Created
November 5, 2017 09:50
-
-
Save edwardsharp/0ebe147fd78709c59306c09b1023ebad to your computer and use it in GitHub Desktop.
Sequence of Actions (Act.)
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
Sequence of Actions (Act.) | |
TO BE DEEP IN | |
1. to be absorbed | |
2. to come back again | |
HIDING PLACE | |
1. to be hidden | |
2. to come out of hiding | |
TO MEDITATE | |
1. to be in the process of meditation | |
2. to stop meditating | |
TO LAUGH | |
1. to burst out laughing | |
2. to stop | |
TO JOIN | |
1. to sit down | |
2. to sit next to | |
TO NARRATE | |
1. to know the story | |
2. to know the story | |
3. to offer to tell | |
4. to suggest a rendezvous for telling a story | |
5. to discuss the time of the rendezvous | |
6. to agree to the rendezvous | |
7. to reject the rendezvous | |
8. to have accepted the rendezvous | |
9. to command to tell | |
10. to hesitate to tell | |
11. to repeat the command to tell | |
12. command accepted | |
13. castrating effect of the narration | |
QUESTION I | |
1. to ask oneself a question | |
2. to verify | |
TO TOUCH | |
1. touching | |
2. reaction | |
3. generalized reaction | |
4. to flee | |
5. to hide | |
TABLEAU | |
1. to look around | |
2. to perceive | |
TO ENTER | |
1. to announce oneself by a sound | |
2. the entrance itself | |
DOOR I | |
1. to reach a door | |
2. to knock | |
3. to appear at a door (to open it) | |
FAREWELL | |
1. to entrust (before leaving) | |
2. to embrace | |
3. to say farewell | |
GIFT | |
1. incite (or be incited) to the gift | |
2. to give the gift | |
3. to accept the gift | |
TO LEAVE | |
1. to want to leave | |
2. to delay | |
3. to leave again | |
LIAISON | |
1. to have a liaison | |
2. indication of the end of the liaison | |
3. end of the liaison | |
JOURNEY | |
1. to depart | |
2. to travel | |
3. to arrive | |
4. to stay | |
THEATRE | |
1. to enter (the building) | |
2. to enter the hall | |
3. to be seated | |
4. curtain up | |
5. to hear the overture | |
6. entrance of the star | |
7. greeting of the star | |
8. the star’s aria | |
9. to leave | |
10. to return home | |
QUESTION II | |
1. a fact to be explained | |
2. to inquire | |
3. to receive an answer | |
DISCOMFORT | |
1. to be squeezed, made uncomfortable | |
2. to feel nothing | |
PLEASURE | |
1. proximity to the desired object | |
2. madness | |
3. tension | |
4. apparent immobility | |
5. isolation | |
6. embrace | |
7. to be penetrated | |
8. ejaculation | |
9. emptiness | |
10. sadness | |
11. to recuperate | |
12. conditions for repetition | |
SEDUCTION | |
1. ecstasy | |
2. extraversion | |
3. intense pleasure | |
4. delirium | |
5. delirium 1: cold | |
6. delirium 2: heat | |
7. delirium 3: silence | |
TO DECIDE | |
1. mental condition of the choice | |
2. to propose an alternative | |
TO LEAVE | |
1. the first locality | |
2. the second locality | |
DRESSING | |
1. to want to dress | |
2. to dress | |
WARNING | |
1. to give a warning | |
2. to ignore it | |
WILL-TO-LOVE (impulsive enterprise) | |
1. proposal of the enterprise | |
2. to draw (interim activity) | |
3. to rent a theater box (contemplative activity) | |
4. to pause | |
5. interruption of the undertaking | |
6. indication of terms composing the interlude | |
7. morning, to sculpt | |
8. evening, the sofa | |
9. to accustom the ear | |
10. to train the eye | |
11. result | |
12. protection of the induced hallucination | |
13. alibi and prorogation | |
14. résumé | |
WILL-TO-DIE | |
1. proposal of the project | |
2. to flout a warning | |
3. accept any risk | |
4. predictive, in the form of a provocation of fate | |
5. to comment on one’s death in advance | |
6. to die to woman | |
7. to die to feeling | |
8. to die to art | |
9. to assume one’s death |
Sign up for free
to join this conversation on GitHub.
Already have an account?
Sign in to comment