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| BEGIN:VCALENDAR | |
| BEGIN:VEVENT | |
| SUMMARY:Modernizing the Machine Lab with Mechatronic Immersive Design and | |
| Artificial Intelligence | |
| DTSTART:20260626T090000 | |
| DTEND:20260626T091000 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Ehecatl: A Frugal Digital Wind Instrument Inspired by Aztec Cosmog | |
| ony | |
| DTSTART:20260626T091500 | |
| DTEND:20260626T092800 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Turntangilism: Enhancing traditional Turntable Setups with Tangibl | |
| e Controls for Digital Sequencing and Live Sampling | |
| DTSTART:20260626T093300 | |
| DTEND:20260626T094600 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:The DIY MidiMbira: Bridging Traditional Playability and MIDI Techn | |
| ology forPedagogy\, Innovation\, and Performative Practice | |
| DTSTART:20260626T095100 | |
| DTEND:20260626T100700 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Weaving Before Electronics: A Spiral Design Process for Sound-Inte | |
| rface Making | |
| DTSTART:20260626T101200 | |
| DTEND:20260626T102800 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:The Readymade Synth: Prepared Synthesis with Everyday Objects | |
| DTSTART:20260626T103300 | |
| DTEND:20260626T104900 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Ephemerides: A Microtonal Feedback Instrument Based On Transgender | |
| Voice Training Technique | |
| DTSTART:20260626T090000 | |
| DTEND:20260626T091600 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Choreographing the Way of Water: A Computational Framework for Aqu | |
| atic Robotic Art | |
| DTSTART:20260626T092100 | |
| DTEND:20260626T093400 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Con Moto: Embodied Steering of Music Transformers for Live Dance I | |
| mprovisation | |
| DTSTART:20260626T093900 | |
| DTEND:20260626T095500 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Exploring Breathing-Music Coupling: Using the Breathing Mirror for | |
| Somatic Reflection in Piano Performance | |
| DTSTART:20260626T100000 | |
| DTEND:20260626T101600 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:KinoGroove: Composing with Muscle and Motion in Extended Reality | |
| DTSTART:20260626T102100 | |
| DTEND:20260626T103700 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Network Bending as Circuit-Bending Inspired Live Neural Synthesis | |
| Hacking | |
| DTSTART:20260626T110000 | |
| DTEND:20260626T111300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Enhancing Expressive Musical Conversation in the jam_bot | |
| DTSTART:20260626T111800 | |
| DTEND:20260626T113100 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Latent Terrain: Adapting Neural Audio Autoencoders as Design Mater | |
| ials in NIME | |
| DTSTART:20260626T113600 | |
| DTEND:20260626T115200 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Tuneable Machine Learning in Musical Instruments: A Duoethnography | |
| DTSTART:20260626T115700 | |
| DTEND:20260626T121300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Performing with the inclusive machine: An interdisciplinary roadma | |
| p for the design of AI collaborative musical instruments | |
| DTSTART:20260626T121800 | |
| DTEND:20260626T123400 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Distributed Agency in Collaborative Improvisation with Intelligent | |
| Instruments: A Phenomenological Inquiry | |
| DTSTART:20260626T123900 | |
| DTEND:20260626T125500 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Grounded Yet Shifting: Shaping Hybrid Performance Ecologies with D | |
| ynamic Tonality | |
| DTSTART:20260626T110000 | |
| DTEND:20260626T111600 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:In The Round: Exploring the Cultural Model of Disability in Access | |
| ible Music Improvisation | |
| DTSTART:20260626T112100 | |
| DTEND:20260626T113400 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Opening the Design Space: Two Years of Performance with Intelligen | |
| t Musical Instruments | |
| DTSTART:20260626T113900 | |
| DTEND:20260626T115500 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:A Community Moving with Air in the immersive Sound Installation HU | |
| ELLAS DE AIRE (Traces of Air) | |
| DTSTART:20260626T120000 | |
| DTEND:20260626T121600 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:RenCon 2025: Revival of Expressive Performance Rendering Competiti | |
| on | |
| DTSTART:20260626T122100 | |
| DTEND:20260626T123700 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:"See Link for More Details": Towards a Pragmatic Open Methodology | |
| at NIME | |
| DTSTART:20260624T110000 | |
| DTEND:20260624T111300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Audionce: An Audiovisual Improvisation Environment Co-Designed by | |
| Deaf and Hearing Designers | |
| DTSTART:20260624T111800 | |
| DTEND:20260624T113400 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:The Obstruction Manual: Insights on Sharing Instrument Design Know | |
| ledge for Active Learning | |
| DTSTART:20260624T113900 | |
| DTEND:20260624T115500 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:SynthAccess: First Steps Towards Improving Synthesizer Accessibili | |
| ty for Blind Musicians | |
| DTSTART:20260624T120000 | |
| DTEND:20260624T121600 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Mezcal: A Collaborative Transmission Art Instrument | |
| DTSTART:20260624T122100 | |
| DTEND:20260624T123700 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Playing Rough: Malleable Tentacle Instruments for Participatory Pe | |
| rformance | |
| DTSTART:20260624T124200 | |
| DTEND:20260624T125500 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Sustained Interests: Lorentz Time Division Multiplexing (LTDM) for | |
| Active Collocated String Control | |
| DTSTART:20260624T110000 | |
| DTEND:20260624T111600 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Designing a Spatial Vibrotactile Interface for Accessible Spatial | |
| Audio Mixing by Blind and Visually Impaired Music Producers. | |
| DTSTART:20260624T112100 | |
| DTEND:20260624T113700 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Repertoire-Centred Design: Mechanical Augmentations in Digital Lut | |
| herie for Acoustic Musical Instruments | |
| DTSTART:20260624T114200 | |
| DTEND:20260624T115800 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Techniques for Closely-Coupled Sensing and Actuation in Digital Mu | |
| sical Instruments | |
| DTSTART:20260624T120300 | |
| DTEND:20260624T121900 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Crip Design for Collaborative Musical Interfaces: Iterative Develo | |
| pment of Bot Party\, a Touch-Based Sonic Game | |
| DTSTART:20260624T122400 | |
| DTEND:20260624T124000 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Z-Wah: Appropriating the Wah via Digital Impedance Synthesis | |
| DTSTART:20260624T140000 | |
| DTEND:20260624T141300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Probing Latent Space Interactions with Real-time Generative Audio | |
| Models Through a Physical Controller | |
| DTSTART:20260624T141800 | |
| DTEND:20260624T143100 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Anywhere and here: zcreative a toolkit for distributed control | |
| DTSTART:20260624T143600 | |
| DTEND:20260624T145200 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Software as Instrument: COMDASUAR and the Co-Design of Code and Ha | |
| rdware | |
| DTSTART:20260624T145700 | |
| DTEND:20260624T151300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:The Aerophone Kit: A Toolkit for Pneumatic Musical Instrument Desi | |
| gn | |
| DTSTART:20260624T151800 | |
| DTEND:20260624T153400 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Communal invention in Prehistoric NIMEs: a case study of Hugh Le C | |
| aine’s Electronic Sackbut | |
| DTSTART:20260624T140000 | |
| DTEND:20260624T141600 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:A Digital Twin for Theremin’s Terpsitone from 1970s | |
| DTSTART:20260624T142100 | |
| DTEND:20260624T143400 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:TECHNO-UTOPIA: Music Emerging from Colliding Embedded AI Instrumen | |
| ts with Radio Orchestras and their Archives | |
| DTSTART:20260624T143900 | |
| DTEND:20260624T145200 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Cultural Inertia and Technical Concretisation: A Systematic Review | |
| of Keyboard Interfaces at NIME | |
| DTSTART:20260624T145700 | |
| DTEND:20260624T151300 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Paper Tape — A Cassette Tape without Prior Acoustic Information | |
| DTSTART:20260624T151800 | |
| DTEND:20260624T153100 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Tian Jinqin’s String-Controlled Instruments: Formalizing and Rei | |
| mplementing a Ribbon-Based Interaction Design Pattern | |
| DTSTART:20260624T153600 | |
| DTEND:20260624T155200 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Host Your Ghosts: Recontextualizing the Ouija Board as a Communal | |
| NIME for Music Performance | |
| DTSTART:20260624T160000 | |
| DTEND:20260624T161300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Body\, Bend: Resolving the soft-rigid paradox using 3D printing in | |
| novation | |
| DTSTART:20260624T161800 | |
| DTEND:20260624T163100 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Magnetic Memory Rushnyk | |
| DTSTART:20260624T163600 | |
| DTEND:20260624T164900 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:State of the art on audience research within NIME: a systematic li | |
| terature review | |
| DTSTART:20260624T165400 | |
| DTEND:20260624T171000 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Qianji: A Resilient Framework for Orchestrating "A Thousand Machin | |
| es" in Distributed Performance | |
| DTSTART:20260624T160000 | |
| DTEND:20260624T161300 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Sounds from Mismatch: Sensorimotor Prediction Error as Sonic Mater | |
| ial in Augmented Reality | |
| DTSTART:20260624T161800 | |
| DTEND:20260624T163100 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Interviews with Practitioners Shaping Internet-Based Collaborative | |
| Music-Making | |
| DTSTART:20260624T163600 | |
| DTEND:20260624T165200 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Between Intimacy and Immensity: Composing Multilayered Immersive L | |
| ive Music for Bone Conduction Headphones and a Speaker-Dome Array | |
| DTSTART:20260624T165700 | |
| DTEND:20260624T171300 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Cultural Timbre as Unvoiced Knowing: An Audiovisual Spectral Synth | |
| esizer That Transforms Chinese Musical Instruments | |
| DTSTART:20260625T090000 | |
| DTEND:20260625T091300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:What NIME talks about when it talks about touch | |
| DTSTART:20260625T091800 | |
| DTEND:20260625T093400 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:On Values\, Technological Mediation\, and the Artifacts they Creat | |
| e | |
| DTSTART:20260625T093900 | |
| DTEND:20260625T095500 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:The Extended Encounter: Kicking Against Methodology | |
| DTSTART:20260625T100000 | |
| DTEND:20260625T101600 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Re_Embodying\, Situating\, and Resisting: Creative Strategies for | |
| a Latin American Cyborgism | |
| DTSTART:20260625T102100 | |
| DTEND:20260625T103700 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:The Larsen Station: A Customizable Module Setup for Integrating El | |
| ectroacoustic Feedback in Chamber Music | |
| DTSTART:20260625T090000 | |
| DTEND:20260625T091000 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Hybrid Drum: Iterative Development Toward Standalone Operation and | |
| Physical Feedback | |
| DTSTART:20260625T091500 | |
| DTEND:20260625T092800 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:OTIAC: Co-Improvising With a Musical Agent in a Feedback-Based Gui | |
| tar Performance | |
| DTSTART:20260625T093300 | |
| DTEND:20260625T094900 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:FO2 - Building A Wearable Laser-Feedback Instrument: Performing bo | |
| dy-space-technology entanglements | |
| DTSTART:20260625T095400 | |
| DTEND:20260625T100700 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Manubrio: Investigating Musical Instrument Embodiment Through a Fe | |
| edback-Based New Interface for Musical Expression | |
| DTSTART:20260625T101200 | |
| DTEND:20260625T102800 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Feedback Ocarina - a DIY entry level instrument for feedback music | |
| ianship | |
| DTSTART:20260625T103300 | |
| DTEND:20260625T104300 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:The Skateboard Embaire: Reanimating tradition through musical inst | |
| rument design | |
| DTSTART:20260625T110000 | |
| DTEND:20260625T111300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Immanent Practice: Accounts of Optical Sound Filmmaking | |
| DTSTART:20260625T111800 | |
| DTEND:20260625T113400 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:PerFormer: An AI-Driven Approach to Melody Generation in Microtona | |
| l Persian Music | |
| DTSTART:20260625T113900 | |
| DTEND:20260625T115200 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Giromin Residency Report: Creative Exploration by Musicians and Da | |
| ncers from Frevo and Afro-Brazilian traditions | |
| DTSTART:20260625T115700 | |
| DTEND:20260625T121300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Exploring Real-Time Interfaces With Sensory Percussion | |
| DTSTART:20260625T110000 | |
| DTEND:20260625T111300 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Uzulangs: a Community of Musical Pattern Languages | |
| DTSTART:20260625T111800 | |
| DTEND:20260625T113400 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Integration of Freesound content in creative applications and soun | |
| d interfaces: a survey of use cases | |
| DTSTART:20260625T113900 | |
| DTEND:20260625T115500 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Knotty Oscillator: Breaking knot topology for a new physically-ins | |
| pired sound generator | |
| DTSTART:20260625T120000 | |
| DTEND:20260625T121300 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Coypu and Phausto: accessible live sound coding with Pharo | |
| DTSTART:20260625T121800 | |
| DTEND:20260625T123400 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Oscilla: The Score as Performable Interface | |
| DTSTART:20260625T123900 | |
| DTEND:20260625T125500 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Calliphony: A Calligraphy-Driven Interface for Real-Time Generativ | |
| e Music Performance | |
| DTSTART:20260625T160000 | |
| DTEND:20260625T161300 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Interactive Fan Dance: Towards a Community-Informed\, Culturally S | |
| ituated Interactive Dance Instrument | |
| DTSTART:20260625T161800 | |
| DTEND:20260625T163400 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Designing Strategic Incongruity: An Audio Device for Sharpening Pe | |
| ncils | |
| DTSTART:20260625T163900 | |
| DTEND:20260625T165500 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:JuggLing-a-Ding: Design and Development of a Musical Juggling Tool | |
| kit | |
| DTSTART:20260625T170000 | |
| DTEND:20260625T171600 | |
| LOCATION:LDN 104 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Sonic Interactions as Situated Urban Practice with BIKES | |
| DTSTART:20260625T160000 | |
| DTEND:20260625T161600 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Considerations Towards Outdoor Impact Mitigation of Site-Related N | |
| IME Practice | |
| DTSTART:20260625T162100 | |
| DTEND:20260625T163400 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Immersive Open Studio: Shared Space\, Shared Sound | |
| DTSTART:20260625T163900 | |
| DTEND:20260625T165200 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Performing Performance Spaces: Amplifying Context in Live Music | |
| DTSTART:20260625T165700 | |
| DTEND:20260625T171300 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Learning and Embodying Algorithmic Music via the Pyramid Tala | |
| DTSTART:20260625T143000 | |
| DTEND:20260625T144000 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:RiTA Is Not An Instrument | |
| DTSTART:20260625T144500 | |
| DTEND:20260625T145500 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Speed Makes Us Oblivious: A Slow and Responsible Approach to Engag | |
| ing with Audio Sample Archives | |
| DTSTART:20260625T150000 | |
| DTEND:20260625T151000 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| BEGIN:VEVENT | |
| SUMMARY:Cage Off: Two Implementations of 4’33” in ChucK | |
| DTSTART:20260625T151500 | |
| DTEND:20260625T152500 | |
| LOCATION:LDN 001 | |
| END:VEVENT | |
| END:VCALENDAR |
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