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Neuromancer Notes

Themes

Technology metaphore for addiction

Closing his eyes, he felt for the knot of rage, the pure small coal of his anger. It was there still. Where had it come from? He remembered feeling only a kind of bafflement at his maiming in Memphis, nothing at all when he’d killed to defend his dealing interests in Night City, and a slack sickness and loathing after Linda’s death under the inflated dome. But no anger. Small and far away, on the mind’s screen, a semblance of Deane struck a semblance of an office wall in an explosion of brains and blood. He knew then: the rage had come in the arcade, when Wintermute rescinded the simstim ghost of Linda Lee, yanking away the simple animal promise of food, warmth, a place to sleep. But he hadn’t become aware of it until his exchange with the holo-construct of Lonny Zone.

-- page 154

Shares drug culture's need for a criminal underworld

There were countless theories explaining why Chiba City tolerated the Ninsei enclave, but Case tended toward the idea that the Yakuza might be preserving the place as a kind of historical park, a reminder of humble origins. But he also saw a certain sense in the notion that burgeoning technologies require outlaw zones, that Night City wasn’t there for its inhabitants, but as a deliberately unsupervised playground for technology itself.

-- Page 11

Complexities of Consiousness

“Minds aren’t read. See, you’ve still got the paradigms print gave you, and you’re barely print-literate. I can access your memory, but that’s not the same as your mind.”

-- Page 173

The wasp nest echoes Westworld's maze metaphore for consiousness.

Horror. The spiral birth factory, stepped terraces of the hatching cells, blind jaws of the unborn moving ceaselessly, the staged progress from egg to larva, near-wasp, wasp. In his mind’s eye, a kind of time-lapse photography took place, revealing the thing as the biological equivalent of a machine gun, hideous in its perfection. Alien. He pulled the trigger, forgetting to press the ignition, and fuel hissed over the bulging, writhing life at his feet.

-- Page 128

"...Remember this?” And his right hand held the charred wasps’ nest from Case’s dream, reek of fuel in the closeness of the dark shop. Case stumbled back against a wall of junk. “Yeah. That was me. Did it with the holo rig in the window. Another memory I tapped out of you when I flatlined you that first time. Know why it’s important?”

Case shook his head.

“Because”—and the nest, somehow, was gone—“it’s the closest thing you got to what Tessier-Ashpool would like to be. The human equivalent. Straylight’s like that nest, or anyway it was supposed to work out that way. I figure it’ll make you feel better.”

-- Page 173

“ ’Cause, if I’d stayed, I might have killed Riviera.”

“Why?”

“What he did to me. The show.”

...

“So Riviera hit a nerve last night,” she said. “I guess it wants me to hate him real bad, so I’ll be psyched up to go in there after him.”

-- pages 150/151

Technology manipulating senses: Desire machines

Ego/ID? ROM/RAM Duality

Wintermute/Neuromancer

The Matrix: The Architect vs The Oracle

References

The Origami Crane from Blade Runner. Gibson mentions watching it while he was writing the novel, and being worried that people would see his work as derivative.

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