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November 18, 2014 18:21
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Oblique Strategies - Brian Eno
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Remove specifics and convert to ambiguities | |
Think of the radio | |
Don't be frightened of cliches | |
Allow an easement (an easement is the abandonment of a stricture) | |
What is the reality of the situation? | |
Simple subtraction | |
Are there sections? Consider transitions | |
Remove specifics and convert to ambiguities | |
Turn it upside down | |
Go slowly all the way round the outside | |
A line has two sides | |
Infinitesimal gradations | |
Make an exhaustive list of everything you might do and do the last thing on the list | |
Change instrument roles | |
Into the impossible | |
Accretion | |
Ask people to work against their better judgment | |
Disconnect from desire | |
Take away the elements in order of apparent non-importance | |
Emphasize repetitions | |
Don't be afraid of things because they're easy to do | |
Is there something missing? | |
Don't be frightened to display your talents | |
Use unqualified people | |
Breathe more deeply | |
How would you have done it? | |
Honor thy error as a hidden intention | |
Emphasize differences | |
Only one element of each kind | |
Do nothing for as long as possible | |
Bridges -build -burn | |
Water | |
You don't have to be ashamed of using your own ideas | |
Make a sudden, destructive unpredictable action; incorporate | |
Tidy up | |
Consult other sources | |
Do the words need changing? | |
Use an unacceptable color | |
Ask your body | |
Humanize something free of error | |
Use filters | |
Balance the consistency principle with the inconsistency principle | |
Fill every beat with something | |
Do nothing for as long as possible | |
Discard an axiom | |
Listen to the quiet voice | |
What wouldn't you do? | |
Is it finished? | |
Decorate, decorate | |
Put in earplugs | |
Give the game away | |
Reverse | |
Abandon normal instruments | |
Trust in the you of now | |
Use fewer notes | |
What would your closest friend do? | |
Repetition is a form of change | |
Distorting time | |
Give way to your worst impulse | |
Make a blank valuable by putting it in an exquisite frame | |
The inconsistency principle | |
Ghost echoes | |
Don't break the silence | |
You can only make one dot at a time | |
Discover the recipes you are using and abandon them | |
Just carry on | |
Cascades | |
(Organic) machinery | |
Courage! | |
What mistakes did you make last time? | |
You are an engineer | |
Consider different fading systems | |
Remove ambiguities and convert to specifics | |
Mute and continue | |
Look at the order in which you do things | |
It is quite possible (after all) | |
Go outside. Shut the door. | |
Don't stress one thing more than another | |
Do we need holes? | |
Cluster analysis | |
Work at a different speed | |
Do something boring | |
Look closely at the most embarrassing details and amplify them | |
Define an area as "safe" and use it as an anchor | |
Mechanicalize something idiosyncratic | |
Overtly resist change | |
Emphasize the flaws | |
Accept advice | |
Remember those quiet evenings | |
Take a break | |
The tape is now the music | |
Short circuit (example; a man eating peas with the idea that they will improve his virility shovels them straight into his lap) | |
Imagine the music as a moving chain or caterpillar | |
Use an old idea | |
Intentions -credibility of -nobility of -humility of | |
Destroy -nothing -the most important thing | |
Imagine the music as a set of disconnected events | |
Change nothing and continue with immaculate consistency | |
Imagine the piece as a set of disconnected events | |
What are you really thinking about just now? Incorporate. | |
Children's voices -speaking -singing | |
Assemble some of the instruments in a group and treat the group | |
Feedback recordings into an acoustic situation | |
Shut the door and listen from outside | |
Towards the insignificant | |
Is the tuning appropriate? | |
Simply a matter of work | |
Look at a very small object, look at its centre | |
Not building a wall but making a brick | |
Revaluation (a warm feeling) | |
Disciplined self-indulgence | |
The most important thing is the thing most easily forgotten | |
Always first steps | |
Idiot glee | |
Question the heroic approach | |
Be extravagant | |
Always give yourself credit for having more than personality | |
State the problem in words as clearly as possible | |
Faced with a choice, do both | |
Tape your mouth | |
Twist the spine | |
Get your neck massaged | |
Lowest common denominator check -single beat -single note -single riff | |
Do the washing up | |
Listen in total darkness, or in a very large room, very quietly | |
Convert a melodic element into a rhythmic element | |
Would anybody want it? | |
Spectrum analysis | |
Retrace your steps | |
blacnk cards - add your own! | |
Go to an extreme, move back to a more comfortable place | |
Once the search is in progress, something will be found | |
Only a part, not the whole | |
From nothing to more than nothing | |
Be less critical more often |
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