References We strongly prefer the use of Harvard references embedded in the main text in the following format (Harper 1999: 27), and a single bibliography at the end of the article rather than giving bibliographical references as side notes. the default term used for this list is ‘References’. Bibliographies do not need to be split into ‘References’ and ‘Further reading’. the terms ‘ibid.’ and ‘op. cit.’ are not appropriate in Harvard references. Here are some examples of the most likely forms for references: Anon (1931),‘Les films de la semaine’, Tribune de Genève, 28 January. Cabrera, D. (1998a), ‘Table Ronde de l’APA (Association pour l’Autobiographie et le Patrimoine Autobiographique)’, La Faute à Rousseau: ‘Le secret’, 18, pp. 28–29. —— (1998b), ‘Une chambre à soi’, Trafic, 26, pp. 28–35. Denis, Claire (1987), Chocolat, Paris: Les Films du Paradoxe. Flitterman-Lewis, S. (1990), To Desire Differently: Feminism and the French Cinema, Urbana and Chicago: University of Chicago Press. Grande, M. (1998),‘Les I
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To καινούργιο 27.5.19 είναι αυτό: | |
https://hangouts.google.com/call/D2nNVKyHsMiHdawnQV0iAEEI | |
Ναι αυτό: | |
https://hangouts.google.com/call/D2nNVKyHsMiHdawnQV0iAEEI |
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# IMPORTANT: path and name for this file is: ~/.i3/config | |
# i3 config file (v4) | |
# Please see http://i3wm.org/docs/userguide.html for a complete reference! | |
# Set mod key (Mod1=<Alt>, Mod4=<Super>) | |
set $mod Mod4 | |
# set default desktop layout (default is tiling) | |
# workspace_layout tabbed <stacking|tabbed> |
Code for session is here: https://github.com/iani/sc-hacks/blob/master/Snippets/ComputerMusicClass1810/Session190308.scd
NARRATOLOGY
http://www.uni-koeln.de/~ame02/pppn.htm
Paul Riceur: Time and Narrative
- Guillaume Apollinaire
- Un coup de dés jamais n’abolira le hasard (Mallarmé)
- James Joyce (Finnegan’s Wake)
- Teilhardt de Chardin
- Georges Perec: Life: A User’s Manual.
- Joris-Karl Huysmans: À rebours.
- Raymond Roussel: Nouvelles Impressions de l’Afrique. (Locus Solus?)
- Multimedia: From Wagner to Virtual Reality. https://www.amazon.com/Multimedia-Wagner-Virtual-Reality-Expanded/dp/0393323757
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Registry.put(\test, (corfu: 1, athens: 2)); | |
//: | |
Registry.at(\test); | |
//: | |
"hamachi list".unixCmd; | |
//: | |
var answer; | |
answer = "hamachi list".unixCmdGetStdOut; | |
answer.postln; | |
answer.split(Char.nl) do: { | line, num | postf("this is line number: %\n%\n", num, line) }; |
- Steve Dixon : Digital Performance
- Thor Magnusson : Sonic Writing
- The Oxford Handbook of Critical Improvisation Studies, Volume 1. Edited by George E. Lewis and Benjamin Piekut
- The Oxford Handbook of Algorithmic Music Edited by Alex McLean and Roger T. Dean
- Katja Kwastek: Aesthetics of Interaction in Digital Art
- Seth Kim-Cohen: Against Ambience
- Chris Salter: Alien Agency
- Chris Salter: Entangled
- Sha Xin Wei: Poiesis and Enchantment in Topological Matter