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July 1, 2013 01:39
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From Dark Harbor by Mark Strand
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I | |
When after a long silence one picks up the pen | |
And leans over the paper and says to himself: | |
Today I shall consider Marsyas | |
Whose body was flayed to an excess | |
Of nakedness, who made no crime that would square | |
With what he was made to suffer. | |
Today I shall consider the shredded remains of Marsyas | |
What do they mean as they gather the sunlight | |
That falls in small pieces through the trees, | |
As in Titian's late painting. Poor Marsyas, | |
A body, a body of work as it turns and falls | |
Into suffering, becoming the flesh of light, | |
Which is fed to onlookers centuries later. | |
Can this be the cost of encompassing pain? | |
After a long silence, would I, whose body | |
Is whole, sheltered, kept in the dark by a mind | |
That prefers it that way, know what I'd done | |
And what its worth was? Or is a body scraped | |
From the bone of experience, the chart of suffering | |
To be read in such ways that all flesh might be redeemed, | |
At least for the moment, the moment it passes into song. | |
II | |
Our friends who lumbered from room to room | |
Now move like songs or meditations winding down, | |
Or lie about, waiting for the next good thing | |
Some news of what is going on above, | |
A visitor to tell them who's writing well, | |
Who's falling in or out of love. | |
Not that it matters anymore. Just look around. | |
There's Marsyas, noted for his marvelous asides | |
On Athena's ancient oboe, asleep for centuries. | |
And Arion, whose gaudy music drove the Phrygians wild, | |
Hasn't spoken in a hundred years. The truth is | |
Soon the song deserts its maker, | |
The airy demon dies, and others come along. | |
A different kind of dark invades the autumn woods, | |
A different sound sends lovers packing into sleep. | |
The air is full of anguish. The measures of nothingness | |
Are few. The Beyond is merely beyond, | |
A melancholy place of failed and fallen stars. | |
III | |
I am sure you would find it misty here, | |
With lots of stone cottages badly needing repair. | |
Groups of souls, wrapped in cloaks, sit in the fields | |
Or stroll the winding unpaved roads. They are polite, | |
And oblivious to their bodies, which the wind passes through, | |
Making a shushing sound. Not long ago, | |
I stopped to rest in a place where an especially | |
Thick mist swirled up from the river. Someone, | |
Who claimed to have known me years before, | |
Approached, saying there were many poets | |
Wandering around who wished to be alive again. | |
They were ready to say the words they had been unable to say | |
Words whose absence had been the silence of love, | |
Of pain, and even of pleasure. Then he joined a small group, | |
Gathered beside a fire. I believe I recognized | |
Some of the faces, but as I approached they tucked | |
Their heads under their wings. I looked away to the hills | |
Above the river, where the golden lights of sunset | |
And sunrise are one and the same, and saw something flying | |
Back and forth, fluttering its wings. Then it stopped in mid-air. | |
It was an angel, one of the good ones, about to sing. |
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