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Created July 4, 2025 10:43
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Social annotation, [**motherfucker**](https://hypothes.is/users/DavidBlue).
Raw
hypothes.is.json
This file has been truncated, but you can view the full file.
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"text": "# Kagi\n\n## [Summary](https://kagi.com/summarizer/index.html?target_language=&summary=summary&url=https%3A%2F%2Fwww.thedrive.com%2Fnews%2Fheres-the-real-story-of-the-drives-youtube-channel-and-how-were-bringing-it-back)\n\nThe Drive's YouTube channel was launched in 2012 with funding from YouTube and became very popular, producing many successful car shows. However, YouTube ended its funding in 2014 and the channel struggled to remain profitable. It went through various ownership changes and attempts to stay afloat but was never able to regain its original success. In 2020 The Drive revived its YouTube channel with a new series profiling car enthusiasts and their vehicles, hoping to recapture the spirit of celebrating car culture, as new technologies have made cars less of a cultural force. They aim to explore the diverse ways people connect to cars and each other through their shared passion.\n\n## [Key Moments](https://kagi.com/summarizer/index.html?target_language=&summary=takeaway&url=https%3A%2F%2Fwww.thedrive.com%2Fnews%2Fheres-the-real-story-of-the-drives-youtube-channel-and-how-were-bringing-it-back)\n\n- The Drive's YouTube channel was launched in 2012 with funding from YouTube as part of their original content investment program. It grew a large audience but the funding was shut down in 2013.\n- An attempt to launch a subscription model in 2014 faced major backlash from viewers who weren't used to paying for online content. This contributed to the audience drifting away.\n- The channel's co-founder Emil Rensing was later arrested for fraud unrelated to The Drive, but his legal issues added instability during a difficult period.\n- In 2015-2016 the channel was sold to Time Inc. but they weren't prepared to fully fund video operations, leading most original hosts and crew to leave.\n- Under new ownership, budgets kept shrinking and YouTube uploads became sporadic as the focus shifted to the website.\n- In 2018, Time Inc. was sold and the new owner wasn't interested in continuing automotive media, nearly leading to The Drive being shut down.\n- It was saved by new private investors but efforts to relaunch on YouTube in 2020 were derailed by the pandemic.\n- The author argues new cars no longer drive as much culture as enthusiast communities and modifying older vehicles.\n- Two new YouTube series are announced focusing on enthusiast profiles and explainer stories of automotive history.\n- The relaunch aims to rebuild the legacy of the original channel and celebrate car culture.",
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"text": "# LLM Summaries\n\n## Kagi\n\n### Summary\n\nThe passage discusses various music apps for the iPhone, including MusicHarbor which allows users to easily track new releases. It also covers Albums, an app that focuses on album playback over individual songs or playlists. While the iPhone can't replace professional audio equipment, some apps like GarageBand allow basic music creation. [Last.fm](Last.fm) and SongShift are also mentioned as tools for tracking music listening history and transferring playlists. Overall, the passage examines different apps that enhance the music experience on iPhone beyond the built-in Apple Music app.\n\n### Key Moments\n\n- MusicHarbor is an app that allows users to track new music releases in a chronological feed, which the author finds very useful for discovery. It also allows following artists and deleting songs from one's library with a few taps.\n- Albums is another app that focuses on album playback over individual songs or playlists, providing tools for fans to deeply engage with albums they love.\n- Odesli is an undercovered tool for sharing tracks across different streaming services by linking to the correct version.\n- The author shares a simple Siri Shortcut they made to open a song's Odesli link from the currently playing track in Apple Music.\n- SongShift allows transferring playlists between different music streaming services.\n- [Last.fm](http://Last.fm) is still functioning for music scrobbling even after 19 years.\n- Serious music production is still not practical on iPhone due to limitations of mobile DAWs and audio capture capabilities.\n- The best audio quality capture on iPhone is from extracting video recorded in the Camera app.\n- Apple has removed features over time that gave artists more control over their music on Apple Music.\n- Third-party solutions continue to be developed to address problems not solved by Apple Music itself.\n\n## Craft Assistant\n\nThe article discusses various apps and services related to music consumption and creation on iOS devices. It highlights the features of the Soor app, Odesli/Song.Link for music sharing, [Last.fm](http://Last.fm) for scrobbling, and SongShift for playlist transfer. It also mentions different digital audio workstations (DAWs) available on iPhone for music creation, and the limitations of using smartphones for professional audio production. Additionally, it touches on Apple Music's history, the removal of iTunes Ping and Connect, and the launch of Apple Music on the web. The author expresses disappointment in Apple Music's lack of features for music makers and suggests that third-party solutions are necessary for a more personalized music streaming experience.",
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"text": "A few more apps have arrived since this was first published - I thought I would include three I've actually used the most.\n\n- [**AirScrobble**](https://apps.apple.com/us/app/airscrobble/id1618366994) delivers a particularly powerful capability for scrobbling automatically... consecutively... to Last.fm as it identifies tracks playing ambiently. I set it in front of my TV for half of [100 Gecs' recent Boiler Room set](https://youtu.be/8NWHnWbpxmc) and was quite astonished at the result.\n- [**Finale**](https://apps.apple.com/us/app/finale-for-last-fm/id1518365620) is another Last.fm client which can fundamentally serve as an updated experience from Last.fm's own iOS offering. Its included tools also make pretty collages and can really deliver for those with friends on the service.\n- [**MusicBox**](https://apps.apple.com/us/app/musicbox-save-music-for-later/id1614730313) is my next favorite of Marcos Tanaka's music apps (behind MusicHarbor.) I've used it in place of the Apple Music API-enabled Siri Shortcuts suite I thought I was going to have to make (and could never figure out.) See [Federico Viticci's review](https://www.macstories.net/reviews/musicbox-review-the-listen-later-music-app-ive-been-waiting-for) for more details.",
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"text": "![Apple Acknowledges OpenStreetMap](https://i.snap.as/Cyb6A6pj.png)\n\nThe fact that Apple Maps would not/could not exist without OpenStreetMap, and yet Apple, Inc. has not spoken that organization's name aloud *once*.\n\nWhen I can get people to just hear me out on that fact, they are almost *always* astonished and activated.\n\nSo, that's why I'm annotating here. Howdy, Timbo!",
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