This essay on toki pona's semantics is the result of a conversation at #sona-musi in ma pona pi toki pona. If you'd like to see that conversation and the progressive realization of the sheer absurdity of it, you may find that here. Otherwise, enjoy the show! :)
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This "essay" stemmed from a question that I had recieved in response to a discussion about nimi sin overall. I have copied my lengthy answer into this as a way of displaying my conception of the language at one point in time.
Let's start with the first assertion that I'm going to make, which is that toki pona's philosophy is dynamic and open to constant (re)interpretation. It is through this that I feel as though I can justify the non-inclusion of particular aspects of toki pona reality into the cohesive statement about toki pona's philosophy for the sake of this
Hello there! My name is Flora Key, and I have been developing a couple of mods for the video game Cassette Beasts in private for almost a year(!) now. In that time, I've gained a lot of intimate knowledge about how both the game and Godot 3 itself functions, and I wish to spread what knowledge I've gained in a long, but hopefully simple-to-understand primer for those looking to get into modding for this wonderful game. :)
I'm also making this because as it stands right now, modding for the game is still in its early days. There is a lot of information out there about modding that is not widely known, incomplete, or even at times potentially harmful to the broader modding "scene" at large! This article seeks to provide tips and tricks for those seeking to implement mods for the game, for someone that may have the programming skill to understand some of Cassette Beasts' inner workings, but may still struggle to implement features into their mods.
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