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Here's Mark Tarver's essay "The Bipolar Lisp Programmer", backed up from | |
https://web.archive.org/web/20080709051856/http://www.lambdassociates.org/blog/bipolar.htm | |
--- | |
Having programmed in or around Lisp for nearly 20 years now, and spectated a lot | |
of Usenet postings and blogs written by Lisp programmers, I have often wondered | |
if there was such a thing as a 'Lisp character', in the same way that groups and | |
nations have a national character. After some thought, I decided there was | |
definitely a Lisp profile amongst the people using the language and that this | |
character was responsible for some of the interesting history of this language | |
and its peculiar strengths and weaknesses. | |
So here is an essay which will no doubt annoy several and lead to argument. Its | |
called | |
The Bipolar Lisp Programmer | |
Any lecturer who serves his time will probably graduate hundreds, if not | |
thousands of students. Mostly they merge into a blur; like those paintings of | |
crowd scenes where the leading faces are clearly picked out and the rest just | |
have iconic representations. This anonymity can be embarrassing when some past | |
student hails you by name and you really haven't got the foggiest idea of who he | |
or she is. It's both nice to be remembered and also toe curlingly embarrassing | |
to admit that you cannot recognise who you are talking to. | |
But some faces you do remember; students who did a project under you. Also two | |
other categories - the very good and the very bad. Brilliance and abject failure | |
both stick in the mind. And one of the oddest things, and really why I'm writing | |
this short essay, is that there are some students who actually fall into both | |
camps. Here's another confession. I've always liked these students and had a | |
strong sympathy for them. | |
Now abject failure is nothing new in life. Quite often I've had students who | |
have failed miserably for no other reason than they had very little ability. | |
This is nothing new. What is new is that in the UK, we now graduate a lot of | |
students like that. But, hey, that's a different story and I'm not going down | |
that route. | |
No I want to look at the brilliant failures. Because brilliance amd failure are | |
so often mixed together and our initial reaction is it shouldn't be. But it | |
happens and it happens a lot. Why? | |
Well, to understand that, we have to go back before university. Let's go back to | |
high school and look at a brilliant failure in the making. Those of you who have | |
seen the film "Donnie Darko" will know exactly the kind of student I'm talking | |
about. But if you haven't, don't worry, because you'll soon recognise the kind | |
of person I'm talking about. Almost every high school has one every other year | |
or so. | |
Generally what we're talking about here is a student of outstanding brilliance. | |
Someone who is used to acing most of his assignments; of doing things at the | |
last minute but still doing pretty well at them. At some level he doesn't take | |
the whole shebang all that seriously; because, when you get down to it, a lot of | |
the rules at school are pretty damned stupid. In fact a lot of the things in our | |
world don't make a lot of sense, if you really look at them with a fresh mind. | |
So we have two aspects to this guy; intellectual acuteness and not taking things | |
seriously. The not taking things seriously goes with finding it all pretty easy | |
and a bit dull. But also it goes with realising that a lot of human activity is | |
really pretty pointless, and when you realise that and internalise it then you | |
become cynical and also a bit sad - because you yourself are caught up in this | |
machine and you have to play along if you want to get on. Teenagers are really | |
good at spotting this kind of phony nonsense. Its also the seed of an illness; a | |
melancholia that can deepen in later life into full blown depression. | |
Another feature about this guy is his low threshold of boredom. He'll pick up on | |
a task and work frantically at it, accomplishing wonders in a short time and | |
then get bored and drop it before its properly finished. He'll do nothing but | |
strum his guitar and lie around in bed for several days after. That's also part | |
of the pattern too; periods of frenetic activity followed by periods of | |
melancholia, withdrawal and inactivity. This is a bipolar personality. | |
Alright so far? OK, well lets graduate this guy and see him go to university. | |
What happens to him then? | |
Here we have two stories; a light story and a dark one. | |
The light story is that he's really turned on by what he chooses and he goes on | |
to graduate summa cum laude, vindicating his natural brilliance. | |
But that's not the story I want to look at. I want to look at the dark story. | |
The one where brilliance and failure get mixed together. | |
This is where this student begins by recognising that university, like school, | |
is also fairly phony in many ways. What saves university is generally the beauty | |
of the subject as built by great minds. But if you just look at the professors | |
and don't see past their narrow obsession with their pointless and largely | |
unread (and unreadable) publications to the great invisible university of the | |
mind, you will probably conclude its as phony as anything else. Which it is. | |
But lets stick to this guy's story. | |
Now the big difference between school and university for the fresher is FREEDOM. | |
Freedom from mom and dad, freedom to do your own thing. Freedom in fact to screw | |
up in a major way. So our hero begins a new life and finds he can do all he | |
wants. Get drunk, stumble in at 3.00 AM. So he goes to town and he relies on his | |
natural brilliance to carry him through because, hey, it worked at school. And | |
it does work for a time. | |
But brilliance is not enough. You need application too, because the material is | |
harder at university. So pretty soon our man is getting B+, then Bs and then Cs | |
for his assignments. He experiences alternating feelings of failure cutting | |
through his usual self assurance. He can still stay up to 5.00AM and hand in | |
his assignment before the 9.00AM deadline, but what he hands in is not so | |
great. Or perhaps he doesn't get into beer, but into some mental digression | |
from his official studies that takes him too far away from the main syllabus. | |
This sort of student used to pass my way every now and then, riding on the | |
bottom of the class. One of them had Bored> as his UNIX prompt. If I spotted one | |
I used to connect well with them. (In fact I rescued one and now he's a | |
professor and miserable because he's surrounded by phonies - but hey, what can | |
you do?). Generally he would come alive in the final year project when he could | |
do his own thing and hand in something really really good. Something that would | |
show (shock, horror) originality. And a lot of professors wouldn't give it a | |
fair mark for that very reason - and because the student was known to be | |
scraping along the bottom. | |
Often this kind of student never makes it to the end. He flunks himself by | |
dropping out. He ends on a soda fountain or doing yard work, but all the time | |
reading and studying because a good mind is always hungry. | |
Now one of the things about Lisp, and I've seen it before, is that Lisp is a | |
real magnet for this kind of mind. Once you understand that, and see that it is | |
this kind of mind that has contributed a lot to the culture of Lisp, you begin | |
to see why Lisp is, like many of its proponents, a brilliant failure. It shares | |
the peculiar strengths and weaknesses of the brilliant bipolar mind (BBM). | |
Why is this? Well, its partly to do with vision. The 'vision thing' as George | |
Bush Snr. once described it, is really one of the strengths of the BBM. He can | |
see far; further than in fact his strength allows him to travel. He conceives of | |
brilliant ambitious projects requiring great resources, and he embarks on them | |
only to run out of steam. It's not that he's lazy; its just that his resources | |
are insufficient. | |
And this is where Lisp comes in. Because Lisp, as a tool, is to the mind as the | |
lever is to the arm. It amplifies your power and enables you to embark on | |
projects beyond the scope of lesser languages like C. Writing in C is like | |
building a mosaic out of lentils using a tweezer and glue. Lisp is like wielding | |
an air gun with power and precision. It opens out whole kingdoms shut to other | |
programmers. | |
So BBMs love Lisp. And the stunning originality of Lisp is reflective of the | |
creativity of the BBM; so we have a long list of ideas that originated with | |
Lispers - garbage collection, list handling, personal computing, windowing and | |
areas in which Lisp people were amongst the earliest pioneers. So we would | |
think, off the cuff, that Lisp should be well established, the premiere | |
programming language because hey - its great and we were the first guys to do | |
this stuff. | |
But it isn't and the reasons why not are not in the language, but in the | |
community itself, which contains not just the strengths but also the weaknesses | |
of the BBM. | |
One of these is the inability to finish things off properly. The phrase | |
'throw-away design' is absolutely made for the BBM and it comes from the Lisp | |
community. Lisp allows you to just chuck things off so easily, and it is easy to | |
take this for granted. I saw this 10 years ago when looking for a GUI to my Lisp | |
(Garnet had just gone West then). No problem, there were 9 different offerings. | |
The trouble was that none of the 9 were properly documented and none were bug | |
free. Basically each person had implemented his own solution and it worked for | |
him so that was fine. This is a BBM attitude; it works for me and I understand | |
it. It is also the product of not needing or wanting anybody else's help to do | |
something. | |
Now in contrast, the C/C++ approach is quite different. It's so damn hard to do | |
anything with tweezers and glue that anything significant you do will be a real | |
achievement. You want to document it. Also you're liable to need help in any C | |
project of significant size; so you're liable to be social and work with others. | |
You need to, just to get somewhere. | |
And all that, from the point of view of an employer, is attractive. Ten people | |
who communicate, document things properly and work together are preferable to | |
one BBM hacking Lisp who can only be replaced by another BBM (if you can find | |
one) in the not unlikely event that he will, at some time, go down without being | |
rebootable. | |
Now the other aspect of the BBM that I remarked on is his sensitivity to | |
artifice. To put it in plain American, he knows bullshit when he smells it. Most | |
of us do. However the BBM has much lower tolerance of it than others. He can | |
often see the absurdity of the way things are, and has the intelligence to see | |
how they should be. And he is, unlike the rank and file, unprepared to | |
compromise. And this leads to many things. | |
The Lisp machines were a product of this kind of vision. It was, as Gabriel once | |
said, the Right Thing. Except of course it wasn't. Here the refusal to | |
compromise with the market, and to use the platforms that the C bashers were | |
using proved in the long run to be a fatal mistake. | |
And this brings me to the last feature of the BBM. The flip side of all that | |
energy and intelligence - the sadness, melancholia and loss of self during a | |
down phase. If you read many posts discussing Lisp (including one in | |
comp.lang.lisp called Common Lisp Sucks) you see it writ large. Veteran | |
programmers of many years with obvious ability and talent go down with a fit of | |
the blues. The intelligence is directed inwards in mournful contemplation of the | |
inadequacies of their favourite programming language. The problems are soluble | |
(Qi is a proof of that for God's sake), but when you're down everything seems | |
insoluble. Lisp is doomed and we're all going to hell. | |
Actually one paper that exemplifies that more than any other is the classic | |
Lisp: Good News, Bad News, How to Win Big. If you read that paper, you feel and | |
see nature of the BBM. Its unique because Gabriel actually displays both aspects | |
at the same time. The positive side, the intellectual pride and belief in Lisp | |
is there. But also in there is the depressive 'but its all going to go to hell' | |
aspect is there too. This is contained in the message that Worse is Better. | |
So what's the message in all of this? Basically, that there are two problems. | |
The problem with the Lisp mindset and the problem with Lisp. The problem of the | |
Lisp mindset is the problem of the mindset characteristic of the BBM. | |
And the problem with Lisp? The answer is tailor made for the minds who program | |
it. It is the koan of Lisp. | |
The answer is that there is no problem with Lisp, because Lisp is, like life, | |
what you make of it. | |
Mark | |
Copyright (c) 2007, Mark Tarver [email protected] |
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