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Semantic Chunking - 3 Methods for Better RAG | |
Today, we are going to take a look at the different types of semantic chunkers | |
that we can use to chunk our data for applications like RAG (Retrieval-Augmented | |
Generation) in a more intelligent and effective way. For now, we're going to | |
focus on the text modality, which is generally used for RAG, but we can apply | |
this to video and audio as well. However, for now, let's stick with text. | |
I'm going to take you through three different types of semantic chunkers. | |
Everything we're working through today is available in the Semantic Chunkers | |
library, and we're going to use the Chunker’s Intro Notebook. I'll go ahead and |
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Semantic Chunking - 3 Methods for Better RAG | |
Today, we are going to take a look at the different types of semantic chunkers | |
that we can use to chunk our data for applications like RAG (Retrieval-Augmented | |
Generation) in a more intelligent and effective way. For now, we're going to | |
focus on the text modality, which is generally used for RAG, but we can apply | |
this to video and audio as well. However, for now, let's stick with text. | |
I'm going to take you through three different types of semantic chunkers. | |
Everything we're working through today is available in the Semantic Chunkers | |
library, and we're going to use the Chunker’s Intro Notebook. I'll go ahead and |
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The Definitive Guide to Company Culture | |
1 Introduction | |
3 What Is Company Culture? | |
7 How Company Culture Helps Achieve Business Goals | |
9 Types of Company Culture | |
13 Who’s Responsible for Company Culture? | |
19 Four Key Findings from the BambooHR Culture Survey | |
24 Strategic Steps to Improve Your Company Culture | |
26 Know Where You’re Going | |
27 Find People Who Fit |
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Ralph Waldo Emerson | |
Essays, First Series [1841] | |
Compensation | |
The wings of Time are black and white, | |
Pied with morning and with night. | |
Mountain tall and ocean deep | |
Trembling balance duly keep. |
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[ | |
{ | |
"class": "Element", | |
"properties": { | |
"title": "20. Money Breaks (Union Proposal No. 19; Producers\u2019 Proposal No. 9)", | |
"name": "", | |
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"outline": "20. Money Breaks (Union Proposal No. 19; Producers\u2019 Proposal No. 9)\n a. Looping. Retakes, Etc. (Union Proposal No. 19.A.)\n Modification Clause for Section 58 of the Television Agreement :\n b. Fittings (Union Proposal No. 19.B.)\n Modification Directive: CBA, Schedule A, Section 16. A. (2) :\n Compensation for Day Performers' Fittings Prior to Work Day\n c. Prepaid Looping Day for a Weekly Performer Employed on a Theatrical Motion Picture at a Salary of at Least $ 10,000 Per Week (Producers\u2019 Proposal No. 9)\n Addition of Final Paragraph to Section 27.A of Schedule C of the Codified Basic Agreement :", | |
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20. Money Breaks (Union Proposal No. 19; Producers’ Proposal No. 9) | |
a. Looping. Retakes, Etc. (Union Proposal No. 19.A.) | |
Modification Clause for Section 58 of the Television Agreement : | |
Exclusion of Guarantees for Additional Work Outside Consecutive Employment Period with Exceptions for Schedule F and High-Salary Schedule C Performers : | |
Compensation Rates for V2 Hour Programs | |
1 Compensation Rate for 1-Hour Program | |
Payment Rate for Services Exceeding One Hour | |
b. Fittings (Union Proposal No. 19.B.) | |
Modification Directive: CBA, Schedule A, Section 16. A. (2) : | |
Compensation for Day Performers' Fittings Prior to Work Day |
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{ | |
"index": 0, | |
"title": "20. Money Breaks (Union Proposal No. 19; Producers\u2019 Proposal No. 9)", | |
"name": "", | |
"content": "", | |
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"children": [ | |
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20. Money Breaks (Union Proposal No. 19; Producers’ Proposal No. 9) | |
a. Looping. Retakes, Etc. (Union Proposal No. 19.A.) | |
Modify Section 58 of the Television Agreement as follows: | |
"The performer’s contract shall not include guarantees for looping, retakes, added scenes, process transparencies, trick shots, trailers, changes or foreign versions (subject to availability) outside the period of consecutive employment, except for Schedule F performers and except that advance payment for looping, retakes, etc. is permitted as to Schedule C performers whose salaries equal or exceed: | |
Program Length Per Episode or Program | |
V2 hour $5,000 |
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20. Money Breaks (Union Proposal No. 19; Producers’ Proposal No. 9) | |
a. Looping. Retakes, Etc. (Union Proposal No. 19.A.) | |
Modify Section 58 of the Television Agreement as follows: | |
"The performer’s contract shall not include guarantees for looping, retakes, added scenes, | |
process transparencies, trick shots, trailers, changes or foreign versions (subject to | |
availability) outside the period of consecutive employment, except for Schedule F | |
performers and except that advance payment for looping, retakes, etc. is permitted as to | |
Schedule C performers whose salaries equal or exceed: | |
Program Length Per Episode or Program | |
V2 hour $5,000 |
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PRIVACY POLICY | |
Introduction and Overview of Privacy Policy | |
Identification of Data Controller and Scope of Privacy Policy. | |
Scope and Role Definitions in Data Processing for Digital Distribution and Services | |
Commitment to Secure Data Processing and Privacy Protection. | |
Acknowledgment and Agreement to Privacy Policy Terms by Users. | |
Declaration of Independence from Third-Party Privacy Policies and Liability Disclaimer. | |
Applicability of Privacy Policy to Various Stakeholders. | |
Restrictions on Minors' Subscription and Purchase Requirements Including Parental Consent. | |
Right to Amend Privacy Policy Under GDPR and Notification Procedures. |