Iannis Zannos iani

Notes taken during discussions in class.

ar vs kr vs
how to work with recorded sound files Answer:
- use Buffers. Buffer.read(…). See Buffer class
- also possible: Use DiskIn. Or to write to disk: DiskOut.
what are the sound synthesis and sound analysis capabilities
- UGens (Help, doc.sc.org) http://doc.sccode.org/
- SCMIR Nick Collins.

Instructions for submitting coursework for Computer Music class @ Sonarts M.A.

Deadline: 14.3.2019

Things you must do to pass the class:

Create an account on github.
Create a repository named: compmus_coursework_sonarts_1903
Write your paper and upload it on the above reposiory (see step 2). Use org mode or md format.

You

compmus_sonarts_semwork.org 17:20You

Some content

md

Steve Dixon : Digital Performance
Thor Magnusson : Sonic Writing
The Oxford Handbook of Critical Improvisation Studies, Volume 1. Edited by George E. Lewis and Benjamin Piekut
The Oxford Handbook of Algorithmic Music Edited by Alex McLean and Roger T. Dean
Katja Kwastek: Aesthetics of Interaction in Digital Art
Seth Kim-Cohen: Against Ambience
Chris Salter: Alien Agency
Chris Salter: Entangled
Sha Xin Wei: Poiesis and Enchantment in Topological Matter

Look into ControlSpec, to translate from range 0-1 to any range.

Example:

~mySpec = ControlSpec(-10, 5); // map to any desired range

// take the value, and map it to the desired range:


	\clock.class;

	'clock'.class;

	Date.localtime - Date.localtime;

	//:
	\clock.window({ \| w \|
	var routine, beats = 0, textdisplay, minutes, seconds;

	Registry.put(\test, (corfu: 1, athens: 2));
	//:
	Registry.at(\test);
	//:
	"hamachi list".unixCmd;
	//:
	var answer;
	answer = "hamachi list".unixCmdGetStdOut;
	answer.postln;
	answer.split(Char.nl) do: { \| line, num \| postf("this is line number: %\n%\n", num, line) };