Emailed support 2026-03-18 upset about the v5.3.1 redesign. Here's who he is.
Alecc is a working film/TV production professional based in Burbank, CA with 16+ years in the industry. He's not some random guy - he's a legit Hollywood producer currently working on one of cable TV's biggest shows.
His current show is a genuine cable phenomenon:
- 6.8 million unique viewers in its first month
- 1.8 billion total viewing minutes across first 27 telecasts
- Made Reelz the #1 cable network on Friday and Saturday nights
- Renewed for Season 5 with four consecutive 90-episode orders
- Spiritual successor to Live PD (A&E's biggest show before it was cancelled in 2020)
Alecc is the Supervising Producer for the Daytona Beach unit. He's in the field directing live camera crews, making real-time editorial decisions during live broadcasts, and coordinating with the control room. He uses timecode every day.
| Show/Project | Network | Role | Year(s) | Scale |
|---|---|---|---|---|
| On Patrol: Live | Reelz | Supervising Producer (Daytona Beach) | 2022-present | 6.8M unique viewers. Cable's biggest live show. |
| Live Rescue | A&E | Supervising Producer | 2019-2021 | 1.4M premiere viewers. A&E's best launch in 2+ years. Cancelled post-COVID. |
| Intervention | A&E | Field Producer | Unknown | Emmy-winning series, 25+ seasons. |
| Nightwatch Nation | A&E | Field Producer | ~2018 | Dick Wolf / 44 Blue production. |
| Clash of the Corps | Fuse | Associate Producer (4 eps) | 2016 | Seven Bucks (Dwayne Johnson). Drum corps docuseries. Small show, big name attached. |
| Litany for Mister President | Film | Producer | 2020 | Short film. Won Best Short Film at Red Dirt International Film Festival. |
| Sexdotcom | Film | Writer/Director | 2017 | Feature comedy. On Amazon. 4.7 IMDB. |
| Death & Cremation | Film | Co-writer | 2010 | Horror/thriller. Brad Dourif, Daniel Baldwin. His first produced screenplay. |
He's a field supervising producer on live unscripted TV. He's not in the edit bay - he's on location directing camera crews during live broadcasts, making editorial calls in real time, and coordinating with the control room via comms. Timecode is critical to his workflow for syncing field feeds with the studio.
Big Fish Entertainment (the production company behind On Patrol: Live) is a large-scale operation. At this level, the post-production stack is almost certainly:
- Avid Media Composer (dominant in unscripted TV at scale)
- Pro Tools for audio
- DaVinci Resolve for color
- Our ALE export is directly relevant to his workflow
- Twitter/X: @AleccBracero (~19K tweets, ~2,600 followers, very active)
- Instagram: @aleccbracero
- Puerto Rican heritage
- No posts found about production tools or apps
- Has spicy takes on Hollywood (called a $40M documentary budget "money laundering")
He's not just our target user - he's a supervising producer on a show that gets millions of viewers per episode. If he uses Timecode+ on set, that's exposure to an entire production crew. His workflow (live field production, timecode sync, Avid post) maps perfectly to what we build. If we can turn this angry email into a relationship, he's potentially more valuable than a cold outreach lead.
- IMDB: https://www.imdb.com/name/nm2936278/
- LinkedIn: https://www.linkedin.com/in/alecc-bracero-b741a77/
- Instagram: @aleccbracero
- Twitter/X: https://x.com/AleccBracero
- StaffMeUp: https://app.staffmeup.com/profile/aleccbracero