- Guillaume Apollinaire
- Un coup de dés jamais n’abolira le hasard (Mallarmé)
- James Joyce (Finnegan’s Wake)
- Teilhardt de Chardin
- Georges Perec: Life: A User’s Manual.
- Joris-Karl Huysmans: À rebours.
- Raymond Roussel: Nouvelles Impressions de l’Afrique. (Locus Solus?)
- Multimedia: From Wagner to Virtual Reality. https://www.amazon.com/Multimedia-Wagner-Virtual-Reality-Expanded/dp/0393323757
Code for session is here: https://github.com/iani/sc-hacks/blob/master/Snippets/ComputerMusicClass1810/Session190308.scd
NARRATOLOGY
http://www.uni-koeln.de/~ame02/pppn.htm
Paul Riceur: Time and Narrative
| # IMPORTANT: path and name for this file is: ~/.i3/config | |
| # i3 config file (v4) | |
| # Please see http://i3wm.org/docs/userguide.html for a complete reference! | |
| # Set mod key (Mod1=<Alt>, Mod4=<Super>) | |
| set $mod Mod4 | |
| # set default desktop layout (default is tiling) | |
| # workspace_layout tabbed <stacking|tabbed> |
| To καινούργιο 27.5.19 είναι αυτό: | |
| https://hangouts.google.com/call/D2nNVKyHsMiHdawnQV0iAEEI | |
| Ναι αυτό: | |
| https://hangouts.google.com/call/D2nNVKyHsMiHdawnQV0iAEEI |
References We strongly prefer the use of Harvard references embedded in the main text in the following format (Harper 1999: 27), and a single bibliography at the end of the article rather than giving bibliographical references as side notes. the default term used for this list is ‘References’. Bibliographies do not need to be split into ‘References’ and ‘Further reading’. the terms ‘ibid.’ and ‘op. cit.’ are not appropriate in Harvard references. Here are some examples of the most likely forms for references: Anon (1931),‘Les films de la semaine’, Tribune de Genève, 28 January. Cabrera, D. (1998a), ‘Table Ronde de l’APA (Association pour l’Autobiographie et le Patrimoine Autobiographique)’, La Faute à Rousseau: ‘Le secret’, 18, pp. 28–29. —— (1998b), ‘Une chambre à soi’, Trafic, 26, pp. 28–35. Denis, Claire (1987), Chocolat, Paris: Les Films du Paradoxe. Flitterman-Lewis, S. (1990), To Desire Differently: Feminism and the French Cinema, Urbana and Chicago: University of Chicago Press. Grande, M. (1998),‘Les I
| // ===================================================================== | |
| // SuperCollider Workspace | |
| // ===================================================================== | |
| //: | |
| { | |
| var src; | |
| src = LFSaw.kr(0.2).range(360, 1000); | |
| SendTrig.kr(Impulse.kr(10), 0, src); | |
| }.play; | |
| //: |
//: a text: ( { var text; text = "The tao that can be told is not the eternal Tao The name that can be named is not the eternal Name. The unnamable is the eternally real. Naming is the origin
| git clone git@gitlab.com:iani/togia.git | |
| cd togia | |
| touch README.md | |
| git add README.md | |
| git commit -m "add README" | |
| git push -u origin master |
| This is my code .... | |