|
<div id="filters" class="filters"> |
|
<h5>Country</h5> |
|
<div class="option-set button-group" data-filter-group="country"> |
|
<button class="button" data-filter=".mexico" data-label=" ‘Mexico’ ">Mexico</button> |
|
<button class="button" data-filter=".china" data-label=" ‘China’ ">China</button> |
|
<button class="button" data-filter=".egypt" data-label=" ‘Egypt’ ">Egypt</button> |
|
<button class="button is-checked" data-filter="">any</button> |
|
</div> |
|
<hr /> |
|
<h5>Genre</h5> |
|
<div class="option-set button-group" data-filter-group="genre"> |
|
<button class="button" data-filter=".fiction" data-label=" ‘Fiction’ ">Fiction</button> |
|
<button class="button" data-filter=".nonfiction" data-label=" ‘Nonfiction’ ">Nonfiction</button> |
|
<button class="button" data-filter=".poetry" data-label=" ‘Poetry’ ">Poetry</button> |
|
<button class="button" data-filter=".graphic-fiction" data-label=" ‘Graphic Fiction’ ">Graphic Fiction</button> |
|
<button class="button" data-filter=".graphic-nonfiction" data-label=" ‘Graphic Nonfiction’ ">Graphic Nonfiction</button> |
|
<button class="button is-checked" data-filter="">any</button> |
|
</div> |
|
<hr /> |
|
<h5>Themes</h5> |
|
<div class="option-set button-group" data-filter-group="theme"> |
|
<button class="button" data-filter=".mothers" data-label=" ‘Mothers’ ">Mothers</button> |
|
<button class="button" data-filter=".leaving-home" data-label=" ‘Leaving Home’ ">Leaving Home</button> |
|
<button class="button" data-filter=".drug-wars" data-label=" ‘Drug Wars’ ">Drug Wars</button> |
|
<button class="button" data-filter=".revolution" data-label=" ‘Revolution’ ">Revolution</button> |
|
<button class="button" data-filter=".friendship" data-label=" ‘Friendship’ ">Friendship</button> |
|
<button class="button" data-filter=".love-stories" data-label=" ‘Love Stories’ ">Love Stories</button> |
|
<button class="button" data-filter=".fathers" data-label=" ‘Fathers’ ">Fathers</button> |
|
<button class="button" data-filter=".taboo-topics" data-label=" ‘Taboo Topics’ ">Taboo Topics</button> |
|
<button class="button is-checked" data-filter="">any</button> |
|
</div> |
|
</div> |
|
|
|
<ul id="container" class="grid filtered-list list-filter list"> |
|
<li class="item poetry friendship egypt"> |
|
<a href="http://wwb-campus.dev/article/amina"> |
|
<h6> |
|
Poetry from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Friendship |
|
</strong> |
|
</h5> |
|
<h2> |
|
Amina |
|
</h2> |
|
<small> |
|
by Iman Mersal |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
My perfect friend, |
|
<br style="box-sizing: inherit; color: rgb(39, 39, 39); font-family: 'Open Sans', Roboto, 'Helvetica Neue', Helvetica, Roboto, Arial, sans-serif; font-size: 16px; line-height: 24px;">why don't you leave now. |
|
<br> |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry revolution egypt"> |
|
<a href="http://wwb-campus.dev/article/sometimes-wisdom-possesses-me"> |
|
<h6> |
|
Poetry from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Revolution |
|
</strong> |
|
</h5> |
|
<h2> |
|
Sometimes Wisdom Possesses Me |
|
</h2> |
|
<small> |
|
by Iman Mersal |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
One day wisdom will possess me |
|
<br style="line-height: 22.3999996185303px;">and I will not go to the party. |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item nonfiction taboo-topics china"> |
|
<a href="http://wwb-campus.dev/article/from-prison-memoirs"> |
|
<h6> |
|
Nonfiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Taboo Topics |
|
</strong> |
|
</h5> |
|
<h2> |
|
Prison Memoirs |
|
</h2> |
|
<small> |
|
by Wang Dan |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
"If you happen to be behind bars, you should keep talking..." |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item nonfiction taboo-topics china"> |
|
<a href="http://wwb-campus.dev/article/an-interview-with-yan-lianke"> |
|
<h6> |
|
Nonfiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Taboo Topics |
|
</strong> |
|
</h5> |
|
<h2> |
|
An Interview with Yan Lianke |
|
</h2> |
|
<small> |
|
by Chenxin Jiang |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
...the most chilling thing is the way we censor ourselves. |
|
<br> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction fathers china"> |
|
<a href="http://wwb-campus.dev/article/timid-as-a-mouse"> |
|
<h6> |
|
Fiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Fathers |
|
</strong> |
|
</h5> |
|
<h2> |
|
Timid as a Mouse |
|
</h2> |
|
<small> |
|
by Yu Hua |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
"Those who are afraid of tigers, raise your hands." |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item graphic-fiction revolution egypt"> |
|
<a href="http://wwb-campus.dev/article/from-proud-beggars"> |
|
<h6> |
|
Graphic Fiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Revolution |
|
</strong> |
|
</h5> |
|
<h2> |
|
Proud Beggars |
|
</h2> |
|
<small> |
|
by Albert Cossery and Golo |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
What does a man need to live? A bit of bread is enough. |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction love-stories china"> |
|
<a href="http://wwb-campus.dev/article/the-old-cicada"> |
|
<h6> |
|
Fiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Love Stories |
|
</strong> |
|
</h5> |
|
<h2> |
|
The Old Cicada |
|
</h2> |
|
<small> |
|
by Can Xue |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
“Who is the spider? Isn't it simply me . . . ?" |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction fathers china"> |
|
<a href="http://wwb-campus.dev/article/appendix"> |
|
<h6> |
|
Fiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Fathers |
|
</strong> |
|
</h5> |
|
<h2> |
|
Appendix |
|
</h2> |
|
<small> |
|
by Yu Hua |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
My father used to be a surgeon. He was strong and healthy, and talked in a resonant voice. |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction love-stories china"> |
|
<a href="http://wwb-campus.dev/article/appointment-in-k-city"> |
|
<h6> |
|
Fiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Love Stories |
|
</strong> |
|
</h5> |
|
<h2> |
|
Appointment in K City |
|
</h2> |
|
<small> |
|
by Li Xiao |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
|
|
"I know all the tricks the likes of you will use to get your hands on a girl. You always begin with a recital of woes and an outpouring of grief…" |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item graphic-fiction friendship egypt"> |
|
<a href="http://wwb-campus.dev/article/the-last-of-the-bunch"> |
|
<h6> |
|
Graphic Fiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Friendship |
|
</strong> |
|
</h5> |
|
<h2> |
|
The Last of the Bunch |
|
</h2> |
|
<small> |
|
by Migo Rolzz |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
You're young and I don't want my feelings to get hurt! |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item nonfiction taboo-topics china"> |
|
<a href="http://wwb-campus.dev/article/an-interview-with-wu-wenjian-1"> |
|
<h6> |
|
Nonfiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Taboo Topics |
|
</strong> |
|
</h5> |
|
<h2> |
|
An Interview with Wu Wenjian |
|
</h2> |
|
<small> |
|
by Liao Yiwu |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
I was nobody, like a piece of sesame in a big pot of soup. |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction friendship egypt"> |
|
<a href="http://wwb-campus.dev/article/the-veiler-of-all-deeds"> |
|
<h6> |
|
Fiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Friendship |
|
</strong> |
|
</h5> |
|
<h2> |
|
The Veiler of All Deeds |
|
</h2> |
|
<small> |
|
by Hamdi Abu Golayyel |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
When Abu Gamal revealed Shaykh Hasan's secret to the residents of Number 36... |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction love-stories china"> |
|
<a href="http://wwb-campus.dev/article/loves-labor"> |
|
<h6> |
|
Fiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Love Stories |
|
</strong> |
|
</h5> |
|
<h2> |
|
Love’s Labor |
|
</h2> |
|
<small> |
|
by Ye Mi |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
"You noticed the way she came over, her chest out, eyes narrowed? She's interested." |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item nonfiction drug-wars mexico"> |
|
<a href="http://wwb-campus.dev/article/violence-and-drug-trafficking-in-mexico"> |
|
<h6> |
|
Nonfiction from Mexico |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Drug Wars |
|
</strong> |
|
</h5> |
|
<h2> |
|
Violence and Drug-Trafficking in Mexico |
|
</h2> |
|
<small> |
|
by Juan Villoro |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
In Mexico, people will pay up to $70,000 dollars for a license to hunt and kill a bighorn sheep. Killing a man is much cheaper... |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction mothers egypt"> |
|
<a href="http://wwb-campus.dev/article/mrs.-saniyas-holiday"> |
|
<h6> |
|
Fiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Mothers |
|
</strong> |
|
</h5> |
|
<h2> |
|
Mrs. Saniya's Holiday |
|
</h2> |
|
<small> |
|
by Na’am al-Baz |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
"Forget the admirer, Saniya. This guy will not take care of you." |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item nonfiction leaving-home egypt"> |
|
<a href="http://wwb-campus.dev/article/memories-of-chernobyl"> |
|
<h6> |
|
Nonfiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Leaving Home |
|
</strong> |
|
</h5> |
|
<h2> |
|
Memories of Chernobyl |
|
</h2> |
|
<small> |
|
by Mohamed Makhzangi |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
The entire city began to wash itself ceaselessly... |
|
<br> |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry love-stories china"> |
|
<a href="http://wwb-campus.dev/article/poem-to-the-tune-pure-peace-by-li-bai"> |
|
<h6> |
|
Poetry from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Love Stories |
|
</strong> |
|
</h5> |
|
<h2> |
|
Poem to the Tune "Pure Peace" |
|
</h2> |
|
<small> |
|
by Li Bai |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
A cloud is her dress... |
|
<br> |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item nonfiction drug-wars mexico"> |
|
<a href="http://wwb-campus.dev/article/the-mystery-of-the-parakeet-the-rooster-and-the-nanny-goat"> |
|
<h6> |
|
Nonfiction from Mexico |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Drug Wars |
|
</strong> |
|
</h5> |
|
<h2> |
|
The Mystery of the Parakeet, the Rooster, and the Nanny Goat |
|
</h2> |
|
<small> |
|
by Fabrizio Mejía Madrid |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
The parakeet is cocaine, the rooster is the marijuana and the nanny goat is an AK-47 assault rifle. |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item graphic-fiction leaving-home egypt"> |
|
<a href="http://wwb-campus.dev/article/the-apartment-in-bab-el-louk"> |
|
<h6> |
|
Graphic Fiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Leaving Home |
|
</strong> |
|
</h5> |
|
<h2> |
|
The Apartment in Bab el-Louk |
|
</h2> |
|
<small> |
|
by Donia Maher and Ganzeer |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
Outside your window, Cairo's nooks and crannies are lonely and forsaken, like a deserted crime scene. |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction taboo-topics china"> |
|
<a href="http://wwb-campus.dev/article/death-fugue"> |
|
<h6> |
|
Fiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Taboo Topics |
|
</strong> |
|
</h5> |
|
<h2> |
|
Death Fugue |
|
</h2> |
|
<small> |
|
by Sheng Keyi |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
How could anyone separate love from lust, any more than one could separate the flavor of chocolate out of chocolate ice cream? |
|
<br> |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item graphic-nonfiction revolution egypt"> |
|
<a href="http://wwb-campus.dev/article/two-million-people-in-the-square"> |
|
<h6> |
|
Graphic Nonfiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Revolution |
|
</strong> |
|
</h5> |
|
<h2> |
|
Two Million People in the Square |
|
</h2> |
|
<small> |
|
by Magdy El Shafee |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
We're the ones who overturned the riot police trucks. |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item nonfiction taboo-topics china"> |
|
<a href="http://wwb-campus.dev/article/this-country-must-break-apart"> |
|
<h6> |
|
Nonfiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Taboo Topics |
|
</strong> |
|
</h5> |
|
<h2> |
|
This Country Must Break Apart |
|
</h2> |
|
<small> |
|
by Liao Yiwu |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
We are no longer poets; we have become witnesses of history. |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction mothers egypt"> |
|
<a href="http://wwb-campus.dev/article/its-a-chick-not-a-dog"> |
|
<h6> |
|
Fiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Mothers |
|
</strong> |
|
</h5> |
|
<h2> |
|
It’s a Chick, Not a Dog |
|
</h2> |
|
<small> |
|
by Jar al-Nabi al-Hilw |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
My mother knew he was walking after her. Almost certainly she knew. Do you want me to tell you why? |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item nonfiction taboo-topics china"> |
|
<a href="http://wwb-campus.dev/article/the-story-of-a-homosexual-an-interview-with-ni-dongxue"> |
|
<h6> |
|
Nonfiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Taboo Topics |
|
</strong> |
|
</h5> |
|
<h2> |
|
The Story of a Homosexual: An Interview with Ni Dongxue |
|
</h2> |
|
<small> |
|
by Liao Yiwu |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
Just hold my hands tightly. I won't force you to kiss me or do anything. |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry love-stories china"> |
|
<a href="http://wwb-campus.dev/article/poems-for-parting"> |
|
<h6> |
|
Poetry from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Love Stories |
|
</strong> |
|
</h5> |
|
<h2> |
|
Poems for Parting |
|
</h2> |
|
<small> |
|
by Du Mu |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
Too much love |
|
<br> somehow became |
|
<br> no love at all |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry leaving-home mexico"> |
|
<a href="http://wwb-campus.dev/article/marías-mazahuas"> |
|
<h6> |
|
Poetry from Mexico |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Leaving Home |
|
</strong> |
|
</h5> |
|
<h2> |
|
Marías Mazahuas |
|
</h2> |
|
<small> |
|
by Fausto Guadarrama López |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
Where do you go, "Marías," where do you go? |
|
<br> |
|
</p> |
|
<br> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry leaving-home egypt"> |
|
<a href="http://wwb-campus.dev/article/things-elude-me"> |
|
<h6> |
|
Poetry from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Leaving Home |
|
</strong> |
|
</h5> |
|
<h2> |
|
Things Elude Me |
|
</h2> |
|
<small> |
|
by Iman Mersal |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
One day I will pass by |
|
<br> the house that used to be my home... |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item graphic-fiction leaving-home egypt"> |
|
<a href="http://wwb-campus.dev/article/the-pharaohs-of-egypt"> |
|
<h6> |
|
Graphic Fiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Leaving Home |
|
</strong> |
|
</h5> |
|
<h2> |
|
The Pharaohs of Egypt |
|
</h2> |
|
<small> |
|
by Florent Ruppert and Jérôme Mulot |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
"This way over there, you stupid savage." |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry fathers china"> |
|
<a href="http://wwb-campus.dev/article/two-or-three-things-from-the-past"> |
|
<h6> |
|
Poetry from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Fathers |
|
</strong> |
|
</h5> |
|
<h2> |
|
Two or Three Things from the Past |
|
</h2> |
|
<small> |
|
by Yu Jian |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
He stood on the side watching everyone play... |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry drug-wars mexico"> |
|
<a href="http://wwb-campus.dev/article/sleepless-homeland"> |
|
<h6> |
|
Poetry from Mexico |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Drug Wars |
|
</strong> |
|
</h5> |
|
<h2> |
|
Sleepless Homeland |
|
</h2> |
|
<small> |
|
by Carmen Boullosa |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
Did we lose you in a game of dice?... |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction leaving-home egypt"> |
|
<a href="http://wwb-campus.dev/article/the-guest"> |
|
<h6> |
|
Fiction from Egypt |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Leaving Home |
|
</strong> |
|
</h5> |
|
<h2> |
|
The Guest |
|
</h2> |
|
<small> |
|
by Miral Al-Tahawy |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
She undid the dirty belt from her waist so that he could look upon the body that was like a piece of smooth white cheese. |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item graphic-fiction love-stories china"> |
|
<a href="http://wwb-campus.dev/article/sharing"> |
|
<h6> |
|
Graphic Fiction from China |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Love Stories |
|
</strong> |
|
</h5> |
|
<h2> |
|
Sharing |
|
</h2> |
|
<small> |
|
by Duncan Jepson and Xie Peng |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
When I first came to the city, I watched the people fall in love. |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item fiction leaving-home mexico"> |
|
<a href="http://wwb-campus.dev/article/a-failed-journey"> |
|
<h6> |
|
Fiction from Mexico |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Leaving Home |
|
</strong> |
|
</h5> |
|
<h2> |
|
A Failed Journey |
|
</h2> |
|
<small> |
|
by Aura Estrada |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
They warned her that one more offense against good behavior and the promised trip to the promised land (the United States) would be cancelled... |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry mothers mexico"> |
|
<a href="http://wwb-campus.dev/article/nothing-remains-empty"> |
|
<h6> |
|
Poetry from Mexico |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Mothers |
|
</strong> |
|
</h5> |
|
<h2> |
|
Nothing Remains Empty |
|
</h2> |
|
<small> |
|
by Juan Gregorio Regino |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
There is a place in the Universe |
|
<br> where the memory of time |
|
<br> is recorded. |
|
<br> |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry drug-wars mexico"> |
|
<a href="http://wwb-campus.dev/article/notes-on-a-zombie-cataclysm"> |
|
<h6> |
|
Poetry from Mexico |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Drug Wars |
|
</strong> |
|
</h5> |
|
<h2> |
|
Notes on a Zombie Cataclysm |
|
</h2> |
|
<small> |
|
by Luis Felipe Fabre |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
Because things |
|
<br> are turning weird: because they found |
|
<br> just the arm... |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item nonfiction mothers mexico"> |
|
<a href="http://wwb-campus.dev/article/my-madre-pure-as-cumulous-clouds"> |
|
<h6> |
|
Nonfiction from Mexico |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Mothers |
|
</strong> |
|
</h5> |
|
<h2> |
|
My Madre, Pure as Cumulous Clouds |
|
</h2> |
|
<small> |
|
by Liza Bakewell |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
"It all begins with this. |
|
<em> |
|
Madres |
|
</em> are pure and perfect. In Mexico." |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
<li class="item poetry mothers mexico"> |
|
<a href="http://wwb-campus.dev/article/purépecha-mother"> |
|
<h6> |
|
Poetry from Mexico |
|
</h6> |
|
<div> |
|
<h5> |
|
<strong> |
|
Mothers |
|
</strong> |
|
</h5> |
|
<h2> |
|
Purépecha Mother |
|
</h2> |
|
<small> |
|
by Gilberto Jerónimo Mateo |
|
</small> |
|
</div> |
|
<div class="quote"> |
|
<p> |
|
She is not a queen. |
|
<br> Hungry, early in the morning she goes for firewood... |
|
</p> |
|
</div> |
|
</a> |
|
</li> |
|
</ul> |