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SRT File From "Computers Are People, Too!" (1982)
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SRT FILE FROM "COMPUTERS ARE PEOPLE, TOO!" (1982) | |
Timestamp information has been removed for | |
continuity. Hear the text-to-speech here: | |
https://soundcloud.com/jeffthompson/srt-file- | |
from-computers-are-people-too-1982 | |
------------------------------------------------- | |
miss | |
as | |
sir | |
sir | |
homes 63 | |
slimy your texts | |
lights posts degrees | |
46 to I | |
never get this right like the truck | |
double in the third | |
guys winning | |
3.25 321 computers | |
they're everywhere there's no escaping | |
the matter who you are | |
look at me Elaine Joyce actress singer | |
and dancer | |
an entertainer I've worked all my life | |
to hold this spot right here | |
center stage just when everything | |
started to click | |
am I about to be replaced along with | |
every other | |
musician artist by these machine ceased | |
computers delaying you must remember | |
computers are people too you the | |
you | |
on | |
home year | |
I | |
E | |
home | |
page you exceed your caloric intake for | |
the day | |
you back again is Arjun 300 eleven | |
dollars | |
class an electronic epidemic is | |
overtaken us | |
in less than half a century just like | |
the great playing | |
here's the computer at the future | |
telecommunications operative memory | |
Tom short a computer that talks to you | |
and lets you read his mind weird | |
extension of a person's intelligence | |
we teach when used by teachers were | |
artistic when used by | |
artists if you're an entertaining so are | |
we if you're an entertainer | |
I'm out of a job not soon we are on the | |
verge of a beautiful partnership | |
put artists like you learn to use | |
past I have amazed even myself | |
week innovate dancers at athletes to new | |
heights | |
week I V artist whose work out shine | |
painted canvas | |
with musicians was people which there | |
was a world of sound we have a little | |
dog | |
we can make him a bigger dog or we can | |
make it a pack of dogs | |
group Champlain yet | |
with the creators have teams | |
with the makers of movies that stir the | |
imagination | |
and gliders that sales at the store | |
hi more days than amazed tissue | |
posing a partnership well how can I work | |
with you | |
when I have no idea how you think thank | |
you | |
sputnik | |
sorry ask see loans UK | |
run on forever if you let them how do we | |
think | |
ask a dozen experts you get a dozen | |
answers | |
has a computer saying how you can answer | |
that question that's almost | |
impossibility | |
boy and not prepared for that one shot | |
computers | |
essentially do three different things | |
for you | |
three different things | |
for No no they don't sorry computers | |
thinkin about the same way that our | |
forests are a car | |
using computers don't think computers | |
only have the ability to compile | |
information | |
and by compiling the information and | |
certain forms give the illusion that the | |
thinking | |
these people don't know how you think | |
and who is in control | |
seems a hundred times in movies people | |
put their trust in computers in the | |
current things go crazy | |
slide only me | |
K | |
science fiction the fashions you're in | |
control | |
you don't have to know how an engine | |
works to drive a car I can hit the | |
brakes | |
I'd rather walk attitudes like he was a | |
change | |
look at the splash young making | |
people's over half the high school to | |
the united states have some | |
typeof computer 25 1985 will be in to | |
million american hold these children | |
attend the summer camp near Santa | |
Barbara Calif | |
for their activities include several | |
hours of confusing instructions | |
deal | |
I had a little recreational computing | |
at night to do | |
E | |
the fun drive commuted cam innocently | |
first with us when he was 13 | |
the camper rhymes knowing absolutely | |
nothing about computers when he gets | |
here | |
within the two-week city spends here he | |
will come out with a working knowledge | |
of the basic | |
language as well as just an | |
understanding how computers work and how | |
to go about | |
learning how they work they can't learn | |
obviously in two weeks | |
everything about how a computer operates | |
but if they can learn | |
Falcon conglomerates are all set so they | |
learn how to | |
me the instruction manuals how to | |
approach a new computer system when they | |
see it | |
how to approach a programming can ask | |
from that point on the corner near | |
with much less assistance and and quite | |
a bit on their own | |
yea | |
50 over half the children here have | |
never worked with us before | |
putting catch on quickly this class is | |
learning to design | |
images on a video screen the instructor | |
mark stengel | |
is the Los Angeles Junior Chess Champion | |
he's fourteen years old | |
okay you slot | |
Epps why | |
that you a quote boy what's happening | |
now more mourners were finding a | |
and a change where the computer is | |
expected to interact with humans | |
so that means that the computer can talk | |
to | |
the for to the | |
band use me problem | |
it will be able to within the next | |
decade at least | |
converse with us and understand what | |
we're trying to say now love to the | |
switch that the graphic see | |
yeah a lot of funny things will be able | |
to use a lot of graphics to | |
visually display what it's trying to | |
explain to us rather than just print out | |
numbers | |
so you'll find more and more interaction | |
between me and the computer | |
at the same level as you can rack with | |
another person during this | |
the last few decades we've basically | |
been | |
a manufacturing base society the imports | |
have been | |
oil and | |
and human labor but basically what we're | |
doing is transitioning into one where | |
information is now the key and the human | |
brain | |
well that can happen without educating | |
the people | |
this is why it's absolutely important | |
now fit | |
children between the ages of about six | |
in eighteen | |
be exposed and work with computers so | |
that they will understand | |
how to apply this to the problems that | |
they will encounter | |
in their lifetimes holistic for simply | |
in | |
graphics new sitcom he writes | |
classes tried to use nenu | |
money that's it program | |
so what we're trying to do here is given | |
a | |
good introduction to computers when | |
they're young when | |
its easy for them to learn just like | |
learning and a foreign language is | |
something that they can pick up very | |
readily | |
to meet few here in this match in school | |
is like Matthews and becomes natural to | |
them | |
so that as they grow up and they | |
interact with their environment | |
the computer will be a tall that they'll | |
be able to use don't have a at | |
in easy interaction with with computers | |
for the rest life | |
drawing by typing you waited too long | |
not so new we've been friends with | |
orders for years | |
in nineteen sixty Lee Harrison began | |
experimenting with computerized | |
information | |
in one take heed dancers were wired to | |
was like puppets | |
Fred Astaire | |
it's not | |
hallowed Star Trek | |
people my name is row | |
I am a silicon Ian you know my upkeep is | |
very modest | |
UCI radio waves | |
up | |
sleep | |
to choose with you in the open | |
is on it and lead | |
we got lips activated by the sound of a | |
voice | |
extension ladders which you can make | |
just about as long as you need | |
really guy come in for a demonstration | |
oh yeah baby just make sure you come in | |
when I'm here | |
up keep | |
meet | |
in a little over two decades computer | |
artists a program to kaleidoscope | |
meet | |
me | |
the | |
we construct a solid we computers | |
perform mathematical plastic surgery | |
well | |
we first memorize the structure in three | |
dimensions then we add color to the | |
screen | |
in tiny points of light called pixels | |
one image may contain over twenty | |
million to these pixels | |
the finishing touch is smoothing the | |
angles to simulate the texture of human | |
skin | |
this joker is among the most complex | |
characters we've ever had to be | |
gene sperling the Jet Propulsion | |
Laboratory is a pioneer computer artist | |
before Voyager 2 arrived he show to | |
center his views viewers | |
left you will be the best ones available | |
for years | |
computer graphics is basically meeting | |
various computers and I can replace | |
creativity | |
but they will give you very very same | |
very have a two-year uses an outlet to | |
your own human creativity | |
you don't have to have an artist | |
somebody with some skills and creativity | |
telling the computer what to do there is | |
certainly different techniques to make | |
images with computers | |
for simplicity is Jess line drawings | |
their computers mimicking | |
the motion invade Canada cabbie a more | |
advanced search | |
have imagery is by taking three | |
dimensional | |
objects a image in this era is very much | |
like an instrument for painting | |
engineers builders for their purposes | |
but the possibilities when the bus | |
E | |
computers a you institutions to the | |
artist repertoire | |
the | |
of | |
said | |
say anything | |
John | |
with the senior is one of the founding | |
fathers have computer aren't in 1957 | |
he converted anti-aircraft gun computer | |
feed an old beau | |
grandma's I said he converted an | |
anti-aircraft gun computer into a | |
graphics machine | |
I started out as a fan an abstract | |
filmmaker | |
and by the mid fifties ivers casting | |
around | |
because I wasn't satisfied with any | |
animation techniques that I've been | |
using even though I've been using quite | |
a number | |
over rather sophisticated ones have | |
again realize I was looking for a design | |
machine | |
and so I began to think that maybe I | |
could invent it | |
naive way of looking at it but at any | |
rate I in with hindsight | |
realize that I was trying to use a | |
computer for graphics | |
da Vinci for example and the first idea | |
that music | |
and collars had some sort of the | |
relationship that there could be a pink | |
the color musical | |
and some | |
artists use computers to synthesize | |
abstract video images | |
you | |
the | |
movie you me | |
the moon | |
who | |
the you | |
me | |
good | |
the | |
home here | |
quo the yo | |
computer arms | |
visions them | |
the | |
then | |
home | |
on | |
there | |
and | |
the | |
the E | |
me | |
me | |
she | |
nidal don't even self mommy | |
radio families she's not idk idk | |
doing | |
and | |
past-life music doesn't exactly when the | |
family | |
takedown today's computers to board just | |
carry a tune | |
the fairly computer music instrument | |
transformers sounded two numbers | |
and stores them it's Mike by rearranging | |
the members | |
the feel like for you to scold Richard | |
Wilson after smashing a glass and | |
recording it | |
we can now modify that sound to create | |
no effects | |
here's the original sound and now | |
by introducing a loop we can create the | |
sound of | |
factories for instance called | |
fellow hello hello | |
blue Gary Chang has a synthetic sound to | |
his own voice | |
you | |
below blue poppy here love the sound is | |
what I've just rhyme | |
and you'll be able to see the sound next | |
he plans the two sounds together | |
low 0 yo | |
so now we'll have the electronic sound | |
fading into the backwards hello | |
the the Fairlight can be used to make | |
sounds see a bull | |
me this is the sound I just made you | |
0 and this is what it looks like | |
you 0 | |
the most exciting thing about the | |
computer for me is that | |
with artists and creative people | |
delving into digital art | |
K we have now merged all OVR | |
creative ideas into one common language | |
which is numbers do you | |
yet you know I'm | |
check the border artist Greg Finley | |
gains team up on a song | |
begin by programming the sounds of | |
different instruments into the keyboard | |
0 are located | |
the music is played in store the | |
computer's memory one | |
track at the time here range of sounds | |
provided by the instrument | |
makes break up virtual one-man back be | |
be the first track | |
which is the instruments bass guitar | |
electric piano to | |
be be to | |
be 0 | |
be | |
been | |
to | |
be | |
be | |
next we laid down a percussion track | |
tired snared | |
you might Champlain Valley yet | |
be finally | |
Jana writer akoto instructor provided us | |
with | |
Korea also | |
koto | |
it | |
to complete its own contains six | |
instruments all playing at the same time | |
in all performed by Greg | |
it | |
Jeep Michael ice | |
the key revised music has an electronic | |
orchestrate his fingertips | |
play mixing sounds have many instruments | |
at once | |
iceberg showers his audience with a | |
symphony of science | |
you see human performance at the | |
University of Northern Colorado | |
p | |
p | |
hi | |
pissed | |
by | |
the | |
sanctions dispersion | |
through seven synthesizers drum hun or | |
Tim | |
an electric kettle a twenty two channel | |
mixer had other electronic components | |
all linked pirate discs live 2254 | |
performance | |
iceberg conducts a clinic on the | |
intricacies of his instrument | |
to a carnival-like atmosphere coming | |
over his place | |
this machine is all my favorite keyboard | |
instruments | |
except 3 grand piano and the way I'm | |
accomplishing this | |
is by having several sermons connected | |
to each of these three keyboard | |
and and what a nice perk machine is | |
incidently my machine is just | |
my own way love getting all these | |
instruments interface together so I can | |
actually play something like I have a | |
phone | |
I could put a slowdown once your serbs | |
Sunday and I'm saying face with my left | |
foot incidence | |
estimates net | |
say | |
and for those musicians who say hey wait | |
a minute | |
if you have a instrument thank you to | |
all these things I want you | |
be out of a job hours away vs not true | |
because I can't say that Israel like a | |
suit where would I have to play it as it | |
is already been recorded | |
is for the son of a keyboard player | |
really is just preposterous for | |
have girl singers to and what we did | |
with with a girl singers we have | |
angels | |
people see on this keyboard her bottom | |
note was the sea | |
up high snow was the same | |
leaving several notes blank and I just | |
couldn't | |
hardly stand that so I had to put other | |
things in there and I found | |
pigs tiny and | |
Kyle and training | |
and women which is why I have to be very | |
careful when I'm playing because I could | |
go | |
and I can play first since violence | |
by | |
go out of bounds | |
go | |
still | |
HMO | |
stuff | |
side | |
doing | |
and this | |
face | |
show | |
maybe you can hold centerstage | |
you're very good times | |
touching on everything I need | |
shoot it to your wall socket thing for | |
life | |
teams | |
sheesh world | |
and a few preparations off by ninety | |
degrees | |
Starcher per wiki the effectively more | |
spectacular | |
by | |
even computers can appreciate the beauty | |
of human movement | |
possible thus make music from things not | |
musical | |
others see what is usually une seule | |
Gideon aerial use us to study the booth | |
with two facets | |
because we see things his eyes can based | |
on his research | |
he has developed feelings about you | |
human movement can be divided into | |
a wide spectrum of activities on one | |
side | |
you can take the explosive events such | |
as | |
sis printing joined a shot showing the | |
job going | |
you have to do something really quick | |
fast and efficient on the other hand | |
over the spectral you have yes that the | |
canvas | |
like the dunce you don't try hinge on | |
the highest | |
for John the farmers but you want to try | |
to 48 illusion | |
for various bikini uses the to your | |
muscles just like you | |
in the middle you other movements such | |
as swimming | |
slimming is when you start the 50-50 but | |
it's a continuous activity it's not | |
explosive but is not necessarily in a | |
steady | |
on the other hand you have a.m. falls in | |
15 games like combustible Novosti volume | |
explosiveness | |
jumping in rebounding Folge I'm sure if | |
you think driving for example now you | |
some | |
anymore call that a stick you have to be | |
a somewhat explosive when you flush | |
against this | |
the screen but in the air you are the | |
dunce | |
you try to create the motion flow you | |
if you take for example the if you just | |
take again %um you almost with dining is | |
getting closer to the bouncy the | |
interesting thing that for all these | |
activities that they mention whether | |
it's a boxing go ice skating whether | |
it's a done single figure skating | |
the principle of gravity is exactly the | |
same | |
yes | |
the | |
for the first time aerial appliances | |
theories to study is to | |
dancers rebuttable be like Donald Byrd | |
instructors at the California Institute | |
of the Arts are given a computer | |
critique | |
so it will be interesting to you the | |
spot | |
when she's yeah | |
so from here | |
for more | |
yeah keep going | |
per Steve Lawson d the Cal Arts School | |
of Dance observes | |
10 digitize it | |
schools | |
name-calling everytime I touch it | |
information going right to the computer | |
sold | |
too late or not we'll be able to | |
reconstruct the which we see on the | |
computer will see | |
frame by frame that's cool when my | |
friend and then we can construct the | |
whole movement | |
in late or if you want to loans want to | |
do even doesn't have to be here | |
look to the computer on making | |
the group it's as an audience to see the | |
output | |
you see polls | |
goal | |
going through the | |
them soon | |
each dancer center of gravity is | |
calculated and identified by a small tub | |
few then | |
municipal | |
see the central gorazde | |
for | |
that's right in the middle of the body | |
to computer indicates a floor | |
Republicans take off | |
and Ariel tells us how she went through | |
my the way we see she's not stopping | |
with the way | |
she's going | |
she will stop the wrong | |
lift-off yes | |
food | |
mystery of the dancers center of gravity | |
reveals | |
an illusion subtitles | |
while | |
strolls able to jail he's | |
you need to come down to hold | |
to let me season that's really what | |
happened for this | |
after we left the ground | |
he did something with his body saying | |
that we would like to find out more | |
visit | |
we create this kind of unusual things | |
going for it | |
hi star the standings and on Sat | |
let's talk more | |
not proven a movable frame continue to | |
do it | |
you start going down by the new Asian | |
guys going out | |
and you do make sure focus while he's | |
going down | |
that's the news in the history of yeah | |
the end with electronic ballet | |
little bit slow also see the slow motion | |
and then you can to find themselves six | |
months into the relationship with the | |
group for each other | |
lawful Korea yes | |
everything | |
burial pronounces himself downright | |
pleased with the experiment | |
you should change my profession Yahoo | |
no I should change mine his | |
been reduced to diagrams and numbers | |
for all those years this wedding | |
just strange | |
to me | |
shrunk to the size of a mic which we | |
you've missed the most important point | |
here powers with | |
Tom | |
told you understand free computers could | |
never replace | |
week for your collaborators and eat your | |
heart your creativity | |
fish too much to learn only the young | |
people really understand you | |
me understand with computers extend the | |
possibilities for the blind to the high | |
video games are there with which to call | |
world | |
people see in video games a world where | |
anything that could be the kitchen re | |
this | |
this | |
yes | |
hmmm | |
for the first time | |
the computers at the used to create a | |
fantasy world for the motion picture | |
try for mine between imagination and we | |
have a V | |
disappears the other way to redirect | |
withdrawn | |
Stephen whispered the | |
everyone misses in that computer | |
somewhere | |
whether it's because more drivers | |
license or social security or income tax | |
but the fact is that | |
there is a and alternate person that is | |
an electrical for sin | |
that is forming inside this electrical | |
to mention | |
and then the question is are you in | |
control that information | |
or somebody else in control when | |
thinking about trying to sort of have to | |
picture yourself inside a pac-man game | |
picture yourself in there | |
fighting for your own life and the only | |
way you can | |
get out at that game is a few figure out | |
how it works from the inside this time | |
the big difference is the game doesn't | |
look the way it looks to you from this | |
world as a little screen | |
this time it looks real | |
this | |
he said K s-tronic fights for the users | |
trial | |
this | |
this | |
ass what happens in Tron is that | |
the character Jeff Bridges plays guy | |
named Flynn | |
has invented these various video games | |
and they've been taken away from this | |
to legally buy by a large computer | |
company | |
I still do not understand why you wanna | |
break into the system because man | |
somewhere in one of these | |
memories use the evidence and in it | |
effort | |
to release the information from their | |
computer files | |
he takes on their computer system and in | |
so doing | |
he gets pulled into the computer | |
one season that computer you | |
you get sentenced to die as a as a video | |
game player | |
by the master control programs | |
tickets gives funds complex music | |
students no if | |
knowledge muscle control yeah | |
compass | |
the irony is that those video games are | |
or his creation and now his life depends | |
on overcoming you know his own creation | |
partisan is | |
3s | |
British | |
Richard Taylor is a coup supervisor of | |
special effects for trial trial is using | |
the computer simulation to creative | |
backgrounds and | |
ships that would have normally been | |
created by managers are models in films | |
such as Star Wars or | |
Star Trek the computer things have all | |
of these | |
objects as three-dimensional objects | |
there is no limit to the point of view | |
to the camera there is no limit to the | |
physical realities of the art physical | |
laws | |
house right for each other they can do | |
physically impossible thing | |
the characters are being creative light | |
our expression is | |
its painting with light and that is a | |
different way to create a physical | |
entity than has ever been | |
than any other time | |
and then we're really starts to be magic | |
is when you can | |
take images from real life and combine | |
them with computer simulated images | |
to to create a whole new things one | |
object can metamorphosis eyes to become | |
another | |
my expression for the things that | |
computer can create or | |
that they remind you of something you've | |
never seen before me | |
you the as the computers become more | |
powerful and as the artists | |
to learn | |
about | |
I think that what's going to happen is | |
that these realities are going to come | |
more spectacular | |
so for a performer just sitting on a | |
whole new stage | |
exactly we bring a new dimension to your | |
repertoire | |
a new perspective to you or I this isn't | |
the finale | |
feel feature as long as we have creative | |
people to program was | |
as computers go easier to understand we | |
can do | |
anything together | |
physics chemistry education | |
its okay out and | |
and entertainment | |
ghost | |
yellow | |
of | |
in | |
C | |
home | |
on | |
me | |
this | |
this |
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