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50 Ways to Leave Your Lover | |
Paul Simon | |
-----------------------------------CHORDS--------------------------------------- | |
Cmaj7 = x35453 (close to barred C) | |
B7 = x24242 (barred) | |
D#dim = 23424x (kinda like barred B7, but add middle finger) | |
D/F# = 200232 (wrap thumb around onto lowest string @ fret #2) | |
G = 355433 | |
A# = 688766 | |
C7 = 8X8988 (where X stands for 10) | |
-------------------------------------------------------------------------------- | |
---------------------------------FLAIR IDEAS------------------------------------ | |
Try swapping these chords: | |
• D ⟷ D/F# | |
• D#dim ⟶ B7(barred) | |
Play first string on first Em → D/F# → Cmaj7 → B7, then play just last 4 strings | |
for Em7 → D, then add 2nd string for Cmaj7 → (D#dim →) B7. (The D#dim is | |
optional) | |
For chorus, play everything as bar chords so you can slide around. | |
-------------------------------------------------------------------------------- | |
[Verse] | |
Em D Cmaj7 = x35453 B7 | |
"The problem is all inside your head", she said to me, | |
Em7 D Cmaj7 D#dim = 23424x | |
The answer is easy if you take it logically. | |
Em7 D Cmaj7 B7 | |
I'd like to help you in your struggle to be free. | |
Em Am7 Em Em | |
There must be - fifty ways to leave your lover." | |
Em D Cmaj7 B7 | |
She said: "It's really not my habit to intrude, | |
Em D Cmaj7 D#dim | |
Furthermore I hope my meaning won't be lost or miss-construed, | |
Em D Cmaj7 B7 | |
But I'll repeat myself, at the risk of being crude. | |
Em Am7 Em Em | |
There must be - fifty ways to leave your lover, | |
Em Am7 Em | |
Fifty ways to leave your lover." | |
[Chorus] | |
G = 355433 A# = 688766 | |
Just slip out the back Jack, make a new plan Stan, | |
C7 = 8X8988 G | |
No need to be coy Roy, just get yourself free | |
G A# | |
Hop on the bus Gus, you don't need to discuss much, | |
C7 G | |
Just drop off the key Lee, and get yourself free. | |
G A# | |
Slip out the back Jack, make a new plan Stan, | |
C7 G | |
You don't need to be coy Roy, you just listen to me. | |
G A# | |
Hop on the bus Gus, you don't need to discuss much, | |
C7 G | |
Just drop off the key Lee, and get yourself free. | |
[Verse] | |
Em D Cmaj7 B7 | |
She said: "It grieves me so to see you in such pain. | |
Em D Cmaj7 D#dim | |
I wish there was something I could do to make you smile again." | |
Em D Cmaj7 B7 | |
I said: "I appreciate that and would you please explain | |
Em Am7 Em | |
About the - fifty ways." | |
Em D Cmaj7 B7 | |
She said: "Why don't we both just sleep on it tonight, | |
Em D Cmaj7 D#dim | |
And I believe that in the morning you'll begin to see the light." | |
Em D Cmaj7 B7 | |
Then she kissed me and I realised, she probably was right, | |
Em Am7 Em | |
There must be fifty ways to leave your lover, | |
Em Am7 Em | |
Fifty ways to leave your lover. | |
[Chorus] | |
G A# | |
Just slip out the back Jack, make a new plan Stan, | |
C7 G | |
You don't need to be coy Roy, and get yourself free. | |
G A# | |
Hop on the bus Gus, you don't need to discuss much. | |
C7 G | |
Just drop off the key Lee, and set yourself free. | |
G A# | |
Just slip out the back Jack, make a new plan Stan, | |
C7 G | |
No need to be coy Roy, just listen to me. | |
G A# | |
Hop on the bus Gus, don't need to discuss much, | |
C7 G | |
Just drop off the key Lee, and set yourself free. |
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