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Topping M62 "Pro Audio Mode"
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| Topping M62 at usb-0000:2d:00.3-1.1.2.3, high speed : USB Audio | |
| Playback: | |
| Status: Running | |
| Interface = 1 | |
| Altset = 1 | |
| Packet Size = 520 | |
| Momentary freq = 96000 Hz (0xc.0000) | |
| Feedback Format = 16.16 | |
| Interface 1 | |
| Altset 1 | |
| Format: S32_LE | |
| Channels: 10 | |
| Endpoint: 0x01 (1 OUT) (ASYNC) | |
| Rates: 44100, 48000, 88200, 96000 | |
| Data packet interval: 125 us | |
| Bits: 24 | |
| Channel map: FL FR FC LFE RL RR FLC FRC RC SL | |
| Sync Endpoint: 0x81 (1 IN) | |
| Sync EP Interface: 1 | |
| Sync EP Altset: 1 | |
| Implicit Feedback Mode: No | |
| Interface 1 | |
| Altset 2 | |
| Format: S32_LE | |
| Channels: 10 | |
| Endpoint: 0x01 (1 OUT) (ASYNC) | |
| Rates: 44100, 48000, 88200, 96000 | |
| Data packet interval: 125 us | |
| Bits: 24 | |
| Channel map: FL FR FC LFE RL RR FLC FRC RC SL | |
| Sync Endpoint: 0x81 (1 IN) | |
| Sync EP Interface: 1 | |
| Sync EP Altset: 2 | |
| Implicit Feedback Mode: No | |
| Capture: | |
| Status: Running | |
| Interface = 2 | |
| Altset = 1 | |
| Packet Size = 832 | |
| Momentary freq = 96000 Hz (0xc.0000) | |
| Interface 2 | |
| Altset 1 | |
| Format: S32_LE | |
| Channels: 16 | |
| Endpoint: 0x82 (2 IN) (ASYNC) | |
| Rates: 44100, 48000, 88200, 96000 | |
| Data packet interval: 125 us | |
| Bits: 24 |
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| Capture channel map: | |
| AUX0/1 -> Analog 1/2 (IN 1 [MIC 1; MIC 3.5; MIC-HP]; IN2 [MIC2]; dry) | |
| AUX2/3 -> AUX IN | |
| AUX4/5 -> Bluetooh IN | |
| AUX6/7 -> Mobile (OTG IN) | |
| AUX8/9 -> Loopback 1/2 | |
| AUX10/11 -> Loopback 3/4 | |
| AUX12/13 -> Loopback 5/6 | |
| AUX14/15 -> Loopback 7/8 |
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| USB driver by Thesycon Systemsoftware & Consulting GmbH |
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| Disables builtin "FX" functionality (NC, Ducking, | |
| Comporessor, Reverb [Studio, Live, Hall]). | |
| The "scene" feature is just a combination of these | |
| and is therefore also disabled. |
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| Topping's "M Control Center" software should be used at | |
| least once for initial configuration (usb charging settings; | |
| auto-power-on/-off; bluetooth; setting up mixers and | |
| loopbacks etc). It's also very useful to update the device | |
| easily. Needed if PEQ for mic input (4 bands) and/or headphone | |
| output (10 bands) is wanted. | |
| Otherwise, the remote control is more than sufficient. It | |
| has 31 buttons, which is very unusual for Topping. |
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| M62 is intended more or less for mobile use by musicians, streamers, podcasters, but | |
| I currently only use it in a minimal home office setup for Zoom meetings: | |
| - Headphones with external microphone on the HP input (TRRS), which acts as IN1 | |
| - USB-C for data transmission and USB-C for charging connected to a USB hub | |
| that is connected to a KVM switch, which in turn is connected to a laptop and | |
| a desktop computer. | |
| - In M Control Center, all inputs are muted, except IN1 and IN2 (the latter | |
| is only switched on because otherwise an LED on the M62 would flash | |
| unnecessarily) | |
| - All mixers removed | |
| - All loopbacks output an empty mixer and are also muted | |
| - Bluetooth off | |
| - No charging or discharging for the OTG USB-C port and the normal USB-C port, | |
| so only the third USB-C port is used for this | |
| - The OTG output is still set to IN1, otherwise no level meters are displayed | |
| for the input on the M62 display. | |
| - HP output configured with 10-band PEQ (oratory1990) because the laptop and desktop are | |
| running different versions of Pipewire and I have configured filter chains | |
| only on the desktop. Nevertheless, I have a wireplumber config on all systems to use the 96000 | |
| rate with M62. | |
| - Zoom thus receives the dry input signal; I leave the DSP to Zoom | |
| - I actually use the remote control to turn M62 on and off, adjust the volume | |
| on the headphones and mute the microphone. | |
| What I actually like the most is that M62 doesn't take up much desk space and | |
| installation is super easy to remove. So far I only use a USB isolator for the normal | |
| USB-C port. I have been thinking about an external LPS for the power usb-c | |
| port. However, that might be a bad idea since M62 is running all day long ... |
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| Create two virtual devices to reduce channel usage: | |
| { | |
| name = libpipewire-module-loopback | |
| flags = [ nofail ] | |
| args = { | |
| node.name = "sink.topping_m62_stereo" | |
| node.description = "Topping M62 Stereo Output" | |
| media.name = "Topping M62 Stereo Output" | |
| audio.position = [ FL FR ] | |
| capture.props = { | |
| media.class = Audio/Sink | |
| } | |
| playback.props = { | |
| stream.dont-remix = true | |
| node.passive = true | |
| target.object = "alsa_output.usb-Topping_M62-00.multichannel-output" | |
| } | |
| } | |
| } | |
| { | |
| name = libpipewire-module-loopback | |
| flags = [ nofail ] | |
| args = { | |
| node.name = "source.topping_m62_mono" | |
| node.description = "Topping M62 Mic (Mono)" | |
| media.name = "Topping M62 Mic (Mono)" | |
| capture.props = { | |
| audio.position = [ AUX0 ] | |
| stream.dont-remix = true | |
| node.passive = true | |
| target.object = "alsa_input.usb-Topping_M62-00.multichannel-input" | |
| } | |
| playback.props = { | |
| media.class = Audio/Source | |
| audio.position = [ MONO ] | |
| } | |
| } | |
| } |
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