rate. Plus what you'd get if you did the hedges. | |
Sorry. I don't feel like sitting still today. | |
All righty. I understand. | |
Uh... | |
Move with the music. | |
Um...okay... | |
Okay, fellows. | |
Take it easy, John Doe. | |
I gotta go now, Dad. | |
I was thinking I could fly up and spend a week in the Big Leagues with you--help you get comfortable. | |
No. If I screw up, I wanta do it alone. I'll call. | |
We'll be praying for you. | |
Dad--if my curveball is hanging, God ain't gonna help me. | |
We'll pray anyway. | |
If it makes you and mom feel better, go for it. I gotta run-- | |
...If I don't come back tell Mother I love her. | |
Your mother's dead, Llewelyn. | |
Well then I'll tell her myself. | |
Well--gosh--that--that isn't "particulars," is it? | |
But you've just taken care of the spirit all right. | |
Well, anyway, it's *something* like that-- And it *is* important. That--that Steering Committee has *got* to see it that way. And I'm sure Senator Paine will do all he can-- He's a fine man, Miss Saunders, isn't he? He knew my father, you know. | |
He did? | |
We need a lot like him--his kind of character--ideals. | |
Uh--getting back to this, Senator-- | |
Yes, yes-- | |
Now, this camp is going to be out in your state, of course-- | |
About two hundred of the most beautiful acres that ever were! Mountains, prairie land, trees, streams! A paradise for boys who live in stuffy cities-- You don't know that country out there, do you, Miss Saunders? | |
No. | |
I've been over every foot of it. You couldn't have any idea. You'd have to see for yourself-- --the prairies--the wind leaning on the tall grass-- | |
Oh . . . no, there's no one back home. | |
What about here? | |
Well, my career takes up a lot of my time. | |
Don't tell me you're waiting for lightning to strike. Wide-eyed romantics are an endangered species. | |
That sounds kind of pessimistic. | |
No, realistic. There's no magic in the world. Girls just don't get swept off their feet anymore. | |
- <U>Kobayashi Maru</U>... | |
Bones, are you afraid of the future? | |
That was the general idea I intended to convey. | |
I didn't mean this future. | |
Are we playing multiple choice? | |
Some people ARE afraid of the future; of what MIGHT happen; I was frightened, really frightened. | |
Specifically of...? | |
No more neutral zone. I was USED to hating Klingons... that's why I failed in our assignment. It never even occurred to me to take Gorkon at his word. Spock was right. | |
Well, don't be too hard on yourself - we all felt exactly the same - | |
Uh uh. Somebody felt much worse. And I'm starting to understand why. | |
Well, if you've got any bright ideas, now's the time to - | |
It seems your department doesn't believe out new unit is to the public benefit. | |
A humanoid robot is like any other machine, it can be a benefit or a hazard. If it's a benefit, it's not our problem. | |
But because your department can't do an adequate job in detecting the miniscule number at large, it's a problem. Correct, Mr. Deckard? | |
Okay, here's the duty. Gieg, Weathers, Lapchick, Schucart: scrape and paint. Corry and Stricklin have the brass. Robinson, you're the Galley slave. March you're on chain gang with Barnes. Johnston, solo on bilge detail. | |
Butler, what'd I ever do to you? | |
You came back, Tod. You came back. | |
Now listen. Now that you're on your way, it would be stupid of you to stop. Think of Sebastian as a tutor. Let him instruct you. | |
I don't love him. I love Ronald. | |
So? Don't you want to make Ronald a happy pappy? Practice makes perfect, Cecile. My advice is to sleep with as many people as possible. | |
But that would make me a slut. Wouldn't it? | |
Cecile, everybody does it. It's just that nobody talks about it. | |
Are you Matthew Parker ? | |
Yes, can I help you ? Maybe a donut or something ? | |
That's very funny, sir. You are under arrest. | |
Hey , Hey ! | |
Easy, easy, easy, Scotty. Easy. You're back with us. | |
Uhura, I had the strangest dream. I dreamt that a madman had taken over the Enterprise. | |
Scotty, dear, he' not a madman. | |
He's not? | |
No. Sybok has simply put us in touch with feelings we've always been afraid to express. | |
One of these days the Russians are going to show up unannounced at my gate. I'd like the chance to defend myself. I'd like my wife to have that chance. My civilian engineers. My secretary. | |
We're losing the war, aren't we. | |
It kind of looks that way. | |
Pistols? | |
Pistols, rifles, carbines ... I'd be grateful. | |
Macbeth, right? | |
Right. | |
Kat a fan, too? | |
Yeah... | |
Could it be the crew? If they were in suspended animation, wouldn't that effect the scan? | |
If they were in stasis, I'd get a location, but these readings, they're all over the ship. It doesn't make any sense. | |
I can't convince him. He's got such a thick head, I'd like to crack it open myself. Believe me, my own brother. It's very hard. You don't have to convince me -- I know we should be with Tommy. You talk to him. He don't listen to nobody. | |
Look, I'm just tellin' you how Tommy feels. Jake is makin' it hard on himself. Tommy wants him with us. It's as simple as that. | |
I just came to say good night. I don't want you to see me -- I'm not very attractive. | |
Good night. | |
I've lost half a pound since Tuesday. | |
Good. | |
I was a little worried about the line of my throat. This woman has done wonders with it. | |
Good. | |
You'd better get to bed yourself. | |
I think I'll read a little. | |
You went out last night, didn't you, Joe? | |
Why do you say that? | |
I just happen to know it. I had a nightmare and I screamed for you. You weren't here. Where were you? | |
I went for a walk. | |
No you didn't. You took the car. | |
All right, I drove to the beach. Norma, you don't want me to feel I'm locked up in this house? | |
Of course not, Joe. It's just that I don't want to be left alone. Not now, while I'm under this terrible strain. My nerves are being torn apart. All I ask is for you to be a little patient and a little kind. | |
I haven't done anything, Norma. | |
Of course you haven't. I wouldn't let you. | |
Me and Jill, we just had a little spat. She felt kind of left out, I guess, from not knowing some of the new kids -- | |
Where is she now? Is she in the truck with your friends? | |
This is a nice place. It must have cost a pretty penny. | |
Sloan, I got it like 'dat. | |
Oh you do, huh? | |
Just a little something' somethin'. | |
I hope you save a little somethin' somethin'. | |
Gots no intention of ending up broke. | |
Y'know, at the beginnin' of the century, African-American had to perform in blackface. You ever heard of Bert Williams? He was a great artist. | |
No, before my time. | |
You don't read, do you? | |
Never read a book in my whole life. | |
Maybe you need to start. | |
Maybe I need to do a lot of things. | |
Bert Williams and the rest, they had to black up. They had no choice. They were considered 3/5ths of a human being. Did you know that's written in the Constitution of the United States? | |
So patience, Thibeau, patience. Trust me. | |
Remind me why. | |
Because it pays off. | |
I want what's mine, half the money. We get rid of Mickey, no one else dies. No one. Say yes, I understand. | |
Yes, I understand. | |
Tell them I'm at St. Mary's off the Kennedy, in the waiting room, but stay on the phone until I come out. | |
Sure, Gino, sure. | |
I'm curious about something. I'm wondering just how it is you happen to know where the bedroom's at. | |
Wh . . . what are you talking about? | |
This morning when I came in on you and Grace, you swore you hadn't so much as been near the bedroom. Now you make straight for it. | |
Come on, Jake-- | |
Don't Jake me, boy! It's a big house. Odd that you would know your way, except maybe you've been in the bedroom before. Maybe with Grace to keep you company. | |
Nothing happened with me and Grace this morning. | |
Then maybe this afternoon. When I sent you to kill my wife you ended up sexing her instead. | |
Christ, Jake, please-- | |
Is that what happened? Did you even make it out to the desert, or did you just ply the afternoon between my sheets? | |
You're not talking sense. | |
Sense? If I had any sense I would have killed you this morning and been done with it. | |
What are you . . . you can't . . . you can't kill me. | |
A drifter, a loner, a trouble maker like you? Just passing through town, need money so he busts in on an, old man. Only this old man's got himself an automatic, and he knows how to use it. A man's got to protect his home. His wife. You're dead, boy, and your own mother wouldn't convict me. | |
What difference does it make if I slept with her. You don't care about Grace. | |
You're right. I don't give a damn about her. But to fuck a man's wife behind his back? That just makes a fool out of him. I don't like being made a fool of. | |
I don't blame you. What man would? I admit it, okay? I came back here and I made it with Grace. But if you kill me you're making a big mistake. | |
Not from where I stand. | |
It's not me you have to worry about. It's her. She wants you dead, Jake. She wants you dead and she wants your money. | |
What are you babbling about? | |
Think about it. How do you think I got in here? Did you hear any glass break? Did you hear a door splinter? How did the evening end? After you went to bed did she linger a bit? Maybe just long enough to leave the back door unlocked? Is that what happened? | |
We'll have a little party. Come in. Come in. You know Herr Schikaneder? This is! a very nice girl. | |
Wolfi. | |
Yes, my love? | |
These gentlemen are from Salzburg. | |
Salzburg. We were just talking about Salzburg. If you've come from my friend the Fartsbishop, you've arrived at just the right moment. Because I've got good news for him. I'm done with Vienna. It's over, finished, done with! Done with! Done with! | |
Wolfi! Your father is dead. | |
What? | |
Your father is dead. | |
Anybody can have a bad day! | |
I've had many... when the sea doesn't want you. | |
It's never the sea! It's Roberto, Mamma, that stupid actress... Oh shit! Jacques, what do you know? | |
What's the problem, what's the problem here? | |
I'm fine. nothing. | |
Why didn't you answer those questions? | |
I didn't know the answer -- | |
Bullshit. Bullshit. You know the answer to every goddamn question and I knew the answer to those questions and I'm not half as smart as you are so What Happened? | |
I don't know. | |
Hi, I'm out drinking champagne and roses... and I'm really happy. Leave a message. BEEP. | |
Uh, hey buddy. Oh boy, am I pissed. You're not going to believe this -- well, you'll believe it, there's no reason not to -- but I just got beeped for emergency surgery. Well, um, sorry, but I'm going to have to bail on you. | |
That was about as grim as it gets. | |
The guy was history when he killed Kelly. You knew that. | |
But then you knew what he was like all along... Maybe his killing Kelly was a thing you had counted on... | |
But then it is better this way, don't you think? No loose ends. | |
I've been surprised in an unguarded hour, But must not now go back; the love that lay, Half smothered in my breast, has broke through all, Its weak restraints, and burns in its full lustre. I cannot, if I would, conceal it from thee. | |
I'm lost in ecstasy! And dost thou love, Thou charming maid? | |
And dost thou live to ask it? | |
Do you like to play football? | |
I never was much count at it. I never did get picked out fer it. | |
Me and the Burnett twins and some boys plays down at the junior high practice field all the time. If you ever want to come by and play. We ain't no good either. Well, I'll see you later. | |
Me, too. | |
Hey, I got a whole editing suite in my loft--more the fucking merrier. | |
What happened, darling. We were so worried. I was going to take a sleeping pill, but I wouldn't till I knew you were home. | |
I have to talk to someone, Mom. I have to talk to you both. And Dad this time you got to give me an answer. | |
Thank you. | |
Look, I know this sounds corny, but whenever I feel like I can't go on I... turn to Jesus and he helps me through the problem. Call me an anachronism, but - | |
Oh cut the shit, Kathryn. | |
Excuse me? | |
You heard me. | |
Who the hell do you think you are coming into my house and saying those things to me. My brother is dead, have some respect. | |
Kathryn, I know all about you and Sebastian. | |
Sebastian was a pathological liar. I wouldn't believe a word he - | |
I have his journal. | |
You what? | |
His journal. He sent it to me the day before he died. Everything about you is in it. The blow jobs, the hand jobs, the menages, your bout with bulimia, the affair you had with your guidance counselor and how he gave you... eww. Let's see, then there's your coke problem... You still keep it in your crucifix, don't you? It's all in there. | |
You didn't show it to anybody? | |
Actually, I was planning on running down to Kinkos. Do you think you could give me ride? | |
You can't do this to me. It could ruin me. | |
I know. | |
I was nervous - | |
You were incompetent! - whether deliberately or as a result of age combined with drink this court will determine. | |
I tried to save him! I was desperate to save him! He was the last best hope in the universe for real peace. | |
The Chancellor herself will testify that the defendant's hands shook. | |
Adam, your Bozman Building is a beauty. | |
Yeah it turned out okay. We applied for a National Historical plaque for it. That'll be the third one on Main Street. | |
You're doing it, Adam. You're saving this town. | |
Slow down there, honey... I don't want the vibration to weaken the model. | |
Oh... I'm sorry... | |
Him? You saw that man? | |
Uh, I think so. In the mental hospital. | |
Run! Take off! | |
Again? | |
That was quick. | |
When you been in prison three years, it don't take long. Let's go. | |
Why? | |
Luther's on the move... | |
Hmm. I see. Will there be clothes in the suitcase? | |
What? Yeah, sure. | |
Whose cloths? Your clothes? | |
My clothes, your clothes. What does it matter? | |
I would like to know the contents. Every detail is important. | |
What are we doing here, Diego? This guy's a clown. He's talking about clothes. | |
I demand to know everything. I do not trust six-hundred thousand dollars of coca to someone I don't know. | |
It's a lousy fifteen kilos. I piss fifteen kilos. | |
The coca is my responsibility! | |
You're a fucking amateur! | |
Mola Ram is telling the faithful of out victory. He says the British have left the palace, which proves Kali Ma's new power. | |
Yes, I understand. | |
That's not funny. | |
That was great! | |
If you want, I got a pack in the room. | |
No thanks. I never touch French cigarettes. | |
At least you pulled yourself out... | |
Things got a lot worse. | |
You and Candy...? | |
Answer your fucking pages! I've been calling for fifteen minutes, we need you up here to clean NOW! | |
That's right! RIGHT NOW! | |
Good morning, everybody Well, maybe it isn't a good morning, huh? Anne, did you ever get the feeling that there was someone else in the room with you? | |
Have you seen this? | |
Yes - the worm! | |
I beg your pardon? | |
He's a worm - and I'm gonna step on him! | |
To engage in a brawl! A cheap, common brawl, in my own home! "I wear the pants!" The pants ! Not even the trousers! | |
Theyd never let me go. And youd end up in more trouble than you know for helping me. | |
You cannot walk away from this. You cannot. | |
I can... The question is, can you lie to your ex- husband? | |
Goodnight Bears. Goodnight chairs. Goodnight kittens. Goodnight mittens. Goodnight clocks. And goodnight socks. Goodnight little house. And goodnight-- | |
I don't want to move away. | |
I know, Honey, but just think how exiting it will be-- new house, new school, new friends-- | |
But why can't we stay here? | |
Because we can't. There's nothing here for us anymore. | |
Are we in some kind of trouble? | |
No... | |
Then how come last night I heard you talking to Logan and you were crying? | |
Take off your hat. | |
My hat? | |
Where did you learn how to do that? | |
I . . . | |
Wait there. | |
Are you Mr. Shakespeare? | |
Let me see you. Take off your hat. | |
This photo you took of "Spider-Man" - | |
Luck. The right place at the right time. | |
Really. I'd like to speak with him. | |
I don't think I'll be running into him. | |
You never know. Go get some sleep. | |
I'll try. Thanks. | |
Alright. You want some pie? | |
Yeah, I want some pie. | |
Okay then, I'm gonna walk over to that counter and get us some fucking pie. | |
Did you have an accident in the lake? | |
No. It was just a normal summer. I've never been able to figure it out. | |
Only one young boy ever drowned in that lake, and that was before you were even born. His name was Jason Voorhees. | |
You can't walk me home. | |
Why not ? | |
I thought you were going to help Carl. | |
Carl can wait. | |
Johnny, my Dad's home today. | |
Then do you understand that I cannot tell the truth here? In Dallas. That there are people here who do not want me to tell the truth... who do not want me to have a retrial? | |
Mr. Ruby, I really can't see why you can't tell us now. | |
Going north? | |
You bet your raggedy white ass I am. | |
Can I ask you something? | |
Yes. | |
When you're frozen, you're legally dead, right? | |
Gordon what I want--and I never asked you for anything--is to be your co-pilot on this. I want to take this airline, turn it around, and make it work. It's gonna make us a fortune! | |
I'm talking to a stockbroker who wants to run an airline. It's gonna take me two years and 2000 headaches to turn Teldar Paper around, what do I need this dink airline for? I'm up to my ass in more nuts than a fruitcake. | |
Gordon, I worked at Bluestar, I know my way around, I have friends there...inside. | |
What does that mean? | |
The three unions. It's 43% of Bluestar's operating budget, the hourly cost of a flight crew is $850 an hour, that's the real hidden value G.G., if you can negotiate that out, get a crew down to $350-400 an hour a run, this airline is gonna be the hottest thing since Texas Air... | |
What makes you think you can? | |
I can talk to these people Gordon, they trust me...and my father can be a big help in getting cuts. | |
Alright... Susan, get Buckingham on the box. I want him to look at it. And tell Jock Taylor at Thwick, Jensen... So sport, the falcon has heard the falconer...tell me more... | |
Isn't it true that Darwin preserved a piece of vermicelli in a glass case until, by some extraordinary means, it actually began to move with voluntary motion? | |
A piece of what? | |
Vermicelli. | |
Are you speaking of the worm, or ... the spaghetti. | |
Either way, maybe there's a book in it, and they both make a ton of money. | |
It's a <u>serious</u> sociological study. | |
Just follow this. Nothing to it. I'm going to shut my eyes here for a little while. Just keep going till you run out of road. | |
I don't know if I can. | |
Not a question of if you can -- you are. Just keep your eyes on the road and your foot on the pedal and the rest will take care of yourself. | |
The children. The children Hugh Crain built the house for. The children he never had. | |
Come on. These are the typically sentimental gestures of a depraved industrialist. | |
Sounds like Tick's already celebrating. | |
You may be a little overdressed for this party. Yo, Tick! It's Lenny. Open up! | |
Hey, you don't need all this just to go on vacation. Unless this ain't for going on vacation... | |
I'm through, Xander. | |
I can see that. Why? | |
You run around with maniacs jumping motorcycles in the desert, you break 36 bones crashing wave runners and snowboarding off cliffs, all with no health insurance... It's insane, I can't take it anymore. | |
I'm having fun, what's the problem? | |
You have all this talent, and you waste it. You won't take a single endorsement deal. Meanwhile those other guys have their own video games! But no, you've got too much "integrity" for that. | |
I don't wanna go mersh, you know that. But hey, if this is about money... | |
It's our job, Gloria. | |
Hunter's making it our job because Sandra Van Ryan's got a bug up his ass. You know that as well as I do. We're gonna trash this guy's life and I keep asking myself if it's really necessary. | |
You went there? I've wanted to go there, but I thought it was off limits. | |
It is. But that didn't stop me. Shouldn't stop you. | |
Somebody planted that fucking story! And somebody tipped off the press I'm one of Garrison's fucking suspects. I can't go home. I'm out on the street. The maggots are everywhere! Do you know what you've done to me? It's all over the national news now. You know what you've done to me? | |
Calm down, Dave, what? | |
I'm a dead man! From here on, believe me, I'm a dead man. | |
What are you talking about, Dave? You weren't mentioned in the story. Don't jump to conclusions. | |
You think your investigation's been all that secret? You know, when you talk to people, they talk to other people. | |
What did they... | |
You still questioning any Cubans? | |
Dave, you know that's where this road leads. | |
It leads farther than that. | |
Dave, just calm down. Meet me in the lobby of the Fontainbleau in 20 minutes. I'll have a suite reserved for you under an assumed name. | |
The Fontainbleau? 20 minutes? | |
Yeah. Come on, Dave, come on our side. I guarantee you the boss'll protect you... Dave? | |
...give me protection? | |
Yeah! He'd kill for you Dave. He likes you. Your mind. | |
I got no place to sleep. I'll meet you in 20 minutes. | |
Our house. | |
No. Look! In the window. | |
Well, I'll be a sonofabitch. Delmar's been saved! | |
Pete, don't be ignorant- | |
Oh, hi -- How was dinner? | |
Oh, perfect -- a 75 per cent family affair. Where were you? | |
Santos' place. | |
Anna. What's wrong? What do you want? | |
I can't find Manolo. | |
He's not here. | |
He never came home last night. Was he with you? | |
No. | |
Gawd...you're...beautiful... | |
You're not a woman. | |
Is that how you get most of your dates? Someone gives your name to someone else? | |
Most of them. | |
Is that how you met the Dumper? -- Someone else gave -- | |
How would I remember? | |
How else do you meet them? Pimps? | |
You're very square. Pimps don't get you dates, cookie; they just take the money. | |
Yes, Papa, name it. Name it. I'll do anything you say! | |
I want you to come back with me to Salzburg, my son. | |
Look, I love the puppy. I love you. But I have to go. | |
You can't go now. | |
I have to. | |
You want to. | |
Jumbo, where the hell are the women? | |
What are you talking about, asshole? | |
Your whores never showed up. | |
They left an hour ago, pink nuts. | |
Screw you! | |
So you're only invisible... to yourself? | |
No. | |
Mike's gotta go. Nice to meet you. | |
Yeah, nice meetin' yuh. | |
Bud White, what brings you down to the basement? | |
I got a few Nite Owl questions. | |
I don't know if you read the papers, but that case is closed. | |
I'm tying up loose ends. Padding my report. You know how it goes. | |
What do you want to know? | |
Anything off. Anything that didn't make sense. | |
You mean beside the fact that thirty-five out of forty-five rounds were gratuitous? I can't think of anything. | |
No one would blame me if I left! | |
I'd blame you. I want you here. | |
I'm not doing it! | |
It'll be fine. | |
Why don't you just beg some money off my dad and move into something decent with a real kitchen and a real bathroom? | |
I'd rather sell my nuts to a castrati. | |
May I help you? | |
I'm just looking, thanks. | |
So, it looks like you're getting pregnant-er these days. | |
Yeah. Um, I hooked up a whole private adoption thing. These married people in Saint Cloud are going to be the parents. | |
It's a good thing you pay me well. | |
Do you realize that there are surveillance teams watching this place right now? Your phones are almost certainly tapped. And you are busy laughing and flirting like a whore with this Renquist, who may be a-- | |
No. He checked out okay-- | |
Why aren't you at work? | |
I mostly work from home. I'm a composer. | |
No shit. Like Johannes Brahms? | |
No, more commercial stuff. | |
Like what? | |
Commercials. | |
Oh. | |
Have you seen those ads for Titanium Power men's deodorant? | |
Titanium Power! Get more snatch by the batch! | |
I wrote that. | |
You're kind of a sellout, aren't you? What would the Melvins say? | |
They'd say you came a long way out here not knowing if anyone would be home. | |
Wait. Bargain me to Louis, for all your lives. You have done your best. Let me go, and let all of you find peace. | |
No. Even if I could give up my friends, I could never give up my son. | |
What type of planes do you have? | |
Four passenger, single engine Cessna. | |
How many kilos can we fit in these planes? | |
I don't know. A hundred, hundred and fifty. How many miles is it from Colombia to Miami? | |
Fifteen hundred. We'll have to stop somewhere to refuel. | |
We'll refuel in the Bahamas. I know someone there. | |
Great. I love the Bahamas. | |
So, another one bites the dust. | |
It's not another one. It's my sister. Aren't you happy for her? | |
She's only known the guy a few months. | |
But I could follow it fine. Perhaps Harry told you about me. My name's Holly Martins. | |
No, he never told me about his friends. Would you like some tea? | |
Where is he? | |
How do you know it was a 'he'? | |
All right -- where is she? | |
How do you know it was a 'she'? | |
Bring -- me -- the -- violin! | |
Can you play it? | |
Maybe...if you get here on time. | |
It's happened at last, we've become a limited company. | |
I'll look in here again. | |
How's school? | |
I left last year. | |
Oh, what you doing now? | |
Working at Woolworths. | |
That must be interesting. | |
Yes. | |
Why did you follow me yesterday? | |
Excuse me? | |
After the market, you followed me to the hotel. | |
I was concerned. As I said, women in that part of Cairo, a European women, I felt obliged to. | |
You felt obliged to. | |
As the wife of one of our party. | |
So why follow me? Escort me, by all means. Following me is predatory, isn't it? | |
What's going on? | |
I told him that you had an E-mail death threat that said if you didn't shut the "F" up, they were going to kill you... | |
...as far as being axed, I'm still here and as long as I am, I have a responsibility not just to me but to the union members I represent... | |
Your responsibility, Dad, is to present the facts, not your opinions, to the men... you're gonna destroy their lives, Dad! Don't do it to 'em. Give it a chance. Let the membership decide for themselves, Dad. Please. | |
I'll be damned that when my men come to me tomorrow morning, wanting to know what's going on, I'm going to lie to them! | |
Your men! All my life "your men" have been able to count on you? Why is it that you've never been there for me? | |
I don't snore. | |
You do - repeatedly. | |
Do I snore? | |
... you there? Norman? | |
Harry? | |
Norman, where are you? | |
I can't breathe... Am I... clear? | |
You're clear. You see the airlock? | |
Where's my brother? | |
Roth got out on a private boat. He's in a hospital in Miami. Had a stroke but he's recovered okay. Bussetta's dead. | |
I asked about Fredo? | |
The new government arrested him, held him for a couple of days with a lot of the other casino people, including Roth's brother, Sam. The American Embassy arranged flights for citizens; I'm not sure, but I think he's somewhere in New York. | |
I want you to reach Fredo. I know he's scared, but have one of our people reach him. Assure him that there will be no reprisals. Tell him that I know Roth misled him. | |
My information is that Fredo thought it was a kidnapping. Roth assured him nothing would happen to you. | |
They can come in now. | |
Wait... there's something else. | |
Alright. | |
What did the doctor say? | |
We have to start looking for a shrink. | |
They're outside the beaming shield. Mr. Scott, start your engines. | |
Aye, aye, sir. | |
Fine, no tunnel. Are you still with me? Hello? | |
I hear them coming upstairs. I won't be able to talk for awhile. I have to lay the phone down and pretend to be asleep. So don't talk. Don't say a word or they'll hear it. | |
I can't stay on this line. I'm picking people up. I'm already overdue. Hello? | |
You got your own nightclub? | |
Well, not yet. It's still in the planning stages. | |
This is my husband. Wladyslaw Szpilman. Marek Gebczynski sent him. | |
Oh, yes. I remember. | |
The design's deliberately noncontextural. But I wanted to... keep the atmosphere of the street, you know, and the proportions. | |
Uh-huh. | |
And in the material. That's...that's unpolished red granite. | |
Bread? | |
Thank you. | |
When's the last time you saw a hundred dollars, Ernest Farmer? | |
Goddamn voices... DROWN 'EM! | |
I need help, Audrey. | |
You know him. | |
Sounds familiar. | |
It should. You nominated him for Spec-Recon just three days after you nominated me. | |
Jordan. Might we do this over lunch tomorrow? I do very much want to talk, but now is scarcely -- | |
Did you set me up? Did you set me up just to see me fail? | |
Absolutely not. | |
Hey, you don't say goodbye to him like that. | |
What did I do? | |
You don't kiss like that. Hello and goodbye, that's all you do. | |
All I did... | |
You know what I'm talking about. Don't ever make me look bad on the night of my big fight. | |
You're hurting my arm. | |
How are you getting along with Pinta? | |
We'll be okay once she realizes I'm not a new toy. | |
Yes, she told me. Do you have children, Mr. Creasy? | |
No. | |
You should know they're tenacious when they want something. And Pinta wants to be friends. | |
You're paying me to protect her, not amuse her. Right? | |
Pony, oh my god! | |
Hey! | |
You showed up. Oh, my god! Holy shit! Look at this car, man! | |
Oh, it's stupid, isn't it. | |
Is that your driver? | |
It's stupid. | |
No, no, it isn't. It's cool. | |
Look at you! | |
Oh! | |
Wow. Hey, you look good. Like you, you know, head's in a good place, you know? You, are still doing your painting? | |
Sometimes, yeah. You know, I started to do performances. | |
Oh, yeah? | |
So? What's L.A. like? | |
It's pretty exciting. | |
Yeah? | |
Yeah. | |
Like? | |
Oh, uh... uh, the other night our manager Danny took us to this restaurant and there was Sandra Bernhard. | |
No, she was just sitting there?! | |
Oh, yeah, just sitting there eatin' a salad, you know. That kind of thing happens all the time in L.A. It's, you know... I met Johnny Depp. | |
You did? I love him. Yeah, you know, I'm thinking of moving to New York. | |
New York, huh? | |
Yeah. To go to school and, you know, paint, performances, paint. | |
You have to go. You always did such, uh, you know, great work. I still have some of those drawings that you'd do in study hall. | |
You do not! | |
I do. Jeff, don't you think Sooze should go to New York and, uh, you know. | |
The fact is, that the milk has been spilled and now we need you to tell us how to clean it up. | |
Cleaned up? It can't be cleaned up! Without the nanobot the waste can't be stabilized! That's what we've been trying to tell you! The only thing we can do is run! Run! Run! | |
Yeah, it's like tradition or something. | |
Right. That gives us... | |
Exactly three weeks to the day. | |
I trust you, Bill. | |
Well, you don't wanna trust me too much. We'll take Ned his share together so you don't figure I run off with it. | |
Leon's in a bad mood, don't get excited, he's all right. | |
Would you say this "Leon" was actually Lee Harvey Oswald? | |
Could you? | |
Where to? | |
A place you've never been. | |
That's the physicist's playground. | |
But now... they are all one with the Borg. | |
I am unlike any lifeform you have encountered before. As an android, I am in complete control of my neural net. The information contained there cannot be forcibly removed. | |
You are an imperfect being... created by an imperfect being. Finding your weakness is only a matter of time. | |
Tell me something, Jack, how much longer you in here? | |
Twenty-two months, three days, two hours. Why? | |
I was just thinking that I could use a guy like you, someone knows how to ask for things the right way. I'm talkin' about when you're outta here. I mean, you can't rob banks for ever. | |
Here now, what are you fixin' to do? | |
Have a look. At nothing. | |
Time is running out, Dana. Soon it will be midnight and the city will be mine -- and Vigo's. Well, mainly Vigo's. But we have a spectacular opportunity to make the best of our relationship. | |
We don't have a relationship. | |
I know. Marry me, Dana, and together we will raise Vigo as our son. There are many perks that come with being the mother of a living god. I'm sure he will supply for us a magnificent apartment. And perhaps a car and free parking. | |
I hate and despise you and everything you stand for with all my heart and soul. I could never forgive what you've done to me and my child. | |
Many marriages begin with a certain amount of distance, but after a while I believe we could learn to love each other. Think about it. | |
I'd rather not. | |
I don't really understand the meaning of the words. | |
If y'all don't shut up I'm gonna go out of my mind. And plus you're liable to bust a spring in Karl's head. He's already off balance. | |
Just a minute -- just a minute -- I have nothing against the idea but I still say let's go back to the Hotel Terminus. Moscow made our reservations there, we are on an official mission, and we have no right to change the orders of our superior. | |
Where is your courage, Comrade Buljanoff? | |
Chief? Mike said a young girl answered the door. | |
Did he say if she was shooting at him? | |
He didn't say. | |
Then we don't know if she's part of this or not. Mickey, you up? | |
How--how do you do, Miss Paine? I--I apologize for looking like this-- I--I have to be going now-- | |
How are the pigeons? | |
Fine--they're fine. Oh, Miss Paine, I--I want to apologize-- what the papers said I said about you--that wasn't true. I--I would never say a thing like that. | |
Did you hear, Father? He didn't mean it when he said I was beautiful. | |
Oh--you are! | |
Then you *did* say it. | |
No--I mean--yes--that is-- | |
Well of all- | |
Margo! | |
It's amazing, you know, that a drug could change things like that, destroy a life and then give it back. It's hard to believe that the world could be so hellish on day and like heaven the next. | |
I tell you, it was so wonderful. I felt like a little boy. I saw Paradise, Jezzie. | |
It's so hard to believe. | |
Bye, Dad. See you in the morning, okay? | |
I'll be here. | |
Maker?... Maker is the key word... the tooth of the worm? That was close... Did you think that I, knowing the mysteries of the Great Mother, would not know the maker? | |
My lady, when one has lived with prophecy for so long, the moment of revelation is a shock. | |
You really had other offers? | |
I'm sure I could have. | |
I'm going out the front. | |
Are you nuts, Buffy? There's a hundred of them out there. They'll rip us apart. | |
You're staying here. Some of them might not come after me. If they don't this place is gonna turn into a total stain. | |
You say that like it's a bad thing. | |
Not again. | |
I adjusted it. | |
I still ask, why do they want disarmament? | |
Well, for the same reasons we do, sir. Don't you see? | |
No, Major, I don't. They have no regard for human life. They wouldn't care if they lost their whole country as long as they won. | |
Gee, sir, that last remark doesn't exactly make all the sense in the world. | |
Major, you're talking like one of them! | |
Well, I'm not, sir. Honestly, sir. | |
Don't be offended, Major. Our President holds the same views. | |
Don't you think he knows something about this, General Ripper? | |
I'll tell you what I do think. If they say they're for disarmament, I say anyone who says they're for disarmament is either a traitor or a damned fool. | |
But, General, we're on our toes. We haven't agreed to anything for years. Inffact, a a lot of people say we never will. | |
But if they suddenly opened up and gave us the inspection we want, we'd agree, wouldn't we? | |
If they gave us what we think we need, yes, I guess we would. | |
And you'd like to see that? | |
General, what's good enough for the President and all the experts he's got working on the thing, is good enough for me. | |
Do you think we'd cheat? | |
No, sir. I'm sure we wouldn't. | |
Do you think they would cheat? | |
Look, sir. I'm no expert on the subject, but I've read some pretty sharp ideas the big boys have. Like, say, both countries agreeing to a million dollar reward and international protection for anyone who gives evidence of cheating to the inspectors. You can't hide those things without a lot of people knowing about it. And if I were going to try and hide a few, I wouldn't want to depend on the fact that some poor slob isn't going to run and blab for a million bucks. We're as smart as they are, and if they cheat, or even hold back information, we'd pull right out. | |
Major, I hate to say this, but I think you've been enemy indoctrinated, and you don't even know it. | |
Thank you. That'll be fine. Don't spend any money on me. | |
Why not? Oh, come, Papa! What better way could I spend it than on you? My kissable, missable, suddenly visible Papa! | |
I'm sixteen, Keri. I should be able to live wherever I want. | |
And I should have a son who calls me "Mom". Looks like we're both shit out of luck. | |
Okay, you win. I'll call you Mom. Now can I move into the dorms? | |
No. | |
JOE Or what? | |
I don't know. I don't want to find out. | |
Just leave it, all right? | |
Oh, I like that tone. | |
How many times do I have to tell you-- I have a system here. Where the hell is that thing? | |
What thing? | |
That thing. Here it is. Right where it's supposed to be. | |
What is it? | |
I'm not sure. Maybe nothing. | |
It's good you found it. | |
There's that spice again. | |
Your Majesty! We come from a world where there IS no music. Where men live and die by the axe and by the sword... | |
Well, how d'you think I feel? | |
The Gods are asleep, King Arnulf. | |
YOU try to be nice to people, when they're rude about your singing... | |
Oh, Christ, now we gotta listen to that grandfather thing again. | |
As I was saying, before I was so rudely interrupted, my grandfather got old, as grandfathers tend to do. He needed someone to take care of him. We move around all the time, going from one mine to another, so we had to put him in a home. Nice enough place but kind of depressing. But not for Granddad. He just convinced himself he was on a cruise ship, going to Tahiti, he had his own cabin, first class, with room service. It just so happened that the weather was always lousy, so he never bothered to go up on deck. Happiest guy you ever saw until the day he died. | |
Considering you brought my mother into it, $71.50. | |
Done. You'll hear from my lawyers. 8 a.m. Good night. | |
Yes. I've seen your victims. One past and one future. I thought I might convince you to reconsider. | |
And I thought, at last, she's here, she wants me. | |
I don't want you, Steven. | |
You'll be all right? | |
Yes. | |
What's the matter with you? | |
He's looking right at me. | |
Someone should put poison in her epsom salts. | |
Grandma? | |
He went over to the hospital to call on Professor Egelhoffer. | |
What? | |
With a bag of marshmallows. | |
Yes, I lived. How awkward for you. | |
Rose... your mother and I have been looking for you -- | |
No they won't. | |
Why not? | |
I'll talk to them. | |
Oh...Gooood! | |
I'll tell you what to say. | |
If I get you back to the lab, will you get out of my head? | |
If I'm real, they'll get me out. If I'm not, they'll treat you. Either way you'll be better off than you are now. You'll get a reward. | |
I'm sure you'll excuse me if I am not gracious, but you see, Major Strasser, I'm a Czechoslovakian. | |
You were a Czechoslovakian. Now you are a subject of the German Reich! | |
How can I know such a thing? | |
I'll tell you, then. The last time this music was played on these air waves was after they announced that your pal Hitler had shot himself. Listen to it. They listen. Did they pick little K's recording? Did they pick some other conductor? No, they picked you, and why? Because you represented them so beautifully. When the Devil died, they wanted his bandleader to conduct the funeral march. You were everything to them. | |
D'you find an apartment? | |
Still looking. | |
I changed my life today. What did you do? | |
I changed my room at the Hotel. | |
Why? | |
The TV didn't work. | |
What Hotel are you staying at? | |
And what are you? A cop? | |
I'm a lawyer. | |
My ex-husband was a lawyer. | |
Really. How wonderful for you. | |
Yes. It was, actually. | |
Oh, actually it was. Then why'd you call it off? | |
Who says I'm the one that called it off? | |
A brick house says you divorced him. I'll put you on your honor. Bet you a hundred dollars against you join me for dinner. And I'll take your word for it. Now you tell me the truth. Because you cannot lie to me. What's your name? | |
Laura. | |
My name's Frank. And furthermore, you came back to see me tonight. | |
What if it wasn't you that I came back to see? | |
You just got lucky. D'you eat yet? Come on. | |
How long did it take Badalato to drive Jimmy Chin's body from Chinatown to the morgue? | |
... An hour. That's why I thought the morgue was on the other side of town. | |
Animal! When the war's over, remember I told you I'd fix you up with Betty Grable! | |
Yeah? How you going to fix me up with Betty Grable? | |
How? We go to California. I got a cousin that's working for the Los Angeles Gas Company. That's how we get the address, see? Isn't that clever? I take you up to her house and ring the doorbell and say, 'Congratulations, Miss Grable. We have voted you the girl we'd most like to be behind barbed wire with, and I'm here to present the award'. | |
What's the award? | |
What d'ya think, jerko! You're the award! | |
Me? What if she don't want me? | |
If she don't want you, she don't get anything. | |
You're teasing me again! | |
Let go, Animal! It's chow! We'll miss chow! | |
I know how ta get him back if you want. | |
Nah. | |
What is the matter? | |
Nothing. I'm just wondering if they have a bar or not. I mean let's go see. Let's go see if they do or not. | |
Rutaganda's place? | |
What's wrong? | |
Beg your pardon sir, you are Hutu. You are safe there. | |
You are with me, Zozo, don't worry. | |
Something happened, didn't it? | |
Yes, it did. | |
Are you wigging out? | |
Yes, I am. | |
We're not gonna start crying again, are we? | |
No, we're not. | |
What happened? | |
Don't kill me -- | |
Wait, it's Nancy -- | |
Oh! Oh, Zeke! Help! Help me, Zeke! Get me out of here! Help! | |
Are you all right, Dorothy? | |
Yes, I'm all right. Oh -- I fell in and -- and Zeke -- | |
He said everyone was doing it. So I did it. | |
You did what? | |
Just once. Afterwards, I told him I didn't want to anymore. I wasn't ready. He got pissed. Then he broke up with me. | |
No way man... | |
You cut him, or I shoot you. Make your choice. | |
There's still ink on my fingers from last week. | |
You got tossed. Don't trust the cops, especially the Judicials. Oh you know that? | |
What are you laughing at? | |
I don't know, I think he's funny. | |
This isn't funny, it's twisted. | |
Well--who d'you take this time--Paine, Bill, Carl--or McGann? | |
Hey--you're into me for a buck already. I say--McGann. Shoot the whole dollar. | |
Okay. For the dollar, I give you McGann *and* Bill and Carl. I got Paine. Hello... Oh, yes. | |
But who would run the store? | |
Forget the store. Think big. | |
But Jake... I didn't say anything... | |
Don't ever do that again. You don't do it! | |
Jake... | |
Attractive... | |
Don't ask. | |
I checked it personally. | |
They buried their dead and for a long time their dead stayed buried. Then something happened. Half the tribe died in a season. The rest moved on. They said a Wendigo had soured the ground. | |
Wendigo? | |
Spirit of the north country. Not a good spirit. Wendigos are great liars and tricksters, according to the stories. And if one touches you... | |
Why can't I let go of this woman? | |
Well... | |
What was that? | |
Your girl friend. She says she can't make it tonight. You lousy bastard you have the nerve to give your whores my telephone number. I'll kill you, you bastard! | |
Let me see. | |
Dad... | |
Your hands are filthy... look, there is dirt way under this fingernail. | |
No -- you can't do that. | |
You got 7 hostages in there, 1 of them's wounded -- We don't know how bad it is -- The guy ripped the phone out -- SWAT said he's got a gun to the head of a female hostage. If SWAT makes entry now, you're gonna lose 1 hostage, maybe 2. I gotta go in. Maybe I can see what's going on in there. | |
I don't know. | |
He's never offed anybody. His rap doesn't show any violence. | |
Not that we know of. | |
We don't know how much time we have. If I can get in to talk to him -- maybe we won't lose anyone. | |
Maybe we can get a throw phone in there. | |
...oh God, don't shoot me... | |
...show me the wallet, man, get your ass up, <u>up</u>... | |
I'll let you know what happens. | |
This is ridiculous. I'm not gonna be in your way - we can talk the case over. | |
Tell you what - I'll flip you a coin. If you win you can come with me. If you don't win, you don't come. | |
I'll call it... tails. | |
Some of us are trying to sleep. | |
You didn't tell me you lived with her. | |
You know each other? | |
Whatever happened to women in back? | |
Reality check, dillweed. This is 1995. | |
Just take deep breaths and think of something happy from childhood. | |
What if I don't have anything happy from childhood...Sorry, I can't relax going five hundred miles an hour, or four thousand, four hundred feet a minute... Which is over seven hundred feet a second. Imagine hitting something at seven hundred feet a second. | |
Deep breaths -- | |
Fumes build up in the fuel tanks. You can by surface-to-air missiles over the internet. Planes use O-rings...which freeze in tap water. Planes fall from the sky for practically no reason at all. | |
You've got a better chance of getting hit by lightning. | |
Right. Planes get hit by lightning. They get hit by meteors. They hit other planes. | |
I think you are afraid to ask me for advice. I think that you are a very troubled... confused young man. I think you're searching for answers in all the wrong places. | |
Well, I think you're the fucking Anti-Christ. | |
Peter Warne! | |
Why? Do you know him? | |
Oh, nono. | |
You haven't heard from him, have you, Dad? | |
Why, no . . . Don't be silly. | |
Oh, please, Dad | |
Wow... | |
If you like that type. | |
Thanks for talking about me behind my back...useful in court. | |
Are you wearing eye shadow? | |
No. Stay that way. I want to talk to you. I love you - you know that? | |
Yes. | |
Perhaps, later, when things are settled, when Jacqueline's well again -- maybe we can arrange things differently. | |
Well, that's to be expected. They have to understand. These are start-up problems. This isn't pots and pans, this is a precise business. I'll write them a letter. | |
They're withholding payment. | |
Well, sure. So would I. So would you. I wouldn't worry about it. We'll get it right one of these days. | |
Don't wanna miss this. | |
Lookit. Lookit! | |
It's that Vernon--he keeps askin' where you and Homer and Rose Rose is at. | |
Tell that Vernon to mind his own business, Muddy. | |
I told him that you all is sick. | |
Tell him what you want, Muddy--*you* is the crew boss today. | |
There's still no sign they know that we know about the missiles. Been a lot of cloud cover; probably think we aren't getting any good product. | |
We keep 'em in the dark as long as we can. But I sure as hell am going to test him. | |
No one's really said four months is all you have, have they? | |
Stage four pancreatic cancer. They haven't even pretended to offer treatment. You tell me, when would you start eating red meat? | |
Can you build a house in four months? | |
I can die trying. | |
Bye, baby. | |
See you next weekend, Dad. | |
Their wedding clothes. | |
Their wedding clothes. | |
What, honey? | |
I lay awake nights in a cold sweat, I want this party to be like some- thing Mom would have made for you, I want it to be perfect -- | |
I know you do, darling. | |
And you could care less -- | |
Oh, you couldn't be more wrong, sweetheart. I can' tell you how much I appreciate it and how I'm looking forward to it. | |
Good. Songs. What songs should Sidney -- Pancho and his six men we can forget about -- what songs do you think he should play? | |
I'm getting out now. | |
Don't do it. | |
Stay ready. Stay by yourself in your room. | |
What'll I do for fun? | |
Whyn't you learn your lines? | |
I <u>know</u> my lines... | |
YOU LOUSY YELLA-BELLIED LOW-DOWN SKUNKS- | |
Now hold on, Pete, we gotta speak with one voice here - CAREFUL WITH THAT FIRE NOW, BOYS! | |
No further questions. | |
You may step down. | |
I love you too Major, but you haven't called me that since basic training. | |
I was talking to the cat. | |
Oh, yeah, I forgot.You still prefer your cat to the real thing. | |
I hope you're happy! | |
This has nothing to do with me, this, uh, drinking, yeah. | |
No, this has everything to do with you. | |
No, no, she went up by herself. This was not my responsibility. | |
Hey it's your roof. It's your fucking problem. Hi, uh, there's an emergency down at the Circle A on first Street, Yeah, Okay. You're fucked now, pal! Um, send an ambulance 'cause I, I think it's an overdose or something. Okay. Okay. Jeff, they're coming. Just wait here. I'm gonna go over to Scuff's and see if he's got his truck. Listen, if she dies, you're gonna be so sorry that you ever showed your brown face in this town! | |
I know. He's just the best. | |
I've got Jews at my table. | |
It's not your table. It's the place's table. Behave. This once, you can sit at someone else's station. | |
Shut up. I like the kid. Remember the night he took Farella at St. Nick's, Charley. We won a bundle. Real tough. A big try. | |
Not a dent. Perfect | |
My favorite little cousin. | |
Thirty-six sev aah I lost the count. | |
OK skip it, Einstein. How come you never got no education like the rest of us? | |
What day is this? | |
Wednesday... No, it's Tuesday, I think. | |
Think the tide's with us? | |
Just keep kicking. | |
Y'know, I used to hate the water... | |
I can't imagine why. | |
You know... there's not going to be a happy ending to this. It's not possible anymore. | |
If we get him, I'll be happy enough. | |
No. Face it now. Stop thinking it's good guys against bad guys. | |
How can you say that? Especially after today? | |
Don't try to focus on things as black and white, because you'll go blind. There's no winning and losing here. | |
You're the oldest man I know, Somerset. | |
You tell me, then... you walk into an apartment, and a man has beaten his wife to death, or the wife murdered the husband, and you have to wash the blood off their children. You put the killer in jail. Who won? | |
You do your job... | |
Where's the victory? | |
You follow the law and do the best you can. It's all there. | |
Just know that in this case there's not going to be any satisfaction. If we caught John Doe and he were the devil himself, if it turned out he were actually Satan, then, that might live up to our expectations. No human being could do these things, right? But, this is not the devil. It's just a man. | |
Why don't you shut the fuck up for a while? You bitch and complain... if I thought like you, I would have slit my wrist already. | |
I want you to know right now that the trial's going to be nasty. Your sex life is going to be dragged through the mud. They're going to say that you enticed Marsh -- led him down a dark path. | |
Andrew hardly needed leading. He was a very passionate man. He was eager to explore. I gave him what he wanted. We fulfilled each others needs. | |
This is a very small town -- people here have very straight views on sex. | |
Forgive me, but it was superstition ...foolish, childish wishes...that started, all this. | |
What do you mean? | |
I can see it all...the very day it began. Amy was lonely; she was desperate for friendship. I remember the night she told me she had wished on her ring. That must have been the day she first wished for a friend. | |
Would you like a cup of tea before you go? | |
No thanks. | |
Coffee? | |
No. | |
Orange juice -- probably not. | |
I'm taking the nine o'clock train, Hildy. And you can meet us at the station. | |
Fine. | |
Your silence intrigues me. | |
John, the kind of control you're attempting is not possible. If there's one thing the history of evolution has taught us, it's that life will not be contained. Life breaks free. It expands to new territories. It crashes through barriers. Painfully, maybe even.. dangerously, but and...well, there it is. | |
Hello. You're back again, huh? | |
yeah, yes, hi, hello. | |
-- can I get you? | |
Diet Coke. | |
The bastards outconned us. | |
I think we could still have a chance. | |
If you start the game instead of waiting, you mean? | |
No, let's stick to that strategy till we see whether you boys can do two things. The first is get that halfback out of the game. He had one year with the Rams before the Army got him, but he didn't play too often because he's one of those hot dogs. | |
Where is it?? | |
I don't know!! | |
Very pretty. Now what? | |
I'll give you a chance, Dyle -- which is more than you'd give me. Where's the money? | |
Is that why you dragged me all the way up here -- to ask me that? She has it -- you know that. | |
And I say maybe you both have it! One more time, Dyle -- where is it? | |
Supposing I did have it -- which I don't -- do you really think I'd hand it over? | |
You're out, Dyle -- right now! | |
Dano, shouldn't we go back and help your mother? | |
Blow me. | |
Daddy! | |
Zuzu Zuzu. My little gingersnap! How do you feel? | |
Fine. | |
I won't have this vulgar talk in my house. | |
It's only a joke, Mummy. I'm fifteen. I'm still at school. I want to be a nun when I grow up. | |
I can't go home. After Lewton's, they'll be after me. | |
We're takin' you to a cabin in the woods, it's only a couple miles from my house. Keep off the highways, they'll be lookin' for us. | |
I'm not going to be the scapegoat for this. Haldeman and Ehrlichman are in just as deep as me. | |
John, you don't want to start down that road. I remember what Whittaker Chambers told me back in '48 -- and he was a man who suffered greatly -- he said, "On the road of the informer, it's always night." This is beyond you or even me. It's the country, John. It's the presidency. | |
I understand that, sir. | |
Good. You know how I feel about loyalty. I'm not going to let any of my people go to jail. That I promise you. The important thing is to keep this away from Haldeman and Ehrlichman. I'm trusting you to do that, John. I have complete confidence in you. | |
Not really... Maybe a couple of Peacemakers... I imagine you could overlook those, eh, Bill? If you didn't see them... or hear them? | |
I guess not, Bob. I don't like guns around. | |
Make a bridge out of her. | |
Ah ... but can you not also make bridges out of stone? | |
What you been doing? | |
Running this place for a fella in town. Nothing much to speak of. | |
Well, I don't notice us hustling trash, either. | |
You believed it because you wanted to believe it. Your true feelings were too gross and icky for you to face. | |
I did not want them <u>dead</u>. | |
Did to. | |
Did not. | |
Did to. | |
Did not. | |
What the hell are you laughing about? | |
I just pictured the tire sitting in a chair watching TV. | |
Oh, wonderful. Fucking psycho. | |
Here ya are. Keep the change. | |
That's right on time. This is my friend, Vito. His pops is Sal. | |
Tell ya father he makes the best heros in Brooklyn. | |
You're not going to the ocean with that, are you son? | |
I'm all checked out for light surf and look at it. | |
Do me this favor just once. Use the ponds. | |
Dad, the ponds are for old ladies. | |
Just a favor for your old man. | |
Sure, Dad. | |
What kind of trouble? | |
It's not closing, Mike. | |
That's impossible. | |
I know. But we show it's not closing. | |
Okay, okay... We'll get someone on it. | |
And she saw you? | |
Yes, she did. | |
So how's that work, a wanted felon socializing with a U.S. Marshal? | |
You know how I felt about her. | |
Did you give her a jump? If you did I might begin to understand where your head's at. | |
It wasn't about getting laid. I just wanted to know what might've happened if things were different. | |
You find out? | |
Yeah, I did. | |
Two hundred and fifty dollars you owe met | |
You found the leopard! | |
Father? | |
Six-pounders. Lots of them. | |
I'll look for it, Daryll Lee. | |
Bet you never figured I'd follow in your footsteps. It's real well- written. You should read it -- you're in it. | |
I will. I'll call you, Daryll, and talk to you about it after I've read it. Right now I have a question... Peter Kurten. | |
Kurten! Is he bothering you? I told that son I'd send him what he wanted if he leave you alone. | |
Ah ha. What did he want? | |
Something personal. Is he bothering you? | |
I don't know. I'd like to know where he is. | |
Listen, you want my advice? Steer clear. He's writing me he's gonna finish 'my unfinished symphony.' He's gonna give me $550 for some of my cum, he says he's in a position to see that I will be immortal if he has some of my spunk. I'm offended. Right away I smell <u>freak</u>. Writin' about him and me and <u>you</u> bein' joined and he's gonna finish my <u>symphony</u>? I didn't care for his drift. I sent some liquid soap in a sandwich baggie with a message from Jesus to mend his ways. You hear I found Jesus? And what's funny is, now I don't mind bein' inside. If I was out, even Born Again, I'd probably get restless again. It's maybe better I stay here, what do you think? | |
I think whatever is best for you, Daryll. And maybe you're right, that's the place. | |
You come and visit. | |
Where did you send the message to Peter Kurten? | |
Damn! I gave that to Conrad, too! That guy! I told Conrad deliver to Kurten and keep the 500 bucks in return for getting my book to you. | |
You were very different yesterday. | |
Yesterday -- yes -- that was yesterday. | |
Jesus fucking Christ, Diego. I ain't telling you. It's just business. Now, shut up. You're driving me crazy. | |
I'm driving you crazy? No. You're driving me crazy. We had a dream. What happened to our dream? | |
What am I doing here? | |
Atoning, Mr. Lounds. | |
...Huh? | |
Yeah. That's a great plan, Walter. That's fucking ingenious, if I understand it correctly. That's a Swiss fucking watch. | |
Thaaat's right, Dude. The beauty of this is its simplicity. If the plan gets too complex something always goes wrong. If there's one thing I learned in Nam-- | |
To think I brought my daughters up on all things Roman. Read to sleep on Catullus, Lucretius... Virgil... every night. My beautiful daughters. | |
Do you remember your Epictetus, that little homily we recited when we were children? The one that was supposed to remind us we were Romans? | |
Oh please sod off. | |
Okay. | |
No! No. Wait. I... thought you were someone else. I thought you were Spike. I'm delighted you're not. | |
Do your job, man, don't tell me to dance. | |
Fine. | |
Move it. | |
Where? | |
You're fucked in the head. | |
I'm scared, Grady. I know it sounds crazy. But, there's something trying to get into my body. | |
The only thing trying to get into your body is female and waiting for you on a cabana floor. And you want to sleep with me. Go figure. | |
Look, I don't care if you believe me or not... | |
I believe you. You had some scary dreams, okay? | |
No! I don't know - everything's all mixed up. What difference does it make? I'm in trouble here. I need your help. | |
What? It's on the way. She says she's got something for me. | |
Yeah, right. | |
How are you, Nick? | |
I'm fine. Come on, Beth! You know I'm fine! How the hell long do I have to keep doing this? | |
As long as Internal Affairs wants you to, I suppose. Sit down, Nick. | |
It's bullshit. You know it is. | |
I know it is -- but sit down anyway so we can get it over with, okay? | |
Thanks for picking me up. | |
No prob, I could use the company. I've been on the road going on fifteen hours straight. | |
I know how you feel -- I been standing in the same spot for the last five hours. You know it's against the law to pick up a hitchhiker in this state. | |
That must make it tough. | |
Sucks. So what's up? You some kind of salesman or something? | |
Nah. I'm... I'm nothing. | |
Oh. Well I am. | |
Hm? | |
A salesman -- that's what I am. I mean, I'm gonna be anyway. I'm starting my own company -- video sales -- just as soon as I get enough seed money. | |
'That right? Good for you. | |
Yeah, you wouldn't believe my idea -- it's a home run. You ever hear of Eight-Minute Abs? | |
The exercise tape? Sure, I've seen it on T.V. | |
Two million copies it sold last year. Two million, man. But not next year -- my idea's gonna blow them outta the water. Get this: Seven-Minute Abs. | |
You can't-. | |
Dick, let go. Revenge will eat you alive. Trust me. I know. | |
But what about all the good we can do? There are monsters out there. Gotham needs us. | |
And when you finally get Two-Face? | |
There was a mandate in the last election-- | |
It wouldn't happen to be your construction company gonna get the bid on building this thing, would it, H.L. And Jorge, you wouldn't be thinking about a couple dozen new jobs to dangle in front of the voters-- | |
Because they sure don't look like birds to me. I heard a meteor hit the earth and made like this one hundred mile crater someplace down in Mexico - - | |
Listen, ahh - - | |
Tim. | |
Tim. Which car were you planning on - - | |
Whichever one you are. | |
What C-4...was Cox talking about? | |
Let me put it to you this way... whether I'm here...or whether I'm not...I'm leaving an indelible mark on the world tomorrow night. | |
Where did you plant the C-4?! | |
Juicy? | |
Yes. He's more than four thousand years old and still decomposing. | |
Oh, Christ! What's wrong with you?! | |
I'm sorry. | |
Oh, couldn't you say something? You have to slither around behind my back! | |
I'm saying it now! | |
So you met somebody else? | |
Yeah. | |
Yes? | |
Hi. Um, there doesn't seem to be any hotel room available and someone told me to come here and ask for "Tubab" who might to have a place for me to stay. Are you "Tubab"? | |
No. I am a "tubab." | |
What do you mean? | |
Tubab means white man. | |
Riders -- | |
We know, Ma. Now we got to get you to Doc Mimms. | |
Take care of each other, boys. You say your prayers. | |
I hope you won't take this the wrong way, but I couldn't help but notice... that you're a dead ringer for Veronica Lake in "The Blue Dahlia". | |
Really? | |
Dexter Grayson, you told me it was only ten thousandand you didn't even get those letters from that Jezebel! | |
Oh, so you did give her ten thousand dollars, eh? and there are letters... | |
Right. | |
Why didn't you cross at the crosswalk? | |
Why should I? | |
John...John...John. Okay. John. John. Look: The Glengarry Highland's leads, you're sending Roma out. Fine. He's a good man. We know what he is. He's fine. All I'm saying, you look at the board, he's throwing...wait, wait, wait, he's throwing them away, he's throwing the leads away. All that I'm saying, that you're wasting leads. I don't want to tell you your job. All that I'm saying, things get set, I know they do, you get a certain mindset... A guy gets a reputation. We know how this...all I'm saying, put a closer on the job. There's more than one man for the... Put a...wait a second, put a proven man out...and you watch, now wait a second--and you watch your dollar volumes...You start closing them for fifty 'stead of twenty- five...you put a closer on the... | |
Shelly, you blew the last... | |
No. John. No. Let's wait, let's back up here, I did...will you please? Wait a second. Please. I didn't "blow" them. No. I didn't "blow" them. No. One kicked out, one I closed... | |
...you didn't close... | |
...I, if you'd listen to me. Please. I closed the cocksucker. His ex, John, his ex, I didn't know he was married...he, the judge invalidated the... | |
He's trying to prove his innocence. | |
He can't download her without a lot of technical help. | |
No. He can't... | |
Now, where's Mulligan? Where's Vivo? | |
I told you... | |
I don't care what you say. This could be a major Christmas gift item. | |
Right, and the first time someone gets mad, their toaster will eat their hand. | |
So we'll put a warning on the label. | |
Williamson, get on the phone, call Mitch... | |
They took the phones... | |
They... | |
This is his stuff. I've been out in the cold all day. | |
This is a premeditated puzzle, and it's only the beginning. | |
That's your life... not mine. | |
Please. | |
Its too late. | |
You can still make a choice! Make the right one now! | |
I have no choices! I can't fight what I am! | |
Does that disturb you, James? Thinking about that little boy in the well? | |
When I was a kid I identified with that kid, down there alone in that pipe...a hundred feet down -- doesn't know if they're going to save him. | |
What do you mean -- when you were a kid? | |
Nevermind. It's not real -- it's a hoax. A prank. He's hiding in a barn. Hey, turn left here. Left! | |
How was school today? | |
Fine. | |
Learn anything? | |
Oh yeah. | |
That's good. | |
For fuck's sake, Gloria There's a big news story out there! We need to get out and cover it. | |
Were not going outside the hotel grounds unless we have an armored car. That's the ground rules. | |
Ground rules! Where the fuck do you think you are, Wimbledon? | |
We cover the story from here until we can get proper protection. | |
Stanley if you don't fuckin' stand up and go over there I'm gonna beat your ass -- | |
I'm sick of being the one, the one who always has to do everything, I don't want to be the one always -- | |
Look, the truth is, I didn't want to be dumped at the truck stop. I wanted to go on with you. I needed an excuse. | |
You could've asked. | |
You might have said no. I have trouble handling rejection. | |
Chopin prelude. Stodgy, but nice. Here's the deal. I didn't want you involved in this. Still breathing? But now that you are, we have to make the best of it, Max. Improvise. Life is that way. Adapt to your environment. Survive. Darwin. "Shit happens." The I Ching. Whatever. Roll with it. | |
I Ching? You threw a man out a window! | |
I didn't throw him, he fell. | |
What'd he do to you? | |
Nothing. I only met him the one time. | |
How can you kill him like that? | |
I should only kill people after I get to know 'em? Six billion people on the planet, you're getting bent out of shape 'cause of one fat guy? | |
Who was he? | |
What do you care? Ever hear of Rwanda? | |
Rwanda-Burundi. Central Africa. | |
Tens of thousands killed before sundown. Nobody's killed that fast since Hiroshima and Nagasaki. Did you bat an eye, Max? Join Amnesty International? No. I off one Angeleno, you throw a hissy fit... | |
It's okay, it's okay. | |
Well, that's all that wrestling is. Except usually there's more grunting and squirming before the pin. Well, it's your first time. And you're out of your weight class. | |
You're welcome! Spooks. So, you want to compare notes on this guy. | |
No. Not yet. | |
Well, you rascal, where'd you come from? | |
Hello, Daddy. How are you? | |
About as good as can be expected with one foot in the grave. Good to see you, son. Did you bring any of that Yankee whisky with you? | |
It isn't Yankee whisky, Daddy, it's Scotch. | |
It's Yankee whisky to me. | |
It's dangerous!! | |
Leave me alone!! | |
Polo. | |
Whatever you're getting paid, I can give you twenty, maybe thirty bucks more. | |
Well, the light caught the side of his face for a second. And it looked like he had a gray beard, maybe... late fifties, early sixties. | |
So you're telling me it was one guy with six guns? A-and he was a senior fucking citizen? | |
I think it's better if we find this man before he finds us again. | |
I'll see what I can do. How do I get in touch with you? | |
We're going to hit Poppa Joe tonight, right in the comfort of his own home. Then we move on to New York. It's getting a bit hot for us here. | |
Be careful. | |
I'll call you tonight, afterwards. | |
I just came here to talk. | |
Way I see it, me and you only got one thing to talk about. What you willing to do for me? | |
Maybe tonight? | |
Whaddyamean 'maybe'? | |
That's what he said. | |
He doesn't know? How come he doesn't know? | |
I don't know how he doesn't know. He doesn't know. | |
Sonofabitch. | |
Wonder who his supplier is. | |
I have no idea. | |
I wasn't asking. | |
He never leaves the beach, Fat Sam. Never leaves. Sits in that chair, he's outta junk. Then he suddenly gets up, he's got junk. So where does it come from? Through the sand? | |
I think that's highly unlikely, Creasy. | |
I ought to get some sleep. | |
Creasy, how old are you? | |
Nineteen. | |
You're not taking real good care of yourself. | |
Hello. | |
Hi. I brought some wine. | |
Thank you, won't you come in ? | |
Thanks. | |
You be at this personnel office, Friday, three o'clock sharp. | |
What is it? | |
...Janitor's job. | |
Oh man... come on, I don't want no janitor job. | |
By not disgracing her memory! | |
What does that mean? | |
You might as well be spitting on her grave every time you put drugs up your nose. Or did you just conveniently forget that it was drug dealers who killed my daughter? | |
-- Can't Mr. Dowd find his own expert witness, your Honor? | |
I'd need a continuance. Three weeks at least. | |
What are you thinking, Momma? | |
Lots of things. | |
Anything bad about me? | |
You know, he's not an enemy trying to evade you. He's just an animal. | |
What are you suggesting? | |
When I needed to catch earthworms, I knew the best way to catch them was not to chase them. I had to draw them out. | |
You know, I'd be lost without a telephone. Now - where were we? Oh, yes - I just made you Secretary of War. The first thing you do is buy ammunition -- you buy it from me and I get 10% commission. | |
What do I get? | |
You get half mine and I get half yours. | |
I don't want to buy ammunition -- we no gotta war. | |
Then we've gotta start one. Do you know how to start a war? | |
Sure, that's easy. You gotta insult somebody. | |
Lemme fix you a drink. | |
No thanks, Birdie. | |
Ain't you done enough drinking for tonight? | |
...Brian hurt his foot. | |
Indiscretions, Abbe? Please. I've read his case history. At sixteen, he violated a serving girl with a crucifix. After six months in the dungeon at Vincennes, he mutilated a prostitute, cutting her flesh with a razor, then cauterizing the wounds with wax -- | |
I hope you'll judge him by his progress here, and not his past reputation. | |
How are you gonna make it without your shoes? | |
I suspect it will hurt a lot. | |
I can't get jiggy with this shit. Where is the damn manager? | |
Sir, the manager stepped out for a moment. I'm currently running the store. Can I see the CD? | |
What are you talking about? I don't understand all this mumbo jumbo and the funny looks on your faces. | |
Mrs. Hillyer, this girl is sick in more ways than one. She is an extreme psychoneurotic with uncontrollable sexual impulses. It would be a mercy to spare her the suffering she causes herself and others. Therefore I recommend as a therapeutic measure the removal of her second ovary. It is ethically and medically the only proper decision in this case and I suspect your husband agrees with me. | |
What is to become of me? Am I to wander the Earth forever like a ghost? | |
You will live. Survive. | |
Then they were right. I am evil. This is God's punishment. | |
You have done nothing wrong Conor MacLeod. | |
Oh my God. Oh my God I'm lost. | |
You can't deny we gave the people their money's worth -- almost -- eight tumbling Romanoffs -- eight! | |
I must insist that you leave. | |
Not before you agree to use those reservations to Moscow. | |
In that case I can only say good-by. | |
I will not be held responsible for these revisions. These changes are not the way I want to go. This is an outrage. This is a sham. A violation! | |
Calm down, please. | |
Is that me? | |
That's you. | |
I've never been supercargo. | |
Sawn-offs are out, Tom; people like to have a bit mare range nowadays. | |
Range? I don't want to blow the arse out of this country, granted, but I don't want anybody blowing a raspberry at me either. I want to look fucking mean. | |
Of course you will look mean, Tom, you will look really scary. | |
All right, let's forget about them for the time being. What about your weed man? | |
Rory Breaker is standing by. You stand to make a lot of money, Tommy boy. | |
That's fine! That's fine! Now fall right into their laps. Go ahead. Say John Doe walked in and called the whole thing off. You know what that's going to sound like on top of this! | |
That's all, Ned. Thank you. | |
Sugar and cream for Goetz; I take mine black. You're absolutely correct. The politicians don't want panic headlines spoiling the Festival of Love. | |
Well, let's thank God you and Inspector Goetz are on the case, then. | |
Would you want to work with us on this? | |
Oh, my God, no! I'm a clinical hysteric, with panic syndrome, and anxiety neurosis, agoraphobic, I'm afraid of everything, real and imaginary. I never leave this apartment now. Nobody ever comes here. I just wanted to get your attention. I write and I used to lecture on these crimes, but... I'm not competent. | |
I think you are. I really admire everything you've done; it would be an honor to work with you, and we need all the help we can get, especially yours. | |
Inspector Halloran, that is so much bullshit, you don't like or admire me, but the beautiful part is I don't give a fuck. That's the upside of having a breakdown. | |
Well, it's a hell of an apartment you got here. I'm living one step away from the projects, myself, but I get to go to work every day, wading in blood and guts. I guess the books you wrote about these sons of bitches paid off pretty good. | |
Will you go. Andy, make them go. | |
You can't go out lecturing? Tough shit. Women are dying. Where can I lay this stuff out? | |
Yeah? | |
Where you been the last two hours? Your mother's been calling every ten minutes whining about how you didn't show up. | |
You dial nine to get out. | |
Of what? | |
The hotel. | |
I see. Well, thank you very much. You've been very, very nice. | |
That's my favorite line in my favorite movie of yours. "Bride of Frankenstein." | |
Is it now? Hanna? I think we'll take our tea down by the swimming pool. | |
The newspapers! Sheriff, they're the scum of modern civilization. | |
You said it! | |
They're always after me for interviews. | |
Me, too. | |
Of course, I sort of promised them I would give out a statement when I got through here. You don't mind? | |
Well, I don't know if that's ethical. You see, all statements are supposed to come from me. | |
We'll have to satisfy them. What would you say to giving them a joint interview? I could give them some of the psychological aspects of the case and you could give them the legal aspects. | |
A joint interview, eh? That might be all right. We could have our pictures taken together, Doctor. | |
Yes, shaking hands. I don't take a very good picture, though. | |
It doesn't matter. The publicity's the main thing. | |
Yes, I suppose so. It all helps. | |
What are your intentions? To make little dreams in coffee shops, turn a woman's head, and I don't mind admitting it was turned, I liked it, but ten hours later I feel like a fool. I don't get it. You, my father, here in this house, the cof- fee shop, it's making me upset, and I don't like being upset. Who are you anyway? And what are you eating? | |
Peanut butter. | |
Hey, Barney. | |
Mr Brown, sir -- | |
It's cold out there tonight, Barney. | |
Very. | |
And you, sir? Any better? | |
Go to the bathroom. | |
Right here? Well, you're being so bossy I wasn't sure! | |
Jesus Christ... | |
Can you fix it? | |
No way... | |
Think! Can we stop it?! Block it up?! Shut down the line somewhere?! Think! | |
I am thinking, man! You think I want to die! I am thinking! I-- | |
You taking the order wouldn't have changed anything. | |
They don't know that. We were the only one's on deck. Look, there's nothing they can do to me right? I'm a kid. | |
But that's not the point... | |
That is the point... And Skipper'll slip off the hook. | |
Ted, when we got married it was because I was twenty-seven years old and I thought I should get married and...when I had Billy it was because I thought I should have a baby...and I guess all I did was mess up my life and your life and-- | |
Joanna, what the hell is-- | |
Please...Please don't stop me. This is the hardest thing I've ever had to do.. | |
Not the only one. | |
The fire's got the temperature way up all over camp... won't last long though. | |
Neither will we. | |
Maybe we should try and fix the radio... try and get some help. | |
Maybe we shouldn't. | |
Then we'll never make it. | |
Are you all right? | |
Sure. What's that funny smell? | |
Gas. Didn't you turn it on? | |
Yes. I was boiling some water to get the coffee stains out of my dress. | |
You turned it on -- but you didn't light it. | |
Are you supposed to? | |
In this house, you're supposed to. | |
Oh. | |
To a five-year-old kid? What a scumbag! | |
That's sick, Dante. | |
I got rid of him. I wanted to see if... I wanted to be the only one. I wanted to be Snow. | |
Fuck me. I knew it. | |
You've been giving him a *flying* lesson! | |
He *loved* it! Didn't you? | |
Really? So, so, what else? Wh- what are you up to? | |
Oh, I don't know. My unemployment checks are running out. Um, I was thinking of taking some courses at Columbia with the last of my savings. | |
You know what to do? | |
Yeah, yeah. | |
Now this is important. Make sure you leave the house when you make the call. You understand? Do you hear me? It's important. Call from an outside phone. I mean it. | |
Jesus! You must think I'm dumb. What are you bugging me for? I know what to do! | |
Just make sure you do it. You know what I mean? | |
Gardens. All these streets round here have these mysterious communal gardens in the middle of them. They're like little villages. | |
Let's go in. | |
Ah no -- that's the point -- they're private villages -- only the people who live round the edges are allowed in. | |
You abide by rules like that? | |
Ahm... | |
Drink? | |
No. | |
Yeah. So? | |
Just checking -- keep out of sight! | |
Where is Michelle? | |
There. | |
What about the rest? | |
When those cops get a look at Miss Fremont -- they'll even contribute. | |
Relationships are a bitch, here. It's hard enough to concentrate ...under the pressure. Having a woman here is asking for it. | |
I guess that's what I'm doing, then. | |
Where do you find the time? Where do you find the energy. It's tough enough to keep your mind on school. A woman here is a real pain in the... | |
How do you know? | |
I just know. | |
It's only a physical problem. He has trouble with certain sounds because of the constrictive deformity of the mouth. But he can talk, and has a great eagerness to make contact with people who will let him. So if you have any difficulty understanding what he is saying, just tell me and I'll make it clear. | |
Speaking is one thing, Treves, but can the man comprehend? | |
You can cut the shit, asshole-- | |
we've got kidnapping, grand theft auto, burglary, and two counts of murder on you, and I'm gonna see to it personally that it sticks! | |
I don't know. I haven't caught anything yet. | |
What're you thinking about out here, Nuke? | |
Hey, I thought you were gonna mention us upstairs. | |
I did. | |
Well thanks a pile, fella. | |
C'mon let's... | |
No! Just harassment. Can't let it stop this. Brother we got momentum! | |
You hurt my feelings. I ought to raise the price to be a thousand. | |
If I call the police, your price will go down to a minus sign. | |
Bluff. You've waited too long. | |
For five hundred, what do I get? | |
I go home and paint the kitchen. | |
For two hundred? | |
I stick around and wait for the five hundred. | |
You mentioned information. | |
Sorry. Another client paid for that. You can hire me not to use it. | |
A thousand. | |
Got it on you? | |
Got the information on you? | |
Get it in half an hour. | |
How do you know that? | |
I saw her die. She was shot. With this gun. | |
Vivian, I've thought about this a lot. This is the best solution. | |
When I was a little girl, my mother locked me in the attic when I was bad, which was pretty often. I'd stare out the window up there and make believe I was a princess trapped in the tower by the wicked queen. Then suddenly a knight on a white horse with his bright colors flying would ride up. Rescue me from the tower, and then we'd ride off... but never, ever in all the times I had that dream did the knight say, "Come on baby, I'll put you up in a great condo." | |
Lafayette two-one-hundred. | |
That dumb immigrant'll flop on me. I know it. Can you imagine Butch doing this to me -- at a time like this? | |
So far so good. | |
I'm worried. The vibrations could shake her to pieces. We should have padded her feet. | |
Bye-bye. | |
Now hang up. | |
Prophesy to us, oh Christ! Who is it that struck thee? | |
I don't know, but God help him if he does it again! | |
Now, Jackie -- | |
-- she's a very compulsive girl. | |
Is this boyfriend bothering you? | |
I don't have a boyfriend. | |
The gentleman who came to the door -- | |
-- is not my boyfriend. | |
Many times, in damestic abuse situations the young lady is afraid to speak, but I have to tell you that, being a police officer, I've seen it happen: Young woman afraid to speak, next thing you know, I'm gettin' a call on the radio, I got a 422 -- | |
It's not -- what's a 422? | |
It's where situations like these lead, Claudia, unless you do something about it early, if and when the police call and come for help. Now there are certain measures you can take -- | |
It's not my boyfriend -- and it's not anything -- it's over. Really. It's not. He won't came back. | |
I don't wanna have to come back here in an hour and find that there's been another disturbance. | |
You won't. You won't have to. | |
But I wouldn't mind comin' back in an hour just to see your pretty face! | |
So where are you from? | |
Up north. | |
Where up north? | |
Seattle. | |
You got any family? | |
...the truck driver... | |
He's not a bad person, Nick... he's not... | |
AGH! | |
Terrance! NO! | |
What do you mean by that? | |
Yesterday morning you called the President a traitor. What do you think that crowd is doing down there? They think you murdered him. | |
Because the crackpot who did it had a copy of the "Enquirer" in his pocket? | |
- and that copy of the "Enquirer" said the President should be killed. | |
I said treason was a capital offense punishable by death - | |
You've said a lot of things about the President in the last few months. | |
They're true! Everything I said! Witholding that veto was treason! | |
Charlie! | |
Oil belonging to the people of the United States was leased out for a song to a gang of high-pressure crooks - Nobody can blame me because - | |
Look out that window. | |
Welcome to mobile H.Q. Weather's turning quite nasty. Sir August was blown to smithereens. Along with half of Banffshire. The Ministry's worried. | |
He tried to warn us ... | |
Do they let you -- | |
I don't really want to talk about it, Bob. | |
It turned up on the black market. One of my sources thought I might be interested. | |
I don't know what to say. | |
Deeds, not words. I need your help. | |
What're you doing here? | |
I'll take care of him. | |
Are you following me? | |
I was in the laundromat. I saw your car. Thought I'd say hi. | |
Hi | |
We should go back -- you -- you could tear that door apart -- | |
Don't move. We -- | |
-- should go back. Now! | |
No. Don't -- | |
I'm in charge. We go back! | |
I'm leaving. | |
When?.....How? | |
Right now. | |
But you can't...you. | |
Kick a buck. | |
Damn. | |
I didn't realise... | |
Shut up, freak! Monster! You are insignificant. | |
I'm leaving Vanessa. | |
What? | |
It's just not working out, but I'm getting my own place in the city... and I've got it all planned out. It's something I've wanted to do for a long time... | |
I say we all go to the laser parlor and get cut together. | |
What do I want with a scar ? | |
Did you ever hear of the S. Cooper Trust robbery? | |
Uh-uh. | |
S. Cooper Trust, in San Francisco? | |
Uh-uh. | |
When'd you get back? | |
Ah. Couple days ago. | |
It still doesn't matter if I kiss you? | |
Nothing matters. | |
No use waiting, then. | |
Uh, so head for the other end of the tunnel. | |
INT. VITELLI'S HELICOPTER - DAY. | |
My mother told me never to accept offers from strangers. | |
My name is John. Now I'm not a stranger anymore. See how easy it is for us to get to know each other, beautiful? | |
Do you have to call me that? | |
I don't know your real name. | |
Maybe I don't want you to. | |
Maybe, but if you didn't I think you would have kept on walking. | |
You're pretty full of yourself, aren't you? | |
My cup runneth over, beauti-- | |
It's Grace. | |
May I carry your package, Grace? | |
It's OK. It's OK. | |
Make love to me. | |
Tell him it's not cute. Will you tell him, Domino!? | |
<i>Chinga te y tu mama tambien.</i> | |
Can you not be violent? | |
I don't think so. You need help with the pants? | |
No!!! | |
I'm going to take a big bath and order a big meal. | |
Uh-huh... | |
I'm sorry... are you okay? | |
Well, considering everything's horrible and tomorrow I have to face my parents... Don't ask me ... I'm sick of my own complaints ... got to get me a new set of thoughts. | |
Why? What have you been thinking about? | |
How to die, mostly. | |
Can you believe in our little mix you're the good roommate. | |
Got a pen on you? | |
Why? | |
There's only one thing you're good for anymore -- signing a damn voucher. Here. It's an authorization to employ a contractor. | |
I don't know if I can do that without a... | |
I'm going to hire Quint to kill the fish. I want to see that shark dead. | |
Maybe we can save August... | |
Forget it. This summer's had it. Next summer's had it. You're the mayor of Shark City. You wanted to keep the beaches open. What happens when the town finds out about that? | |
I was acting in the town's best interests... | |
The best interest in this town would be to see that fish belly-up in the water with a hole in his head. You do the right thing. You authorize me. Right there. Whatever it costs. | |
My kids were on that beach... | |
Just sign it, Larry. | |
He went to pick up lunch. | |
Well, shake a leg. Get these files downstairs... And, quit listening to your fucking voodoo music. | |
Yes, sir. | |
might have been able to help if it weren't for you. I've been watched so closely, I | |
Yes. I know. Well, you can help now. I issued a statement yesterday that I've withdrawn my objections. Begging her to come home. I haven't heard from her. Apparently she doesn't trust me. | |
Why should she? After all | |
All right. That's why I sent for you. There's a room full of reporters out there. I want you to make a statementthat you've had a talk with methat we've reached an understandingthat if Ellen comes home, I won't interfere with your marriage. Will you do that? | |
If you really mean it, I will. | |
Of course I mean it! I don't care whom she's married to as long as I can get her back. | |
Words, words, words once, I had the gift I could make love out of words as a potter makes cups out of clay love that overthrows empires, love that binds two hearts together come hellfire and brimstones for sixpence a line, I could cause a riot in a nunnery but now | |
And yet you tell me you lie with women? | |
Good night, Sugar. | |
Good night, honey. | |
Honey - she called me honey. | |
Sandro ...What's the matter? | |
Nothing. | |
Please -- | |
Listen to your father, Jason. It's going to be a better world. | |
Am I dreaming this? Are you a dream? | |
I am not a dream. | |
You're coming to 'take me'. What is that? Who the hell are you? | |
You know, I'm pretty expensive. I get five hundred a week. | |
I wouldn't worry about money. I'll make it worth your while. | |
Maybe I'd better take the rest of the script home and read it - | |
Oh no. I couldn't let it out of my house. You'll have to finish it here. | |
It's getting kind of late -- | |
Are you married, Mr. -- ? | |
The name is Gillis. I'm single. | |
Where do you live? | |
Hollywood. The Alto Nido Apart- ments. | |
There's something wrong with your car, you said. | |
There sure is. | |
You can stay here. | |
I'll come early tomorrow. | |
What's it say? | |
Help, I'm being held prisoner in a puzzle box factory. | |
Hello, young fellow! | |
Coming to the pool for a swim? | |
Nooooo!--going to catch up on my reading. I'll take this one. | |
Got a sheaf of federal warrants. Being in the Territories it's up To our discretion how they're Served. That means we got the Cowboys without quarter. The Black flag, brother. No Prisoners, no mercy, amen. | |
500... Year's wages. And I never even saw a horse like that. | |
Look at me what? | |
To the manner born. | |
Yeah. | |
I checked on her. She had the electric heater. Cold don't bother her as much as me. Which is why I give her the heater. | |
Is there something wrong with the phone? | |
In the living room. | |
Why didn't you call and have the furnace fixed? | |
Wade. I thought she was alright. Till this morning she was. | |
I'm not married. | |
Funny -- you look married. | |
It will, it just hasn't bottomed out yet, give it time. | |
Ben, Jesus, there are over two thousand reporters in this town, are there five on Watergate? Where did we suddenly get all this wisdom? | |
It's not here. Let's go. | |
You just gonna leave these cars sitting here like this? | |
Why not, it'll confuse 'em... gotta do something, now that you fucked it up. | |
I wanted to make a statement. | |
Let me tell you something. In our business you can't put food on the table if your phone doesn't ring. The guys who get the calls are good -- not flashy, just good. They get in, they get out. Nobody knows a goddamn thing. Understand? Boom, boom, boom. Three in the head and you know they're dead. | |
...that's a good motto. | |
Fine, I'll get you a bumpersticker, but you better start believing it! It's the only statement you need to make. | |
Captain of the Enterprise, huh? | |
That's right. | |
Close to retirement? | |
I hadn't planned on it. | |
You use two alternating, don't you? | |
We do. | |
Where's the magnet? | |
They've been tested. | |
Yeah, but I don't like the idea of walking in on your jamboree . . . Just between you and methose things give me a stiff pain. | |
You needn't see anybody. You can come directly to my study. I'd appreciate it very much if | |
Nono. What the deuce do I want to | |
God, you scared me. | |
Is something wrong? What's happened to your face? | |
Nothing. I'm fine. | |
You can't just stay out half the night and carry on, Jeffrey. There's got to be some order, Jeffrey. I thought it would have been nice to call your father when you got home but now it is much too late. | |
No way! She's pretty. | |
You sound shocked or something. | |
I just thought she'd look really old in real life. | |
So let me get this straight. No airline will claim ownership of the engine. So we have to wait for the FAA to decide who fixes my roof. Fuck that. We're taking the money out of savings. | |
You are entering a new dimension of sight and sound... | |
Jesus Christ! | |
Jesus. | |
Do you know how insane this is? Who am I supposed to be looking for? | |
Him. | |
You are so fucked up. | |
Suspect Zero, now there's an idea that doesn't look good on paper -- | |
He's not saying that! He's saying don't volunteer! | |
Just tell a little white lie? | |
The Council of Cardinals! I'm so nervous! What if I forget the words? | |
Right to Hell. Just kidding. Where is that bus? | |
Who is Don? | |
Don? Are you in with them? | |
No. But you're in very big trouble. | |
Why are you so interested? Why do you keep asking me? | |
I came back to help you. You said do I let girls sneak into my house. You know where I live. If you need to, come to where I live, OK? | |
Who are you? Maybe I'll need to. You like me, huh? | |
Yes. | |
Or do you just want me? I'm going to let you enter me now. | |
No. I should go. | |
Please, please stay. | |
Could I be anymore goddamn spastic? So you're sure, this Warner guy is "the one"? | |
Definitely! I love him! | |
Okay? | |
Okay. | |
Most dangerous thing in the world: A regular Joe, in over his head. You trying to prove how tough you are for me, or for yourself? | |
It wasn't my idea to crash the plane. | |
Let's camp. There's grayling under this ice. I'll snare some for dinner. | |
We've got another two hours of daylight. | |
Pushing it is flat wrong. All you prove is your ignorance about breaking trail. | |
What about McCluskey? | |
Let's say now that we have to kill McCluskey. We'll clear that up through our Newspaper contacts later. | |
That must have been when he got it. | |
The same thing must've happened to the creatures on the other ship... except they took one of those jars on board, and opened it there. | |
Ain't never had no girl pull a blade on me. | |
Wish I'd fuckin' cut you up good. | |
You heard from Reggie? | |
Juana called. They're stayin' another week. | |
Doc, I'm not on the island. I'm not on the raft. I'm alive. I'm so glad to be back, I can't tell you. I just want out of here. | |
Well, when that IV runs out, you're through with us. Just the dentist tomorrow. | |
Claire! | |
Mike...? | |
Look at my foot, sir! This bitch put a goddamn sea monster in my bunk! | |
How do you know it was Williams? | |
Huh? I...uh...uh... | |
All right, Sixpack, you and Williams are gonna pull water duty tomorrow-- | |
That was a fucking hollow point! | |
I guess it's true. Guns don't kill people... | |
I take it the desk clerk is one of your many admirers. | |
How do I do it? I'm not that beautiful. | |
I beg your pardon, brother. What did you say you were hunting? | |
Fossils. | |
Fossils, huh? | |
I'm a paleontologist. | |
A what? | |
A paleontologist. | |
Oh, I see. | |
She hasn't actually done anything... | |
Just a moment, dear. We can't have it, Rose. Can you behave yourself -- or not? That is the question, to behave or not to behave, to suffer the slings and arrows of outrageous chastity and keep your skirt down or to hoist it in the light of the moon and make whoopee -- that is the coil shuffling question. If you can't behave I am going to fire you and I say it in front of you and Mrs. Hillyer and I mean it. I point my rigid finger right at your nose, Rose, and I stare unwaveringly into your big blue eyes and I tell you... this is a final warning. Do you hear me? | |
It's safe, come on. | |
That's it. That's it! I'm calling the police. | |
Okay. Here's the deal and it's a good one. Lois is cool. It's a pacified situation. | |
What does that mean? | |
I thought she was a widow. | |
You were wrong, you quack! | |
What can I do for you? | |
Well, I was hoping you might stop by my office to swear out a criminal deposition against some of your friends and co-workers. | |
Is this a fuckin' joke? | |
I don't believe it is, no. | |
Why the hell would I-- | |
I've got photographs of you at the Trenton Ramada looking very-- | |
That ain't me. | |
It's not? | |
You don't know who the fuck-- | |
That's not you having a whiskey sour with Carmine Morada. | |
This is fucked. You don't know <u>who's</u> in that-- | |
You're right, Mr. DePinto, and maybe I jumped the gun. | |
You're goddam right you jumped the gun. | |
That's probably not you in the picture. I tell you what, I'll just run the thing by the Grand Jury, see if they can't-- | |
I want to talk to a goddam lawyer. | |
Good news there, Mr. DePinto, you're talking to one. | |
What was all the banging? Were you fighting rats or the entire German army? | |
I was repairing the stairs. I found a library and the books were very useful. | |
KILL! KILL! | |
Stop it! | |
So soft. So smooth. I'm sorry. It's just... | |
Shh. | |
Where were you hiding? | |
Hiding? Oh, no. Hunting - I was in the interior - hunting fossils. This morning I looked up suddenly | |
I know - and a war broke out right over your head. | |
Two days ago a Bulgarian national was murdered the same way. He'd also been in the country less than a week. What is your citizenship? | |
American. | |
Why are there no photographs in these frames? | |
I took them out. | |
Why? | |
They mocked me. They were representations of people I dearly loved yet they knew these people were gradually fading from me, and that in time all I would have left would be vague feelings - but sharp photographs! So I tossed them out. My memory fades, I know. But I prefer pictures made by me with feeling, and not by Kodak with silver nitrate. | |
I'll never forget you, Maude. But I would like a photo of you. | |
How much air-time have I got? | |
About thirty minutes. Those are slimmed-down tanks, so no stopping to admire the scenery. | |
Deal. | |
We've dumped the whole data-base from one of the cleaning remotes into the helmet. It'll project the route through the sewer system onto the inside of the glass as you go. | |
Have you got the new pages on the Old Mill? Hey, Bob. | |
Hey, Tommy. Heard your wife's having a baby. | |
That's right. | |
You know who the <u>father</u> is...? | |
They think it's your First Wife... | |
That Could Be. | |
It won't happen again, Sam. | |
Mr Rothstein. | |
Rich bitches. They're a plague. They've gotta be stopped. | |
You didn't like them. | |
They're all the same! They're so stuck up, they're just... they're not even human. I hate them. | |
Would you sleep with them? | |
Yes. Definitely. Definitely. Please, God. | |
Well, there it is, isn't it? You don't even like them, and you'd sleep with them. What's that all about? | |
I got a news flash, man, another shot of this and I'll have sex with you. | |
Oh, yeah, and then you'll never call me. | |
Where am I going? | |
County jail - get in. | |
Or would you prefer a beer? | |
No. Iced tea's fine. | |
Splendid. | |
I can't. I got a back load of repairs and one of the mechanics called in sick and I haven't slept and-- Where to -- ? | |
I dunno. I know a place. | |
Shut up! | |
She knows it was our fault! | |
Keep your mouth shut, Keitel! | |
No! It's YOU, Loki! I should never have listened to you! | |
Well, there's one big satisfaction. | |
What's that, Henry? | |
I out-coached that General Hammond. | |
Tell egghead I said hi. If you see him. | |
If I see him. | |
Don't. | |
Why? | |
I don't know. I can't be alone. | |
I'll be right back. | |
Reilly, Vice. I- | |
Quiet! | |
Yo, Rock. I made a few phone calls an' thanks to me ya goin' to be a big man -- Thatta dog? | |
Whatta these guys want? | |
To see ya train. | |
Yo, what's with you? -- It was suppose to be private. | |
I thought I was doin' ya a favor -- C'mon inside -- Y'know, my sister really likes ya. | |
Yeah, well, you fixed that. What the hell happened, anyway? | |
The bitch shot me, is what happened. | |
Then why won't she call...? | |
Because you left, man. She's got her own world to deal with in New York. She was a sweet girl but fuck her. You gotta move on. You gotta let go of the past. The future is so beautiful. Every day is so sunny out here. It's like Manifest Destiny man. I mean, we made it. What's past is prologue. That which does not kill us makes us stronger. All that shit. You'll get over it. | |
How did you get over it? I mean how long 'til it stopped hurting? | |
Sometimes is still hurts. You know how it is, man. I mean, each day you think about it less and less. And then one day you wake up and you don't think of it at all, and you almost miss that feeling. It's kinda weird. You miss the pain because it was part of your life for so long. And the, boom, something reminds you of her, and you just smile that bittersweet smile. | |
... Admiral, what's going to happen to Enterprise? | |
She's to be decommissioned. | |
I only got... | |
Just do it! | |
Excellent performance, my friend. The judge was very impressed. | |
You don't need to cuff me. | |
You been talking so much trash today, you made us think you're a dangerous criminal. Be a good boy, now-- | |
What's that? | |
I'm taking a piss. | |
Harry, I just talked to a Miami investigator about Barker-- | |
--so? | |
I think it might be helpful if you'd send me to Miami. | |
Incidentally, Joe, where're you staying? | |
Here... | |
'Here'? | |
Yeah, well, I think I'll stick with what I've got. | |
Suit yourself. | |
When you say, I can be somebody else, what do you mean exactly? | |
Exactly that. We can put you inside someone else's body for fifteen minutes. | |
Oh, this is just the medical breakthrough I've been waiting for. Are their any side effects? Please say no! Please say no! | |
When can I see you? | |
You can't. | |
Sex lines? Is that it? Triple X-rated interactive fantasy? Old habits die hard. | |
Yeah, I was phoning your mother. | |
You old devil. Well, anyway, as you can see, we're leaving. | |
So I gathered. | |
Yeah, I'm sorry, but that's the way it is. | |
It's all right. I'll forward your mail. | |
No, really, I am sorry, sorry to be ducking out on you like this. I hope you won't take it personally. | |
Oh, no, no, no. Don't let it worry you. Not at all. It's probably for the best. | |
For the best. Exactly. I wouldn't want things to end on a downer. | |
Not at all. | |
I mean, we've had ups and downs, right -- good times, bad times? | |
Yeah? | |
But more laughter than tears, I think? Yes. On balance? I mean, remember that time when -- oh, we could talk all night, but we have to go. Don't we, Juliet? | |
BLAK OUT. BLAK LISTED. BLAK BALL. Need I say more. | |
B-L-A-K it is. | |
We're with the immigration and Naturalization Service, Intergalactic Bureau. We monitor all-alien activity in and around Earth and its enveloping atmosphere. | |
Come again? | |
You son of a bitch, you know what time it is? | |
We just left old Earth. You'll never believe what we found. | |
You know how I feel about you. You know how much I need you. How much I trust you. I would do anything for you. | |
Why are there two ottomans? | |
Icarus, please! This is important! | |
What? I can feel you looking at me. | |
That's a lot of cash. He came up with it pretty quick. | |
Probably some investment banker or convertible-bonds-broker-dickhead. Did you see how fast he ran out of here? It's done. He's not coming back. | |
I guess. I gotta drop a dime. Did anybody mess up the hoop? | |
I'm here, I'll never leave you again, Mathilda, never. I swear. | |
I love you so much, Leon. | |
I love you too, and I don't want to lose you. | |
They want to replace me! The Board of Trustees wants to *replace* me! | |
They just want you to hire some new help. | |
Some new *things* would be useful. I don't need any "new help." | |
If Cornwallis receives news that Clinton is coming, he'll simply hold tight and wait. He'll fight a purely defensive battle and he'll win that. | |
No, he won't. There are two things you need to know about Cornwallis. First, he is a very proud man, He would rather risk defeat than share a victory. If you give him what he thinks is an out, he'll take it. | |
And what is the second thing? | |
Vermont? | |
Can you believe this?! | |
He didn't mention it when he called you this morning? | |
Not a fucking word! Slippery shit! | |
So, what-you're stuck here all day? | |
FUCK! | |
Why'd you apologize? | |
What? | |
I heard you apologize. Why? You have every right in the world to be mad. | |
I know. | |
That seems to be the leitmotif in your life; ever backing down. | |
I don't back down. | |
Yes, you do. You always back down. You assume blame that isn't yours, you come in when called as opposed to enjoying your day off, you buckle like a belt. | |
You know what pisses me off the most? | |
The fact that I'm right about your buckling? | |
I'm going to miss the game. | |
Because you buckled. | |
Would you shut the hell up with that shit? It's not helping. | |
Don't yell at me, pal. | |
Sorry. | |
See? There you go again. | |
I can't believe I'm going to miss the game! | |
At least we're stuck here together. | |
You've got a customer. | |
There is iced tea, Hanna? Cucumber sandwiches? | |
Yes, Mr. Jimmy. An interview. After so many years. Very exciting. | |
Don't be daft. It's just a student from the university. | |
That was big of him. | |
Yeah, he's good that way. Very considerate. | |
That's great. | |
So how're you doing? | |
Since the last time we spoke? I don't know. Could be better. Could be worse. | |
So what's happening with your book? | |
Universally rejected. Strike three. | |
Oh, Miles. That's awful. What are you going to do? | |
Back to the drawing board, I guess. Or not. So... you're married. Congratulations. You look happy. | |
I am. | |
Seems like everyone's getting married. A year ago it was all divorces. Now it's all weddings. Cyclical, I guess. | |
I guess. | |
Gallatin! So the righteous Starfleet Captain finally released you. Did you encounter any problems on the surface? | |
No, sir. But it wasn't easy... being among them... | |
I'm sure. Just don't forget what they did to us. We'll have them rounded up in a day or two... we needn't bother with the Federation holo-ship any more. Just get the holding cells ready. | |
What are you doing here? | |
I had to see you. | |
What's up? | |
Can you at least let me in? | |
Uh... sure... come in. | |
Look, I just need somebody to be nice to me for five minutes and then I'll leave you alone. | |
What's the matter? | |
Do you have anything to drink? | |
If somebody's aboard her already, she ain't ours. She's theirs. | |
Bullshit. That boat hasn't made steam for fifty years. We found her. She's ours. | |
Not in the eyes of the law. | |
They're trying to come through the door! | |
Everybody! Back here! | |
Oh, MiGod. | |
Guess who <u>I</u> am. | |
I'd like to mention a few <u>names</u>, who... | |
I know who you are, Mr. Ames. | |
I was acting as a Private Citizen. Nothing that I've done should be construed as reflecting on the orders or intentions of anyone with whom you may have reason to believe I am connected with. Or in whose <u>employ</u>... | |
Quite touching. | |
And I take this <u>opportunity</u> to suggest that, equally, I admit to <u>nothing</u>, and that I would like my lawyer present. | |
Guess what? We show, and N.S.A. confirms, there <u>are</u> no nuclear devices on the Canadian border. There are no nuclear devices in Albania. Z'at put us in something of a pickle? Albania <u>has</u> no nuclear capacity. Our spy satellites show "no secret terrorist camps" in The Albanian Hinterland. The F.B.I. and the Border Patrol, And the R.C.M.P. report no repeat no untoward activity along our picturesque Canadian Border. The Albanian Government is screaming its innocence, the world is listening. There is no War. | |
Hi. | |
Hi. | |
So you, like, come from a town like this or...? | |
No, not really. I come from an "area". Bel Air. | |
You rich? | |
No, not really. Middle-class. | |
Oh, me too. Middle-class. | |
Maybe upper-middle-class. | |
Sounds great to me, I'm going to call her, that's what's cool about her. | |
Brains stay with brains. The bomb could go off and their mutant genes would form the same cliques. | |
Where are you going? | |
To the bathroom. Can I do that alone or do you want to watch? | |
I thought you'd never ask. | |
Where are we going? | |
I do not know. Away. | |
I'm totally blown away. You're getting married. It seems like only yesterday I showed you how to have oral sex. | |
Deb, I want to throw you a shower. | |
Three things. First -- You don't have a choice. Second -- I've never taken a bribe in my life. And Third -- I'm still a little drunk from last night, so if I skip over the witty banter and move forward to straight hitting on you, try not to take offense. Tell me about the two guys. | |
Hurricane knocked out our Mainframe, so all we have are their dogtags. Cadets Raymond Dunbar and Levi Kendall -- | |
Levi? Who names their kid Levi -- | |
Senator Jonathan Kendall, of Ohio. | |
Christ... Remind me to thank Bill for mentioning that on the phone -- | |
Kendall Junior is still in surgery, so he won't be available to answer for his name or anything else for another hour -- the cadet we're talking to first is Dunbar. | |
He's in interrogation? | |
Yes. | |
Move him. | |
Why? | |
Because interrogation rooms look suspiciously like interrogation rooms, which doesn't exactly put people at ease. Is he cute? | |
Excuse me? | |
Is Dunbar cute? | |
That is the most unprofessional -- | |
Is he handsome, self assured, carry himself well, does he look you in the eyes or down at the floor, does he have good bones, suggesting good breeding, does he slouch or sit up straight -- these are important questions, as they reveal a great deal about this man's character so please get over yourself for two and a half seconds and tell me is he cute? | |
Excuse me, Mr. Doyle, if I could just borrow your charming fiancee for a moment. | |
What part? | |
I'd just like to have a word with her. | |
Why not? I'm going to have her for a lifetime. | |
Never was anybody like you... | |
You can't take anything seriously. | |
You're right. | |
Mr. M., I am running on my qualifications. I would never need to resort to, you know, to vandalism like a, you know... Plus, my own best banner was torn down. Did I do that too? | |
Were you or were you not working in the Watchdog office over the weekend? | |
I was. So? Mr. Pecharda let me in. As you know, with all my responsibilities I often come in on the weekend and have permission to do so. But I left very early, around 6:30. | |
6:30. How do you know what time the posters were torn down? | |
I don't. I just know they were there when I left. I'm giving you helpful information is all. You know, instead of wasting time interrogating me, we should be out there trying to find out who did this. | |
Okay, Tracy, so who do you think did it? Whom should we "interrogate?" | |
well, I don't know. It could have been anybody. There are a lot of, you know, subversive elements around Millard. You know, like Rick Thieson and Kevin Speck and those burn-outs. Or Doug Schenken - what about him? Or what about Tammy Metzier? Her whole thing is being anti- this and anti-that. | |
Melton, on the double! Up a chain! MELTON Sir! MELTON takes a few easy strides, gracefully catches a chain mid- stride, and smarts up, climbing easily and twice as fast as TODD. CHURCH, SLOAN, and RUBRICK crane their necks as the two men struggle upward toward the rafters. Three quarters of the way up, MELTON comes even with TODD, then passes him. MEKUM, watching, smirks. CHURCH is watching too, and he's still not satisfied. His brow is knit, something's bothering him. ANGLE HIGH ABOVE, AMONG THE GIRDERS Stonefaced, MELTON is resting an a "platform" on the chain, sixty feet up, beneath the girders, swaying gently. His stony gaze is on the next chain where TODD is arriving at a "platform" on an adjacent chain...only three feet away. Their eyes meet, TODD and MELTON alone together sixty feet up, three feet apart. Neither man blinks, neither man flinches, neither man reveals anything at all... LOW ANGLE, LOOKING UP CHURCH considers the men high above, then to MEKUM. CHURCH What about...spirit? | |
Spirit? Oh! You mean "AQ"..."aggressive qualities"? | |
Whatever the latest jargon is. MEKUM Much better, much higher. For example, where your old ones expressed ninety percent of their sexual energy in aggressive physicality, these new ones are ninety-nine percent without sexual inclination. It's <u>all</u> aggression. SLOAN <u>Real</u> men! CHURCH At ease, Lieutenant. What if they fought? A sudden silence. SLOAN raises her eyebrows, gives RUBRICK a look. Frowning thoughtfully, MEKUM looks up. MEKUM You mean up there? CHURCH Go ahead, Rube. Tell Todd to take him. MEKUM No! They all look at MEKUM. Is this the chink in the armor? The new soldiers can't fight? CHURCH "No"? MEKUM Not fair. No contest. Send two more of your old ones up. Now CHURCH, RUBRICK, and SLOAN are stunned. They exchange a glance. MEKUM Go ahead. | |
Where am I? | |
The Winslow Home for Retired Lepidoptorists. I'm so sorry I struck you, Mrs. Peel. Please forgive me. I thought you were someone else ... | |
Was I? | |
I expect that's for you to know and me to find out ... | |
It was Peter -- I saw him ... | |
Fancy seeing you here, Bob. | |
Yeah. Hey, Clay. | |
I need to speak to you. | |
Give me a minute, will ya? | |
That's your name? | |
And isn't it a lovely one? So sturdy, so straight -- | |
Pull over and listen to me, will you? Just listen.. | |
Listen to what? | |
I need your help and I thin you can use mine. | |
Your help? What are you talking about? | |
Scotland Yard, Interpol, every Dutch authority. I can make them go away. | |
Oh bloody hell. You're a spy. | |
Listen to it for Christsake. | |
Ah, it's just old, like me. You don't see the Doc opening me up every time I get a new creak in my joints...I say, as long as it's recycling the air let the next shift deal with it. But, 'long as we're here... | |
I can't wait to start campaigning. | |
Should be easy. So far no competition. | |
Hell, you know, Coca-Cola's the world's number one soft drink, but they spend more money than anybody on advertising. I guess that's how come they stay number one. | |
Yeah. Okay. well, good luck Tracy | |
I once promised you a fast ticket, Jordan, and I always meant to make good on that. Come work for me. I can always use a hard-charger on my team. | |
You promise Wickwire a fast ticket, too? | |
I've had no direct communication with him since this whole thing began. And that's quite verifiable. | |
I'm sure it is. | |
You'll think about my offer? | |
You know, I wonder what the SecNav would think about it. If I spoke with him. | |
Well, I spoke with Mr. Hayes this morning myself -- and told him the deal was off. No more test cases. He was only too happy to oblige. Don't play politics with me, little darlin'. You'd be up way past your bedtime. | |
Well, what else do you expect them to call you? | |
Dexter. | |
David, need to ask you something. You heard this rumour the British found something called the Hinkel Archive? | |
Yes. | |
So what is it? | |
The British occupy the building where this guy, Hinkel, ran the Nazi Ministry of Culture and it seems they've... they've discovered his secret archive. | |
What's that mean? | |
I don't know, but the British are excited about it, I know that. The rumour is Hinkel kept a file on every artist working in the Third Reich. | |
Jeez. And you think the British'll share it with their Allies? | |
Major Richards said he'd call to let us know. | |
That's big of him. | |
But we did want you. It's just that you don't always get to keep what you want. We knew you needed a real mom and dad. | |
We had no idea the nudie magazine we started in the garage would turn into all this. | |
Kind of exclusive, ain't you? We got calls to make, you know. | |
Run down and get some smelling salts, will you? | |
Ain't you gonna look back, Ma?--give the ol' place a last look? | |
We're goin' to California, ain't we? Awright then, let's *go* to California. | |
That don't sound like you, Ma. You never was like that before. | |
I never had my house pushed over before. I never had my fambly stuck out on the road. I never had to lose... ever'thing I had in life. | |
What's on your mind? | |
Jon, it's the tenth. I know how difficult it is for you, but we still have to go. | |
I'm late. Gotta protect and serve the world, y'know. | |
The world can wait, Jon. You're going. | |
Okay, if you insist. But -- you drive. | |
Cab One, radiation readings? | |
Neutron counter's not showing very much. | |
Wilhite, anything? | |
Evan wake up, oh please wake up! | |
Nine, ten. And you're awake! Open your eyes, dammit! | |
Well, when I walked up the block, I ... well, my word! | |
That's New York. It looks rundown, but it's safe during the day. You'll get used to it. | |
What's this -- a little, ah, bloodstain, right? Fifty bucks for the box, and I'm doin' you a -- | |
Yeah, I know, fatso. Do us all a favor. Make Top Dollar smile. | |
Here, one of mine. | |
Thanks. | |
And you are? | |
Looking for Maggie. | |
Yep. Maggie -- Someone to see you. | |
The Vulcans should be out there right now. We need to break the warp barrier in the next five minutes if we're going to get their attention. | |
Bring the warp core on-line. I'll lay in a heading. | |
The nacelles are charged... nuclear warhead standing by. We're ready to ignite the warp drive. | |
<U>Engage.</U> | |
I don't know. | |
Now think real hard, Doc. Think. | |
It's the Genesis Wave! | |
What? | |
He's on a build up to detonation! | |
How soon -- | |
We encoded four minutes -- | |
We'll beam aboard and stop it -- | |
You can't! | |
Here you go! No pushing! | |
There's enough for everybody! | |
Let me go for fuck's sake, Dil -- or they'll be here | |
Let them come then. | |
Who is this? Are you sure we can trust him? | |
I'm sure. It's her husband. He's her Campaign Manager. | |
So, you gotta be a little flexible. Look at your brother and me. Larry's not perfect, neither am I. But we work it out. We're not unrealistic in our expectations, and we have each other. I think you've got the Door Number Three Syndrome. | |
Don't tell me, Oprah did a show-- | |
I hoped to get enough to cover them before they cleared. I wasn't lucky. | |
You know what would happen to you if I turned these over to the police? | |
I have a rough idea. | |
You'd go to jail. For a long term. | |
Correct. I couldn't even afford to pay a lawyer to defend me. | |
How's your love life, Midge? | |
That's following a train of thought. | |
Well? | |
Normal. | |
Aren't you ever going to get married? | |
You know there's only one man in the world for me, Johnny-O. | |
Yeah, I'm a brute. We were engaged once though, weren't we? | |
Three whole weeks. | |
Ah, sweet college days. But you're the one who blew it. I'm still available. Available Ferguson. Say, Midge, do you remember a guy at college named Gavin Elster? | |
Gavin? Gavin Elster? You'd think I'd would. No. | |
I got a call from him today. Funny. He dropped out of sight during the war, and I'd heard he'd gone East. I guess he's back. It's a Mission number. | |
That's Skid Row... isn't it? | |
Could be. | |
He's probably on the bum and wants to touch you for the price of a drink. | |
Well, I'm on the bum; I'll buy him a couple of drinks and tell him my troubles. But not tonight. If you won't drink with me, I'll drink alone, tonight. | |
Sorry, old man. Work. | |
Midge, what did you mean, there's no losing it? | |
What. | |
My... the acrophobia. | |
I asked my doctor. He said only another emotional shock could do it, and probably wouldn't. And you're not going to go diving off another rooftop to find out. | |
I think I can lick it. | |
How? | |
I've got a theory. Look. If I can get used to heights just a little at a time... progressively see? | |
Exclusive? That's great. | |
It cost me four hundred and fifty bucks to tear it out of Cooley. | |
Never mind that. What's the story? | |
Never mind it? That's not my money! That's Bruce's money! | |
You'll get it. Now what's the story? I'll have the paper send the money right down to you. I swear it on my mother's grave. | |
Wait a minute. Your mother's alive. | |
I meant on my grandmother's grave. Don't be so technical, Hildy. What's the story?! | |
Well, this expert Dr. Egelhoffer, from New York, decides to make Williams re-enact the crime -- | |
What are you doing? | |
They're methodical. They're nothing if they're not that. | |
Who? | |
C.R.S. Who do you think? Jesus H., thank your lucky charms. To think what I almost got you into. | |
Yeah, almost... | |
You dodged a bullet. | |
How do you mean, exactly? | |
They fuck you and they fuck you and they fuck you. And then, just when you think it's done, that's when the <u>real</u> fucking begins. | |
Slow down, take a breath... | |
It doesn't stop, Nick. I paid the bill, I gave 'em their money, but it all started again. They won't leave me alone... | |
What have they been doing to you? | |
Everything. I'm a goddamn human-pinata... | |
Calm down. Why would they keep playing after you paid? | |
You think I know? I paid them <u>more</u> to make it stop. | |
Normally we would have tracked him with a wiretap, but it was standard for him to occasionally drop out when working with these guys. The last we heard from him was two days ago. | |
You mean that guy was an agent? | |
Yes. Wife and a kid. Don't blame yourself, Deputy. You did all you could. You have our deepest gratitude...and my personal thanks. | |
Give him credit---the boy's gall is gorgeous! | |
Why don't we hear what Susie has to say? | |
Maybe... Sure. Yeah. As long as I could get a clear look at the intake configuration. But so far, we haven't found any other photos. | |
If there are other photographs... I think I may know how to find them. | |
Our decision. Together. | |
Your decision. For us. | |
I give you my soul... | |
...until our wedding night. When our bodies will join. | |
Victor. I love you, | |
Elizabeth. My more than sister. | |
We're going home. We're in hyperspace. | |
We're going into the freezers now. | |
Addison wants me to play it. | |
Over my dead body... | |
That won't be necessary. Addison knows how Margo happen to miss that performance - how I happened to know she'd miss it in time to call him and notify every paper in town... ... it's quite a story. Addison could make quite a thing of it - imagine how snide and vicious he could get and still write nothing but the truth. I had a time persuading him... ... you'd better sit down. You look a bit wobbly. If I play "Cora," Addison will never tell what happened - in or out of print. A simple exchange of favors. And I'm so happy I can do something for you - at long last... Your friendship with Margo - your deep, close friendship - what would happen to it, do you think, if she knew the chap trick you'd played on her - for my benefit? And you and Lloyd - how long, even in the Theater, before people forgot what happened - and trusted you again? No... it would be so much easier on everyone concerned, if I were to play "Cora." And so much better theater, too... | |
Elaine, just hear me out. I know things haven't been right for a long time. But it will be different...like it was in the beginning. Remember? | |
I remember everything. All I have are memories. | |
You want a Dairy Queen? | |
No way. I'm about to blow up. | |
You know what we're doing with the money. | |
And what about Big Al? | |
Leave him. Someone's going to find him eventually. Then they'll start looking for us, too. | |
How could you possibly? | |
Because you said so. Maybe nobody else believed you, but I always did. | |
Sandy... What's up? | |
Listen, Kelly skipped school. Have you talked to her? | |
No. | |
Shit. Here we go again. | |
Didn't you see her this morning? | |
To tell you the truth, I haven't seen her since Friday. | |
I'll arrange to have Laszlo come there to pick up the letters of transit, and that'll give you the criminal grounds on which to make the arrest. You get him, and we get away. To the Germans that last will be just a minor annoyance. | |
There's still something about this business I don't quite understand. Miss Lund, she's very beautiful, yes, but you were never interested in any woman. | |
Well, she isn't just any woman. | |
That needle ain't pointing north! | |
It's pointing out to the gully - where that meteor came down. | |
These will be very useful. At least we won't have to go digging around in closets with our bare hands. All right, here's the battle plan: we're going to break into two teams and start systematically covering the ship. Whoever finds it first, catches it in the net and ejects it from the nearest airlock. Clear? | |
Even simple. | |
What does it mean? I... I mean we, you have other tactics... | |
We, yes. Yes. They, they present their side, and I get the same chance. To cross-examine... to... to... | |
Are we going to win? We have, you know, other tactics, though... | |
Yes. | |
Hullo lad. What a surprise, good to see you. | |
Keeping fit then? | |
Fine, fine. | |
Well, how are you then? | |
Oh fine, fi. Keeping out of trouble, you know. | |
Well - I'm back. | |
Aye. Glad to see you back, lad. | |
It's nice to meet you. My husband has told me a lot about you... except your first name. | |
Oh... um, William. | |
It's a nice name. William, I'd like you to meet David. David... William. | |
Tell the court, Bright Eyes -- what is the second Article of Faith? | |
I admit, I know nothing of your culture. | |
Of course he doesn't know our culture - because he cannot think. Tell us why all apes are created equal. | |
Some apes, it seems, are more equal than others. | |
Ridiculous. That answer is a contradiction in terms. Tell us, Bright Eyes, why do men have no souls? What is the proof that a divine spark exists in the simian brain? | |
Show this to the President. | |
Whoa. Name's Hawkins, Eddie Hawkins. My nickname's Hudson Hawk, but don't call me Hudson, not even as a joke. The Nuns at St. Agnes called me that and they're the ones who helped make me what I am today. Not a compliment... | |
Sure Hudson. Are you going to tell me why you did that back there or are you going to blame it on Dumbo? | |
Could you believe that crazy elephant? | |
We'll KNOW. | |
Okaaaaayyyy. | |
Nay, dearest Jack... you are to be my husband. I want none other. | |
But... I am a Green Man. I have no title, nor lands... scarce even a few vines and threads to keep the cold from my body. | |
You wear your weeds as well as golden armor, Jack. Like a true Prince... a champion! | |
Lili... I love you! | |
And I love you, my husband. | |
Peter Lassiter... | |
Do I know you? | |
Not exactly. Ive seen you on CNBC. You look taller in real life... | |
That was extreme! Did you see that one guy-- | |
Shut-up... | |
Dewey Newcomb? | |
Who's askin'? | |
I'm Elle Woods. Ms. Bonafante's attorney. | |
It is a fine spot for a bench, is it not? | |
Aye, ma'am. | |
Yes. | |
What's the matter? | |
Nothing... Let's get crazy! | |
Aloha, Mr. Hand! | |
Aloha, Spicoli. | |
You're not bein' quite fair. | |
What's there to be fair about? | |
Look -- I gotta be clear with you. Tony Clifton is NOT Andy Kaufman. | |
Yeah, yeah, yeah. I know! Wink wink! Nudge nudge! | |
No, I'm serious. If you book Tony, do NOT EXPECT TO GET ANDY. | |
I'll take my chances!! | |
What are ya gonna do, call the cops? | |
I don't have to. You'll be bustin' in on the Chief of Police just up the hall. | |
But | |
Don't bother. Here's a bus ... | |
'Twas down at Cresap's Landing, Along the River Shore, Birdie Steptoe was a Pilot in the good old days of yore. Now he sets in his old wharf-boat... | |
When'll Dad's skiff be ready? | |
Can't hear ye, boy. ...So the big boats heave a sigh, They blow for Uncle Birdie... | |
When'll the skiff be ready? | |
And the times that are gone by. I'll have her ready inside of a week; and then we'll go fishin'. How's your Maw? | |
I came to find my grandfather. | |
I have to go... | |
What was that? | |
An accident. No one was hurt. | |
Listen Tom, I let my cab go; can I come in to call another one? | |
You've got a beautiful life. And even with this, it's always been clear that he loves you. I've come to think that's all that really matters. | |
I don't know... | |
Trust me, Claire. You hear something... change the subject. You find something... get rid of it, throw it in the lake. You know what happened. The rest is only details. And no one's ever glad they got a hold of those. If you want to put this back together...just let it go. | |
Creature of the night. | |
Creature of the night. | |
Let me borrow your car. | |
I don't want to talk to you. | |
Fine. Just lend me your car. | |
Why should I loan you my car? | |
I want to rent a movie. | |
You want to rent a movie. | |
Hey, he's not sore, is he? | |
He'll come around. | |
No sir. I was just getting , well you know. Water. We weren't talking about sex or anything else except Star Wars. Just saying hello. I think I'm gonna go now. | |
Why don't you shut up now. | |
I'm going to go ahead and go now. | |
Claudia! Don't do this thing!!! | |
Louis, Louis, I gave you the gift --- help me --- | |
Reprieve. | |
I know for a fact he didn't take Jonathon. Jonathon went off by himself. | |
You know French? | |
Sure do ... my Mom's from Canada | |
Guess who just signed up for a tutor? | |
You mean I'd get a chance to talk to her? | |
You could consecrate with her, my friend. | |
I was just asking... | |
Shut up or I'll tear you apart. | |
What? | |
What? | |
It's working. | |
We got-... | |
...-ta get outta here! | |
Vitelli! Vitelli! | |
Can we get out on your end of the tunnel? | |
Alan! | |
Where did you hear that name? | |
Well, isn't it -- ? | |
The name of my User, yeah. But how... ? | |
I, uh... I'm a program from a User that... knows Alan...? | |
I knew you'd come. | |
Newt, I want you to hang on, now. Hang on tight. | |
You little fuck. Let him go. I'll drop you right here. | |
Okay, just calm down. He could hurt us, brother. He could ruin the whole thing. | |
Let him go or I will deliver you, right now. | |
You won't do it Connor, you won't. You love me man. | |
He calls it the Tarantula. | |
But it only has six legs. | |
Is that Sam Lombardo? | |
Hi, Mon. | |
Sam! Hi! | |
We should have seen land. | |
We left three weeks ago, Alonso. Can't be that near. | |
Can't be that far, I say. Also, I don't like the smell of the sea around here. Smells like a cunt. Bad sign... | |
Agnes. What did your mother do to you? If you can't answer me, just shake your head yes or no. Did... did she hit you? Did she make you do something you didn't want to? Did it make you feel uncomfortable to do it? Did it embarrass you? Did it... did it hurt you? What did she make you you do? | |
No... | |
You can tell me. | |
I can't. | |
She's dead isn't she? | |
Yes. | |
She can't hurt you any more. | |
She can. | |
How? | |
She watches... she listens. | |
Agnes, I don't believe that. Tell me. I'll protect you from her. | |
She... | |
Yes? | |
... makes me... | |
Yes? | |
... take off my clothes and then... she makes fun of me. | |
She tells you you're ugly? | |
Yes. | |
And that you're stupid? | |
Yes. | |
That you're a mistake? | |
She says my whole body's a mistake. | |
Why? | |
Because she says if I don't watch out I'll have a baby. | |
How does she know that? | |
Her headaches. | |
Oh, yes. | |
And then... | |
What? | |
She touches me down there with a cigarette. Please Mommy, don't touch me like that any more. I'll be good, I won't be a baby any more. | |
Agnes, oh Agnes, Agnes I want you to do something. I want you to pretend that I'm your mother. Oh yes, only this time I want you to tell me what you're feeling, alright? | |
I'm afraid. | |
Please! I want to help you. Let me help you. | |
Alright. | |
Agnes, you're ugly!... what do you say? Of course you do. Agnes, you're ugly!... what do you say? | |
No I'm not. | |
Are you pretty? | |
Yes. | |
Agnes, you're stupid. | |
No I'm not. | |
Are you intelligent? | |
Yes I am. | |
You're a mistake. | |
I'm not mistake, I'm here aren't I. How can I be a mistake if I'm really here. God doesn't make mistakes, you're a mistake... | |
Looks like the sea, at dawn. | |
We're safe -- long as it remains that color... We're in the Pleural Sac. It keeps the Lungs from rubbing against the Wall of the Chest up there. When those membranes become inflamed, we wind up with Pleurisy -- and a wracking cough. | |
Cough? If he can kick up a storm by just <breathing> -- | |
His Pleura's in fine condition. It should be clear sailing through this area. | |
Let's hope... So far, somebody's tried to sabotage this mission twice. | |
It's opening night of the last depressing week of L. B. Jefferies in a cast. | |
Hasn't been any big demand for tickets. | |
Kiss, kiss? | |
Uh, OK. Sure. | |
{ a click } I only her you too, Sidney. | |
Who is this? | |
The question isn't who I am. The question is, who's with me. | |
Here you go, enjoy. | |
I hope this was made with egg whites! | |
It was. | |
What's this sauce! I'm lactose intolerant. | |
Don't worry it's a non-dairy sauce made from soy milk. | |
Hm. | |
John Mason. ' Don't be shocked. I don't have much time. Please listen carefully .... | |
Where is he sir? RIGHT IN FRONT OF ME. What's he doing? HE'S ON THE= PHONE. I DON'T FUCKING KNOW, HIS STOCKBROKER! Oh shit. Gotta go. | |
Mr. Keating? Sir? Oh Captain My Captain. What was the Dead Poets Society? | |
Ah, so you boy's have been snooping. | |
I was just looking in an old annual and... | |
Nothing wrong with research. | |
Just relax. You're at school now. No one can get you here. | |
But if it wasn't Billy it could be anybody. He could be here at school right now. | |
What is this? What color is it? | |
Blue. It's Blue Velvet. | |
OK...county tax records...they're saying 1490 Breckinridge is owned by... an Atlantic Trust Corporation...they have a P.O. box in D.C. | |
How about Marvosa and the others? | |
I'll access the LAPD mainframe, but we gotta be careful - that one's kind of tricky - | |
Say it | |
What? | |
Whatever the hell it is you're standin' there waitin' to say. | |
Most of the times. | |
Not every day? | |
...I just don't know what... to do | |
You gotta get a grip on, brother. You gotta just carry on just for a few days, till I get back. Try and stay here, keep your door locked. Don't talk to anyone. We just gotta keep our heads and we'll figure it out. | |
Yeah, but Charlie | |
Dammit, don't argue with me. You asked me to believe you well I do. Now don't argue with me. | |
Sit down! You're gonna fall out! | |
Me fall? Let's get some drugs! | |
Drugs??! | |
Medicine, man! Like health food. I'm taking care of my health! | |
See, Frank's being smart about this. | |
Just because he reads all those books and knows all those big words doesn't make him smart. | |
Say nothing. Nothing 'bout her. | |
No. Hey. We're sorry, man! | |
Are you tired? | |
No. Are you tired? | |
No. I'm not tired, Do you eat breakfast? | |
What's the status of the decryption effort? | |
Well -- | |
Happy birthday, Lainey. Do you like it? | |
It's fantastic -- it's too much. | |
It's the car she drove in "Eternity Forever". | |
I know. Thank her for me. | |
It's from both of us. Of course you'll have to drive it around the lot until you get your permit -- | |
He walked in on Fleming and took him out. | |
So what? | |
So what is they have enough to shut us down! | |
You mean shut your ass down! | |
No I mean ours, motherfucker! If I go down everyone's going with me - you and your crew especially! You won't get protection, you won't get the trucks - nothing! | |
Hello, Sheriff. | |
Hello, Jabez -- I was just talking to Stevens about a little extension on your payment. | |
And you didn't get it, hey? Come on, we'll have another talk with him. | |
Good morning, Mr. Dowd. Do you think you might be up to cross-examining Mr. Ortega this morning? | |
Your Honor: I imagine that, no matter how careful my questioning, Mr. Ortega would, in his well-intentioned way, dig my client's hole even deeper. | |
I doubt if a few bombs would wake up Dawn on a Sunday morning. | |
This phoney war get's on my nerves. If we're going to have a war, I wish they'd get it started. | |
Just ignore her, Mac. | |
You think there was a connection to-- | |
Jesus! I just told you. I don't know. | |
Where are we now, Commodus? Can you see the camp? My Gods! The air is turning into ice! | |
We're nearly there, Lucilla. | |
That's what you told me two days ago! | |
Will you please get back in your wagon? And stay there? | |
I'm tired of being stuck in that wagon. | |
Oh, I got you. Not too long. | |
Then get a move on. Childs, come with me. | |
Nuke! You got things all wrong! There's no relation between sex and baseball. Ask Crash. | |
I did. | |
What'd he say? | |
He said if I gave in to you I'd start losing again. | |
He did? | |
I'll be back when we lose. | |
Okay, what's the matter? | |
You notice my new jumper? | |
Why? | |
<u>I don't know why</u>! | |
Oh, about six years since I graduated | |
And how many people have you killed? | |
I don't know | |
You don't know? | |
No - the police say I've killed fourteen - but I've not - I've killed many more. It amazes me how they just haven't found the bodies. What is society coming to when people just don't get missed. I agree, some of them are well hidden - I probably couldn't even show you where I put them - one girl, number eight I think the press called it - she wasn't even mine - I don't know who did it but I didn't | |
Where do you kill them... | |
Oh anywhere - whenever I needed to - Do you know how easy it is to take them? You just pick up a hiker, or someone off the streets - they believe so easily you know, 'Look, I have something to show you' I would say - and that would be it. One girl, I think her name is Debbie - she had broken down on the motorway, and I offered to take her to a service station to call for a tow truck - She just got in and I drove away. When I pulled into the layby and took out my knife - she just froze, and said - what do you want? - I said, You know what I want. - But she didn't. Getting rid of the bodies is just as easy - the first I cut up, put in bags with bricks in, and tossed them off Eldridge Bridge in broad daylight. The real problem with my work is the blood - there is so much of it - and it all spurts out so fast - like a fountain. It made such a mess of | |
my car I stopped working from my car. She could have stopped me you know - If she really wanted too. That is the difference between the confusion of humanity and the purity of the beast - If a dog attacked you - you could easily kill it without any damage to yourself - Why then do people get bitten by dogs - savaged? Why? | |
I don't know | |
Because a dog will attack with a ferocity and force that we poses, but centuries of social contamination has run it out of us - that is what sets us aside from the purity of the beasts...Society is rotting - men who once were strong and kept everything working are getting soft - women are making them soft - by the time a pretty girl has reached twenty - she has had three lifetimes worth of fun and attention- so she doesn't deserve any more - | |
Didn't DEBBIE deserve anymore? | |
No she didn't... | |
What did you do with her? | |
You know everyone accuses me of being sick - the press, the TV - but I'm not you know - they are - I don't watch it for entertainment every night - I don't sit and watch it whilst eating my dinner - they all say, how could he cut her up? She was dead - I can't hurt something dead - And all this whilst they slobber down their processed beef burgers by the dozen - I couldn't eat one of those burgers, you don't know what has gone in them! | |
You hear that? You can drink as much as you want up here. | |
We're not supposed to get drunk. We're on call. | |
Unless we're supposed to whack out the fuckin' pilot, I don't think we're gonna have to work in the next five hours. | |
I don't want to show up hammered. We're supposed to be representing Max. | |
Oh, I'll represent alright. | |
What's this guy's problem? | |
Just go around him. | |
I hope you will forgive me for barging in on you like this, Madame de Beauharnais. I called to bring this to your son, but I understand from your charming daughter that he is out for the afternoon. | |
Yes, I'm afraid he is. I believe he is riding. I know he'll be heartbroken to have missed you. | |
Well, I'm sure that you will be just as pleased to have this as he will be. | |
Don't be long now, dinner's 'bout ready. | |
I heard that. | |
Oh, you mean use him...That's nice. Okay. | |
I'll put him in the low corner of the frame -- good. | |
In other times, with other purposes, there might be a band and bunting here at the bus depot for J.D. Singer's return from war. Last week he was decorated by a president for heroism in a war. But it was the civil war -- in Angola -- and he was in it for the money. | |
Can I take off my clothes now? | |
No. Think of another topic. Tell me what you did today. | |
Do you really want me to? | |
Yes I do. | |
I got up. | |
Yes -- ? | |
Mrs. Lampert? -- Bartholomew. I've spoken to Washington, Mrs. Lampert -- | |
Go ahead, Mr. Bartholomew -- I'm listening. | |
I told them what you said -- about this man being Carson Dyle's brother. I asked them what they knew about it and they told me -- you're not gonna like this, Mrs. Lampert -- they told me Carson Dyle has no brother. | |
Oh come on - the guy's going to be a creep. All Englishmen are ugly. | |
What makes you say that? | |
All the guys they claim are English to and good-looking like Dan Day- Lewis and Liam Neeson, turn out to be Irish. Even Anthony Hopkins is welsh. Prince Charles is so ugly they pay him two million bucks a year to stay indoors. | |
Richard Burton was very good-looking. | |
Welsh. | |
Sean Connery. | |
Where'd you get this? | |
I've got a right to carry a gun if I want to. | |
Not this gun! | |
Okay, tell you what: I'll get her number for you just as soon as she gets back from Japan. | |
Japan? What's she doing in Japan? | |
You've heard of mail-order brides? Well they go that way, too. | |
Oh, n'jus what in hell you crying 'bout? I'm the one got hit. | |
I changed my mind, Early. I'm not gonna climb up that Hollywood sign with you... I decided. I think your mean, and you hurt people. | |
Fuckin' a right. | |
How would you like to go to the principal's office? | |
How would you like to gargle rat jiz? | |
The millions are awake enough for Physical labor; but only one in a million is awake enough for effective intellectual exertion, only one in a hundred millions to a poetic or divine life. To be awake is to be alive. | |
Hey, this is great. | |
What?! That you had something to do with it? | |
I don't know. I'm just starting to remember it now. I don't... | |
Yeah, but your running away isn't going to help you with all this... | |
There was blood everywhere, Rosa. I saw it, I think I watched the whole thing happen... Oh my God... | |
Okay, okay, look, ummm... Let's just talk a little first and you'll feel better, I promise. | |
That young lady heard you say 'squid.' She's gonna go out and create a Goddamn hysteria! | |
Sherry, you gonna create a hysteria? | |
To see how long it would take for me to realize. | |
Realize? | |
You weren't real. | |
Lili! No! | |
Jack... Forgive me... | |
What? | |
Your wire Ester - she passed away. | |
Hey, do you guys ever... feel like you don't belong here...? | |
Yeah. All week long. | |
Don't you stags move or I'll kill the lot of ya. | |
Who are you going to kill Plank? There's no one there. | |
It's me. Norther Winslow. | |
I was astonished to see the greatest poet of both Ashton and Spectre all the way out in Texas. | |
Mistake? Hey, guy, get back here! | |
Hm. What a lump. | |
I sunk most of what I had into this condo, which devalued, and -- | |
You don't have to explain. | |
Look, the other night, I want to apologize. | |
Yeah, what happened there. | |
We're two people working together and we can't have an atmosphere. | |
I'm relieved you said that. | |
I mean, the other night was... I felt like you understood something I could barely even say, something way down deep in the murk -- -- but we have a company here to think about. I won't ever take advantage of you in that way again. | |
Oh good. | |
You walked out on a job for me, and I won't ruin that. | |
Exactly because I know this is a time when you need to be alone with your thoughts. _ 86. | |
Who is it? | |
It's Beaumont. | |
I'm sure the FBI and the Police explored that possibility. | |
No. They never did, really. But that's what I'm going to recommend. The next step. Unless something -- | |
Have you discussed this with them? | |
It's in the report. | |
Do they have the report? Have you discussed it with them? | |
I wanted to give it to you first. | |
All right. All right -- John, just sit tight will you? I'll read your report, I'll discuss it with the others. I'll be back next Thursday, we'll talk the whole thing over then. Nothing til Thursday, all right? | |
All right. | |
Thank you. Goodbye, John. | |
Goodbye, Pete. | |
What's happenin'? | |
They're comin' with us. | |
Pile in. | |
You got me where you want me. There's no reason not... | |
If I had you where I really wanted you, they'd be pumping your ass full of formaldehyde. | |
Everybody does. | |
In the past. A girl. Maybe... A Magyar peasant. An Indian princess. A slave. | |
...and you don't have to put up a dime, Roger. | |
All right, Bud... let's do it. | |
Ya sappin' his strength -- He's losin' steam. | |
He ain't losin' nothin'. | |
Hi, Naomi, it's Joel. | |
Hi. | |
How's it going? | |
Good. I called you at work today. They said you were home sick. | |
I know. I had to take the day to think. | |
Yeah, I tried you at home. Did you get my message? | |
I just got in. | |
Long day thinking. | |
What for? | |
If something should happen to us, the Navy will at least have partial records of what happened. | |
At least our obituaries will be accurate. That's reassuring. | |
...you sonofabitch. Putting on George's boots. | |
That was a good one, Dad. That was really something. Remember that? | |
Oh, Kev. | |
Vicky -- do you think, maybe...it's time for us to take the next step in our relationship? | |
Tonight? | |
Yeah, it's such a perfect evening. Isn't this how you've always pictured it? | |
Well, uh, he dam well know he ain't 'be-loved Aunt Winifred'. | |
He can't read. Even dumber than you. Couldn't write his own name. X -- that's what it ought to say there on that goddam headstone. One big lousy X like our flat. Condemned. By order of City Hall. | |
Ya want the truth -- Ya got heart, but ya fight like an ape -- The only thing special about you is ya never got ya nose broke -- keep ya nose pretty -- what's left of ya brain an' retire. | |
Listen, I'm gonna take a steam -- Did good last night -- Shoulda seen it. | |
Hey, ever think about retirin'? | |
...No. | |
Think about it. | |
Yeah, sure. | |
I'm the man they're protecting. I'm the President. I'll kneel before you if it will save lives. | |
It will. Starting with your own. | |
Since, on the eleventh of June of this year -- when the first negotiations for a merger... | |
Thank God we're beginning at the beginning. | |
As you remember it -- when you approached us... | |
We did not approach you. | |
We gotta go back. | |
What? | |
I left my wallet. My credit cards, cash, fucking ID, everything. We gotta go back. | |
Big deal. We'll call right now and cancel your cards. | |
You don't understand. The wedding bands. The wedding bands are in my wallet. | |
Okay, so they were in your wallet, and you left your wallet somewhere. Some bar. Christine'll understand. | |
No. She ordered them special. Took her forever to find them. They've got this design on them with dolphins and our names engraved in Sanskrit. We've got to go back. Christine'll fucking crucify me. | |
No way. No way. | |
Please, Miles, please. | |
Forget it. Your wallet was stolen at a bar. Happens every day. | |
Where'd you get the clown suit? | |
Like it? | |
Nah. The big mask was better. | |
What? | |
Young man, you will tell Peincipal Victoria THIS INSTANT where you heard all these horrible phrases! | |
If he withdraws his army in good order, it will be a serious political defeat. But, if he should be caught on the move, with his army, in the full grip of winter, then it will be a catastrophe. If Your Majesty can prolong his hopes for a treaty by silence, be deceit, by any means, for another month, thus postponing his departure, then the graves of his army are already dug in the soil of Russia. | |
General Kutusov, I would like to call a meeting of my cabinet tomorrow morning and have you present this idea to them. I think it has merit and is worthy of consideration. | |
I am at your disposal, Your Majesty. | |
Here. I've got every credit card ever printed. Take this. Stay here till you can arrange to get away. It's on me. | |
No. I couldn't. | |
What? You want the Plaza? Don't be foolish. Here. Take this, too. This is my place on Prince Street. It's got my phone, everything. Call if you need me ... but you won't. Everything's gonna work out. You just get outta town as fast as you can. The New York police can be effective when they want to be. | |
I don't know what to say. | |
Save the words ... Just send back my credit card. | |
It's boring, isn't it? | |
I can sit through it once. | |
He thinks he's Joe Gunn now. | |
I'm impressed. He knows a lot. | |
He's just repeating shit he overheard. He ain't any more a gun expert than I am. | |
They wont get far. Every warhead has a locator card. A Miratom device. Emits a high-pitched signal on Russian emergency frequencies. We can track the bomb. | |
With this? | |
I don't know what's goin' on with Zavitz, but that was way, <u>way</u> outa line. You understand? | |
Yes sir. | |
Someone looking after her little girl? | |
Grandparents. Live over in Davis. | |
Where did you come from? | |
I'm Alexander P. Lovett, sir. | |
Why aren't you registered through our office? | |
What are you doing? | |
You're pretty. | |
Now listen, Grampa. Listen to me, just a minute. | |
And I ain't gonna listen either. I tol' you what I'm gonna do. And I don't give a hoot in a hollow if they's oranges and grapes crowdin' a fella outa bed even, I ain't a- goin' to California! This here's my country. I b'long *here*. It ain't no good-- --but it's mine. | |
Nothing, I guess. I guess I can wait till we get home. Maybe we'll stop by Wickham's for a hamburger when we get to Lawford. That suit you? You always like Wickham's. | |
Okay. | |
Fine. | |
Isn't this Jack Groppi's place? | |
Yeah. But he ain't here now. | |
Know where he is? | |
Follow me. | |
I... remember. | |
You were ALL human! | |
This much powder you don't throw in the trunk with a blanket over it. It's got to be smuggled. | |
There's not even enough places to stash it in a car. | |
...Nah, that ain't right... I'm thinkin' of... | |
...I believe, unless I'm very much mistaken - see, we've been away for several years, uh... | |
We'll let you know tomorrow. | |
Please don't misunderstand... I'd really like to go. | |
Thanks for coming by. | |
Shit yeah, the achievers. | |
Little Lebowski Urban Achievers, yes, and proud we are of all of them. I asked my father about his withdrawal of a million dollars from the Foundation account and he told me about this "abduction", but I tell you it is preposterous. This compulsive | |
You first. | |
I'm six months pregnant. I won't do it. | |
Fine, then we don't have deal. | |
Fine, then we don't have a deal. | |
There won't be a next thing. | |
Take a few days -- | |
I don't need a few days. I'm gonna settle down with Jess. She's through dancing. We're opening a restaurant. | |
I hate to ruin your fairy tale, but I've been paying Jess' rent for six months. She's got to keep dancing -- | |
Buon' Giorno! Hana turns, startled and suspicious. | |
Are you Hana? | |
What do you want? | |
I met your friend Mary. She said I should stop and see if you were okay. Apparently we're neighbors - my house is two blocks from yours in Montreal. Cabot, north of Laurier. Bonjour. | |
Bonjour. | |
Hey, Brenda. | |
Do I know you? | |
Well, actually, we've never met officially, but I bumped into you at the cafeteria and you were so sweet. I said, "I'm sorry," and you said, "Watch it, white bitch, or I'll put my size eight in your ass." I thought how cool. I wear a size eight, too. Anyway, this is my best friend, Cindy. | |
Very nice... | |
Yeah, I like it, I'm high up, I can see everything, you know? It's the Cadillac of minivans. | |
What's that? | |
Compass. | |
Wow. Mind if I take it for a spin? | |
Would ya like a glass of water? | |
...No thanks. | |
Is it true? Wallace is captured? | |
Simply because he eluded your trap, do you think he is more than a man? My father is dying. Perhaps you should think of our coronation. | |
When will his trial be? | |
Wallace's? For treason there is no trial. Tomorrow he will be charged, then executed. | |
Christ, they even got my first grade report card here... | |
Lemme see... | |
I heard that. | |
Dodge, you gotta get on those repairs. | |
I know that cut. You mean there's A waterhole near there? | |
But this time they'll be ready. | |
We'll see about that. | |
Oh, doesn't that prove something to you? Doesn't it? | |
Anybody could know that song. | |
Can you do it man? | |
Can I do it? I just broke her cherry. I imagine I can make her do anything. Bark like a dog, jump through a ring of fire. | |
What are they doing? | |
They appear to be modifying the deflector dish. | |
I don't like her. | |
I wouldn't mention the following, except he was very insistent. It's obviously some sort of prank... | |
What? | |
A gentleman left a message requesting a lunch, but I assured him... | |
What gentleman, Maria? | |
A Mister... Seymour Butts. | |
Hello? | |
Marylin? | |
Miles? Miles! Where have you been? I've been trying to get in touch. | |
You have to leave the house immediately! | |
I will, Miles. I will leave. But Miles -- | |
No buts. Now. Out. | |
Just listen to me. I'm sorry, Miles. It's true that my initial intention was to... | |
Please! Leave the house. | |
I fell in love Miles. | |
So did I. Now pack up a few basics and -- | |
You do? You do love me? | |
I'm missing something. | |
I have a date, Daddy. And he ' s not a captain of oppression like some men we know. | |
Okay, babe. What's the matter? | |
Nothing...it's just...I didn't see my father at the ceremony. | |
He'll show up. C'mon, what's really wrong? | |
You go set down by the River. | |
Oh, Icey, I'm a sight! | |
Get along with you. | |
...He just lets himself get pushed around all the time! People walk all over him and he never fights back, never stands up for himself. | |
No self confidence, I guess... At least you don't take after him. | |
Yeah... Jesus! I wonder how he ever got up enough nerve to marry my mom. | |
Are you all right? | |
For the moment! You've only got about two minutes left! Hurry! Ruby takes off towards the Cineplex... | |
He crept up these stairs and made his way into this room. His sister's room. Right here. Where it all began. | |
What makes you think he'll come here again? | |
This house is sacred to him. It's the source of his memories -- his rage. Mrs. Strode, I beg you. Don't let your family suffer the same fast as Laurie and her daughter. | |
Jamie? But I thought she was -- | |
Found this morning. In a field outside Haddonfield. Stabbed. | |
I don't see the point in that. | |
Because that's no good. Remember, we did what we did, we took the money. It was a material calculation. But what's the use if it's underground, or in some funny bank in some funny place? If you can't spend it, if you can't have it, what use is it? None. It's nothing, all for nothing, if you do that. I didn't get into this for nothing, so that I could have nothing -- | |
I guess we each have something the other wants. | |
I guess we do. | |
My people are good to go. You know who I mean? | |
Your phony FBI assholes. | |
We're almost home, you and me. Keep your shit together. This isn't L.A. | |
What do you mean by that? | |
You don't want another dead child on your conscience. | |
Scream. | |
Ah. | |
Louder. | |
Aaagh! Rape! | |
Oh, thanks. | |
This is where to be. High and dry. | |
And alone. | |
Frank. Come in. | |
Hey, I brought some friends. And some beer. | |
Fine. Welcome. Come sit down. | |
Elaine, when are you going to realize Simon Kurtz put me in here to get me out of the way. | |
And when are you going to realize, Ted, that your mental hygiene is the most important thing right now. | |
Nah. | |
C'mon Tony, waddaya say? | |
Careful. That's bad luck. | |
That place is already bad luck. | |
Why? | |
No. It goes way back. Or so my Momma says. | |
What else does she say? | |
Nothing. You'd think she was crazy. And she is a lot of things, not all of them nice, but crazy Momma's not. | |
Way I figure, everything our parents tell us is part true and part total B.S. And our whole job is figuring out for ourselves which is which. | |
My momma says every house is two houses. Every street, two streets. There's a whole city, a whole world, kinda beside, on top, just below this one. The city of the dead. | |
Like right now, there's actually like hordes of dead people shambling around us? Fingers rotting off? | |
Maybe. But there's an invisible wall, a fabric that kinda keeps things separate. | |
Lucky thing. | |
Yeah. But when something bad happens, something really bad -- the wall breaks. The fabric tears. | |
The dead get out? | |
Or the living fall in. Who knows. | |
And you believe her? | |
If I did, I wouldn't come within fifty yards of your door. | |
Now we got to film a new intro for the follow up episode. But we put the intro for the first episode at the beginning temporarily so you can see it with some scope. | |
I hear ya. Play. | |
Look at my car! Piece of shit! I just bought it brand new from a used-car lot, and the steering goes to the pot on me! | |
You're lucky no one was hurt. | |
Seven hundred dollars, down the toilet! I'd like to go back and punch the son of a bitch out! Can you give us a lift? | |
Now Tom, you simply cannot go to Philadelphia tonight. That's all there is to it. | |
But I have to go, dear. It's a very important banker's meeting. | |
I don't care whether it's important or not. You said you were going out with me, and if you hadn't promised so faithfully, I wouldn't have gone and planned the whole thing. | |
Listen, it isn't so terribly important. We can go to the theatre any time. | |
The theatre? | |
That's what it was you planned, wasn't it? | |
Yes, of course. | |
You can take some of the girls. You can take Mildred - or Gwynn | |
The girls! I don't suppose it ever occurred to you that I might go out and find myself an attractive young man . . . | |
And if you have to kill somebody, KILL them! Don't stop to think about it. | |
I never do... | |
Hell! | |
What is it? | |
You wouldn't think jus' reachin' up an' pickin'd get you in the back. | |
Think I'll walk out an' try to fin' out what all that fuss outside the gate was. Anybody wanta come with me? | |
No. I'm jus' gonna set awhile an' then go to bed. | |
Things change, Kundun. | |
Why is your beard so funny? Let me touch this. | |
You could buy a car for twenty grand. You could buy this car. | |
I don't want to go alone. I want you to drive me to Paris. Like we're a couple. Like we're a couple and we're travelling together. That's all we're doing. | |
And I don't get hurt. I get twenty thousand dollars and I don't get hurt. | |
I won't hurt you. | |
What if I say no? | |
Then I'll find another ride. | |
We need more young warriors like yourself, stick around and we shall see if your heart is true. | |
Mr. X, I won't make you out a liar. | |
Ah! Thank you, Joe. Tell you what - we'll have one of those parties down at your house - one of those spaghetti parties, you know. Gee, we haven't had one of those in a long time, have we Gallagher? | |
Not since you broke into society. | |
Remember the time we had a spaghetti party, and while I was serving the spaghetti I dropped it on the floor, and while those mugs weren't looking, I picked it up and served it to them anyway! Remember that? Yes, Anne would love that. | |
Hooray! We're off to see a Wizard! | |
Oh -- well -- you're not starting out very well. | |
Oh, I'll try! Really, I will. | |
To Oz? | |
To Oz! | |
That's a very handsome sword you have there. | |
It was with this sword that my late father, Harry James, God rest his soul, met Sir Huddelstone Fuddelstone, the Hampshire baronet, and was fatally run through the neck. He was quite in the wrong, having insulted Lady Fuddelstone, when in liquor, at the Brentford Assembly. But, like a gentleman, he scorned to apologize. | |
And now you risk the same fate. If you are killed, your mother is all alone in the world. | |
I am Harry James' son, and will act as becomes my name and quality. | |
Nope. | |
Anything you want. | |
Nothing. | |
I think we hit the honeypot, boys. There's something brewing under the street. | |
Peter, do you think maybe I have some genetic problem or something that makes me vulnerable to these supernatural things. | |
This lot's got to be worth 50 quid! | |
I can try my father's safe. I'm sure I can get the keys to his office. | |
That's great! We'll have the fare in no time! | |
How's Loomis? | |
Apparently, fine. He's coming into work. That's the good news ... | |
Go on. | |
Castor's still alive -- Technically. He's a turnip, on total life-support ... | |
I think we should be going honey. | |
What for? | |
Well, for a start, you've got to get cleaned up. | |
Why? | |
The number nine on the starboard side's half flooded. Epps says it's a slow leak just under the waterline, about twenty gallons an hour. They must've pumped it before we left Sitka. | |
Of course they did. | |
Let the buyer beware. | |
What do you say, Dodge? | |
-- What is it. | |
I know what you're thinking. You'd be a lot safer if I weren't around. | |
Laurie -- | |
I'm an open target, Dan. If you're with me -- | |
With any luck, the world'll end before we get ours. | |
Were you scared up there? | |
You bet. | |
You don't act like it? | |
I was scared then, not now. How long you want me to be scared? | |
Know what this is? | |
A raptor claw. I use to have one. A fossil. | |
Mine's new. | |
Were you a fireman? That how you knew how to rig the apartment? | |
My father was. He gave me many lessons about fire. Now it's my friend. | |
Tommy, take a walk. | |
Sid! Oh, it's beautiful! You mean... | |
That's right. Let's get married, Lynette. Let's find a justice of the peace and just do it! | |
To a city with thousands and thousands of people. | |
Alive? | |
How did we get here? | |
Because of all the things we do, the thing we do best -- is lie. | |
I think think a lie stinks. | |
Oh Captain, that is so true. | |
Stinks. I could never figure -- I could never figure how they can teach boys how to bomb villages with napalm -- and not let them write the word 'fuck' on their airplanes. | |
Hey, boy--give this man a cablegram blank. Where is your wife? | |
She's in New York. | |
Rex. Get away from the door. | |
Look, Marylin, can't we have a civilized discussion about this? | |
We are. And it's winding down. | |
But Marylin, you know a divorce would ruin me right now. Everything I have -- everything we have -- is tied up in my business. The business is my entire life. | |
Are you forgetting about the Atcheson, Topeka and the Santa Fe? | |
Marylin? | |
Rex. Go away. I don't want to have to sic the dogs on you. | |
Dogs? | |
People, if you don't let the spyder scan you, we'll have to come in and arrest you. | |
Knott! | |
You hung out with Bobby Vomit. Who would want him dead? | |
I dunno. He was to sound what Cezanne was to image or at least I thought so. Ever since he died, I've been chased... <u>Omigod</u>! | |
What? Jesus, tell me! | |
It's Spunk Lewis, the lead singer for Dead Ribbit! Mr. Bus Driver, stop! | |
-- this is a fairly strange reality to be faced with. To be honest, I don't realize... | |
I'm sorry... I don't know what to say. | |
I think goodbye is traditional. | |
You know how to write one of these? | |
There's nothin' to know. You have an idea, you write down what you wanna say. Then you get somebody to add in the commas and shit where they belong, if you aren't positive yourself. Maybe fix up the spelling where you have some tricky words... although I've seen scripts where I know words weren't spelled right and there was hardly any commas in it at all. So I don't think it's too important. Anyway, you come to the last page you write in 'Fade out' and that's the end, you're done. | |
That's all there is to it, huh? | |
That's all. | |
Where's the car? | |
I need to get something straight first. | |
Chasing me - animals - horrible - | |
Animals? What <u>kind</u> of animals? | |
Don't come any closer!!! | |
Cut it out stupid. It's me. | |
What'd you do, Donnie? What'd you do! | |
Go home. Go home and tell your parents that everything is going to be just fine. | |
But it opens onto the sheer wall of the Needle. There's no way down. | |
You have rope? | |
I am too old to climb down a rope. | |
You won't have to. | |
I can't get power, sir! | |
Scotty! | |
But what? | |
Oh, I don't know. I guess it's just not quite the way I always thought it was going to be. You know, like in the movies. | |
That's the problem. When you're a kid you think life is gonna be like the movies. Dreams come true, the good guys win, people live happily ever after... all that crap. Turn. | |
If thou lose hope being weary in the days of distress, thy strength shall be diminished. | |
Fine, my boy, fine, fine. | |
Father, I have tried, have I not? | |
You have, my son. | |
I've done my best, have I not? | |
Indeed. | |
And, Father, I've never been guilty of any institutional infractions, have I? | |
You certainly have not, 655321. You've been very helpful, and you've shown a genuine desire to reform. | |
Father - may I ask you a question in private? | |
Certainly, my son, certainly. Is there something troubling you, my son? Don't be shy to speak up. Remember, I know all the urges that can trouble young men deprived of the society of women. | |
No Father. It's nothing like that, Father. It's about this new thing they're all talking about. About this new treatment that you out of prison in no time at all and makes sure you never get back in again. | |
Where did you hear about this? Whose been talking about these things? | |
These things get around, Father. Two Warders talk as it might be, and somebody can't help overhearing what they say. Then somebody picks up a scrap of newspaper in the workshops and the newspaper tells all about it. How about putting me in for this new treatment, Father? | |
I take it you are referring to the Ludovico Technique? | |
I don't know what it's called, Father, all I know is that it gets you out quickly and makes sure that you never get in again. | |
That's not proven, 655321. In fact, it is only in the experimental stage at this moment. | |
But it is being used, isn't it, Father? | |
It has not been used yet in this prison. The Governor has grave doubts about it and I have heard that there are very serious dangers involved. | |
I don't care about the danger, Father. I just want to be good. I want for the rest of my life to be one act of goodness. | |
The question is weather or not this technique really makes a man good. Goodness comes from within. Goodness is chosen. When a man cannot chose, he ceases to be a man. | |
I don't understand about the whys and wherefores, Father. I only know I want to be good. | |
Be patient, my son, and put your trust in the Lord. | |
Instruct thy son and he shall refresh thee and shall give delight to thy soul. | |
Amen. They cross themselves. | |
Colorful, isn't he? | |
You going to be all right? | |
Nothing to worry about -- I'll survive this. | |
I'll see you back soon. There's an extra pair of glasses in your black socks, and there's some suntan lotion and blistex in your kit. | |
She's sore hurt, Jack, tis true, but not dead yet. | |
The wound is mortal. | |
Nay. You've not reckoned with the powers of faerie medicine. | |
Can you save her? | |
Easily... The question is, can we save ourselves? Be a shame to win the battle only to lose the war. | |
I don't... understand. | |
The alicorn, lad. Come to your senses! Unless we find Baron Couer de Noir and bring back the horn the world is doomed. | |
I SHIT on all o' you. | |
KILL YOU MOTHERFUCKER!!! | |
What time is it? | |
What? | |
I said what time is it? How long was I out? | |
It's 3+27 hundred | |
Three! I'm going to be late for my shift. | |
No! Don't go. | |
They'll come for me right away if I'm not there. I have to go. | |
Don't take anything. | |
I'll try. | |
Promise...please don't THX leaves the room. | |
Buckaroo, come in...over. How does this damn thing work? Can anybody figure this lighter out? | |
No, sir. I think the flint... | |
What's happening with my call to SAC? | |
Still no confirmation either from SAC or Strategic Space Command. They report all surveillance satellite communication jammed. | |
Jammed--? By who? Whom by? | |
Possible atmospheric condition, sir...solar. It's unusual, but no cause for alarm. Intelligence reports the Soviets are having the same problem. | |
Should we be on Code Red? | |
Aaaww, shit!... evil woman! | |
Lord have mercy. That was a good one ma. | |
This is your place. | |
That's right. | |
This is where we're going! | |
Yeah. | |
The deal was if I came to the Opera with you you'd leave me alone forever. | |
Get in there ! | |
This is my crew and my fucking boat, and I'm the responsible party. | |
Get in there now or I'll bury you in this river. | |
I guess we're not leaving, right? | |
I'm sorry, Newt. | |
You don't have to be sorry. It wasn't your fault. | |
Goodbye, Charlotte. | |
Goodbye. | |
Yes, I have. I will. | |
Then as far as this taping goes, you have nothing to worry about. | |
I guess not. | |
Do you want me to stop? | |
Look, I can't run your arrest in CNN, but I guarantee he's monitoring every law enforcement agency in the world, for what they might be saying about him, if nothing else - he's got the ability and, we assume, the desire to get you out of there. | |
This doesn't seem to be accomplishing much. | |
Well, I mean it's not a total loss. It is keeping a very capable thief off the street.. | |
Very funny..maybe he has heard and doesn't want to know. Maybe he's lost interest. | |
Don't I know it. That's the only reason I'm here now -- to put the attention back where it belongs, on Mr. Taransky's film. | |
You don't secretly want the attention? | |
I'm not even sure I deserve it. After tonight I'll have almost as much screen time on your show as I do in my movies. How is that healthy for a performer? | |
Sweetie, they're almost ready. | |
You hear me, girl? | |
Don't you believe in knocking? | |
Oh, yes. Knocking. The pre-entry signal. I forgot. | |
I'm Minister Malcolm X. Two witnesses saw him brought in. He was not brought out. | |
You heard the Sergeant. Outside. | |
Happened...Yes happened right down there. | |
You saw it? | |
Not saw, heard...heard. I heard the brakes. Wham! And I got to the window and saw them carry the body to the other side of the er...er Joseph...that's Joseph Emperor Joseph Statue. | |
Why didn't they bring him in the house? | |
No gas... car dead. We need gas. I don't want to get shot for running out of gas. | |
Gas good? | |
Yes. Very good. | |
How ya feelin'? | |
...Tight. | |
I got whiskey here. | |
...No. | |
I'm going to take that apartment uptown. | |
Uhuh...probably a good idea. Why don't you do it this time? | |
I got released. | |
I heard already. | |
I wish the game still had fights so I could bitch-slap Wayne. | |
This version doesn't have fighting? | |
No. Doesn't that suck? | |
What? That was the best part of the old game. | |
I am going to do you a great favor. I am going to take you with us to Gitarama. | |
I do not want to go to Gitarama, General. | |
You cannot go back to the hotel. The crazy men are going there now. Better to come with me. | |
Otto, I don't like Thorkel any more than you do. But he has got a point. | |
Rosomoff, I have better things to do than teach Introductory Physics to mindless adolescents. | |
Perhaps. But every now and then someone pays attention. You did. | |
Say you're sick. | |
What? No! | |
Say you're feeling faint - the sun. | |
No. | |
I can't work. I can't sleep. Lady Hampton calls impatiently. | |
Okay, Mack! Whoowe, Candy girl, are we in an insane asylum or ain't we? | |
How's your ass been holdin' up, honey? | |
Why did he ask if it was frozen? | |
That, I couldn't tell you .. And don't worry about anya this crap, by the time you're back it's gone .. | |
How have things been going? | |
Fine. | |
We want to talk to you about something.... We're about to launch an aboveground, intellectually serious fascist movement. | |
Phyllis, I'm sorry. I didn't mean to shout... | |
No, Dr. Delbanco, it is I who am sorry. Sorry to have wasted your time with such... | |
It may be too soon to talk about it. When someone we care for dies we... ... keep something of their's. A tie, a pen. | |
Why weren't you at the platform? | |
I couldn't keep up. My shame is complete. | |
Whatever you touched, that's good now. | |
Did Salvy fuck Vickie? | |
What? | |
You're supposed to keep an eye on her for me. I'm askin'... | |
I did keep an eye... | |
Then why did you give him a beatin' if he didn't do anything? You and him been friends a long time. | |
Some things changed between us. Now, he thinks who the fuck he is. He's been passing certain remarks that I don't like. | |
Don't bullshit me, Joey. You ain't tellin' me the truth. | |
What bullshit? Hey, I'm your brother. You wanna believe me -- you trust me? | |
When it comes to her, I don't trust nobody. I'm askin' you somethin'. | |
Well, you're wrong Jack. I'm tellin" you what happened. He got outta line, we had a fight, and it's straightened out now. | |
Tell, tell, tell me again. | |
....we landing? | |
Tell me again. | |
Lookit, don't worry about it. It's not a New Concept. Wake me when we touch down, will... | |
We can't <u>afford</u> a war. | |
We aren't going to have a war. We're going to have the "appearance" of a war. | |
I'm not sure we can afford to have the "appearance" of a war. | |
What's it gonna cost? | |
But, but, but, "they" would find out. | |
Who would find out? | |
...the... | |
The American "people"? | |
Yes | |
Who's gonna tell'em. | |
...but... | |
What did they find out about the Gulf War? One shot: one bomb, falling though the roof, building coulda been made of <u>Legos</u>. | |
...you want us to go to War... | |
...that's the general idea. | |
Why? | |
Why <u>not</u>, what've they ever done for <u>us</u>...? Also: they sound... Ah, you see, this is why we have to mobilize the B-2 <u>Bomber</u>... | |
...they sound what? | |
<u>Shifty</u>. Who knows anything <u>about</u> em... | |
Hold on, hold on, hold on: | |
Well, I'm gonna hold on, but you went to win this election, you better change the subject. You wanna change this subject, you better have a War. What do you need? It's gotta be <u>quick</u>, it's gotta be <u>dramatic</u>, you got to have an <u>enemy</u>. Okay? What do you need in an enemy? Somebody you fear. Who do you fear? Som'b'y you don't know. | |
<u>Who</u>? | |
Well, I'm <u>working</u> on it.... | |
For what? | |
We're about to be shown the way. | |
Do you know what time it is? | |
Uum... around ten? | |
I've been looking for you. | |
Why me? What do you want from me!? | |
I'll be right back. He gets out of the car and walks over to him. | |
What do you want now? | |
Guns. Can you get them? | |
Man, I can get anything. | |
Don't bullshit me. | |
I ain't bullshittin'. I can get guns. I can get any kind of gun you want. But they ain't gonna help your sorry ass. You ain't been in town one day and already you got two of the toughest people in Chicago looking for you. How is that possible? | |
I've got a way with people. | |
I can see that. The man's car you stole. Raphael Ruiz. He's head of the 19th Street gang and one crazy motherfucker. And Frankie Zammito's got the word out he's looking for some French dudes. You're French ain't ya? | |
I'm from Belgium. | |
Yeah, I'd be from Belgium too if I was you. You know Zammito just put his own brother in the hospital? Broke his arm cause he was late on a debt. I mention this to illustrate the kind of people who are lookin' for you. | |
Why haven't you turned us in? | |
I ain't no rat. You got money, right? | |
What do you see? | |
Roofs... towers, palaces... spires... | |
All of them created by people like me. | |
How much you playin' for? | |
A dollar on the five, two on the nine. | |
Yeah, I'll play you a couple. Just for kicks. | |
Okay, friend. | |
You're back. | |
Yeah. | |
I'm glad. Seriously... I'm very glad. | |
Angela, I just heard Sal was alive. | |
Sure. Why not. | |
Where? Where is he? | |
Nick, he's fine. He's in a hospital and they're fixing him up. | |
You talk to him? | |
Oh, sure... Twice a day. | |
What hospital is he in? Where? | |
Nick... Sal is very weak. He suffered a severe wound... and right now he doesn't want a whole lot of people to get involved in a whole thing. | |
Hey, Angela, Sal and I go back a long way. | |
He doesn't want people bugging him, Nick! | |
She died. | |
How? | |
By her own hand. There are many such stories. | |
Thank you, Mr. Leibel. Thank you very much. | |
What are you doing? | |
It's the maintenance entrance. Runs along the side of the tunnel. When they repaired it last year I worked on a piece about it. | |
Yeeeeeeeaaaawwwwww! | |
You fuckin' rule! | |
I'll tell you why you didn't help - because you're a chickenshit tweaking snitch. You're a bottom feader, Flynne. | |
Garcetti, you're teeth, they're fucking perfect. | |
I was thinking. Maybe we should get married, Carmen. | |
You weren't thinking...you were dreaming ! | |
If we're gonna be a team, why not be a real team ? | |
There's a war on. I want a command, I want my own ship, you do, too... | |
So ? | |
So who's got time to get married ? | |
Is it all right? | |
Yes. | |
Enedina's going to take a picture. So we'll have a souvenir. | |
God, Flash can be such a jerk. | |
But you like that in a man? | |
You should write that one down. | |
"Flash," Liz. You're going out with something that calls itself "Flash." | |
Some prep school thing. | |
Does it have a human name? | |
Eugene. Admit it, Peter-- you'd do anything for a nickname like "Flash." | |
I'd never admit that. | |
Hurry up, Flash! | |
It's only 11:00 here boys so I got lot's more drinkin' ta do with your worthless relatives down at the Anvil. | |
Just called ta torture us did ya? | |
How the hell is that your business? | |
We're just trying to figure out what happened. | |
You know, sharing your adventures is an interesting experience. | |
That's not all we shared. It's disgraceful. You're old enough to be her fa... er, her grandfather! | |
Well, I'm as human as the next man. | |
I was the next man. | |
Ships that pass in the night... | |
Easy. You've got to keep still for a bit, the last thing we need is a coronary. | |
You're the Doctor, sweetheart. 'Guess the atropine worked, then. | |
Convinced all those that needed convincing: you're an official dead lady. | |
And what's Steven's status? | |
Still alive, but it's just a matter of time. And then will come your miraculous resurrection -- | |
-- "oh, no, Officer, I'm very much alive -- just a joke to beat my husband at his own clever game -- What? What do you mean he's dead? It's all my fault, I may as well have killed him myself!" | |
"But you didn't, Ma'am. We have all these witnesses that saw..." well, whoever it ends up being that finally shoots him -- | |
-- the James Dean wannabe with the hair trigger -- | |
-- or might turn out to be -- very big surprise -- that Jenzen girl. The little bitch has the right stuff. She nearly put a bullet in Price right after your "demise." | |
So what stopped her? | |
It's complicated. But don't worry -- | |
-- there's already been way too many complications for a very simple plan. You ever find out what happened to Melissa Marr? | |
Not yet. | |
So we don't even know if she's alive or dead -- | |
-- Price killed her, there's no other explanation -- | |
-- there's plenty: for all we know, Steven's got her spying on us right now -- | |
-- bullshit -- | |
-- the whole thing is falling apart! | |
I don't think so. Where was it that you think we've met? | |
At your house. Don't you remember? | |
No. No, I don't. | |
We just killed a couple of people... | |
What? | |
Annie, there's a big lobster behind the refrigerator. I can't get it out. This thing's heavy. Maybe if I put a little dish of butter sauce here with a nutcracker, it will run out the other side, you know what I mean? | |
Yeah. I'm gonna get my... I'm gonna get my camera. | |
You know, I-I think... if I could pry this door off... We shoulda gotten steaks 'cause they don't have legs. They don't run around. | |
Now, if you're ready, Senator, we can start for the hotel. I'll *see* that you get there. | |
Yes--I think maybe you'd better. | |
Who are you? | |
That would be difficult to explain. | |
I'd like you to try. | |
He's right on the heading. | |
All right, he's on final now! Put out all runway lights except niner. | |
So what else has Superman got? | |
He's got the fact that he's Superman! | |
Of course we're not; we'd genuinely like to hear you sing. | |
REALLY? | |
Really. | |
And you're not just saying it because you think we want you to? | |
Where's your watch? | |
I guess by the bed. | |
It's twenty of three. | |
I'll... take your word for it. So who are you, then? | |
Harry York. I work for Martoni Kaminski, he's running for Congress here. | |
Oh yeah! I saw you in the newsreel! | |
Yeah, well -- | |
You know, my Dad's done some work for Kaminski... | |
Now you're catchin' on. Don't wanna get your Daddy in hot water, do you? | |
Whattaya mean? | |
Well... see the papers've got us pegged as pinkos, then you come along, the friendly neighborhood atheist -- | |
But I'm not. The newspapers're -- | |
Right again. You're no more an atheist than my man's a Red, but what they're doin', see, they're addin' up their version of your ideas with their version of ours. Could look bad for your Daddy. | |
Yeah. Could look bad for you and Kaminski too, I guess. | |
Well, what did I tell ya? | |
You're a lucky man, all right. | |
Lucky, hell. I could do it every day. | |
Why don't ya then. | |
'Cause it's better to do it all at once. We're puttin' down 400 grand next week. At 5-1 we make 2 million. Twenty per cent of that is yours if ya stick with us. | |
You got a system, Carver? | |
...Who? | |
Marty. | |
What needs sorting out? | |
Come on, Rob. My relationship with Laura has obviously disturbed you a great deal. | |
Funnily enough I haven't been too thrilled about it. | |
We are not talking jokey understatement here, Rob. We're talking actionable harassment. Ten phone calls a night, hanging around outside my house... | |
Yeah, well, I've stopped all that now. | |
We've noticed and we're glad. But, you know... how are we going to make peace here? We want to make things easier for you. What can we do? Obviously I know how special Laura is, and I know things can't be good for you at the moment. I'd hate it if I lost her. But I'd like to think that if she decided she didn't want to see me anymore, I'd respect that decision. Do you see what I'm saying? | |
Yeah. | |
Good. So shall we leave it at that then? | |
I dunno. | |
Think about it, Rob. | |
I thought I told everybody to get out of my house. That includes cocksuckers and retards. Get off your asses and go. | |
This is not your house, Doyle. This is my house and I'll say who stays and goes. You've got a house, why don't you go get one of your girlfriends and go home to it. | |
You know better than to talk like that when I'm hurtin'. Don't make me knock the piss out of you. | |
Hey... did we uhm, you know.... | |
No ! Just get up. This is serious. | |
You don't remember anything else from that last night you saw him, do you? | |
I told the story enough times--hell, we were just in the car, he was stewing about the fight with Buddy while we drove over to Roderick Bledsoe's-- | |
Bledso | |
He owned the colored roadhouse before Big O-- | |
He still living? | |
No. I think his widow's still in their place in Darktown, though. You think it's Charley Wade, huh? | |
Forensics people are sure of it. You have any idea who might have put him there? | |
Looks like we hit pay-dirt. This place is crawling with them. See the valets over there? They're vampires. So is the doorman. | |
How can you tell? | |
The way they move, they way they smell -- | |
There's been reports of management sexually abusing the artists in this place. | |
I don't know nothing about it. | |
You haven't felt yourself to be exploited by the management in any way? | |
These guys, my investors, they run a limo service, came to me originally, put money in a few of my pictures and did okay, they're happy. So they come in on another deal - this was back a few months ago when I was planning what would be my next picture, about this band of killer circus freaks that travel around the country leaving bodies in their wake. The characters, there's this seven- hundred-pound fat lady who has a way of seducing guys, gets them in her trailer - | |
Harry, look at me. | |
Oh no ... I'm fine. | |
How 'bout some Marshmallow Rice Squares? | |
I'm fine. | |
Edward Rama? | |
Eduardo. Rama. | |
You're home, then. | |
This one looks familiar, but I don't know. Naw. There's one came in today looks a little like this one but... | |
What did she want? | |
Who? | |
The girl that doesn't look like that girl. | |
Nothing. She wanted to know about suck night. | |
What night? | |
I didn't know if I wanted to handle her -- I already got a snake act. But my partner goes down there to the Opera House on suck night to book the good ones. | |
What's suck night? | |
That's what we call in the trade, audition free-for- alls and most of it sucks. Bit I don't think that's her. | |
You talking about the Opera House on the Main? | |
Right there. | |
Thank you. | |
Where the fuck you get off talkin' to people about me behind my back? Goin' over my head? | |
What people? | |
What people! What'd you think, I wasn't gonna find out? | |
I don't even know what you're talkin' about, Nick. | |
No? You said I'm bringin' heat on you?! I gotta listen to people because of your fuckin' shit?! You're ordering me out?! You better get your own fuckin' army, pal! | |
I didn't do anything. I mean, I didn't order you or anybody... I only told Andy Stone that you had a lot of heat on you, and that was a problem. | |
You want me to get out of my own fuckin' town?! | |
Yeah, I said I - let the bullshit blow over for a while so I can run the casino. Anything goes wrong with the casino, it's my ass. It's not yours, it's my ass. | |
Oh, I don't know whether you know this or not, but you only have your fuckin' casino because I made that possible! | |
I - | |
I'm what counts out here! Not your fuckin' country clubs or your fuckin' TV shows! And what the fuck are you doin' on TV anyhow?! | |
What are you - | |
You know I get calls from back home every fuckin' day?! They think you went batshit! | |
I'm only on TV because I gotta be able to hang around the casino. You understand that. You know that. Come on. | |
Your fuckin' ass! You could have had the food and beverage job without goin' on television! You wanted to go on TV. | |
Yeah, I did want to go on TV. That way I have a forum. I can fight back. I'm known. People see me. They know they can't fuck around with me like they could if I was an unknown. That's right. | |
You're makin' a big fuckin' spectacle of yourself. | |
Me?! I wouldn't even be in this situation if it wasn't for you. You brought down so much fuckin' heat on me. I mean, every time I meet somebody here, the big question is do I know you. | |
Oh, sure. Now you want to blame your fuckin' license on me, is that it? | |
No, it - it - Nicky, when you asked me if you could come out here, what did I tell you? I mean, you asked me, and I knew you were going to come out no matter what I said, but what did I tell you? Do you remember what I told... | |
Back - | |
...you? Do you remember what I told you? | |
Back - Back up, back up a fuckin' minute here. One minute. I asked you?! When the fuck did I ever ask you if I could come out here?! Get this through your head, you - | |
You never - ? | |
Get this through your head, you Jew motherfucker, you. You only exist out here because of me! That's the only reason! Without me, you, personally, every fuckin' wiseguy skell [Skell: the lowest form of wiseguy - a drunken bum] around'll take a piece of your fuckin' Jew ass! Then where you gonna go?! You're fuckin' warned! Don't ever go over my fuckin' head again! You motherfucker, you! | |
What's your name? | |
Dorie Miller, 'Mam. | |
I'm Evelyn. And I'm just a nurse. But I'm not playing golf, and that cut needs sewing, or else it's gonna make a big lumpy scar. Whatta ya say? | |
Amy, answer me. Why did you call her your friend? | |
Because she is my friend. | |
Hello. | |
Hello. | |
Yeah, is this Lester? This is Sam... | |
...Rothstein. I want to talk to Ginger. Put her on the phone. | |
She's not here, Sam. | |
Lester... | |
...listen to me very carefully. I want to talk to Ginger. I want my kid back. I want her put on a plane immediately. | |
I know she's there. Don't fuck around with me. | |
Uh, I'm not. Sam, I wouldn't... | |
Lieutenant Bedsoe? | |
Not now. I'm busy. | |
I oughta shoot you for that comment, boy. | |
Like you shot Winston Hancock? | |
I think the man who wrote it has actually been to Turkey, which helps. There's also a very amusing incident with a kebab. | |
Thanks. I'll think about it. | |
Vincent, where's the shore? We're too far out. We have to go back! | |
Too late for that. We're closer to the other side. | |
Visit from my father. | |
Do you have to quit the play? | |
I don't know. | |
You didn't have to spend your money -- ? | |
He'll, what else can I do with it all? | |
Nah. I'll probably just be here studying for finals. The joys of summer school... Are you okay? | |
I'm okay. | |
Are you sure? | |
Who're these guys? | |
Where is he? | |
We're too late. Take a look. | |
You're going to have to see to it that both lanes of this road get blocked. | |
The fuck I will! | |
It's in your interest, Nels, since the additional passenger in my trunk -- an LAPD officer is probably carrying a few bullets in him traceable to the piece you're carrying. Tell the man. | |
Let go of me! | |
Debbie, I'm telling you, I didn't do anything, hardly. | |
The marriage is off. Now you can screw around with your friends for the rest of your life. | |
I don't want that. I want to be with you. | |
And I want to be with someone who understands the meaning of the word commitment. | |
I am committed. I love you. | |
You mean that old woman I saw sittin' in the window wasn't Norman Bates' mother? | |
Maybe you saw Mary! | |
I'd know the difference between Mary and an old woman. | |
So you did talk about it, huh? | |
On... Once... Once... What are we... you going to do? | |
What do you suggest? | |
I dont know. Everyones dead... | |
Your parents arranged the visit to my office? | |
Take it. I'm doing it for you, stupid! | |
No you're not... | |
No, I want to talk to you now. I have to explain something about... | |
No, you don't have to, it isn't necessary... | |
Yes, it is! | |
Republican? | |
Sure. | |
Who'd you vote for? | |
When? | |
'68. | |
Nixon. | |
That was... the first one. | |
First one what? | |
First one I ever killed. | |
Yeah? | |
How I said I shot five men... it wasn't true. That Mexican... the one that come at me with a knife... I busted his leg with a shovel... I didn't shoot him or nothin'. | |
Ain't your fault. | |
That's the way he is. | |
Yeah. It's just like I figured. | |
What d'you mean? | |
Hell, I don't belong here. I don't know what I' been thinkin'. | |
Look, Duff - if you're free, I'm not working tomorrow. | |
Sorry, baby. I'm goin' to Birmingham. | |
Just for the day? | |
Goin' to see my kid. | |
I didn't know you had one. | |
Yeah. Well, I do. | |
Are you married? | |
No, I ain't married. Well, good-bye. | |
The same spring we had in Paris. Just as good. | |
Even the swallows are back. | |
If we could just figure out what the next word is going to be. He said the game's going to end tonight so there's only going to be one more word. | |
It could be anything. | |
It's got to be grammatically correct. | |
Miss me, baby? | |
I dunno, boy. | |
Hm? | |
It's a bitch. | |
A bitch. | |
Didn't recognize you. | |
We've never met. | |
I wonder who'll recognize us first? They'll wet their pants. | |
I hope the men do. I would rather the women didn't. | |
I'm gonna wet my pants. | |
So tonight's the night. Are you two excited? | |
I'm giving Veronica her shot. Her first Remington Party. Blow it tonight girl and it's keggers with kids all next year. | |
Good morning, Treves. | |
Good morning, sir. | |
You've acquired a taste for this? | |
It's quite nutritious, sir. | |
Don't be mad. This muck can kill you. | |
That's right here. Gee, it was lucky your telling me about that old newspaper superstition. | |
Yes, wasn't it? | |
I can't imagine who did it. I can't think of any enemies I have. | |
I'm sure you haven't any. | |
For a minute, I thought maybe Walter Burns was at the back of it. But then I realized he couldn't have been. | |
Oh, no. How could you ever think of such a thing? | |
Oh, I realized right away. He's really a very nice fellow, Hildy -- I found that out. | |
Yes, he is... Look, Bruce, we're taking that next train -- and when I say next train, this time I mean it! | |
Did you finish the interview? | |
The Criminal Courts Building. | |
Good morning, Dr. Zira. | |
Good morning, Julius. How's our patient today? | |
No change. The minute you open the door, he goes into his act. | |
Theo, I want you to get out of this town. | |
I'm getting to like it here. | |
Did that porcupine say he'd get you back on the tour? | |
I gotta survive. | |
He'll be a barnacle on your ass the rest of your life. | |
You got a better offer? | |
No... | |
I didn't think so. | |
You ass. | |
I'm sorry, I'm sorry but I had to. It was too easy. | |
You are so not funny. | |
Sheesh. | |
Walter, how-- | |
You know how to use one a these? | |
I've seen 'em used on TV. | |
Flynn! | |
Uh, no ... I mean, not that often - | |
It's okay to call them brontosaurs, Tim. It's a great name. It's a romantic name. It means "thunder lizard". | |
"Thunder lizard!" | |
I hope to spoil this sport, and trust to see this sword of mine in that big bully's body. | |
Oh, it's with pistols we fight. You are no match for Best with the sword. | |
I'll match any man with the sword. | |
But swords are today impossible; Captain Best is -- is lame. He knocked his knee against the swinging park gate last night, as he was riding home, and can scarce move it now. | |
Not against Castle Dugan gate, that has been off the hinges these ten years. | |
It must have been some other gate. | |
It's got to be stopped! | |
But, Ted, the invitations have already gone out. | |
I mean the Mercury flight. It's not safe and, Kurtz, you know why. | |
You've got to let us try, Skipper -- | |
'Us?' | |
Reef and I can take the Explorer down, clamp it around the eye, and --- | |
My mother used to say that a cold heart is a dead heart. | |
Your mother sounds like a Hallmark greeting card. | |
Uh ... | |
He hadn't done anything ... He was good ... What have you done with his body? | |
What do I have to do to satisfy you -- become the next victim? | |
It's a start, anyway. | |
I don't understand you at all -- one minute you're chasing me around the shower room and the next you're accusing me of murder. | |
Carson Dyle didn't have a brother. | |
I don't want it. | |
Honey it's to help you. | |
This is Inez. Carmen. Anita. | |
Hi. | |
Inez, this is -- | |
Jerry. And this is my associate Cornelius. | |
That's all bullshit. You know what the real problem here is? | |
I was born. | |
I would not have disturbed you, Majesty, but you ordered me to keep you informed -- | |
Yes, yes, go on. | |
Athos, the former Musketeer, has just fought with several of your guard, at the Musketeers' Gate. | |
Where... do those men come from, George? | |
Africa, of course. | |
Africa? That's so far? How do they get here? | |
Slavers capture them and bring them here. | |
Capture them? Well, I've never seen anything like it, so... of course I'm curious. | |
Sally, our slave system is a British law... | |
He translated it wrong. "My name is Jerry"? It's like "See Spot run." | |
The message doesn't show a lack of intelligence. It's smart. It's approaching us in a simple way. Like you would a dog. Holding out your hand, letting it sniff, get used to you. | |
What am I -- a dog, now? | |
I'm Bobby Clowes. Kansas City. | |
Charlie Luciano. | |
You ever been near a meat packing plant? My father makes a couple million per, but the smell in his office is enough to make you puke. | |
Got the same problem with my pop -- garlic. Nothin' you can do. | |
The goddamned bastards. | |
Tell me about it. | |
Maybe I'm missing the obvious, but why aren't we leaving town? Any place has to be safer for us than Chicago. | |
It doesn't matter where we go. Between Zammito and the FBI they'll find us. We have to end this here. | |
What's his name? | |
Brill. | |
Mademoiselle, after this disturbance it is not safe for Laszlo to stay in Casablanca. | |
This morning you implied it was not safe for him to leave Casablanca. | |
That is also true, except for one destination, to return to occupied France. | |
Occupied France? | |
Uh huh. Under a safe conduct from me. | |
What value is that? You may recall what German guarantees have been worth in the past. | |
There are only two other alternatives for him. | |
What are they? | |
It is possible the French authorities will find a reason to put him in the concentration camp here. | |
And the other alternative? | |
My dear Mademoiselle, perhaps you have already observed that in Casablanca, human life is cheap. Good night, Mademoiselle. | |
There. Should be coming through about there. | |
Careful, don't get under it! | |
Have you tried to ask the God for anything? | |
Well... no... | |
Can I ask you a favor, can we do this at Sean's from now on? 'Cause I leave work to come here and the fuckin' commute is killin' me-- | |
That's fine, but did you ever think-- | |
It's right. Take it home with you. | |
Will, what happened at the Tri-tech meeting? | |
I couldn't go 'cause I had a date. So I sent my cheif negotiator. | |
Will, on your own time, you can do what you like. When I set up a meeting, with my associates, and you don't show up it reflects poorly on me. | |
Then don't set up any more meetings. | |
I'll cancel every meeting right now. I'll give you a job myself. I just wanted you to see what was out there. | |
--Maybe I don't want to spend my life sittin' around and explaining shit to people. | |
The least you can do is show me a little appreciation. | |
--You know how fuckin' easy this is to me? This is a joke! And I'm sorry you can't do this. I really am. 'Cause if you could I wouldn't be forced to watch you fumble around and fuck it up. | |
Sure, then you'd have more time to sit around and get drunk. Think of how many fights you could have been in by now. | |
Like in a church painting. I see this giant hovering over the ground. He's wearing a robe, and has long flowing hair, and he's pointing his finger at something. | |
Do you ever wonder why things happen the way they do? | |
No. | |
I know there's a plan for everyone, but sometimes I don't understand what the message is -- or what the point is. | |
There is no point. You live. You die. The end. | |
You're what?! | |
I -- I'm quittin' the pageant. | |
I heard you, I was just tryin' to scare you into changin' your mind. Oh for Chrissakes, Amber, the woman clung to your tap shoes while flyin' through the air like a Goddamn lawn dart! | |
Oh God, I'm dead... | |
How many of them did he kill? | |
Two. | |
...You are such a great guy. First the money, now this. Isn't he fabulous!? | |
Please don't hug me in public again, O.K.? | |
I LOVE THIS MAN...YA HEAR ME JADED CITY... ...I'M DAFFY ABOUT THIS GUY AND I DON'T CARE WHO KNOWS IT!!! | |
Come on! | |
No! | |
Can you pay some attention to me? | |
Oh, yes. | |
Insolent young cub! | |
You mean Baron von Gaigern? | |
Baron! | |
Well, he's a gentleman! | |
Yes. Without question. | |
Without question? He only scored 40 percent, four out of ten criteria? Couldn't another expert say he <u>flunked</u> the sexual sadist test? What curve are you marking on, Doctor? | |
The test criteria are only part of what we look at in evaluating subjects. | |
Only part. What else? What did you think of his claim that he tied this girl to the tree and set fire to her because Joan of Arc told him to do it. | |
He was lying. | |
'Lying. He was lying.' I asked you what you thought, not what he did. | |
I thought he was lying. | |
You said, first, he was lying. How do you know that, Doctor? | |
Because people who are suffering from aural hallucinations hear voices in both ears. Daryll Lee told me that Joan of Arc always appeared beside him on his left side and spoke softly in his left ear. | |
You think I'm crazy. | |
I'm thinking... that explains a lot. | |
Where's Doctor McCoy? | |
Indisposed, sir. | |
Ah, too bad... Well... You have all done remarkable service under the most -- difficult of conditions. You'll be receiving Starfleet's highest commendations, and more importantly, extended shore leaves. | |
What do I have to do? | |
Some tap dancing, some singing. | |
Where do I sign? | |
...That's awful. I hope you killed, that asshole? | |
...Yes. The day he got out of jail. I allowed him to make ten steps... No more. And bang. Two hundred meters. By telescope. That night, I left my country and came here, to join my father, who worked for Tony. ...I was 17. Then, I never left the city... And never had another girlfriend... | |
Hey! What're you guys doing here-- stealing my girl? | |
Now, Nuke, would I do a thing like that? Hey kids, this is the great Ebby Calvin "Nuke" LaLoosh. | |
Sell it to him. You get a couple bucks, it pays for the ride. I got a job, nice apartment. I do okay. | |
They interview you or anything? At the plane crash? | |
Hey, do I look crazy? I don't go for that shit... interviews, media. They're manipulators. "Keep a low profile," that's my motto. | |
Lemme alone... | |
You breeds are all alike -- two drinks an'... | |
I'll be gone two or three weeks. | |
You'll be gone, period. | |
Ahem. As I was saying, perhaps another macaroon ... | |
Thank you, Steed. | |
Where do you think you're going? | |
Back in. | |
You fucking nuts? | |
Work's over. I'm gonna party. | |
You can't go in there. They know you're with Ruiz. | |
You got that right. | |
Fuck you. Go then. I'm taking the car. | |
Fine. | |
And some problems cannot be settled without one. | |
Well here is the problem at hand: the King has ordered me to discover the identity of the Governor General of Jesuits, and kill him. As our English rivals have left the Catholic Church, Louis has struck on a plan to dominate the whole of Europe by uniting Church and State and making himself head of both. He has already picked the Pope. Only the Jesuits, who put God above throne or papacy, stand in his way. | |
Why don't you take a rest, Brian? | |
I'm only walking him. You caught him. You have to be exhausted. | |
Go on, you're tired. | |
No, I'm fine, thanks. | |
There's one nice thing about being rich - you ring a bell and things happen. When the servant comes in, Mr. Hallor, I'm going to ask him to show you to the door. Many people don't know where it is. | |
No use in getting tough. That'll get you nowhere, Mr. Deeds. You know, we've got letters. | |
It's not safe, they say. The doctors say it isn't possible to go deeper and live. Free diving is over as a sport. | |
You say that because you have the title! | |
No! I would never cheat you. | |
Well that's very nice of you. | |
Hey, you! | |
Let me guess. Amy presumed Id forget the rings. I think Im her least favorite person. You know, I am sorry. | |
Maybe not her least... Theres always-- | |
What is this? What are you, since when do you read the "National Review"? What are you turning in to? | |
Well, I like to try to get all points of view. | |
It's wonderful. Then why don'tcha get William F. Buckley to kill the spider? | |
Alvy, you're a little hostile, you know that? Not only that, you look thin and tired. | |
Welsh again. | |
Okay, so the guy's gonna look like Meatloaf's backside. No-one's asking you to go to bed with him. | |
You okay? | |
Yeah. Something slippery all over here... Tina? | |
No, thank you. I'll proceed directly to the intravenous injection of hard drugs, please. | |
As you wish. | |
Oh what have I done? | |
He was the first man among us. A great light has gone out. | |
Do you ever regret things you've done? | |
Everyone regrets something. | |
But when you finLsh a job, afterwards do you think about them? | |
Sometimes. | |
Do you think about their wives or their families? | |
No. They call me, I don't call them. If they didn't call I wouldn't exist. | |
Sure plenty of times. | |
Well? | |
Trevor if someone is talking from a sleep state they are obviously dreaming. So practically everything say is going to sound strange. | |
Did I ever talk about the accident? | |
No. | |
Did I ever talk about Kirsty? | |
No. But at one point you did repeat something though. A phrase. You must have been having this recurring dream, you just kept saying this one thing over and over | |
What was it? | |
Come on, Karl, let's go out to the garage. | |
Goddamnit, I'm talkin' to the man. You set right there, Karl. | |
Dick -- you've got to hear this! | |
Listen, just take one of mine when we get back. Don't worry about it. I did the Forum with Marge and, frankly, once is enough in anyone's life. | |
So where does that put us? | |
Well--I don't see what's changed. No - PDA's, no necking on the obstacle course. | |
Seriously. | |
Seriously, I think we should get married. | |
We been through this before-- | |
We should just do it. | |
And if I get a shot at a promotion somewhere-- | |
You could take it-- | |
It's up or out these days, Cliff. Say I get transferred to a different post-- | |
I'd quit the Army for you, if it came to that. | |
Man's gonna retire in two years and he offer to quit. Big goddamn deal. | |
Lasher... Where --- where is --- | |
It's alright...it's airight. He's gone, Michael... Gone. | |
Should I wake her? | |
No, let her rest. | |
She likes to see you off in the morning. | |
I'll make sure she does. But first I'm going make up a nice, big breakfast against that cold outside. | |
Won't you be late for work? | |
Don't matter. First time I'll be late in nine years. No great trouble..Whatever goes on out there goes on with or without me showing up on time... don't matter... The world is in this room, baby. This is all there is and all there needs to be. | |
Yeah, but -- | |
But what? | |
What will I tell Annie? | |
Goodbye, Admiral. Oh, and don't count on Enterprise. She can't move. My next act will be to blow her out of the heavens. | |
KHAN! | |
Uh, er... I... | |
You were saying you don't want a million dollars. | |
Well, I'm not entitled to a million dollars. I... I... didn't expect... I didn't expect... | |
All the adulation? It makes you feel like a fake, doesn't it? | |
Uh, actually... yes... I... should never have come forward and presented myself as -- | |
Don't worry. | |
I'm sorry, Eddie. I'm so sorry. | |
Don't worry. Everything's gonna be all right. | |
Don't think you can persuade me with appeals to my intellectual vanity. | |
I don't think I'll persuade you. You'll do it or you won't. Dr. Bloom is working an it anyway, and he's the best... | |
Do you have the file with you | |
Yes. | |
Pictures? | |
Yes. | |
Let me have them, and I might consider it. | |
No. | |
Do you dream much, Will? | |
Good-bye, Dr. Lecktor. | |
You haven't threatened to take away my books yet. | |
We want the man who did this -- | |
No. That wasn't the deal. | |
I want you to tell me a story, Tin-Tin. | |
I don't know you... | |
You're kidding? My God. What is it? | |
It's chinchilla. | |
Oh, it's so soft. | |
It's nice isn't it? | |
Oh... | |
That was a terrible thing. | |
I don't even know why hang-gliding is considered a legitimate sport. | |
I'm sure you're very proud of Max. | |
Of course I'm proud. You know he started with nothing? Look at him today. Playing concerts. | |
How'd you find me? | |
Helen, she sent along your things with a note, and John here, he wrote to the police. | |
Yeah. Well. Gettin' up here, Boss. | |
Fred's no good, Jason. You're going to have to kill it | |
KILL IT? Well I'm open to ideas!... | |
That's not my ring. | |
- in the gods - Huh? | |
That's not my ring. | |
Not your... | |
That's one of Aunt Hurlene's. | |
You said it was in the rolltop desk! | |
I said I thought it was in the rolltop desk. | |
You said - | |
Or, it might a been under the mattress. | |
You - | |
Or in my chiffonier. I don't know. | |
You'll pick up the middle on this one - the Jews and Negros. | |
Jews and Negros don't win elections, Henry. Better to hang them around the Democrats' necks. | |
Oh man...what happened? | |
I don't know. But I'm in trouble. I'm all over the papers. I have to figure out what's going on. | |
Alright...alright...you've saved my ass enough times. What do you want to do? | |
Nothing you gotta say do I wanna hear right now. So save yourself saying it. | |
I'm not in here to apologize, John. I told you what was gonna happen & it's happened? "Good-bye, Princess," & the same night she gets attacked? That's a tough one to swallow, Bro? | |
I'm already familiar with Taylor's opinion. | |
You don't really believe this? | |
<u>One hundred fucking per cent</u>! .. And you know why? Coz I never told her good-bye. O.K.? Is that good enough for the "committee?" | |
Really. | |
Yeah, he wants us to talk to Buddy, set up a meeting. | |
A meeting with who? You and Karen? | |
This. Right now. | |
Uh-huh. | |
You're a girl. | |
Excuse me? | |
How come you're not at lunch with the girls? You're a girl. | |
I guess I'm not the right kind. | |
Waitressing is the number one occupation for female non-college graduates in this country. It's the one job basically any woman can get, and make a living on. The reason is because of tips. | |
Fuck all that. | |
That moron. | |
It was an honest mistake. Ridgeway... Ridgeroad... Ridgeway Road. | |
Everyone get some sleep. We're leaving in the morning. | |
Why don't you take a half day and clean this junk up? | |
Because, I'm in the middle of a boating accident, I got only four regular cops and one secretary, and a Chief Deputy who is constantly fiddling with the police boat He's another one. | |
One what? Ah-ha! | |
Boat nut. What is it about this place that makes everyone a freak for boating? | |
It's an island. Got to run. | |
Bad luck to see death in the snow. | |
But what happened to the little deer? | |
Probably hit by a car. Hard to see things in the twilight. | |
Why is it just lying there? Why doesn't it get up? | |
Because it can't. It's dead. | |
But it was alive it was fast and strong! | |
It got hit. | |
But where has it gone? Where's all the strength and the quickness? | |
The other thing is... | |
...I know. CIA and the military fucked us on the Bay of Pigs. | |
They're going to be pressing for a military solution soon. We can't afford to let them ram their agenda down our throats. We need to come with options other than air strikes so we have some sort of choice here. | |
We got a bunch of smart guys. We lock 'em up together in there, kick 'em in the ass til they come up with options. | |
Women <u>and</u> the space program have come a long way, sweetheart. But after the wedding, no more complicated computers for my little girl. | |
But, darling, they've offered me a chance to head up the computer analysis division for the Jupiter probe. | |
You're heading up the division in charge of babies for Mr. and Mrs. Simon Kurtz. | |
Cmon. | |
Sorry, Jack. Its too important to me. | |
...yeah... | |
I'm sorry, I had to get dressed. | |
Still quite a hike to Devil's Cauldron. Days. A long stretch to go without sleep, my friend. You can hide behind that pistol for now, but take your eyes off me long enough to sneeze -- | |
-- Turn around. | |
He'll learn. | |
He's too old. Yes. Too old to start the training. | |
Ironic. When man was killing these creatures, he was destroying his own future... | |
The beasties seem happy to see you, Doctor. I hope you like our little aquarium. | |
Come and get me, soldier -- | |
Whatever you say, Jude... | |
Hi! | |
Oh, Hi, how's the investigation going? | |
I'm, okay... You okay? | |
Sure, I'm okay. | |
I don't believe this is happening... | |
Susan, Dr. Argon is giving you an opportunity here. | |
Opportunity? | |
There is so much our two peoples don't understand about each other. | |
No shit, Holmes. You're only from another goddamn planet, for chrissakes. | |
You humans are very curious to us. You invite us to live among you, in an atmosphere of equality we've never known before. You lay before us a beautiful green world, full of freedoms and opportunities... You give us ownership of our lives for the first time... and you ask no more of us than you do of yourselves: to live by the rules... rules that aren't made to keep one people subordinate to another, but rules that exist to preserve equality. You aspire to very high ideals here. | |
This is really happening, isn't it? | |
[Beat] What do you need me to do? | |
[Beat] Thank you. | |
I love him. | |
I don't care if you love him! I'm telling you he's no good for you! | |
No joke, ma'am. Please open the door. | |
How do I know you are cops? | |
Um... They gave me a limo, uh... | |
Oh, great! Thanks. I'm just going uptown. | |
What's it look like to you? | |
Looks like you were in a bad car accident. | |
I said -- uh -- I said even ten minutes -- is a long time -- to be away from you. | |
Don't be embarrassed, Bruce. I heard it, but I just wanted to hear it again. I can stand being spoiled a little. The gentleman I'm going to have a chat with did very little spoiling. | |
I'd like to spoil him just once. Sure you don't want me to go in with you? | |
My job, Bruce. I started it -- and I'll finish it. | |
I suppose you're right -- but if it gets rough, remember I'm here. | |
I'll come a-running, pardner. | |
He's replaying the game I played against him move by move, using these girls as the Chess pieces. All the girls have been found in their homes except Christie Eastman, who was found in back of a warehouse. Why? | |
Because to follow the game he played he had to move to that grid? | |
Right. Here! c-4. | |
Where you been? | |
Where do you think I've been? I took the baby for a stroll in the park. | |
I'll be watching over you. | |
Just get back soon, or I start looking for a new groom. | |
Through the power of the simple word--- | |
And a snake-eye glare. | |
---and a snake-eye glare, Arnold was able to totally psyche out any confidence Ferigno had. | |
He squashed him mentally before physically defeating him. | |
He had the edge. The mind's edge. | |
Mickey and Mallory have that edge. | |
Only on a much grander scale. | |
They've hypnotized the nation. | |
Schwartzenegger was the king of the edge before they came along. | |
Yeah, no kidding. | |
Your father gave them to both of you. | |
And he's right over there by the way. What did you do to your face? | |
Someone else did it. | |
You're a friend of the guy who killed her, aren't you? You almost sound like him. | |
He didn't kill her. | |
How do you know? | |
I know everything about your sister. I'll prove it to you. | |
Stay away from me! Dad! Dad! | |
No. Are you? | |
No. | |
You don't go out with girls very much, do you? | |
I haven't. | |
Why not? | |
Please. | |
You live with him. | |
I live here. He drops in and out. He tell you about that half-million dollars he's got in Mexico? | |
Uh-huh? | |
Course he did, he tells everybody who'll listen. That's what he's doin' with this stewardess. He's scheming how he can get it over here. | |
And your point is? | |
Let him and that stewardess get that money over here... | |
Uh-huh? | |
...and just take it from him. | |
As you can see, this is just a simple microcassette recorder. Hook it up to the phone and drop in five bucks in quarters. | |
Record the tones that the coins make. And hang up and get your money back! | |
And never again have to pay for a service that would be dirt cheap... | |
...IF it weren't run by a bunch of profiteering gluttons! | |
Remember, hacking is more than just a crime. It's a survival trait! | |
The Baron hides in the dark in a passage under the Castle... Quick, give me the dwarf's key... the one which opens any lock... | |
In the dark, lad? Why should he do that? | |
Because sunlight will kill him. Quickly now, give me the key. | |
Sunlight, you say? | |
Aye. Hurry now, Gump, the key! | |
Mean you to seek him out below? | |
I'm not afraid of the dark. | |
I admire your valor, Jack. By all means, seek him out... But first, we needs visit the kitchen. | |
Man has a complex. | |
He's got a... What do you call it? A Napoleonic Code. | |
You mean we get `Dave' to nominate you as Vice President. | |
I was a senator, you know. | |
Oh, I know. And then when our poor President gets another stroke - - of course much more serious this time - - the newly appointed V.P. becomes the Pres... | |
What about containment, Alan? | |
Here, have a sandwich. | |
Fuck you. | |
If he has a heart attack you're carrying the body down yourself. | |
At least it gives you plenty of exercise. | |
Wyatt, I couldn't find a single Store that had laudanum any- | |
Mattie, they're here! Folks this Is Celia Ann but you can call her Mattie. Or even Mrs. Earp if you Prefer. | |
What did they say before the bad card came up? | |
You'll meet a rich man and he will give, you money. | |
You and your cards. Meet a rich man! I look for them with money. What rich man hasn't money. And for what was I born if it wasn't for money? You're not telling me anything. | |
Watch and see, A day or a week - but certainly this month -- you will have money from a man and then- | |
I never imagined I'd be so happy to see the sun rise -- It's over, isn't it? | |
For them. But for me -- | |
What happened? | |
Somebody pulled my tail. | |
Oh, you did it yourself! | |
I -- Oh -- | |
Here -- Come on. | |
What was that? | |
No. It's hard to L-A-U-G-H when your father's dying. | |
Well, we laughed. We laughed all the time. | |
I wonder if you could tell me... | |
Yep? | |
The little girl's name. | |
The little Brenner girl? | |
Yes. | |
Alice, I think. Harry, what's the little Brenner girl's name? | |
He comes over to study. | |
Yeah. | |
Sorry, I get carried away. Once I become interested in someone, I can't stop trying to figure them out...Amnesia victims are challenging.. | |
I actually got some memory back last night. | |
How much? | |
Enough. | |
Oh now this one is mine... | |
Denham! Go back to the wall ... Tell'em to give me twelve hours to get back with Ann! | |
I can't get back to the wall! I'll get eaten! | |
A sweetheart or a pretty little wife is Papageno's wish. A willing, billing, lovey dovey Would be My most tasty little dish. Be my most tasty little dish! Be my most tasty little dish! | |
Then that would be eating and drinking I'd live like a Prince without thinking. The wisdom of old would be mine - A woman's much better than wine! Then that would be eating and drinking! The wisdom of old would be mine - A woman's much better than wine. She's much better than wine! She's much better than wine! | |
A sweetheart or a pretty little wife is Papageno's wish. A willing, billing, lovey dovey Would be My most tasty little dish. | |
I need to net one birdie only And I will stop feeling so lonely. But if she won't fly to my aid, Then into a ghost I must fade. I need to net one birdie only But if she won't fly to my aid, Then into a ghost I must fade. To a ghost I must fade! To a ghost I must fade! | |
A sweetheart or a pretty little wife is Papageno's wish. A willing, billing, lovey dovey Would be My most tasty little dish. | |
At present the girls only peck me. Their cruelty surely will wreck me. But one little beak in my own, And I'll up to heaven be flown! At present the girls only peck me. But one little beak in my own, And I'll up to heaven be flown. Up to heaven be flown! Up to heaven be flown! | |
Karen Colcheck. From Woodsboro. | |
She was Randy's only girlfriend . . . ever. | |
It's not "invisibility" per se. You're bending the light around you with some kind of malleable force field. That's what you projected on the Bridge. | |
What about you? You haven't eaten in days. How come you're never on this side of the microscope? | |
You'll always play with me? | |
Whenever you want. | |
Have you read Toynbee? Spengler? | |
Nobody reads that stuff anymore. | |
Too difficult? | |
Too Christian. You know Jameson? Paul Virilio? | |
The point is, the modern world is a Jewish disease. | |
Disease? What disease? | |
Abstraction. They're obsessed with abstraction. | |
What's he say? | |
Someone died here. It's tapu. | |
But we came down this way didn't we? I'm sure we did. | |
This is Travis and Bob... What's your last name, dear? | |
Uh... Head? huh huh. My first name's Butt. Huh huh huh. | |
Yeah. | |
A lot of works. | |
I feel sick. | |
Imagine how he feels. | |
... And then some. | |
What have you done to my flat? | |
Janosz? | |
Hello, Dana. I happened to be in the neighborhood and I thought I'd stop by to see if everything's all right with you -- you know, with the blackout and everything? Are you okay? Is the baby all right? | |
Duh. The next couple of days is gonna be rough, but we'll make it. | |
What about a radio? | |
Sorry. Emergencies only. | |
What the hell would you call this? | |
I'd call this four spoiled city kids who wouldn't know a hurricane if it blew up their butts. All we can do now is batten down and ride it out. If things get really bad, there's a storm shelter. | |
I'm glad you've come home, Conner. | |
Me too. | |
Do what I tell you, it's not a game. | |
It's all a game, don't bother me. | |
Kaggs. Home office. | |
Roy Dillon. | |
I know that. Knew it when I saw you out there. The best salesman here, which isn't saying much. Want to talk to you, Dillon. | |
See this? Can you believe it? Two inch screen... | |
...I can't even see it... | |
...for my kid Rudy -- 3 years old, electronics freak, got a liquid crystal display 'stead of an electronic beam. We're going into a new age pal. So how's business today. | |
Bluestar was at 21 and an eighth when I left the office. It might spin up to 25 by the bell... | |
Teldar's shooting up. Buy any for yourself? Bet you were on the phone two minutes after you got out of my office. | |
No sir, that would've been illegal... | |
Sure...relax sport, no one's gonna blow a whistle. Here, is this legal?...you wanna put it in my account? | |
That still doesn't mean you didn't kill him. | |
You saw West, right? How was he killed? | |
Full clip to the body -- | |
From up close or far away? | |
His chest was hamburger -- | |
That's close range. You go full auto on a guy from close range, you're gonna be swimming in blood. Look at my uniform. Nothing. | |
How could somebody get under the covers with you guys without you knowing it? | |
How the fuck do I know? I don't expect you to believe me. | |
Webb's not in Albany. He marched the 33rd to Fort Edward two days ago. | |
Webb's at Edward? | |
Yes, sir. | |
Only twelve miles away! He could be here day after tomorrow. Find your man, sir! Captain Beams will give you the message. | |
It's okay... It's okay... | |
Charlie, I feel like I'm going crazy like I'm losing my mind. I don't know what to do... I didn't do it, believe me. I'm sure of that, Charlie. I just... | |
You're busy monkeys, Mr. Case. Busy, busy monkeys. Always building models... First stone circles. Then cathedrals... adding machines. I have no idea why I exist, do you know that? You... Your species eventually _had_ to create me. A thousand monkeys sitting at typewriters. One finally wrote "Wintermute". | |
Are you even really alive? | |
My problem, Mr. Case, is simply that I am a soulless bastard. | |
Claire. | |
Jack. | |
How can you say that you 'admire' them? | |
It's like this, Wayne. Two people are standing in a dark room waiting for the other to attack. These two people can't see each other, yet they know they're there. Now, they can either stand in the dark room forever waiting until they die of boredom, or one of them can make the first move. | |
Why can't they just shake hands and be friends? | |
They can't because neither knows if the other is a deranged senseless killer like the Knoxs. So, you may as well make the first move. | |
And they made the first move? | |
Unfortunately, yes. | |
Well we'd love to, but we're going to another party. | |
Well... that's wonderful -- I'll stop by there for a drink. | |
Come in, Joe. It's all right. | |
Hello, Joe. | |
You'd die for them? | |
I would try for them. | |
You barely know them. | |
But I'm human. I know you view that as a weakness, but I'm sorry -- I <u>do</u> feel fear, theirs too. Goddamnit, Riddick -- yes. I would die for them. | |
Hot damn, boy, I almost believe you did sell your soul to the devil! | |
Boys, that was some mighty fine pickin' and singin'. You just sign these papers and I'll give you ten dollars apiece. | |
Okay sir, but Mert and Aloysius'll have to scratch Xes - only four of us can write. | |
Red flags man. | |
Not our problem. | |
Why so vague? Why so evasive? He could be somebody hot. | |
Not our problem. | |
It's going to look beautiful when he turns out to be that animal who paid a visit to the Steadman's house. | |
This guy's not a murderer. | |
If he is, half the town has seen us take him out for dinner like a couple of jack-asses. | |
Tell me the truth, Mom! It's ok with me, really! Are you a serial killer? | |
Chip, the only cereal I know about is Rice Krispies. | |
She was a good woman. | |
You didn't bring me here to talk about her. | |
No. | |
I'd be glad to, Mr. Igor. I think I'll have somethin' to tell you soon. | |
You have done well, and now I, too, have something for you. Come. | |
Yeah I got it all worked out. Billy, listen to me. That old guard likes you, You drop some acid on him. When he's Seeing rainbows yer know. walk out - tonight. | |
Then we're outside the kogus. Then what? | |
What? | |
After we're outside the kogus? | |
Oh we... we... | |
Max... Your BILLY shirt's on fire... | |
Come on, go on... | |
It was like Tommy was possessed or something. There was a hate in his eyes that I couldn't really call human. | |
You mean - all this time - she'd done nothing but apologize? What'd you say? | |
Not much. | |
Are you all right? | |
This is a brutal land. | |
You must have known that before you came. | |
It's one thing to know it... | |
Not a star-jumper. | |
Doesn't need to be. Use this to get back up to the Sol-Track Shipping Lanes, stick out a thumb. You'll get picked up. Right? | |
I - r saw him as a child. Lots of times... But no one else did. | |
Come. There is a lot to read | |
Where...where am I? | |
Back on Earth. Victor's medical facility... We're in quarantine. | |
Reed? ... Sue? | |
They're fine. Everybody <i>else</i>...is fine. | |
We can't pump poison gas down into the cooling unit! It'll flood the whole ship! | |
The only other thing I can think of is for somebody to crawl in there and flush it out. | |
Hey . . . hey. Where did the Building and Loan move to? | |
The Building and what? | |
The Bailey Building and Loan. It was up there. | |
They went out of business years ago. | |
Say, buddy! Who's the most liquid businessman on the street? | |
Well, I -- | |
Waring Hudsucker! Na-ha-ha-ha-ha! Say, buddy! When is the sidewalk fully dressed? When it's 'wearing' Hudsucker! Na-ha-ha-ha! | |
It's crazy out there. Young girls wearing mini this and mini that. Sometimes when I walk down the street and pass some sexy looking woman, she makes me feel like I'm bothering her. She stares down like she's afraid to look at me. Why she do that? Why can't she look me in the face? | |
Maybe because you're looking her in the face. | |
Kathy Price... | |
Yes... | |
You were the Admitting Nurse at St. Catherine Laboure Hospital on May twelfth, nineteen seventy-six, the night Deborah Ann Kaye was admitted... | |
Yes. | |
..when you think about it, Ethan, it was inevitable..no more Cold War. No more secrets you keep from everyone but yourself, operations you answer to no one but yourself. Then one morning you wake up and find out the President of the United States is running the country - <i>without your permission</i>. The son-of-a- bitch! How <i>dare</i> he? You realize itís over, youíre an obsolete piece of hardware not worth upgrading, youíve got a lousy marriage and sixty-two grand a year. Kittridge, weíll go after that no good son-of-a-bitch, big time! | |
We donít have to, Jim. Heíll come after us. | |
Whatís going to make him do that? | |
What he didnít get in Prague. The NOC list. | |
Jesus, Ethan. Good for you. | |
A meeting tomorrow on the TGV, enroute to Paris. | |
Tight security. No guns. Real plus. | |
If I supposedly deliver the NOC list to Max, Max has agreed to deliver Job to me. Iíll have Claire and Luther Stickell with me on the train. Marcel Krieger will have helicopter transport waiting in Paris. | |
What is this? I got work to do. | |
Sit down and shut up, will ya. Try not to live up to all my expectations. We were told you know a hustle artist named Johnny Hooker. | |
You've asked why I stay a bachelor? There goes the best reason I know! | |
Huh? | |
I might have a son like <u>that!</u> | |
Dr. Winkel? | |
Vinkel. | |
Vinkel...You've got quite a collection of er-collection. | |
Yes. | |
Kido. It's four in the morning. | |
I can't sleep. | |
What is this? Four nights in a row? You going for a record here? The seven year olds insomniacs hall of fame? | |
Do you love me Rachel? | |
Oh, serious questions tonight. Of course I love you. | |
Like a sister? | |
Jamie, sometimes it's... | |
Like a real sister? | |
We're not real sisters Jamie, but that doesn't mean I love you any less. | |
Relax, Alan. The Army has this all in hand. And Mr. Thaddeus Rains will be very pleased with this news. Nothing like a hanging to motivate the populace to relocate. | |
It's not my job to relax. I've put men facing out both ways down Main Street, so nobody can ride in shooting. I've got a sharpshooter up on the water tower just in case. | |
Ever watched a man die? If you watch very closely, you can sometimes see the soul escaping. And if you're very quick, you can catch it. | |
Please... Butterfield... I wasn't there. Ask Pimm. | |
Pimm's dead. Jennifer Desiderio's disappeared. They knew the Puritan was coming home. | |
Look, I didn't mean to hurt anybody... God, I didn't mean to... to... | |
Rip my face off? Hey, we all make mistakes. Hell, I didn't mean to sleep with you on the first night, especially without a condom. But I did, and now I'm paying the price. | |
I don't meet anyone, mother, but why did you say that? | |
Benjamin, I'm not going to pry into your affairs, but I'd rather you didn't say anything at all than be dishonest. Goodnight, Benjamin. | |
Well, wait. | |
As long as you're asking...I think you have a pretty good voice. | |
I knew it. What does she know. You want me to sing something? | |
That depends. How do the Fu-Cang-Long usually kill their victims? | |
They'll probably torture us first, shock our privates, then put two bullets in our eyes and one in the back of the head. | |
Go ahead. Sing your ass off. | |
I suppose, Jason, that you'll speak for your friend -- -- and your poetry will speak for you. | |
Perhaps | |
'Dem dat hides can finds says I'... I seen him, the clever tit, sneaking looks at it late at night, talking to it. | |
Yeah? Where? | |
A man after my own heart. Straight to the point. What's different about ARCADE is the way it reacts. It responds like a human does. It learns. It adapts. Each time you play, it changes its strategy. | |
That's impossible. | |
Is it? Why don't you see for your self? | |
Captain -- that was all true about the rats and chocolate and stuff? | |
Sure. | |
And you could just tell when the supplies were booby trapped? | |
It's a feeling you get in the jungle. When you get good, you can find a track and tell not only how many they are, but their morale, how far they're going, whether they're near their camp, the weapons they're carrying. | |
Okay so we worked together. It was an information exchange. I got him first class collars and he got me good stories. We were friends for Chrissakes! | |
Alright. We'll drop that line for now. Next topic. Please comment on Pierce Patchett. | |
shhh... | |
It was nothing. We're not ... He just makes me laugh. When was the last time we laughed? Any of us? | |
I know... I know. I've been an arsehole of spectacular proportions. Olympic standard. | |
I thought you said he was Peruvian? | |
Haven't you been listening? | |
That's fair. | |
Despite what you think, I don't do it on purpose. And I have no intention of doing it again. | |
Daddy, how come that coffin's so small? | |
They come in all sizes honey, just like shoes. | |
Is it for a child? | |
Confused? | |
Yeah, you know, probably one of these fast-talking career gals, thinks she's one of the boys. Probably is one of the boys, if you know what I mean. | |
I'm quite sure I don't know what you mean. | |
Yeah, you know. Suffers from one of these complexes they have nowadays. Seems pretty obvious, doesn't it? She's probably very unattractive and bitter about it. | |
Oh, is that it! | |
Yeah, you know. Probably dresses in men's clothing, swaps drinks with the guys at the local watering hole, and hobnobs with some smooth talking heel in the newsroom named Biff or Smoocher or... | |
Smitty. | |
Exactly. And I bet she's ugly. Real ugly. Otherwise, why wouldn't they print her picture next to her byline? | |
Maybe she puts her work ahead of her personal appearance. | |
I bet that's exactly what she tells herself! But you and I both know she's just a dried-up bitter old maid. Say, how about you and I grab a little dinner and a show after work? I was thinking maybe The King and I -- | |
I need a cigarette. | |
I thought you quit. | |
Stupidity. | |
Maybe not. I did some checking, she's a hematologist. Knowledge like that might come in handy. | |
It's not worth the risk. We can't trust her. | |
Well, she finally let me look in her mouth. Is it true she's never been to a dentist? | |
She was raised on a poor dirt farm. I'm sure she's never seen a dentist or hardly even a doctor. | |
Well, she has one mouth in ten thousand, I don't see teeth like that once in ten years. Her trouble is an impacted wisdom tooth, but there isn't a cavity in her head, not a single one. She has perfect teeth. | |
But the wisdom tooth will have to be pulled? | |
Yes, and it's very bad. It probably should be done at the hospital under general anesthesia. | |
That would scare her to death. She's terrified of hospitals. To her, a hospital is where you go to die. | |
I think you're right, it would be harder on her. But you'd better call Mr. Hillyer, she's going to need help to get home. | |
You were real resourceful out there. Got me thinking of this perimeter man, froze all his fingers one winter. So he hacked the tips off and sharpened the exposed bones. Gets along better than ever. Yeah, maybe I underestimated you. | |
I liked you better frozen. You didn't talk so much. | |
You're damn lucky, glimpsing this country before it's ruined, gone for good. You saw wonders you'd only dreamed of. That alone makes you different than the sorry bastards back where you came from, because you have dreamt them. | |
Well, sure I do. | |
When'd you see him last? | |
Today, over at the house. | |
That's a lie. He's been in the insane asylum ever since he lost his business. And if you ask me, that's where you belong. | |
'Is it really me?' | |
'Yes. You're-you're b-b- beautiful.' | |
Yes... the Beautiful Carlotta... the Sad Carlotta... | |
What does a big old wooden house on the corner of Eddy and Gough Street have to do with her? | |
It was hers. It was built for her. Many years ago. | |
By whom? | |
By... no... the name I do not remember. A rich man, a powerful man. It is not an unusual story. She came from somewhere small, to the south of the city... some say from a mission settlement... young, yes; very young. And she was found singing and dancing in a cabaret by the man... wait... wait... Ives! His name was Ives! Yes. And he took her and built for her this great house in the Western Addition... and there was a child. Yes. This was it. The child. | |
Hello... ? | |
I'm here. | |
Do you think the film could have cost that much? | |
For a human life... murder on film, no statute of limitations. Who knows? It sure could have. I'd like you to overnight me a copy of those checks, then put them in a safe deposit box. | |
Okay. | |
Send it to me through the post office like we arranged. No return address. You dug this up all by yourself? | |
You told me to look, so I looked. | |
You're one hell of a detective, Mrs. Christian. | |
He didn't hurt you or anything, did he? | |
You mean, did he try to jump me? No, but he was kind of talkative. | |
He gets that way when he's nervous sometimes. | |
Thank you, sir. | |
Not at all, sir. | |
Permit me -- my name is Kringelein -- from Fredersdorf. | |
I'm Baron von Gaigern. | |
Oh, a Baron! | |
Yeah. | |
Okay, Wayne, step forward. | |
That girl's making an awful spectacle of herself. | |
What do you expect me to do about it? | |
I just thought you'd like to know -- | |
Why would I like to know if there's nothing I can do about it, goddammit -- | |
You see that, Col? | |
Saw it, Dil. | |
Fuck it, is what I say. | |
Yeah. Fuck it, Dil. | |
Fucking men, Col -- | |
You heard the shower, didn't you? | |
I don't care about that. This time, I gotta have the rent. | |
to Grant) She's, uh - - tenacious. | |
You have no idea. | |
to Ellie) You will remember to wash your hands before you eat anything? | |
What are we going to do with him? We can't dump him in the street. | |
Bring the car round back. I know a place Upstate they'll never find him. | |
You were followed by the police, but they won't hear us over the children. I want to use a bomb. | |
You're kidding. Can't you shoot him or something? | |
I don't really like guns. You shoot someone in the head three times and some doctor will keep them alive. | |
When will you do it? | |
I don't know. Eduardo Ruiz is the only real witness against Carl. The security is very tight. There may not be a way. | |
There's always a way. If people get to the Pope or the President, you can get to him. | |
Run faster they're after us!! | |
I am running faster!! | |
Hurry!!! | |
I have to go over to the town this morning and do a lot of shopping. This house needs just <u>everything</u>. I'll probably be gone all day. Jimmy, hurry up and eat or you'll be late. | |
I'll take you to school. | |
You don't have to. The school bus stops right outside here, at 7:30. I've got to run. | |
You think you can stay up with us. | |
I think, yeah, we'll show you a thing or two. | |
This is Evan Mitchell, he steers the thing. | |
So I heard. Steers it pretty close. Sorry to hear about Cougar. He was a good man. | |
Dell, what's the last thing you can remember? | |
... I don't know... | |
Do you remember the pyramid? | |
No. Just some horrible dreams about smothering. Where are we? | |
I really can't talk now-- | |
--this'll only take one second-- | |
--my wife just had the baby, my in- laws are arriving, I'm trying to get the house in some kind of shape. | |
I did it! Madmartigan! Come here! Look! You gotta see this! I did it! | |
More! More! | |
Well, well. Mrs. Brigman. | |
Not for long. | |
You do! | |
Yes, Cultural re-education Section Propaganda. Very important in a place like this. We do a little show each week. Last week we did "Hamlet" and the week before we had something... | |
Agreed. You have my word, as a gentleman of fortune -- | |
Will -- you can't trust him. | |
This is great. The crowd's gonna love this! Hey... do you still think any of those cowgirls are still alive? | |
I dunno. If they were, they'd be pushin' 80. | |
Well, call SAG. It'd be cool to get one on the show. I want the evening to build and build. It's gonna have the most incredible ending: Singers, dancers, the "Hallelujah Chorus" -- then the sky opens, and Santa Claus comes flying down! | |
And you say, "Santa, what am I gettin' for Christmas?" And he says, "Cancer!" | |
No! NO NO NO! None of that! I want this show to be positive! | |
How far are you going to? | |
Washington. | |
We'll get off in Washington and hook another ride. | |
Where are you going? | |
Alaska. | |
Alaska? Are you on vacation? | |
Oh, Brad. Let's go back. I'm cold and I'm frightened. | |
Just a moment, Janet. They may have a telephone. | |
Maid or not, it fits you. | |
Dare I ask the fate of it previous owner? | |
Now, none of that. Please dig in. | |
Shut up! They got wind of something they don't like! | |
Oh shit! | |
Hello. Get me the police, please. | |
Where is Elaine? | |
I'll be with you in a moment, Benjamin. Will you send a police car to twelve hundred Glenview Road. We have a burgler here. Just a second. I'll ask him. Are you armed? No -- I don't believe he is. Thank you. | |
Bye-bye, boys. | |
Have fun storming the castle. | |
Think it'll work? | |
It would take a miracle. Bye! | |
Bye. | |
Sal! Sal... Goddamn it, Sal, don't you know anything? | |
Where are we going, Merle? Are we going home? | |
Sure. Sure, Sal. We're going home. | |
Has Ada ever spoken to you? | |
You mean in signs? | |
No, words. You have never heard words? | |
No, not words. | |
Subtle? | |
I disappear. Its not about me. | |
Anything? | |
Nothing. | |
So on active duty, Meeks didn't make an arrest from 1938 to '43. | |
Someone must've pulled the records. | |
Shouldn't we have invited Tom over? | |
I did. He said he had work to do until late. | |
She is beautiful. And young. No thank you. | |
I say YES! | |
You think she really likes him? | |
She doesn't give a shit about him. | |
You know what would be great? | |
What? | |
If Ray would steal this girl from Ed. That would be great. | |
There are Agency regulations about this. | |
"Intra-Agency fraternizing." | |
It's a no-no. | |
I know. | |
I've been thinking about this. | |
Does Koessler ask about me? | |
He's called a couple times. | |
What did you tell him? | |
Just routine stuff. | |
Not about coming to see Daitz? | |
Not yet. Not about this, either. | |
How did you get all of this stuff into the country? | |
This is America. There is nothing you can not buy. | |
Hooray! I guess that did it! Help yourself. | |
Oh -- | |
Jeanne -- be careful -- you're not helping yourself by refusing to submit to our judgment... | |
And you be careful, you who claim to be my judges, for you too will be judged one day...! | |
If you guys are right, if we can actually trap a ghost and hold it somehow, I think I could win the Nobel Prize. | |
If anyone deserves it, it's Spengler and me. We're doing all the hard research and designing the equipment. | |
Yeah, but I introduced you guys. You never would've met if not for me. That's got to be worth something. | |
How come you stopped making movies with Harry? | |
I married Martin. That was a full- time job. | |
You read Harry's new one? He says it's the best thing he's ever read. | |
He must mean after "Slime Creature 3". | |
That why Harry came over last night? See if you could help him get Martin in his movie? | |
Harry's dreaming of a forty-million- dollar production he'll never get off the ground with a star he'll never sign. With or without my help. | |
Harry told me Martin loves it, he flipped. | |
Yeah, well Martin is known for his flipping. He flips over a script, and when the time comes to make a deal, he flips out. | |
Tell you what, I'll stop by Harry's office and pick up a copy for you. | |
Don't go out of your way. | |
Put him in his poncho and liner and carry him back. We'll bury him in the morning. | |
I'll take him. | |
I've discovered a new way into the Phantom Zone. | |
But the phantom Zone is for criminals. | |
It's big. And empty. I'm tired of limiting myself to Argo City. I want to do something new. I'm starting to repeat myself here with this airy, glittery stuff.... | |
He's home. I sent the signal. | |
What's wrong? | |
Last night at the circus. I noticed something about Dent. His coin. He's obsessed with justice. It's his Achilles' heel. It can be exploited. | |
You kept her in this filth in restraints...?. | |
She didn't feel them | |
You're a monster. | |
Hey....I was just telling everyone about how I was gonna bring this girl for you but you wouldn't let me do it. | |
Hello everyone. | |
How long ago? | |
About an hour, maybe two. Let's see -- I came on about eight.... | |
...Mm. | |
Well? How'd she do? | |
What <u>was</u> that thing? | |
How should <u>I know</u>? | |
I order you to find out where we are! | |
Alright, alright, I'll try to get directions from one of the locals. | |
Yeah, Jerry, she said some pretty fucked shit to us. | |
When? | |
When you were outside with Bill. | |
Now I've seen it all. What the hell were you thinking? | |
I wasn't trying -- | |
Is that bubble what I think it is? | |
It's a package deal. You get the phone with the office. | |
Detective Mills here. Honey... I asked you not to call me here. I'll call you back... What? Why? | |
Oh yeah... | |
I tell ya, there's an angel of mercy standing out there, Turkle. | |
Hallelujah, brother, now get back in bed! | |
Come an' see. | |
Tell me, billionaire, would you warm faster to my pleas if I looked more like Ms. January here? | |
Although the Wayne Foundation is hosting the event, sadly I will be unable to attend. Thank you all. Good day, Doctor. | |
Forty-eight hours! | |
I realize you must have gone through hell-- | |
Get me out of here. | |
Where do you want to go? | |
Take me home. | |
Home? This is your home. You're dead. | |
Dead? No. I just hurt my back. I'm not dead. | |
What are you then? | |
I'm alive. | |
Then what are you doing here? | |
I don't know. I don't know. This isn't happening. | |
What isn't happening? | |
Let me out of here! | |
There is no out of here. You've been killed. Don't you remember? | |
You can hardly get your arms around me. How depressing. You're so early. | |
I had to excuse myself from a meeting. It's ridiculous. I kept thinking about the baby... you... and, I swear, I was going to start bawling right into my briefs. | |
Aw... that's so sweet. | |
I love you. | |
Do you? Do you really? | |
Who are you ? | |
I am Selena. Give him to me. Now. Or you'll both be sorry. | |
I don't scare that easily. | |
Hi, Mike. | |
How you doing, Kelly? | |
I'm Neo-Senephrened out. Think I'm catching a cold. | |
Better than catching Sean's herpes. | |
You don't tell us how to run our investigation. You got that? | |
You don't have an investigation without me. You got that? | |
You know Vada, you shouldn't let those girls upset you. | |
I'm not upset. I will never play with those girls. I only surround myself with people who I find intellectually stimulating. | |
Maybe it was her mother who killed her, with all that Polly Perfect shit. | |
It wasn't her mother. The only reason we're still here is that none of us has slept since the grad party. | |
That was so weak. | |
Who cares if you're never known as the first girl in the NBA. You'll get more play behind Quincy McCall's woman anyway. | |
I think so. | |
Your Mom and I loved each other, Geoff. Don't ever think that we didn't. | |
I still can't believe she's dead... | |
John, I'd like you to meet one of the brightest lights of the British stage, Mrs. Kendal. Mrs. Kendal, John Merrick. | |
Good day, Mr. Merrick. | |
We're supposed to be asleep. | |
Exactly. | |
Hey, Elaine. You even know what he's saying half the time? | |
No, but I know what he means. | |
I don't like it. | |
Might as well hear him out. Anyways, what choice we got? But no matter what happens, see It through to the end. If you don't I'll curse the day I ever laid eyes on you. | |
Can I ask you something, Kittridge? | |
Certainly Ethan. | |
If you're dealing with someone who's crushed, stabbed, shot and detonated five members of his own IMF team, how devastated do you think you're going to make him by marching Ma and Uncle Donald down to the county courthouse? | |
I don't know, Ethan. Suppose you tell me? | |
No. | |
"No"? "No" to which part?? | |
No to the whole thing. None of it sounds good. | |
No, sir. | |
Excuse me. What did you say? | |
I came to feed your fish. I didnt know... | |
Oui, bonjour, Jean... Oui, très bien, merci. Dites-moi, pourriez-vous me dire si vous avez recommandémes services àquelquun récemment... Vous êtes certain... Non, non... Je vous remercie... | |
Hello there. Hows the flat. I cleaned... | |
Jane, there was an envelope in my desk. The one Id given you and then got back, remember? I cant find it. Do you know where it is? | |
No... I told you on the phone. Whoever broke in messed-up all your papers. I put everything back where I thought it ought to be. Maybe its there with... | |
Its not. | |
Well, Im sorry. I... This is my nephew... And my brother, Tim. Ive got the week off and hes come to stay. | |
If I'm ever in New York... | |
Yeah. | |
Well I have to come up with an outline, I'd guess you call it. The story. The whole goddamn story. Soup to nuts. Three acts. The whole goddamn- | |
It's alright, Barton. You don't have to write actual scenes? | |
No, but the whole goddamn Audrey? Have you ever had to read any of Bill's wrestling scenarios? | |
Careful. | |
I'm telling you, I don't see a thing -- | |
I could have a hundred Morlocks here in thirty seconds. | |
I know. | |
Does this prove something to you? Have you made some great stand of which I'm unaware? | |
Do you realize the sheer, goddamn, unadulterated, undiluted, no holds barred, one hundred percent pure as Ivory Snow, absolutely friggin' STUPIDITY of what you just did? | |
Hey, disco dude, it's cool... | |
Good to meet you. | |
Pleasure to meet you. | |
Yeah?! | |
Yeah -- when you're sixteen. | |
Yuk, yuk, yuk -- funny, Mom. | |
I think I've been poisoned. | |
And you ate two baclavas, right? I not to touch them, mine was awful. | |
Look, I think I'm going to have to go to the john again. You go on through, I'll catch up. | |
I don't have to listen to you! You're not my mother. | |
Thank God for that! | |
My Lord... what are your orders? | |
I underestimated him... He did the one thing I didn't anticipate ... He destroyed himself... | |
Sir, may I -- | |
Killing his son was <U>stupid</U>! It made Kirk willing to die. | |
We still have the prisoners, sir. Perhaps their information -- | |
They are useless! It was Kirk I needed. And I let him slip away. | |
But surely, our mission has not failed -- ? | |
Our mission is over. I have failed... A human has been bolder and more ruthless than I... That -- is the real dishonor. | |
I didn't do anything. | |
Maybe you didn't, but I'm here to find out about a disturbance. Some neighbors called said they heard screaming and a loud crash. | |
I don't know a loud crash. | |
And what about screaming? | |
I said: I DON'T KNOW. You can't just come in here and start pokin' around -- | |
What's this, how did this happen? | |
Have you repaired the windows of the dormitories? | |
They shut all right now. And the blankets are ready. | |
You're alive? | |
No. He got tired of pretending. | |
Oh, Sean -- | |
The funny thing is, I started to believe he really was my Dad. | |
Sean -- | |
I feel bad about that. I need you to forgive me. | |
I forgive you. | |
Once I even told him I loved him. | |
I forgive you... | |
The more you want to believe something, the easier it is to be fooled. | |
I was looking for you... | |
I know that. I know you would have done anything to find me. I know you would have died for me. | |
I wanted to. | |
Good-bye, Dad... | |
Dance then? | |
She's beautiful -- isn't she? | |
Where are you hiding? | |
In the attic. | |
Show me. | |
Yeah, you were saying? | |
Excuse me. | |
I was crazy, I tell you, Mr. Dickson. I didn't know what I was doing. I wandered around in a daze. All I could think of was that they were going to kill me . . . You'll stand by me, won't you, Mr. Dickson? You won't go back on me now, will you? I'll die if they send me to prison! | |
Don't forget there's a dead watchman downstairs. | |
I didn't kill him! I had nothing to do with that, I tell you! I was home in my apartment last night - I can prove it! | |
Claims he was there with a married woman. Doesn't want to mention her name. | |
He won't believe it, Mr. Dickson. But it's the truth - honest it is. I was in my apartment last night - ask your wife - she | |
Not that far, only halfway. You sure you know what you're doing? | |
Relax. I've flown with my old man a million times. And he always told me, the taking off part is easy, it's the landing you've got to worry about. | |
You move well. | |
Just trying to make it look real. | |
Look over there. That's the eye in the sky room. | |
You kicked us off your turf, Merk. Don't rain on our parade. | |
Mr. Nelson, you disappoint me. First you break our school board rules. Then you break the law. | |
What law, Merk? Having fun? Letting down our hair on prom night? | |
Our state has a zero tolerance policy for underage drinking. | |
You called the cops on us? | |
Alcohol does horrible things to a developing young mind. | |
I know it's hard but we need the exact words. | |
Alright, I'll try... "Cocksucker". That's what she calls me. | |
Listen to your dirty mouth, you fucking whore! | |
GODDAMN YOU! | |
...So give me the fuckin part... | |
Right?... that I nailed it... Whatever. Then he says it's just that I'm a little old. I'm like "How old is the Brother?". He's like, he says this with a straight face, I swear to God, he says "Eleven." | |
So, what'd you say to him? "Double down."? | |
You better? | |
I think so. | |
Dripping? Do you ever eat dripping in this country? The fat from roasts and such, congealed in jars. Used like butter on bread. | |
Sounds like something you feed the dog. | |
It is. Only the poorest families ever ate it. We kept ours in a crockery jar. | |
Your family ate dripping? | |
Of course not. As I said, only poor people -- | |
Look, if what you say is true, if there's a chance I could turn into one of them, then I've got no choice, do I? I have to work with you. I need to learn everything I can about them. It's the only way I'll be able to find a cure for myself. | |
There is no cure. | |
You don't know that. | |
Now, no harm's come to you... and I aim to keep it that way. Ain't gonna... gonna run a train over ya... or however you call it... see... you was runnin' wild on me... these fever dreams you was havin'... these fits. I'd be chasin' you all night. | |
Well I'm woke now... you can take this off. | |
What? | |
What do you mean, "what?" | |
What are you snickering about? | |
I'm not snickering. I'm smiling. Because I'm happy. | |
What am I missing? What do you have to be happy about? | |
No. | |
Why not? | |
It helps me to focus. It centers me, helps me think. | |
Oh. What do you think about? | |
Work. The things I need to get done. | |
About what? | |
I want to have a look around before I take you. | |
'Take me'...? Where? | |
It requires competence, wisdom, experience -- all those things they say about you in testimonials -- and you're the one. | |
'The one' to do what? | |
Show me around. Be my guide. And in return, you get... | |
Get what? | |
Time. | |
What the hell are you talking about? | |
Watch it! | |
I'm sorry -- | |
In return you'll receive minuets, days, weeks, I'm not going to go into details ... what matters is that I stay interested. | |
What? | |
If you won't answer my questions, you're wasting my time. | |
What? | |
This the book your writing? | |
It's just a work in progress, kinda rough. | |
This guy killed a mess of people. | |
Who? | |
Henry Lucas. | |
Henry Lee Lucas. Well he was only convicted of killing eleven but he claimed to have killed over three hundred. | |
Wonder what all them people done made him so mad? | |
And three years after the Royal Wedding, the King abdicated. Isn't that terrible? | |
It sure is. | |
There must be a gallon of potato salad left over. | |
Animal, I can't. | |
Look, you want to make it up to your friend? Well if he's right, this is your chance. | |
He's going to be in jail for a long time. | |
Principal of jail. Wow. What a promotion. | |
And?... | |
I killed them. | |
Oh, shit, shit, shit - I don't know about all this! You sure?! | |
Yeah I'm sure! I did it with my own hands! | |
Hey. | |
Hey, your . . . what the hell happened to you. | |
Nothing. | |
Don't look like nothing. | |
Just banged my head. It was an accident. | |
Another accident? You got to be more careful. | |
I know... Why don't you hang around for a while, let me entertain you? It's Matt, right? Now tell me the truth, have you ever... made it... with one of us? | |
Not unless I got real drunk and nobody told me about it later. | |
A virgin. I find that very arousing... | |
But . . . how could you beat him? | |
High School Physics, Luthor. While I was recuperating I had time to figure out that if your foul creature was born from the sun, it must have been his source of energy. | |
We got time off for good behavior. | |
There are two things I will not put up with during working hours. One is liquor - and the other one is men. | |
Will you marry me, Loretta Castorini Clark? | |
Before all these people, yes, I will marry you, Ronny Cammareri! | |
Make it yourself, or is it real? | |
Georgia, where I come from, it's real if you make it yourself. But I been buying from the Yankee Government since they put me in this soldier suit and give me a rate. | |
Tax-free booze. It's about all you can say for army life. | |
Where you from with that crazy way of talking? | |
Crabapple Cove. Maine. | |
Damn! That must be about as far north as you can get. | |
Pretty near. What do you know about the outfit we're going to? | |
C.O. is Colonel Blake. Lieutenant Colonel Henry Braymore Blake. One of them regular army clowns. Push you around so it's hard to get any decent work done. | |
We got to head them off, right at the start. Push them around first. | |
Twenty large? That's all? | |
What do you mean, 'that's all'? What in the hell do you know? | |
The bonus on the contract for you was one million dollars. | |
...Hello? | |
You're the nastiest dirtbag I know in this stinking City! | |
Hi Ma... | |
I've been playing twice a week for 20 years, 20 years I've been eating those shitty croquettes. | |
Where are you going? | |
Piddle. She smiles and looks for the bathroom. She finds it and is going to go in when she sees the head of a man in the bath, walkman on. She withholds a shout and gets against the wall, without moving. She doesn't dare passing before the open door again to join Leon. In the living room, Leon still thinks. | |
...Why didn't he close the window? | |
I'm so excited. Yay! | |
I'm excited, too. Oh, and I wanted to give you this. It's a little... thing. | |
MacKenzie, [beat] what if we are crazy? | |
[Shrugging] What if we are? There're crazier things than thinking up fictions for yourself. [Beat] Everyone does it, don't they? Even Becker. That roller coaster car pops more pills than all of Ward 3. | |
Becker does? Are you sure? | |
I've been here for 11 years. It's my neighborhood. 'Course I'm sure. He's as drugged up as the rest of us...I guess he has to be to put up with all this. | |
Look at the gaslight. Don't tke your eyes off it. You will be drained to the point of death, but you must stay alive. Do you hear me? | |
Yes! | |
What are you doing? | |
Sending what we know back to U.S.T. via satellite. | |
But you know how to drive? | |
Sure. | |
Got a license? But no car? | |
Don't need it. | |
I just got my license two weeks ago. | |
You're good. | |
I been drivin' since I was twelve. | |
That would explain it. | |
Can you help Mom? | |
I'm trying. | |
Got to. | |
Will it help to get you out? | |
I hope so! | |
What'll happen to us, Nell? | |
Nothing, if you leave right now. There's a war going on all around us. Don't get in the way, please. | |
You used to call me "James". | |
You'd prefer that? ... James...you don't really have a gun, do you. | |
Everybody's got a gun. In this city... | |
Well, that's great. You haven't really had anybody since Dingbat Jennylee... | |
You don't understand. I've never felt this way about anybody! | |
Ed, I got the Lugosi lookalikes outside. | |
Great! Bring 'em in! Bunny, I gotta run. | |
never doubted you for a second. | |
TOMMY, 270 DEGREE TURN TO PORT! | |
I was starting to believe you, you know? That you weren't who everyone said. I guess I was wrong -- | |
Oh, spare me the reverse psychology bullshit! This isn't my "great second chance", Osborne. Everyone thinks I'm a piece of shit cop who took money and nothing is going to change that. Nobody will ever know what happens here -- | |
But you will. | |
What was that? | |
Nothing. | |
What's your name? | |
J-Jefferson Smith. | |
He wouldn't open the lock; he was going to leave us out there. | |
Yeah... well, maybe he should have. I mean, you brought the goddamn thing in here. Maybe <u>you</u> deserve to get slapped. | |
That oughta buy a man pretty much anything he wants. | |
If money can buy what he wants. | |
I don't figure there's much I want money can't buy. | |
Then you're a lucky man. | |
Copy that, continuing forward. You just want me to get shots of everything, right? | |
Roger, document as much as you can, but keep moving. We're on a tight timeline. | |
Copy that. | |
I like calling you David. | |
I like it too. | |
Are those cameras all throughout the house? | |
Yes, I thought that it would be best. | |
Even in the bathroom? | |
This scam we got going here was your | |
brainstorm, Buzz. I admit, I thought it was a rotten idea, but I put up the scratch. And now we got a beautiful thing. | |
It's a beautiful thing. | |
A beautiful thing. And you know why Buzz? You know what we got? Buzz raises an eyebrow as he buttons his shirt. | |
What is that <i>thing</i>? | |
I think that thing is Ben. | |
You can read it, if you want to. You want to go out for a while? To a movie? | |
You wanna drink? | |
No. You? | |
What's it so hot in here for? | |
She's gettin' prettier, Ma. | |
Girl with a baby *always* gets prettier. | |
How many? | |
I don't know, ten or twelve. That's a good color. Dark blues, grays. | |
Best way I know to get ink on your hands. | |
You'd do the newspaper right here. | |
That's something a man could do...? | |
You know what else a man can do? | |
What? | |
George! | |
Yeah. | |
You're late, we're all backed up and you're supposed to go to Buffums. | |
Buffums? | |
Yes, Buffums. | |
I've got heads here, Norman. | |
You promised you'd do the show. | |
Oh fuck, Norman! | |
Don't use that tone of voice with me... never mind, I'll take Gordon. | |
Say, aren't you that actor guy? | |
Yeah. | |
John Makel... | |
He can do it. | |
This one I have watched a long time. All his life has he looked away ... to the horizon, to the sky, to the future. Never his mind on where he was, on what he was doing. Adventure, excitement ... A Jedi craves not these things! | |
You know how my tapes sell. People eat this stuff up. | |
I had three jerkoffs trying to return your tapes last month. Do you know how bad a skin flick has to be for some jackass to come back into my place with a fucking receipt, and try to fucking return it? | |
Maybe there's something wrong with the scumbag customers coming into your place, ever think of that? | |
The only thing wrong is the cheap, softcore crap you're peddling, Eddie. Where do you get this stuff? | |
Look, you cocksucker... | |
Get together some upscale product where the girls still have teeth in their head. Till then, fuck you. | |
Fuck you! | |
If I can get to the chopper, I'll meet you at the rendezvous. Don't wait for me. | |
But... | |
Isn't it crazy? | |
Wowee ow wow! Let's take it for the summer. | |
Hi, Al! | |
Can we call you "Weird Al"? | |
Fucking Germans. Nothing changes. Fucking Nazis. | |
They were Nazis, Dude? | |
Come on, Donny, they were threatening castration! | |
Uh-huh. | |
Are you gonna split hairs? | |
No-- | |
Am I wrong? | |
Well-- | |
How did they get in here? | |
Regular storage procedure... the same as the other food... The other food stopped coming and they started. | |
What other food? | |
Fish and plankton, sea greens and protein from the sea. It's all here -- ready -- fresh as harvest day. Fish and plankton, sea greens and protein from the sea... And then it stopped coming and they... ...came instead. So I store them here. I'm ready. And you're ready. It's my Job -- protein, plankton, grass from the sea. | |
Well, is she your girlfriend? | |
No. | |
Are you in love with her? | |
Her? | |
Are you? | |
No. | |
Then it's not your problem. | |
It isn't? | |
No. You know too many sick ladies. | |
I guess so. | |
How do you expect to get anything done if you allow yourself to get sidetracked? Particularly in your business... you deal with women every day... | |
I guess so. | |
Don't worry, honey, I'll protect you. | |
Okay. | |
God, I adore you. | |
You're a regular god damn acrobat, aren't you? Bet you feel real good makin' me look like an asshole. | |
It was not my intent -- | |
Right.... | |
Mr. Carter, I appreciate your desire to show me a good time, but that is not the reason I am here. | |
Let me just clarify a few things. I don't care what kind of cop you are in China, you have no jurisdiction in America. Without me you are just another tourist. | |
We hope you intend to join us in the struggle for Home Rule, Mr. Gandhi. | |
I -- | |
Aaaah, Bitter Motherfucker... I almost forgot how nasty that shit is. | |
Well don't go forgetting your friends. | |
Ain't gonna happen, stay cool. | |
You know it. Stay Black... | |
Damn straight. | |
Mack, I'm sorry. I apologize. I should have called. I had no right to sneak in on you like that. | |
No, Jaime, I apologize. I didn't... I had no right to speak to you like that. | |
I came over because I couldn't sleep and was lonely. I wanted to see you. I thought I'd surprise you. | |
You did. | |
That's all well and good, but we don't have the money to manufacture them. | |
You need a partner. There's a friend of mine at school whose father makes seat covers for cars, Mr. Fitzsimmons. I've invited him and his family over for dinner tomorrow night. | |
Hi, Aaron...What's doing? | |
Same old stuff. I'm watching a man who won three Overseas Press Awards pitch an hors d'oeuvre idea. | |
We find ourselves at the dawn of the Golden Age of Science. And it is the God-given destiny of this glorious nation to carry the torch that lights the way! | |
Nicely said, sir. | |
Part of some speech they wrote for this trip I'm taking. | |
He's okay...Thel, can I ask you a favor? | |
Sure. | |
I don't mean a little favor. mean a big F favor. | |
What time is it? | |
About eight o'clock. | |
What's going on? | |
I don't know. | |
Johnny, I'm sorry it had to be your unit on Planet P. That mission had a very low survival probability... | |
Bugs laid a trap, didn't they ? | |
Elegant proof of intelligence, isn't it ? We thought there might be a brain on P. | |
Gal, you ain't right yet. | |
I'm right enough to stand on my own two feet. Now take this Goddamn chain off... | |
How you let men treat ya like they do? | |
What? | |
These men you up under. How you let them do ya like that? | |
Do me? Do me like this, you mean? Like chainin' me up? | |
You know what I'm talkin' about. All that mess with ya teachers and... boys in the backs of trucks. | |
The hell you know about me?! You got no right to talk to me about that shit! The hell you think you are? | |
I've saved ya life, gal. I can do and say whatever the fuck I want. | |
Mr. Henry has an inside source. We call him Steve. That's where we get our information. | |
Who's Mr. Henry? | |
You'll meet him this afternoon. He's helping us set it up. | |
Oh that was Agent Wallace. We're going to check into something. | |
Maybe I should come along. | |
Do something! | |
Like what?? This isn't supposed to be happening!! | |
I'll get EYEscanned a dozen times before I get within ten miles of Precrime. They'll pick me up... | |
Sometimes in order to see the light, you have to risk the dark. | |
You getting this? | |
-- Every word. | |
But they've still got Laura Gordon -- and she was the closest, about 20 feet from the killer. | |
Why's that? | |
Cause the Russian production company would be easier to find. | |
It's the Irish tape we want. | |
Gonna be tough. | |
Look, Co... | |
Why you don't feel love? Not allowed? Dead inside, maybe? You make yourself dead already so they can't kill you? In-vulnerabo? Bullshit! | |
Fucking crow. | |
Sign of the dead come back to life. | |
Isn't it fashionable any more to put on a sailor's cap with the name of the yacht? | |
No, Dad, it isn't. | |
You made a phone call and you said you'd help a girl out and then you didn't....I'm here to get the money. | |
Wait a minute -- | |
No, no, no, no c'mon man, don't make it a thing -- | |
Please don't do this. | |
It's just you need to give me the money...do you have it right now? | |
Well, you're not getting your play done, but you're certainly covering a lot of territory. | |
Haven't I covered some territory? It feels like I've been on a Cook's Tour[18] some place. | |
Are these your bags? | |
Yes, just the two. | |
Just like I always promised. Now you're among the immortals. You're movie stars. | |
Here's to Ed. For making us into something. | |
Come on. I wancha to meet a frienda mine. Raymond, get enough beer for Ben too. | |
Okay Frank. | |
What kinda beer do you like? | |
You shouldn't be here. | |
I'm sorry, I -- | |
Mr. Gardiner, how very nice to have you with us this evening. | |
Yes. | |
I'd like to thank you for filling in on such short notice for the Vice President. | |
You're welcome. | |
I always find it surprising, Mr. Gardiner, to find men like yourself, who are working so intimately with the President, yet manage to remain relatively unknown. | |
Yes. That is surprising. | |
... Well, your anonymity will be a thing of the past from now on. | |
I hope so. | |
Yes... Of course, you know, Mr. Gardiner, that I always prefer an open and frank conversation with my guests, I hope you don't object to that. | |
No. I don't object. | |
Fine, then let's get started. The current state of our country is of vital interest to us all, and I would like to know if you agree with the President's view of the economy? | |
Which view? | |
... Many men have tried. | |
Did they try and fail? | |
They tried and died. | |
What's he doing here? | |
Says he is the man's doctor... You know... | |
I <u>know</u> it's his doctor... I need the file on.. Daniel Paul Schreber M.D. | |
Edvard! I haf question 'bout script. My vife Greta, she read. And she no like. | |
Really? Was the third act too intense? | |
No. She tink Lobo is waste of my time. Lobo don't talk. | |
But Tor, it's a starring part! You're second billed. | |
Bela, he talk. Loretta, she talk. But Tor, he no talk. | |
I'm so inclined. | |
Well, sir, then is it possible you called us all here just to hear what you wanted to hear. | |
Come on -- stay. Just a little. We can talk, I'll get a pizza. Pizza in bed, we'll have fun. And you still haven't told me what happened. What did she say? | |
What did who say? | |
Who? The other woman. Your wife. | |
Not so sure about that. Letter of the Law, you know. All the injunction says is no picketing by miners. | |
Whose side are you on anyway? | |
Now don't get excited, Mr. Alexander. They'll scatter like a covey of quail. | |
That was taken at a place called "Flippers." It was in Hollywood. Were you in L.A. back then? | |
No. | |
Where were you? | |
Detroit. | |
With Ordell? | |
We had done time together already. | |
I've been busy, Gerry. I got a full schedule. | |
This kid's special, Sean. I've never seen anything like him. | |
Not much free time, Gerry. LAMBEAU Have you ever heard of a man named Ramanujan? | |
And it's over...? | |
Yes. | |
Well, then what are you doing here? | |
I...do you want me to leave? | |
You do what you want. You want to leave...You want to go kill yourself? | |
I... | |
You want me to tell you it's your fault? It probably is. What are you going to do about it? I thought it's not over till the jury comes in. | |
Who told you that? | |
You told me so. Maybe you'd get some sympathy. You came to the wrong place. | |
And what makes you so tough? | |
Maybe I'll tell you later. | |
Is there going to be a later...? | |
Not if you don't grow up... | |
If I don't 'grow up...' | |
You're like a kid, you're coming in here like it's Saturday night, you want me to say that you've got a fever -- you don't have to go to school... | |
You, you don't under... | |
Oh, yes, I do, Joe. Believe me. You say you're going to lose. Is it my fault? Listen! The damned case doesn't start until tomorrow and already it's over for you! | |
It's over! | |
What is your wife's picture doing by the side of your... | |
What is that to you...? | |
What would you like it to be to me...? I, I, I can't invest in failure. | |
Okay, Martin. You have a good evening now. | |
Yeah, Right. | |
What I meant and perhaps I didn't say it well was you have a great mom. You don't need another one. But when you're at this house -- | |
This is my daddy's house -- | |
This is my house too! | |
And this is my room so get out! | |
Cab Three, check. Right behind you. | |
What's you depth, Cab Three? | |
1840... 50... 60... 70... | |
Going over the wall. Coming to bearing 065. Everybody stay tight and in sight. | |
You look adorable. | |
Thank you... | |
... Especially the sneakers. | |
Your Honor, <u>all</u> of this is speculation. Including Mr. Hooks' dramaturgy about the defendant issuing a false distress call. | |
Tht was summation, Your H... | |
Now let's see ... Eton, Cambridge ... research into robotics and plastics. Overtaken by Peter's work on the physics of climate change ... | |
I know all this. | |
Do you also know that during your final experiment, your halfbrother- in-law was under surveillance? | |
Surveillance? By whom? | |
Father. She gave him an 'all clear' after a security test by Dr. Darling. | |
Who's now vanished. | |
Makes two of us. | |
Are you suggesting that Dr. Darling and Valentine were somehow in this together? But that's absurd. | |
You like it? | |
I love it. | |
"You'll be burned out/Or smoked out/An' come back to me, I know..." | |
Objection, we've... | |
...to get her heartbeat back...? | |
We've touched on this, his own witness has said... | |
...almost nine minutes... causing brain damage. | |
Your Honor...! Your Honor... | |
I guess she's busy. | |
That's ok. | |
When are you coming home? | |
Tomorrow. | |
Her ballet recital is Saturday, don't forget. | |
Ok. | |
Morgan? | |
It gets clearer, the higher you hold it. | |
Who's that? | |
Curtis. | |
And what's he do? | |
That's it, you're looking at it, he just looks slick all day. | |
Yes, sir? | |
A glass of champagne, please. | |
Yes, sir. I hope you will excuse me for asking, General Bonaparte, but are you Corsican? | |
Yes, I am. | |
I thought so, I noticed your name when you were announced. I'm Corsican too -- my name is Arena. | |
Oh -- where do you come from? | |
Bastia -- and you? | |
Ajaccio. | |
Have you been back recently? | |
You don't mind if I go instead, do you? | |
No... | |
If you did mind, you'd tell me, wouldn't you? | |
Who is this? | |
My wife. | |
I just... He came back for Kendall. I don't think he's capable of murder. | |
Everyone's capable of murder, Osborne. | |
This is curious, Jason. Half the time you talk as if Shakespeare were not fit to tie your shoelaces; now this sudden humility. | |
I should like people to read what I've written. | |
We scared each other pretty good didn't we? | |
We sure did. | |
What's he like? | |
You trust him. He's got that strength. You'd die in a second for John. | |
Well, at least I know what to name him. I don't suppose you'd know who the father is? So I don't tell him to get lost when I meet him. | |
John never said much about him. He dies. Even before the war... | |
Stop! I don't want to know. Hold still. So...it was John that ordered you here? | |
I volunteered. | |
You volunteered? | |
It was an honor. A chance to meet the legend. Sarah Connor. Who taught her son to fight...organize, prepare. From when he was a kid. When you were in hiding, before the war. | |
Here we are, Harold. Oat straw tea and ginger pie. | |
Certainly a new experience for me. | |
Wonderful! Try something new each day. After all, we're given life to find it out. It doesn't last forever. | |
That's a lie!! | |
I never saw him before! | |
We're having lunch with a movie talent scout. | |
They certainly don't waste much time. | |
Nothing definite yet - it's just to have lunch. | |
Think I got 'em? | |
I don't know. | |
Well, I'm not going down there and look. | |
Maybe Caen. | |
Let's hope, because we're sure as hell not going to do any damage to them with what we have here. | |
Sorry, Daniel. You've always been a good friend. I know that. Sorry about Laurie. | |
Okay, let's just . . . thank you. | |
Mantan? | |
Mantan!! | |
The minute I saw you. I said to myself, she's a weaver. Have you ever used a loom? | |
Not in years. | |
Well, it all comes back, in just a jiffy. I'm working on a wall-hanging, of the convent. | |
Why? | |
To sell, of course. I hate to say it, but we're in terrible trouble here at St. Katherine's. We need a new roof, the furnace is going, and there's no money. | |
But don't you get money? From the Vatican? | |
Fine. Let's say all you ever knew was apples. Apples, apples and more apples. You might think apples were pretty good, even if you occasionally got a rotten one. Then one day there's an orange. And now you can make a decision. Do you want an apple, or do you want an orange? That's democracy. | |
I also like bananas. | |
Exactly. So what do you say? Maybe it's time to give a little something back. | |
What do you want, Will? Who do you want me to be? | |
Yourself. Good, bad, everything. Just show me who you are for once. | |
I have been nothing but myself since the day I was born. And if you can't see that, it's your failing, not mine. | |
Oh, yeah. Really nice. Who's your designer? Sassoon Shark? | |
I got it on sale. A real steel. | |
Here. | |
What's that? | |
Bracelets. | |
What is the good English? All I know is bugger. He is a bugger. Men who bugger each other. | |
A homo? | |
Yes! You know? | |
What's your name? Don't you walk away from me. This is people's work, you can't graffiti here. | |
Hey fuck you. | |
Well... I'll be speaking to your supervisor. | |
You know somebody? | |
Of course not. That's not the point. Goodbye! Goodbye!! I'll miss you! | |
We do have to take into consideration that, through your courage... | |
...and selfless actions, you did save millions of lives. | |
Exactly. | |
However, you are also non-en-... | |
...-listed personnel with detailed knowledge of classified secrets falling under the National Security Act. | |
In order to protect those secrets, I am authorized to fine you, imprison you... | |
...to take any extreme measures I deem necessary... | |
...including the permanently extreme. | |
I'd say we're about even. | |
Like it? | |
Very much. Now, where were we? | |
What kinda music do you like? | |
Phil Spector. Girl group stuff. You know, like "He's a Rebel". | |
What are your turn-ons? | |
Mickey Rourke, somebody who can appreciate the finer things in life, like Elvis's voice, good kung fu, and a tasty piece of pie. | |
Turn-offs? | |
I'm sure there must be something, but I don't really remember. The only thing that comes to mind are Persians. | |
Do you have a fella? | |
Don't take that. Tell him to shut the fuck up. | |
I can't do that. He's the Man. He'll fire my ass. | |
So what? | |
I need the job. | |
No you don't. | |
Macy Struthers -- God I must have been blind -- still, the weaker the man, the dumber the blonde. | |
Isn't that Brad and Janet Majors sitting down front? What an ideal couple. | |
So you're practically finished, huh? | |
Yes... well, there's one more stage -- trying to figure out if it's any good. | |
Shouldn't you pay the cabbie? | |
Oh . . . Right. . . I'll be back in a flash. | |
But I came here to learn about America. | |
Baby listen, there's nothing more American than not doing anything and getting away with it. | |
Then I'm in. Just like Jerk-Off. | |
But what if Solaris is what there was before The Big Bang? | |
As I said, it is beyond our comprehension. | |
As I said, then it's God, right? | |
You remember Mr. Longdale, don't you? | |
I remember him. | |
What a strange fellow. | |
Yes, he's a little bit... tilted. Harmless, though. | |
Why does he call you 'master'? | |
Ah, Susy, it... | |
Tom . .. bed! Go on. | |
..It won't be long now, sir... | |
OHFORGODSAKE, get ON with it. | |
Dylan, it's breakfast. Not arts and crafts What? | |
You get any sleep last night? | |
More or less. Dylan, time to get dressed. I'm late. | |
Gee, uh, that's too bad. | |
I'm so hungry. | |
You did! | |
That's nothing. I saw him myself. | |
Yo, you gonna show, Tony? | |
Where else am I gonna go. Bet three grand on Rocky. | |
I want a pizza. | |
No. This is fine. Just take a bite, you'll like it fine. | |
What happened next? | |
While I was seeing Dr. Paley I mentioned to him one night that someone was stealing drugs from the third floor dispensary. Three days after I spoke to him in his office he went to the Head Nurse and told her he had witnessed me stealing drugs. | |
What happened? | |
There was an inquiry. It was his word against mine. They believed him. I was fired. | |
... No, I went in for more improving pastimes. Philosophy classes, language courses, European history, all that lark. Did you know that in Paris in the Eighteenth Century there were more rats in people's houses than there were people in people's houses. | |
Sounds like Beverly Hills. | |
Here, are you always this sarky? | |
Sarcastic, moi? Maybe I'll mellow when my ship comes in. It's expected any day now. I'm all packed and ready to go. | |
Weren't you on a television series? | |
If it played in England somebody owes me money. Who told you that -- Eddie? | |
Said it went on for donkey's years. | |
Three seasons. They found that's the limit of human tolerance when it comes to following the adventures of a family of Mormons on the Chisum Trail. I was wife number three -- the ingenue. | |
Oh, it just ended, then. | |
Now who's being sarcastic? | |
When you've lost as many years as I have, love, puts things in perspective, know what I mean. | |
I'm sorry. I guess the rest of us have no excuse for wondering where the time went. It must've been the bars. | |
Rosanna Guerrero. | |
It's Creasy. | |
Where are you? | |
Los Arcos. Was a little girl kidnapped recently? About twelve maybe? | |
Last night. Do you know something? | |
What was her name? | |
Camila. Camila Valencias. | |
Is everything done? The arrangements, I mean. | |
Oh. Yeah. It was all worked out before, you know. She and Dad had taken care of it. | |
Right. | |
I set it for Wednesday. The ceremony. They're doing the stone today. It's okay? Wednesday? | |
Yeah, fine. | |
There's not going to be a viewing. I figured with the kids and all ... | |
Sure. | |
If you pull this off, I can't promise I won't kill you. I mean, who we trying to kid? But I will spare the Flying Nun here.... | |
And to think I thought you were Evil Incarnate in pumps. | |
I killed some lovable working class Italian-diabetic, but you killed the most significant male figure of the decade and a kind, gentle lover. So don't play with me. | |
I'm here. | |
Bill! Bill?! | |
Patrick, he's... | |
Okay, okay. Listen: | |
Are you out of your mind...? | |
...I'm going to need your help... | |
You need my help...? You need a goddamn keeper... are you telling me that you turned down two-hundred-ten grand? Huh...? Are you nuts? Eh? Are you nuts. What are you going to do, bring her back to life? | |
I'm going to help her. | |
To do what...? To do what, for chrissake...? To help her to do what? She's dead... | |
They killed her. And they're trying to buy it... | |
That's the point, you stupid fuck. Let them buy it. We let them buy the case. That's what I took it for. You let this drop -- we'll go up to New Hampshire, kill some fuckin' deer... | |
Oh, God, what have I done? I'm so sorry, Paul. I ruined your beautiful toast. Will you ever forgive me? Here, let me pour another one. Can we pretend this never happened? To Misery? | |
To Misery. | |
It's not too late to keep going, up to Vancouver? Be the smartest thing. | |
Thanks, Harry, really, but... I can't explain it. She's my mother. She's just... I can't give up on her that easy. | |
You give up on her? | |
Yeah. It's just... something I gotta do, I guess. | |
Frances, You're crazy. | |
I know. Don't tell anyone. | |
Your family all seem to be okay in the other houses; your Mother's still sleeping. | |
And? | |
No sign of them yet; but they're still on the Estate. | |
How does that feel? | |
It feels good. | |
Tell him how you made me fall in love with you. | |
I smiled at him. | |
Watch out for the smile, boys. | |
Tell her, Ratso. | |
Twenty bucks... | |
Bullshit. | |
Bullshit? I'll give you bullshit -- there's a dead whale out there with bites all over it! | |
What am I, an ass? When you called me, I called Elkins, and her bosses. Nothing she saw is proof of anything. | |
Someone has to do something. | |
Don't push it this time. If you do, it won't turn out the way you want, I guarantee you that. | |
This signal's weird...must be some interference or something. There's movement all over the place... | |
Just get back here! | |
Marcee, things are changing around here. You and Rod will have my total personal attention. | |
Damn right, and you can start by taking Rod's poster and putting it where people can see it! | |
Damn right. | |
What the fuck can I say? I'm serious, man. What the fuck can I say? Thank you... thank you... thank you. | |
Who was there for your ass? | |
You were there for me. | |
Who? | |
You. | |
Congratulations, sir. | |
My God... | |
You'd better talk good, son, because, for the moment, I've got a quite bad opinion about you. Norman smiles. | |
I respect your business, Mister Tony. Every time we asked your help, we were very happy with the result. It's right this that makes me nervous, now. I hope you'll excuse my temporary bad mood? | |
Then... | |
Chris! | |
Knox! what are you doing here? | |
So go dance. | |
With you. | |
I. Don't. Dance. | |
He says he has gasoline set to burn the place. | |
Jesus. He must've siphoned it from the cars. | |
If you go in, you can't use tear gas or flashbangs. The whole place would go up. | |
Looks like you're bailing out at the right time. | |
That's why you get the big bucks, Captain. | |
Physician |
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