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October 12, 2018 20:00
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Modal Transposition Study
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TempoClock.default.tempo = 90/120; | |
( | |
SynthDef(\tinn, { |amp, freq = 440, sustain = 1, startf = 20000, endf = 80, q = 0.8 | | |
var detune = 0.01; | |
var sig = Splay.ar( | |
VarSaw.ar(LFNoise2.ar(8).exprange(freq * (1-detune), freq * (1+detune)) * [0.99,1/2,1/2.001,1,1.01], width: LFNoise2.ar(1/2).exprange(0.5, XLine.ar(0.5,0.03,sustain/8))) * XLine.ar(1e-10,1, 0.01) * XLine.ar(1,1e-10, sustain, doneAction: 2), | |
XLine.ar(0.2,1,sustain/3) | |
); | |
Out.ar(0, RLPF.ar(sig, XLine.ar(startf, endf, sustain / 16), q) * amp) | |
}).store | |
) | |
( | |
( | |
Pbind( | |
\instrument, \tinn, | |
\mtranspose, (Pstep([1,1,4,4, 0,0,0,0, 1,1,4,4, 5,3,2,1], 1/2, inf) + (Pstep(Pseq([0,0,1,3], inf), 8, inf) % 7)) | |
) <> Ppar([ | |
Pfindur(8*6, | |
Pbind( | |
\octave, 5, | |
\degree, Pstep(((Array.series(8,7,-1) ! 2) ++ (Array.series(8,0,1) ! 2)).flatten, 1/8, inf), | |
\dur, Pseq([ | |
2, 2, 1, 1, 1, 1, | |
Pseq([ | |
Pconst(0.25, 1/8), | |
Pconst(7.75, Pn(Pshuf([2,1,1,3,1,2,1]))/Pstep([8,4],4)) | |
], inf) | |
]), | |
\legato, 16, | |
\startf, 16000, | |
\endf, 2000 | |
) | |
), | |
Pfindur(8*7, | |
Pbind( | |
\octave, 5, | |
\degree, Pseq([8,4,6,2] ! 2, inf), | |
\strum, Pseq([\rest,Pn(1/16)]), | |
\dur, Pseq([1/2,Pn(2)]), | |
\legato, Pstep([4,8,4,16], 2, inf), | |
\db, -28, | |
\startf, 1000, | |
\endf, 20000, | |
\q, 0.9 | |
) | |
), | |
Pfindur(8*6, | |
Pbind( | |
\octave, 3, | |
\degree, Pstep([0,4,0,4,0,4,1,2], 1/2, inf), | |
\dur, Pstep([3,1,2,4], 1, inf) / Pstep([8,8,2,4],4, inf), | |
\legato, 16, | |
\db, -12, | |
\startf, 8000, | |
\endf, 8000, | |
\q, 0.8 | |
) | |
) | |
]) | |
).play | |
) |
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Polyphonic variant: