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June 5, 2014 14:30
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xanadu intro
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Xanadu, friend, is dream. | |
The name comes from the poem (nearby); | |
Coleridge's little story of the artistic trance | |
(and the Person from PoTlock) make it an appro | |
priate name' for the Pleasure Dome of the crea | |
tive writer. The Citizen Kane connotations, | |
and any other connotations you may find in the | |
poem, are side benefits. | |
1 have been working on Xanadu, under this | |
and other names, for fourteen years now. | |
Originally it was going to be a super sys | |
tem for handling text by computer (see p. \% | |
and )♦ But it grew: as I realized, level | |
by level, how deep the problem was. | |
And the concept of what it was' to be kept | |
changing, as 1 saw more and more clearly that | |
it had to be on a minicomputer for the home. | |
(You can have one in your office too, if you | |
want, but that's not what it’s about.) | |
Now the idea is this: | |
To give you a screen in your home from | |
which you can see into the world's hypertext | |
libraries. | |
(The fact that the world doesn’t have | |
any hypertext libraries-- yet-- is a minor | |
point.) | |
To give you a screen system that will | |
offer high-performance computer graphics and | |
•text services at a price anyone can afford. | |
To allow you to send and receive written mes | |
sages at the Engelbart level (see p.J)r'It/6)» To | |
allow you to explore diagrams (see p. DM19 and | |
P. 1)11.51) . To eliminate the absurd distinction | |
between "teacher" and "pupil." | |
To make you a part of a new electronic | |
literature and art, where you can get all your | |
questions answered and nobody will put you | |
down. | |
Originally Xanadu was programmed around | |
the Parallel Textface (see p. D H ^ ) * But as | |
the requirements of the Parallel Textface were | |
better and better understood, Xanadu became | |
a more general underlying system for all forms | |
of interactive graphic environments. Its data | |
structure has Virtual Blocklessness and is | |
thus well related to the smooth motions needed | |
by screen users. Thus in its final form, now | |
being debugged, it will support not only the | |
Parallel Textface (see p. 5^) )» the Walking Net | |
(see p. W 5 | ), Stretchtext (see p. DMl9), Zoom | |
Maps (see p. Dtfl3) and so on, but indeed any | |
data structure that needs to combine complex | |
linkages with fast access and rapid chances. | |
Because the data structure is recursively | |
extensible, it will permit hypertext (see\p.DHTi) | |
of any depth and complexity, and the collateral | |
linkage (see p. ^ 5 2 ) of any objects of contemp | |
lation. | |
Xanadu is under private development and | |
should be available, if the economy holds, in | |
1976. Regrettably, first prices will not be at | |
the $3000 level necessary for the true Home | |
System. Exact equipment for the production ver | |
sion has not been selected. A number of micro | |
processors (see p. 4 H ) are in serious conten | |
tion, notably the Lockheed SUE, but there’s | |
something to be said for a regular mini. The | |
PDP-11 is of interest (see p.^12 ); (so espe | |
cially is its Cai Data lookalike-- unless DEC | |
would like to build us a PDP-11X with seven modes | |
of indirect display addressing. Are you reading | |
this, Ken Olsen?) And here’s a laugh: a com | |
pany called IBM may in fact make a suitable com | |
puter, except that they call it the "3740 Work | |
Station." So for those customers who want IBM | |
equipment, maintenance and prices, with Xanadu | |
software, it’s a definite possibility. | |
So, fans, that about wraps it up. I’ll be | |
interested in hearing from people who want this | |
system; many hardheaded business people have | |
told me nobody will. Prove ’em wrong, America! | |
Of course, if hyper-media aren’t the great | |
est thing since the printing press, this whole | |
project falls flat on its face. But it is hard | |
for me to conceive that they will not be. |
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